Outside of New York

Spencer Evans is a Dallas-based artist who uses bold colors and dynamic gestures to create portraits that question the African-American identity. Originally from Houston, he earned a BFA from the University of Missouri and an MFA from the University of Texas at Arlington. Evans drew critical praise last year for his first solo show at Dallas’ Conduit Gallery entitled “I Am Because We Are”. The series was the product of research to explore the differences between Black Americans and Nigerian Africans. Examining his ancestral lineage which he traced to Nigeria and Cameroon, the artist worked with the Nigerian Baptist Theological Seminary and Bowen University to engage on-site interviews in Nigeria. The discussions focused on identity and social constructs looking for differences between Nigerians and the millions of African descendants living in the United States. In the end, Evans encountered a shift of his own point of view as he discovered many similarities between the Nigerians he met and the Black Americans he knew at home. This shift became the basis for his visual exploration of the topic.I recently sat down with Spencer at his studio in Dallas where we discussed growing up in Houston, playing college football, understanding one’s identity, code switching and challenging preconceptions.

Spencer Evans is a Dallas-based artist who uses bold colors and dynamic gestures to create portraits that question the African-American identity. Originally from Houston, he earned a BFA from the University of Missouri and an MFA from the University of Texas at Arlington. Evans drew critical praise last year for his first solo show at Dallas’ Conduit Gallery entitled “I Am Because We Are”. The series was the product of research to explore the differences between Black Americans and Nigerian Africans. Examining his ancestral lineage which he traced to Nigeria and Cameroon, the artist worked with the Nigerian Baptist Theological Seminary and Bowen University to engage on-site interviews in Nigeria. The discussions focused on identity and social constructs looking for differences between Nigerians and the millions of African descendants living in the United States. In the end, Evans encountered a shift of his own point of view as he discovered many similarities between the Nigerians he met and the Black Americans he knew at home. This shift became the basis for his visual exploration of the topic.I recently sat down with Spencer at his studio in Dallas where we discussed growing up in Houston, playing college football, understanding one’s identity, code switching and challenging preconceptions.

Benito Huerta is an artist, and a professor at the University of Texas at Arlington where he has been Director and Curator of The Gallery at UTA since 1997. Huerta received a B.F.A. at the University of Houston and his Masters at New Mexico State University. He was Co-founder, Executive Director and Emeritus Board Director of Art Lies, a Texas Art Journal. As a curator, he has organized surveys and retrospectives of Mel Chin, John Hernandez, Luis Jimenez, Dalton Maroney, and Celia Alvarez Munoz. As a painter, Huerta specializes in large-scale oils that utilize pop culture and historical art references to explore the juxtaposition of death and beauty. In addition to painting, Huerta also creates three-dimensional work. He has completed public works projects which include DFW International Airport, the Mexican-American Cultural Center in Austin, Dallas Area Rapid Transit, Houston Metropolitan Transit and Fort Worth’s South Main Street Public Art Project. In 2002, the Dallas Center for Contemporary Art awarded Huerta with its Legend Award. His work is included in the Menil Collection, the Museum of Fine Arts Houston, the Albuquerque Museum of Art, the Art Museum of South Texas and the National Museum of Mexican Art, as well a variety of private and public collections.I recently sat down with Benito at his home studio near the UTA campus where we discussed growing up in Corpus Christi, decades in curation, beauty, death, chalupas, and booking the Rolling Stones.

Benito Huerta is an artist, and a professor at the University of Texas at Arlington where he has been Director and Curator of The Gallery at UTA since 1997. Huerta received a B.F.A. at the University of Houston and his Masters at New Mexico State University. He was Co-founder, Executive Director and Emeritus Board Director of Art Lies, a Texas Art Journal. As a curator, he has organized surveys and retrospectives of Mel Chin, John Hernandez, Luis Jimenez, Dalton Maroney, and Celia Alvarez Munoz. As a painter, Huerta specializes in large-scale oils that utilize pop culture and historical art references to explore the juxtaposition of death and beauty. In addition to painting, Huerta also creates three-dimensional work. He has completed public works projects which include DFW International Airport, the Mexican-American Cultural Center in Austin, Dallas Area Rapid Transit, Houston Metropolitan Transit and Fort Worth’s South Main Street Public Art Project. In 2002, the Dallas Center for Contemporary Art awarded Huerta with its Legend Award. His work is included in the Menil Collection, the Museum of Fine Arts Houston, the Albuquerque Museum of Art, the Art Museum of South Texas and the National Museum of Mexican Art, as well a variety of private and public collections.I recently sat down with Benito at his home studio near the UTA campus where we discussed growing up in Corpus Christi, decades in curation, beauty, death, chalupas, and booking the Rolling Stones.

Riley Holloway is a Dallas-based artist whose dynamic portraits capture the faces of the world around him. A 2015 Hunting Prize finalist, he has attended The Art Institute of Dallas, the Florence Academy of Art, and the University of Texas in Arlington. In 2013, Holloway completed a unique residency at The Fairmont in Dallas, which was accompanied by a solo exhibition in the hotel’s gallery at the completion of his time there. He has been in a number of group exhibitions and repeatedly featured in solo exhibitions at Fort Works Art in Fort Worth. In addition, he completed a prominent public art mural commission for a municipal court building in downtown Fort Worth and was recently added to the Dean Collection, a contemporary art collection owned by hip hop producer Kasseem Dean (AKA Swizz Beatz) and his wife, singer-songwriter Alicia Keys.I recently sat down with Riley at his studio in Dallas where we discussed growing up in an artistic home, studying in Florence, the impact of the right artist residency and what it’s like to have Sedrick Huckaby as your mentor.

