Podcasts about Geffen

Hosts Jim DeRogatis and Greg Kot talk with author Cary Baker about the musical tradition of street performance, also known as busking. The hosts also review the solo album from TV On The Radio lead singer Tunde Adebimpe and hear feedback from listeners on recent episodes.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Arvella Gray, "John Henry," I Blueskvarter Chicago 1964, Volume Two, Jefferson, 2000The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Tunde Adebimpe, "Magnetic," Thee Black Boltz, Sub Pop, 2025Tunde Adebimpe, "Ate The Moon," Thee Black Boltz, Sub Pop, 2025Tunde Adebimpe, "Pinstack," Thee Black Boltz, Sub Pop, 2025Tunde Adebimpe, "Drop," Thee Black Boltz, Sub Pop, 2025Tunde Adebimpe, "Blue," Thee Black Boltz, Sub Pop, 2025Tunde Adebimpe, "Somebody New," Thee Black Boltz, Sub Pop, 2025Tunde Adebimpe, "ILY," Thee Black Boltz, Sub Pop, 2025Tracy Chapman, "Stand By Me (Live At The Late Show With David Letterman)," Greatest Hits, Elektra, 2015Moondog, "Nocturne Suite Part 1," On The Streets of New York, Mississippi, 2019Cortelia Clark, "Bye, Bye, Love," Blues in the Street, RCA, 1966George Coleman, "Innocent Little Doggy," Bongo Joe, Arhoolie, 1969Fantastic Negrito, "Nobody Makes Money," Fantastic Negrito EP, Blackball Universe, 2014Violent Femmes, "Blister In The Sun," Violent Femmes, Slash, 1983Ted Hawkins, "Strange Conversation," The Next Hundred Years, Geffen, 1994Mary Lou Lord, "St. Swithin's Day," Real, Deep Music, 1993Lucinda Williams, "Ramblin' On My Mind," Ramblin' on My Mind, Folkways, 1979Dom Flemons, "Charmin Betsy," Black Cowboys, Smithsonian Folkways, 2018Emmylou Harris, "Crescent City," Cowgirl's Prayer, Asylum, 1993Stan Rogers, "Barrett's Privateers," Fogarty's Cove, Barn Swallow, 1977Tsunami, "In A Name," Deep End, Simple Machines, 1992See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Story of an Underground with Robert geffen by Congregation Beth Jacob

Kirsten Vangsness is an actor, YouTuber, podcaster, graphic novelist & playwright. She is most known for playing Penelope Garcia on the long running CBS crime drama Criminal Minds, for which she co-wrote 5 episodes, including the series finale. In 2020, Kirsten launched her YouTube series KIRSTEN'S AGENDA as a way to promote mental health, wellness and civic duty. Her first season featured such guests as Aisha Tyler, Pauley Perrette and Karen David. She enjoyed the interviews so much she decided to spin them off into the KIRSTEN'S AGENDA Podcast, available wherever podcasts live. Kirsten has long been deeply involved in the L.A. theatre scene, scoring two Ovation Best Actress nominations (for "FAT PIG" at the Geffen and "Everything You Touch" at Boston Court), LA Weekly Best Playwright of the Year nomination (For her Theatre of NOTE production of "Potential Space") and winning the Los Angeles Drama Circle Best Comedic Actress. She is a long-time member of Hollywood's Theatre of NOTE where she serves on the Art Board. In the summer of 2019, Kirsten took her one-woman show "Mess" (which Neil Gaiman has called his "favorite one person show") and her space romp, time travel, women in history, musical "Cleo, Theo and Wu" to the Edinburgh Fringe Festival and was greeted with 5 star reviews and sold out shows. She is the star and executive producer of the film noir spoof “Kill Me, Deadly” which can be found on many streaming platforms, she can currently be heard on season two of the comedy podcast “Voyage to the Stars” as well as a sometimes host of PRI's "Selected Shorts". In 2020, her animated short "Curtains" based on a short story she penned, was accepted in film festivals around the globe and she created a "Cleo, Theo and Wu" graphic novel with illustrator Kaitlin Bruder. She is the recipient of the HRC Visibility Award, the Open Fist Excellence in Arts Award and has been honored for her work with many charities including The Wildlife Learning Center, The Jacaranda Foundation, and The Unusual Suspects. In her spare time Kirsten can be found washing dishes at the Blinking Owl Distillery, which she co-owns in Santa Ana, California. We chat about Criminal Minds, embracing success, love of acting, zone of incompetence and excellence, imposter syndrome, interventions, dyslexia, creativity, ideas and nurturing them, writing plus plenty more. For the Criminal Minds fans out there, I've also been fortunate to chat with AJ Cook, Paget Brewster and Joe Mantegna who are all incredible in their own right. Check Kirsten out on: Instagram: https://www.instagram.com/kirstenvangsness/ Facebook: https://www.facebook.com/KirstenVangsnessOfficial/ Website: https://www.kirstenvangsness.com/ Youtube: https://www.youtube.com/KirstenVangsnessOfficial Bluesky: https://bsky.app/profile/vangsness.bsky.social ------------------------------------------- Follow @Funny in Failure on Instagram and Facebook https://www.instagram.com/funnyinfailure/ https://www.facebook.com/funnyinfailure/ and @Michael_Kahan on Insta & Twitter to keep up to date with the latest info. https://www.instagram.com/michael_kahan/ https://twitter.com/Michael_Kahan  

This week we talk with attorney Jon Geffen about the remarkable law firm/education program he leads called The Legal Revolution. We talk about his journey towards starting this new type of practice, working with an underserved population, and finding brilliant legal minds in prison, on this week's Who The Folk?! Podcast.The Legal Revolution: https://www.allsquarempls.com/the-law-firm/aboutThis week's sponsor: Minneapolis Jewish Federation: https://www.youtube.com/@MJFOffical/videos 

What a Little Moonlight Can Do + Good Morning Heartache Cassandra Wilson Coming Forth by DayLegacy RecordingsSe Telefonando Gregoire Maret, Romain Collin, Cassandra Wilson, Gregory Porter Ennio ACT MusicI'd Rather Go Blind Etta James Tell Mama GeffenAlone With My Thoughts Norah Jones Autumn Jones UME - Global Clearing HouseBring Back My Heart (con Rufus Wainwright) +These Flowers Martha Wainwright Martha Wainwright (20th Anniversary Edition) Report Card Music Inc.If You Could See Me Now Zara McFarlane Sweet Whispers: Celebrating Sarah Vaughan Eternal Source Of LightLove Meshell Ndegeocello No More Water: The Gospel Of James Baldwin Blue Note RecordsRun Run + Drive Alessia Cara Love & Hyperbole EP Entertainment, LLC / Def JamEl humo y azul + Habana Rita Donte Ritual Ansonia RecordsEscuchar audio

Drummer David “Bro” Lauser and guitarist Gary Pihl go way back—to the early '80s, when they laid down the thunderous drums and scorching guitar riffs on Sammy Hagar's iconic Geffen albums. Fast forward five decades, and their ALLIANCE is still going strong!When Sammy joined Van Halen in '85, Gary jumped over to the legendary BOSTON, where he's held it down on guitar for 40 years. And when Sammy launched his post-VH solo career, guess who was his first Wabo? His "Bro," of course!Out of that tight-knit musical (ahem) circle, "Bro" and Gary helped form ALLIANCE in the '90s with singer/bassist Robert Berry and keyboardist Allan Fitzgerald. In this episode, they join the Bo-Hosts to chat about their killer new album on Frontiers Music, Before Our Eyes.They also reminisce about recording VOA (and whether live footage exists!), the possible whereabouts of their "55" jumpsuits, dig into their recording process, speculate on a VOA band reunion in Cabo, and face off in a round of RedRocker Rapid Fire.This episode took some serious calendar-juggling to make happen—so crank it up LOUD and enjoy!For more on ALLIANCE:https://www.frontiers.it/artist/2216https://www.youtube.com/watch?v=WmkNfnqrJCgFor more on David "Bro"Lauser:https://www.davidlauser.com/index.htmlFor more on Gary Pihl:https://garypihl.com/"What is understood...NEED be discussed"Facebook:https://www.facebook.com/profile.php?id=100085582159917Instagram: https://www.instagram.com/thebogusotisshow/?hl=enConnect with the Bo-Hosts:bogusotisshow@gmail.com

"Directors are authors of a production," is the vision held by Trip Cullman, director of the play, We Had a World. This beautiful play explores intergenerational relationships in a family with complicated dynamics. Starring Joanna Gleason, Andrew Barth Feldman, and Jeanine Serralles and written by Joshua Harmon. Sarah and Trip discuss the play, queer representation on stage, the importances of live theatre, and more! Trip Cullman (Director). Broadway: Cult Of Love, The Rose Tattoo, Choir Boy, Lobby Hero (Tony nom., Best Revival), Six Degrees of Separation (Tony nom., Best Revival), Significant Other. Select Off Broadway: I Can Get It For You Wholesale (Best Revival, Drama Desk and Outer Critics) (CSC); The Lonely Few, Moscow Moscow…, YEN, Punk Rock (Obie), A Funny Thing Happened… (MCC); Days Of Rage, The Layover, The Substance of Fire, Lonely I'm Not, Bachelorette, Some Men, Swimming In The Shallows (Second Stage); Unknown Soldier, The Pain Of My Belligerence, Assistance, A Small Fire (Drama Desk nom.), The Drunken City (Playwrights Horizons); Significant Other (Roundabout); Choir Boy (MTC); Murder Ballad (MTC and Union Square); The Mother, I'm Gonna Pray For You So Hard (Atlantic); Roulette (EST); The Hallway Trilogy: Nursing (Rattlestick); The Last Sunday In June (Rattlestick and Century Center); Dog Sees God (Century Center); US Drag (stageFARM); several productions with The Play Company. Select regional: Berkeley Rep, McCarter, Geffen, Arena, Alliance, Old Globe, La Jolla, South Coast Rep, Bay Street, Williamstown. Connect with GOOD SHOW! Instagram: ⁠@goodshowpodcast⁠  Tik Tok: ⁠@goodshowpodcast ⁠  Learn more about your ad choices. Visit megaphone.fm/adchoices

