Podcasts about Diamond Days

This s the second and final part of the conversation with Susan Cattaneo about the writing of her latest album All Is Quiet. Susan is one of Boston's best Americana singer-songwriters. You can also listen to the first part of this conversation in https://authenticleadershipforeverydaypeople.com/podcast/susan-cattaneo-all-is-quiet-part-1/ (episode 41.) KEY TAKEAWAYS [03:10] - Let's talk about the song Borrowed Blue, and discuss the mother-daughter bond. [04:50] - Listening to a snippet of Borrowed Blue. [05:47] - A discussion on the song Blackbirds, and the song's origin. [08:11] - The song wrote itself. [10:06] - Sometimes you need to let go of an idea to get to an idea that fits the context. [12:50] - Listening to a snippet of Blackbirds (special appearance by the Lonesome Seagull). [14:05] - A discussion on the song Broken Things, and the process of co-writing a song. [16:34] - What is the beautiful story behind Broken Things? [19:12] - Listening to a snippet of Broken Things. [21:18] - A discussion on the song Diamond Days, and the right to happiness. [24:15] - Listening to a snippet of Diamond Days. [26:38] - A discussion on the song No Hearts Here, and the connection to human rights. [28:50] - Listening to a snippet of No Hearts Here. [30:50] - A discussion on the song Hold Onto Hope, and how to organize song ideas. [33:28] - Listening to a snippet of Hold Onto Hope. [34:51] - A discussion on the song Follow, and following intuition. [37:49] - A talk about mutual support. [38:55] - Thank you and closing remarks.Contact Dino at: dino@al4ep.com Websites: https://authenticleadershipforeverydaypeople.com/ (al4ep.com) https://susancattaneo.com/ (susanmusic.com) Additional Susan Cattaneo Links: Click here for streaming links: https://music.apple.com/us/artist/susan-cattaneo/200816344 (Apple Music) https://open.spotify.com/artist/6cJPsVO3a3yENBkOaOSxbz?si=1w9GcZezQ2aS0L62Aw3NCA (Spotify) Bandcamp: https://susancattaneo.bandcamp.com/ (susanonbandcamp.com) Instagram: https://www.instagram.com/susancmusic/ (@susancmusic) Twitter: https://twitter.com/susancattaneo (@susancattaneo) Facebook: https://www.facebook.com/susancmusic (facebook.com/susancmusic) Authentic Leadership For Everyday People / Dino Cattaneo Dino on LinkedIn:https://www.linkedin.com/in/dinocattaneo ( linkedin.com/in/dinocattaneo) Podcast Instagram –https://instagram.com/al4edp ( @al4edp ) Podcast Twitter –https://twitter.com/al4edp ( @al4edp)  Podcast Facebook: https://www.facebook.com/al4edp ( facebook.com/al4edp) This podcast uses the following third-party services for analysis: Chartable - https://chartable.com/privacy

Join Andy, Craig and Daniel as they work through the resounding 4-0 victory over Southampton, Watkins and Ings finally working, Coutinho's evergrowing influence and the upcoming Leeds United game. --- Support this podcast: https://anchor.fm/underagaslitlamp/support

Slay Anxiety, Move Forward with Courage, Joy and Fierceness! Focus on Diamond Days, Living and Creating Them. Enjoy, Love Hard, Laugh Hard, Give, Share, Move!

The Alan Cox Show

Tune in as Dan recaps his first trip to God's Country aka Oxford since he went to school at Ole Miss and discusses the Diamond Rebels big sweep of the Gamecocks. Hotty Toddy from the Dan & Joe Sports Show! --- Support this podcast: https://anchor.fm/dan-n-joesportsshow/support