Riley Holloway is a Dallas-based artist whose dynamic portraits capture the faces of the world around him. A 2015 Hunting Prize finalist, he has attended The Art Institute of Dallas, the Florence Academy of Art, and the University of Texas in Arlington. In 2013, Holloway completed a unique residency at The Fairmont in Dallas, which was accompanied by a solo exhibition in the hotel’s gallery at the completion of his time there. He has been in a number of group exhibitions and repeatedly featured in solo exhibitions at Fort Works Art in Fort Worth. In addition, he completed a prominent public art mural commission for a municipal court building in downtown Fort Worth and was recently added to the Dean Collection, a contemporary art collection owned by hip hop producer Kasseem Dean (AKA Swizz Beatz) and his wife, singer-songwriter Alicia Keys.I recently sat down with Riley at his studio in Dallas where we discussed growing up in an artistic home, studying in Florence, the impact of the right artist residency and what it’s like to have Sedrick Huckaby as your mentor.

Dornith Doherty is an artist whose work stimulates conversations around the world’s ever-changing ecology. A native of Houston, she obtained her BFA from Rice University and her MFA in Photography from Yale. She currently resides in Southlake, Texas and is Distinguished Research Professor at the University of North Texas, where she has been on the faculty since 1996. Dornith is a 2012 Guggenheim Fellow and has received grants from the Fulbright Foundation, the Japan Foundation, and the United States Department of the Interior, among many others. In addition, she was recognized by the Texas State Legislature as the 2016 Texas State Artist for 2D work. Doherty’s work has been exhibited extensively domestically and abroad and can be found in the permanent collections of prominent institutions such as the Amon Carter Museum of American Art, Crystal Bridges Museum of American Art, and the Museum of Fine Arts Houston. Her project entitled “Archiving Eden” looked at the infrastructure around the preservation of the world’s plant life through the utilization of seed banks, as well as looking at the inner beauty of the seeds themselves. That work drew the attention of major media outlets and resulted in a host of artist talks around the world, including TEDx Monterey.I recently sat down with Dornith at her current show at Holly Johnson Gallery in Dallas where we discussed growing up in Houston, the rigors of the Yale MFA, man’s impact on the environment, photographing the world seed bank vault in the arctic, backyard coyotes and the future of the banana.

Dornith Doherty is an artist whose work stimulates conversations around the world’s ever-changing ecology. A native of Houston, she obtained her BFA from Rice University and her MFA in Photography from Yale. She currently resides in Southlake, Texas and is Distinguished Research Professor at the University of North Texas, where she has been on the faculty since 1996. Dornith is a 2012 Guggenheim Fellow and has received grants from the Fulbright Foundation, the Japan Foundation, and the United States Department of the Interior, among many others. In addition, she was recognized by the Texas State Legislature as the 2016 Texas State Artist for 2D work. Doherty’s work has been exhibited extensively domestically and abroad and can be found in the permanent collections of prominent institutions such as the Amon Carter Museum of American Art, Crystal Bridges Museum of American Art, and the Museum of Fine Arts Houston. Her project entitled “Archiving Eden” looked at the infrastructure around the preservation of the world’s plant life through the utilization of seed banks, as well as looking at the inner beauty of the seeds themselves. That work drew the attention of major media outlets and resulted in a host of artist talks around the world, including TEDx Monterey.I recently sat down with Dornith at her current show at Holly Johnson Gallery in Dallas where we discussed growing up in Houston, the rigors of the Yale MFA, man’s impact on the environment, photographing the world seed bank vault in the arctic, backyard coyotes and the future of the banana.

Camp Bosworth is a Marfa-based artist who utilizes wood carving to create sculptures and paintings that reflect the world around him. Often carved and sometimes gilded in gold and silver, these pieces almost always utilize scale to create humor and interest. A native-Texan, Camp received his BFA in painting from the University of North Texas and worked in Dallas until relocating to Marfa in 1999. Camp has since become one of the de facto artists of record in the West Texas art mecca. The themes he explores range from drug cartels to boom boxes to the small-town-Texas Dairy Queen. He regularly exhibits his work throughout the Southwest, including the Webb Gallery in Waxahachie where I was recently able to sit down with Camp to discuss growing up in Texas, the influence of Claes Oldenburg, why it’s better to go big, how Marfa has evolved over the last twenty years, the oddities of interacting with busloads of tourists, giant gilded guns and steak finger baskets.

Camp Bosworth is a Marfa-based artist who utilizes wood carving to create sculptures and paintings that reflect the world around him. Often carved and sometimes gilded in gold and silver, these pieces almost always utilize scale to create humor and interest. A native-Texan, Camp received his BFA in painting from the University of North Texas and worked in Dallas until relocating to Marfa in 1999. Camp has since become one of the de facto artists of record in the West Texas art mecca. The themes he explores range from drug cartels to boom boxes to the small-town-Texas Dairy Queen. He regularly exhibits his work throughout the Southwest, including the Webb Gallery in Waxahachie where I was recently able to sit down with Camp to discuss growing up in Texas, the influence of Claes Oldenburg, why it’s better to go big, how Marfa has evolved over the last twenty years, the oddities of interacting with busloads of tourists, giant gilded guns and steak finger baskets.

Maggie Adler is Curator at the Amon Carter Museum of American Art in Fort Worth, Texas, where she organizes exhibitions that explore the breadth of American art that exists within and outside of the museum’s collection. A native of rural New York, she received her higher education at Williams College in Williamstown, Massachusetts where she obtained a BA in classical languages and art history and a Masters in art history. Prior to the Amon Carter, Maggie held positions at Williams College Museum of Art and the Addison Gallery of American Art at Phillips Academy, as well as a fellowship at the Philadelphia Museum of Art. In addition to her curatorial duties, she also serves as co-chair for the Association for the Historians of American Art. Though her research focuses on nineteenth-century art, she is also passionate about collaborating with contemporary artists to create large-scale commissions and has worked with Jenny Holzer, Pepon Osorio, and Gabriel Dawe on site-specific installations. She is currently planning a major commission with artist Mark Dion and collaborating on a traveling exhibition pairing Winslow Homer and Frederic Remington. I recently sat down with Maggie in the main gallery of the Amon Carter where we discussed her attraction to Williams College, her love of Winslow Homer, the color theory of Michel Eugène Chevreul, her winding career path, what makes the Amon Carter unique, and finding contemporary work that fits within the museum’s narrative.