As spring is springing, the volume of new albums coming out is hard to keep up with. This week hosts Jim DeRogatis and Greg Kot dig out from “music mountain” by reviewing new albums from Lucy Dacus, Saba and No ID, Mekons and Perfume Genius. They also pay tribute to Clem Burke of Blondie and Dave Allen of Gang of Four.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Lucy Dacus, "Ankles," Forever is a Feeling, Geffen, 2025The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Blondie, "Heart Of Glass," Parallel Lines, Chrysalis, 1979Blondie, "Atomic," Eat to the Beat, Chrysalis, 1980Blondie, "Call Me," American Gigolo, Chrysalis, 1980Gang of Four, "Ether," Entertainment!, EMI, 1979Gang of Four, "Damaged Goods," Entertainment!, EMI, 1979Lucy Dacus, "For Keeps," Forever is a Feeling, Geffen, 2025Lucy Dacus, "Most Wanted Man," Forever is a Feeling, Geffen, 2025Lucy Dacus, "Lost Time," Forever is a Feeling, Geffen, 2025Saba and No I.D., "head.rap (ft. Madison McFerrin, Ogi & Jordan Ward)," From the Private Collection of Saba and No I.D., From the Private Collection of Saba and No I.D., 2025Saba and No I.D., "Every Painting Has a Price (feat. Eryn Allen Kane & BJ Chicago Kid)," From the Private Collection of Saba and No I.D., From the Private Collection of Saba and No I.D., 2025Saba and No I.D., "Breakdown," From the Private Collection of Saba and No I.D., From the Private Collection of Saba and No I.D., 2025Saba and No I.D., "How to Impress God," From the Private Collection of Saba and No I.D., From the Private Collection of Saba and No I.D., 2025Perfume Genius, "Clean Heart," Glory, Matador, 2025Perfume Genius, "No Front Teeth (feat. Aldous Harding)," Glory, Matador, 2025Perfume Genius, "Left For Tomorrow," Glory, Matador, 2025Perfume Genius, "Full On," Glory, Matador, 2025Mekons, "Mudcrawlers," Horror, Fire, 2025Mekons, "You're Not Singing Anymore," Horror, Fire, 2025Mekons, "Private Defense Contractor," Horror, Fire, 2025Mekons, "The Western Design," Horror, Fire, 2025Mekons, "War Economy," Horror, Fire, 2025Mekons, "Sad and Sad and Sad," Horror, Fire, 2025Rosanne Cash, "Seven Year Ache," Seven Year Ache, Columbia, 1981See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This year marks the 25th anniversary of socially conscious rapper Common's pivotal album Like Water for Chocolate. Hosts Jim DeRogatis and Greg Kot revisit their classic album dissection of Like Water for Chocolate including an interview with Common from the year 2000.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Common, "Time Travelin' (A Tribute to Fela)," Like Water for Chocolate, MCA, 2000Common, "Take it EZ," Can I Borrow a Dollar?, Relativity, 1992Common, "I Used to Love H.E.R.," Resurrection, Relativity, 1994Common, "Brown Sugar," Brown Sugar, EMI, 1995Common, "Funky for You," Like Water for Chocolate, MCA, 2000Common, "A Song for Assata," Like Water for Chocolate, MCA, 2000Common, "Payback is a Grandmother," Like Water for Chocolate, MCA, 2000Common, "The Light," Like Water for Chocolate, MCA, 2000Common, "The 6th Sense," Like Water for Chocolate, MCA, 2000Common, "Thelonius," Like Water for Chocolate, MCA, 2000Common, "Geto Heaven Remix T.S.O.I," Like Water for Chocolate (Alternate Edition), MCA, 2001Common, "A Film Called (Pimp)," Like Water for Chocolate, MCA, 2000Kendrick Lamar, "Institutionalized," To Pimp a Butterfly, Interscope, 2015New York Dolls, "Looking For a Kiss," New York Dolls, Mercury, 1973Delivery, "The New Alphabet," Force Majeure, Heavenly, 2025Delivery, "Deadlines," Force Majeure, Heavenly, 2025Lucy Dacus, "Ankles," Forever is a Feeling, Geffen, 2025See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

108.9 The Hawk is bringing you the ultimate weekend combo: 15 songs from Aerosmith every hour AND all the details on Whisp Turlington's "Here Comes Spring Motherfu*kers Cookout"! First, we dive into our Aerosmith weekend. Get ready for a deep dive into the Columbia and Geffen eras, with some sped-up versions and Chipmunk covers thrown in for good measureThen, get ready for the party of the year! Whisp is inviting everyone (except Paul Schaeffer and maybe Geoff ) to his cookout.Plus, you know Barry Gibb's bringing his Barry Beef! Find out which rockers have their own hot sauces! And Page is doing all of his album, “Outrider,” live at the picnic!Sponsored by: ChestnutsChannel 8's “Farts With A Z”Coopersmith CoffinsFood GulchLove 108.9 The Hawk? NIIIICEEEE! Here's what you can do!Subscribe to the podcast on Spotify, Apple, or whatever you listen on!Give a five-star review on Apple Podcasts!Get official merch: http://tee.pub/lic/goodrockshirtsEarly access & bonus shows: https://patreon.com/1089thehawkFollow us on social media: YouTube, Instagram, TikTok, Bluesky, ThreadsLearn more & sign up for our mailing list: https://1089thehawk.comAnd most importantly, tell your friends about 108.9 The Hawk. 

Deze week starten de wereldkampioenschappen kunstrijden in het Amerikaanse Boston. Voor de atleten een belangrijke editie, want er zijn al tickets voor de Olympische Spelen in Milaan en Cortina d'Ampezzo te verdienen. Namens Nederland gaan alleen paarrijders in actie komen. Daria Danilova en Michel Tsiba hebben kans om zo'n ticket te bemachtigen. Daarnaast komen bij het ijsdansen Chelsea Verhaegh en Sherim van Geffen in actie. We blikten erop vooruit met Niki Wories. Presentatie: Robert Denneman Foto: Paul Wories

To those who wear the goggles of Dr. Dragonet there is another world–of mystery, joy and, yes, terror… The Goggles of Dr. Dragonet by Fritz Leiber. That's next on The Lost Sci-Fi Podcast.Fritz Leiber won more than his share of awards for his amazing work. He won six Hugo awards, three Nebula's, a Bram Stoker, World Fantasy Award, he was posthumously inducted into the Science Fiction Hall of Fame and he won many awards that you've probably never heard of, Balrog, Geffen, Gandalf, Locus and others.We've already narrated numerous Fritz Leiber stories but thankfully there remain many others that are in the public domain for us to bring to you in the future.From Fantastic Stories of Imagination in July 1961 let us turn to page 96, The Goggles of Dr. Dragonet by Fritz Leiber…Next on The Lost Sci-Fi Podcast, It was a wonderful plan, a boon to humanity. And solving the parking problem would make a fortune for Slim and me. But when the secret got out… Parking, Unlimited By Noel Loomis.☕ Buy Me a Coffee https://www.buymeacoffee.com/scottsV===========================