"Neha Kakkar and Parmish Varma team up for a late summer smash, plus the beyond segment takes a cinematic trippy turn with bollywood sampled electronic tunes. Also a classic underground track by once Swaraj Crew producer Juttla. Diamond Challa - Neha Kakkar, Parmish Verma Movie - Kay V. Singh 00:00 - Intro 01:44 - Charkha - Jaz Dhami feat. Mitika Kanwar 05:05 - Diamond Challa - Neha Kakar, Parmish Varma 08:33 - Lehanga - Jass Manak 11:57 - Ptola - Mickey Singh 14:44 - Ik Tera - Maninder Buttar 17:00 - Movie - Kay V. Singh 20:16 - Loaded - Ninja, Gurlej Akhtar 22:40 - Peed - Diljit Dosanjh 26:40 - Gupp Marda - Kulwinder Billa, Gurlej Akhtar 29:50 - Teri Gali - Barbie Maan 33:19 - Mic Break 36:36 - Dil Mera - Juttla 41:00 - Bombay Rhapsody - MALFKNTION feat. RaVam 45:15 - Blueberry Junction (Original Mix) - Nuphlo, Osmani Soundz 50:31 - Sampadan 25 (Todh Teri Dance Edit) - Kone Kone 56:14 - Outro 57:11 - Finish "

This week, James and Rob sit down with human sunbeam Sarah Shockey! They talk about wrestling, Deep Schwa, Del-Tones, Shock T's, Diamond Days, and so much more.    To hear more of Sarah, check out her podcast Marty & Sarah Love Wrestling and follow her on twitter @ sarahjoyshockey   As always, please subscribe, rate, and review. 

****Spoilers**** We jump all the way to season 5 Diamond Days! We have a special guest, the creator of the Geek Therapy Network, Josué Cardona. This episode is just us being able to talk about our love for the Diamond Days episodes and the season finale. We get to talk about all the things that […] The post Special Change Your Mind appeared first on Here Comes a Thought.

Zach Callison (voice of Steven), Michaela Dietz (voice of Amethyst), and Deedee Magno-Hall (voice of Pearl) return to talk "Diamond Days!" They breakdown the big White Diamond reveal, the Party Pearls, Steven's nightmare in "Together Alone," and the return of Opal! You'll also hear what it was like for Zach to voice the Watermelon Stevens and the Pebbles, and his thoughts on doing harmonies for "Escapism" (a song that Rebecca Sugar previewed on this very podcast over a year ago!).

GC13 and Sophia discuss the second episode of Diamond Days (and the first that wasn’t on the app before): Familiar. Getting some time on Homeworld brings the show back to old form, giving us interesting stuff to wonder about. Gems in walls, Steven’s ability to give life to melons and pebbles, and what an original Diamond … Continue reading

GC13 and Isabelle discuss Legs From Here to Homeworld, fresh from the app to the world of television, and the promos for the upcoming Diamond Days episodes. With a lot of discussion of the promos this episode is rather spoilertastic—it spoils as much as commercials and press releases can, at least. As far as Legs From Here … Continue reading

This week's hiatus lecture takes a look at the second trailer for Diamond Days, for about 30 minutes, then we move on to, less related things. As a bonus. And not at all because Chris couldn't keep focused!

Welcome to episode 30 of the L.A.N Party Podcast! We got a full show for you guys this week, tune in as we talk about the Lion King trailer that recently dropped during Thanksgiving, Steven Universe: Diamond Days set to premiere before years end, and then we get into some Fall 2018 anime's with Sword Art Online: Alicization (this season is a BANGER!), Goblin Slayer (DOUBLE BANGER), That Time I Got Reincarnated As A Slime and Rascal Does Not Dream of Bunny Girl Senpai. We got a lot to say about these topics so hit the play button, also, hit that like button and subscribe to us here as well as on our social media!

It's finally here! After months of waiting, the Crewniverse has finally provided us with a preview of the next group of Steven Universe episodes - Diamond Days! Join Shane and Ken as they review the newly released trailer, provide initial reactions, and provide some fresh theories.

This week's hiatus lecture we take a look at the scheduling, poster, and trailer for the upcoming Diamond Days and Battle of Heart and Mind Steven Universe events. You can catch us on Twitter @nothinbutstatic or mail@nothingbutstatic.co.uk

GC13, Isabelle, and David discuss what we know about the upcoming Diamond Days episodes, based mostly off of the trailer and episode descriptions. It’s definitely not a spoiler-free episode (sorry Sophia), but there are still a lot of questions. We don’t even have a clue what questions could be answered by the event, let alone … Continue reading

