Podcasts about new american paintings

Episode 525 / Madeline Ludwig-LeoneMadeline Ludwig-Leone is a Los Angeles-based visual artist working primarily in painting. She received an MFA in Fine Art from ArtCenter College of Design and a BA in Fine Art and American Studies from Yale University. She had a recent solo exhibition at Gattopardo, Glendale, CA and has previously shown at Felix Art Fair with Gattopardo and Tyler Park Presents; Good Mother Gallery, Los Angeles, CA; Light Manufacturing, Portland, ME; The Aster Art Initiative, Los Angeles, CA; Carnation Contemporary, Portland, OR; City Gallery at the Downtown Arts Center, Lexington, KY; and Dedee Shattuck Gallery, Westport, MA, among others. Her work has been featured in New American Paintings, Hyperallergic, and SouthCoast Today. She was a recent resident at ChaNorth Artists' Residency in Pine Plains, NY and at Cuttyhunk Island Artists' Residency in Gosnold, MA. 

Welcome back to ARTMATTERS: The Podcast for ArtistsOn this week's episode I'm joined by Will Hutnick.Will is a painter based in Sharon, Connecticut. He holds an MFA from Pratt Institute and a BA from Providence College. Hutnick is a 2021 New York Foundation for the Arts Fellow in Painting. His solo exhibitions include High Noon in New York, the McDonough Museum of Art, Geary Contemporary, and Pamela Salisbury Gallery. His work has been featured in The New York Times, New American Paintings, and Hyperallergic. He's held residencies at Yaddo, the Elizabeth Murray Artist Residency, and Vermont Studio Center. Will currently serves as Director of Artistic Programming at the Wassaic Project, a nonprofit that uses art and education to foster social change.Will and I sat down last month at High Noon in Tribeca, where his solo exhibition  “Time's a Goon” was on display. Will and I discussed planning a painting, starting a painting, new content, landscapes, working on 15-year-old canvases, his printmaker background, the challenges of editing and finishing and his love of works on paper. We also discuss chance, noise, and the lack of control, decoration, orchestration and the arbitrary, Will's work as Director at the Wassaic Artist Residency and the simple efficacy of the Thank You Note.Before we begin, a reminder that ARTMATTERS is entirely listener-supported. If you want to support the show and help make more conversations like this possible, consider joining the ARTMATTERS Patreon. Supporters get video versions of every episode, as well as more behind-the-scenes content. Find the link in the description or go to patreon.com/artmatterspodcastSupport this podcast by clicking HERE and becoming a Patreon Supporter!If you're enjoying the podcast so far, please rate, review, subscribe and SHARE ON INSTAGRAM!Support this podcast by clicking HERE and becoming a Patreon Supporter!If you're enjoying the podcast so far, please rate, review, subscribe and SHARE ON INSTAGRAM!  If you have an any questions you want answered, write in to artmatterspodcast@gmail.com host: Isaac Mannwww.isaacmann.cominsta: @isaac.mann guest: Will Hutnickwww.willhutnick.cominsta: @willhutnickThank you as always to ARRN, the Detroit-based artist and instrumentalist, for the music.

Episode 511 / Kwamé Azure GomezKwame Azure Gomez is an artist born in Akron, Ohio who lives and works in New Haven, CT. Kwame has exhibited throughout the US and Europe in venues such as James Cohan Gallery, New Image Art Gallery, SoLA Contemporary, Stony Island Arts Bank, Anthony Gallery, Dada Gallery and others. Kwame recently completed the NXTHVN artist residency in New Haven and received her BFA from the University of Akron and her MFA from the Art Institute of Chicago. In 2022 Kwame received the Emerging Artist Grant from New American Paintings. Kwame will be in a group show opening on the 15th called Between Matter & Illumination at Marianne Boesky where she will have her first NYC solo show coming up as well. 

JD Raenbeau (b. 1985, Stony Brook, NY) currently lives and works in Rocky Point, New York. He received his MFA from The School of Visual Arts where he received the Paula Rhodes Memorial Award for Exceptional Achievement in Art Practice. He holds a BFA from Alfred University. Raenbeau has exhibited his work in New York, Brooklyn, Los Angeles, New Mexico, and the UK. His work has been featured in New American Paintings, Artsin Square Magazine, and Sensitive Content Magazine. He was recently an Artist in Residence at the Vermont Studio Center, The Golden Foundation for The Arts, and most recently was Artist in Residence at the Hafnarborg Museum in Hafnarfjordur, Iceland. © JD Raenbeau, “Canopy,” 2025, Oil on panel, 24 x 30 inches, Courtesy of CLAMP, New York © JD Raenbeau, “Full Moon,” 2024, Oil on panel, 12 x 16 inches, Courtesy of CLAMP, New York © JD Raenbeau, “X,” 2024, Oil on panel, 16 x 16 inches, Courtesy of CLAMP, New York

In this chat, I'm talking to illustrator Katy Horan about murder ballads, discussing what they are, how they work within folk music, how contemporary musicians have tried to reclaim the tradition, and the issues with examining ballads when all you might have is the lyrics! Katy Horan is an illustrator and interdisciplinary artist whose work has been exhibited throughout the United States and in Canada, published in several books, and four times selected for New American Paintings. Together with the writer Taisia Kitaiskaia, she co-created Literary Witches: A Celebration of Magical Women Writers and The Literary Witches Oracle Deck. She is also the illustrator of Ask Baba Yaga: Poetic Remedies for Troubled Times. Originally from Houston, Texas, Katy now lives and works in Austin.  Buy Murder Ballads: Illustrated Lyrics & Lore: https://uk.bookshop.org/a/12992/9781524889265 Find Katy on Instagram: https://instagram.com/goodyhoran Get your free guide to home protection the folklore way here: https://www.icysedgwick.com/fab-folklore/ Become a member of the Fabulous Folklore Family for bonus episodes and articles at https://patreon.com/bePatron?u=2380595 Buy Icy a coffee or sign up for bonus episodes at: https://ko-fi.com/icysedgwick Fabulous Folklore Bookshop: https://uk.bookshop.org/shop/fabulous_folklore Pre-recorded illustrated talks: https://ko-fi.com/icysedgwick/shop Request an episode: https://forms.gle/gqG7xQNLfbMg1mDv7 Get extra snippets of folklore on Instagram at https://instagram.com/icysedgwick Find Icy on BlueSky: https://bsky.app/profile/icysedgwick.bsky.social 'Like' Fabulous Folklore on Facebook: https://www.facebook.com/fabulousfolklore/

Queer Landscapes, Dual Lives, and the Art of Looking Closely with J. Carino Painter J. Carino joins What's My Thesis? for a candid conversation on the formation of a deeply personal visual language—one that straddles autobiography, queer identity, and reportage practice. Known for his emotionally resonant paintings that combine landscape, figure, and storytelling, Carino reflects on a unique career that led him to his upcoming solo exhibition Carry It With You at Yossi Milo Gallery in New York, on display from June 26 - August 22. Carino speaks candidly about the challenges and freedoms of sustaining parallel careers in publishing and contemporary art. He traces his transition from NYU to Parsons, where studies in reportage and drawing from life laid the foundation for his immersive painting practice. From plein air sketches in national parks to nude Zoom drawing sessions during the pandemic, Carino's shift from illustration to painting allowed for a more intimate, layered exploration of what it means to live a dual life as a queer artist navigating coded and compartmentalized spaces. The episode delves into the tension between visibility and vulnerability: Carino discusses using a pseudonym to separate his children's book authorship from his painting, and the risks of addressing queerness explicitly in art intended for young audiences. Yet it's precisely this openness—to complexity, to contradiction, to personal mythologies—that infuses his paintings with emotional depth and political resonance. Carino's recent recognition on the cover of New American Paintings (juried by Jerry Saltz) and his upcoming show mark a pivotal moment in his trajectory. His reflections on drawing as survival, the spiritual force of nature, and the layered meanings embedded in his imagery reveal a practice rooted in authenticity, discipline, and deep curiosity. Featured Topics: – Drawing as a foundation for painting – The politics of queer representation in children's literature – National parks, plein air practice, and the American landscape – Eroticism, intimacy, and compartmentalized identity in art Follow J. Carino on Instagram at @j.carino.art, and explore his upcoming exhibition Carry It With You at Yossi Milo Gallery (@yossimilo) through August 22.

I have a special episode for you today with visual artist Shuling Guo. In this episode we hear about her incredible story going from a very traditional, small village in Southern China, and her triumph against a very dominant patriarchal culture structure, to go to art school in Beijing, and ultimately to the United States to pursue her artistic path.  We learned about her spiritual influences from the women in her life and how that set the stage for her artistic journey.  -----------------------------------------Guo graduated from the Oil Painting Department of China Central Academy of Fine Arts, Beijing (B.F.A.) in 2010. She moved to the United States in 2019, and currently lives between Philadelphia and aboard the Sailing Vessel Selkie. In 2012, she had her first solo exhibition in Beyond Art Space in Beijing. Since then, her work has been exhibited in New York, Beijing, Los Angeles, Philadelphia and Platform Art.Her works have been included in the permanent collections of Central Academy of Fine Arts Art Museum (Beijing) and Art Museum of Guangzhou Academy of Fine Arts (Guangzhou). Her work has been selected to appear in New American Paintings, 2025 Issue 172.Mindy Solomon Gallery Shuling's Instagram Follow Martin Benson for more insights:*To stay updated on the podcast and related content, check out ⁠⁠⁠my Instagram⁠⁠⁠*To support the show and access exclusive content, consider subscribing for $0.99/month on Instagram (link above).Credits: Special thanks to Matthew Blankenship of ⁠⁠⁠The Sometimes Island⁠⁠⁠ for our podcast theme music!Support this podcast: ⁠⁠⁠https://podcasters.spotify.com/pod/show/martin-l-benson/support⁠

