Podcasts about best films

ion to our humanity. At twelve years of age, Darwin won the award for Best Film by a Child Producer, Best Cinematography, and Best Editing at the KidzFlicks awards for his short film Red Panda Man. He had previously made a claymation short film called My Eco Friendly House. Darwin then also was a Tropfest Jr finalist for his short Milk. Again, he was only twelve years old at the time.https://www.youtube.com/watch?v=CIZDIpQoomYFlash forward a decade and Darwin's creative streak continues with his latest short film Bluebird, a brilliantly realised short that pays homage to the classic swashbuckling films from the early 1900s. That sense of exploring and amplifying our relationship with the environment continues with Darwin's work as a cinematographer on the short film The Overthrow, and underpins the visual style of Bluebird. Bluebird features musical sequences, fighting, and romance, all with a backdrop of a glorious green environment that elevates the adventure of the story of a Princess seeking revenge in delightfully entertaining ways.There's a level of vision and scope at work within Bluebird that is a rarity for Australian films, and it's that vision that underpins the following conversation with Darwin, recorded ahead of Bluebird's Australian Premiere at the upcoming Fantastic Film Festival Australia. Bluebird will be screening in the Sydney Shorts package alongside a smorgasbord of great local talent, including Chris Elena's latest film Passion Pop.Bluebird is a film that's designed for an audience to appreciate and enjoy on the big screen. There's an understanding and appreciation of cinematic language and the possibilities of creative storytelling that makes the work of Darwin Schulze a delight to watch. In the following conversation, Darwin talks about how his journey into filmmaking began, what it means to have supportive parents who encouraged his creative journey, and how he managed to create the distinct and expansive look of Bluebird on a microbudget.Bluebird screens as part of the Sydney Shorts package at Fantastic Film Festival Australia on 27 April 2025.the Curb is a completely independent and ad free website that lives on the support of listeners and readers just like you. Visit Patreon.com/thecurbau, where you can support our work from as little as $1 a month. Hosted on Acast. See acast.com/privacy for more information.

ion to our humanity. At twelve years of age, Darwin won the award for Best Film by a Child Producer, Best Cinematography, and Best Editing at the KidzFlicks awards for his short film Red Panda Man. He had previously made a claymation short film called My Eco Friendly House. Darwin then also was a Tropfest Jr finalist for his short Milk. Again, he was only twelve years old at the time.https://www.youtube.com/watch?v=CIZDIpQoomYFlash forward a decade and Darwin's creative streak continues with his latest short film Bluebird, a brilliantly realised short that pays homage to the classic swashbuckling films from the early 1900s. That sense of exploring and amplifying our relationship with the environment continues with Darwin's work as a cinematographer on the short film The Overthrow, and underpins the visual style of Bluebird. Bluebird features musical sequences, fighting, and romance, all with a backdrop of a glorious green environment that elevates the adventure of the story of a Princess seeking revenge in delightfully entertaining ways.There's a level of vision and scope at work within Bluebird that is a rarity for Australian films, and it's that vision that underpins the following conversation with Darwin, recorded ahead of Bluebird's Australian Premiere at the upcoming Fantastic Film Festival Australia. Bluebird will be screening in the Sydney Shorts package alongside a smorgasbord of great local talent, including Chris Elena's latest film Passion Pop.Bluebird is a film that's designed for an audience to appreciate and enjoy on the big screen. There's an understanding and appreciation of cinematic language and the possibilities of creative storytelling that makes the work of Darwin Schulze a delight to watch. In the following conversation, Darwin talks about how his journey into filmmaking began, what it means to have supportive parents who encouraged his creative journey, and how he managed to create the distinct and expansive look of Bluebird on a microbudget.Bluebird screens as part of the Sydney Shorts package at Fantastic Film Festival Australia on 27 April 2025.the Curb is a completely independent and ad free website that lives on the support of listeners and readers just like you. Visit Patreon.com/thecurbau, where you can support our work from as little as $1 a month. Hosted on Acast. See acast.com/privacy for more information.

After a brief vacation/hiatus, we're back with the payoff episode! The draft from episode 159 culminates in a best films of the century bracket, where there can only be one winner. What film will it be? 0:00 – Introductions 22:37 – Best Films of the Century So Far Bracket Original Music provided by Kurt Moren https://ofsilent.life/

A new film by David Cronenberg is always a major event for all of us at Film Comment, especially after his 2022 opus Crimes of the Future was voted the Best Film of the Year by our contributors. So with Cronenberg's latest, The Shrouds, opening in cinemas this weekend, we invited this singular auteur to talk about his strange and thrilling new movie.  Like much of Cronenberg's work, The Shrouds is obsessed with sex and death, body and technology. But it's also funnier and more personal than almost anything the Canadian filmmaker has made before. Written in the wake of his wife Carolyn Cronenberg's death, the film follows a grieving entrepreneur named Karsh (Vincent Cassell), who has invented software that allows people to monitor the decaying bodies of their deceased loved ones. When some of Karsh's high-tech graves are vandalized, a complicated mystery arises, embroiling a number of eccentric characters—including the lookalike sister of Karsh's dead wife, played by Diane Kruger, and her ex-husband, a software developer played by Guy Pearce. As questions and conspiracies proliferate in the film, answers become more and more elusive. In the process, The Shrouds emerges as an extremely intelligent and moving film about our desperation for explanations in the face of the unknowable. For today's episode, Film Comment Editors Devika Girish and Clinton Krute chat with Cronenberg about making art to process loss, the eroticism of conspiracy theories, and why The Shrouds is very much a Toronto film.