Silverchair have been one of Australia's most successful bands for the last 20 years. Drummer Ben Gillies joined Carol Duncan in the studio for a chat about his solo project - Bento, and why he continues to call Newcastle home. Daniel Johns, Chris Joannou and Ben Gillies were just kids doing work experience at a Newcastle radio station when I first met them nearly 20 years ago. Those three boys have gone on to become strong and confident men and wonderful musicians - collectively and individually. I suspect the whole town is pretty proud of them.In 2012, the band have celebrated 20 years of Australian and international success, 21 ARIA awards from 49 nominations, 6 APRA awards, and all five of their studio albums have reached number one of the Australian album charts.Over the last few years the three members of the band have also gone out to do their own musical projects and drummer, Ben Gillies, came into the studios to talk about life, music, growing up in public, and taking the leap into solo performance.What was it like, being a kid, being thrust into that level of media interest and intrusion? "We were pretty unaware. Blissfully unaware. We were too worried about playing our music and running around and going to diners and just being teenage boys. We had good people around us, so we were fairly sheltered."The members of Silverchair studied at Newcastle High School when Peter McNair was principal. "He was a really good school principal. I remember a few times, the three of us would rock up to his office - in a good way, we weren't in trouble - but we had these grand ideas of putting concerts on at the school and we'd sell him on why we had to do it and how we could make it happen. He was really accommodating. I'm pretty sure he wasn't supposed to do some things he let us get away with. He let us put on concerts, we'd rehearse in the music room and do all kinds of stuff."It's often suggested that parents are the biggest obstacle to their children pursuing their dreams. Parents want their children to be secure, to 'have a good job', so convincing your parents you want to be a rock star, and then actually pulling it off, must be quite a coup! "We were young enough to just go with it. We were still just teenages running around so we were living in the moment. But we were setting ourselves up for a long-term career, we weren't thinking 'let's just go out and milk this for all its worth and then it's all over'. We were conscious of making long term things. And our parents were as well, all the people around us. We were very lucky."Ben Gillies late 2012 released his first Bento album, launched with the single Diamond Days and a fabulous video featuring a very interesting young actor. "He's a family friend of the producer. We did a bit of casting to have an l a few different possibilities but, the producer just said I know the young boy to do it. He gets right into character. His whole family really helped out, they were really accommodating. He's just seven.""It was a two day shoot, we did his stuff first then we did the performance stuff with me. He rocked out, there were a few moments he was on the performance stage and Holly, the producer, came up and said he'd been asking, "Why is it all about Ben today, it feel like this music video is all about Ben today. Why isn't it about me as much today!"Bento isn't Ben's first solo effort outside Silverchair, he's previously released music with Tambalane, "Tambalane was a stepping stone really. Kind of like a summer fling. I think I really wanted to write with another person, because I hadn't had that responsibility of writing on my own."" Outside Silverchair there isn't the infrastructure and the big budgets and all that. Doing stuff independently, it's almost a lot more pressure on the songwriter. Everything is you, there's no one else to take the load a bit. For me to do something outside of that with Tambalane was that step to get to Bento, to give me the confidence to do my own thing.""It's scary as hell but I think it's one of those things where I don't want to be a old man, sitting in a pub somewhere drinking a beer thinking, 'Why didn't I give that a crack back when I had the chance.""The thing with Silverchair as well is because it is such a big beast, and it's great, I love that side of what I do, but it does take up a lot of energy and time. So I've never really had enough drive to do my own thing. Silverchair going into indefinite hibernation has just given me the time and the freedom to be able to do it. Now I have that confidence to think, 'Bugger it, I'm going to do my own thing'. The confidence, the motivation, the time, the effort, it was the right time.""You do have to have that understanding that people are subjective. Everyone in the world isn't going to love your music. But you still want it to be received positively. The reaction has been amazing. It is you putting your neck out there. It's almost like you're standing in front of people, the full monty saying, 'Here I am, check it out. Here it is, I can't change it, and it is what it is."So. Silverchair's 'indefinite hibernation'. What gives?"Even if you do work with someone for 20 years, and you go to work from 9-5, you still have some time to yourself, and can do other things. It kind of feels like a business relationship with a marriage on top of it. You spend so much time with those people, not just the guys in the band, but management and crew. All these other things can come into it.""I think the reason Silverchair has had such good longevity is because we've been able to recognise when we all need to take a breather and go and do other things. The funny thing is, we've done it three or four times and every single time people say, 'What's happening, where you are going?'. We've done this before, and it's nothing new.""There's nothing worse than breaking up and deciding that all we really needed was time, then coming back to it and saying we're reforming. It's much better to say we're taking a breather and you come back and nothing's changed. We don't want to do a (John) Farnham 'final tour' several times. That's a genius move though, you've gotta admit."And on to Bento and selecting musicians to work on his new baby."We were in the studio in Sydney and the producer and I would clunk away on different instruments. We'd just get on the phone, if we were working on something and thought it's needed a nice piano part or whatever it was we'd call friends and it was whoever was close by. Whoever was within 10 minutes of the studio, they would come in. Out of that we actually got three guys who became pretty stable throughout the record. And they helped mesh the whole thing together.""It is a new project and I can't assume that Silverchair fans are automatically going to come to Bento. I just have to get beyond that and make other people aware of it. This is the first step in many, I have to keep making music and getting it out there. They way the music industry is these day, you really have to have that social media stuff in people's faces. And videos and photos. I love that stuff. It's so much fun. As long as you make it fun, I think people can connect to that and feel like they can have involvement and see behind the scenes.""I've always said creativity breeds creativity. The more you do it, the more ideas you get, and the more it snowballs. I've already got 20 songs ready for another record and I keep calling my manager and saying 'I've got this whole new concept for another record and it's going to be great and we can do this...' and she just laughs and says, 'OK, just slow down!"Success on the scale of that enjoyed by Silverchair over the last 20 years should mean that Ben Gillies could choose to live anywhere in the world, yet he remains based in Newcastle (as Daniel Johns often does, too)." I think Novocastrians all know it's a pretty special place. I've had some Sydney friends who have moved here purely out of necessity and after six months, they'll be like, 'I had no idea how good this place is!' and I say, 'What do you think I tell all my friends?!'. Its feels like (Newcastle) it's connected enough to the world, it's two hours to Sydney but it's just out of the way enough that it's quiet and you can relax."Will Ben Gillies be delivering another Bento album?"I think it will go off on a different tangent. It will still Bento, Bento is my baby. It will be a bento box but different, it might not be sushi, it might be a tuna sandwich!"

