Podcasts about Geffen

Prav returns to host this deeply personal conversation with Rob van Geffen, Chief Marketing Officer at Straumann, who shares his extraordinary journey from a carefree childhood in the Netherlands to leading one of dentistry's most influential organisations.In this deeply personal conversation, Rob explores how energy shapes every interaction, why vulnerability became his greatest leadership strength, and how a men's group 19 years ago transformed his approach to fatherhood and business. He reveals the challenges of letting go, both as a parent and leader whilst maintaining the authentic connections that drive Straumann's family culture. This isn't just a story about climbing the corporate ladder; it's about discovering that true leadership starts with understanding yourself.In This Episode00:00:05 - Children as mirrors of our bright and dark sides 00:06:10 - Father's death and the gift of presence 00:09:00 - Father Fire: men's emotional development 00:13:45 - Everything is energy philosophy 00:19:10 - Leading through energy and memorable experiences 00:26:25 - Vulnerability as leadership strength 00:28:15 - Letting go of sons 00:38:10 - Career journey from trenches to boardroom 00:55:05 - Blackbox thinking 01:01:35 - Joining the Straumann family 01:28:20 - Culture as competitive advantage 01:33:40 - Play learner philosophy 01:35:40 - Physical fitness and morning routines 01:44:00 - Last days and legacy 01:51:45 - Fantasy dinner partyAbout Robert van GeffenRobert van Geffen is the Chief Marketing Officer at Straumann, where he leads a global marketing and commercial excellence team of more than 100 people. Together, they animate the heartbeat of the customer journey and create smiles and confidence for millions of customers worldwide.A proud father of three sons, Rob combines sharp business acumen with a deep belief in emotional and energetic intelligence. His leadership is rooted in authenticity and guided by heart-led values that bring out the best in people and performance alike.

The year is almost halfway over, and there have already been so many incredible new releases. Hosts Jim DeRogatis and Greg Kot share their best albums of 2025 so far. Plus, they'll hear picks from the production staff.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundopsFeatured Songs:Viagra Boys, "Man Made of Meat," Viagr Aboys, Shrimptech Enterprises, 2025Tune-Yards, "Sanctuary," Better Dreaming, 4AD, 2025Sex Scenes, "I'm Not Your T.V.," Everything Makes Me Sick, Big Neck, 2025Jetstream Pony, "Bubblegum Nothingness," Bowerbirds and Blue Things, Spinout Nuggets, 2025Pigs Pigs Pigs Pigs Pigs Pigs Pigs, "Toecurler," Death Hilarious, Rocket, 2025Pneu, "Egyptocratie Numéraire," Get Old Or Die Tryin, Head, 2025Lucy Dacus, "Big Deal," Forever is a Feeling, Geffen, 2025Trupa Trupa, "Sister Ray," Mourners, Glitterbeat, 2025Lambrini Girls, "Special Different," Who Let the Dogs Out, City Slang, 2025YHWH Nailgun, "Pain Fountain," 45 Pounds, AD 93, 2025Lady Gaga, "Abracadabra," Mayhem, Interscope, 2025Viagra Boys, "Bog Body," Viagr Aboys, Shrimptech Enterprises, 2025FKA Twigs, "Room of Fools," Eusexua, Atlantic, 2025mckusky, "autofocus on the prime directive," the world is still here and so are we, Ipecac, 2025Horsegirl, "Switch Over," Phonetics On and On, Matador, 2025Local H, "Bound for the Floor," As Good as Dead, Island, 2025See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Welcome to my 100th episode of Revolutions Per Movie (and that's really 181 episodes counting the exclusive Patreon episodes)!So to properly celebrate gloriously, we are joined by one of the greats, Tom Scharpling (host of The Best Show, co-host of Double Threat, and writer for What We Do In The Shadows & Monk) who brings us his favorite music film of all time by his all-time favorite artist, Neil Young's Rust Never Sleeps!  We discuss Tom's 25 years of doing The Best Show, Tom's introduction to Neil Young and how I discovered the deep catalog of Neil though Tom's show, Neil Young's ditch trilogy, how live records are often not truly live documents, King Crimson, how Neil shifts genres constantly and fearlessly, how the people around Neil initially didn't understand Crazy Horse, concert fans who only want to hear the hits, Sonic Youth opening for Neil Young, Devo's influence on Rust Never Sleeps, how Neil Young is one of the most prolific filmmakers of all time, the films Human Highway & Harvest Time, Neil's sense of humor, how Star Wars influenced the Road-Eyes (roadies), the symbolism of Neil cutting his hair for this tour, how the film takes its time with long shots and hazy cinematography, how Neil came into the CSN fold and how they came to regret it, the album Trans, Neil's Geffen & Reprise Record years, the video store music collection, when artists play unreleased music on tour, the power of the song 'Powderfinger', Neil and his relationship to Grunge, Tom seeing Neil Young live at the Roxy, the Robert Pollard/Neil Young parallels, letting an artist go where they need to go and more!So let's put on our 3-D glasses and watch Neil Young rust before our very eyes on the 100th & 181st episode of Revolutions Per Movie!THE BEST SHOW:https://foreverdogpodcasts.com/podcasts/the-best-show/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovie Hosted on Acast. See acast.com/privacy for more information.

This is the final part of Play That Rock n' Roll's coverage of ROCKNPOD 2025, and this episode features three guest interviews. The first is with singer/songwriter ROBERT FLEISCHMAN. The second is with JEANNE BASONE aka "Hollywood" from GLOW. And the third is with A&R man TOM ZUTAUT. In the first conversation, Robert Fleischman talks about his new solo album "Emotional Atlas", and how he channel his emotional pain into a beautiful piece of art. He also discusses the importance of artistic independence, and reflects on his time with Journey. In the second conversation, Jeanne "Hollywood" Basone talks about what's included in her new book, "HOORAY FOR HOLLYWOOD", and how she put it together. In our last conversation, former A&R man Tom Zutaut talks about how he got started in the music business when he was still in high school, what it was like to work alongside David Geffen at Geffen Records, and his opinion on the infamous lawsuit Geffen filed against Neil Young when he was there. Our Links: https://linktr.ee/playthatpodcast Learn more about your ad choices. Visit megaphone.fm/adchoices

Hosts Jim DeRogatis and Greg Kot pay tribute to the late Sly Stone. They review Sly Stone's documentary and memoir, revisit an interview with Family Stone members Jerry Martini and Cynthia Robinson and share some of their favorite tracks from Sly.--Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops--Featured Songs:Sly and the Family Stone, "Thank You (Falettinme Be Mice Elf Agin)," Thank You (Falettinme Be Mice Elf Agin) (Single), Epic, 1969The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967The Stewart Four, "On The Battlefield," (Single), Church of God in Christ, 1952Sly and the Family Stone, "Plastic Jim," Life, , Sly and the Family Stone, "Dance To The Music," Dance To The Music, Epic, 1968Sly and the Family Stone, "I Ain't Got Nobody (For Real)," Dance To The Music, Epic, 1968Sly and the Family Stone, "Advice," A Whole New Thing, Epic, 1967Sly and the Family Stone, "I Hate To Love Her," A Whole New Thing, Epic, 1967Ike and Tina Turner, "Bold Soul Sister," The Hunter, Blue Thumb, 1969The Roots, "Star/Pointro," The Tipping Point, Geffen, 2004Bobby Freeman, "C'mon and Swim," C'mon and Swim (Single), Autumn, 1964Sly and the Family Stone, "Family Affair," There's A Riot Goin' On, Epic, 1971Sly and the Family Stone, "Hot Fun in the Summertime," Hot Fun in the Summertime (Single), Epic, 1969Sly and the Family Stone, "Thank You For Talking To Me Africa," There's A Riot Goin' On, Epic, 1971Sly and the Family Stone, "Brave and Strong," There's A Riot Goin' On, Epic, 1971Sly and the Family Stone, "You Can Make It If You Try (Live)," Stand!, Epic, 1969Sly and the Family Stone, "We Love All," Dance To The Music (2007 version), Epic, 1968Sly and the Family Stone, "Color Me True," Dance To The Music (Single), Epic, 1968FKA Twigs, "Eusexua," Eusexua, Atlantic, 2025See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In early 1990, Nirvana were ready to start working on their second album. Their label Sub Pop recommended a producer named Butch Vig, who had produced heavier underground bands like Laughing Hyenas and Killdozer. They met up with Butch at his Smart Studios in Madison, Wisconsin to begin recording, laying down eight tracks before they had to head out on tour for six weeks. When they returned home, they made the difficult decision to fire their drummer Chad Channing. Around the same time, Kurt and Krist were thinking of leaving Sub Pop, as the label was facing some financial trouble. When it came up that Sub Pop had begun talking to major labels about some kind of deal, Kurt and Krist felt they might be better off just signing directly to a major label. While in L.A. for label meetings they caught a gig by a punk band called Scream. Kurt and Krist were impressed with their drummer Dave Grohl and they kept in touch. When Scream broke up, not long after, they called up Dave to fly out to Seattle and jam with them. Within two minutes of playing, they knew Nirvana had found their new drummer. Gary Gersh at Geffen Records was one of the record executives looking to sign Nirvana. He had seen them play in New York with Kim Gordon and Thurston Moore of Sonic Youth, who Gersh had signed to the label. Thanks to their encouragement, Geffen signed Nirvana to a deal on April 30, 1991. Nirvana managed to convince their new label that Butch Vig was still the best producer for the next album, and with a budget of $65,000, they headed to Sound City Studios in Van Nuys, California to make it. This is the story of lead single Smells Like Teen Spirit, with newly unearthed audio from the band! Written by Cam Lindsay for iHeartRadio Canada.