Ep.245 Natia Lemay (b. 1985 in Toronto, Ontario) was raised in Winnipeg, Manitoba, Canada, and is based in Toronto, Ontario, Canada. Her Interdisciplinary autoethnographic practice reflects her lived experience. Through personal stories, she interrogates the intersections between the mind, the body, and space to understand how these experiences relate to a broader cultural context. Natia Lemay has exhibited widely throughout North America. The artist was selected for the 2024 Fountainhead residency in Miami and the 2022 Royal Drawing School Residency in Dumfries, Scotland. She was awarded the National Trust Prize at Expo Chicago 2024, with her work acquired by High Museum in Atlanta in addition to being collected by the Art Gallery of Ontario, The Minneapolis Institute of Art, The Minnesota Museum of American Art, The North Dakota Museum of Art and The Montclair Museum of Art. She received her BFA from Ontario College of Art and Design in 2021 with a minor in Social Sciences and her MFA from Yale School of Art in 2023. Photo Credit is Gesi Schilling: Fountainhead Artist Residency Artist https://www.natialemay.com/ Whitehot Magazine https://whitehotmagazine.com/articles/her-first-nyc-solo-show/5792 Fountainhead Arts https://www.fountainheadarts.org/fhtv/artists/natia-lemay Juxatpoz https://www.juxtapoz.com/news/magazine/features/natia-lemay-the-act-of-being-seen/ Perrotin https://www.perrotin.com/artists/natia_lemay/1335#biography Galerie Nicolas Robert https://www.gallerynicolasrobert.com/natia-lemay Hyperallergic https://hyperallergic.com/851029/miami-fountainhead-residency-2024-selected-artists/ Ocula https://ocula.com/art-galleries/wilding-cran-gallery/artworks/natia-lemay/these-strange-girls-will-radiate-in-our-darkness/ Culture Type https://www.culturetype.com/tag/natia-lemay/ New American Paintings https://www.newamericanpaintings.com/artists/natia-lemay

Episode 473 / Sarah Martin-Nuss (b. 1992, Corpus Christi, Texas) is an interdisciplinary artist working across painting, drawing, performance, and sound. Her work draws from biological systems, philosophical post-humanist thought, and the intricate web of ecological relationships, exploring themes of interconnectivity, transformation, and time. Martin-Nuss received her MFA in Painting and Drawing from Pratt Institute in 2024 and her BA in Fine Art and English Literature from Austin College in 2014. Martin-Nuss also studied visual arts at the Collège International de Cannes in Cannes, France and performance, sound, and video art at the School of Visual Arts in New York. In addition to her visual arts education, Martin-Nuss trained with the Meredith Monk Ensemble and is the producer, songwriter and vocalist for the avant-pop duo Dancing In Tongues. Her recent solo exhibitions include Future Currents, Rachel Uffner Gallery, New York, New York (2025); Pouring Water Into Water, Rachel Uffner Gallery, New York, New York (2024); and Open Systems, Prince & Wooster, New York, New York (2023). Her recent group exhibitions include The Figure Abstracted, Prince & Wooster, New York, New York (2024);The Blue Hour, PhillipsX, New York, New York (2024); Unfixed Ecosystems: Obsidian/Yarrow, Pfizer Factory, Brooklyn, New York (2024); What In The World, Steuben Gallery, Brooklyn, New York (2023); and Creative Distancing, Art Museum of South Texas, Corpus Christi, Texas (2020). Her work has been featured in Two Coats of Paint, Cultbytes, Art Spiel and New American Paintings and is included in the JPMorganChase Art Collection. Born in Corpus Christi, Texas, Martin-Nuss now lives and works in Brooklyn, New York.REGISTER FOR TONIGHT's TALK AT FUTURE FAIR HEREWHY I MAKE ART with Brian Alfred, Associate Professor of Art, Penn State and Host of Sound & Vision Podcast, Liz Nielsen, artist and exhibitor (Elijah Wheat Showroom), and artist E.E. Kono. THU, MAY 8, 5:45 PM; SPECIAL PROJECT 2 AT FUTURE FAIR

Episode 468 / Sarah Awad (b. 1981, Pasadena, CA) has recently exhibited at Night Gallery, Los Angeles; Metropolitan Museum of Manila, Manila, Philippines; The Third Line, Dubai, United Arab Emirates; L.A. Louver, Venice, CA; V1 Gallery, Copenhagen, Denmark; Long Beach City College Art Gallery, Long Beach, CA; and Galerie Ernst Hilger, Vienna, Austria, among others. Her work has been featured in Artillery, Modern Painters, Art in America, Artsy Editorial, ArtScene, and New American Paintings, among others. Her work is included in the collection of the Dallas Museum of Art, Dallas, TX, and the Sharjah Art Museum, Sharjah, United Arab Emirates, among others. She currently teaches on the faculty of the Claire Trevor School of the Arts at UC Irvine and is based in Los Angeles.

Episode 465/ Zoe HawkZoe Hawk (b. 1982, St. Louis) is an American artist living in Columbia, Missouri. Zoe's paintings deal with the simultaneously joyful and fraught experience of girlhood, exploring issues of feminine identity and belonging. Her work has been published in New American Paintings, Plastik Magazine, and and online in features by Artsy, Hi-Fructose, The Jealous Curator, and BOOOOOOOM. Exhibitions include From Pangs To Pangolins, curated by Trenton Doyle Hancock (Shulamit Nazarian, Los Angeles); SPRING/BREAK Art Show and FREIZE LA exhibits curated by Michael Slenske (Los Angeles); Wayward Girls (Spectrum Fine Art, Seattle); and forthcoming group exhibition Story Time (Rhodes, London). Special collaborative projects include pieces for ZARA's Women In Art clothing collection, released worldwide in 2019, the Day Dreamers Tarot Deck, created for TRUE/ FALSE international film festival 2020, and fabric print designs for the Fall/Winter 2022 collection by Paul & Joe, Paris. In 2024, Zoe was the recipient of the United Women's Art Prize for Painting & Drawing. She has attended artist residencies in Qatar, Belgium, Ireland, Norway, and the USA. Zoe holds a BFA in studio art from Missouri State University, and an MFA in painting from the University of Iowa. 

This week Thibault sits down for a conversation with LA-based artist Samantha Rosenwald. They talk about a life-changing moment when Sam saw the face of someone (maybe Jesus?) in a vision as a child, and life as a hard-working artist. About Samantha RosenwaldRosenwald is based in LA and works primarily in colored pencil on canvas. By threading together contemporary culture, visual pun, and the dogmas of art history, she creates absurd, personal, and darkly funny portraits which illustrate what it feels like to be alive.She received her BA in Art History from Vassar College in 2016 and her MFA in Fine Art from California College of the Arts in 2018. Rosenwald has shown with galleries such as Arsenal Contemporary (New York), Carl Kostyal (Milan), Stems Gallery (Brussels), and Sebastian Gladstone (Los Angeles). upcoming solo exhibition at Carl Kostyal. She and has been featured in publications such as New American Paintings, Art Maze Magazine, and Art of Choice.Show Notes Sam Rosenwald's website https://www.samanthajrosenwald.com/ Instagram https://www.instagram.com/samantharosenwald/?hl=en Sam Rosenwald at Carl Kostyal https://kostyal.com/department/draw-jam-2022/samantha-rosenwald/

Ep.232 Will Maxen (b. Waterbury, CT) is a multi-disciplinary artist living in Houston, Texas, who works primarily in the language of painting. His work blends personal and historical imagery into partially abstracted scenes that explore themes of memory and belonging, navigating both literal and metaphorical spaces. The work delves into the dislocation of identity within these spaces, representing existence as something that teeters on the edge of legibility. This juxtaposition breaks the boundaries between the tangible and the intangible while the painted figures evoke vulnerability, adding a human element to the dialogue. Maxen received his BA in Illustration from Central Connecticut State University, and an MFA in Art Studio at the University of California, Davis. He has had solo exhibitions at Residency Art Gallery, Los Angeles (Felix Art Fair); and UTA Art Space, New York. His work has been featured in group shows at Fridman Gallery, New York; Canepa Selling Gallery, Los Angeles, Marrow Gallery, San Francisco; Chili Art Projects, London. Maxens work is included in the permanent collections of the Jan Shrem and Maria Manetti Shrem Museum of Art, Davis, CA; The Art Galleries at Black Studies, Austin, TX; and the Beth Rudin DeWoody Collection. Maxen has been a resident at Silver Art Projects, New York; a recipient of The New Jewish Culture Fellowship; and an Assistant Professor of Painting and Drawing at Louisiana State University. Photo Credit : Jordan Benton Fridman Gallery https://fridmangallery.com/artists/164-will-maxen/ | https://fridmangallery.com/art-fairs/102/works/artworks-2192-will-maxen-untitled-dreams-2024/ Silver Arts Residency https://www.silverart.org/about-program/ UTA Artist Space https://utaartistspace.com/exhibitions/and-the-land-stands-still/ Good Black Art https://goodblackart.com/collections/will-maxen Hyperallergic https://hyperallergic.com/826680/2023-uc-davis-arts-humanities-grads-take-center-stage-wide-ranging-show/ New American Paintings https://www.newamericanpaintings.com/artists/william-maxen Artspace https://artspacenewhaven.org/os_contributors/will-maxen/ Residency Art https://www.residencyart.com/artists | https://www.residencyart.com/exhibitions/felix-art-fair-2024 Highline Nine https://highlinenine.org/nicholaskontaxis-1-1 Felix Art Fair https://www.residencyart.com/exhibitions/felix-art-fair-2024 UC Davis Art Studio https://arts.ucdavis.edu/announcement/alum-will-maxen-featured-art-blog Cool Hunting https://coolhunting.com/culture/notes-returning-to-felix-frieze-los-angeles-and-the-future-perfect/

Bumin Kim is originally from South Korea and received her MFA in Drawing and Painting in 2015 from the University of North Texas, Denton, Texas. In 2017 she was awarded at the 30th annual international competition and exhibition, Materials: Hard+Soft. Her work has been shown by various institutions, including: Art Miami and Pulse Art Fair in Miami, FL; Dallas Art Fair in Dallas, TX; Art Aspen in Aspen, CO; San Francisco Art Fair in San Francisco, CA, Art Market Hamptons Fine Art Fair in Water Mill, NY; and Texas Contemporary Art Fair in Houston, TX. Furthermore, Kim's work has been featured in publications, such as: New American Paintings, Fresh Paint Magazine, and Glasstire, and can be found in public and private collections throughout the United States, South Korea, Japan, and Europe. Bumin Kim completed an artist residency at Facebook's headquarters in Austin, Texas in 2020, and her work was selected to be displayed at the Schneider Museum of Art in Ashland, Oregon in 2022. Meadow 5, 53 x 48 in, thread and acrylic on wood panel, 2024 Winter Night, 35 x 35 in, thread and acrylic on wood panel, 2024 Vexillum 1 (2023), 20 x 12 x 6 in, thread and wood, 2023

Artist Bart Vargas talks candidly about a chaotic childhood, which found expression in drawing. After military service, Vargas turned full-time to art. He shares his love for color theory and the use of salvaged materials in his craft, his exploration of themes of identity, consumerism, abundance and waste, and the unexpected discovering of his personal voice and purpose.Bart Vargas is a Visual Artist, Educator, and Advocate from Bellevue, Nebraska. He received his BFA from the University of Nebraska at Omaha, and his MFA at the University of Minnesota-Twin Cities. He has exhibited nationally and internationally, and his work can be found in collections throughout the world. His works have also been featured in many publications including Sculpture Magazine, New American Paintings, and HGTV Magazine. Vargas lives with his wife Bekah Jerde, and their 70+ plants in Omaha where they operate an international studio. Vargas is a Professor and Chair of Visual Arts/Graphic Arts at Iowa Western Community College in Council Bluffs, Iowa, and serves on several boards for local and regional non-profit organizations that support the arts.