Maggie Adler is Curator at the Amon Carter Museum of American Art in Fort Worth, Texas, where she organizes exhibitions that explore the breadth of American art that exists within and outside of the museum’s collection. A native of rural New York, she received her higher education at Williams College in Williamstown, Massachusetts where she obtained a BA in classical languages and art history and a Masters in art history. Prior to the Amon Carter, Maggie held positions at Williams College Museum of Art and the Addison Gallery of American Art at Phillips Academy, as well as a fellowship at the Philadelphia Museum of Art. In addition to her curatorial duties, she also serves as co-chair for the Association for the Historians of American Art. Though her research focuses on nineteenth-century art, she is also passionate about collaborating with contemporary artists to create large-scale commissions and has worked with Jenny Holzer, Pepon Osorio, and Gabriel Dawe on site-specific installations. She is currently planning a major commission with artist Mark Dion and collaborating on a traveling exhibition pairing Winslow Homer and Frederic Remington. I recently sat down with Maggie in the main gallery of the Amon Carter where we discussed her attraction to Williams College, her love of Winslow Homer, the color theory of Michel Eugène Chevreul, her winding career path, what makes the Amon Carter unique, and finding contemporary work that fits within the museum’s narrative.

Sara Cardona is a Dallas-based artist who creates abstract collages and reliefs. These pieces, which often evoke organic shapes and forms, draw inspiration from colors and textures found in a diverse variety of media. Originally from Mexico City, Sara has spent the majority of her life in and around Dallas. After graduating from Booker T. Washington High School for the Performing and Visual Arts in Dallas, she spent a year at the Kansas City Art Institute before receiving her Bachelors from the University of Texas in Austin. Sara later received her MFA from Temple University’s Tyler School of Art and completed a residency at the renowned Skowhegan School of Painting and Sculpture. She is currently completing a PhD in Aesthetic Studies from the University of Texas at Dallas. After fifteen years of teaching arts related courses at Richland College, Sara recently took on an arts administration role at Teatro Dallas. Her work is consistently included in solo and group exhibitions throughout Texas and she is represented in Dallas by Kirk Hopper Fine Art.I recently sat down with Sara at her home-studio in Oak Cliff where we discussed growing up in a family of creatives, returning to one’s roots, carving out time for one’s craft, the evolving art scene in Dallas, Bangladeshi movie posters, and her grandfather’s relationship with Diego Rivera.

Sara Cardona is a Dallas-based artist who creates abstract collages and reliefs. These pieces, which often evoke organic shapes and forms, draw inspiration from colors and textures found in a diverse variety of media. Originally from Mexico City, Sara has spent the majority of her life in and around Dallas. After graduating from Booker T. Washington High School for the Performing and Visual Arts in Dallas, she spent a year at the Kansas City Art Institute before receiving her Bachelors from the University of Texas in Austin. Sara later received her MFA from Temple University’s Tyler School of Art and completed a residency at the renowned Skowhegan School of Painting and Sculpture. She is currently completing a PhD in Aesthetic Studies from the University of Texas at Dallas. After fifteen years of teaching arts related courses at Richland College, Sara recently took on an arts administration role at Teatro Dallas. Her work is consistently included in solo and group exhibitions throughout Texas and she is represented in Dallas by Kirk Hopper Fine Art.I recently sat down with Sara at her home-studio in Oak Cliff where we discussed growing up in a family of creatives, returning to one’s roots, carving out time for one’s craft, the evolving art scene in Dallas, Bangladeshi movie posters, and her grandfather’s relationship with Diego Rivera.

Bruce and Julie Webb have owned and operated the Webb Gallery in Waxahachie, Texas since 1987. The art gallery is a destination for collectors worldwide who share the Webb’s fondness of art in its rawest and most authentic form. Bruce funneled the eccentricities of his family’s history and a childhood combing through flea markets to develop a love for the odd, handmade and unique. He and Julie have worked over the last 30 years to curate an aesthetic that recognizes contemporary folk art that in Bruce’s words “feels like it’s from another planet.” The couple’s world-class collection of art from fraternal organizations (like the Masons and Odd Fellows) led to Bruce co-authoring a fully-illustrated book on the subject in 2016 titled As Above, So Below: Art of the American Fraternal Society, 1850-1930. The Webbs are a household name in the world of “outsider art” and are participants each year in New York’s Outsider Art Fair.I recently sat down with Bruce and Julie at their gallery where we discussed flea markets, punk rock, Free Masonry, hobos, folk art, the uniqueness of Waxahachie, their friendship with David Byrne, and spending half the year on the road finding treasures.

Bruce and Julie Webb have owned and operated the Webb Gallery in Waxahachie, Texas since 1987. The art gallery is a destination for collectors worldwide who share the Webb’s fondness of art in its rawest and most authentic form. Bruce funneled the eccentricities of his family’s history and a childhood combing through flea markets to develop a love for the odd, handmade and unique. He and Julie have worked over the last 30 years to curate an aesthetic that recognizes contemporary folk art that in Bruce’s words “feels like it’s from another planet.” The couple’s world-class collection of art from fraternal organizations (like the Masons and Odd Fellows) led to Bruce co-authoring a fully-illustrated book on the subject in 2016 titled As Above, So Below: Art of the American Fraternal Society, 1850-1930. The Webbs are a household name in the world of “outsider art” and are participants each year in New York’s Outsider Art Fair.I recently sat down with Bruce and Julie at their gallery where we discussed flea markets, punk rock, Free Masonry, hobos, folk art, the uniqueness of Waxahachie, their friendship with David Byrne, and spending half the year on the road finding treasures.