Silverchair have been one of Australia's most successful bands for the last 20 years. Drummer Ben Gillies joined Carol Duncan in the studio for a chat about his solo project - Bento, and why he continues to call Newcastle home. Daniel Johns, Chris Joannou and Ben Gillies were just kids doing work experience at a Newcastle radio station when I first met them nearly 20 years ago. Those three boys have gone on to become strong and confident men and wonderful musicians - collectively and individually. I suspect the whole town is pretty proud of them.In 2012, the band have celebrated 20 years of Australian and international success, 21 ARIA awards from 49 nominations, 6 APRA awards, and all five of their studio albums have reached number one of the Australian album charts.Over the last few years the three members of the band have also gone out to do their own musical projects and drummer, Ben Gillies, came into the studios to talk about life, music, growing up in public, and taking the leap into solo performance.What was it like, being a kid, being thrust into that level of media interest and intrusion? "We were pretty unaware. Blissfully unaware. We were too worried about playing our music and running around and going to diners and just being teenage boys. We had good people around us, so we were fairly sheltered."The members of Silverchair studied at Newcastle High School when Peter McNair was principal. "He was a really good school principal. I remember a few times, the three of us would rock up to his office - in a good way, we weren't in trouble - but we had these grand ideas of putting concerts on at the school and we'd sell him on why we had to do it and how we could make it happen. He was really accommodating. I'm pretty sure he wasn't supposed to do some things he let us get away with. He let us put on concerts, we'd rehearse in the music room and do all kinds of stuff."It's often suggested that parents are the biggest obstacle to their children pursuing their dreams. Parents want their children to be secure, to 'have a good job', so convincing your parents you want to be a rock star, and then actually pulling it off, must be quite a coup! "We were young enough to just go with it. We were still just teenages running around so we were living in the moment. But we were setting ourselves up for a long-term career, we weren't thinking 'let's just go out and milk this for all its worth and then it's all over'. We were conscious of making long term things. And our parents were as well, all the people around us. We were very lucky."Ben Gillies late 2012 released his first Bento album, launched with the single Diamond Days and a fabulous video featuring a very interesting young actor. "He's a family friend of the producer. We did a bit of casting to have an l a few different possibilities but, the producer just said I know the young boy to do it. He gets right into character. His whole family really helped out, they were really accommodating. He's just seven.""It was a two day shoot, we did his stuff first then we did the performance stuff with me. He rocked out, there were a few moments he was on the performance stage and Holly, the producer, came up and said he'd been asking, "Why is it all about Ben today, it feel like this music video is all about Ben today. Why isn't it about me as much today!"Bento isn't Ben's first solo effort outside Silverchair, he's previously released music with Tambalane, "Tambalane was a stepping stone really. Kind of like a summer fling. I think I really wanted to write with another person, because I hadn't had that responsibility of writing on my own."" Outside Silverchair there isn't the infrastructure and the big budgets and all that. Doing stuff independently, it's almost a lot more pressure on the songwriter. Everything is you, there's no one else to take the load a bit. For me to do something outside of that with Tambalane was that step to get to Bento, to give me the confidence to do my own thing.""It's scary as hell but I think it's one of those things where I don't want to be a old man, sitting in a pub somewhere drinking a beer thinking, 'Why didn't I give that a crack back when I had the chance.""The thing with Silverchair as well is because