Is the USA ready for AI? The challenges of AI are exposed related to job loss and career on Shop Talk. A software engineer lost his job to AI, his $159K salary, and has sent out 800 resumes with fewer than 10 responses. Caught My Eye celebrates IKEA's Drag Room display while David Geffen and Barry Diller navigate their marriages. Our Business Birthday celebrates James McLamore, founder of Burger King. Listen, laugh, and learn on this week's Focus Group. We're all business. Except when we're not. Apple Podcasts: apple.co/1WwDBrC Spotify: spoti.fi/2pC19B1 iHeart Radio: bit.ly/4aza5LW YouTube Music: bit.ly/43T8Y81 Pandora: pdora.co/2pEfctj YouTube: bit.ly/1spAF5a Also follow Tim and John on: Facebook: www.facebook.com/focusgroupradio

Hosts Jim DeRogatis and Greg Kot talk with author Cary Baker about the musical tradition of street performance, also known as busking. The hosts also review the solo album from TV On The Radio lead singer Tunde Adebimpe and hear feedback from listeners on recent episodes.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Arvella Gray, "John Henry," I Blueskvarter Chicago 1964, Volume Two, Jefferson, 2000The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Tunde Adebimpe, "Magnetic," Thee Black Boltz, Sub Pop, 2025Tunde Adebimpe, "Ate The Moon," Thee Black Boltz, Sub Pop, 2025Tunde Adebimpe, "Pinstack," Thee Black Boltz, Sub Pop, 2025Tunde Adebimpe, "Drop," Thee Black Boltz, Sub Pop, 2025Tunde Adebimpe, "Blue," Thee Black Boltz, Sub Pop, 2025Tunde Adebimpe, "Somebody New," Thee Black Boltz, Sub Pop, 2025Tunde Adebimpe, "ILY," Thee Black Boltz, Sub Pop, 2025Tracy Chapman, "Stand By Me (Live At The Late Show With David Letterman)," Greatest Hits, Elektra, 2015Moondog, "Nocturne Suite Part 1," On The Streets of New York, Mississippi, 2019Cortelia Clark, "Bye, Bye, Love," Blues in the Street, RCA, 1966George Coleman, "Innocent Little Doggy," Bongo Joe, Arhoolie, 1969Fantastic Negrito, "Nobody Makes Money," Fantastic Negrito EP, Blackball Universe, 2014Violent Femmes, "Blister In The Sun," Violent Femmes, Slash, 1983Ted Hawkins, "Strange Conversation," The Next Hundred Years, Geffen, 1994Mary Lou Lord, "St. Swithin's Day," Real, Deep Music, 1993Lucinda Williams, "Ramblin' On My Mind," Ramblin' on My Mind, Folkways, 1979Dom Flemons, "Charmin Betsy," Black Cowboys, Smithsonian Folkways, 2018Emmylou Harris, "Crescent City," Cowgirl's Prayer, Asylum, 1993Stan Rogers, "Barrett's Privateers," Fogarty's Cove, Barn Swallow, 1977Tsunami, "In A Name," Deep End, Simple Machines, 1992See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Story of an Underground with Robert geffen by Congregation Beth Jacob

Kirsten Vangsness is an actor, YouTuber, podcaster, graphic novelist & playwright. She is most known for playing Penelope Garcia on the long running CBS crime drama Criminal Minds, for which she co-wrote 5 episodes, including the series finale. In 2020, Kirsten launched her YouTube series KIRSTEN'S AGENDA as a way to promote mental health, wellness and civic duty. Her first season featured such guests as Aisha Tyler, Pauley Perrette and Karen David. She enjoyed the interviews so much she decided to spin them off into the KIRSTEN'S AGENDA Podcast, available wherever podcasts live. Kirsten has long been deeply involved in the L.A. theatre scene, scoring two Ovation Best Actress nominations (for "FAT PIG" at the Geffen and "Everything You Touch" at Boston Court), LA Weekly Best Playwright of the Year nomination (For her Theatre of NOTE production of "Potential Space") and winning the Los Angeles Drama Circle Best Comedic Actress. She is a long-time member of Hollywood's Theatre of NOTE where she serves on the Art Board. In the summer of 2019, Kirsten took her one-woman show "Mess" (which Neil Gaiman has called his "favorite one person show") and her space romp, time travel, women in history, musical "Cleo, Theo and Wu" to the Edinburgh Fringe Festival and was greeted with 5 star reviews and sold out shows. She is the star and executive producer of the film noir spoof “Kill Me, Deadly” which can be found on many streaming platforms, she can currently be heard on season two of the comedy podcast “Voyage to the Stars” as well as a sometimes host of PRI's "Selected Shorts". In 2020, her animated short "Curtains" based on a short story she penned, was accepted in film festivals around the globe and she created a "Cleo, Theo and Wu" graphic novel with illustrator Kaitlin Bruder. She is the recipient of the HRC Visibility Award, the Open Fist Excellence in Arts Award and has been honored for her work with many charities including The Wildlife Learning Center, The Jacaranda Foundation, and The Unusual Suspects. In her spare time Kirsten can be found washing dishes at the Blinking Owl Distillery, which she co-owns in Santa Ana, California. We chat about Criminal Minds, embracing success, love of acting, zone of incompetence and excellence, imposter syndrome, interventions, dyslexia, creativity, ideas and nurturing them, writing plus plenty more. For the Criminal Minds fans out there, I've also been fortunate to chat with AJ Cook, Paget Brewster and Joe Mantegna who are all incredible in their own right. Check Kirsten out on: Instagram: https://www.instagram.com/kirstenvangsness/ Facebook: https://www.facebook.com/KirstenVangsnessOfficial/ Website: https://www.kirstenvangsness.com/ Youtube: https://www.youtube.com/KirstenVangsnessOfficial Bluesky: https://bsky.app/profile/vangsness.bsky.social ------------------------------------------- Follow @Funny in Failure on Instagram and Facebook https://www.instagram.com/funnyinfailure/ https://www.facebook.com/funnyinfailure/ and @Michael_Kahan on Insta & Twitter to keep up to date with the latest info. https://www.instagram.com/michael_kahan/ https://twitter.com/Michael_Kahan  

This week we talk with attorney Jon Geffen about the remarkable law firm/education program he leads called The Legal Revolution. We talk about his journey towards starting this new type of practice, working with an underserved population, and finding brilliant legal minds in prison, on this week's Who The Folk?! Podcast.The Legal Revolution: https://www.allsquarempls.com/the-law-firm/aboutThis week's sponsor: Minneapolis Jewish Federation: https://www.youtube.com/@MJFOffical/videos 

What a Little Moonlight Can Do + Good Morning Heartache Cassandra Wilson Coming Forth by DayLegacy RecordingsSe Telefonando Gregoire Maret, Romain Collin, Cassandra Wilson, Gregory Porter Ennio ACT MusicI'd Rather Go Blind Etta James Tell Mama GeffenAlone With My Thoughts Norah Jones Autumn Jones UME - Global Clearing HouseBring Back My Heart (con Rufus Wainwright) +These Flowers Martha Wainwright Martha Wainwright (20th Anniversary Edition) Report Card Music Inc.If You Could See Me Now Zara McFarlane Sweet Whispers: Celebrating Sarah Vaughan Eternal Source Of LightLove Meshell Ndegeocello No More Water: The Gospel Of James Baldwin Blue Note RecordsRun Run + Drive Alessia Cara Love & Hyperbole EP Entertainment, LLC / Def JamEl humo y azul + Habana Rita Donte Ritual Ansonia RecordsEscuchar audio

Drummer David “Bro” Lauser and guitarist Gary Pihl go way back—to the early '80s, when they laid down the thunderous drums and scorching guitar riffs on Sammy Hagar's iconic Geffen albums. Fast forward five decades, and their ALLIANCE is still going strong!When Sammy joined Van Halen in '85, Gary jumped over to the legendary BOSTON, where he's held it down on guitar for 40 years. And when Sammy launched his post-VH solo career, guess who was his first Wabo? His "Bro," of course!Out of that tight-knit musical (ahem) circle, "Bro" and Gary helped form ALLIANCE in the '90s with singer/bassist Robert Berry and keyboardist Allan Fitzgerald. In this episode, they join the Bo-Hosts to chat about their killer new album on Frontiers Music, Before Our Eyes.They also reminisce about recording VOA (and whether live footage exists!), the possible whereabouts of their "55" jumpsuits, dig into their recording process, speculate on a VOA band reunion in Cabo, and face off in a round of RedRocker Rapid Fire.This episode took some serious calendar-juggling to make happen—so crank it up LOUD and enjoy!For more on ALLIANCE:https://www.frontiers.it/artist/2216https://www.youtube.com/watch?v=WmkNfnqrJCgFor more on David "Bro"Lauser:https://www.davidlauser.com/index.htmlFor more on Gary Pihl:https://garypihl.com/"What is understood...NEED be discussed"Facebook:https://www.facebook.com/profile.php?id=100085582159917Instagram: https://www.instagram.com/thebogusotisshow/?hl=enConnect with the Bo-Hosts:bogusotisshow@gmail.com

"Directors are authors of a production," is the vision held by Trip Cullman, director of the play, We Had a World. This beautiful play explores intergenerational relationships in a family with complicated dynamics. Starring Joanna Gleason, Andrew Barth Feldman, and Jeanine Serralles and written by Joshua Harmon. Sarah and Trip discuss the play, queer representation on stage, the importances of live theatre, and more! Trip Cullman (Director). Broadway: Cult Of Love, The Rose Tattoo, Choir Boy, Lobby Hero (Tony nom., Best Revival), Six Degrees of Separation (Tony nom., Best Revival), Significant Other. Select Off Broadway: I Can Get It For You Wholesale (Best Revival, Drama Desk and Outer Critics) (CSC); The Lonely Few, Moscow Moscow…, YEN, Punk Rock (Obie), A Funny Thing Happened… (MCC); Days Of Rage, The Layover, The Substance of Fire, Lonely I'm Not, Bachelorette, Some Men, Swimming In The Shallows (Second Stage); Unknown Soldier, The Pain Of My Belligerence, Assistance, A Small Fire (Drama Desk nom.), The Drunken City (Playwrights Horizons); Significant Other (Roundabout); Choir Boy (MTC); Murder Ballad (MTC and Union Square); The Mother, I'm Gonna Pray For You So Hard (Atlantic); Roulette (EST); The Hallway Trilogy: Nursing (Rattlestick); The Last Sunday In June (Rattlestick and Century Center); Dog Sees God (Century Center); US Drag (stageFARM); several productions with The Play Company. Select regional: Berkeley Rep, McCarter, Geffen, Arena, Alliance, Old Globe, La Jolla, South Coast Rep, Bay Street, Williamstown. Connect with GOOD SHOW! Instagram: ⁠@goodshowpodcast⁠  Tik Tok: ⁠@goodshowpodcast ⁠  Learn more about your ad choices. Visit megaphone.fm/adchoices