Nancy Lamb is a long-admired artist that has been a fixture in the Fort Worth art and social scene for decades. A native of Fort Worth, she chose to stay close to home by studying art at Texas Christian University. Nancy first gained recognition in her hometown through a series of art classes that she taught at the Fort Worth Museum of Science and History which included her production of 3D work. But Nancy is probably best known for her large-scale oil paintings of candid Fort Worth society scenes. These paintings can be found in exhibitions at home and worldwide, such as the Florence Biennale, as well as being a popular choice in private and corporate collections. Nancy is represented in Fort Worth by Artspace 111.I recently sat down with Nancy at her home studio where we discussed growing up in Fort Worth, the disappearance of small town Texas culture, the upkeep of her four acres, going to parties, experiencing loss and what to do with thirty years of photographs.

Nancy Lamb is a long-admired artist that has been a fixture in the Fort Worth art and social scene for decades. A native of Fort Worth, she chose to stay close to home by studying art at Texas Christian University. Nancy first gained recognition in her hometown through a series of art classes that she taught at the Fort Worth Museum of Science and History which included her production of 3D work. But Nancy is probably best known for her large-scale oil paintings of candid Fort Worth society scenes. These paintings can be found in exhibitions at home and worldwide, such as the Florence Biennale, as well as being a popular choice in private and corporate collections. Nancy is represented in Fort Worth by Artspace 111.I recently sat down with Nancy at her home studio where we discussed growing up in Fort Worth, the disappearance of small town Texas culture, the upkeep of her four acres, going to parties, experiencing loss and what to do with thirty years of photographs.

Nic Nicosia is an internationally-recognized artist who recently returned to Dallas after ten years in Santa Fe. Nic gained notoriety in the early eighties as one of the leaders of the staged photography movement. He has been selected for the Whitney Biennial twice – once for his photography and once for a film. He has also been selected for participation in Documenta, the Kassel, Germany-based art exhibition which gathers the best of the art world for site specific works every five years. His work is included in the permanent collections of the Museum of Modern Art in New York, the Guggenheim, the Whitney Museum of American Art, the Los Angeles County Museum of Art, and the Museum of Contemporary Art in Chicago, amongst many others. He has been the recipient of a Louis Comfort Tiffany Foundation Grant, as well as a Guggenheim Fellowship. The Contemporary Arts Museum of Houston hosted a 20-year retrospective in 1999 which subsequently travelled to other venues; and in 2012, a major retrospective of his life’s work was published by the University of Texas Press. Nic is represented in Dallas by Erin Cluley Gallery.I recently sat down with Nic at his home studio where we discussed growing up in Dallas, studying filmmaking, being part of a movement, the changing art world in Santa Fe, the willingness to continue to try new things, and the measurement of time.

Nic Nicosia is an internationally-recognized artist who recently returned to Dallas after ten years in Santa Fe. Nic gained notoriety in the early eighties as one of the leaders of the staged photography movement. He has been selected for the Whitney Biennial twice – once for his photography and once for a film. He has also been selected for participation in Documenta, the Kassel, Germany-based art exhibition which gathers the best of the art world for site specific works every five years. His work is included in the permanent collections of the Museum of Modern Art in New York, the Guggenheim, the Whitney Museum of American Art, the Los Angeles County Museum of Art, and the Museum of Contemporary Art in Chicago, amongst many others. He has been the recipient of a Louis Comfort Tiffany Foundation Grant, as well as a Guggenheim Fellowship. The Contemporary Arts Museum of Houston hosted a 20-year retrospective in 1999 which subsequently travelled to other venues; and in 2012, a major retrospective of his life’s work was published by the University of Texas Press. Nic is represented in Dallas by Erin Cluley Gallery.I recently sat down with Nic at his home studio where we discussed growing up in Dallas, studying filmmaking, being part of a movement, the changing art world in Santa Fe, the willingness to continue to try new things, and the measurement of time.

Gabriel Dawe is a Mexican-born artist living in Dallas who utilizes miles of vibrantly-colored sewing thread to create soaring installations that evoke a sense of viewing rays of light. The breadth of his work revolves around the use of sewing and embroidery materials to explore issues of pain, equality and gender roles, but it’s his highly popular Plexus series of installations that has garnered him acclaim worldwide. Gabriel obtained a bachelor’s degree from the Universidad de las Americas in Puebla, Mexico before moving to Montreal to pursue a career in graphic design. In 2008, he relocated to Dallas where he obtained his MFA from the University of Texas – Dallas and was part of the highly-touted Centraltrak residency program. Over the last eight years, Gabriel has installed temporary or permanent works in over 35 private and public institutions worldwide, including the Smithsonian Museum’s Renwick Gallery, Crystal Bridges Museum of American Art and the Amon Carter Museum of American Art where his Plexus 34 is on display in the Philip Johnson designed space until September 2, 2018I recently sat down with Gabriel at his Dallas studio where we discussed his childhood in Mexico, his grandmother’s influence, his life as a graphic designer in Canada, the importance of Centraltrak, experimenting with glass, and his discomfort with heights.

Gabriel Dawe is a Mexican-born artist living in Dallas who utilizes miles of vibrantly-colored sewing thread to create soaring installations that evoke a sense of viewing rays of light. The breadth of his work revolves around the use of sewing and embroidery materials to explore issues of pain, equality and gender roles, but it’s his highly popular Plexus series of installations that has garnered him acclaim worldwide. Gabriel obtained a bachelor’s degree from the Universidad de las Americas in Puebla, Mexico before moving to Montreal to pursue a career in graphic design. In 2008, he relocated to Dallas where he obtained his MFA from the University of Texas – Dallas and was part of the highly-touted Centraltrak residency program. Over the last eight years, Gabriel has installed temporary or permanent works in over 35 private and public institutions worldwide, including the Smithsonian Museum’s Renwick Gallery, Crystal Bridges Museum of American Art and the Amon Carter Museum of American Art where his Plexus 34 is on display in the Philip Johnson designed space until September 2, 2018I recently sat down with Gabriel at his Dallas studio where we discussed his childhood in Mexico, his grandmother’s influence, his life as a graphic designer in Canada, the importance of Centraltrak, experimenting with glass, and his discomfort with heights.