Hosts Jim DeRogatis and Greg Kot review Sly Stone's documentary and memoir and revisit an interview with Family Stone members Jerry Martini and Cynthia Robinson. They also review the new album from Chicago indie rockers Horsegirl.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Sly and the Family Stone, "Thank You (Falettinme Be Mice Elf Agin)," Thank You (Falettinme Be Mice Elf Agin) (Single), Epic, 1969The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Horsegirl, "2468," Phonetics On and On, Matador, 2025Horsegirl, "I Can't Stand To See You," Phonetics On and On, Matador, 2025Horsegirl, "Information Content," Phonetics On and On, Matador, 2025Horsegirl, "Where'd You Go?," Phonetics On and On, Matador, 2025Sly and the Family Stone, "Dance To The Music," Dance To The Music, Epic, 1968Sly and the Family Stone, "I Ain't Got Nobody (For Real)," Dance To The Music, Epic, 1968Sly and the Family Stone, "Advice," A Whole New Thing, Epic, 1967Sly and the Family Stone, "I Hate To Love Her," A Whole New Thing, Epic, 1967Ike and Tina Turner, "Bold Soul Sister," The Hunter, Blue Thumb, 1969The Roots, "Star/Pointro," The Tipping Point, Geffen, 2004Bobby Freeman, "C'mon and Swim," C'mon and Swim (Single), Autumn, 1964Sly and the Family Stone, "Family Affair," There's A Riot Goin' On, Epic, 1971Sly and the Family Stone, "Hot Fun in the Summertime," Hot Fun in the Summertime (Single), Epic, 1969Sly and the Family Stone, "Thank You For Talking To Me Africa," There's A Riot Goin' On, Epic, 1971Sly and the Family Stone, "Brave and Strong," There's A Riot Goin' On, Epic, 1971Sly and the Family Stone, "You Can Make It If You Try (Live)," Stand!, Epic, 1969Sly and the Family Stone, "We Love All," Dance To The Music (2007 version), Epic, 1968Sly and the Family Stone, "Color Me True," Dance To The Music (Single), Epic, 1968The Pogues, "The Sick Bed of Cuchulainn," Rum Sodomy & the Lash, MCA, 1985The Ergs, "Stinking of Whiskey Blues," Upstairs/Downstairs, Dirtnap, 2007New York Dolls, "Trash," New York Dolls, Mercury, 1973See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Dito Montiel went from punk rocker to briefly a boxer, then a Versace/Calvin Klein model. His band Gutterboy signed a record deal with Geffen, followed by a period of homelessness. He rebounded by writing A GUIDE TO RECOGNIZING YOUR SAINTS, which became a film starring Robert Downey Jr., launching his directing career. His latest film, RIFF RAFF, follows a former criminal whose ordinary life is turned upside down when his old family shows up for a long-awaited reunion. In this interview, we talk about his approach to writing, working with actors, the importance of writing strong characters even for smaller roles, and his new film RIFF RAFF. Want more? Steal my first book, INK BY THE BARREL - SECRETS FROM PROLIFIC WRITERS right now for free. Simply head over to www.brockswinson.com to get your free digital download and audiobook. If you find value in the book, please share it with a friend as we're giving away 100,000 copies this year. It's based on over 400 interviews here at Creative Principles. Enjoy! If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts? It only takes about 60 seconds and it really helps convince some of the hard-to-get guests to sit down and have a chat (simply scroll to the bottom of your iTunes Podcast app and click “Write Review"). Enjoy the show!

And our Was (not Was) odyssey comes to an end with the glory years of What Up, Dog? and Walk The Dinosaur alongside working with Elvis Costello, Roy Orbison and Frank Sinatra Jr.7. WHAT UP, DOG? (1986-88)A two year process begun with a rejected album by Geffen. Then former podcast guest, David Bates saves the day and one of the best albums of the 80s results.Special focus made on the superlative ballads from the LP; Anytime Lisa, Somewhere in America There's a Street Named After My Dad, Anything Can Happen and Wedding Vows in Vegas.8. ELVIS COSTELLO (1986)A Was/Costello co-write results from a fortuitous meeting with Mr MacManus at Tower Records. We discover what lyric Costello contributed and how David was responsible for the track Elvis made with Brian Eno for The X Files 10 years later.9. WALK THE DINOSAUR (1987)Plenty was said about the hit in part 1 of the interview but we boom-boom-ackla-lacka-lacka boom once more with a few more questions. What was the line David was asked to change? Why was it released so much earlier in the UK than the USA? What was Randy Jacobs songwriting contribution?10. MISCELLANEOUS (1987-89)Plenty of chat about David's old comrade, Don. As well as talk on my favourite lesser know WNW track, working with the great Roy Orbison and some chat on why David's answer to Are You Okay? was "no". Plus the highs of Top of the Pops and live performing in the UK.80SOGRAPHY QUICKFIRE ROUNDDavid is on Twitter @HennyYoungbloodPlease support the podcast via PayPal - 80sography@gmail.comTwitter/Blue Sky @80sography                  Men Without Women Are Like Fish Without Water To Swim In.                 With Their Eyes Bugging Out, They Flop On The Beach,                 And Look Up At The Girls Who Are Just Out of Reach. Send us a text

Dave Charles starts your day with The Morning Show, weekdays from 6-9am on Radio Life & Style - proudly sponsored by Bidvest McCarthy Toyota Ballito. Broadcasting live from the heart of Ballito, The Morning Show serves up a curated mix of contemporary music and classic hits from across the decades, alongside interviews with tastemakers & influencers, plus a healthy dose of local news & views from the booming KZN North Coast. Listen live on lifeandstyle.fm, download our free Radio Life & Style app or find our shows on Apple Podcasts, Spotify and all good platforms. ........................................ *About our Sponsor - Bidvest McCarthy Toyota Ballito: Welcome to McCarthy Toyota Ballito Our qualified and friendly staff are here to help you purchase a new or pre-owned Toyota and assist with all your vehicle requirements. We aim to exceed customer needs and expectations by offering you affordable vehicles and products, and giving you exceptional service at every point of the journey - from sales, through to finance, and much more. We value every customer who walks through our doors and our expert team members are here to ensure you are taken care of. Let us help you lead the way on your next Toyota adventure, visit us today. Radio Life & Style on Facebook · The Morning Show Sponsor: Excellerate Security

Historical geochemical datasets can be challenging with variable methods, missing metadata, and shifting detection limits, but they're also an invaluable resource for mineral exploration and mining.In this episode, we break down what qualifies as historical data, common pitfalls to watch for, and best practices for integrating legacy datasets into interpretation workflows. We also explore the newest geochemical data from field-portable and scanning technologies, examining how they complement and contrast with traditional datasets.For this episode we read:Advances in ICP-MS technology and the application of multi-element geochemistry to exploration (Sader and Ryan, 2019)Advances in exploration geochemistry, 2007 to 2017 and beyond (Winterburn et al., 2019)Evaluation of partial digestions for soils to detect a deeply buried VMS Cu-Zn prospect in boreal forests (van Geffen et al., 2014)Major advances in exploration geochemistry, 1998-2007 (Cohen et al., 2010)

The recent announcement of a temporary 30-day pause in the Canada-U.S. tariff war came as a relief to this country's largest importer of Kosher foods made in the United States. Montreal-based Altra Foods spent the earlier part of the week scrambling to place rush orders from suppliers south of the border, after Canada vowed to slap 25% retaliatory duties on some of the company's 3,000 kosher imported brands, such as Sabra, Geffen, Streit's, Hadar and even Bush Beans. But Altra's vice president ,Jack Hartstein, worries that if the negotiations collapse,and the Canadian tariffs kick in next month-just ahead of Passover–prices will rise by between 50 and 60 percent for kosher food imports from the key U.S. market. That's why Canada's kashruth organizations COR and MK,and the Hasidic community have teamed up with political advocacy group CIJA, and with help from several Liberal MPs, to urge Ottawa to exempt kosher foods from this current trade war. On today's episode of The CJN Daily, we're joined by Jack Hartstein, of ALTRA Foods, on how his company is bracing for the impact, and what to expect next. What we talked about: Read the list of U.S. products slated for Canadian-imposed 25% import tariffs. Why the 2025 proposed Canadian import tariffs will be much worse for kosher food consumers than the previous 2018 trade war, in The CJN Learn more about ALTRA Foods. Credits Host and writer: Ellin Bessner (@ebessner) Production team: Zachary Kauffman (producer), Michael Fraiman (executive producer) Music: Dov Beck-Levine Support our show Subscribe to The CJN newsletter Donate to The CJN (+ get a charitable tax receipt) Subscribe to The CJN Daily (Not sure how? Click here)

Join me for my conversation with Laurie Kaye. She takes me through her life, career, interviews with Mick Jagger, David Bowie, George Harrison and Paul McCartney, cultiminating with her interview with John Lennon and Yoko Ono at the Dakota in NYC on the day of John Lennon's death. Great conversation on a deep and sad topic.

Nathan Geffen, Editor of GroundUp, joins John Maytham to discuss the flawed investigation into SASSA's SRD grant system. Geffen highlights how the investigation, costing R280,000, failed to address crucial questions about fraudulent applications and payouts.See omnystudio.com/listener for privacy information.