As spring is springing, the volume of new albums coming out is hard to keep up with. This week hosts Jim DeRogatis and Greg Kot dig out from “music mountain” by reviewing new albums from Lucy Dacus, Saba and No ID, Mekons and Perfume Genius. They also pay tribute to Clem Burke of Blondie and Dave Allen of Gang of Four.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Lucy Dacus, "Ankles," Forever is a Feeling, Geffen, 2025The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Blondie, "Heart Of Glass," Parallel Lines, Chrysalis, 1979Blondie, "Atomic," Eat to the Beat, Chrysalis, 1980Blondie, "Call Me," American Gigolo, Chrysalis, 1980Gang of Four, "Ether," Entertainment!, EMI, 1979Gang of Four, "Damaged Goods," Entertainment!, EMI, 1979Lucy Dacus, "For Keeps," Forever is a Feeling, Geffen, 2025Lucy Dacus, "Most Wanted Man," Forever is a Feeling, Geffen, 2025Lucy Dacus, "Lost Time," Forever is a Feeling, Geffen, 2025Saba and No I.D., "head.rap (ft. Madison McFerrin, Ogi & Jordan Ward)," From the Private Collection of Saba and No I.D., From the Private Collection of Saba and No I.D., 2025Saba and No I.D., "Every Painting Has a Price (feat. Eryn Allen Kane & BJ Chicago Kid)," From the Private Collection of Saba and No I.D., From the Private Collection of Saba and No I.D., 2025Saba and No I.D., "Breakdown," From the Private Collection of Saba and No I.D., From the Private Collection of Saba and No I.D., 2025Saba and No I.D., "How to Impress God," From the Private Collection of Saba and No I.D., From the Private Collection of Saba and No I.D., 2025Perfume Genius, "Clean Heart," Glory, Matador, 2025Perfume Genius, "No Front Teeth (feat. Aldous Harding)," Glory, Matador, 2025Perfume Genius, "Left For Tomorrow," Glory, Matador, 2025Perfume Genius, "Full On," Glory, Matador, 2025Mekons, "Mudcrawlers," Horror, Fire, 2025Mekons, "You're Not Singing Anymore," Horror, Fire, 2025Mekons, "Private Defense Contractor," Horror, Fire, 2025Mekons, "The Western Design," Horror, Fire, 2025Mekons, "War Economy," Horror, Fire, 2025Mekons, "Sad and Sad and Sad," Horror, Fire, 2025Rosanne Cash, "Seven Year Ache," Seven Year Ache, Columbia, 1981See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This year marks the 25th anniversary of socially conscious rapper Common's pivotal album Like Water for Chocolate. Hosts Jim DeRogatis and Greg Kot revisit their classic album dissection of Like Water for Chocolate including an interview with Common from the year 2000.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Common, "Time Travelin' (A Tribute to Fela)," Like Water for Chocolate, MCA, 2000Common, "Take it EZ," Can I Borrow a Dollar?, Relativity, 1992Common, "I Used to Love H.E.R.," Resurrection, Relativity, 1994Common, "Brown Sugar," Brown Sugar, EMI, 1995Common, "Funky for You," Like Water for Chocolate, MCA, 2000Common, "A Song for Assata," Like Water for Chocolate, MCA, 2000Common, "Payback is a Grandmother," Like Water for Chocolate, MCA, 2000Common, "The Light," Like Water for Chocolate, MCA, 2000Common, "The 6th Sense," Like Water for Chocolate, MCA, 2000Common, "Thelonius," Like Water for Chocolate, MCA, 2000Common, "Geto Heaven Remix T.S.O.I," Like Water for Chocolate (Alternate Edition), MCA, 2001Common, "A Film Called (Pimp)," Like Water for Chocolate, MCA, 2000Kendrick Lamar, "Institutionalized," To Pimp a Butterfly, Interscope, 2015New York Dolls, "Looking For a Kiss," New York Dolls, Mercury, 1973Delivery, "The New Alphabet," Force Majeure, Heavenly, 2025Delivery, "Deadlines," Force Majeure, Heavenly, 2025Lucy Dacus, "Ankles," Forever is a Feeling, Geffen, 2025See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

108.9 The Hawk is bringing you the ultimate weekend combo: 15 songs from Aerosmith every hour AND all the details on Whisp Turlington's "Here Comes Spring Motherfu*kers Cookout"! First, we dive into our Aerosmith weekend. Get ready for a deep dive into the Columbia and Geffen eras, with some sped-up versions and Chipmunk covers thrown in for good measureThen, get ready for the party of the year! Whisp is inviting everyone (except Paul Schaeffer and maybe Geoff ) to his cookout.Plus, you know Barry Gibb's bringing his Barry Beef! Find out which rockers have their own hot sauces! And Page is doing all of his album, “Outrider,” live at the picnic!Sponsored by: ChestnutsChannel 8's “Farts With A Z”Coopersmith CoffinsFood GulchLove 108.9 The Hawk? NIIIICEEEE! Here's what you can do!Subscribe to the podcast on Spotify, Apple, or whatever you listen on!Give a five-star review on Apple Podcasts!Get official merch: http://tee.pub/lic/goodrockshirtsEarly access & bonus shows: https://patreon.com/1089thehawkFollow us on social media: YouTube, Instagram, TikTok, Bluesky, ThreadsLearn more & sign up for our mailing list: https://1089thehawk.comAnd most importantly, tell your friends about 108.9 The Hawk. 

Deze week starten de wereldkampioenschappen kunstrijden in het Amerikaanse Boston. Voor de atleten een belangrijke editie, want er zijn al tickets voor de Olympische Spelen in Milaan en Cortina d'Ampezzo te verdienen. Namens Nederland gaan alleen paarrijders in actie komen. Daria Danilova en Michel Tsiba hebben kans om zo'n ticket te bemachtigen. Daarnaast komen bij het ijsdansen Chelsea Verhaegh en Sherim van Geffen in actie. We blikten erop vooruit met Niki Wories. Presentatie: Robert Denneman Foto: Paul Wories

To those who wear the goggles of Dr. Dragonet there is another world–of mystery, joy and, yes, terror… The Goggles of Dr. Dragonet by Fritz Leiber. That's next on The Lost Sci-Fi Podcast.Fritz Leiber won more than his share of awards for his amazing work. He won six Hugo awards, three Nebula's, a Bram Stoker, World Fantasy Award, he was posthumously inducted into the Science Fiction Hall of Fame and he won many awards that you've probably never heard of, Balrog, Geffen, Gandalf, Locus and others.We've already narrated numerous Fritz Leiber stories but thankfully there remain many others that are in the public domain for us to bring to you in the future.From Fantastic Stories of Imagination in July 1961 let us turn to page 96, The Goggles of Dr. Dragonet by Fritz Leiber…Next on The Lost Sci-Fi Podcast, It was a wonderful plan, a boon to humanity. And solving the parking problem would make a fortune for Slim and me. But when the secret got out… Parking, Unlimited By Noel Loomis.☕ Buy Me a Coffee https://www.buymeacoffee.com/scottsV===========================

Hosts Jim DeRogatis and Greg Kot review Sly Stone's documentary and memoir and revisit an interview with Family Stone members Jerry Martini and Cynthia Robinson. They also review the new album from Chicago indie rockers Horsegirl.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Sly and the Family Stone, "Thank You (Falettinme Be Mice Elf Agin)," Thank You (Falettinme Be Mice Elf Agin) (Single), Epic, 1969The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Horsegirl, "2468," Phonetics On and On, Matador, 2025Horsegirl, "I Can't Stand To See You," Phonetics On and On, Matador, 2025Horsegirl, "Information Content," Phonetics On and On, Matador, 2025Horsegirl, "Where'd You Go?," Phonetics On and On, Matador, 2025Sly and the Family Stone, "Dance To The Music," Dance To The Music, Epic, 1968Sly and the Family Stone, "I Ain't Got Nobody (For Real)," Dance To The Music, Epic, 1968Sly and the Family Stone, "Advice," A Whole New Thing, Epic, 1967Sly and the Family Stone, "I Hate To Love Her," A Whole New Thing, Epic, 1967Ike and Tina Turner, "Bold Soul Sister," The Hunter, Blue Thumb, 1969The Roots, "Star/Pointro," The Tipping Point, Geffen, 2004Bobby Freeman, "C'mon and Swim," C'mon and Swim (Single), Autumn, 1964Sly and the Family Stone, "Family Affair," There's A Riot Goin' On, Epic, 1971Sly and the Family Stone, "Hot Fun in the Summertime," Hot Fun in the Summertime (Single), Epic, 1969Sly and the Family Stone, "Thank You For Talking To Me Africa," There's A Riot Goin' On, Epic, 1971Sly and the Family Stone, "Brave and Strong," There's A Riot Goin' On, Epic, 1971Sly and the Family Stone, "You Can Make It If You Try (Live)," Stand!, Epic, 1969Sly and the Family Stone, "We Love All," Dance To The Music (2007 version), Epic, 1968Sly and the Family Stone, "Color Me True," Dance To The Music (Single), Epic, 1968The Pogues, "The Sick Bed of Cuchulainn," Rum Sodomy & the Lash, MCA, 1985The Ergs, "Stinking of Whiskey Blues," Upstairs/Downstairs, Dirtnap, 2007New York Dolls, "Trash," New York Dolls, Mercury, 1973See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Dito Montiel went from punk rocker to briefly a boxer, then a Versace/Calvin Klein model. His band Gutterboy signed a record deal with Geffen, followed by a period of homelessness. He rebounded by writing A GUIDE TO RECOGNIZING YOUR SAINTS, which became a film starring Robert Downey Jr., launching his directing career. His latest film, RIFF RAFF, follows a former criminal whose ordinary life is turned upside down when his old family shows up for a long-awaited reunion. In this interview, we talk about his approach to writing, working with actors, the importance of writing strong characters even for smaller roles, and his new film RIFF RAFF. Want more? Steal my first book, INK BY THE BARREL - SECRETS FROM PROLIFIC WRITERS right now for free. Simply head over to www.brockswinson.com to get your free digital download and audiobook. If you find value in the book, please share it with a friend as we're giving away 100,000 copies this year. It's based on over 400 interviews here at Creative Principles. Enjoy! If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts? It only takes about 60 seconds and it really helps convince some of the hard-to-get guests to sit down and have a chat (simply scroll to the bottom of your iTunes Podcast app and click “Write Review"). Enjoy the show!