What are your favorite film scores ever? What about the most iconic?

Caitlin Clark Is Popular Because Of Racism Per ESPN's Monica McNutt, OutKick Founder Clay Travis, Don't @ Me's Dan Dakich, Ranking Val Kilmer's Best Films & Primary Complaint Learn more about your ad choices. Visit podcastchoices.com/adchoices

A highlights edition looking at some films that dominated the 2025 Oscars...Jesse Eisenberg on A Real Pain, which he directed and stars in alongside Kieran Culkin (who won the Oscar for Best Supporting Actor), in a story that centres around a pair of mismatched cousins travelling through Poland in honour of their Jewish grandmother.American filmmaker Sean Baker discusses his film Anora, which took home five Oscars, including Best Film, for its portrayal of a feisty sex worker's unexpected Cinderella story.A Complete Unknown depicts the story of folk hero Bob Dylan's transition to electric music. Jason meets Edward Norton, who plays Pete Seeger in the film and was nominated for Best Supporting Actor.These conversations were recorded before the film's respective Oscar wins and nominations.

A highlights edition looking at some films that dominated the 2025 Oscars...Jesse Eisenberg on A Real Pain, which he directed and stars in alongside Kieran Culkin (who won the Oscar for Best Supporting Actor), in a story that centres around a pair of mismatched cousins travelling through Poland in honour of their Jewish grandmother.American filmmaker Sean Baker discusses his film Anora, which took home five Oscars, including Best Film, for its portrayal of a feisty sex worker's unexpected Cinderella story.A Complete Unknown depicts the story of folk hero Bob Dylan's transition to electric music. Jason meets Edward Norton, who plays Pete Seeger in the film and was nominated for Best Supporting Actor.These conversations were recorded before the film's respective Oscar wins and nominations.

The maestro of mid is back again for the second time already this year! Join us for a discussion of Steven's Soderbergh's new marital spy thriller “Black Bag”, followed by one of our fan favorite drafts. This time out, to celebrate March Madness we're drafting the top 16 movies of the century so far, which will culminate next episode with a bracket to determine a winner! Due to scheduling issues, March Madness itself will be over by the time you get to hear that follow-up episode, but the spirit will carry on into April. Thanks for listening. 0:00 – Introductions 17:47 – “Black Bag” Spoiler-Free Review 43:35 – Best Films of the Century So Far Draft Original Music provided by Kurt Moren https://ofsilent.life/

In this episode, we have a lengthy discussion on our favorite films from 2024. Support the show

Join us for a LIVE #KerfefeBreak on #Deprogrammed with Keri Smith on Friday, August 5th, 2022 at 12pm CDT, with special guest Julienne Davis! After a long career as an international fashion model, California born Julienne's acting career began when she landed her first role playing the iconic character of Mandy Curran in Stanley Kubrick's final film, EYES WIDE SHUT alongside Tom Cruise and Nicole Kidman. As well as playing several other substantial roles in films including HOUSE OF 9 with Dennis Hopper and Peter Capaldi, and COME TOGETHER with James Darcy and Lucy Punch, Julienne also appeared in leading and guest star roles on British TV, including being a series regular in the BBC comedy series TOO MUCH SUN with Mark Addy, Alex Jennings and Lee Majors. Julienne moved back to Los Angeles in 2006 and continues to act and do voiceover work for prominent productions. In 2018 she served as Casting Director for the award winning feature film A SWEETEST KISS. Her latest project was producing and playing the lead character Jackie/Jax in the feature film FEAR FREQUENCY for which she's won two Best Actress awards, plus Best Thriller and Best Film. Fear Frequency is out now on Amazon, You Tube and Google Play. Julienne, not content with just acting and film, is also an artist in other fields: a singer/songwriter/coproducer with her bands Sophisticated Savage and The Midnight Candy, a social/political writer/commentator (Heat Street, Fox News), and she loves painting. Now a professional artist, she accepts commissions and has sold her work to several art collectors in NYC and beyond.

Although we're now a couple months into 2025, I finally present you with the "best" film scores of 2024. As usual, there are some very mainstream scores in here that most observers would agree with and there are a few left field choices. If you're a longtime listener, that shouldn't surprise you. As with all of these lists, although I say they're the "best", what I really mean is these are my favorites. Who's to say what's really the best? Surely not me. If you can't control yourself, look below to see what scores I picked, though you'll miss out on the why of it all. And make sure to check out my conversation with David Rosen (from Piecing It Together) to see what we think are the best film scores of the decade (so far). Evil Does Not Exist – Eiko Ishibashi Smile 2 – Cristobal Tapia de Veer Megalopolis - Osvaldo Golijov AGGRO DR1FT – AraabMuzik Dune 2 – Hans Zimmer The Brutalist – Daniel Blumberg Challengers – Trent Reznor & Atticus Ross Le Comte de Monte Cristo (The Count of Monte Cristo) - Jerome Rebotier Kingdom of the Planet of the Apes - John Paesano A Different Man – Umberto Smerilli

In their latest episode, Ryan and Andrew discuss their favorite films of 2024, in addition to their favorite performances, best directors, and best screenplays of the year, amongst other accolades.