it is such a big beast, and it's great, I love that side of what I do, but it does take up a lot of energy and time. So I've never really had enough drive to do my own thing. Silverchair going into indefinite hibernation has just given me the time and the freedom to be able to do it. Now I have that confidence to think, 'Bugger it, I'm going to do my own thing'. The confidence, the motivation, the time, the effort, it was the right time.""You do have to have that understanding that people are subjective. Everyone in the world isn't going to love your music. But you still want it to be received positively. The reaction has been amazing. It is you putting your neck out there. It's almost like you're standing in front of people, the full monty saying, 'Here I am, check it out. Here it is, I can't change it, and it is what it is."So. Silverchair's 'indefinite hibernation'. What gives?"Even if you do work with someone for 20 years, and you go to work from 9-5, you still have some time to yourself, and can do other things. It kind of feels like a business relationship with a marriage on top of it. You spend so much time with those people, not just the guys in the band, but management and crew. All these other things can come into it.""I think the reason Silverchair has had such good longevity is because we've been able to recognise when we all need to take a breather and go and do other things. The funny thing is, we've done it three or four times and every single time people say, 'What's happening, where you are going?'. We've done this before, and it's nothing new.""There's nothing worse than breaking up and deciding that all we really needed was time, then coming back to it and saying we're reforming. It's much better to say we're taking a breather and you come back and nothing's changed. We don't want to do a (John) Farnham 'final tour' several times. That's a genius move though, you've gotta admit."And on to Bento and selecting musicians to work on his new baby."We were in the studio in Sydney and the producer and I would clunk away on different instruments. We'd just get on the phone, if we were working on something and thought it's needed a nice piano part or whatever it was we'd call friends and it was whoever was close by. Whoever was within 10 minutes of the studio, they would come in. Out of that we actually got three guys who became pretty stable throughout the record. And they helped mesh the whole thing together.""It is a new project and I can't assume that Silverchair fans are automatically going to come to Bento. I just have to get beyond that and make other people aware of it. This is the first step in many, I have to keep making music and getting it out there. They way the music industry is these day, you really have to have that social media stuff in people's faces. And videos and photos. I love that stuff. It's so much fun. As long as you make it fun, I think people can connect to that and feel like they can have involvement and see behind the scenes.""I've always said creativity breeds creativity. The more you do it, the more ideas you get, and the more it snowballs. I've already got 20 songs ready for another record and I keep calling my manager and saying 'I've got this whole new concept for another record and it's going to be great and we can do this...' and she just laughs and says, 'OK, just slow down!"Success on the scale of that enjoyed by Silverchair over the last 20 years should mean that Ben Gillies could choose to live anywhere in the world, yet he remains based in Newcastle (as Daniel Johns often does, too)." I think Novocastrians all know it's a pretty special place. I've had some Sydney friends who have moved here purely out of necessity and after six months, they'll be like, 'I had no idea how good this place is!' and I say, 'What do you think I tell all my friends?!'. Its feels like (Newcastle) it's connected enough to the world, it's two hours to Sydney but it's just out of the way enough that it's quiet and you can relax."Will Ben Gillies be delivering another Bento album?"I think it will go off on a different tangent. It will still Bento, Bento is my baby. It will be a bento box but different, it might not be sushi, it might be a tuna sandwich!"