And our Was (not Was) odyssey comes to an end with the glory years of What Up, Dog? and Walk The Dinosaur alongside working with Elvis Costello, Roy Orbison and Frank Sinatra Jr.7. WHAT UP, DOG? (1986-88)A two year process begun with a rejected album by Geffen. Then former podcast guest, David Bates saves the day and one of the best albums of the 80s results.Special focus made on the superlative ballads from the LP; Anytime Lisa, Somewhere in America There's a Street Named After My Dad, Anything Can Happen and Wedding Vows in Vegas.8. ELVIS COSTELLO (1986)A Was/Costello co-write results from a fortuitous meeting with Mr MacManus at Tower Records. We discover what lyric Costello contributed and how David was responsible for the track Elvis made with Brian Eno for The X Files 10 years later.9. WALK THE DINOSAUR (1987)Plenty was said about the hit in part 1 of the interview but we boom-boom-ackla-lacka-lacka boom once more with a few more questions. What was the line David was asked to change? Why was it released so much earlier in the UK than the USA? What was Randy Jacobs songwriting contribution?10. MISCELLANEOUS (1987-89)Plenty of chat about David's old comrade, Don. As well as talk on my favourite lesser know WNW track, working with the great Roy Orbison and some chat on why David's answer to Are You Okay? was "no". Plus the highs of Top of the Pops and live performing in the UK.80SOGRAPHY QUICKFIRE ROUNDDavid is on Twitter @HennyYoungbloodPlease support the podcast via PayPal - 80sography@gmail.comTwitter/Blue Sky @80sography                  Men Without Women Are Like Fish Without Water To Swim In.                 With Their Eyes Bugging Out, They Flop On The Beach,                 And Look Up At The Girls Who Are Just Out of Reach. Send us a text

The recent announcement of a temporary 30-day pause in the Canada-U.S. tariff war came as a relief to this country's largest importer of Kosher foods made in the United States. Montreal-based Altra Foods spent the earlier part of the week scrambling to place rush orders from suppliers south of the border, after Canada vowed to slap 25% retaliatory duties on some of the company's 3,000 kosher imported brands, such as Sabra, Geffen, Streit's, Hadar and even Bush Beans. But Altra's vice president ,Jack Hartstein, worries that if the negotiations collapse,and the Canadian tariffs kick in next month-just ahead of Passover–prices will rise by between 50 and 60 percent for kosher food imports from the key U.S. market. That's why Canada's kashruth organizations COR and MK,and the Hasidic community have teamed up with political advocacy group CIJA, and with help from several Liberal MPs, to urge Ottawa to exempt kosher foods from this current trade war. On today's episode of The CJN Daily, we're joined by Jack Hartstein, of ALTRA Foods, on how his company is bracing for the impact, and what to expect next. What we talked about: Read the list of U.S. products slated for Canadian-imposed 25% import tariffs. Why the 2025 proposed Canadian import tariffs will be much worse for kosher food consumers than the previous 2018 trade war, in The CJN Learn more about ALTRA Foods. Credits Host and writer: Ellin Bessner (@ebessner) Production team: Zachary Kauffman (producer), Michael Fraiman (executive producer) Music: Dov Beck-Levine Support our show Subscribe to The CJN newsletter Donate to The CJN (+ get a charitable tax receipt) Subscribe to The CJN Daily (Not sure how? Click here)

Join me for my conversation with Laurie Kaye. She takes me through her life, career, interviews with Mick Jagger, David Bowie, George Harrison and Paul McCartney, cultiminating with her interview with John Lennon and Yoko Ono at the Dakota in NYC on the day of John Lennon's death. Great conversation on a deep and sad topic.

Nathan Geffen, Editor of GroundUp, joins John Maytham to discuss the flawed investigation into SASSA's SRD grant system. Geffen highlights how the investigation, costing R280,000, failed to address crucial questions about fraudulent applications and payouts.See omnystudio.com/listener for privacy information.

In this conversation, Nina and Mary discuss the complexities of body image, family dynamics, and the importance of setting boundaries, especially during the holiday season. They share personal experiences and practical advice on how to empower children with knowledge about their bodies, navigate family expectations, and communicate effectively about private parts. The discussion emphasizes the significance of fostering a safe environment for children to express their boundaries and the challenges parents face in advocating for their children's autonomy. In this conversation, Mary Van Geffen and Nina discuss the importance of empowering children to set boundaries, the significance of unified parenting, and how to navigate conversations about body image and negative body talk within families. They emphasize the need for open communication, preparation for social situations, and the impact of adult conversations on children's self-esteem and body image. 00:00: Navigating Body Image and Family Dynamics 05:56: Setting Boundaries with Family 11:54: Establishing Healthy Boundaries 22:09: Empowering Children to Set Boundaries 28:27: Navigating Body Image Conversations About Mary Mary Van Geffen is an international parenting coach and parent educator for overwhelmed moms of strong-willed & Spicy Children™. She teaches monthly workshops to help moms gain confidence to choose gentle, respectful parenting especially if they weren't raised that way. Mary has a ministry on Instagram where she posts an inspiring parenting tip every single day. Just reading her social media will help you delight in your child and remember that you are enough. Mary believes that when a mom realizes how hard she is on herself and cracks the door open for some self-compassion, her entire family is bathed in light! Mary is a certified Simplicity Parenting Counselor® and Professional Co-Active Coach®. Her greatest achievement, however, is cultivating a calm, kind, and firm relationship with her spirited go-getter daughter (17), polar-opposite introverted son (15) and un-Enneagramable hubby. You can find Mary At www.maryvangeffen.com for classes and www.instagram.com/maryvangeffen.com and for more information visit  Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode 137 Merry Moog 2024 Electronic Music for the Holidays Performed on the Moog and other Synthesizers   Playlist Time Track Time Start Introduction –Thom Holmes 04:34 00:00 1.     Hans Wurman, “Overture Miniature” from Electric Nutcracker (1976 Ovation). This Austrian composer made several remarkable, classically influenced Moog Modular albums from 1969 to 1976. This was one of his last big Moog projects and is difficult to find. 2:54 02:54 04:32 2.     Hans Wurman, “Danse De La Fee-Dragee ( Sugar Plum Fairy)” from Electric Nutcracker (1976 Ovation). Moog Modular synthesizer, Hans Wurman. 1:33 01:33 07:24 3.     Hans Wurman, “Danse Des Mirlitons (Flutes)” from Electric Nutcracker (1976 Ovation). Moog Modular synthesizer, Hans Wurman. 2:14 02:14 08:56 4.     Emerson, Lake & Palmer, “Nutrocker” from Nutrocker / The Great Gates Of Kiev (1972 Cotillion). Arranged by, Emerson, Lake & Palmer. Written by Kim Fowley. 03:48 11:08 5.     Sounds Of Broadcasting 2, “Night Of The Kings” from Sounds Of Broadcasting #6088 (1975? William B. Tanner Company, Inc.). Broadcast library track produced for the holidays. Produced using a Moog Modular Synthesizer. 01:01 14:56 6.     Jean Jacques Perrey and Sy Mann, “Jingle Bells” from Switched on Santa (1970 Pickwick). USA. Moog Modular Synthesizer. 01:44 15:56 7.     Jean Jacques Perrey and Sy Mann, “Christmas Bells” from Switched on Santa (1970 Pickwick). USA. Moog Modular Synthesizer. 01:52 17:40 8.     Douglas Leedy, “The Coventry Carol” from A Very Merry Electric Christmas to You (1970 Capitol). USA. Moog Modular Synthesizer and Buchla Synthesizer. 04:46 19:30 9.     Joseph Byrd, “Christmas in the Morning” from A Christmas Yet to Come (1975 Takoma). USA. ARP 2600 Synthesizer with an Oberheim Expander Module. 01:34 24:16 10.   Armen Ra, “O Come All Ye Faithful” from Theremin Christmas (2018 Sungod). USA. Moog Etherwave Pro Theremin. 04:43 25:50 11.   Beck, “The Little Drum Machine Boy” from Just Say Noël (1996 Geffen). USA. Roland TR-808 Rhythm Composer. 07:02 30:32 12.   Alan Horsey, “We Wish You a Merry Christmas” from Switched-On Christmas (1985 Snowflake Records). Italian album with electric organ by Alan Horsey. This is reminiscent of Hooked on Classics as the entire album seems to be woven together by a drum machine beat. This is played on organ. Seems a little late for disco. 03:10 37:30 13.   Denny Hinman, “Christmas in July” from Plays The Yamaha Electone E-70 (1980 Yamaha). Denny Hinman plays the Yamaha Electone E-70. A release by Yamaha. 01:45 40:36 14.   Miharu Koshi, “Belle Tristesse” (妙なる悲しみ)from We Wish You A Merry Christmas (1984 Yen). Japan. A compilation of specially recorded Christmas-themed songs from various artists on the Yen Records label. Written by, synth-pop with vocals by Miharu Koshi. Miharu Koshi is a keyboardist and singer with a long-standing collaborative association with YMO-founder Haruomi Hosono. 03:43 42:20 15.   Taeko Onuki, Inori (Prayer) from We Wish You A Merry Christmas (1984 Yen). Japan. A compilation of specially recorded Christmas-themed songs from various artists on the Yen Records label. Japanese synth-pop with vocals by Onuki. Maybe Ryuichi Sakamoto on keyboards. 03:44 46:02 16.   Frank Collett, “Jesu Joy of Man's Desiring (1970 Privately Made Release). USA. This is a special addition to the Merry Moog podcast. I found what is likely a one-of-a-disc private pressing by Frank Collett using the Moog Modular Synthesizer. This 45 RPM disc was recorded at Finetone Recording Studio in New York City and is inscribed with the hand-written message, “To John & Loretta: Merry XMAS. Composed and arranged by Frank Collett” This appears to be disc made of metal with a vinyl coating. One side includes his rendition of Bach's “Jesu Joy of Man's Desiring” plus a short tune called “Little Joey” (see below). The flip side contains the same recording of “Little Joey.” Dated December 22, 1970. Clearly made using a Moog Modular Synthesizer. Collett (1941-2016) was a noted session pianist and sometimes led and recorded with his own trio. He was raised in New York. In 1968 he was accompanist to Sarah Vaughan. The following year he moved to Las Vegas, Nevada.  He became the house pianist, with the orchestra in the main showroom of the International Hotel (which became the Las Vegas Hilton).  It was during this period that he made this recording in NY.  01:57 49:44 17.   Frank Collett, “Little Joey” (1970 Privately Made Release). Frank Collett using the Moog Modular Synthesizer. From a 45 RPM disc recorded at Finetone Recording Studio in New York City (see above). Dated December 22, 1970. Clearly made using a Moog Modular Synthesizer. Collett (1941-2016) was a noted session pianist and sometimes led and recorded with his own trio. Moog Modular Synthesiser, Frank Collett. Whose Moog Synthesizer did he use to make this recording? I can only speculate and guess that he made the recording at the studio of Gerson Kingsley in New York. 01:56 51:40 18.   Romantic Synthesizer, “Oh Tannenbaum” from Christmas Memories (1983 Dureco Benelux). French-Dutch album. Arranged, produced, synthesizers by Gerto Heupink, Robert Pot. 02:53 53:34 19.   Keiko Ohta (Ota), “Here Comes Santa Claus” from Electone X'Mas Present (1975 Canyon). Yamaha Electone GX-707 (GX-1), arranged by Keiko Ohta. Ohta was a female Electone star from Japan. The GX-1 was an early polyphonic synthesizer and a new branch of the Yamaha Electone family tree. 02:43 56:24 20.   Keiko Ohta (Ota), “Blue Christmas” from Electone X'Mas Present (1975 Canyon). Yamaha Electone GX-707 (GX-1), arranged by Keiko Ohta. Japan. Yes, the song originally made famous by Elvis Presley. Ohta was a female Electone star from Japan. The GX-1 was an early polyphonic synthesizer and a new branch of the Yamaha Electone family tree. 04:11 59:06 21.   Paul Haig, “Scottish Christmas” from Chantons Noël - Ghosts Of Christmas Past (1981 Les Disques Du Crépuscule). From a compilation album of Christmas-related tunes. Scottish songwriter, musician and singer. 02:46 01:03:16 22.   Les Cousins Dangereux, “What Child Is This” from Gotta Groove Records 2012 (2012 Gotta Groove Records). Holiday album with various artists. Les Cousins Dangereux is Mr. Tim Thornton. 01:59 01:06:00 23.   Joy Electric, “Angels We Have Heard on High” from The Magic Of Christmas (2003 Tooth & Nail Records). Joy Electric is Ronnie Martin from Ohio. American synthesizer-pop musician. Among his many releases is this crafty Christmas album. 01:48 01:07:58 24.   Koichi Oki, “Jingle Bells” from The Man From Yukiguni (1975 TIM/RS). Japan. Koichi Oki's Christmas album performed solely by his Yamaha Electone E-3. “Yukiguni” means snowland. Oki was a hugely popular Electone artist in Japan. 01:50 01:09:46 25.   Koichi Oki, “Winter Wonderland” from The Man From Yukiguni (1975 TIM/RS). Japan. Koichi Oki's Christmas album performed solely by his Yamaha Electone E-3. “Yukiguni” means snowland. Oki was a hugely popular Electone artist in Japan. 02:18 01:11:34 26.   Edhels, “Oriental Christmas” from Oriental Christmas (1985 Cabana Music). Recorded in France. Drums, Percussion, Keyboards, Jacky Rosati; Guitar, Jean Louis Suzzoni; Guitar, Bass, Keyboards, Composed by, Marc Ceccotti; Keyboards, Noël Damon. I was sent this as a promotional album back in 1985 with a kind little note from the artists. Sorry it took me so long to put the Christmas-related track in my podcast. This is great example of synth-pop from France in the 1980s. 04:22 01:13:52 27.   Bob Wehrman, John Bezjian and Dusty Wakeman, “Joy to the World” from Christmas Becomes Electric (1984 Tropical Records). Produced in L.A., a collection of pre-fab synthesizer classics. Not the same record of the same title as Douglas Leedy. 02:40 01:18:12 28.   Bob Wehrman, John Bezjian and Dusty Wakeman, “Ring Christmas Bells” from Christmas Becomes Electric (1984 Tropical Records). Produced in L.A., a collection of pre-fab synthesizer classics. Not the same record of the same title as Douglas Leedy. 01:46 01:20:50 29.   Romantic Synthesizer, “So This is Christmas” from Christmas Memories (1983 Dureco Benelux). French-Dutch album. Arranged, produced, synthesizers by Gerto Heupink, Robert Pot. We don't often hear an instrumental rendition of this Lennon and Ono X-mas tune. 03:22 01:22:34 30.   Swinging Buildings, “Praying For A Cheaper Christmas” from Chantons Noël - Ghosts Of Christmas Past (1981 Les Disques Du Crépuscule). From a compilation album of Christmas-related tunes. This group was once rumored to be New Order in disguise. But no, they were in fact The Bowling Balls in disguise. 03:07 01:25:54 31.   Bernie Krause, Philip Aaberg, “Feliz Navidad” from A Wild Christmas (1994 Etherean Music ). This delightful cassette is from Bernie Krause, known for his Moog explorations with Paul Beaver back in the day. All animal and ambient sounds recorded on location worldwide by Bernie Krause with the exception of the fish (courtesy of U.S. Navy). Animal samples, Bernie Krause and Phil Aaberg. Arrangements, new materials, all keyboards (Kurzweil 2000/Emulator III) Phil Aaberg. Percussion on Feliz Navidad performed by Ben Leinbach. 5:37 05:37 01:28:58 32.   The Original Cast: R2-D2, Anthony Daniels As C-3PO, “R2D2 We Wish You A Merry Christmas” from Christmas In The Stars: Star Wars Christmas Album (1980 RSO). Vocals, Arthur Boller, Donald Oriolo, Jr., Dori Greenberg, Ivy Alexenburg, Jake Yeston, Jessica Taylor, Marney Alexenburg, Ricky Haayen, Roddy McBrien, Russell Poses, Scot Randell, Stacy Greenberg; Keyboards, Derek Smith, Harold Wheeler, Pat Rebillot; Sound Effects (R2D2), Ben Burtt. The whole Star Wars crew seems to have a part in this holiday album. I wanted to highlight a track featuring the melodious electronic beeping of R2D2. 03:33 01:34:34 Opening background music: Sounds Of Broadcasting 1, “Christmas Logos” from Sounds Of Broadcasting #6088 (1975? William B. Tanner Company, Inc.). Broadcast library track produced for the holidays. Produced using a Moog Modular Synthesizer. Notice how the melody imitates a familiar tune without ever hitting the same notes. A copyright thing. Another name of this track might as well be, “It's Beginning to Sound A Lot Like Christmas.” Jean Jacques Perrey and Sy Mann, “Tijuana Christmas” from Switched on Santa (1970 Pickwick). USA. Moog Modular Synthesizer. Don Voegeli, “Chanukah” from Holiday & Seasonal Music (1977 EMI). USA. Produced at the Electrosonic Studio of the University of Wisconsin-Extension.   Opening and closing sequences voiced by Anne Benkovitz. Visual design by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation. For additional notes, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.  