Jamie Luoto (b. 1987) lives and works in the San Francisco North Bay. Her work has been featured in publications such as Booooooom, Art Maze Mag, and New American Paintings; appeared on platforms such as Juxtapoz and Hyperallergic; and is in international private and public collections including the Green Family Art Foundation (Dallas, USA). Selected recent exhibitions include: (Upcoming) Reflections and Refractions, Green Family Art Foundation, (2026); (Upcoming) The Armory Show, Kristin Hjellegjerde Gallery, New York, USA (2024); (Upcoming) When Dusk Falls, Kristin Hjellegjerde Gallery, Berlin, Germany (2024, duo); Mirror, Mirror, Kristin Hjellegjerde Gallery, London, UK (2024); EXPO Chicago, Kristin Hjellegjerde Gallery, Chicago, USA (2024); The de Young Open, de Young Museum, San Francisco, USA (2023); Nude, Manifest Gallery, Cincinnati, USA (2023); True North, di Rosa Center for Contemporary Art, Napa, USA (2022); Stories from My Childhood, Northern Illinois University Art Museum, DeKalb, USA (2022); All About Women, Marin Society of Artists' Gallery, San Rafael, USA (2021); Chasing Ghosts V, Verum Ultimum Gallery, Portland, USA (2020); Art the Library Featuring Jamie L. Luoto, Napa County Library, Napa, USA (2019, solo); It's Time: An Uncensored Look at the Time's Up and #MeToo Movements, Orange County Center for Contemporary Art, Santa Ana, USA (2018); Pride and Prejudice: Gender Realities in the 21st Century, Arc Gallery, Chicago, USA (2018); Identity Spectrum, Susquehanna Art Museum, Harrisburg, USA (2018).

Episode 29! This week we are interviewing the Western-Mass based artist, Ashley Eliza Williams. Ashley is an incredible artist born in the Blue Ridge Mountains in SW Virginia, and making work about interspecies communication and non-human language. Ashley has exhibited widely including at Museum of Contemporary Art, Denver (CO), Hersbruck Museum (Germany), The National Center for Atmospheric Research in Boulder (CO), Bronx Museum Project Space (NY), The New York Hall of Science (NY), and Wasserman Projects in Detroit (MI). Ashley's work has been featured in many publications including New American Paintings, Hyperallergic, and The Washington Post.  Recent residencies include: Sitka Center for Art and Ecology, Vermont Studio Center, Shoals Marine Laboratory, The Studios at Mass MoCA, and Shangyuan Art Museum, China. In 2023 Ashley was a Lucille Walton Fellow and resident artist at the University of Virginia Mountain Lake Biological Station. This is a great conversation filled with bird song out the window as we talk about communication attempts, creating imaginary worlds, shifts in perspective scales, the impoverishment of imagination from the ongoing extinction of beings, night walks and so much more.  Please give Ashley a follow on instagram. Go check out her website and stay tuned for their next upcoming shows and projects. Please Subscribe to the show, leave a review and share this episode on social media or with friends! Check out our website for more information and follow us on @artist_and_place Steam Clock. Theme music by @GraceImago Podcast graphic design by @RobKimmel

Lain York is a native of Nashville whose work continues to reference images from our collective sense of history. York's work has been exhibited locally/nationally/internationally in contemporary galleries, public art programs, academic spaces, artist-run initiatives, and museums. In 2015 he had a solo exhibition, “Selections From the National Gallery”, at the Frist Museum of Art. His  can be found in the permanent collections of EMI Los Angeles, the Savannah College of Art, The Tennessee State Museum, the Metropolitan Nashville Arts Commission, FirstBank Tennessee, and the Music City Center. His work has been published in New American Paintings, New York Arts Magazine, and Art Papers. Lain York is currently on the board of Fugitive Projects and is gallery director of Zeitgeist Gallery in Nashville. He has served a preparator for the Arts In the Airport program, the Metropolitan Arts Commission, the Summer Lights Festival, The Greater Nashville Arts Foundation, and the untitled artist group. He currently coordinates exhibitions for artists with disabilities at the Kennedy Center on Vanderbilt Campus. www.lainyork.comhttps://open.spotify.com/artist/0QS8J05mBtajx0z3ZHg0d2Host - Trey MitchellIG - treymitchellphotographyIG - feeding_the_senses_unsensoredFB - facebook.com/profile.php?id=100074368084848Sponsorship Information  -  ftsunashville@gmail.comTheme Song - The Wanshttps://www.thewansmusic.com/https://www.facebook.com/thewansmusic/https://www.instagram.com/thewans/?hl=en

Marc Mitchell holds a M.F.A from Boston University. His work has been included in exhibitions at the Schneider Museum of Art, Southern Oregon University; University of Wisconsin, Madison; University of Alabama, Tuscaloosa; Florida Atlantic University Galleries, Boca Raton; TOPS Gallery, Memphis, TN; GRIN Gallery, Providence, RI; Laconia Gallery, Boston, MA; and others. Mitchell has been featured in publications such as the Boston Globe, Burnaway, and Number Inc; and was selected for New American Paintings in 2014, 2017, 2018, and 2020. Mitchell has been an Artist-in-Residence at the Banff Center for Arts & Creativity, Ucross Foundation, Vermont Studio Center, Hambidge Center for the Arts, Jentel Foundation, and Tides Institute/StudioWorks. In 2021, Mitchell was a Fellow at The American Academy in Rome. In addition to his studio practice, Mitchell has curated exhibitions that feature artists such as Tauba Auerbach (Diagonal Press), Mel Bochner, Matt Bollinger, Mark Bradford, Tara Donovan, Chie Fueki, Daniel Gordon, Sara Greenberger-Rafferty, Philip Guston, Josephine Halvorson, Trenton Doyle Hancock, Jenny Holzer, Rashid Johnson, Mary Reid Kelley, Ellsworth Kelly, Arnold Kemp, Allan McCollum, Kay Rosen, Erin Shirreff, Lorna Simpson, Jered Sprecher, Jessica Stockholder, Jason Stopa, Hank Willis Thomas, Carrie Mae Weems, Lawrence Weiner, Wendy White, Molly Zuckerman-Hartung, and many others. "I am influenced by many things—1980's guitars, VHS tapes, World War I battleships, sunrise/sunset gradients, moiré patterns, and more. Over the past 3 years, ‘notions of cycle' have played an increased role in the development of my paintings; and I'm curious how the avant-garde succeeds and fails within popular culture. Currently, I'm interested in how the landscape has been depicted throughout American culture. Whether it's Thomas Cole and Albert Bierstadt of the Hudson River School, Georgia O'Keeffe's monumental work at the Art Institute of Chicago, or an Instagram post of a sunset—each conveys a romanticized view of our world. The most recent paintings are an amalgamation of experiences that I've had within the American landscape; with each painting flowing freely between representation and abstraction." LINKS:  www.mmitchellpainting.net   www.instagram.com/methan18     Artist Shout Out:    UARK Drawing --- https://www.uarkdrawing.com/ and @uarkdrawing UARK Painting --- https://www.uarkpainting.com/ and @uarkpaintning   I Like Your Work Links: Check out our sponsor for this episode: The Sunlight Podcast: Hannah Cole, the artist/tax pro who sponsors I Like Your Work, has opened her program Money Bootcamp with a special discount for I Like Your Work listeners. Use the code LIKE  to receive $100 off your Money Bootcamp purchase by Sunlight Tax. Join Money Bootcamp now by clicking this link: https://www.sunlighttax.com/moneybootcampsales and use the code LIKE. Chautauqua Visual Arts: https://art.chq.org/school/about-the-program/two-week-artist-residency/ 2-week residency https://art.chq.org/school/about-the-program/ 6-week residency   Apply for Summer Open Call: Deadline May 15 Join the Works Membership ! https://theworksmembership.com/ Watch our Youtube channel: https://www.youtube.com/@ilikeyourworkpodcast Submit Your Work Check out our Catalogs! Exhibitions Studio Visit Artist Interviews I Like Your Work Podcast Say “hi” on Instagram

In this episode of the Artist Business Plan we sit down with Stephanie Sachs to talk about foundations for artists' success. Learn about focusing your earnings and fueling budding relationships when you tune into this lovely episode.Guest: After graduating from art school, Stephanie Sachs hopped on a plane seeking adventure and found a home on Maui. She has made her livelihood solely from her creative endeavors since she was twenty-five and consistently sells over 100K annually.Now she has created “Artists Make Money”- How to Sell Your Art Without Selling Out, a self-paced online course teaching artists about revenue streams, managing their business, sales, and marketing. Stephanie Sachs has a BFA from Washington University in St. Louis and has shown in Chelsea, New York, Miami, and Palm Springs. Sachs currently shows at the Four Seasons in Wailea Maui. In 2022, she was selected for the West Coast edition of New American Paintings.Sign up for the Artists Make Money masterclass at www.artistsmakemoney.co and use code SUPER100 for $100 off.For more information on applying to Superfine Art Fair as well as recordings of this and all of our past podcasts, just visit www.superfine.world.IG: @superfineartfair, @theartistbusinessplanIG: @artists_make_money & @sachsmauiIf you want to submit a listener question you can email it to joshua@superfine.world for a chance of it being answered by Alex, James, and our guest!Hosted and Executive Produced by James Miille and Alexander MitowExecutive Producer/Producer : Joshua GuicheritWritten by: Joshua Guicherit, Alexander Mitow, and James MiilleAudio Edited by: Christian Parry

Stuart Snoddy was born inHonduras and lives and works in Indianapolis, IN. He holds an MFA from Northern Illinois University and a BFA from the Herron School of Art and Design in Indianapolis. Stuart has had shown his work at Massey Klein, Edington Gallery, Future Fair, Tyger Tyger Gallery, Cat Head Press, Farmer Family Gallery at Ohio State, Trestle Gallery and many others. He has received a Harrison Center for the Arts Award, an Atlantic Center Master Artist-In-Residence Award, an Oxbow Fellowship and others. His work has been covered in Juxtapoz, Artmaze, New American Paintings, Blissmag and others.