Filmmaker Steve Balderson discusses his diverse filmography, the challenges of blending genres, and the complexities of distribution and marketing in the film industry. He reflects on the provocative nature of his work, particularly in 'Watch Out,' and the balance between explicit content and artistic expression in 'Sex, Love, Venice.' Balderson also shares insights on character development, casting choices, and the importance of humor and improvisation in filmmaking. He concludes with thoughts on the financial realities of independent filmmaking and his journey of learning a new language while immersing himself in European culture. In this engaging conversation, Steve Balderson shares his insights on the intricacies of casting, auditioning, and the creative processes involved in filmmaking. He discusses the importance of personal growth, facing fears, and embracing change, particularly in the context of moving to Europe. The dialogue also explores the dynamics of relationships, the impact of public perception and reviews, and the exploration of non-traditional relationship structures. Additionally, Balderson delves into the sensory experiences in film and the meticulous art of filmmaking, emphasizing the precision required in creating compelling narratives.BIORoger Ebert gave Steve's film FIRECRACKER, starring Karen Black and Mike Patton, a Special Jury Award on his annual Best Films of the Year list. The U.S. Library of Congress selected his film THE CASSEROLE CLUB, starring Kevin Richardson of the Backstreet Boys, for its permanent collection. Steve ranks #47 on the IMDb's Top 100 Gay and Lesbian director's working today.Film Threat magazine praises, “Balderson makes movies that are so gorgeous that it's not unreasonable to say that, cinematographically at least; he's the equal of an Argento or Kubrick in their prime. Some people have perfect vocal pitch,Steve has perfect visual composition.”Steve's debut book, “Filmmaking Confidential,” debuted as an Amazon and Audible best-seller. He is a contributor to The Advocate and MovieMaker magazines and shares his extensive filmmaking knowledge as a guest lecturer at the University of California, Los Angeles (UCLA).http://www.stevebalderson.com/http://www.filmmakingconfidential.com/http://www.dikenga.com/Dikenga Films | WhatsApp +1 785 565 25 35To contact Wilkinson- email him at BecomingWilkinson@gmail.com

In which the fellas finally have Ricky (@RealRickyOrozco) on the podcast after name dropping him 5000 times. Join us as we count down our favorite films of least year. A huge thank you to all our guests, thank you Ricky, thank you Hugo, and thank you Eliot. A giant thank you to GBΔFLΔME for creating our theme/outro, he rules, listen to all his music right here

Now that Oscar season has come and gone, it is finally time to put a bow on the films from 2024. We rank our top 10 films of the year. Joining the show is CZP's former co-host Rachel Ho. We also feature voicemails from friends of the show who name their favourite film of the year.Dakota's List10. The Seed of the Sacred Fig9. Dune: Part Two8. The King Tide7. Kneecap6. Challengers5. Dìdi4. Saturday Night3. Civil War2. Sing Sing1. ConclaveRachel's List10. The Bikeriders9. Sing Sing8. A Different Man7. All The Long Nights6. Dune: Part Two5. Any Other Way: The Jackie Shane Story4. I'm Still Here3. Better Man2. September 51. Mars ExpressThank you our special guests for sending in voicemails of their favourite films: Jeff Bulmer from Classic Movies Live (Paying For It), Bryan Loomis from What A Picture (Evil Does Not Exist), Pedro Lima from ContraZoomPod.com (exergue - on documenta 14) and Marta Djordjevic from Rewind and Revive (All We Imagine As Light).Check out Dakota and Rachel's blog post If We Were Oscar Voters.Check out Dakota's full list of 2024 Films Ranked on Letterboxd.Follow Rachel on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, bookmark ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Asian Cut⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and check out her ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for more great reviews.Read her interview with Seven Veils director Atom Egoyan. Read Dakota's recent reviews on Shepherds and Can I Get A Witness.Follow Contra Zoom on⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠Bluesky⁠⁠⁠⁠⁠⁠⁠⁠.Check out more great Contra Zoom content on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠That Shelf⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!Listen to Contra Zoom on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Anchor⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Google Play⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Overcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Breaker⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and more!Please ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠rate and review⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ the show on Apple Podcasts or Spotify. For more information, visit ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠contrazoompod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Create your ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ today! #madeonzencastr

George shares his thoughts on Denis Villeneuve's acclaimed 2010 film INCENDIES, and how it's reshaped the way he sees Villeneuve's subsequent filmography.Send us your questions to hello@pulpkitchenpodcast.com! Enjoy new episodes of Pulp Kitchen every Wednesday YouTube/Spotify: Pulp Kitchen Podcast Instagram: https://www.instagram.com/pulpkitchenpodcast / https://www.instagram.com/jamesbriefel/ / https://www.instagram.com/georgepundek/ TikTok: https://www.tiktok.com/@pulpkitchenpodcast Letterboxd: https://letterboxd.com/GeorgePulp/

Losers Randall Colburn, Michael Roffman, and Justin Gerber head to Hollywood King again to discuss the latest developments in King's Dominion, specifically Netflix's Cujo (yes, that's a real thing), Mike Flanagan's The Life of Chuck, Edgar Wright's The Running Man, the 2025 Oscars, the work of Spike Jonze, and god knows what else came to mind.