GUESTS: JEREMIAH COUGHLAN and SUSAN RICE. After a whirlwind trip to Seattle, we recount the adventure that was the Neil Diamond concert. From "Rhonda" to wearing the same shirt, to suddenly becoming "internet famous" because of a picture, there is a lot to tell. We are also joined by Jeremiah and Susan! They have a show on Monday, that is going to be fantastic!

show#689 04.29.17 Lots & Lots of New Tunz 1. Lost In Paris Blues Band - One Good Man from Lost In Paris Blues Band 2017 Ear Music (6:06) 2. Vintage#18 - Circles from Grit 2017 self-release (3:35) 3. Ruby & The Revelators - Lingers from Walk With Me 2017 (3:30) 4. Steve Krase - The World's Still In A Tangle from Should've Seen It Coming 2017 Conner Ray (5:21) 5. Mr. Sipp - Going Down from Knock A Hole In It 2017 Malaco (4:47) 6. Imperial Crowns - I Gotta Right from The Calling 2016 Dixiefrog (3:16) 7. Eric Bibb - Forgiveness Is Gold from Diamond Days 2006 Telarc Blues (4:32) 8. Charles Brown - Groovy Movie Blues [1948] from Cool Blues Singer 2005 Universal/Saga (2:35) 9. Paul Lamb & The King Snakes - That's No Good To Me from John Henry Jumps In 1998 Indigo (5:10) 10. Otis Taylor - Young Girl Down the Street from Pentatonic Wars And Love Songs 2009 Telarc Blues (6:20) 11. John Németh - Get Offa Dat Butt from Feelin' Freaky 2017 (3:11) 12. Monster Mike Welch and Mike Ledbetter - Down Home Girl from Right Place, Right Time 2017 (4:43) 13. Guy Davis & Fabrizio Poggi - 09 - Evil Hearted Me from Sonny & Brownie’s Last Train 2017 (4:14) 14. Hector Anchondo Band - Here's To Me Giving Up from Roll The Dice 2017 (6:54) 15. Bugs Henderson & The Shuffle Kings - Crippled Gnat Bounce from Four Tens Strike Again 1996 Flat Canyon (3:02) 16. Big Rhythm Combo - Sure Cure for the Blues from Too Small To Dance 1994 Black Magic (4:17) 17. Nicko Christiansen - Grinnin' in Your Face from Time is the Killer 2015 Blueshine (3:01) 18. Peter Karp - Strange Groove from Shadows And Cracks 2007 Blind Pig (4:22) 19. Dayna Kurtz - Joy in Repetition from Beautiful Yesterday 2004 Kismet/Munich (4:46) 20. Chris James & Patrick Rynn - Lonesome Whistle Blues from Trouble Don't Last 2015 VizzTone (5:29) 21. Gavin Hope - Love You More Than You Even Know from For All We Know 2017 Slaight Music (5:13) 22. Janiva Magness - I Love You More Than You Even Know from Blue Again 2017 Elan Records

On this episode Gregg is joined by Kenny D. Gregg and Kenny finally have a show that isn’t cursed. Kenny tells us about his new podcast, and thinks LV means 45. Gregg talks a little about his mental illness and has fat thumbs. Featuring great music from artists like MC Lars, Suburban Legends, I Fight Dragons, Be Like Max, Diamond Days, and Heartist.

On this episode Gregg is joined by Kenny D. Gregg and Kenny finally have a show that isn’t cursed. Kenny tells us about his new podcast, and thinks LV means 45. Gregg talks a little about his mental illness and has fat thumbs. Featuring great music from artists like MC Lars, Suburban Legends, I Fight Dragons, Be Like Max, Diamond Days, and Heartist.