Current Events Episode In Episode 15 of Small Talk Sucks, we dive into seismic shifts within the music industry, spotlighting HYBE Corporation's meteoric rise and their unprecedented expansion strategy. Known initially for BTS, HYBE has been acquiring major U.S. assets, positioning themselves as a formidable force among the Big Four labels. We discuss HYBE's acquisition spree, including stakes in Big Machine, Atlas, and QC, and their partnerships with industry powerhouses like Scooter Braun and Geffen. The episode explores how HYBE's catalog acquisitions set the stage for a future where AI-driven technology reshapes music creation, offering possibilities like digital twins and remixing legendary artists across eras. We debate the ethical and creative questions of AI, whether tech advancements are “cheating,” and how catalog ownership strategies align with evolving consumer tastes. Additionally, we touch on shifting consumption patterns, with listeners moving towards AI-curated and algorithm-driven music. Beyond HYBE, we dissect Justin Bieber's catalog sale, the financial toll of fame, and the overlooked costs of living in the public eye. Closing with Starbucks' decline and the power of behavioral science in brand loyalty, this episode unpacks the intersections of music, tech, and culture—and how they're reshaping today's entertainment landscape.

Send us a textCan Season 4 get any BIGGER? After an epic run of special guests, including the CEO of ROCK N' ROLL himself, the Bo-Hosts welcome back Sammy's longtime friend, percussionist and drummer David "Bro" Lauser for a discussion that tries it's very best to stay focused on the 40th Anniversary of 1984's "VOA"!  As the classic Geffen-era album and it's mega-single "I Can't Drive 55" both celebrate the quadruple- decade milestone, Bro discusses the record's development, the recording process, and all his iconic drum fills that open the Sammy tunes we all know and love!! Even though "VOA" was the intended topic of discussion, the Bo-Hosts "go with the Bro" and follow Lauser's meanderings down all avenues of his history with Sammy, the Geffen era demos, his latest creative endeavors and beyond!  So, put one foot on the brake and one on the gas and raise the checkered flag for Bro's RED recollections!"What is understood...NEED be discussed"Facebook:https://www.facebook.com/profile.php?id=100085582159917Instagram: https://www.instagram.com/thebogusotisshow/?hl=enConnect with the Bo-Hosts:bogusotisshow@gmail.com