In this engaging conversation, Wilkinson and Steve Balderson explore themes of personal growth, sexuality, and the journey of becoming a filmmaker. Steve shares his unique upbringing in Kansas, his awakening to his identity, and the pivotal experiences that shaped his life and career. The discussion delves into the importance of storytelling, the transformative power of love, and the lessons learned through art and self-discovery. Steve's insights on kindness, humor, and finding love in everyone he meets resonate throughout the conversation, making it a rich exploration of life as an artist and individual.BIORoger Ebert gave Steve's film FIRECRACKER, starring Karen Black and Mike Patton, a Special Jury Award on his annual Best Films of the Year list. The U.S. Library of Congress selected his film THE CASSEROLE CLUB, starring Kevin Richardson of the Backstreet Boys, for its permanent collection. Steve ranks #47 on the IMDb's Top 100 Gay and Lesbian director's working today.Film Threat magazine praises, “Balderson makes movies that are so gorgeous that it's not unreasonable to say that, cinematographically at least; he's the equal of an Argento or Kubrick in their prime. Some people have perfect vocal pitch,Steve has perfect visual composition.”Steve's debut book, “Filmmaking Confidential,” debuted as an Amazon and Audible best-seller. He is a contributor to The Advocate and MovieMaker magazines and shares his extensive filmmaking knowledge as a guest lecturer at the University of California, Los Angeles (UCLA).http://www.stevebalderson.com/http://www.filmmakingconfidential.com/http://www.dikenga.com/Dikenga Films | WhatsApp +1 785 565 25 35To contact Wilkinson- email him at BecomingWilkinson@gmail.com

Now that the Oscars are over, the best movies of the year are heading to cinemas in the next 3-4 months.  In this episode, Editor-in-Chief Alex Heeney is joined by C.J. Prince of Acquired Cinema to discuss four must-see films coming to cinemas this spring. This episode is an addendum to our two-part series on how the Oscars affect the international films you hear about in episode 160 and 161. Listen to episode 160: https://seventh-row.com/2025/02/14/ep-160-how-the-oscars-affect-the-international-films-you-hear-about/ Listen to episode 161: https://seventh-row.com/2025/02/21/ep-161-beyond-the-oscars-world-cinema/ ---- *** If you're interested in joining Seventh Row's movie-of-the-month membership: DM the word 'explorer' to: @SeventhRow on Instagram or  @SeventhRow.bsky.social on BluSky Or send an email with subject line 'Explorer' to contact@seventh-row.com. ---- Stay updated on the US distribution status of festival films at C.J. Prince's Acquired Cinema: http://acquiredcinema.substack.om

Today the Film Buff has a brief discussion on the best film of the year and the best drama of the decade. The Brutalist Those who brought us The Brutalist Main Cast: Joel Edgerton – László Toth Marion Cotillard – Erzsébet Toth Mark Rylance Sebastian Stan Vanessa Kirby Isaac Powell Stacy Martin Main Crew: Director: Brady Corbet Writers: Brady Corbet, Mona Fastvold Cinematographer: Lol Crawley Editor: Dávid Jancsó Production Design: Chris Oddy Costume Design: Kate Forbes Music: Danny Bensi, Saunder Jurriaans

Today we're checking out the recent Academy Awards show along with an Oscars-themed animated film game! Then, we sail away with Myke TV's thoughts on Disney cruise ships after enduring seven nights on Royal Caribbean's Brilliance of the Seas.

The Oscars were last night and the performances were unbelievable. Anora stole the show with multiple award wins including Best Actress and Best Film. People were not happy that Ariana didn't win for Best Supporting Actress which I agree with. In business news, Joann Fabric is closing all 800 of their stores after not being able to find a buyer. Blue Origin ( Jeff Bezos' space company) is launching an all female crew which includes Katy Perry and Gayle King. Benson Boone and Katy Perry both have songs that entered the Billions Club on Spotify. Antoni from Queer Eye has a new show on National Geographic where he takes celebrities to their origin countries and shows them cuisine from their heritage. Nicole Kidman has a new thriller movie coming out on Prime called Holland. Gaga's album comes out on Friday and apparently we have been missing something that has been right in front of our eyes this whole time, Miss Mayhem. We got a first look at Shrek 5 and it looks awful. Trisha Paytas has been rumored to be in the newest season of Euphoria. There's a reboot of A Walk To Remember in the works. And lastly Tate McRae's new album, So Close To What?, reached #1 on Billboard. Thanks for listening!

Neon's low budget film Anora and filmmaker Sean Baker ruled the night at the 97th Academy Awards, winning five trophies including best film. Hollywood insider Sandro Monetti spoke to Alexa Cook.

It's Oscars night and everybody wants a naked gold man! So why not listen to us talk about who will get one and who won't, as our host Carlo and  Ian (from Best Film Ever Podcast) share some thoughts on the nominees, tackle some predictions, and share their favorite Oscar winning screenplays. Check it out!00:00:00 - 00:00:51 -- Intro00:00:51 - 00:09:00 -- Meet Ian!00:09:00 - 00:32:30 -- The Oscars Talk00:32:30 - 00:39:03 -- Quote the Screenplay00:39:03 - 00:51:42 -- The Oscars Loot00:51:42 - 00:53:14 -- Closing00:53:14 - 00:56:39 -- OutroFollow Ian and Best Film EverWebsite: Best Film EverFacebook: Best Film EverTwitter: @bestfilmeverpodInstagram: @bestfilmeverpodThe Movie Loot Theme: Tino Mendes & Yellow Paper - The Heist

The Oscars ceremony is just around the corner, promising a night of glitz, emotion, and a twist or two. Hollywood correspondent Sandro Monetti spoke to Ingrid Hipkiss.

