Podcast appearances and mentions of dallas art fair

Jessica Fuentes, William Sarradet, and Brandon Zech discuss the trends they found at the 2025 Dallas Art Fair and the Dallas Invitational. "It stuck out to me thematically that there seemed to be a lot of landscapes and interiors — interiors of houses, some still lives. Overall the work felt a little more conservative to me than the Dallas Art Fair normally feels. Dallas is generally the most adventurous buying-wise."  See related readings here: https://glasstire.com/2025/04/20/art-dirt-reporting-on-the-dallas-art-fairs/ If you enjoy Glasstire and would like to support our work, please consider donating. As a nonprofit, all of the money we receive goes back into our coverage of Texas art. You can make a one-time donation or become a sustaining, monthly donor here: https://glasstire.com/donate

Episode 459 / Dana Piazza Dana Piazza is a visual artist who creates abstract drawings and paintings on paper, panel, and canvas through a process of open-ended experimentation, repeating simple marks with brushes, markers, pens, and nibs. The meticulous forms that Piazza conjures on his flat surfaces depict the illusion of depth and movement; they seem voluminous, carrying significant visual weight. He approaches each work as though it were both a puzzle and an experiment, and lets the materials and tools determine the process.   Dana lives and works in Lenox, Massachusetts. He looks forward to featuring at Dallas Art Fair and having his first solo exhibition with TURLEY, by whom he is represented, in the Spring of 2025. His work has previously appeared in solo exhibitions at Art Austerlitz in Austerlitz, New York; Thompson Giroux Gallery in Chatham, New York; and Jennifer Terzian Gallery in Litchfield, Connecticut. His numerous group exhibitions include “Flat Files at OyG” at Ortega y Gasset Projects in Brooklyn; “Concentrated” at Galerie Manqué in Brooklyn; “Art on Paper” at Muriel Guépin Gallery in New York City; and “Guilty Pleasures” at Geoffrey Young Gallery in Great Barrington, Massachusetts. Piazza received a BFA from Purchase College, State University of New York. This episode was recorded live at the https://www.williamsburgbiannual.org Sound & Vision is sponsored by Soho Art Materials, Golden Artist Colors and Fulcrum Coffee Roasters. 

Bumin Kim is originally from South Korea and received her MFA in Drawing and Painting in 2015 from the University of North Texas, Denton, Texas. In 2017 she was awarded at the 30th annual international competition and exhibition, Materials: Hard+Soft. Her work has been shown by various institutions, including: Art Miami and Pulse Art Fair in Miami, FL; Dallas Art Fair in Dallas, TX; Art Aspen in Aspen, CO; San Francisco Art Fair in San Francisco, CA, Art Market Hamptons Fine Art Fair in Water Mill, NY; and Texas Contemporary Art Fair in Houston, TX. Furthermore, Kim's work has been featured in publications, such as: New American Paintings, Fresh Paint Magazine, and Glasstire, and can be found in public and private collections throughout the United States, South Korea, Japan, and Europe. Bumin Kim completed an artist residency at Facebook's headquarters in Austin, Texas in 2020, and her work was selected to be displayed at the Schneider Museum of Art in Ashland, Oregon in 2022. Meadow 5, 53 x 48 in, thread and acrylic on wood panel, 2024 Winter Night, 35 x 35 in, thread and acrylic on wood panel, 2024 Vexillum 1 (2023), 20 x 12 x 6 in, thread and wood, 2023

Brandon Zech, Leslie Moody Castro, and Gabriel Martinez talk about the 2024 editions of the Dallas Art Fair and the Dallas Invitational. "The opening night party was kind of sparse. Normally it's a zoo; you can't walk through the lobby, the valet line is a mess. There was a nice crowd, but nothing like I have experienced in the past." See related readings here: https://glasstire.com/2024/04/07/art-dirt-recapping-dallas-art-fairs If you enjoy Glasstire and would like to support our work, please consider donating. As a nonprofit, all of the money we receive goes back into our coverage of Texas art. You can make a one-time donation or become a sustaining, monthly donor here: glasstire.com/donate

thr33s checks in from the Dallas Art Fair and Crouton anxiously waits for word from Zach Edey's mom about her appearance on the pod. But, the main focus of this episode is Rattro on the cusp of gr3atn3ss. All the makings of a dyantasy decision classic play out in the final three games of the 2024 Grotto Madn3ss 3v3nt. Crouton adds some strategic appproaches to holding or burning s33ds for Coll3g3 Y3ars, and thr33s feels himself with another banger 3v3nt drop.