Debora Hunter is a Dallas-based photographer who taught art and photography at SMU for 40 years. A native of architecturally-rich Oak Park, Illinois, her work reflects an acute awareness of architectural space and the ability to capture the unique characteristics of a specific place. Deborah obtained an undergraduate degree from Northwestern before obtaining her MFA at the Rhode Island School of Design, where she studied under photography giants Harry Callahan and Aaron Siskind. She has been part of group exhibitions at a variety of institutions, including the Amon Carter Museum of American Art, Light Factory, Dallas Museum of Art, Museum of Fine Art Houston and MOMA, as well as solo exhibitions at the Art Institute of Chicago and the George Eastman House.I recently sat down with Deborah at her home studio in Dallas where we discussed her childhood riding the “L” to the Art Institute, the emergence of photography as an area of arts study, her love of Taos, planting roots in Dallas and what it’s like to be a classically-trained photographer in the age of Instagram.

Debora Hunter is a Dallas-based photographer who taught art and photography at SMU for 40 years. A native of architecturally-rich Oak Park, Illinois, her work reflects an acute awareness of architectural space and the ability to capture the unique characteristics of a specific place. Deborah obtained an undergraduate degree from Northwestern before obtaining her MFA at the Rhode Island School of Design, where she studied under photography giants Harry Callahan and Aaron Siskind. She has been part of group exhibitions at a variety of institutions, including the Amon Carter Museum of American Art, Light Factory, Dallas Museum of Art, Museum of Fine Art Houston and MOMA, as well as solo exhibitions at the Art Institute of Chicago and the George Eastman House.I recently sat down with Deborah at her home studio in Dallas where we discussed her childhood riding the “L” to the Art Institute, the emergence of photography as an area of arts study, her love of Taos, planting roots in Dallas and what it’s like to be a classically-trained photographer in the age of Instagram.

Liz Trosper is a Dallas-based artist whose work utilizes assemblage and digital imaging to challenge the conventional definitions of painting. She came to painting after the prolonged study of political science and public administration, as well as professional experience in the public sector. Liz obtained her MFA at UT Dallas, a program that focuses on the intersection of traditional art theories with emerging technologies. While there, she was a resident at UTD’s highly touted CentralTrak residency program. Liz is represented by Barry Whistler Gallery in Dallas, and her work has been shown in art spaces such as The Dallas Contemporary, Lawndale Art Center in Houston, Richland College, UT Dallas, Academic Gallery in New York and many other galleries and exhibition spaces. She is a lecturer at UT Dallas and curates a nonprofit experimental art space in Dallas called Umbrella.I recently sat down with Liz at her Deep Ellum studio where we discussed growing up in the suburbs, the landscape of community-level politics, studying philosophy, using technology in the studio, and the satisfaction of finding your life’s calling.

Liz Trosper is a Dallas-based artist whose work utilizes assemblage and digital imaging to challenge the conventional definitions of painting. She came to painting after the prolonged study of political science and public administration, as well as professional experience in the public sector. Liz obtained her MFA at UT Dallas, a program that focuses on the intersection of traditional art theories with emerging technologies. While there, she was a resident at UTD’s highly touted CentralTrak residency program. Liz is represented by Barry Whistler Gallery in Dallas, and her work has been shown in art spaces such as The Dallas Contemporary, Lawndale Art Center in Houston, Richland College, UT Dallas, Academic Gallery in New York and many other galleries and exhibition spaces. She is a lecturer at UT Dallas and curates a nonprofit experimental art space in Dallas called Umbrella.I recently sat down with Liz at her Deep Ellum studio where we discussed growing up in the suburbs, the landscape of community-level politics, studying philosophy, using technology in the studio, and the satisfaction of finding your life’s calling.

Ted Kincaid is a Dallas-based artist whose work challenges the notion of photography as a subjective record. Through the use of digital and traditional processes, Ted is creating a new type of painting informed by photo-imagery and a new type of photography influenced by painting.He received his BFA from Texas Tech and his MFA from the University of Kentucky before returning to Dallas to set up his practice. He has been reviewed in ARTFORUM, ARTPAPER and ART ON PAPER and is included in the permanent collections of both the Dallas Museum of Art and the Museum of Fine Arts in Houston, as well as a host of corporate collections, including a massive 700-square foot canvas in the Dallas Omni Convention Center Hotel. Ted is represented by a number of galleries around the U.S., including Talley Dunn Gallery in Dallas and Devin Borden Gallery in Houston.I recently sat down with Ted at his home in Dallas where we discussed the veracity of the photographic image, pictorialism, the sublime, the former grandeur of Valley View Mall and the current state of arts education.

Ted Kincaid is a Dallas-based artist whose work challenges the notion of photography as a subjective record. Through the use of digital and traditional processes, Ted is creating a new type of painting informed by photo-imagery and a new type of photography influenced by painting.He received his BFA from Texas Tech and his MFA from the University of Kentucky before returning to Dallas to set up his practice. He has been reviewed in ARTFORUM, ARTPAPER and ART ON PAPER and is included in the permanent collections of both the Dallas Museum of Art and the Museum of Fine Arts in Houston, as well as a host of corporate collections, including a massive 700-square foot canvas in the Dallas Omni Convention Center Hotel. Ted is represented by a number of galleries around the U.S., including Talley Dunn Gallery in Dallas and Devin Borden Gallery in Houston.I recently sat down with Ted at his home in Dallas where we discussed the veracity of the photographic image, pictorialism, the sublime, the former grandeur of Valley View Mall and the current state of arts education.