In what can be described as an episode exclusively inspired by the success of (and the subsequent backlash to) Sean Baker's "Anora" at this year's Academy Awards, Baker-fan Dhruv moderates also-Baker-fan Hemant and new-to-Baker's-films Cris' discussion about his latest film and the reception to it. Listen to the full episode to hear Hemant and Dhruv first discuss what they love about Baker's approach to representing marginalized characters in his previous films before Cris and Hemant discuss "Anora" and its reception in detail.(This episode was recorded before Dhruv had watched the film -- he expands on his thoughts on "Anora" in an upcoming ep where he discusses it as part of the "Best Film of 2024, Non-Indian Ed.")TIME CODES"Emilia Perez" Slander & "Megalopolis" Appreciation (Again): [00:00 - 12:34]Introduction: [12:34 - 19:14]Sean Baker's Cinema: [19:14 - 43:25]"Anora": [43:25 - 01:30:13]"Anora" Discourse: [01:30:13 - 02:10:34]Do hit 'Follow' on Spotify if you haven't already to help the podcast reach more people!Follow our Instagram page: https://instagram.com/queenisdead.filmpodcastYOU CAN (& SHOULD!) FOLLOW CRIS IN ALL THESE PLACES -Twitter - https://twitter.com/limjaesevenLetterboxd - https://letterboxd.com/crislim/Instagram - https://www.instagram.com/prdscris/

Bestselling authors William and Lara Bernhardt discuss the latest news from the book world, offer writing tips, and interview Lynette Bennett, star of stage and screen, who has written her first memoir, Broadway Dreamer.0:00 Opening ThoughtsThe Oscars are only two DAYS away (my bad) and we ponder why so many Best Film nominess are based on books.7:12 News1) Bookshop.org is Now Selling eBooks Online—For Indie Bookstores2) Cozy Fantasy is Now an Official Alternative to Dark and Spicy Fantasy14:28 Craft CornerDesiree Duffy of Black Chateau explains the importance of editorial book reviews—and how to get them.19:11 Interview with Lynette Bennett47:27 Parting WordsDon't forget the WriterCon Alaksan Cruise, May 30-June 7 leaving from Seattle. Over 20 hours of writing instruction, large group, small, and individual, while the ship is at sea. Our discounted room rate is only guaranteed through March 2, so make your reservations now! Click for more information. www.writercon.com/cruise/

More with Nick Schager as he offers up his annual Oscars predictions for Best Actor and Actress, Best Supporting Actor and Actress, and Best Film. The Christopher Gabriel Program ----------------------------------------------------------- Please Like, Comment and Follow 'The Christopher Gabriel Program' on all platforms: The Christopher Gabriel Program is available on the KMJNOW app, Apple Podcasts, Spotify, YouTube or wherever else you listen to podcasts. --- The Christopher Gabriel Program | Website | Facebook | X | Instagram | --- Everything KMJ KMJNOW App | Podcasts | Facebook | X | Instagram See omnystudio.com/listener for privacy information.

Ryan Dunlevy and Rob Dunham give a full breakdown of the Best Picture Winner from the year 2020: Parasite.This is the first in a series of 4 upcoming episodes that will cover previous Best Picture winners. A new breakdown will come every other week. FilmforFans.comOur 10 Best Films of 2024

 Sonya Chung is the author of the novels The Loved Ones (Relegation Books, 2016) and Long for This World (Scribner, 2010). She is a staff writer for the The Millions and founding editor of Bloom, and is a recipient of a Pushcart Prize nomination, the Charles Johnson Fiction Award, the Bronx Council on the Arts Writers' Residency, a MacDowell Colony Fellowship, a Key West Literary Seminars residency, a Studios of Key West residency, and an Escape to Create residency.  Sonya's stories, reviews, & essays have appeared in The Threepenny Review, Tin House, The Huffington Post, Buzzfeed, The Late American Novel: Writers on the Future of Books, Short: An International Anthology, and This is The Place: Women Writing About Home, among others. Sonya has taught fiction writing at Columbia University, NYU, and Gotham Writers' Workshop. She is the Director of Film Forum. Film ForumFilm Forum began in 1970 as an alternative screening space for independent films, with 50 folding chairs, one projector and a $19,000 annual budget. Karen Cooper became director in 1972 and under her leadership, Film Forum moved downtown to the Vandam Theater in 1975. In 1980, Cooper led the construction of a twin cinema on Watts Street. In 1990, Film Forum's current Houston Street cinema was built at a cost of $3.2 million. In 2018, Film Forum raised $5 million to renovate and expand its Houston Street cinema, upgrading the seating, legroom, and sightlines in all theaters and adding a new, 4th screen. In 2023, Cooper stepped down as Director and was succeeded by Deputy Director Sonya Chung.We present two distinct, complementary film programs – NYC theatrical premieres of American independents and foreign art films, programmed by Cooper (Advisor to the Director as of 2023), Mike Maggiore, and Sonya Chung; and, since 1987, repertory selections including foreign and American classics, genre works, festivals and directors' retrospectives, programmed by Bruce Goldstein. Our third and fourth screens are dedicated to extended runs of popular selections from both programs, as well as new films for longer engagements. Film Forum is open 365 days a year, with as many as 250,000 annual admissions, nearly 500 seats, approximately 60 employees (of which half are full time), 6,500+ members and a $7 million operating budget. Approximately 80% of our budget is spent directly on programs. As a non-profit, we raise approximately 50% of our operating income. Public funders include: The National Endowment for the Arts, The New York State Council for the Arts, and various NYC agencies including the NYC Department of Cultural Affairs. Private donors include individuals, foundations, and corporate entities. Additionally, our members contribute more than $500,000 annually. This allows us to take risks on emerging filmmakers and challenging films. Film Forum has a $6 million endowment, begun in 2000 with a $1.25 million gift from the Ford Foundation.Film Forum is the only autonomous nonprofit cinema in New York City and one of the few in the U.S. The success of our distinctive position is evidenced by our over 50-year tenure, during which our programs and fiscal resources have grown steadily. Sadly, since the 1970s, dozens of NYC art-house theaters (and a great number throughout the U.S.) have closed their doors.As a cinema of ideas, Film Forum is committed to presenting an international array of films that treat diverse social, political, historical and cultural realities. Unlike commercial cinemas that primarily “book” high-grossing, Hollywood films, Film Forum's programs are thoughtfully selected, with attention to unique cinematic qualities, historical importance individually or within a genre and – particularly for documentaries – relevance to today's world.Elizabeth HowardElizabeth Howard is the Host of the Short Fuse Podcast.Arts Fuse The Arts Fuse was established in June, 2007 as a curated, independent online arts magazine dedicated to publishing in-depth criticism, along with high quality previews, interviews, and commentaries. The publication's over 70 freelance critics (many of them with decades of experience) cover dance, film, food, literature, music, television, theater, video games, and visual arts. There is a robust readership for arts coverage that believes that culture matters. 