Devin Howell Curry earned a Bachelor's degree in Anthropology from Florida Atlantic University (FAU). She received her MFA in Painting at the University of Tulsa in Oklahoma. She participated in the intensive program at Mount Gretna School of Art in 2016 and was also selected as a Four Pillars Artist in 2019. Her work has been exhibited nationally, including New York City, Richmond, VA, Lancaster, PA, Tulsa, OK, Cambridge, and Boston, MA. In 2019 Devin was featured in New American Paintings, #141 MFA Annual. She currently works as an associate faculty member at Post University in Waterbury, CT. She lives in Fredericksburg, Virginia, with her husband and son. "My still life paintings incorporate both recorded observation and invention. The arrangements consist of objects that carry personal meaning: ceramic pieces made by my great grandmother, trinkets that belonged to my grandmother, and books of women artists I feel a connection with. I often add a self-portrait in the work, placing myself within the same space of the women I reference. I am interested in lineage (both biological and artistic), the connection between women, and the objects we keep to remember the women who came before us. While I do think of the work as possessing a narrative, I also see it as an attempt to chronicle what is lost, a mapping process, a charting of both spatial proximity and what can never truly be known."   LINKS:  www.Devinmhowell.com   www.guavajellystudio.com   https://glavekocenconsulting.com   @devinmhowell @guavajellystudio       Artist Shoutouts: Mel Arzamarski https://www.arzamarski.com Jini Kim Veneer @Jinikimveenker Mark Lewis http://www.marklewispaintingstudio.com Sarah D'Ambrosio https://www.sarahdambrosio.com     I Like Your Work Links: Check out our sponsor for this episode the Sunlight Podcast at https://www.sunlighttax.com/podcast   Use code ILIKEYOURWORK for 10% off your I Like Your Work Candle at Guava Jelly Studios Apply to our Winter  Exhibition Catalog: https://www.ilikeyourworkpodcast.com/submitwork   Join the Works Membership ! https://theworksmembership.com/   Watch our Youtube channel: https://www.youtube.com/@ilikeyourworkpodcast   Submit Your Work Check out our Catalogs! Exhibitions Studio Visit Artist Interviews I Like Your Work Podcast Say “hi” on Instagram

In this episode we chat with full-time artist Stephanie Sachs to learn essential strategies for increasing art sales. Stephanie shares powerful strategies that have helped her to consistently earn 100K per year from selling her paintings. This episode is a MUST LISTEN for artists of all experience levels! Here's what we discuss:1. What inspired Stephanie to move to Maui and pursue a career as a full-time artist.2. Best practices for cultivating genuine, lasting relationships with collectors, and the power of email marketing to stay connected.3. How to get more comfortable and confident presenting your work and selling directly from the studio.4. Why Stephanie decided to launch her online program Artists Make Money.About Stephanie:Stephanie Sachs has always been a seeker. After art school, Sachs hopped on a seeking adventure and found a home in Maui. Sachs brings the same sense of adventure into her studio. Sachs paints radical joy in the form of abstract landscape paintings, where she tells stories celebrating the sublime power of nature and the mysteries of life. Sachs' paintings immerse the viewer in a dreamy world filled with multicolor caverns, misty rains, sweeping seas, and twinkling skies. Her paintings invite the viewer to explore a range of emotions from mediative to exuberant. Stephanie Sachs has a BFA from Washington University in St. Louis. She has been a resident at the Skowhegan School of Painting and Sculpture. Sachs' oil paintings are in collections across the world. She has shown in Chelsea, New York, Miami, and Palm Springs. Sachs currently shows at the Four Seasons in Wailea Maui. In 2022 Sachs was selected for the West Coast edition of New American Paintings. Now, Sachs has created an online class to help artists around the world learn how to build their careers and create long-term collector relationships. Her flagship course, “Artists Make Money - How to Sell Your Art Without Selling Out,” is a self-paced online course teaching artists, revenue streams, operations, sales, and marketing. This is Sachs' love song to her fellow artists. Website(s): stephaniesachs.comartistsmakemoney.coInstagram: @sachsmaui@artists_make_moneyVisit our website: visionaryartcollective.comFollow us on Instagram: @visionaryartcollective + @newvisionarymagJoin our newsletter: visionaryartcollective.com/newsletter

Jordan Buschur is an artist, educator, and curator based in Toledo, Ohio. Her paintings focus on collections of objects ranging from stacked books to interiors of drawers, all united by a system of value based on mystery, sentimentality, and a matriarchal connection. Buschur received an M.F.A. in Painting from Brooklyn College, the City University of New York. Her work has been shown in numerous locations, including exhibitions with the Urban Institute for Contemporary Arts (Grand Rapids, MI), Center for Book Arts (NYC), and Field Projects (NYC). She participated in residencies at the Wassaic Project, Chashama North, the Kimmel Harding Nelson Center for the Arts, and the Vermont Studio Center. Awards include the Ohio Arts Council Individual Excellence Award and the Kimmel Foundation Artist Award. Her work has been featured in print in New American Paintings and UPPERCASE Magazine, and online with The Jealous Curator, Young Space, and BOOOOOOOM, among many others. She is a co-founder of Co-Worker Gallery and has curated exhibitions at Cuchifritos Gallery + Project Space (NYC), Spring/Break Art Show (NYC), and the Neon Heater (Findlay, Ohio). Buschur was the Director of the Eisentrager-Howard Gallery at the University of Nebraska, Lincoln and currently teaches drawing at the University of Toledo. "My paintings imply a human presence through depictions of accumulated collections. Contents of desk drawers, stacks of books, packed boxes, and objects on display, are united by systems of value shaped by mystery, sentimentality, and the matriarchal connection. Each painting focuses on the oscillation between personal resonance and public view, reality and invention, fixed meaning and open interpretation. I'm interested in the assignment of non-monetary significance onto objects as an inherently interior and idiosyncratic act. In this way, the paintings are portraits as I meditate on the details (both mundane and magical) of the accumulated stuff of friends and family (and my own things too). Simultaneously, the collections point towards the material weight of modern life, the anxiety of consumption, and the endgame of anonymous personal effects. Looking through the lens of inheritance, accumulations of sentimental objects can link to ancestors, while also becoming a burden of junk. A well loved thing, so deeply felt by one, shapeshifts in meaning when passed to a new owner and generation."   LINKS:  www.jordanbuschur.com   @jordanbuschur   Artist Shoutouts: Crystal Phelps Natalie Lanese Lindsay Akens Nancy Friedemann-Sánchez Charley Friedman Angeles Cossio Dana Fritz Margaret Bohls Jac Lahav Maia Cruz Palileo     I Like Your Work Links: Apply to our Winter  Exhibition Catalog: https://www.ilikeyourworkpodcast.com/submitwork   Join the Works Membership ! https://theworksmembership.com/   Watch our Youtube channel: https://www.youtube.com/@ilikeyourworkpodcast   Submit Your Work Check out our Catalogs! Exhibitions Studio Visit Artist Interviews I Like Your Work Podcast Say “hi” on Instagram

Welcome back to ARTMATTERS: The Podcast for Artists Today on the podcast I speak with Jaqueline Cedar. Brooklyn-based artist, and founder of the Good Naked Gallery. On this episode we discuss permanence and impermanence, romance and practicality, drawing out ideas versus immediacy, productivity, the 'more is more' practice and editing after the fact, the function of inspiration, 'nope' days, pleasure in the practice, how a painting develops, photography, painting from imagination,  grad school, teaching, multitasking, balance and 'checking-out',  goals, expectations and success, and the origins of the Good Naked Gallery. About:Jaqueline Cedar was born in Los Angeles, CA and currently lives and works in Brooklyn, NY. In 2009 she received an MFA in Visual Arts from Columbia University. Recent exhibitions include Long Story Short, New York (2023), Shelter Gallery, New York (2022), Shin Haus, New York (2022), Smoke the Moon, Santa Fe (2022), Ladies' Room, Los Angeles (2021), 11 Newel, Brooklyn (2021), Peripheral Space, Los Angeles (2021), Hesse Flatow, New York (2020), Drawer NYC (2020), Field Projects, New York (2020), Underdonk, Brooklyn (2018), and David Risley Gallery Velvet Ropes, Copenhagen (2018). Press includes Artnet, Hyperallergic, Huffington Post, Two Coats of Paint, New American Paintings, Gorky's Granddaughter, Painters' Table, and The Boston Globe. Cedar's paintings and drawings address uncanny scenarios where characters engage themselves and one another with sincerity and purpose. Moments of desire, self-reflection, and lack of control motivate postures filled with bravado and vulnerability. In October 2019 Cedar launched the curatorial exhibition program Good Naked Gallery. Projects hover around the intimate and awkward with a focus on work that engages tactility, humor, movement, and play. If you're enjoying the podcast so far, please rate, review, subscribe and SHARE ON INSTAGRAM!       If you have a question YOU want answered, or suggestions for future guests, please write in to artmatterspodcast@gmail.com - About the Podcast -        host: Isaac Mann www.isaacmann.cominsta: @isaac.mann guest: Jaqueline Cedarwww.jaquelinecedar.com/ insta: @jaquelinecedar

Join Kat in this enlightening episode as she chats with artist and educator Stephanie Sachs. Stephanie's journey from art school to Maui led her on a path of adventure and discovery, where she learned to embrace the unexpected in her creative process. Tune in for an inspiring conversation that sheds light on nurturing relationships with art collectors, advancing your career independently, and turning your passion into a sustainable livelihood as an artist. Stephanie Sachs paints radical joy through her abstract landscape artworks, which weave tales of nature's awe-inspiring power and life's enigmatic mysteries. Her paintings transport viewers to dreamlike realms adorned with multicolored caverns, misty rains, vast seas, and sparkling skies, evoking a spectrum of emotions from meditation to exuberance. With a BFA from Washington University in St. Louis and a residency at the prestigious Skowhegan School of Painting and Sculpture, Stephanie Sachs has made a global impact with her oil paintings, gracing collections worldwide. She's exhibited in renowned art hubs like Chelsea, New York, Miami, and Palm Springs. Currently, you can experience her art at the Four Seasons in Wailea, Maui. Notably, in 2022, Stephanie was featured in the West Coast edition of New American Paintings and Create Magazine's Issue 37. Links: Stephanie Sachs Official Website Artists Make Money Masterclass Instagram: Stephanie Sachs: @sachsmaui Artists Make Money: @artists_make_money www.createmagazine.com  

Hiejin Yoo is a German born, Korean artist currently living and working in Los Angeles Her work has been shown at The High Museum of Art in Atlanta, Half Gallery, Frederic Snitzer, Blum & Poe, Almine Rech, Konig Gallery, Loyal Gallery, Stems Gallery, The Pit, Spurs Gallery in Beijing and many others. Her work has been covered in Galerie Magazine, Juxtapoz, Hypebeast, Whitewall, ArtForum, It's Nice That, Elle Indonasia, New American Paintings, the LA Times and many more.