Timothy Harding is a Fort Worth-based artist who uses line, color, pattern and repetition to create depth and space in paintings, reliefs and sculptural installations. A native Texan, Timothy received his BFA from Texas Woman’s University and his MFA from Texas Christian University. He’s been the recipient of both a Nasher Sculpture Center Artist Microgrant, as well as a Kimbrough Fund Grant from the Dallas Museum of Art, where he is currently completing a residency in the museum’s Center for Creative Connections. He is represented in Dallas by Cris Worley Fine Art.I recently sat down with Timothy at his Fort Worth studio where we discussed his residency at the Vermont Studio Center, life in college towns, grids, Xacto knives and students who wear chaps.

Timothy Harding is a Fort Worth-based artist who uses line, color, pattern and repetition to create depth and space in paintings, reliefs and sculptural installations. A native Texan, Timothy received his BFA from Texas Woman’s University and his MFA from Texas Christian University. He’s been the recipient of both a Nasher Sculpture Center Artist Microgrant, as well as a Kimbrough Fund Grant from the Dallas Museum of Art, where he is currently completing a residency in the museum’s Center for Creative Connections. He is represented in Dallas by Cris Worley Fine Art.I recently sat down with Timothy at his Fort Worth studio where we discussed his residency at the Vermont Studio Center, life in college towns, grids, Xacto knives and students who wear chaps.

Kelly Cornell is a Dallas native who works as Director of the Dallas Art Fair. Kelly studied Painting as well as Arts Management and Entrepreneurship at Southern Methodist University. While there, she became an intern for the art fair that she now manages. Co-founded in 2009 by Dallas business entrepreneur/real estate developer John Sughrue and independent curator Chris Byrne, the Dallas Art Fair has become the cornerstone of what is now Dallas Arts Month. The event offers collectors, arts professionals, and the public the opportunity to engage with a rich selection of modern and contemporary artworks presented by nearly 100 of the world’s leading galleries. I recently spoke with Kelly via Skype from her home where she was caring for her one-week-old daughter, Frances. During our conversation, we had the opportunity to discuss the evolving role of the arts in Dallas, the history of the Dallas Art Fair, what it takes to prepare for the event, how artists can participate and the noticeable absence of corny dogs and henna tattoos.

Kelly Cornell is a Dallas native who works as Director of the Dallas Art Fair. Kelly studied Painting as well as Arts Management and Entrepreneurship at Southern Methodist University. While there, she became an intern for the art fair that she now manages. Co-founded in 2009 by Dallas business entrepreneur/real estate developer John Sughrue and independent curator Chris Byrne, the Dallas Art Fair has become the cornerstone of what is now Dallas Arts Month. The event offers collectors, arts professionals, and the public the opportunity to engage with a rich selection of modern and contemporary artworks presented by nearly 100 of the world’s leading galleries. I recently spoke with Kelly via Skype from her home where she was caring for her one-week-old daughter, Frances. During our conversation, we had the opportunity to discuss the evolving role of the arts in Dallas, the history of the Dallas Art Fair, what it takes to prepare for the event, how artists can participate and the noticeable absence of corny dogs and henna tattoos.

Joseph Havel is a world-renowned artist who lives and works in Houston, Texas. In addition to his studio practice, Joseph is Director of the Glassell School of Art and its acclaimed Core Residency Program. Originally from Minnesota, he obtained his BFA from the University of Minnesota and his MFA from Penn State. Joseph is best known for his ever-changing body of work which consists mostly of sculptures, but also drawings. His artwork has been exhibited extensively worldwide and he is part of the permanent collections of many of the world’s top art institutions, including The Whitney Museum of American Art, The Modern Art Museum of Fort Worth, Le Centre Pompidou, The Ministry of Culture – Paris, The Menil Collection and The Museum of Fine Arts – Houston. He has received numerous awards, including a National Endowment for the Arts Fellowship, a Louis Comfort Tiffany Fellowship, the Dallas Contemporary’s Texas Legend Award and Texas State Visual Artist of the Year. He is represented by a number of galleries, including Talley Dunn Gallery in Dallas and Hiram Butler Gallery in Houston.I recently sat down with Joseph in a private viewing room at Talley Dunn prior to a recent opening where we discussed growing up in Minnesota, conceptual art, white shirts, the Glassell School, the state of change in San Francisco and avoiding boxes.

Joseph Havel is a world-renowned artist who lives and works in Houston, Texas. In addition to his studio practice, Joseph is Director of the Glassell School of Art and its acclaimed Core Residency Program. Originally from Minnesota, he obtained his BFA from the University of Minnesota and his MFA from Penn State. Joseph is best known for his ever-changing body of work which consists mostly of sculptures, but also drawings. His artwork has been exhibited extensively worldwide and he is part of the permanent collections of many of the world’s top art institutions, including The Whitney Museum of American Art, The Modern Art Museum of Fort Worth, Le Centre Pompidou, The Ministry of Culture – Paris, The Menil Collection and The Museum of Fine Arts – Houston. He has received numerous awards, including a National Endowment for the Arts Fellowship, a Louis Comfort Tiffany Fellowship, the Dallas Contemporary’s Texas Legend Award and Texas State Visual Artist of the Year. He is represented by a number of galleries, including Talley Dunn Gallery in Dallas and Hiram Butler Gallery in Houston.I recently sat down with Joseph in a private viewing room at Talley Dunn prior to a recent opening where we discussed growing up in Minnesota, conceptual art, white shirts, the Glassell School, the state of change in San Francisco and avoiding boxes.