The Academy Awards take place this Sunday in Los Angeles concluding this year's awards season. It's been an unpredictable one with films Conclave, Emilia Perez and The Brutalist sweeping up big prizes at the Golden Globes, BAFTAs and the SAG Awards. They'll face blockbuster hits Dune: Part Two and Wicked in the Best Film category at the Oscars. We speak to the BBC Culture Reporter Yasmin Rufo about what topics and controversies have got film fans, voters and critics speaking this season.Plus we hear how artificial intelligence is being used in film and why it's controversial from Dominic Lees, an Associate Professor and AI Expert at the University of Reading in the UK.Instagram: @bbcwhatintheworld Email: whatintheworld@bbc.co.uk WhatsApp: +44 0330 12 33 22 6 Presenter: William Lee Adams Producers: Josh Jenkins and Benita Barden Editor: Verity Wilde

I'm calling it right now. Lesbian Space Princess is the film of the year. I saw it in a sold out auditorium at the beautiful art deco Piccadilly cinema in Adelaide with an Adelaide Film Festival audience that lapped up every laugh, every tear, and every splash of neon bright queer celebration on screen. Lesbian Space Princess is the animated feature debut of filmmakers Leela Varghese and Emma Hough Hobbs, a collaborative force to be reckoned with, set to change the Australian film industry one bubblegum flavoured cel at a time. The film follows Saira (voiced brilliantly by the superb Shabana Azeez), the titular lesbian space princess who finds herself having to leave her sheltered planet in the wide galaxy to save her punk rock ex-girlfriend Kiki (Bernie Van Tiel) after she is kidnapped by the Straight White Maliens (voiced by the Aunty Donna crew). Saira pilots a ship (voiced with joyous deadpan delivery by Richard Roxburgh, completing his one-two punch of career best performances alongside his turn in The Correspondent), encountering the delightful Willow (a scene stealing Gemma Chua-Tran), and the two head off in the galaxy to save Kiki.That plot synopsis barely scratches the surface of what is going on within one of the sharpest, funniest, queerest films to be produced in Australia. There is the Australian film industry before Lesbian Space Princess, and there is the Australian film industry after Lesbian Space Princess, and I can't wait to see what work this film inspires people to create. I'm still giddy from the ten minute standing ovation that took place on the opening night. You know us Aussies, we're not partial to standing ovations, let alone standing for anything (unless it's a queue), so to know we stood, clapped, cheered, and heaped deserving praise on this debut film is a strong enough statement as it is. That energy I'm putting forward lingers in the following interview with Leela, Emma, and Shabana (who joined us after a day of shooting her HBO series The Pitt, and after her film Birdeater took home Best Indie Film at the AACTAs). In this discussion, we talk about the origins of Lesbian Space Princess, what it means to create a narrative that everyone can relate to, the varied emotionality of the film, and a lot more. We close the chat with Emma telling us the impact of the film on relationships. This interview was recorded ahead of Lesbian Space Princess' world premiere at the Berlinale Film Festival where it is in competition for the Panorama Audience Award and the Teddy Award for LGBTQIA+ films. The version screened at the Adelaide Film Festival was a work in progress print. Lesbian Space Princess was awarded the full $10,000 from the Queer Screen Completion Fund. The Completion Fund recipients are determined by an independent jury. The following chat is one of the first pieces (of many) that the Curb will be putting up this year as we celebrate the year of Lesbian Space Princess. Get excited folks, your new favourite film is not far away.If you want to find out more about the work we do on The Curb, then head over to TheCurb.com.au. We are a completely independent and ad free website that lives on the support of listeners and readers just like you. If you can and have the means to support us, please visit Patreon.com/thecurbau to support our work from as little as $1 a month. Hosted on Acast. See acast.com/privacy for more information.