For this week's episode, Sarah talks with artist Rachelle Reichert. Rachelle shares more information about her process, her undying interest in rocks, and what she does to stay positive despite the bleak news around the climate crisis and industrialization. About Rachelle Reichert Rachelle Reichert is a visual artist and art educator based in the San Francisco Bay Area, California (Chochenyo Ohlone territory). Rachelle works in a variety of media to explore landscapes permanently altered by climate change and industrialization. She is interested in earth observation satellite imagery- how nature is composed in images and then circulated to a public, algorithmic visions, and natural systems to view how nature is manipulated by human behavior. Her research focuses on sites of specific extracted materials: salt, clay, lithium. Research findings are interpreted through drawings, photographs, and mixed-media artworks that focus on materials found at the site. Artworks embody multi-scale complexities of observing the natural world, both human and machine, and the emotional connections between the two. Artwork is included in many public and private collections, including the Center for Art+Environment Archives at the Nevada Museum of Art, the San Francisco Museum of Modern Art Archive, the School of the Art Institute of Chicago Library, Facebook, and Adobe, Inc. Reichert has exhibited her work nationally and internationally at the Contemporary Jewish Museum, Center for Contemporary Art at Pacific Northwest College of Art, Anglim/Trimble Gallery, and September Gallery. Her work has been reviewed and published in the San Francisco Chronicle, Make: Magazine, Condé Nast Traveler and New American Paintings and she has completed permanent commissions for the Ritz Mandarin Oriental in Madrid, Spain and Facebook Headquarters in Menlo Park, CA. She has presented her artwork at the California Climate Change Symposium, the San Francisco State of the Estuary Conference, and the American Geophysical Union Meeting and regularly lectures on her artwork and research.   --- Send in a voice message: https://podcasters.spotify.com/pod/show/thesidewoopodcast/message

Kristen Sanders (b. 1989, California) lives and works in St. Paul, MN. She received a BA from the University of California Davis, and an MFA from Virginia Commonwealth University. Solo and two person exhibitions include Dreamsong, Minneapolis, MN, St. Cloud State University, St Cloud, MN, Kathryn Brennan Gallery, New York, NY, Step Sister, New York, NY, Sadie Halie Projects, Minneapolis, MN, and Sediment Arts, Richmond, VA. Group exhibitions include Good Mother, Los Angeles, Night Club, Minneapolis, MN, Hair & Nails, Minneapolis, MN, O'Flaherty's, New York, NY, Monti 8, Latina, Italy, Moosey Art, London, UK, Mana Contemporary, Jersey City, NJ, The Quarter Gallery, University of Minnesota, Minneapolis, MN, Katherine E. Nash Gallery, University of Minnesota, Minneapolis, MN, Left Field, Los Osos, CA, H.G. Inn, Chicago, IL, White Columns, New York, NY, and Patrick Parrish Gallery, NY. Residencies include The Maple Terrace, Brooklyn, Lacuna Gallery, Minneapolis, David Wurtzel Travel Scholarship, Florence, Italy, and Vermont Studio Center, Johnson, VT. Sanders has received press in BOMB Magazine, ARTNews, and New American Paintings. She currently teaches at the University of Minnesota, Minneapolis. Morning Tide, 2023, Acrylic on canvas, 40 x 32 inches In the Negative Spaces, 2023, Acrylic on canvas, 50 x 40 inches Abyssal Plane, 2023, Acrylic on canvas, 27 x 20 inches

Li Wang (b. 1995) is a New York-based painter, born in Beijing, China. Li holds a Bachelor of Arts from The Central Academy of Drama in Beijing, where he studied Stage Design. He graduated from the Columbia University School of the Arts' MFA program in 2022. Wang is a finalist of the AXA Art Prize and the New American Paintings competition. He is a recipient of the Elizabeth Greenshields Foundation Grant and the Columbia University Dean's Project Grant. In 2023, his solo exhibitions were held at Fragment gallery (New York, USA) and NADA New York. Li Wang, After bathing, 2022, oil o canvas, 48 x 50 in Li Wang, Carousel, 2022, oil on canvas, 58 x 70 in Li Wang, Tao in my studio, 2022, oil on canvas, 60 x 60 in

Emily Weiner is a painter living and working in Nashville, TN. She received her BA from Barnard College, Columbia University (2003) and her MFA in Fine Arts at the School of Visual Arts in New York City (2011). She is represented by Red Arrow Gallery in Nashville, TN and has exhibited work at Whitespace Gallery (Atlanta, GA); Kunsthall Grenland (Porsgrunn, Norway); Wespace (Shanghai, China); David Lusk Gallery (Nashville, TN); Gerdarsafn Museum (Kopavogur, Iceland); LeRoy Neiman Gallery, Columbia University (New York); CULT (San Francisco); Soloway (Brooklyn), and Grizzly Grizzly (Philadelphia). Emily has been a Visiting Artist at the American Academy in Rome; Residency Co-Leader at Watershed Center for the Ceramic Arts, Newcastle, Maine; Artist Teacher-Resident at The Cooper Union, New York, NY; Artist-in-Residence at The Banff Centre, Canada; and Resident at Camac Art Center in France. She is a adjunct faculty at Watkins College of Art, Belmont University; and was previously Associate Adjunct Professor in Painting at Pratt Institute in Brooklyn and faculty in Visual and Critical Studies at The School of Visual Arts in NYC. Past curatorial projects include Soloway Gallery, The Willows NYC, and Vanderbilt University Gallery. Emily's work as an artist and curator has received press in The New York Times, The New Yorker, Artforum, Artsy, the BBC, New American Paintings, ArtNews, Domus (Italy), and The Brooklyn Rail, among other publications and media platforms.She is a winner of the Fall 2022 Hopper Prize and a 2022 nominee for the Joan Mitchell Fellowship.

Welcome to the Shelf Care Interview, an occasional conversation series where Booklist talks to book people. This Shelf Care Interview is sponsored by Simon & Schuster Children's Publishing. In this episode of the Shelf Care Interview, Sarah Hunter talks to Jessixa and Aaron Bagley, the author and artist of DUEL. Jessixa Bagley is a children's book author and illustrator with a background in fine arts and comics whose work appears in such publications as New American Paintings, Highlights Magazine, and my personal hometown, alt-weekly, the Chicago Reader. Her work includes the award-winning Boats for Papa and many other Junior Library Guild selections, many of which feature animals and emotional themes, often inspired by her own experiences. She teaches and speaks about writing and illustration, and lives in Seattle with her husband, Aaron Bagley, who is also here to talk about, Duel. Aaron Bagley is an illustrator who has created pieces for The Stranger, The Seattle Review of Books, and the Virginia Quarterly Review, and he's a frequent collaborator with Jessixa, including the picture book, Vincent Comes Home from 2018. As you probably guested, he too lives in Seattle. Thank you so much for being here today, Jessixa and Aaron.

Ep.150 features Melissa Joseph (b. 1980, Saint Marys PA), a New York based artist and independent curator. Her work addresses themes of memory, family history, and the politics of how we occupy spaces. She intentionally alludes to the labors of women as well as her experiences as a second generation American and the unique juxtapositions of diasporic life. Her work has been shown at the Delaware Contemporary, Woodmere Art Museum, Utah Museum of Contemporary Art, Brattleboro Museum and Art Center, Jeffrey Deitch Projects, MOCA Arlington, and List Gallery at Swarthmore College. She has been featured in Hyperallergic, Artnet, New American Paintings, Le Monde, CNN, and Architectural Digest and participated in residencies at Dieu Donné, Fountainhead, BRIC, the Archie Bray Foundation for Ceramic Arts, and will be in residence at the Museum of Arts and Design and Greenwich House Pottery in 2023. Headshot is by Samantha Casolari Artist https://www.melissajoseph.net/ Swarthmore https://www.swarthmore.edu/list-gallery/conflicting-truths-works-melissa-joseph The Utah Review https://www.theutahreview.com/exhibitions-about-identity-body-positivity-best-of-utah-design-arts-a-tribute-to-a-beloved-grandmother-artistic-reflection-on-human-mortality-and-realism-highlight-summer-shows-at-utah-museum-of-c/ Bomb Magazine https://bombmagazine.org/articles/melissa-joseph-interviewed/ MAD Museum https://madmuseum.org/learn/melissa-joseph Hyperallergic https://hyperallergic.com/640357/melissa-joseph-nee-regular-normal/ Culture Magazine https://www.culturedmag.com/article/2023/02/17/artists-frieze-los-angeles-focus-2023 Architectural Digest https://www.architecturaldigest.in/magazine-story/artist-melissa-josephs-felt-art-responds-to-her-biracial-identity/ Fondazione Imago Mundi https://fondazioneimagomundi.org/en/webdoc/melissa-joseph-eng/ Arte Realizzata https://www.arterealizzata.com/interviews/a-refreshing-conversation-with-melissa-joseph Textile Art Center https://textileartscenter.com/feature/air-artist-highlight-melissa-joseph/ Le Monde https://www.lemonde.fr/m-styles/article/2022/12/24/melissa-joseph-tissage-et-metissage_6155572_4497319.html Maake Magazine https://www.maakemagazine.com/melissa-joseph