On this episode Gregg is joined by Kenny D. Gregg and Kenny finally have a show that isn’t cursed. Kenny tells us about his new podcast, and thinks LV means 45. Gregg talks a little about his mental illness and has fat thumbs. Featuring great music from artists like MC Lars, Suburban Legends, I Fight Dragons, Be Like Max, Diamond Days, and Heartist.

Wednesday Talk Show Black Diamond Days in Gillespie ...

04/15/15 - In this extra episode, Tom Bell has a preview of the Diamond Celebration coming to the Disneyland Resort on May 22nd in celebration of Disneyland Park’s 60th birthday, including looks at Disneyland Forever, World of Color: Celebrate, and Paint The Night.

This podcast is about DIAMOND DAYS from the FULL interview with Ben Gillies/Bento, with Frank Jenks. Greatness.

show#4874.26.13Bill Perry - My Life (Greycourtlightning 1998)Bob Brozman - Get Your Ashes Hauled (A Truckload Of Blues 1992)Thumper Jones (George Jones) - Rock It (1956 single)Artie "Blues Boy" White - No More (Can We Get Together 1999)ZZ Top - I Gotsa Get Paid (La Futura 2012)Leo The Texas Blues Machine Hull - Pistol #69 (Bootleggin' The Blues 2012)Rabbit Foot - Burn Burn (Swamp Boogie 2012)Aaron Williams & the Hoodoo - Tease Me, Please Me (10:49 - Aarom Williams and the Hoodoo 2011)Tommy Castro - Nasty Habits (Exception To The Rule 1995)Mason Casey - Take It Easy (Deep Blue Dream 2004)Spinner's Section:another rainy sectionJohn Mayall: sitting in the rain (2:56) (So Many Roads, 1967)Los Lobos: can't stop the rain (3:36) (Colossal Head, 1996)Amos Garrett: rainy night in Georgia (4:25) (Third Man In, 1992)Ann Peebles: I can't stand the rain (2:30) (Greatest Hits, 1988)Todd Sharpville: why does it rain? (7:01) (Porchlight, 2010)Eric Bibb: buckets of rain (2:22) (Diamond Days, 2006)Willie Nelson (ft. Jonny Lang): rainy day blues (5:09) (Milk Cow Blues, 2000)Jonny Lang: still rainin' (4:50) (Wander This World, 1998)Joe Cocker: out of the rain (4:38) (Night Calls, 1991)Denny Freeman: Acapulco rain (4:03) (Out Of The Blue, 1987)Madeleine Peyroux: California rain (2:58) (Half The Perfect World, 2006)Lovin' Spoonful: rain on the roof (2:13) (Hums Of The Lovin' Spoonful, 1966)Back To Beardo:Albert Castiglia - Living the Dream (Living the Dream 2012)Hadden Sayers - Alone with the Blues (Rolling Soul 2013)David Migden and the Dirty Words - Desert Inside (Killing It 2012)The Micronite Filters - Ladies Man Blues (Chasing Ghosts 2013)The Nighthawks - Down To My Last Million Tears (Damn Good Time 2012)