Brandon Zech and Leslie Moody Castro break down the trends they found at the 2023 Dallas Art Fair. "Faux naïf surrealist figuration is the era we are solidly in right now." See related readings here: https://glasstire.com/2023/04/23/art-dirt-reporting-from-the-dallas-art-fair If you enjoy Glasstire and would like to support our work, please consider donating. As a nonprofit, all of the money we receive goes back into our coverage of Texas art. You can make a one-time donation or become a sustaining, monthly donor here: https://glasstire.com/donate

On Season 3, Episode 2, of The Art Career Podcast, Emily McElwreath interviews Los Angeles based artist Caris Reid. Reid's paintings are a symbolic world of blooming flowers, floating lips, and penetrating stares. Influenced by her interest in Tarot and Hypnosis, the paintings feel both familiar and mysterious, every detail is coded and ripe with meaning.  Reid has shown her paintings in solo exhibitions at Over the Influence Gallery in Los Angeles, Denny Gallery in New York, Ochi Projects in Los Angeles as well as exhibiting in two person shows with Elise Ferguson at Monya Rowe Gallery, and with Amanda Valdez at Denny Gallery in New York and Cicuit12 Gallery in Dallas.  Her work has been exhibited at the Untitled Art Fair in Miami, Art Central Art Fair in Hong Kong, Intersect Art Fair in Palm Springs, The Dallas Art Fair,  Expo Chicago, and The Spring Break Art Fair in both New York and Los Angeles.  She's been included in group exhibitions at The Landing Gallery in Los Angeles,  Sargents Daughters in New York,  Over The Influence Gallery in Hong Kong, Leo Koenig in New York, Longhouse Projects in New York, O-O in Los Angeles, SEASON  in Seattle, Ochi Gallery in Idaho, and The National Arts Club in New York among others.  Caris has led painting and meditation workshops at The Palm Springs Museum of Art and at Maha Rose in New York.  In 2016 she completed a 40 foot mural in downtown Los Angeles titled Grace and Grit.  Her work has been featured in The New Yorker, The Observer, Artsy, Vogue Japan, Vogue Mexico, W Magazine, Architectural Digest, Forbes Magazine, LALA magazine and The New York Times as well as the book “Plant Magick” from the Taschen Library of Esoterica.   This episode is sponsored by BetterHelp. Visit ⁠BetterHelp.com/TAC ⁠today and get 10% off your first month. ⁠theartcareer.com⁠ Follow us: ⁠@theartcareer⁠ Follow Caris Reid: @carisr Podcast host: ⁠@emilymcelwreath_art⁠ Social Media: ⁠@lilap3arl⁠ Music: Chase Johnson Editing: Zach Worden

Roscoe Hall has spent his time working as a chef and an artist his whole life. On today's episode of Studio, Noize Roscoe tells us about how much the two worlds blend together and add depth to his mixed media paintings. We talk about his painting materials lists feeling like ingredient lists, how he made it through hustling his artwork, and the need to make paintings after long restaurant days. Roscoe reveals the revelations he had at the Dallas Art Fair this year and where he sees himself going with his work. Listen, subscribe, and share!Episode 143 topics include:art materials listsbuilding texture in paintingpersonal history influencing artiststhe Dallas Art Fairselling art being a chef vs being an artistgetting into a zone in the studioconnecting with other Black artistsRoscoe Hall is not only a chef, but also an accomplished artist who works in a variety of media. He was introduced to fine dining at a young age and immediately wanted to get into the kitchen. He started as a dishwasher at a small local restaurant until he landed a job as a line cook at Chez Panisse, where he trained for two years under Alice Waters. He then moved up the culinary ranks learning various cuisines at multiple restaurants in St. Louis and Portland, before heading to New York City to work under Chef David Chang at Momofuku Saam Bar. He later moved to Birmingham, AL and served as Executive Chef for Rodney Scott's BBQ. With a kick ass wife and two hilarious children, Roscoe recently took on a new role as culinary director for Post Office Pies and is working on an exhibition of his latest art.See More: www.scottmillerprojects.com/exhibitions/roscoe-hall/ + Roscoe Hall IG @artisticmisfitsFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