In this episode Jessica and I talk about the importance of shifting our perspective beyond our limited environments. We discuss our relationship to the cosmos and the importance of communing with the natural world. We ask the question about how our relationship to both natural and urban spaces influence us in our lives. Jessica and I also discuss her imagery and painting process, along with the impact that meditative concentration has on both the artist and the artwork itself. ---------------------- Website: www.jescannon.com IG: @jes_cannon "Eternal Geometries" opening 4/11/23 at https://polinaberlingallery.com/ Jessica Cannon was born in Sheepshead Bay, Brooklyn in 1979. She has exhibited her work at Winston's (Los Angeles), The Manes Center for Contemporary Art (Roslyn, NY), Honey Ramka (Brooklyn, NY), Crush Curatorial (Amagansett, NY), Big Medium (Austin, TX), The Brooklyn Academy of Music, The Hudson Valley Center for Contemporary Art, and elsewhere. She is a past recipient of The Brooklyn Arts Council's Community Arts Fund Grant and been awarded residencies at the Jentel Foundation in Banner, WY, RAiR Foundation's Historic Studios in Roswell, NM, Vermont Studio Center, and Lower Manhattan Cultural Council's SwingSpace Program on Governor's Island. Select press and publications include: The New York Times, Flaunt Magazine, phaidon.com, Maake Magazine, New American Paintings, Dovetail, and Hyperallergic. In Fall 2017 Jessica founded Far By Wide, an ongoing series of exhibitions online and in pop-up spaces to support social and environmental justice organizations. She received a BA from Tufts University and an MFA from Parsons School of Design. She currently teaches at Parsons School of Design and CUNY Queens College. See More from Martin Benson *To stay up on releases and content surrounding the show check out my instagram *To contribute to the creation of this show, along with access to other exclusive content, consider joining my Patreon! Credits: Big Thanks to Matthew Blankenship of The Sometimes Island for the podcast theme music! --- Support this podcast: https://podcasters.spotify.com/pod/show/martin-l-benson/support

Madeleine Bialke (b. 1991 in New York) received her BFA in Studio Art from the Plattsburgh State University of New York, and earned an MFA in Painting at the Boston University, Massachusetts. Recent solo exhibitions include Death Motel at Newchild Gallery, Antwerp;  Nine Lives at Steve Turner, Los Angeles; Long Summer at Huxley- Parlour, London. She has exhibited in group shows at Max Hetzler, Alexander Berggruen, Berkshire Botanic Gardens, CICA Vancouver, and Dinner Gallery.  Madeleine Bialke was the Artist-in-Residence at North Western Oklahoma State University in 2018 and was awarded the John Walker MFA Painting and Sculpture Award in 2016. Her work has been included in the Brooklyn Rail, The Boston Globe, and New American Paintings. She lives and works in Brooklyn, New York.

Join Tamara for an interview with Angela Burson, who works in a variety of media to depict images of (frequently cropped or headless) figures, their belongings, and interior spaces, which indicate complex psychological and social relationships with one another. Her sharply painted work includes detailed classic clothing and accessories, and is frequently compared to the aesthetic of Wes Anderson movies. Angela first moved to Savannah from Liberty, Missouri in the late 1980s, to get her B.F.A. in Painting from SCAD. After a few years away, she returned in 2004 and has lived and exhibited here ever since.    Her 2020 feature in New American Paintings has led to a rush of national and international opportunities over the past year, including shows and art fairs in NYC and Madrid, and she's currently preparing for a solo show in L.A. in December 2023.  http://www.angelaburson.com/ https://www.instagram.com/angelaburson/  Topics in their chat include: Angela's early years in the late 1980s living near Colonial Park Cemetery, and then on Jones St for $250 a month (!); how her first solo show of cowboy- and gun-themed artwork inadvertently boosted local gun sales; how her painting entitled "Danny Hansford's socks" led to her long running fascination with observing and painting peoples' socks; which rock star's hand is her frequent reference for depicting cigarette smoking; her History of Menswear reference book; which one specific outfit from a Wes Anderson movie she has included in a painting; and her advice to keep applying to New American Paintings no matter how many rejections you get.    Tune in and get all the details!

Sarah Fairchild is a mixed media artist concerned about our environment, creating and representing natural forms through a synthetic lens. Her work depicts the common and often ignored forms of weeds and wild flowers; recently, pollinators and other beneficial insects have crept into her work, creating a two-dimensional insectarium that depicts the interconnection of species, the fragility of our ecosystems, as well as a reverence for nature and all its inhabitants. She hopes considering these commonplace forms in a new and unusual way will arouse a sense of wonder, appreciation and concern for the environment, as well as the urgent need for a sustainable living planet. Recent commissions include Bloom, a temporary three dimensional abstract bouquet installed inside the lobby of One Liberty Plaza, New York City; Floribunda, a two-part temporary installation adapted from an original painting on the exterior and three original mixed media artworks inside the lobby at One Pierrepont Plaza in Brooklyn; Cruciferous, a temporary installation adapted from two original paintings, adorned the lobby of the Grace Building in New York City; set and prop design for Opera Columbus' production of Lully's Armide; and a large-scale wallpaper installation at the Columbus School for Girls. Recent publications include New American Paintings, International Painting Annual, and her work is included in several public and private collections including the Columbus Museum of Art and the Pizzuti Collection. "I am a mixed media artist concerned about our environment, creating and representing natural forms through a synthetic lens. Themes in my work straddle the realms of fashion and the natural world, while playing with the ideas of decoration, beauty, sensuality and questions regarding the handmade versus the mass produced. My work depicts the common and often ignored forms of weeds and wild flowers; recently, pollinators and other beneficial insects have crept into the work, creating a two-dimensional insectarium that depicts the interconnection of species, the fragility of our ecosystems, as well as a reverence for nature and all its inhabitants. By considering these commonplace forms in a new and unusual way, I hope to arouse a sense of wonder, appreciation, and concern for the environment, as well as the urgent need for a sustainable living planet." LINKS:  www.sarahfairchildstudio.com   Instagram:@sarahfairchildstudio     Sponsors: https://www.itransport4u.com/     I Like Your Work Links: Notions of Beauty Exhibition Join The Works Membership waitlist! https://theworksmembership.com/ Submit Your Work Check out our Catalogs! Exhibitions Studio Visit Artist Interviews I Like Your Work Podcast Say “hi” on Instagram

We meet emerging artist Nash Glynn, from her studio in New York's Seaport! Nash Glynn (b.1992) is a transdisciplinary American artist currently working in NYC. Working across painting, photography, and video, Glynn is best known for her groundbreaking nude self-portraits of her experience and life as a transgender woman, an underrepresented figure in the Western art canon until recently. Glynn was born and raised in Miami, Florida and learned to paint while working at her father's set design shop. Speaking about their work, the artist says, ‘I use paint as I use my body, and as such the possibilities for spontaneity of form and change become inexhaustible. By crafting affective figures I seek to create empathy. The work serves as an affirmation, a reminder that representation has no outside, meaning we choose the reference, add and remove as we please, manipulate each stroke with unique gesture and tone. A process of painting, also known as self-determination.'Nash Glynn (b.1992) received her BFA in 2014 from the School of the Museum of Fine Arts, and in 2017 her MFA from Columbia University. She has had solo shows at Participant Inc. in 2019, OCD Chinatown in 2020, and an upcoming exhibition at Vielmetter Los Angeles in Fall 2021. Her work has been in publications such as Artforum, Candy Transversal Magazine, and New American Paintings. Glynn was the recipient of the Leslie-Lohman Museum Artist Fellowship in 2017."Interiors, with its plural title, belies the singularity of Glynn's point of view. Lately, she sticks to painting what she sees from the swivel stool she's positioned between window and easel, things like: apples in a bowl, closed door, knife. Herself in a mirror, or her mind's eye. Mostly windows. Yet this self-imposed agreement comes with a proviso to also see with her eyes closed, so as to produce landscapes that look mental. Glynn's intuitive aversion to the rules of the physical world finds its clearest expression in her palette, which has the firmness of a signature. Alice Neel's cobalt, Paul Gauguin's vermillion, Lucian Freud's mauve are all her colours now. Mixing: as little as possible. Earth tones: no. When she concedes the need for green in a landscape, the shade she uses is not actually grass but jade, à la Ferdinand Hodler; the resulting swath of field looks undulant and cold enough to pass for ocean. Then of course there is white. Rauschenberg's white, or Ryman's. The white of a well-rested eye, of the sand under the sun, of nothing said. Glynn has, over the past several years, developed a style of both still life and portraiture in which objects and/or subjects are exquisitely rendered and then set out on a ground that is white except for traces of shadow, so that the knife or flower or girl appears surfaced from memory." Excerpt from Catalogue Essay by Sarah Nicole Prickett from show Interiors.Follow Nash on Instagram: @NashGlynnVisit Nash's official website: http://www.nashglynn.com/View images at Vielmetter, LA: https://vielmetter.com/exhibitions/nash-glynn and @Vielmetter Hosted on Acast. See acast.com/privacy for more information.