Will Conclave's Best Film and Mikey Madison's surprise Best Actress win at the BAFTAs have any impact on their Oscar chances? Awardist host Gerrad Hall and EW Oscars expert Joey Nolfi analyze the race after those victories. Plus, who will take home SAG awards? Listen for our predictions…there could be a wicked surprise in one (more more?) category. Learn more about your ad choices. Visit podcastchoices.com/adchoices

I'm calling it right now. Lesbian Space Princess is the film of the year. I saw it in a sold out auditorium at the beautiful art deco Piccadilly cinema in Adelaide with an Adelaide Film Festival audience that lapped up every laugh, every tear, and every splash of neon bright queer celebration on screen. Lesbian Space Princess is the animated feature debut of filmmakers Leela Varghese and Emma Hough Hobbs, a collaborative force to be reckoned with, set to change the Australian film industry one bubblegum flavoured cel at a time. The film follows Saira (voiced brilliantly by the superb Shabana Azeez), the titular lesbian space princess who finds herself having to leave her sheltered planet in the wide galaxy to save her punk rock ex-girlfriend Kiki (Bernie Van Tiel) after she is kidnapped by the Straight White Maliens (voiced by the Aunty Donna crew). Saira pilots a ship (voiced with joyous deadpan delivery by Richard Roxburgh, completing his one-two punch of career best performances alongside his turn in The Correspondent), encountering the delightful Willow (a scene stealing Gemma Chua-Tran), and the two head off in the galaxy to save Kiki.That plot synopsis barely scratches the surface of what is going on within one of the sharpest, funniest, queerest films to be produced in Australia. There is the Australian film industry before Lesbian Space Princess, and there is the Australian film industry after Lesbian Space Princess, and I can't wait to see what work this film inspires people to create. I'm still giddy from the ten minute standing ovation that took place on the opening night. You know us Aussies, we're not partial to standing ovations, let alone standing for anything (unless it's a queue), so to know we stood, clapped, cheered, and heaped deserving praise on this debut film is a strong enough statement as it is. That energy I'm putting forward lingers in the following interview with Leela, Emma, and Shabana (who joined us after a day of shooting her HBO series The Pitt, and after her film Birdeater took home Best Indie Film at the AACTAs). In this discussion, we talk about the origins of Lesbian Space Princess, what it means to create a narrative that everyone can relate to, the varied emotionality of the film, and a lot more. We close the chat with Emma telling us the impact of the film on relationships. This interview was recorded ahead of Lesbian Space Princess' world premiere at the Berlinale Film Festival where it is in competition for the Panorama Audience Award and the Teddy Award for LGBTQIA+ films. The version screened at the Adelaide Film Festival was a work in progress print. Lesbian Space Princess was awarded the full $10,000 from the Queer Screen Completion Fund. The Completion Fund recipients are determined by an independent jury. The following chat is one of the first pieces (of many) that the Curb will be putting up this year as we celebrate the year of Lesbian Space Princess. Get excited folks, your new favourite film is not far away.If you want to find out more about the work we do on The Curb, then head over to TheCurb.com.au. We are a completely independent and ad free website that lives on the support of listeners and readers just like you. If you can and have the means to support us, please visit Patreon.com/thecurbau to support our work from as little as $1 a month. Hosted on Acast. See acast.com/privacy for more information.

We conclude with our consensus top 9 movies of the year and talk about who we’re rooting for at the Oscars. The post TN035: Best Films of 2024, part 2 appeared first on .

Send us a textOn Sunday, March 2, 2025, the 97th Academy Awards broadcast will anoint its winners in esteemed categories that have been coveted for nearly 100 years by producers, actors, screenwriters and directors since Tinseltown first conceived of the awards ceremony.Viewed from around the world by a growing cinematic community, countless critics, bloggers and podcasters have made their predictions.The Fixate & Binge Podcast is making theirs -- and for the major categories, you will not want to miss this special episode. Will I get it wrong? Is there an upset brewing on March 2nd that will be talked about for years to come? Tune in to hear my best guess why I've made my choices and feel free to give me a "I toldya so" response for the ones I got wrong!Additionally, I also (finally) list the best films of 2024 -- a delay that I offer an explanation for, and one that will likely require 2025's Best Film list to be explained in early 2026, and so on!Thank you for listening! You can find and follow us with the links below!Read our Letterboxd reviews at:https://letterboxd.com/fixateandbinge/Follow us on Instagram at:https://www.instagram.com/fixateandbingepodcast/?hl=msFollow us on TikTok at:https://www.tiktok.com/@fixateandbingepodcastVisit our website at:https://fixateandbingepodcast.com/

"Conclave" had its world premiere at the 2024 Telluride Film Festival, where it received positive reviews and was nominated for a bunch of prizes this awards season. Most recently, it received 8 Academy Award nominations, including Best Picture, won the Art Directors Guild for Contemporary Feature Film, won the Costume Designers Guild for Excellence in Contemporary Film, and won 4 BAFTA Film Awards, including Best Film, Best Editing, and Best Adapted Screenplay. Oscar-nominated Producer Tessa Ross, Production Designer Suzie Davies, and Costume Designer Lisy Christl were all kind enough to spend some time speaking with Will Mavity and me about their work on the film, which you can listen to below. Please be sure to check out the film, which is now available to stream on Peacock and is up for your consideration for this year's Academy Awards in all eligible categories, including Best Picture, Best Costume Design, and Best Production Design. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