William Sarradet and Brandon Zech discuss the Dallas Art Fair's return to normal. "Who doesn't love a big, bright, blotchy swath of color?" See related readings here: https://glasstire.com/2022/04/24/art-dirt-recapping-the-2022-dallas-art-fair If you enjoy Glasstire and would like to support our work, please consider donating. As a nonprofit, all of the money we receive goes back into our coverage of Texas art. You can make a one-time donation or become a sustaining, monthly donor here: https://glasstire.com/donate

William Sarradet and Brandon Zech break down the good and the bad from this year's Dallas Art Fair. "On one hand, you can't take your local dealers for granted and expect to have a successful fair. I think that's a fact. On the other hand, you can't have a successful fair if you're only showing local galleries." See related readings here: https://glasstire.com/2021/11/21/art-dirt-how-was-this-years-dallas-art-fair/ If you enjoy Glasstire and would like to support our work, please consider donating. As a nonprofit, all of the money we receive goes back into our coverage of Texas art. You can make a one-time donation or become a sustaining, monthly donor here: https://glasstire.com/donate

"If you only knew from what rubbish Poetry grows, knowing no shame." - Anna Akhmatova "You don't need friends everybody. Just have fun with yourself." - Me LINKS:Buy The Complete Poems of Anna Akhmatova here: https://www.indiebound.org/book/9780939010271Order your greeting cards here: https://www.robynoneil.com/cardsandstickersBuy a ME READING STUFF shirt or sweatshirt to support The Trevor Project here: https://cottonbureau.com/products/me-reading-stuff#/1948499/tee-men-standard-tee-vintage-black-tri-blend-sVisit my work at the Dallas Art Fair here: https://www.dallasartfair.comMy website: www.robynoneil.comMe on Instagram: https://www.instagram.com/robyn_oneil/?hl=enHandwritten Notes: https://www.instagram.com/handwrittennotesontv/Me on Twitter: https://twitter.com/Robyn_ONeil

We're excited to have Grace Lynne Haynes on the Noize! Grace is a wonderful young artist whose career is off to a tremendous start. From working on two magazine covers for the New Yorker, attending Kehinde Wiley's Black Rock residency, to solo shows with Band of Vices and Luce Gallery in Italy, Grace's career is already some other people's bucket list. We talk about the underlining concepts of her work and how she's handling such rapid success. You know your boy can't help but get a little art nerdy about her materials and relationship to color. It's an all-around great conversation with one of the talented young Black woman artist that is redefining the image of Black women in art. Listen, subscribe, and share!Episode 125 topics include:creating covers for the New YorkerKehinde Wiley's Black Rock residencyevolving as an artistpursuing an MFAredefining the image of Black women in fine artthe meaning of colortexture and material in artworkGrace Lynne Haynes is a California born visual artist currently based in New Jersey. She creates lusciously composed paintings containing bright textures and patterns. Intricate moments are juxtaposed against flat, black swaths of paint shaped to represent black female bodies. The artist's painterly devices lead the viewer to question the very nature of color and how historically symbolic meanings surrounding colors and shades, especially black, are constructed. In Haynes's work, black appears aspirational, dignified, and sublime. The result is a network of images addressing complex topics and stereotypes surrounding black femininity.Grace Lynne Haynes, an inaugural member of Kehinde Wiley's Black Rock Senegal residency, is included in the 2020 edition of Forbes 30 Under 30 in Art & Style. Her first Los Angeles solo exhibition is in March of 2020 at the Band of Vices Gallery, and she will follow it up with a solo exhibition at Luce Gallery in Italy in 2022. Haynes has exhibited at the Ontario Museum of History and Art, Untitled Art Miami, Dallas Art Fair and Paul Robeson Gallery of Rutgers University, Newark. She was a selected artist in Daily Collector's online article “20 Painter's Who Are Shaping the Next Decade”, and her work has been published in LA Weekly, New American Paintings, Creative Quarterly, and Culture Type.See More: www.bygracelynne.com + Grace Lynne Haynes IGFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