Mary Vernon is a Dallas-based artist and former educator. Mary spent nearly 50 years at Southern Methodist University where she taught art history, painting and drawing, as well as SMU’s noted color theory course. Originally from New Mexico, she completed her undergraduate degree at Cal Berkeley and her MFA at the University of New Mexico, Albuquerque. Mary’s paintings reflect the color theories she so famously taught at SMU. One of her most recent works (“Albers’ House”) is a 36-foot-long oil painting on yupo which was featured in a retrospective at the Grace Museum in Abiliene. Mary’s work can be found in notable local collections, such as The Belo Foundation, The George W. Bush Presidential Library, Meadows Museum, Dallas Country Club, and the U.T. Southwestern Medical Center. Mary is represented in Dallas by Valley House Gallery. I recently sat down with Mary at her Dallas studio where we discussed early inspirations, Berkeley in the ‘60s, her love of art history, the evolution of the Meadows collection, her impact on generations of art students, her love of yupo and a run-in with Georgia O’Keefe.

Mary Vernon is a Dallas-based artist and former educator. Mary spent nearly 50 years at Southern Methodist University where she taught art history, painting and drawing, as well as SMU’s noted color theory course. Originally from New Mexico, she completed her undergraduate degree at Cal Berkeley and her MFA at the University of New Mexico, Albuquerque. Mary’s paintings reflect the color theories she so famously taught at SMU. One of her most recent works (“Albers’ House”) is a 36-foot-long oil painting on yupo which was featured in a retrospective at the Grace Museum in Abiliene. Mary’s work can be found in notable local collections, such as The Belo Foundation, The George W. Bush Presidential Library, Meadows Museum, Dallas Country Club, and the U.T. Southwestern Medical Center. Mary is represented in Dallas by Valley House Gallery. I recently sat down with Mary at her Dallas studio where we discussed early inspirations, Berkeley in the ‘60s, her love of art history, the evolution of the Meadows collection, her impact on generations of art students, her love of yupo and a run-in with Georgia O’Keefe.

Sedrick Huckaby is a Fort Worth-based artist known for his large-scale, impasto paintings that reflect his faith, his family history and his community. A native of Fort Worth, Sedrick studied art initially at Texas Weslyan before obtaining his BFA from Boston University and his MFA from Yale. He has gained notoriety nationwide for his large-scale portraits of family and community members, as well as large-scale paintings of family quilts which serve as allegory for themes of family and faith. Widely exhibited and collected, Sedrick’s work resides in the permanent collections of a variety of private and public institutions, including the Amon Carter Museum of American Art, The Art Institute of Chicago, the Museum of Fine Arts – Boston, SFMOMA, and the Whitney Museum of American Art. Sedrick is represented in Dallas by Valley House Gallery.I recently sat down with Sedrick at his grandmother’s former residence in Fort Worth which he has converted into an artist studio where we discussed growing up in Fort Worth, the work of Henry O. Tanner, authenticity, faith, family, heritage and “The Pit.”

Sedrick Huckaby is a Fort Worth-based artist known for his large-scale, impasto paintings that reflect his faith, his family history and his community. A native of Fort Worth, Sedrick studied art initially at Texas Weslyan before obtaining his BFA from Boston University and his MFA from Yale. He has gained notoriety nationwide for his large-scale portraits of family and community members, as well as large-scale paintings of family quilts which serve as allegory for themes of family and faith. Widely exhibited and collected, Sedrick’s work resides in the permanent collections of a variety of private and public institutions, including the Amon Carter Museum of American Art, The Art Institute of Chicago, the Museum of Fine Arts – Boston, SFMOMA, and the Whitney Museum of American Art. Sedrick is represented in Dallas by Valley House Gallery.I recently sat down with Sedrick at his grandmother’s former residence in Fort Worth which he has converted into an artist studio where we discussed growing up in Fort Worth, the work of Henry O. Tanner, authenticity, faith, family, heritage and “The Pit.”

Alison Jardine is a British artist and author who lives and works in Dallas. A native of Yorkshire, Alison received an undergraduate degree from the University of London and her MFA from the University of North Texas. Her work spans a broad range of disciplines, including electronic media, sculpture and painting. Her most recent work (Objects From a Future Past) uses concrete cast in sagging, found materials to create reliefs that comment on the notion of the modern landscape. Alison has had video installations featured in Dallas’s Aurora Festival, as well as being named a Finalist for the 2016 Hunting Art Prize for Painting & Drawing. She is a Fellow of the Hambidge Center of Arts & Science, as well as the founder of the Dallas Arboretum Artist in Residence program. She is also author of the book Make Great Art on the iPad which is available through all major book retailers. Alison is represented in Dallas by Erin Cluley Gallery. I recently sat down with Alison at her studio space within a converted cotton gin in the Deep Ellum neighborhood of Dallas where we discussed her life in the UK, her decision to become an artist, her art-making process and making room for experimentation.

Alison Jardine is a British artist and author who lives and works in Dallas. A native of Yorkshire, Alison received an undergraduate degree from the University of London and her MFA from the University of North Texas. Her work spans a broad range of disciplines, including electronic media, sculpture and painting. Her most recent work (Objects From a Future Past) uses concrete cast in sagging, found materials to create reliefs that comment on the notion of the modern landscape. Alison has had video installations featured in Dallas’s Aurora Festival, as well as being named a Finalist for the 2016 Hunting Art Prize for Painting & Drawing. She is a Fellow of the Hambidge Center of Arts & Science, as well as the founder of the Dallas Arboretum Artist in Residence program. She is also author of the book Make Great Art on the iPad which is available through all major book retailers. Alison is represented in Dallas by Erin Cluley Gallery. I recently sat down with Alison at her studio space within a converted cotton gin in the Deep Ellum neighborhood of Dallas where we discussed her life in the UK, her decision to become an artist, her art-making process and making room for experimentation.