In this conversation, Nina and Mary discuss the complexities of body image, family dynamics, and the importance of setting boundaries, especially during the holiday season. They share personal experiences and practical advice on how to empower children with knowledge about their bodies, navigate family expectations, and communicate effectively about private parts. The discussion emphasizes the significance of fostering a safe environment for children to express their boundaries and the challenges parents face in advocating for their children's autonomy. In this conversation, Mary Van Geffen and Nina discuss the importance of empowering children to set boundaries, the significance of unified parenting, and how to navigate conversations about body image and negative body talk within families. They emphasize the need for open communication, preparation for social situations, and the impact of adult conversations on children's self-esteem and body image. 00:00: Navigating Body Image and Family Dynamics 05:56: Setting Boundaries with Family 11:54: Establishing Healthy Boundaries 22:09: Empowering Children to Set Boundaries 28:27: Navigating Body Image Conversations About Mary Mary Van Geffen is an international parenting coach and parent educator for overwhelmed moms of strong-willed & Spicy Children™. She teaches monthly workshops to help moms gain confidence to choose gentle, respectful parenting especially if they weren't raised that way. Mary has a ministry on Instagram where she posts an inspiring parenting tip every single day. Just reading her social media will help you delight in your child and remember that you are enough. Mary believes that when a mom realizes how hard she is on herself and cracks the door open for some self-compassion, her entire family is bathed in light! Mary is a certified Simplicity Parenting Counselor® and Professional Co-Active Coach®. Her greatest achievement, however, is cultivating a calm, kind, and firm relationship with her spirited go-getter daughter (17), polar-opposite introverted son (15) and un-Enneagramable hubby. You can find Mary At www.maryvangeffen.com for classes and www.instagram.com/maryvangeffen.com and for more information visit  Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode 137 Merry Moog 2024 Electronic Music for the Holidays Performed on the Moog and other Synthesizers   Playlist Time Track Time Start Introduction –Thom Holmes 04:34 00:00 1.     Hans Wurman, “Overture Miniature” from Electric Nutcracker (1976 Ovation). This Austrian composer made several remarkable, classically influenced Moog Modular albums from 1969 to 1976. This was one of his last big Moog projects and is difficult to find. 2:54 02:54 04:32 2.     Hans Wurman, “Danse De La Fee-Dragee ( Sugar Plum Fairy)” from Electric Nutcracker (1976 Ovation). Moog Modular synthesizer, Hans Wurman. 1:33 01:33 07:24 3.     Hans Wurman, “Danse Des Mirlitons (Flutes)” from Electric Nutcracker (1976 Ovation). Moog Modular synthesizer, Hans Wurman. 2:14 02:14 08:56 4.     Emerson, Lake & Palmer, “Nutrocker” from Nutrocker / The Great Gates Of Kiev (1972 Cotillion). Arranged by, Emerson, Lake & Palmer. Written by Kim Fowley. 03:48 11:08 5.     Sounds Of Broadcasting 2, “Night Of The Kings” from Sounds Of Broadcasting #6088 (1975? William B. Tanner Company, Inc.). Broadcast library track produced for the holidays. Produced using a Moog Modular Synthesizer. 01:01 14:56 6.     Jean Jacques Perrey and Sy Mann, “Jingle Bells” from Switched on Santa (1970 Pickwick). USA. Moog Modular Synthesizer. 01:44 15:56 7.     Jean Jacques Perrey and Sy Mann, “Christmas Bells” from Switched on Santa (1970 Pickwick). USA. Moog Modular Synthesizer. 01:52 17:40 8.     Douglas Leedy, “The Coventry Carol” from A Very Merry Electric Christmas to You (1970 Capitol). USA. Moog Modular Synthesizer and Buchla Synthesizer. 04:46 19:30 9.     Joseph Byrd, “Christmas in the Morning” from A Christmas Yet to Come (1975 Takoma). USA. ARP 2600 Synthesizer with an Oberheim Expander Module. 01:34 24:16 10.   Armen Ra, “O Come All Ye Faithful” from Theremin Christmas (2018 Sungod). USA. Moog Etherwave Pro Theremin. 04:43 25:50 11.   Beck, “The Little Drum Machine Boy” from Just Say Noël (1996 Geffen). USA. Roland TR-808 Rhythm Composer. 07:02 30:32 12.   Alan Horsey, “We Wish You a Merry Christmas” from Switched-On Christmas (1985 Snowflake Records). Italian album with electric organ by Alan Horsey. This is reminiscent of Hooked on Classics as the entire album seems to be woven together by a drum machine beat. This is played on organ. Seems a little late for disco. 03:10 37:30 13.   Denny Hinman, “Christmas in July” from Plays The Yamaha Electone E-70 (1980 Yamaha). Denny Hinman plays the Yamaha Electone E-70. A release by Yamaha. 01:45 40:36 14.   Miharu Koshi, “Belle Tristesse” (妙なる悲しみ)from We Wish You A Merry Christmas (1984 Yen). Japan. A compilation of specially recorded Christmas-themed songs from various artists on the Yen Records label. Written by, synth-pop with vocals by Miharu Koshi. Miharu Koshi is a keyboardist and singer with a long-standing collaborative association with YMO-founder Haruomi Hosono. 03:43 42:20 15.   Taeko Onuki, Inori (Prayer) from We Wish You A Merry Christmas (1984 Yen). Japan. A compilation of specially recorded Christmas-themed songs from various artists on the Yen Records label. Japanese synth-pop with vocals by Onuki. Maybe Ryuichi Sakamoto on keyboards. 03:44 46:02 16.   Frank Collett, “Jesu Joy of Man's Desiring (1970 Privately Made Release). USA. This is a special addition to the Merry Moog podcast. I found what is likely a one-of-a-disc private pressing by Frank Collett using the Moog Modular Synthesizer. This 45 RPM disc was recorded at Finetone Recording Studio in New York City and is inscribed with the hand-written message, “To John & Loretta: Merry XMAS. Composed and arranged by Frank Collett” This appears to be disc made of metal with a vinyl coating. One side includes his rendition of Bach's “Jesu Joy of Man's Desiring” plus a short tune called “Little Joey” (see below). The flip side contains the same recording of “Little Joey.” Dated December 22, 1970. Clearly made using a Moog Modular Synthesizer. Collett (1941-2016) was a noted session pianist and sometimes led and recorded with his own trio. He was raised in New York. In 1968 he was accompanist to Sarah Vaughan. The following year he moved to Las Vegas, Nevada.  He became the house pianist, with the orchestra in the main showroom of the International Hotel (which became the Las Vegas Hilton).  It was during this period that he made this recording in NY.  01:57 49:44 17.   Frank Collett, “Little Joey” (1970 Privately Made Release). Frank Collett using the Moog Modular Synthesizer. From a 45 RPM disc recorded at Finetone Recording Studio in New York City (see above). Dated December 22, 1970. Clearly made using a Moog Modular Synthesizer. Collett (1941-2016) was a noted session pianist and sometimes led and recorded with his own trio. Moog Modular Synthesiser, Frank Collett. Whose Moog Synthesizer did he use to make this recording? I can only speculate and guess that he made the recording at the studio of Gerson Kingsley in New York. 01:56 51:40 18.   Romantic Synthesizer, “Oh Tannenbaum” from Christmas Memories (1983 Dureco Benelux). French-Dutch album. Arranged, produced, synthesizers by Gerto Heupink, Robert Pot. 02:53 53:34 19.   Keiko Ohta (Ota), “Here Comes Santa Claus” from Electone X'Mas Present (1975 Canyon). Yamaha Electone GX-707 (GX-1), arranged by Keiko Ohta. Ohta was a female Electone star from Japan. The GX-1 was an early polyphonic synthesizer and a new branch of the Yamaha Electone family tree. 02:43 56:24 20.   Keiko Ohta (Ota), “Blue Christmas” from Electone X'Mas Present (1975 Canyon). Yamaha Electone GX-707 (GX-1), arranged by Keiko Ohta. Japan. Yes, the song originally made famous by Elvis Presley. Ohta was a female Electone star from Japan. The GX-1 was an early polyphonic synthesizer and a new branch of the Yamaha Electone family tree. 04:11 59:06 21.   Paul Haig, “Scottish Christmas” from Chantons Noël - Ghosts Of Christmas Past (1981 Les Disques Du Crépuscule). From a compilation album of Christmas-related tunes. Scottish songwriter, musician and singer. 02:46 01:03:16 22.   Les Cousins Dangereux, “What Child Is This” from Gotta Groove Records 2012 (2012 Gotta Groove Records). Holiday album with various artists. Les Cousins Dangereux is Mr. Tim Thornton. 01:59 01:06:00 23.   Joy Electric, “Angels We Have Heard on High” from The Magic Of Christmas (2003 Tooth & Nail Records). Joy Electric is Ronnie Martin from Ohio. American synthesizer-pop musician. Among his many releases is this crafty Christmas album. 01:48 01:07:58 24.   Koichi Oki, “Jingle Bells” from The Man From Yukiguni (1975 TIM/RS). Japan. Koichi Oki's Christmas album performed solely by his Yamaha Electone E-3. “Yukiguni” means snowland. Oki was a hugely popular Electone artist in Japan. 01:50 01:09:46 25.   Koichi Oki, “Winter Wonderland” from The Man From Yukiguni (1975 TIM/RS). Japan. Koichi Oki's Christmas album performed solely by his Yamaha Electone E-3. “Yukiguni” means snowland. Oki was a hugely popular Electone artist in Japan. 02:18 01:11:34 26.   Edhels, “Oriental Christmas” from Oriental Christmas (1985 Cabana Music). Recorded in France. Drums, Percussion, Keyboards, Jacky Rosati; Guitar, Jean Louis Suzzoni; Guitar, Bass, Keyboards, Composed by, Marc Ceccotti; Keyboards, Noël Damon. I was sent this as a promotional album back in 1985 with a kind little note from the artists. Sorry it took me so long to put the Christmas-related track in my podcast. This is great example of synth-pop from France in the 1980s. 04:22 01:13:52 27.   Bob Wehrman, John Bezjian and Dusty Wakeman, “Joy to the World” from Christmas Becomes Electric (1984 Tropical Records). Produced in L.A., a collection of pre-fab synthesizer classics. Not the same record of the same title as Douglas Leedy. 02:40 01:18:12 28.   Bob Wehrman, John Bezjian and Dusty Wakeman, “Ring Christmas Bells” from Christmas Becomes Electric (1984 Tropical Records). Produced in L.A., a collection of pre-fab synthesizer classics. Not the same record of the same title as Douglas Leedy. 01:46 01:20:50 29.   Romantic Synthesizer, “So This is Christmas” from Christmas Memories (1983 Dureco Benelux). French-Dutch album. Arranged, produced, synthesizers by Gerto Heupink, Robert Pot. We don't often hear an instrumental rendition of this Lennon and Ono X-mas tune. 03:22 01:22:34 30.   Swinging Buildings, “Praying For A Cheaper Christmas” from Chantons Noël - Ghosts Of Christmas Past (1981 Les Disques Du Crépuscule). From a compilation album of Christmas-related tunes. This group was once rumored to be New Order in disguise. But no, they were in fact The Bowling Balls in disguise. 03:07 01:25:54 31.   Bernie Krause, Philip Aaberg, “Feliz Navidad” from A Wild Christmas (1994 Etherean Music ). This delightful cassette is from Bernie Krause, known for his Moog explorations with Paul Beaver back in the day. All animal and ambient sounds recorded on location worldwide by Bernie Krause with the exception of the fish (courtesy of U.S. Navy). Animal samples, Bernie Krause and Phil Aaberg. Arrangements, new materials, all keyboards (Kurzweil 2000/Emulator III) Phil Aaberg. Percussion on Feliz Navidad performed by Ben Leinbach. 5:37 05:37 01:28:58 32.   The Original Cast: R2-D2, Anthony Daniels As C-3PO, “R2D2 We Wish You A Merry Christmas” from Christmas In The Stars: Star Wars Christmas Album (1980 RSO). Vocals, Arthur Boller, Donald Oriolo, Jr., Dori Greenberg, Ivy Alexenburg, Jake Yeston, Jessica Taylor, Marney Alexenburg, Ricky Haayen, Roddy McBrien, Russell Poses, Scot Randell, Stacy Greenberg; Keyboards, Derek Smith, Harold Wheeler, Pat Rebillot; Sound Effects (R2D2), Ben Burtt. The whole Star Wars crew seems to have a part in this holiday album. I wanted to highlight a track featuring the melodious electronic beeping of R2D2. 03:33 01:34:34 Opening background music: Sounds Of Broadcasting 1, “Christmas Logos” from Sounds Of Broadcasting #6088 (1975? William B. Tanner Company, Inc.). Broadcast library track produced for the holidays. Produced using a Moog Modular Synthesizer. Notice how the melody imitates a familiar tune without ever hitting the same notes. A copyright thing. Another name of this track might as well be, “It's Beginning to Sound A Lot Like Christmas.” Jean Jacques Perrey and Sy Mann, “Tijuana Christmas” from Switched on Santa (1970 Pickwick). USA. Moog Modular Synthesizer. Don Voegeli, “Chanukah” from Holiday & Seasonal Music (1977 EMI). USA. Produced at the Electrosonic Studio of the University of Wisconsin-Extension.   Opening and closing sequences voiced by Anne Benkovitz. Visual design by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation. For additional notes, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.  