Arthur Peña is a Bronx based artist, curator, and writer. He is the co-founder of Dallas’ Deadbolt Studios, founder/director of experimental art space WARE:WOLF:HAUS, and grant-funded, roving music venue/music label Vice Palace.Arthur discusses his evolution as an artist, his Dallas upbringing, and time spent in the studio. Peña has shown throughout Texas, including exhibitions at Blue Star Contemporary, Oliver Francis Gallery, Barry Whistler Gallery, Dallas Museum of Art, Dallas Art Fair, and a solo exhibition at Dallas Contemporary; additional exhibition venues in New York include Et Al Projects, This Friday or Next Friday, and Couples Counseling. In 2019, Brigitte Mulholland (currently a director at Anton Kern Gallery) presented a solo booth of his work at the Spring/Break Art Show.His work has been featured in Art in America, Vice, ArtNews, Hyperallergic, Art Maze Magazine, New American Paintings, and Dallas Morning News. Additionally, Peña is a prominent contributing writer with a storied archive of artist interviews including conversations with Stanley Whitney, Joyce Pensato, Nina Chanel Abney, Katherine Bradford, Sterling Ruby, Michael Rakowitz, and many more.Peña received his Post- Baccalaureate from the School of the Art Institute of Chicago and his MFA in Painting from Rhode Island School of Design.website: ArthurPena.comOriginally recorded on October 2, 2020

Episode Thirty-One features Grace Lynne Haynes. She is a California born visual artist currently based in New Jersey. She creates lusciously composed paintings containing bright textures and patterns. Intricate moments are juxtaposed against flat, black swaths of paint shaped to represent black female bodies. The artist’s painterly devices lead the viewer to question the very nature of color and how historically symbolic meanings surrounding colors and shades, especially black, are constructed. In Haynes’s work, black appears aspirational, dignified, and sublime. The result is a network of images addressing complex topics and stereotypes surrounding black femininity. Formally, Lynne is a master of color play and conveying textural details. She showcases young women lounging in luxuriously painted patterns against washes of color. Grace portrays tender moments as the hands of her figures rest on swaths of delicately layered areas of patterning and puffy tufts of material that compose of clothing. Grace Lynne Haynes, an inaugural member of Kehinde Wiley’s Black Rock Senegal residency, is included in the 2020 edition of Forbes 30 Under 30 in Art & Style. Her first international solo exhibition is with Luce Gallery in Italy in April 2022. Haynes has exhibited at the Ontario Museum of History and Art, Untitled Art Miami, Dallas Art Fair and Paul Robeson Gallery of Rutgers University, Newark. She was a selected artist in Daily Collector’s online article “20 Painter’s Who Are Shaping the Next Decade”, and her work has been published in Vogue, LA Weekly, New American Paintings, WhiteWall Magazine, Culture Type and on the cover of The New Yorker. https://www.booooooom.com/2020/07/28/artist-spotlight-grace-lynne-haynes/ https://www.lucegallery.com/work/grace_lynne-haynes.html https://www.bygracelynne.com https://www.bandofvices.com/grace-lynne-haynes https://www.1-54.com/new-york/artists/haynes-grace-lynne/ https://www.newyorker.com/culture/cover-story/cover-story-2020-08-03 https://www.cnn.com/style/article/grace-lynne-haynes-new-yorker-cover-sojourner-truth/index.html