Allison Jae Evans Allison Jae Evans is a painter whose restrained linear vocabulary draws viewers into a provocative world of seduction, objectivity, and power. Her current exhibition, Hung Up, combines painting, drawing, and installation to construct a layered narrative with references ranging from the nihilism of Richard Kern's Cinema of Transgression to more contemporary ideas about sex and human connection in the digital world. Evans was born in New Haven, CT and currently lives/works in Brooklyn, NY. She received a BA from Dartmouth College in Hanover, NH and an MFA from Hunter College in NYC. Evans's work has been exhibited at The Journal Gallery, 106 Green Gallery, Atlanta Contemporary, Edward Thorp Gallery, and Tiger Strikes Asteroid NY, among other venues. Her work has been featured in New American Paintings, Maake Magazine, and Hyperallergic, and has been reviewed in The New York Times. She was recently interviewed by artist Brian Alfred for the Sound and Vision Podcast and artist Alex Nuñez for the Sunday Painter Podcast. Hung Up is on view at Peninsula Gallery until December 10, 2022. Front Room Installation of Allison Jae Evans: Hung Up at Peninsula Art Space Back Room Installation of Allison Jae Evans: Hung Up at Peninsula Art Space Installation Image of Allison Jae Evans' "1-900-Hot-Fuck", 2022, 24 x 18 inches, Watercolor Crayon on Newsprint, at Peninsula Art Space

Gabe Langholtz was born in 1971 and is an American painter, living and working in Austin Texas. His work, although primarily representational, is indebted to American Color Field painting, focusing on color relations, pattern making, form and line, with a heavy emphasis on the two-dimensional surface of the canvas. In the tradition of folk art, Langholtz routinely employs the use of mundane cultural objects and / or activities to establish a contemporary narrative, oftentimes drawing on humor, parody, and pastiche as tools for social commentary.   His work has been featured in New American Paintings and Create! Magazine, and exhibited nationally at Hashimoto Contemporary, Los Angeles, CA, San Francisco, CA, and New York, NY, BravinLee Programs, New York, NY, The Painting Center, New York, NY, and Bowery Gallery, New York, NY. Langholtz is influenced by the work of Mary Fedden, Philip Guston, Agnes Martin and Gary Bunt, while folk art and collage heavily inform his distinctive style.   LINKS:  www.gabelangholtz.com   Instagram:@gabelangholtzart     Sponsors: https://www.itransport4u.com/ https://www.sunlighttax.com/ilyw     I Like Your Work Links: I Like Your Work Black Friday Sale: Use Code BlackFriday30 for 30% off through November 27th! Join The Works Membership waitlist! https://theworksmembership.com/ Submit Your Work Check out our Catalogs! Exhibitions Studio Visit Artist Interviews I Like Your Work Podcast Say “hi” on Instagram

Galen Cheney is a painter living and working in North Adams, Massachusetts.  Galen received a BA from Mount Holyoke College and an MFA from the Maryland Institute, College of Art.  She has had solo exhibitions at David Richard Gallery in NYC, the Aidron-Duckworth Museum in Berlin, NH, the University of Maine at Augusta, The Painting Center in NYC, Da Wang Culture Highland in Shenzhen, China, Saint-Gaudens National Historic Site in Cornish, NH, and Galerie 1225 in Montreal among many others.  Her many group exhibitions include Mark Bettis Gallery in Asheville, Khawam Modern + Contemporary in West Palm Beach, Lockwood Gallery in Kingston, NY, Berkshire Art Museum in North Adams, MA, The Fleming Museum in Burlington, VT, SITE Gallery in Brooklyn, Greenville (SC) Center for the Arts, Gray Contemporary in Houston and the University of Dallas. She has received fellowships to attend residencies at the Millay Colony, Da Wang Culture Highland in China, and the Vermont Studio Center.  In 2020 she received a North Adams Project Grant and in 2019 attended the Studios at MASS MoCA. Her work has been collected widely and has been featured in many publications, including New American Paintings, Berkshire Magazine, Kolaj Magazine, Art New England, Studio Visit, Tupelo, Mud Season Review, Whitefish Review, and The Laurel of Asheville.  The many blogs that have featured her work include Art Spiel, I Like Your Work, The Weird Show, Design Milk, Artsy Forager The Periphery and Pattern Pulp.

Often associated with haute pate painting, Atlanta-based abstract painter BOB LANDSTROM found his preferred art medium through metaphysics and Southwestern landscapes—hand-colored volcanic rock. After decades juggling a conflicted existence as both an electrical engineer and an evening/weekend painter, Bob's persistence in getting his artwork seen has paid off. Now, only a few weeks into his new “full-time” painter role, Bob shares how he has built his presence in the art world, including an upcoming release of his first NFT on Super Rare.As Bob says, “part of being an artist is being out over your ski tips most of the time.”Find Bob:Website:  www.boblandstrom.comInstagram: @boblandstrom Twitter:  boblandstromartMentioned:Matter Painting or haute pate (learn) The Hermetica: The Lost Wisdom of the Pharaohs, by Timothy Freke (read) Quadrivium: The Four Classical Liberal Arts of Number, Geometry, Music, & Cosmology, by Miranda Lundy (read)  Rimbaud: Poems, by Arthur Rimbaud (read) Selected Poetry and Prose, by Stephane Mallarme (read)  Plato and a Platypus Walk into a Bar...Understanding Philosophy Through Jokes, by Thomas Cathcart (read) Video of Bob in action, including the great yoga swing (watch)Procreate for iPad (explore) Alan Avery Art Company, Atlanta GA (explore)New American Paintings, publication (read) PR For Artists, public relations firm (explore)BG Gallery, Santa Monica (explore)Super Rare, digital art market on Ethereum for art NFT  (explore)Find Me, Kristy Darnell Battani:Website:    https://www.kristybattani.comInstagram:  kristybattaniartFacebook:  kristybattaniartDid you enjoy this episode? If so, please take a moment to leave a comment on Apple PodcastsMusic:"Surf Guitar Madness," Alexis Messier,Licensed by PremiumBeat.comSupport the show (https://www.buymeacoffee.com/artishplunge)Support the show

Katie and Dixie speak with Professor Megan Hildebrandt whose unique life journey, which conjoined her artistic development with serious unexpected health issues, led her to become an "arts in healthcare advocate." Her experiential learning class, the Aesthetics of Health, won a Texas Tower award in 2021 and is a proving ground for the beneficial effects of artmaking in healthcare spaces. Thanks for joining us on The Other Side of Campus! ABOUT THE GUEST https://apps.jsg.utexas.edu/profiles/files/photos/megan_hildebrandt_thumb.jpg Megan Hildebrandt received her BFA from the Stamps School of Art & Design in 2006, and her MFA in Studio Art from the University of South Florida in 2012. Hildebrandt has exhibited widely, including: The Painting Center, New American Paintings, The Baltimore Museum of Art, The Museum of Contemporary Craft, Arlington Arts Center, Detroit Contemporary, Johns Hopkins Medical Center, the LIVESTRONG Foundation, Hyde Park Art Center, The Torpedo Factory, and The Painters Room. Hildebrandt has also recently had her writing on arts pedagogy during the pandemic published in Art Education, The Journal of the National Art Education Association. In 2018, Hildebrandt received an Art Works grant from the National Endowment for the Arts for the Aesthetics of Health Course she developed for Interlochen Arts Academy. An artist, educator, and arts-in-health advocate, Hildebrandt currently lives and works in Austin, Texas, where she is the Director of the First-Year Core Program in the Department of Art and Art History at The University of Texas. PRODUCER'S NOTE: This episode was recorded on October 8th, 2021 via Zoom. CREDITS Assistant Producers/Hosts: Dixie Stanforth and Katie Dawson (Intro theme features the following faculty in order: Jen Moon, Daron Shaw, Rich Reddick, Diane McDaniel Rhodes, Siobhan McCusker, Moriba Jah, and Stephanie Seidel Holmsten) Music by Charlie Harper (www.charlieharpermusic.com) Additional Background music by Charlie Harper, Scott Holmes, Ketsa, and Blue Dot Sessions Produced by Michelle S. Daniel Creator: Mary C. Neuburger Connect with us! Facebook: /texasptf Twitter: @TexasPTF Website: https://texasptf.org DISCLAIMER: The Other Side of Campus is a member of the Texas Podcast Network, brought to you by The University of Texas at Austin. Podcasts are produced by faculty members and staffers at UT Austin who work with University Communications to craft content that adheres to journalistic best practices. The University of Texas at Austin offers these podcasts at no charge. Podcasts appearing on the network and this webpage represent the views of the hosts, not of The University of Texas at Austin. https://files.fireside.fm/file/fireside-uploads/images/1/1ed1b736-a1fa-4ae4-b346-90d58dfbc8a4/4GSxOOOU.png Special Guest: Megan Hildebrandt.

Martin Wittfooth was born in Toronto, Canada in 1981 and works in two studios in Kingston, New York, and Savannah, Georgia. He earned his MFA from the School of Visual Arts in New York City in 2008. Wittfooth's work has been exhibited in galleries and museums worldwide, including the Virginia Museum of Contemporary Art, Akron Art Museum in Ohio, and La Halle Saint-Pierre in Paris, with solo exhibitions in New York City, Los Angeles, Seattle, and Copenhagen. His paintings have also appeared in numerous publications, including Juxtapoz, The New York Times Art Review, and Vice, and cover features in New American Paintings, Hi-Fructose, Chronogram, and American Artist Magazine. Wittfooth's paintings, drawings, installations, and sculptural works investigate themes of the intersection and clash of industry and nature, and the human influence on the environment. Many of his works explore the theme of shamanism - rituals and practices as old as our species - through which we have attempted to dialogue with nature: the nature outside of ourselves and the nature within. His creative language uses the combination of allegory and symbolism to convey visual narratives. Martin Wittfooth is represented by Gallery Poulsen in Copenhagen, Denmark. Topics Discussed In This Episode: Martin's upcoming solo exhibit “The Plasticene Era,” which opens on September 17th, 2022 @ Gallery Poulsen in Cøpenhagen The longest amount of time he has spent on one painting Getting inspiration from the La Brea Tar Pits in Los Angeles The pre-career retrospective Creating an exquisite corpse with oneself Martin growing up in Finland Martin working as an illustrator directly out of college  3D printing World building Speaking about one's personal observations of the world through one's paintings The Siren in Greek mythology Google's “sentient” AI, LaMDA Creating meaning out of one's own life Balancing being a working artist and having a family Being a community-focused artist People / Artists Mentioned: Gerhard Richter (Visual Artist) David Cronenberg (Director) Bret Easton Ellis (Writer) Darren Aronofsky (Director) Adrian Ghenie (Painter) Justin Mortimer (Painter) Cecily Brown (Painter) Anish Kapoor (Sculptor) James Turrell (Artist) Albert Einstein (Physicist) Blake Lemoine (Google AI Engineer) Books Mentioned: American Psycho Less Than Zero Films / TV Shows Mentioned: Crimes of the Future (2022) Mother! (2017) The Shining (1980) martinwittfooth.com instagram.com/martinwittfooth