Current Events Episode In Episode 15 of Small Talk Sucks, we dive into seismic shifts within the music industry, spotlighting HYBE Corporation's meteoric rise and their unprecedented expansion strategy. Known initially for BTS, HYBE has been acquiring major U.S. assets, positioning themselves as a formidable force among the Big Four labels. We discuss HYBE's acquisition spree, including stakes in Big Machine, Atlas, and QC, and their partnerships with industry powerhouses like Scooter Braun and Geffen. The episode explores how HYBE's catalog acquisitions set the stage for a future where AI-driven technology reshapes music creation, offering possibilities like digital twins and remixing legendary artists across eras. We debate the ethical and creative questions of AI, whether tech advancements are “cheating,” and how catalog ownership strategies align with evolving consumer tastes. Additionally, we touch on shifting consumption patterns, with listeners moving towards AI-curated and algorithm-driven music. Beyond HYBE, we dissect Justin Bieber's catalog sale, the financial toll of fame, and the overlooked costs of living in the public eye. Closing with Starbucks' decline and the power of behavioral science in brand loyalty, this episode unpacks the intersections of music, tech, and culture—and how they're reshaping today's entertainment landscape.

Send us a textCan Season 4 get any BIGGER? After an epic run of special guests, including the CEO of ROCK N' ROLL himself, the Bo-Hosts welcome back Sammy's longtime friend, percussionist and drummer David "Bro" Lauser for a discussion that tries it's very best to stay focused on the 40th Anniversary of 1984's "VOA"!  As the classic Geffen-era album and it's mega-single "I Can't Drive 55" both celebrate the quadruple- decade milestone, Bro discusses the record's development, the recording process, and all his iconic drum fills that open the Sammy tunes we all know and love!! Even though "VOA" was the intended topic of discussion, the Bo-Hosts "go with the Bro" and follow Lauser's meanderings down all avenues of his history with Sammy, the Geffen era demos, his latest creative endeavors and beyond!  So, put one foot on the brake and one on the gas and raise the checkered flag for Bro's RED recollections!"What is understood...NEED be discussed"Facebook:https://www.facebook.com/profile.php?id=100085582159917Instagram: https://www.instagram.com/thebogusotisshow/?hl=enConnect with the Bo-Hosts:bogusotisshow@gmail.com

April 1989: The world was a strange mix of excess and transition. On one side, the neon-drenched MTV era was still riding high, with hair metal bands like Poison, Motley Crüe, and Def Leppard dominating the charts with their polished, radio-friendly anthems. Power ballads and arena rock were inescapable, and rock fans were tuned in to Bon Jovi and Guns N' Roses. Yet, beneath the surface, change was brewing. Bands like Jane's Addiction and Soundgarden were slowly carving out a new, grittier sound that would soon transform the entire landscape.Amid this backdrop, Blue Murder made their entrance—not as another Sunset Strip glam act, but as a hard-hitting supergroup led by a guitar hero who had already proven himself with Thin Lizzy and Whitesnake. John Sykes wasn't looking to jump on the hair metal bandwagon. Instead, with Blue Murder, he aimed to bring the technical brilliance of the '70s into the late '80s, blending his bluesy, virtuoso guitar work with heavy grooves and intricate song structures. Sykes, along with legendary drummer Carmine Appice and fretless bass wizard Tony Franklin, formed a trio that drew on the legacy of hard rock and metal titans, delivering something deeper and more ambitious than most of their glam metal contemporaries.Yet, for all their talent, Blue Murder wasn't about writing catchy three-minute radio singles. Their self-titled debut album was a blend of towering guitar riffs, thunderous drums, and epic song structures that leaned closer to the ‘70s hard rock tradition of Led Zeppelin and Deep Purple than the bubblegum metal that filled the charts. But in 1989, as hair metal ruled the airwaves and grunge was lurking around the corner, Blue Murder stood out—ambitious, raw, and musically masterful.The Road to Blue MurderJohn Sykes had already proven his chops with Whitesnake's 1987 album, a monster hit that spawned chart-topping singles and dominated MTV. But creative tensions with Whitesnake's leader, David Coverdale, led to Sykes' unceremonious departure just as the band was at the peak of its commercial success. Undeterred, Sykes began writing material for what would eventually become Blue Murder, determined to put together a powerhouse group that could rival his previous success.At first, Sykes wasn't planning to be the frontman. The band initially brought in some big-name vocalists to handle lead duties. Ray Gillen of Black Sabbath and Badlands fame was the first to join the lineup, contributing vocals to some early demos. But Gillen left after just a few months, reportedly due to creative differences. The next contender was Tony Martin, another former Black Sabbath singer, but he, too, didn't stick around for long. After several auditions and some disagreements with the label Geffen Records, the A&R team suggested that Sykes himself take over lead vocals. Despite being known more for his guitar work, Sykes stepped up, and his voice turned out to be a perfect match for the band's sound—gritty, soulful, and powerful.With legendary drummer Carmine Appice, who had played with the likes of Jeff Beck and Vanilla Fudge, and fretless bass virtuoso Tony Franklin, fresh off his stint with The Firm alongside Jimmy Page and Paul Rodgers, Blue Murder had a lineup that was nothing short of rock royalty. The result was a self-titled debut that combined technical brilliance with bluesy hard rock, reflecting Sykes' desire to channel the spirit of '70s heavyweights like Led Zeppelin and Deep Purple, rather than chasing the more formulaic sound of the late-'80s hair metal scene.Building the Sound: A Guitarist as a FrontmanFor a guy who wasn't originally a vocalist, Sykes delivered some serious vocal prowess on Blue Murder. He was filling big shoes, considering he had just played alongside David Coverdale, one of rock's great frontmen. And while the album isn't a complete departure from Whitesnake's bluesy, hard-hitting rock, it's more expansive, both musically and lyrically.The standout track, “Valley of the Kings,” showcases the epic grandeur Blue Murder was going for. Co-written by Black Sabbath's Tony Martin, the song combines powerful riffs, intricate solos, and a historical theme that was rare in the pop-metal scene of the time. This track had a “late '80s Sabbath” feel, blending hard rock with doom-like weight, something that set the band apart from the typical hair metal crowd.Tracks like “Jelly Roll” and “Out of Love” demonstrate the band's diversity—moving between blues-infused swagger and heartfelt ballads, all carried by Sykes' smooth yet powerful vocals and, of course, his signature guitar tone. The hosts also discussed how “Out of Love,” a lesser-known power ballad, was one of those hidden gems deserving far more attention than it ever received.The Legacy of Blue MurderThough the album charted respectably (peaking at #69 on the Billboard 200), it didn't make the impact that Whitesnake's 1987 album did. Part of the issue was the changing musical landscape. By 1989, the glam metal scene was beginning to saturate, and the introspective rawness of grunge was on the horizon. Blue Murder, with its complex musicianship and Sykes' ambitious songwriting, may have been too sophisticated for an audience that was more accustomed to quick-hit rock anthems.But for those in the know, Blue Murder became a cult classic. Its combination of blistering guitar work, thunderous drums, and intricate bass lines made it a musician's album—a performance record. For fans of technical prowess and intricate song structures, Blue Murder was a band worth rediscovering.What Could Have BeenDespite the talent and the potential, Blue Murder never achieved the commercial success many expected. Tensions with their label, Geffen Records, didn't help. Sykes believed Geffen was trying to sabotage the band in hopes he'd rejoin Whitesnake. Whether or not that's true, it's clear that Blue Murder didn't get the marketing push it deserved.After a follow-up album in 1993 (Nothing But Trouble), Blue Murder faded into the background, overshadowed by the grunge explosion. However, Sykes continued to be a respected figure in the hard rock and metal scenes, even though he never reached the heights of Whitesnake's success again.A Call to Revisit a Lost MasterpieceSo why does Blue Murder still resonate with those who know it? It's a record that transcends the pop-metal limitations of its time. If you're a fan of Thin Lizzy, Whitesnake, or just killer guitar work, this album is well worth revisiting. And for those who missed it the first time around, now's the perfect time to dive into one of the best-kept secrets of late '80s metal.Take a listen, let it transport you back to 1989, and then wonder how this gem flew under the radar.Songs in this Episode* Intro - Blue Murder * 22:17 - Black-Hearted Woman * 27:14 - Out of Love * 31:53 - Ptolemy * 37:59 - Billy * 39:04 - It's Too Late (demo w/ Ray Gillen on lead vocals) * Outro - Valley of the KingsMake Your Voice Heard!In our quest to explore the depths of 90s Rock, we rely on you, our listeners. Your suggestions drive our show – be it an underrated classic or a forgotten gem. By joining our DMO Union on Patreon, you help us stay independent and ad-free and gain the power to vote on and choose the albums we dive into each year. Together, let's unearth the treasures of 90s Rock, one listener-powered episode at a time.Suggest an Album → | Support the Mission → This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit digmeout.substack.com/subscribe