Travis, Kevin and James welcome back JC Parkins, artist and collector, to discuss the new world of online auctions for art and digital gallery exhibitions. With Covid limiting people's ability to travel, Miami, Basel and The Dallas Art Fair have all had to take their events online.  Are people buying more art online while they're at home? And how good are the websites set up to be able to handle all the prospective buyers? Will this effect the long term for art fairs or will things return to normal when Covid is over? Hosted by Travis Landry, James Supp and Kevin Bruneau

In this week's edition of the ArtTactic Podcast, Nate Freeman, art market report for Artsy, joins us to discuss the several facets of the Dallas art community. After visiting Dallas last week for the Dallas Art Fair, Nate and Adam, who is originally from Dallas, decided to do a Dallas-themed episode. They discuss the Dallas Art Fair's position in the saturated art fair landscape, how this year's edition of the fair performed, why the Dallas collecting community is so respected by the art world and how the Dallas art scene has changed over the past decade.

In this podcast, Glasstire's William Sarradet catches some notable exhibitors at the Dallas Art Fair on its opening night, to chat about the art they're showing this year. Exhibitors in this podcast include Cris Worley Fine Arts (Dallas), Harlan Levey Projects (Belgium), Nancy Littlejohn Fine Art (Houston), galerie frank elbaz (Paris/Dallas), Green Art Gallery (Dubai), Ulterior Gallery (New York), Sicardi | Ayers | Bacino (Houston), Voloshyn Gallery (Kiev), and McClain Gallery (Houston).

In this week's edition of the ArtTactic Podcast, Brandon Kennedy, director of exhibitor relations for the Dallas Art Fair joins us to discuss the 10th edition of the fair, which occurred last weekend. First, Brandon discusses the fair's maturation and compares it in its infancy to where it is now. Then, Brandon identifies some of the highlights of the fair week and discusses the level of sales at this year's edition. Also, Brandon shares why US-based and international exhibitors are so fond of Dallas. Further, he explains how the Dallas Art Fair is thriving despite being outside of one of the major art market hubs. Lastly, Brandon describes the blossoming art scene in Dallas and its impact on the Dallas Art Fair, including the Dallas Museum of Art's acquisition fund for the fair.

Kelly Cornell is a Dallas native who works as Director of the Dallas Art Fair. Kelly studied Painting as well as Arts Management and Entrepreneurship at Southern Methodist University. While there, she became an intern for the art fair that she now manages. Co-founded in 2009 by Dallas business entrepreneur/real estate developer John Sughrue and independent curator Chris Byrne, the Dallas Art Fair has become the cornerstone of what is now Dallas Arts Month. The event offers collectors, arts professionals, and the public the opportunity to engage with a rich selection of modern and contemporary artworks presented by nearly 100 of the world’s leading galleries. I recently spoke with Kelly via Skype from her home where she was caring for her one-week-old daughter, Frances. During our conversation, we had the opportunity to discuss the evolving role of the arts in Dallas, the history of the Dallas Art Fair, what it takes to prepare for the event, how artists can participate and the noticeable absence of corny dogs and henna tattoos.

Kelly Cornell is a Dallas native who works as Director of the Dallas Art Fair. Kelly studied Painting as well as Arts Management and Entrepreneurship at Southern Methodist University. While there, she became an intern for the art fair that she now manages. Co-founded in 2009 by Dallas business entrepreneur/real estate developer John Sughrue and independent curator Chris Byrne, the Dallas Art Fair has become the cornerstone of what is now Dallas Arts Month. The event offers collectors, arts professionals, and the public the opportunity to engage with a rich selection of modern and contemporary artworks presented by nearly 100 of the world’s leading galleries. I recently spoke with Kelly via Skype from her home where she was caring for her one-week-old daughter, Frances. During our conversation, we had the opportunity to discuss the evolving role of the arts in Dallas, the history of the Dallas Art Fair, what it takes to prepare for the event, how artists can participate and the noticeable absence of corny dogs and henna tattoos.