​show#34006.12.10download or listen at:http://traffic.libsyn.com/beardo1/show340.mp3Charles "Big Daddy" Stallings - 2999 (Blues Evolution 2007)Levee Town - I'm Not Broke (Levee Town 2009)Chris James Patrick Ryan - The Tables Have Turned (Gonna Boogie Anyway 2010)Graham Bond Organisation - Last Night (The Sound of 65 1965 of course)The Blues Band - How Can A Poor Man Stand Such Times And Live? (Homage 1993)Christian Dozzler - The Blues And A Half (The Blues And A Half 2008)Ryan Shaw - I Am Your Man (This Is Ryan Shaw 2007)J.B. Hutto & His Hawks With Sunnyland Slim - 20% Alcohol (Hawk Squat 1968)Rory Gallagher - Heaven's Gate (Fresh Evidence 1988)Chuck E. Weiss - Prince Minsky's Lament (23rd and Stout 2006)Tom Waits -  Long Way Home (Long Way Home 2006)Ash Grunwald - Breakout (Fish Out of Water 2008)Grady Champion - You Got Some Explaining To Do (Back In Mississippi Live At The 930 Blues Cafe 2007)Abbe May - Howl and Moan(Howl and Moan 2008)J. Geils Band - I Don't Need You No More (The Morning After 1971)Spinner's Section:Steve Guyger: hey little baby (4:16) (Radio Blues, Severn, 2008)Glamour Puss: I don't know how to win your love (3:17) (Wire & Wood, Northern Blues, 2003)Eric Bibb: destiny blues (3:33) (Diamond Days, Telarc Blues, 2006)Peter Case: why don't we give it a go? (2:13) (Six Pack Of Love, Geffen, 1992)Arthur Ebeling: dangerous (3:15) (A Rainy Night In Paris, Basta, 1998)Blue Bishops: no religious man (4:57) (Deep, self-release, 2002)Mikey Jr.: tight dress woman (3:42) (Mikey likes It, 8th Train, 2007)San Pedro Slim: limited means (3:34) (Barhoppin', Barroom Blues, 2008)Herman Brood: lost mind (3:30) (Back On The Corner, BMG/Ariola, 1999)Jean Jeacques Milteau: hole in the wall (2:28) (Soul Conversation, Dixiefrog, 2008)Back To Beardo:Sir Douglas Quintet - Romance Is All Screwed Up (Day Dreaming At Midnight 1994)Ronnie Earl & The Broadcasters - Thank You Mr. T-Bone (Blues Guitar Virtuoso Live In Europe 1993)The Pontiax - Let It All Fall Dead (100 Miles To Go)The Nighthawks - I Don't Want to Be in Love (Hard Living 1984)Tip Jar Link:https://www.paypal.com/xclick/business=beardo%40bandanablues%2ecom&no_shipping=0&no_note=1&tax=0¤cy_code=USD

show#30209.06.09The Radio Kings - I'm Not Trippin' (5:39)Memphis Slim - You're the one (3:27)Robben Ford - There'll Never Be Another You (5:17)Spinner's Section:back homeBobby Charles: homesick blues (3:27) (Last Train To Memphis, Rice 'n' Gravy/Proper, 2004)Rory Block: send the man back home (3:36) (Best Blues & Originals, Rounder/Munich, 1988)Teddy Morgan & the Sevilles: goin' back home (4:15) (Ridin' In Style, Antone's, 1994)Eric Bibb: heading home (3:35) (Diamond Days, Telarc Blues, 2006)Dennis Gruenling: I'm comin' back home (4:45) (That's Right!, BackBender, 2001)Ian Parker: coming home (5:25) (Where I Belong, Ruf, 2007)Stevie Ray Vaughan & Double Trouble: gone home (3:07) (Soul To Soul, Epic, 1985)Darrell Nulisch: right here at home (3:09) (Times Like These, Severn, 2003)Mitch Kashmar: we're sittin' home tonight (4:28) (Nickels & Dimes, Delta Groove, 2005)Back to Beardo:Paul Mark - One Job's Worse Than the Next (3:08)Roy Brown - Rockin' At Midnight (2:45)Chris Bergson - The Engine (4:19)Howlin' Wolf - Do The Do (2:23)Jason Ricci & New Blood - Ptryptophan Pterodactyl (4:12)Lucky Peterson - Thank You For Talkin' To Me Africa (5:59)The Jeff Healey Band - I Can't Get My Hands on You (3:40)Sugar Ray & the Bluetones - That's My Desire (3:13)Magic Slim & The Teardrops - Can't Get No Grindin' (2:50)Liz Mandeville - Bad Man Blues (2:49)Magic Sam's Blues Band - I Have the Same Old Blues (3:33)Muddy Waters - Loving Man (2:26)Nick Moss & the Flip Tops - The Bishop (6:00)John "Juke" Logan - Strike While the Iron Is Hot (5:00)Omar and The Howlers - So Mean To Me (2:43)Albert Ammons & His Rhythm Kin - Bear Den Boogie (2:23)Walter Trout - Chatroom Girls (5:33)Frank Carillo - Don't Get Sammy Started (4:01)Ford Blues Band - Meetin' With Some Lovin' (4:36)Eric Gales - Day Of Reckoning (4:13)Does your music make the cut?Contact Beardo at thebeardo@gmail.com and we we'll talk..Meanwhile, Bandana Blues archives at http://beardo1.libsyn.com