The group has been made public as “Dream Academy” -- but Leanne and Juliet have much to say how it all went down!Manon radiates MAIN CHARACTER energy, but why has she become the villain of the group? Leanne and Juliet dive into whether the Hybe x Geffen execs will reward hard work or let pretty privilege win.Leanne and Juliet also discuss the underbelly of the kpop trainee world and how cutthroat the competition has become. They also go in-depth about trolls on the internet and the power of social media.The ladies discuss new sunglass styles, which Dream Academy member they most relate to, and their favorite cake!Subscribe now to never miss an episode!

Send us a textAs we grew up, music was the most important thing there was.  As part of that, we bought some albums that weren't great, and time has generally proven our assessments right! This episode, we talk about some of those "dud" albums, by artists like Bowie, U2, Led Zeppelin, Golden Earring, Neil Young, Alice Cooper, Phil Collins and Yes, to name but a few. In Rock News, we talk about a Filipino family who perform Led Zeppelin's Whole Lotta Love with uncanny precision and an auction of Fleetwood Mac's Christine McVie's memorabilia, wardrobe and belongings. Our “Album You Must Listen to Before You Die” is Dire Straits' monster 1985 hit, “Brothers in Arms”. Released at a time when Dire Straits could do no wrong, this album sold over 30 million copies worldwide and went 9 times platinum in the US alone. We damn it with faint praise.    A Whole Lotta Love - Led Zeppelin Cover by Missioned Soulsyoutu.be  The Bridge:  Neil Young Tribute Album  Playlist  References:  Kenwood KA9800 amp, Pioneer PL518 direct drive turntable, Cerwin Vega 15-inch 2 way speaker, Ripper, Sounds of 79, Bowie Pinups, Diamond Dogs, “Candidate”, drugs, Spiders from Mars, “Sorrow”, Scarey Monsters (and Super Creeps), U2: Songs of Innocence, iTunes, Joshua Tree, Achtung Baby, Neil Young, Trans, Geffen, “Mr. Soul”, Buffalo Springfield, “Computer Age”, Sonic Youth, “The Bridge”, Golden Earring, Moontan, “Radar Love”, Alice Cooper Goes to Hell, Yes, Yessongs Live, Phil Collins, Face Value, Lou Reed, Metal Machine Music, Pete Townshend, Psychoderelict, The Beatles, Naked, Led Zeppelin, In through the Out Door, “In the Evening”, “All my Love” 

  PULSARS mark the end of that era. Leader Dave Trumfio (vocals, guitar, synths production and most anything else) and his younger brother Harry (drums) grew up playing music in a suburban Chicago basement.  While still in his teens, Dave abandoned college-level music production and engineering studies to focus on songwriting and artist endeavors; his native talents soon found him an apprenticeship at Seagrape Studios working with talents as disparate as house music pioneer Mr Fingers, British first-wave stalwarts The Pretty Things and dub plate sessions with the legendary reggae producer / musician Niney The Observer . . . all within months of his first real go behind the mixing desk. Chicago's past musical glories felt far in the past then, replaced by a sea of skinny tie power pop bands, poofy hair metal combos of some timidity and a few rough-hewn exponents of sub-Buzzcocks punk and Fiorucci-ready new wave.  Ignoring it all, Dave ran a small studio in a shared house he rented with friends before taking the risky - and expensive - plunge into opening a 'real' studio on the northwest corner of Wicker Park, soon to burst into a degree of infamy due to a small contingent of cult heroes who lived there for cheap rent and cheaper bars - Liz Phair, Eleventh Dream Day, Big Black, Urge Overkill, Tortoise et al. Daves role in all of this was minimal by nature; he preferred to record acts from farther afield - Billy Bragg, then-recent Chicago transplants Wilco, The Mekons, Young Marble Giants guitarist and songwriter Stuart Moxham, Barbara Manning, Captain Beefhearts main man Gary Lucas, an array of other acts from Iceland, Australia and all corners of the UK.  Business was good, and it grew.  A quick writer of odd pop ditties, one day Dave called in his brother Harry and recorded - in a single afternoon session - a set of nine demos known.  The story's been related countless times, but within weeks the band was opening for Oasis and found itself being courted by a dozen labels. Their few local shows were undefinable. Dave played guitar and sang, Harry drummed triggered a reel of additional music, often with video backing . . . which dazzled spectators in that pre-laptop era.  After months of negotiations, the band signed a multi-million deal with Almo Sounds, a new label begun by A&M founders Herb Alpert and Jerry Moss and distributed by Geffen.  It was - and likely still is - the largest deal ever offered to an emerging Chicago musical act. The band engaged in numerous tours to support their self-titled debut, playing with Sean Lennon & Cibo Matto, Blur, Supergrass, and many others, as well as seemingly infinite jaunts to Japan, where Dave and Harry were hailed as heroes of subversive minimalist pop - the ecstatic screams of young fans at the first few notes of Submission To The Master& at first bewildering the brothers.  Suddenly, the Almo Sounds deal with Geffen fell apart at the start of a tour supporting then-current sensations Weezer.  Promotion was pulled; radio support for the first single from the album collapsed in a mere moment. Due to contractual vagaries, the band was allowed to complete a second (unreleased) album just before the label folded.  And that was it, until the news of the 2021 release of Pulsar Transmissions", a collection of unheard songs and versions that the band recorded before and during their short-term deal.  Rolling Stone offered their self titled debut ;Pulsars as one of the 40 greatest albums ever recorded by an act with one real album:     PULSARS's Info Instagram:  https://www.instagram.com/pulsarsband/?hl=en X / Twitter:  https://x.com/PulsarsBand Facebook:  https://www.facebook.com/pulsarsofficial/  

On this flashback of Take It Personal Radio, we're hitting you with a remastered version of our Black Thought Tribute combing both episode 68 and 69, including our exclusive Black Thought interview. Black Thought isn't just one of our favorites, he is arguably the greatest living rapper in the game. And despite where he might be on your top list, there is no doubt that after you listen to our Black Thought Tribute, he'll be bumped up in your ranking. We discuss the Streams of Thought albums. We discuss working with Danger Mouse and the late Kobe Bryant, as well as the upcoming musical he wrote and will be starring in titled "Black No More". We find out if there's a new Roots album on it's way, delve into some Roots stories such as Malik B, Razhel, getting signed to Geffen and what the "actual" release date was for "Do You Want More?!!!??!". We talk Philly, food, classic hip-hop and much, much more. We recorded this prior to the passing of Malik B. ⁠www.takeitpersonalradio.com ⁠⁠www.patreon.com/TakeItPersonal⁠ Follow us on Instagram @ takeitpersonalradio

The ladies are starting a new reality show on Netflix: Pop Star Academy: KASTEYE. The series follows 20 contestants vying for a spot in a one-of-a-kind, six-member girl group, modeled after rigorous K-pop training programs. The group is a collaboration of two music powerhouses: Hybe x Geffen.Leanne and Juliet discuss the history of Bang Si Hyuk, the co-founder and chairperson of Hybe (the recording label behind BTS), and the notoriously intense K-pop training programs. They also discuss how critique is handled between the Korean dance trainer versus the American trainer. Leanne and Juliet draw parallels to their own lives.Also, the ladies are celebrating ONE YEAR of The K-Watch Party! Hear their reflections of the last year.Subscribe now to never miss an episode!THE SHOW:Get in touch with us:Instagram: @thekwatchpartyEmail: thekwatchparty@gmail.comPaypal: paypal.me/thekwatchpartyYoutube: www.youtube.com/@TheK-WatchParty