April 1989: The world was a strange mix of excess and transition. On one side, the neon-drenched MTV era was still riding high, with hair metal bands like Poison, Motley Crüe, and Def Leppard dominating the charts with their polished, radio-friendly anthems. Power ballads and arena rock were inescapable, and rock fans were tuned in to Bon Jovi and Guns N' Roses. Yet, beneath the surface, change was brewing. Bands like Jane's Addiction and Soundgarden were slowly carving out a new, grittier sound that would soon transform the entire landscape.Amid this backdrop, Blue Murder made their entrance—not as another Sunset Strip glam act, but as a hard-hitting supergroup led by a guitar hero who had already proven himself with Thin Lizzy and Whitesnake. John Sykes wasn't looking to jump on the hair metal bandwagon. Instead, with Blue Murder, he aimed to bring the technical brilliance of the '70s into the late '80s, blending his bluesy, virtuoso guitar work with heavy grooves and intricate song structures. Sykes, along with legendary drummer Carmine Appice and fretless bass wizard Tony Franklin, formed a trio that drew on the legacy of hard rock and metal titans, delivering something deeper and more ambitious than most of their glam metal contemporaries.Yet, for all their talent, Blue Murder wasn't about writing catchy three-minute radio singles. Their self-titled debut album was a blend of towering guitar riffs, thunderous drums, and epic song structures that leaned closer to the ‘70s hard rock tradition of Led Zeppelin and Deep Purple than the bubblegum metal that filled the charts. But in 1989, as hair metal ruled the airwaves and grunge was lurking around the corner, Blue Murder stood out—ambitious, raw, and musically masterful.The Road to Blue MurderJohn Sykes had already proven his chops with Whitesnake's 1987 album, a monster hit that spawned chart-topping singles and dominated MTV. But creative tensions with Whitesnake's leader, David Coverdale, led to Sykes' unceremonious departure just as the band was at the peak of its commercial success. Undeterred, Sykes began writing material for what would eventually become Blue Murder, determined to put together a powerhouse group that could rival his previous success.At first, Sykes wasn't planning to be the frontman. The band initially brought in some big-name vocalists to handle lead duties. Ray Gillen of Black Sabbath and Badlands fame was the first to join the lineup, contributing vocals to some early demos. But Gillen left after just a few months, reportedly due to creative differences. The next contender was Tony Martin, another former Black Sabbath singer, but he, too, didn't stick around for long. After several auditions and some disagreements with the label Geffen Records, the A&R team suggested that Sykes himself take over lead vocals. Despite being known more for his guitar work, Sykes stepped up, and his voice turned out to be a perfect match for the band's sound—gritty, soulful, and powerful.With legendary drummer Carmine Appice, who had played with the likes of Jeff Beck and Vanilla Fudge, and fretless bass virtuoso Tony Franklin, fresh off his stint with The Firm alongside Jimmy Page and Paul Rodgers, Blue Murder had a lineup that was nothing short of rock royalty. The result was a self-titled debut that combined technical brilliance with bluesy hard rock, reflecting Sykes' desire to channel the spirit of '70s heavyweights like Led Zeppelin and Deep Purple, rather than chasing the more formulaic sound of the late-'80s hair metal scene.Building the Sound: A Guitarist as a FrontmanFor a guy who wasn't originally a vocalist, Sykes delivered some serious vocal prowess on Blue Murder. He was filling big shoes, considering he had just played alongside David Coverdale, one of rock's great frontmen. And while the album isn't a complete departure from Whitesnake's bluesy, hard-hitting rock, it's more expansive, both musically and lyrically.The standout track, “Valley of the Kings,” showcases the epic grandeur Blue Murder was going for. Co-written by Black Sabbath's Tony Martin, the song combines powerful riffs, intricate solos, and a historical theme that was rare in the pop-metal scene of the time. This track had a “late '80s Sabbath” feel, blending hard rock with doom-like weight, something that set the band apart from the typical hair metal crowd.Tracks like “Jelly Roll” and “Out of Love” demonstrate the band's diversity—moving between blues-infused swagger and heartfelt ballads, all carried by Sykes' smooth yet powerful vocals and, of course, his signature guitar tone. The hosts also discussed how “Out of Love,” a lesser-known power ballad, was one of those hidden gems deserving far more attention than it ever received.The Legacy of Blue MurderThough the album charted respectably (peaking at #69 on the Billboard 200), it didn't make the impact that Whitesnake's 1987 album did. Part of the issue was the changing musical landscape. By 1989, the glam metal scene was beginning to saturate, and the introspective rawness of grunge was on the horizon. Blue Murder, with its complex musicianship and Sykes' ambitious songwriting, may have been too sophisticated for an audience that was more accustomed to quick-hit rock anthems.But for those in the know, Blue Murder became a cult classic. Its combination of blistering guitar work, thunderous drums, and intricate bass lines made it a musician's album—a performance record. For fans of technical prowess and intricate song structures, Blue Murder was a band worth rediscovering.What Could Have BeenDespite the talent and the potential, Blue Murder never achieved the commercial success many expected. Tensions with their label, Geffen Records, didn't help. Sykes believed Geffen was trying to sabotage the band in hopes he'd rejoin Whitesnake. Whether or not that's true, it's clear that Blue Murder didn't get the marketing push it deserved.After a follow-up album in 1993 (Nothing But Trouble), Blue Murder faded into the background, overshadowed by the grunge explosion. However, Sykes continued to be a respected figure in the hard rock and metal scenes, even though he never reached the heights of Whitesnake's success again.A Call to Revisit a Lost MasterpieceSo why does Blue Murder still resonate with those who know it? It's a record that transcends the pop-metal limitations of its time. If you're a fan of Thin Lizzy, Whitesnake, or just killer guitar work, this album is well worth revisiting. And for those who missed it the first time around, now's the perfect time to dive into one of the best-kept secrets of late '80s metal.Take a listen, let it transport you back to 1989, and then wonder how this gem flew under the radar.Songs in this Episode* Intro - Blue Murder * 22:17 - Black-Hearted Woman * 27:14 - Out of Love * 31:53 - Ptolemy * 37:59 - Billy * 39:04 - It's Too Late (demo w/ Ray Gillen on lead vocals) * Outro - Valley of the KingsMake Your Voice Heard!In our quest to explore the depths of 90s Rock, we rely on you, our listeners. Your suggestions drive our show – be it an underrated classic or a forgotten gem. By joining our DMO Union on Patreon, you help us stay independent and ad-free and gain the power to vote on and choose the albums we dive into each year. Together, let's unearth the treasures of 90s Rock, one listener-powered episode at a time.Suggest an Album → | Support the Mission → This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit digmeout.substack.com/subscribe

The group has been made public as “Dream Academy” -- but Leanne and Juliet have much to say how it all went down!Manon radiates MAIN CHARACTER energy, but why has she become the villain of the group? Leanne and Juliet dive into whether the Hybe x Geffen execs will reward hard work or let pretty privilege win.Leanne and Juliet also discuss the underbelly of the kpop trainee world and how cutthroat the competition has become. They also go in-depth about trolls on the internet and the power of social media.The ladies discuss new sunglass styles, which Dream Academy member they most relate to, and their favorite cake!Subscribe now to never miss an episode!

  PULSARS mark the end of that era. Leader Dave Trumfio (vocals, guitar, synths production and most anything else) and his younger brother Harry (drums) grew up playing music in a suburban Chicago basement.  While still in his teens, Dave abandoned college-level music production and engineering studies to focus on songwriting and artist endeavors; his native talents soon found him an apprenticeship at Seagrape Studios working with talents as disparate as house music pioneer Mr Fingers, British first-wave stalwarts The Pretty Things and dub plate sessions with the legendary reggae producer / musician Niney The Observer . . . all within months of his first real go behind the mixing desk. Chicago's past musical glories felt far in the past then, replaced by a sea of skinny tie power pop bands, poofy hair metal combos of some timidity and a few rough-hewn exponents of sub-Buzzcocks punk and Fiorucci-ready new wave.  Ignoring it all, Dave ran a small studio in a shared house he rented with friends before taking the risky - and expensive - plunge into opening a 'real' studio on the northwest corner of Wicker Park, soon to burst into a degree of infamy due to a small contingent of cult heroes who lived there for cheap rent and cheaper bars - Liz Phair, Eleventh Dream Day, Big Black, Urge Overkill, Tortoise et al. Daves role in all of this was minimal by nature; he preferred to record acts from farther afield - Billy Bragg, then-recent Chicago transplants Wilco, The Mekons, Young Marble Giants guitarist and songwriter Stuart Moxham, Barbara Manning, Captain Beefhearts main man Gary Lucas, an array of other acts from Iceland, Australia and all corners of the UK.  Business was good, and it grew.  A quick writer of odd pop ditties, one day Dave called in his brother Harry and recorded - in a single afternoon session - a set of nine demos known.  The story's been related countless times, but within weeks the band was opening for Oasis and found itself being courted by a dozen labels. Their few local shows were undefinable. Dave played guitar and sang, Harry drummed triggered a reel of additional music, often with video backing . . . which dazzled spectators in that pre-laptop era.  After months of negotiations, the band signed a multi-million deal with Almo Sounds, a new label begun by A&M founders Herb Alpert and Jerry Moss and distributed by Geffen.  It was - and likely still is - the largest deal ever offered to an emerging Chicago musical act. The band engaged in numerous tours to support their self-titled debut, playing with Sean Lennon & Cibo Matto, Blur, Supergrass, and many others, as well as seemingly infinite jaunts to Japan, where Dave and Harry were hailed as heroes of subversive minimalist pop - the ecstatic screams of young fans at the first few notes of Submission To The Master& at first bewildering the brothers.  Suddenly, the Almo Sounds deal with Geffen fell apart at the start of a tour supporting then-current sensations Weezer.  Promotion was pulled; radio support for the first single from the album collapsed in a mere moment. Due to contractual vagaries, the band was allowed to complete a second (unreleased) album just before the label folded.  And that was it, until the news of the 2021 release of Pulsar Transmissions", a collection of unheard songs and versions that the band recorded before and during their short-term deal.  Rolling Stone offered their self titled debut ;Pulsars as one of the 40 greatest albums ever recorded by an act with one real album:     PULSARS's Info Instagram:  https://www.instagram.com/pulsarsband/?hl=en X / Twitter:  https://x.com/PulsarsBand Facebook:  https://www.facebook.com/pulsarsofficial/  

On this flashback of Take It Personal Radio, we're hitting you with a remastered version of our Black Thought Tribute combing both episode 68 and 69, including our exclusive Black Thought interview. Black Thought isn't just one of our favorites, he is arguably the greatest living rapper in the game. And despite where he might be on your top list, there is no doubt that after you listen to our Black Thought Tribute, he'll be bumped up in your ranking. We discuss the Streams of Thought albums. We discuss working with Danger Mouse and the late Kobe Bryant, as well as the upcoming musical he wrote and will be starring in titled "Black No More". We find out if there's a new Roots album on it's way, delve into some Roots stories such as Malik B, Razhel, getting signed to Geffen and what the "actual" release date was for "Do You Want More?!!!??!". We talk Philly, food, classic hip-hop and much, much more. We recorded this prior to the passing of Malik B. ⁠www.takeitpersonalradio.com ⁠⁠www.patreon.com/TakeItPersonal⁠ Follow us on Instagram @ takeitpersonalradio

The ladies are starting a new reality show on Netflix: Pop Star Academy: KASTEYE. The series follows 20 contestants vying for a spot in a one-of-a-kind, six-member girl group, modeled after rigorous K-pop training programs. The group is a collaboration of two music powerhouses: Hybe x Geffen.Leanne and Juliet discuss the history of Bang Si Hyuk, the co-founder and chairperson of Hybe (the recording label behind BTS), and the notoriously intense K-pop training programs. They also discuss how critique is handled between the Korean dance trainer versus the American trainer. Leanne and Juliet draw parallels to their own lives.Also, the ladies are celebrating ONE YEAR of The K-Watch Party! Hear their reflections of the last year.Subscribe now to never miss an episode!THE SHOW:Get in touch with us:Instagram: @thekwatchpartyEmail: thekwatchparty@gmail.comPaypal: paypal.me/thekwatchpartyYoutube: www.youtube.com/@TheK-WatchParty