On episode 276 of The AwardsWatch Podcast, AW's Editor-In-Chief Erik Anderson, Executive Editor Ryan McQuade and Associate Editor Sophia Ciminello break down the 2025 BAFTA winners and give a preview and their predictions of next week's SAG Awards. A very spread-the-wealth year, BAFTA gave no film more than four wins, including a split Best Film and Best Director, with Conclave claiming the former and Brady Corbet the latter for The Brutalist, the two films to to earn those four BAFTAs. No real surprises in the Leading Actor (Adrien Brody), Supporting Actor (Kieran Culkin) and Supporting Actress (Zoe Saldaña) races but when Anora won the Casting award early on it was the bellwether for Mikey Madison's 'surprise' win for Leading Actress at the end of the night over Demi Moore (The Substance). A Real Pain's historically significant triumph over Anora in Original Screenplay also set up what will be one of the most competitive Oscar races on March 2 as winner voting ends tomorrow. We jump over to SAG, a conversation that mirrors BAFTA a bit, where we all feel strongly for three frontrunners and each make cases for Madison, Moore and the outside spoiler of a Cynthia Erivo. You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. This podcast runs 1h13m. We will be back next week to talk the results of the back-to-back Spirit Awards and SAG Awards and reveal our final Oscar predictions of the season. Till then, let's get into it. Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

The gang is back together to talk about the best movies from 2024. The post TN034: Best Films of 2024, part 1 appeared first on .

Wow. It's been a minute, huh?  Mike and Justin dust off their microphones and pop filters to bring you each of their Top 10 Films of 2024, plus a brief catchup on noteworthy TV and Movie items that they've watched since last releasing an episode in a section officially dubbed "Highlights of the Hiatus." A section that they hope not to have to use often, but when they do, it's as well named as it comes.  Intro (00:00:00 - 00:06:32) News on the March  Highlights of the Hiatus (00:06:32 - 00:23:17) Best Films of 2024! (00:23:17 - 02:20:02) No Spoiler Section  Outro (02:20:02 - 02:21:41) For all your movie and game news, reviews, and more, check out our friends at www.cinelinx.com. Follow us on: Twitter/X Facebook Instagram Email us at: casualcinemedia@gmail.com Talk Criterion Collection, film, tv, and other stuff with us in our Facebook group at:  https://www.facebook.com/groups/casualcinecast Intro/Outro Music courtesy of Jake Wagner-Russell at www.soundcloud.com/bopscotch

Mase & Sue give their picks for favorite 2024 films. Some Oscar nominated, some not, and some off your radar. Plus, Wendi McLendon-Covey chats about her role in the hilarious NBC mockumentary series,

WGA voter Patrick Breen shares his picks for this year's film awards, and is joined by writer/director Vincent Simpson fresh off of his trip to the Sundance Film Festival to discuss the upcoming Academy Awards. The pair also share their five favorite movies of 2024, and reveal their Oscar predictions category by category.

Join our DISCORD►https://discord.gg/v64NGAGSupport us on PATREON► https://www.patreon.com/CultPoptureThis week we look at all the awesome movies we'll probably miss in cinemas in the SECOND half of 2025!Check out our rankings on Letterboxd:Cult Popture► https://letterboxd.com/CultPopture/Richard► https://letterboxd.com/rmpm/AJ► https://letterboxd.com/ajinhdDONATE TO OUR PATREON ► https://Patreon.com/CultPoptureCHECK OUT OUR MERCH► https://teespring.com/stores/cult-poptureLIKE US ON FACEBOOK ► goo.gl/9EFEIaFOLLOW US ON TWITTER ► goo.gl/tuixnWSUBSCRIBE TO US ON YOUTUBE ► goo.gl/ITdEhKEMAIL US AT ► cultpopturemedia@gmail.comFOLLOW US ON INSTAGRAM ► goo.gl/1rrpH7VISIT THE WEBSITE ► www.cultpopture.com Hosted on Acast. See acast.com/privacy for more information.

AKAPAD The Film Buff is nothing else to say other than that this film must be experienced. It's clear that HERE is the best film of 2024.

Richard calls in from Park City, Utah, where he's wrapping his time at the 2025 Sundance Film Festival, and joins David and Rebecca to break down the best films—and possible Oscar contenders—to premiere in this year's program. Then, the hosts answer some post-Oscar nominations listener questions, from the frontrunner status of Emilia Pérez to the rapid surge of A Complete Unknown. Learn about your ad choices: dovetail.prx.org/ad-choices

This Week on the Force Five Podcast:Squarespace wasn't ready for the whole episode, so I had to split them up!

This Week on the Force Five Podcast:

Happy New Year! Austin and Raymond get into their best films of 2024. What makes a film a "best" film? Was it your experience of watching the film? The performances? The craft? Because it was made by Sean Baker? And stick around until the end for our best performances of the year! Here are the films we get into! Raymond's Top 5: I Saw the TV Glow Furiosa Fancy Dance Nosferatu Anora Austin's Top 5 Kneecap Anora The Substance Passages The Count of Monte Cristo Join the SHOW ME THE MEANING! LIVESTREAM every Tuesday at 5 PM PST on the Wisecrack 2 channel! https://youtube.com/@wisecrack_2 Follow us on Twitter! @austin_hayden (Austin) @creamatoria (Raymond) and on Letterboxd! @SMTMPod @creamatoria @izbel (Henry) © 2024 Wisecrack / Enthusiast Gaming Learn more about your ad choices. Visit podcastchoices.com/adchoices