"The fact that these artists are getting their flowers, getting a chance to perform on this stage, these black artists..If it wasn't for Jay-Z, this wouldn't be happening. So how can you come down and criticize this man like that? it's beyond me." Steve Stoute sounds off on the recent Super Bowl Halftime controversry. Steve Stoute is the ultimate American success story. He's worn a lot of hats—author, entrepreneur, ad exec, and most notoriously, a music mogul. For nearly three decades, he's played a pivotal role at some of the biggest music labels from Interscope, Geffen, and Sony, to working with massive names like U2 and Eminem. Ultimately he's helped shape not just hip-hop, but today's music culture as a whole and continues to find ways to bridge the gap with culture, sports, music and global reach. In this episode, in partnership with Fanatics, Stoute takes us on a wild ride through his experiences in music, advertising, and business and how valuing relationships fueled his journey to the top.  We had to start the conversation off and get right to it- With loud buzz around Kendrick Lamar being announced as this year's Super Bowl Half-time Act... controversy continues to swirl around the choice and blame being put towards Jay Z, who is on of Stoute's closest friends and business confidants. Jay, who's been a major part of choosing the NFL's biggest act of the year, is taking heat for selecting Kendrick over the hometown star and fan favorite Lil Wayne to headline New Orleans Super Bowl. Steve is blown away by the negativity towards Jay's choice, confused why people aren't celebrating that Jay has made such strides for culture to be apart of a big event vs making it personal as football and music fans alike are split, and even some big-name artists, like Nicki Minaj, have weighed in with their grievances. Stoute delves into this topic with Ryan, Fred, and Chan, sharing the inside scoop on how the decision really went down, what he thinks of the backlash, and who was originally asked to perform!  Ryan understands this Super Bowl controversy has caused a lot of backlash and ugliness from different areas of the industry but RC says this isn't nearly the black eye to culture that the continuous fall of P Diddy has stirred up, as more allegations are revealed and Diddy's recent arrest landed him in jail without bail. Knowing Diddy for a long time, the guys ask Stoute to honestly speak to it all, especially the fallout and if he ever saw any signs or this coming…. The conversation shifts to where things are heading with music, sports, culture and owning media rights as well as creation of platforms controlling the space vs the old days where networks and big companies dictated the industry. While Stoute started in an era where artists were burning their own records and signing deals with record labels to get noticed, he speaks to how the landscape has completely shifted. With social media, consumers can find an artist's music without them needing a label-- and he thinks this transition is beneficial. He's all about artists owning their craft and not "selling their souls" to big companies which is what led him to start UnitedMasters, to help creators keep control of their music, name, and likeness. Fred asks him about the recent Dame Dash situation with and how he sees it all playing out. Stoute's family roots and emphasis on relationships has always played a part in his work ethic and drive to make money. Steve breaks down the lessons he learned in the early days of his career and how he was able to navigate big moves, taking chances and never settling for anything less than his goals.  The guys soak up the knowledge from Steve as he breaks down the music industry's inner workings, connect music with sports, providing a front-row seat to the conversations shaping culture and give a better understanding of how key relationships have paved the way for so many to experience a new wave of success at any level.  Learn more about your ad choices. Visit megaphone.fm/adchoices

The music world lost legendary hip hop producer and artist J Dilla far too soon, and for many people, he's still relatively unknown. Hosts Jim DeRogatis and Greg Kot talk with author Dan Charnas about his book on J Dilla's rhythmic innovation, artistry and close relationships with Common, Questlove, D'Angelo and more. Plus, the hosts review new albums from Nick Cave and Hinds.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:J Dilla, "Workinonit," Donuts, Stones Throw, 2006Nick Cave and the Bad Seeds, "Long Dark Night," Wild God, PIAS, 2024Nick Cave and the Bad Seeds, "Cinnamon Horses," Wild God, PIAS, 2024Nick Cave and the Bad Seeds, "Song of the Lake," Wild God, PIAS, 2024Nick Cave and the Bad Seeds, "As the Waters Cover the Sea," Wild God, PIAS, 2024hinds, "Hi, How Are You," Viva Hands, Lucky Numbers, 2024hinds, "Coffee," Viva Hands, Lucky Numbers, 2024hinds, "Mala Vista," Viva Hands, Lucky Numbers, 2024Slum Village, "Fall in Love," Fantastic, Vol. 2, GoodVibe, 2000D'Angelo, "Untitled (How Does It Feel)," Voodoo, Virgin, 2000J Dilla, "So Far to Go (feat. Common & D'Angelo)," The Shining, BBE, 2006Common, "The Light," Like Water For Chocolate, Geffen, 2000D'Angelo, "Devil's Pie," Voodoo, Virgin, 2000Common, "I Am Music (feat. Jill Scott)," Electric Circus, MCA, 2002The Pharcyde, "Runnin'," Labcabincalifornia, Delicious Vinyl, 1995See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this episode Truth talks with Michael Alago – former A&R executive for Elektra and Geffen records, and the guy responsible for signing Metallica, White Zombie, Metal Church, PIL, The Misfits, Flotsam and Jetsam, and more! He also authored an autobiography, “I Am Michael Alago: Breathing Music. Signing Metallica. Beating Death.”   There is a documentary by Drew Stone about him currently streaming on Tubi, YouTube, Amazon Prime, etc. called “Who the F**ck Is That Guy? The Fabulous Journey of Michael Alago.”   The two discuss his love for music, growing up in NYC, how he broke into the music industry – and his 25 year career as an A&R executive,  the differences and changes in New York and the music industry then and now, signing and working with Metallica on the Master of Puppets LP, being present for the early thrash scene, hanging and developing and signing White Zombie, working with Johnny Lydon (Johnny Rotten of the Sex Pistols) and PIL – as well as their infamous riot show, Cyndi Lauper, his photography, becoming sober from drugs and alcohol, overcoming death and HIV, his book and documentary and so much more!      If you want to hear the infamous Lynyrd Skynyrd story you'll have to become a patreon subscriber at http://www.patreon.com/bigtruth  !!    For more info: IG: @michaelanthonyalago Facebook: Michael Anthony Alago   As always, please hit the subscribe button if you like and support what we do! You'll get early access to new episodes! Also please leave a review!   Follow us on IG: @bigtruth TikTok: @bigtruthpodcast YouTube: @thebigtruthpodcast   For feedback, questions, sponsorship info contact: bigtruthpodcast@gmail.com For more info: http://www.bigtruthpodcast.com To support the show: http://www.patreon.com/bigtruth     The Big Truth Podcast is proudly sponsored by: - Choppahead Kustom Cycles (IG: @choppahead / www.choppahead.com) - Jeffrey Glassman Injury Lawyers (Massachusetts motorcycle injuries – http://www.jeffreysglassman.com /  or call 617-777-7777) - Tattoo Flash Collective – www.tattooflashcollective.com – use promo code: BIGTRUTH for 10% off your order - Omerta (IG: @omertamia / www.omertamia.com) - use code: BIGTRUTH at checkout for 20% off your order! - Heavy (IG: @heavyclothing / www.heavy.bigcartel.com)

This week Holden, Jackie and MJ are finally healed of their Chimp Crazyness as Tonia Haddix and Tonka's insane journey ends, Hulu's "Secret Lives of Mormon Wives" shows a saucy side of Mormonism you won't hear about from Ole' Moroni and covers the cleanup after a massive tea spill upsets their community. Holden recaps Pop Star Academy: KATSEYE on Netflix which chronicles Geffen and HYBE creating a global girl group, Jackie reports back from the theatah that Beetlejuice, Beetlejuice delights, and to keep and eye out for Strange Darling! Max dropped a two episode doc on the making of The Sopranos titled "Wise Guy: David Chase and the Sopranos" and MORE! Chimp Crazy - MaxSecret Lives of Mormon Wives - HuluPop Star Academy: KATSEYE - NetflixBeetlejuice Beetlejuice - TheatahStrange Darling - TheatahWise Guy: David Chase and the Sopranos - Max Want even more Page 7? Support us on Patreon! Patreon.com/Page7Podcast  Subscribe to SiriusXM Podcasts+ on Apple Podcasts to listen to ad-free new episodes.