"The fact that these artists are getting their flowers, getting a chance to perform on this stage, these black artists..If it wasn't for Jay-Z, this wouldn't be happening. So how can you come down and criticize this man like that? it's beyond me." Steve Stoute sounds off on the recent Super Bowl Halftime controversry. Steve Stoute is the ultimate American success story. He's worn a lot of hats—author, entrepreneur, ad exec, and most notoriously, a music mogul. For nearly three decades, he's played a pivotal role at some of the biggest music labels from Interscope, Geffen, and Sony, to working with massive names like U2 and Eminem. Ultimately he's helped shape not just hip-hop, but today's music culture as a whole and continues to find ways to bridge the gap with culture, sports, music and global reach. In this episode, in partnership with Fanatics, Stoute takes us on a wild ride through his experiences in music, advertising, and business and how valuing relationships fueled his journey to the top.  We had to start the conversation off and get right to it- With loud buzz around Kendrick Lamar being announced as this year's Super Bowl Half-time Act... controversy continues to swirl around the choice and blame being put towards Jay Z, who is on of Stoute's closest friends and business confidants. Jay, who's been a major part of choosing the NFL's biggest act of the year, is taking heat for selecting Kendrick over the hometown star and fan favorite Lil Wayne to headline New Orleans Super Bowl. Steve is blown away by the negativity towards Jay's choice, confused why people aren't celebrating that Jay has made such strides for culture to be apart of a big event vs making it personal as football and music fans alike are split, and even some big-name artists, like Nicki Minaj, have weighed in with their grievances. Stoute delves into this topic with Ryan, Fred, and Chan, sharing the inside scoop on how the decision really went down, what he thinks of the backlash, and who was originally asked to perform!  Ryan understands this Super Bowl controversy has caused a lot of backlash and ugliness from different areas of the industry but RC says this isn't nearly the black eye to culture that the continuous fall of P Diddy has stirred up, as more allegations are revealed and Diddy's recent arrest landed him in jail without bail. Knowing Diddy for a long time, the guys ask Stoute to honestly speak to it all, especially the fallout and if he ever saw any signs or this coming…. The conversation shifts to where things are heading with music, sports, culture and owning media rights as well as creation of platforms controlling the space vs the old days where networks and big companies dictated the industry. While Stoute started in an era where artists were burning their own records and signing deals with record labels to get noticed, he speaks to how the landscape has completely shifted. With social media, consumers can find an artist's music without them needing a label-- and he thinks this transition is beneficial. He's all about artists owning their craft and not "selling their souls" to big companies which is what led him to start UnitedMasters, to help creators keep control of their music, name, and likeness. Fred asks him about the recent Dame Dash situation with and how he sees it all playing out. Stoute's family roots and emphasis on relationships has always played a part in his work ethic and drive to make money. Steve breaks down the lessons he learned in the early days of his career and how he was able to navigate big moves, taking chances and never settling for anything less than his goals.  The guys soak up the knowledge from Steve as he breaks down the music industry's inner workings, connect music with sports, providing a front-row seat to the conversations shaping culture and give a better understanding of how key relationships have paved the way for so many to experience a new wave of success at any level.  Learn more about your ad choices. Visit megaphone.fm/adchoices

The music world lost legendary hip hop producer and artist J Dilla far too soon, and for many people, he's still relatively unknown. Hosts Jim DeRogatis and Greg Kot talk with author Dan Charnas about his book on J Dilla's rhythmic innovation, artistry and close relationships with Common, Questlove, D'Angelo and more. Plus, the hosts review new albums from Nick Cave and Hinds.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:J Dilla, "Workinonit," Donuts, Stones Throw, 2006Nick Cave and the Bad Seeds, "Long Dark Night," Wild God, PIAS, 2024Nick Cave and the Bad Seeds, "Cinnamon Horses," Wild God, PIAS, 2024Nick Cave and the Bad Seeds, "Song of the Lake," Wild God, PIAS, 2024Nick Cave and the Bad Seeds, "As the Waters Cover the Sea," Wild God, PIAS, 2024hinds, "Hi, How Are You," Viva Hands, Lucky Numbers, 2024hinds, "Coffee," Viva Hands, Lucky Numbers, 2024hinds, "Mala Vista," Viva Hands, Lucky Numbers, 2024Slum Village, "Fall in Love," Fantastic, Vol. 2, GoodVibe, 2000D'Angelo, "Untitled (How Does It Feel)," Voodoo, Virgin, 2000J Dilla, "So Far to Go (feat. Common & D'Angelo)," The Shining, BBE, 2006Common, "The Light," Like Water For Chocolate, Geffen, 2000D'Angelo, "Devil's Pie," Voodoo, Virgin, 2000Common, "I Am Music (feat. Jill Scott)," Electric Circus, MCA, 2002The Pharcyde, "Runnin'," Labcabincalifornia, Delicious Vinyl, 1995See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this episode Truth talks with Michael Alago – former A&R executive for Elektra and Geffen records, and the guy responsible for signing Metallica, White Zombie, Metal Church, PIL, The Misfits, Flotsam and Jetsam, and more! He also authored an autobiography, “I Am Michael Alago: Breathing Music. Signing Metallica. Beating Death.”   There is a documentary by Drew Stone about him currently streaming on Tubi, YouTube, Amazon Prime, etc. called “Who the F**ck Is That Guy? The Fabulous Journey of Michael Alago.”   The two discuss his love for music, growing up in NYC, how he broke into the music industry – and his 25 year career as an A&R executive,  the differences and changes in New York and the music industry then and now, signing and working with Metallica on the Master of Puppets LP, being present for the early thrash scene, hanging and developing and signing White Zombie, working with Johnny Lydon (Johnny Rotten of the Sex Pistols) and PIL – as well as their infamous riot show, Cyndi Lauper, his photography, becoming sober from drugs and alcohol, overcoming death and HIV, his book and documentary and so much more!      If you want to hear the infamous Lynyrd Skynyrd story you'll have to become a patreon subscriber at http://www.patreon.com/bigtruth  !!    For more info: IG: @michaelanthonyalago Facebook: Michael Anthony Alago   As always, please hit the subscribe button if you like and support what we do! You'll get early access to new episodes! Also please leave a review!   Follow us on IG: @bigtruth TikTok: @bigtruthpodcast YouTube: @thebigtruthpodcast   For feedback, questions, sponsorship info contact: bigtruthpodcast@gmail.com For more info: http://www.bigtruthpodcast.com To support the show: http://www.patreon.com/bigtruth     The Big Truth Podcast is proudly sponsored by: - Choppahead Kustom Cycles (IG: @choppahead / www.choppahead.com) - Jeffrey Glassman Injury Lawyers (Massachusetts motorcycle injuries – http://www.jeffreysglassman.com /  or call 617-777-7777) - Tattoo Flash Collective – www.tattooflashcollective.com – use promo code: BIGTRUTH for 10% off your order - Omerta (IG: @omertamia / www.omertamia.com) - use code: BIGTRUTH at checkout for 20% off your order! - Heavy (IG: @heavyclothing / www.heavy.bigcartel.com)

This week Holden, Jackie and MJ are finally healed of their Chimp Crazyness as Tonia Haddix and Tonka's insane journey ends, Hulu's "Secret Lives of Mormon Wives" shows a saucy side of Mormonism you won't hear about from Ole' Moroni and covers the cleanup after a massive tea spill upsets their community. Holden recaps Pop Star Academy: KATSEYE on Netflix which chronicles Geffen and HYBE creating a global girl group, Jackie reports back from the theatah that Beetlejuice, Beetlejuice delights, and to keep and eye out for Strange Darling! Max dropped a two episode doc on the making of The Sopranos titled "Wise Guy: David Chase and the Sopranos" and MORE! Chimp Crazy - MaxSecret Lives of Mormon Wives - HuluPop Star Academy: KATSEYE - NetflixBeetlejuice Beetlejuice - TheatahStrange Darling - TheatahWise Guy: David Chase and the Sopranos - Max Want even more Page 7? Support us on Patreon! Patreon.com/Page7Podcast  Subscribe to SiriusXM Podcasts+ on Apple Podcasts to listen to ad-free new episodes.

Send us a textIf there was a formula that could tell you how to become a successful playwright, this episode is it. Nicholas Pilapil dropped into the Playwright's Spotlight for an insightful approach to becoming a working playwright. His approach to workshops lays out a pathway of motivation and accountability. We discuss confidence versus hubris, his approach to selecting playwrights for his workshop, the benefits of seeing theatre, telling the story, character description, set, and beats, as well as how to creating distinct voices. This was such a motivating chat that I believe lays out a foolproof way to becoming a working playwright. Let me know if you agree. Enjoy!Nicholas Pilapil is an alum of The Writers' Room at the Geffen Playhouse, IAMA Theatre Company's Emerging Playwrights Lab, The Vagrancy Playwrights Group, and artEquity. His plays include The Bottoming Process and if all that You take from this is courage, then I've no regrets and was the winner of the Samuel French Off-Off Broadway Short Play Festival. His work has also been developed with Geffen Playhouse, Abingdon Theatre Company, Playwrights Foundation, American Stage, Ensemble Studio Theatre/LA, The Workshop Theater and Artists at Play. For tickets for God Will Do the Rest playing through September 29th, visit -https://www.latinotheaterco.org/godwilldotherestTo watch the video format of this episode, visit -https://youtu.be/49Xf3MSTcmELinks to resources mentioned in this episode -Artists at Play -https://artistsatplay.orgLos Angeles Theatre Center -https://culture.lacity.gov/cultural-centers/los-angeles-theatre-center-latc/Geffen's Writers Room - https://www.geffenplayhouse.org/tickets/new-plays/the-writers-room/IAMA -https://www.iamatheatre.com/Boston Court Theatre -https://bostoncourtpasadena.orgWebsite and Socials for Nicholas Pilapil -https://www.nicholaspilapil.comTwitter/X - @nicholaspilapilIG - @nicholaspilpilFacebook - https://www.facebook.com/nepilapilTikTok - @nicholaspilapilTo watch the video format of this episode, visit -https://youtu.be/49Xf3MSTcmEWebsites and socials for James Elden, PMP, and Playwright's Spotlight -Punk Monkey Productions - www.punkmonkeyproductions.comPLAY Noir -www.playnoir.comPLAY Noir Anthology –www.punkmonkeyproductions.com/contact.htmlJames Elden -Twitter - @jameseldensauerIG - @alakardrakeFB - fb.com/jameseldensauerPunk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods                  - @playnoirla IG - @punkmonkeyprods       - @playnoir_la FB - fb.com/playnoir        - fb.com/punkmonkeyproductionsPlaywright's Spotlight -Twitter - @wrightlightpod IG - @playwrights_spotlightPlaywriting services through Los Angeles Collegiate Playwrights Festivalwww.losangelescollegiateplaywrightsfestival.com/services.htmlSupport the Show.

Chris DeRosa joins Kate to discuss Pop Star Academy: KATSEYE, a Netflix docuseries where twenty aspiring pop stars undergo a K-pop training program, exploring the creation of HYBE x Geffen's first global girl group, Katseye. Chris is co-host of Fixing Famous People podcast. Reality Life with Kate Casey What to Watch List: https://katecasey.substack.com Patreon: http://www.patreon.com/katecasey Twitter: https://twitter.com/katecasey Instagram: http://www.instagram.com/katecaseyca Tik Tok: http://www.tiktok.com/itskatecasey Facebook Group: https://www.facebook.com/groups/113157919338245 Amazon.com: www.amazon.com/shop/katecaseySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Fredric Dannen - Hit MenJul 29, 2022Journalist Fredric Dannen joins Ed to talk about the history of the music business, from the early days of small, independent labels, through the buying up in the rock and roll era by major international labels to the behemoth it is today, complete with the growing involvement of organised crime, the struggles and battles between families for dominance in this highly lucrative area of entertainment.Guest BioFredric DannenBooksThe Mansion on the Hill: Dylan, Young, Geffen, Springsteen, and the Head-on Collision of Rock and Commerce, Hit Men: Power Brokers and Fast Money Inside the Music Business,Become a supporter of this podcast: https://www.spreaker.com/podcast/the-opperman-report--1198501/support.