Pamela Nelson is a Dallas-based artist who uses pattern, rhythm and repetition to make brightly colored pieces that draw inspiration from textiles from around the world. A native Texan, Pamela completed her BFA at Southern Methodist University. In addition to exhibitions in more than 100 venues, her commissions can be seen at some of Dallas’ highest trafficked destinations, including DFW International Airport, the George W. Bush Presidential Library and NorthPark Center. Pamela has a long history of service to the arts, including co-founding the Stewpot Open Art Program for the homeless in Dallas and ten years of service as Vice-Chair of the U.S. Commission of Fine Arts, the agency that reviews proposed designs for memorials in our nation’s capitol. Among her many recognitions, Pamela received the Legends Award from the Dallas Contemporary in 2000. She is currently represented by Craighead Green Gallery in Dallas.I recently sat down with Pamela at her studio in a converted apartment off of Turtle Creek where we discussed her childhood in Dallas, her grandmother’s influence, the challenges of commissions, the universal language of art, the importance of family and the menagerie of places where she has tried to set up a studio.

Pamela Nelson is a Dallas-based artist who uses pattern, rhythm and repetition to make brightly colored pieces that draw inspiration from textiles from around the world. A native Texan, Pamela completed her BFA at Southern Methodist University. In addition to exhibitions in more than 100 venues, her commissions can be seen at some of Dallas’ highest trafficked destinations, including DFW International Airport, the George W. Bush Presidential Library and NorthPark Center. Pamela has a long history of service to the arts, including co-founding the Stewpot Open Art Program for the homeless in Dallas and ten years of service as Vice-Chair of the U.S. Commission of Fine Arts, the agency that reviews proposed designs for memorials in our nation’s capitol. Among her many recognitions, Pamela received the Legends Award from the Dallas Contemporary in 2000. She is currently represented by Craighead Green Gallery in Dallas.I recently sat down with Pamela at her studio in a converted apartment off of Turtle Creek where we discussed her childhood in Dallas, her grandmother’s influence, the challenges of commissions, the universal language of art, the importance of family and the menagerie of places where she has tried to set up a studio.

Steven Charles is a British-born artist who recently returned to Dallas after twenty years in New York. He received his BFA in Painting from the University of North Texas and his MFA from Temple University. During his time in New York, Steven was the recipient of both a Pollock-Krasner Foundation Grant and an Artist’s Fellowship from the New York Foundation for the Arts. In addition, he has repeatedly served as a guest lecturer at the School of the Visual Arts in New York. After selling out his first solo shows in Brooklyn, Steven was added to the roster at Marlborough Gallery in Chelsea where he was part of multiple group and solo exhibitions over the course of a decade. His work has been reviewed in many of the art world’s top publications, including the Los Angeles Times, The New York Times, and Art in America. He is currently represented by Cris Worley Fine Arts in Dallas. I recently sat down with Steven in his Dallas studio where we discussed his childhood in Liverpool, adjusting to life in Texas, blue-collar work ethic, formative years studying art in Rome, sold-out shows, black town cars, reaction-based art process and trying to live a life without regrets.

This is Outside of New York, a series of in-depth discussions with members of the art world who live and work outside of New York.Look, you and I both know that New York is the seat of power in the world of contemporary art. It has been since World War II, the rise of abstract expressionism, Peggy Guggenheim, the New York School, the Irascibles. However, the world continues to evolve. Studios in New York aren’t getting cheaper, but the ability to reach a widespread audience digitally has never been easier. So, how can a serious artist make it outside of New York? Why would you want to? What are the trade offs? Outside of New York seeks to find those answers while introducing you to the real people, the genuinely talented and creative people that make up the tribe of artists and art professionals West of the Hudson. Instead of dragging you through a painfully academic art critique, each conversation on Outside of New York will dive more into the artist’s journey and his or her personality. Where did you grow up? When did you realize you couldn’t avoid becoming an artist? Do you work in silence or jam out to The Sex Pistols? I want you the listener to be a “fly on the wall” for candid conversations about what it means to live and work in the art world outside of New York.So subscribe to Outside of New York today on iTunes or wherever you find your favorite podcasts.

Steven Charles is a British-born artist who recently returned to Dallas after twenty years in New York. He received his BFA in Painting from the University of North Texas and his MFA from Temple University. During his time in New York, Steven was the recipient of both a Pollock-Krasner Foundation Grant and an Artist’s Fellowship from the New York Foundation for the Arts. In addition, he has repeatedly served as a guest lecturer at the School of the Visual Arts in New York. After selling out his first solo shows in Brooklyn, Steven was added to the roster at Marlborough Gallery in Chelsea where he was part of multiple group and solo exhibitions over the course of a decade. His work has been reviewed in many of the art world’s top publications, including the Los Angeles Times, The New York Times, and Art in America. He is currently represented by Cris Worley Fine Arts in Dallas. I recently sat down with Steven in his Dallas studio where we discussed his childhood in Liverpool, adjusting to life in Texas, blue-collar work ethic, formative years studying art in Rome, sold-out shows, black town cars, reaction-based art process and trying to live a life without regrets.

This is Outside of New York, a series of in-depth discussions with members of the art world who live and work outside of New York.Look, you and I both know that New York is the seat of power in the world of contemporary art. It has been since World War II, the rise of abstract expressionism, Peggy Guggenheim, the New York School, the Irascibles. However, the world continues to evolve. Studios in New York aren’t getting cheaper, but the ability to reach a widespread audience digitally has never been easier. So, how can a serious artist make it outside of New York? Why would you want to? What are the trade offs? Outside of New York seeks to find those answers while introducing you to the real people, the genuinely talented and creative people that make up the tribe of artists and art professionals West of the Hudson. Instead of dragging you through a painfully academic art critique, each conversation on Outside of New York will dive more into the artist’s journey and his or her personality. Where did you grow up? When did you realize you couldn’t avoid becoming an artist? Do you work in silence or jam out to The Sex Pistols? I want you the listener to be a “fly on the wall” for candid conversations about what it means to live and work in the art world outside of New York.So subscribe to Outside of New York today on iTunes or wherever you find your favorite podcasts.