Ep.110 features Alisa Sikelianos-Carter. She earned her BA and MA in Painting and Drawing from SUNY Albany. She is a recent NXTHVN Fellow, a 2022 Headlands Artist in Residence, and in 2021 was awarded the inaugural fellowship at Foreland, a six-month studio residency in the Catskills conferred biennially on an outstanding artist of color. Recent exhibitions of her work include Realms of Refuge, Kavi Gupta, Chicago, IL; Un/Common Proximity, James Cohan, New York, NY; In the Eye of Belonging, Mandeville Gallery, Union College, Schenectady, NY; and Never Done: 100 Years of Women in Politics and Beyond, Tang Teaching Museum at Skidmore College, Saratoga Springs, NY. Sikelianos-Carter was featured in New American Paintings, No. 146, Northeast Issue, and received the Sustainable Arts Foundation Grant. She has been awarded residencies at the Millay Arts, Austerlitz, NY; Vermont Studio Center, Johnson, VT; Wassaic Project, Wassaic, NY; Yaddo, Saratoga Springs, NY; Fountainhead Residency, Miami, FL and Headlands Center for the Arts, Sausalito, CA. Photo credit: Kyle Flubacke Artist https://www.alisasikelianoscarter.com/ Kavi Gupta Gallery https://kavigupta.com/exhibitions/368-alisa-sikelianos-carter-stars-are-born-in-darkness-kavi-gupta-elizabeth-st-fl.-2/ https://kavigupta.com/exhibitions/368/works/artworks-10261-alisa-sikelianos-carter-a-godx-of-sky-and-mud-2022/ NXTHVN https://www.nxthvn.com/residents/alisa-sikelianos-carter/ Smithsonian https://www.aaa.si.edu/collections/interviews/oral-history-interview-alisa-sikelianoscarter-22020 Curated By Girls https://www.curatedbygirls.com/alisa-sikelianos-carter/ Kristin Hjellegjerde https://kristinhjellegjerde.com/artists/256-alisa-sikelianos-carter/overview/ Chicago Gallery News https://www.chicagogallerynews.com/events/in-conversation-artists-devan-shimoyama-and-alisa-sikelianos-carter-and-curator-rikki-byrd Mandeville Gallery https://muse.union.edu/mandeville/project/alisa-sikelianos-carter/ Galerie Magazine https://galeriemagazine.com/kavi-gupta-alisa-sikelianos-carter/ Ocula https://ocula.com/art-galleries/kavi-gupta-gallery/artworks/alisa-sikelianos-carter/to-hide-in-the-light/ https://ocula.com/art-galleries/kavi-gupta-gallery/artworks/alisa-sikelianos-carter/to-be-held/ Sugarcane Magazine https://sugarcanemag.com/2022/05/survival-where-the-sea-meets-the-sky-alisa-sikelianos-carters-stars-are-born-in-darkness-by-julia-mallory/

Laura Krifka is an artist born 1985 in Los Angeles, CA. She lives and works in San Luis Obispo, CA. Krifka received her MFA from UC Santa Barbara in 2010 and her BFA from California Polytechnic University San Luis Obispo in 2008, following earlier studies at Newbold College in England and Avondale College in Australia. Laura has exhibited her work at venues throughout Southern California including the Torrance Museum of Art, Westmont Ridley-Tree Museum of Art, LA Louver, CB1 Gallery, and Beacon Arts in Inglewood, as well as at Zroboli Gallery in Chicago, BravinLee Programs in New York, and Vast Space Projects in Las Vegas. Laura's work has been featured in various publications including Los Angeles Times, The Huffington Post, Santa Barbara News-Press, New American Paintings, and Artillery Magazine and her work can be found in the collections of the Santa Barbara Museum of Art, Westmont Ridley-Tree Museum of Art, the Art, Design & Architecture Museum at the University of California, Santa Barbara; the Beth Rudin DeWoody Collection, Palm Beach, and the Pizzuti Collection, Columbus, OH.  Order WHY I MAKE ART the podcast book here: http://atelier-editions.com/store/why-i-make-art

Amy Sacksteder is an artist and curator whose work explores personal and collective relationships to landscape and artifact. She works across media, most commonly in painting, collage, drawing, cut paper, installation, and ceramics. She has participated in exhibitions nationally and internationally. Recent solo venues include Divisible Projects (Dayton, OH) and Alma College (Alma, MI). Recent group venues include Ortega y Gasset Projects (Brooklyn, NY); BasBlue via Belle Isle Viewing Room (Detroit, MI); Buckham Gallery (Flint, MI); Contemporary Art Matters Gallery (on Artsy and in NY); Scene Metrospace (Lansing, MI); and Western Illinois University (Macomb, IL).     Sacksteder has completed artist residencies at SÍM (Reykjavík, Iceland); Takt (Berlin, Germany); The Hungarian Multicultural Center (Budapest, Hungry); and the Ragdale Foundation (Lake Forest, IL); among others. In 2012 she was awarded a Gallery-as-Studio Residency and solo exhibition at the University of Nevada, Reno. Her work has been featured and reviewed in journals such as The Offing, Flint Magazine, New American Paintings and the Chicago Tribune and is included in the curated online registries of The Drawing Center and White Columns and in the Flat File 2022 Program at Ortega y Gasset Projects. In 2021, Sacksteder was invited to join the Long Island City Studio Collective in New York, where she maintains a selected inventory of artwork. Her work can also be viewed at Belle Isle Viewing Room in Detroit and on ArtFare. She is now represented by IBIS Contemporary Art Gallery in New Orleans.     Amy Sacksteder has curated and co-curated the national and international exhibitions Island: 22 Artists on Iceland in 2011 (co- hosted at 'CAVE Gallery, Detroit, MI); Atmosphere: Artists' Responses to Space(s) in 2015; and Vitrine in 2018, all at Eastern Michigan University. Sacksteder and her family live in Ypsilanti, Michigan, outside of Detroit. Sacksteder works from her studios in Ypsilanti and Long Island City, and is a professor in the School of Art + Design at Eastern Michigan University.   Artist Shout outs: https://www.bock-nelson.com/ http://www.kellyannemueller.com/ http://www.yaseminkackar.com/ https://www.kristendroz.com/ http://www.markjoshuaepstein.com/ https://www.hannahburr.com/ https://www.joesacksteder.com/ https://www.emich.edu/art/index.php https://www.nicole-pietrantoni.com/     LINKS:  https://amysacksteder.com/ https://www.instagram.com/amysacksteder_studio/ www.instagram.com/object_affinity   https://www.nyccritclub.com/ https://go.sunlighttax.com/ilyw https://www.tjwalshcoaching.com/   I Like Your Work Links:   Exhibitions Studio Visit Artists I Like Your Work Podcast Instagram Submit Work Observations on Applying to Juried Shows Studio Planner

Allison Jae Evans was born in New Haven, CT and currently lives and works in Brooklyn, NY. She received a BA from Dartmouth College in Hanover, NH and an MFA from Hunter College in NYC. Evans has exhibited her work at TSA in Brooklyn, 106 Green, Moneygramme, The Journal Gallery and Edward Thorp Gallery, among other venues. Her work has been featured in New American Paintings and Hyperallergic, Maake Magazine and has been reviewed in The New York Times. She was a 2016 Rema Hort Mann Emerging Artist Grant Nominee. The Sound & Vision Podcast book is now available for preorder. Why I Make Art features an in-depth look at 30 artists from Chris Martin to Robin Williams. There's also thematic quote sections and images from sketches artist contributed to the S&V guestbook. It has a forward written by Hirishikesh Hirway of the Song Exploder podcast and Netflix show. Preorder here: http://atelier-editions.com/store/why-i-make-art My solo show “Escape Plan” is up now at Miles MceEnery Gallery, 511 W22nd street in Manhattan. The show will be up until April 23rd. You can check out the catalog at the Miles McEnery website. Sound & Vision is sponsored by Golden Artist Colors. You can find them in your local art store or online at goldenpaints.com Sound & Vision is also sponsored by Fulcrum coffee roasters. Based in Seattle, Fulcrum makes incredible coffee that you can have delivered to your door They have subscription services where you can have different blends delivered that you tailor to your favorite balance of coffee beans. You can save 20% on your order by entering the code alfredstudio when you order from their site. Check out their amazing coffee at fulcrumcoffee.com

We're excited to have Grace Lynne Haynes on the Noize! Grace is a wonderful young artist whose career is off to a tremendous start. From working on two magazine covers for the New Yorker, attending Kehinde Wiley's Black Rock residency, to solo shows with Band of Vices and Luce Gallery in Italy, Grace's career is already some other people's bucket list. We talk about the underlining concepts of her work and how she's handling such rapid success. You know your boy can't help but get a little art nerdy about her materials and relationship to color. It's an all-around great conversation with one of the talented young Black woman artist that is redefining the image of Black women in art. Listen, subscribe, and share!Episode 125 topics include:creating covers for the New YorkerKehinde Wiley's Black Rock residencyevolving as an artistpursuing an MFAredefining the image of Black women in fine artthe meaning of colortexture and material in artworkGrace Lynne Haynes is a California born visual artist currently based in New Jersey. She creates lusciously composed paintings containing bright textures and patterns. Intricate moments are juxtaposed against flat, black swaths of paint shaped to represent black female bodies. The artist's painterly devices lead the viewer to question the very nature of color and how historically symbolic meanings surrounding colors and shades, especially black, are constructed. In Haynes's work, black appears aspirational, dignified, and sublime. The result is a network of images addressing complex topics and stereotypes surrounding black femininity.Grace Lynne Haynes, an inaugural member of Kehinde Wiley's Black Rock Senegal residency, is included in the 2020 edition of Forbes 30 Under 30 in Art & Style. Her first Los Angeles solo exhibition is in March of 2020 at the Band of Vices Gallery, and she will follow it up with a solo exhibition at Luce Gallery in Italy in 2022. Haynes has exhibited at the Ontario Museum of History and Art, Untitled Art Miami, Dallas Art Fair and Paul Robeson Gallery of Rutgers University, Newark. She was a selected artist in Daily Collector's online article “20 Painter's Who Are Shaping the Next Decade”, and her work has been published in LA Weekly, New American Paintings, Creative Quarterly, and Culture Type.See More: www.bygracelynne.com + Grace Lynne Haynes IGFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

This episode is deeply personal as our guest, Andrew Hendrixson, has been a friend for some time. Andrew is a visual artist and poet, as well as a beautiful human being seeking ways to talk about God when we don't have words.We talk about the vocation of the artist, what a poem or painting “is trying to say,” and how all art is following some sort of agitation. In Andrew's words, “I don't know how else I would understand God other than poetically or via metaphors.”Andrew has studied art and philosophy in multiple universities, the most recent being Yale University. He taught art at our alma mater, Mount Vernon Nazarene University. You can find his artwork here and you can connect with Andrew's work on Instagram: @andrewhendrixsonstudioMuch of his work can also be found in publications including New American Paintings, The Princeton Theological Review, Penmarks, and Yale Letters Journal.Music by Robert EbbensArtwork by Eric Wright/Metamora Design