Since our last recording, a lot has happened - we have vanquished our mortal foes Joe Biden and Blairite Vaugahn Gehthing, and witnessed a failed attempt on the life of Donald Trump, arguably incited by a prominent British journalist. Meanwhile, the UK goes to the dogs under the right-wing government of Sir Keir Starmer. In RP302, we call for the temperature to be taken down in the political discourse and a return to civility, condemn the woke pro-Welsh agenda of Deadpool, look at some hot new competitors on the podcasting market, and look at the UK's new Labour government's policies towards Israel and how they're basically the same as those of the previous Conservative one.

We're approaching the one year anniversary of the legalization of recreational marijuana. On top of businesses readying themselves to sell marijuana, the state cannabis review board has been hard at work looking at who is eligible to have marijuana-related criminal incidents expunged from their record. It's a process that will change the lives of hundreds of thousands of Minnesotans with criminal records.Jon Geffen has been working to expunge marijuana charges from Minnesotan's records. He is director of the Legal Revolution Law Firm in Minneapolis. Geffen joined MPR News host Cathy Wurzer to explain the efforts still underway to expunge records.

Peter Napoliello, former SVP of Promotions at Geffen, EMI, and A&M Records, makes his 3rd appearance (eps. 144 and 311) on the podcast to talk Guns N' Roses' past, present, and future. Peter was there for Appetite, Lies, and the Illusions. Where does he think the band stands now? Our website: afdpod.com

Hosts Jim DeRogatis and Greg Kot are taking a sonic vacation from another dreary winter by sharing their favorite songs about getting away! They also hear selections from the production staff and they review the new record from Kali Uchis.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Lenny Kravitz, "Fly Away," 5, Virgin, 1998The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Kali Uchis, "¿Cómo Así?," Orquídeas, Geffen, 2024Kali Uchis, "Me Pongo Loca," Orquídeas, Geffen, 2024Kali Uchis, "Pensamientos Intrusivos," Orquídeas, Geffen, 2024Kali Uchis, "Igual Que Un Ángel," Orquídeas, Geffen, 2024Weezer, "Island in the Sun," Weezer (Green Album), Geffen, 2001The Ventures, "Hawaii Five-O," Hawaii Five-O, Liberty, 1969The Beginning of the End, "Funky Nassau Pt. 1," Funky Nassau, Alston, 1971Guided By Voices, "Motor Away," Alien Lanes, Matador, 1995Amyl and the Sniffers, "Hertz," Comfort to Me, B2B, 2021Willie Nelson, "On the Road Again," Honeysuckle Rose, Columbia, 1980Pink Floyd, "Point Me at the Sky," Point Me at the Sky (Single), EMI, 1968Joni Mitchell, "Free Man in Paris," Court and Spark, Asylum, 1974Jonathan Richman & The Modern Lovers, "I Love Hot Nights," Modern Lovers 88, Rounder, 1988Big Star, "The India Song," #1 Record, Ardent, 1972Ronnie Spector & The E Street Band, "Say Goodbye To Hollywood," Say Goodbye To Hollywood (Single), Epic, 1977Summer Salt, "Driving to Hawaii," Driving to Hawaii, Cherry Lime, 2014Kraftwerk, "Europe Endless," Trans-Europe Express, Capitol, 1977Bronski Beat, "Small Town Boy," The Age of Consent, London, 1984A Tribe Called Quest, "I Left My Wallet in El Segundo," People's Instinctive Travels and the Paths of Rhythm, Jive, 1990Rihanna, "Desperado," Anti, Westbury Road, 2016The B-52's, "Roam," Cosmic Thing, Reprise, 1989Eleanor Friedberger, "It's Hard," Rebound, French Kiss, 2018James Brown, "Funky Drummer (Pt. 1 & 2)," Funky Drummer (Single), King, 1970See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In 1975, Bob Dylan released "Blood on the Tracks," an album about relationship conflict that has since become a benchmark in his illustrious discography. Hosts Jim DeRogatis and Greg Kot do a classic album dissection and talk to someone who played on the record and some music journalists about what makes it so iconic.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Bob Dylan, "Lily, Rosemary and the Jack of Hearts," Blood on the Tracks, Columbia, 1975Bob Dylan, "Shelter from the Storm," Blood on the Tracks, Columbia, 1975Bob Dylan, "Idiot Wind (Take 6)," The Bootleg Series Vol. 14: More Blood, More Tracks, Columbia, 2018Bob Dylan, "Idiot Wind," Blood on the Tracks, Columbia, 1975Bob Dylan, "Buckets of Rain," Blood on the Tracks, Columbia, 1975Bob Dylan, "You're a Big Girl Now," Blood on the Tracks, Columbia, 1975Bob Dylan, "Tangled Up In Blue (Take 3, Remake 2)," The Bootleg Series Volumes 1–3 (Rare & Unreleased) 1961–1991, Columbia, 1991Bob Dylan, "Tangled Up In Blue," Blood on the Tracks, Columbia, 1975Bob Dylan, "If You See Her, Say Hello," Blood on the Tracks, Columbia, 1975Alabama 3, "Woke Up This Morning (Chosen One Mix)," Woke Up This Morning (Chosen One Mix) (Single), Geffen, 2000See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Every year, host Greg Kot makes a mixtape of new songs to express his feelings about the past year. Greg shares a selection of that mix and the rest of the show staff look at other top singles of 2023. Plus, the hosts remember a few other musicians we lost in 2023.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Olivia Rodrigo, "Vampire," GUTS, Geffen, 2023The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967The Moody Blues, "Go Now!," The Magnificent Moodies, Decca, 1965The Pogues, "Fairytale of New York (feat. Kirsty MacColl)," If I Should Fall from Grace with God, Warner, 1988The Del-Lords, "Burning In The Flame Of Love," Frontier Days, EMI, 1984Dwight Twilley Band, "I'm On Fire," Sincerely, Shelter, 1976Dua Lipa, "Dance The Night," Barbie The Album, Atlantic, Warner Bros., Mattel, 2023SZA, "Kill Bill (feat. Doja Cat)," Kill Bill (feat. Doja Cat) (Single), Top Dawg, RCA, 2023XG, "LEFT RIGHT," SHOOTING STAR - Single, XGALX, 2023PinkPantheress & Ice Spice, "Boy's a liar, Pt. 2," Boy's a liar, Pt. 2 (Single), Warner Music, 2023Jason Isbell and the 400 Unit, "White Beretta," Weathervanes, Southeastern, Thirty Tigers, 2023Shame, "Fingers of Steel," Food for Worms, Dead Oceans, 2023Miley Cyrus, "Flowers," Endless Summer, Columbia, 2023Ratboys, "Crossed That Line," The Window, Topshelf, 2023RVG, "Midnight Sun," Brain Worms, Fire, 2023The Rain Parade, "Last Rays of a Dying Sun," Last Rays of a Dying Sun, Label 51, 2023Sara Noelle, "Dry the Rain," Dry the Rain (Single), Sara Noelle, 2023Ladytron, "City of Angels," Time's Arrow, Cooking Vinyl, 2023Ric Wilson, Chromeo & A-Trak, "Everyone Moves To LA (feat. Felicia Douglass)," CLUSTERFUNK, Free Disco/Empire, 2023Butcher Brown, "MOVE (RIDE) (feat. Jay Prince)," Solar Music, Concord, 2023Avalon Emerson, "Sandrail Silouette," & The Charm, Another Dove/One House, 2023Bob Dylan, "Tangled Up in Blue," Blood on the Tracks, Columbia, 1975See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Parenting an intense kiddo is a rollercoaster of ups and downs, and sometimes all you want is a wise mentor--someone who has been through it and has compassionate advice for you that actually works with these types of kids. That's why I'm so excited to introduce you to today's guest. Mary Van Geffen is the international parenting coach for moms of Spicy Ones™️. For full show notes, including the three takeaways, go to https://3in30podcast.com/324-mary-van-geffen  Announcement:  I am so thrilled to announce Flecks of Gold for kids, a digital download you can purchase once from my website and then print copies for all of the children in your household, so it becomes part of your family culture to look for the golden moments you experience together. My incredibly talented graphic designer, Bree Morris, included custom illustrations of the parable of the miner throughout the journal that will work as coloring pages for your children to get creative and showcase their personality as they track their Flecks of Gold each day. Make this the year you start a gratitude tradition with your kids! Go to 3in30podcast.com/shop to see the new Flecks of Gold Journal for Kids, and to celebrate the launch of this product, get 50% off from now until the end of the month with the code KIDS!  Episode sponsors: BetterHelp: This episode is sponsored by BetterHelp. Go to betterhelp.com/3in30 to get 10% off your first month of online therapy! Vionic Shoes: Go to vionicshoes.com and use code 3IN30 for 15% off your order. *** Learn more about your ad choices. Visit megaphone.fm/adchoices

Do the sights and sounds and feels of parenting overwhelm you some days? Or most days? How can we parent kindly and intentionally when we desperately need a break from all the stimulation?  My guest this week is Mary Van Geffen. She is a mom who has striven to cultivate good relationships with her children and husband while also navigating life as a Highly Sensitive Person with diagnosed ADHD.  She knows firsthand the struggles moms face with sensory overload and she's not trying to “fix” you - you're not broken! But she does offer a bevy of tips to help us take care of ourselves amidst the din of life and to parent in a calm and connected manner.  Connect with Mary Van Geffen:  Website:  https://www.maryvangeffen.com/  Facebook: https://www.facebook.com/parentcoachforspicyones  Instagram:  @maryvangeffen  Links Mentioned:    How to Say No Without Feeling Guilty Class with Mary Van Geffen  Heather and Mary's Instagram performance–Body Posture in Parenting Related Episodes: Body Awareness in Parenting :: Mary Van Geffen [Ep 333] When Your Child is on the Autism Spectrum (Part 1) :: Terri Conlin [Ep 182] When Your Child is on the Autism Spectrum (Part 2) :: Terri Conlin [Ep 183] Parenting Neurodivergent Children - Summer Edition :: Carrie Cassell [Ep 413] Parenting Sensitive and Intense Kids :: Lynne Jackson and Lydia Rex [Ep 395] Helping Your Child with Sensory Processing Issues :: Lynne Jackson [Ep 258] Featured Sponsors:  Find links to this week's sponsors and unique promo codes at dontmomalone.com/sponsors.