Send us a textIf there was a formula that could tell you how to become a successful playwright, this episode is it. Nicholas Pilapil dropped into the Playwright's Spotlight for an insightful approach to becoming a working playwright. His approach to workshops lays out a pathway of motivation and accountability. We discuss confidence versus hubris, his approach to selecting playwrights for his workshop, the benefits of seeing theatre, telling the story, character description, set, and beats, as well as how to creating distinct voices. This was such a motivating chat that I believe lays out a foolproof way to becoming a working playwright. Let me know if you agree. Enjoy!Nicholas Pilapil is an alum of The Writers' Room at the Geffen Playhouse, IAMA Theatre Company's Emerging Playwrights Lab, The Vagrancy Playwrights Group, and artEquity. His plays include The Bottoming Process and if all that You take from this is courage, then I've no regrets and was the winner of the Samuel French Off-Off Broadway Short Play Festival. His work has also been developed with Geffen Playhouse, Abingdon Theatre Company, Playwrights Foundation, American Stage, Ensemble Studio Theatre/LA, The Workshop Theater and Artists at Play. For tickets for God Will Do the Rest playing through September 29th, visit -https://www.latinotheaterco.org/godwilldotherestTo watch the video format of this episode, visit -https://youtu.be/49Xf3MSTcmELinks to resources mentioned in this episode -Artists at Play -https://artistsatplay.orgLos Angeles Theatre Center -https://culture.lacity.gov/cultural-centers/los-angeles-theatre-center-latc/Geffen's Writers Room - https://www.geffenplayhouse.org/tickets/new-plays/the-writers-room/IAMA -https://www.iamatheatre.com/Boston Court Theatre -https://bostoncourtpasadena.orgWebsite and Socials for Nicholas Pilapil -https://www.nicholaspilapil.comTwitter/X - @nicholaspilapilIG - @nicholaspilpilFacebook - https://www.facebook.com/nepilapilTikTok - @nicholaspilapilTo watch the video format of this episode, visit -https://youtu.be/49Xf3MSTcmEWebsites and socials for James Elden, PMP, and Playwright's Spotlight -Punk Monkey Productions - www.punkmonkeyproductions.comPLAY Noir -www.playnoir.comPLAY Noir Anthology –www.punkmonkeyproductions.com/contact.htmlJames Elden -Twitter - @jameseldensauerIG - @alakardrakeFB - fb.com/jameseldensauerPunk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods                  - @playnoirla IG - @punkmonkeyprods       - @playnoir_la FB - fb.com/playnoir        - fb.com/punkmonkeyproductionsPlaywright's Spotlight -Twitter - @wrightlightpod IG - @playwrights_spotlightPlaywriting services through Los Angeles Collegiate Playwrights Festivalwww.losangelescollegiateplaywrightsfestival.com/services.htmlSupport the Show.

Chris DeRosa joins Kate to discuss Pop Star Academy: KATSEYE, a Netflix docuseries where twenty aspiring pop stars undergo a K-pop training program, exploring the creation of HYBE x Geffen's first global girl group, Katseye. Chris is co-host of Fixing Famous People podcast. Reality Life with Kate Casey What to Watch List: https://katecasey.substack.com Patreon: http://www.patreon.com/katecasey Twitter: https://twitter.com/katecasey Instagram: http://www.instagram.com/katecaseyca Tik Tok: http://www.tiktok.com/itskatecasey Facebook Group: https://www.facebook.com/groups/113157919338245 Amazon.com: www.amazon.com/shop/katecaseySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Fredric Dannen - Hit MenJul 29, 2022Journalist Fredric Dannen joins Ed to talk about the history of the music business, from the early days of small, independent labels, through the buying up in the rock and roll era by major international labels to the behemoth it is today, complete with the growing involvement of organised crime, the struggles and battles between families for dominance in this highly lucrative area of entertainment.Guest BioFredric DannenBooksThe Mansion on the Hill: Dylan, Young, Geffen, Springsteen, and the Head-on Collision of Rock and Commerce, Hit Men: Power Brokers and Fast Money Inside the Music Business,Become a supporter of this podcast: https://www.spreaker.com/podcast/the-opperman-report--1198501/support.

Since our last recording, a lot has happened - we have vanquished our mortal foes Joe Biden and Blairite Vaugahn Gehthing, and witnessed a failed attempt on the life of Donald Trump, arguably incited by a prominent British journalist. Meanwhile, the UK goes to the dogs under the right-wing government of Sir Keir Starmer. In RP302, we call for the temperature to be taken down in the political discourse and a return to civility, condemn the woke pro-Welsh agenda of Deadpool, look at some hot new competitors on the podcasting market, and look at the UK's new Labour government's policies towards Israel and how they're basically the same as those of the previous Conservative one.

We're approaching the one year anniversary of the legalization of recreational marijuana. On top of businesses readying themselves to sell marijuana, the state cannabis review board has been hard at work looking at who is eligible to have marijuana-related criminal incidents expunged from their record. It's a process that will change the lives of hundreds of thousands of Minnesotans with criminal records.Jon Geffen has been working to expunge marijuana charges from Minnesotan's records. He is director of the Legal Revolution Law Firm in Minneapolis. Geffen joined MPR News host Cathy Wurzer to explain the efforts still underway to expunge records.

Peter Napoliello, former SVP of Promotions at Geffen, EMI, and A&M Records, makes his 3rd appearance (eps. 144 and 311) on the podcast to talk Guns N' Roses' past, present, and future. Peter was there for Appetite, Lies, and the Illusions. Where does he think the band stands now? Our website: afdpod.com

Join PC Steve, alongside the sparkling personality of  the dynamic trio of Sam & Britt, as we reflect on last week's heated exchange and how we've transformed it into a lesson on the beauty of bouncing back. We set the stage for a candid discussion on everything from cosplay catastrophes to the intricate web of personal grooming norms, sprinkled with humor and personal tales that'll have you both cringing and laughing.You've undoubtedly faced questions about your roots and the impact of your past on your present success. We open up about the shadows of poverty and family secrets that often stay hidden, revealing unexpected truths and the undeniable importance of remembering where we came from. Transitioning smoothly, our banter takes a turn into the realms of self-improvement and the harsh realities of the business world, where we shed light on the misunderstood concept of maturity, and dive into the nitty-gritty of financial planning and retirement savings. These are the conversations that ground us in reality, while still leaving room for a good chuckle.But hold on, we're not just here for the serious talk. We also navigate the choppy waters of gender dynamics, societal safety, and relationships, not shying away from the intensity such dialogues often bring to the forefront. And for those who are fascinated by the darker corners of human belief, we dissect the gripping influence of cults like NXIVM. To top off our rollercoaster ride, we throw a playful punch at the zodiac and undergarments, because who doesn't love a good jab at the stars and stripes of boxer briefs? So, if you're up for a ride through the emotional spectrum with a side of laughter and controversy, come join the conversation.

Hosts Jim DeRogatis and Greg Kot are taking a sonic vacation from another dreary winter by sharing their favorite songs about getting away! They also hear selections from the production staff and they review the new record from Kali Uchis.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Lenny Kravitz, "Fly Away," 5, Virgin, 1998The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Kali Uchis, "¿Cómo Así?," Orquídeas, Geffen, 2024Kali Uchis, "Me Pongo Loca," Orquídeas, Geffen, 2024Kali Uchis, "Pensamientos Intrusivos," Orquídeas, Geffen, 2024Kali Uchis, "Igual Que Un Ángel," Orquídeas, Geffen, 2024Weezer, "Island in the Sun," Weezer (Green Album), Geffen, 2001The Ventures, "Hawaii Five-O," Hawaii Five-O, Liberty, 1969The Beginning of the End, "Funky Nassau Pt. 1," Funky Nassau, Alston, 1971Guided By Voices, "Motor Away," Alien Lanes, Matador, 1995Amyl and the Sniffers, "Hertz," Comfort to Me, B2B, 2021Willie Nelson, "On the Road Again," Honeysuckle Rose, Columbia, 1980Pink Floyd, "Point Me at the Sky," Point Me at the Sky (Single), EMI, 1968Joni Mitchell, "Free Man in Paris," Court and Spark, Asylum, 1974Jonathan Richman & The Modern Lovers, "I Love Hot Nights," Modern Lovers 88, Rounder, 1988Big Star, "The India Song," #1 Record, Ardent, 1972Ronnie Spector & The E Street Band, "Say Goodbye To Hollywood," Say Goodbye To Hollywood (Single), Epic, 1977Summer Salt, "Driving to Hawaii," Driving to Hawaii, Cherry Lime, 2014Kraftwerk, "Europe Endless," Trans-Europe Express, Capitol, 1977Bronski Beat, "Small Town Boy," The Age of Consent, London, 1984A Tribe Called Quest, "I Left My Wallet in El Segundo," People's Instinctive Travels and the Paths of Rhythm, Jive, 1990Rihanna, "Desperado," Anti, Westbury Road, 2016The B-52's, "Roam," Cosmic Thing, Reprise, 1989Eleanor Friedberger, "It's Hard," Rebound, French Kiss, 2018James Brown, "Funky Drummer (Pt. 1 & 2)," Funky Drummer (Single), King, 1970See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Listen in as Gefen from Vendocommerce joins us in this month's TACoS Tuesday episode to share expert insights on the evolving landscape of Amazon PPC advertising. We're unwrapping the tactics that have driven success in 2023 and looking ahead to what 2024 holds, with a keen eye on the emerging trend of vertical video ads. Discover how an integrated approach to advertising, factoring in the halo effect on overall sales and product rankings, can amplify your brand's presence during crucial retail events. We also delve into how to use Helium 10 to easily optimize and track these strategies for superior performance in the year to come. In our conversation, we compare the accessibility of Sponsored TV with the robust control offered by Amazon DSP, especially for smaller brands looking to maximize their advertising efforts. Learn why testing and patience are critical when navigating these platforms, and understand the strategic organization of sponsored product campaigns to optimize ad groupings. Plus, Gefen imparts valuable advice on marketing products with different attributes and the potential pitfalls of violating terms of service when it comes to product hang tags on Amazon and Walmart. Tune in for an enlightening discussion that could reshape your approach to Amazon advertising. In episode 527 of the Serious Sellers Podcast, Carrie and Gefen discuss: 00:00 - Amazon Advertising in 2023 and 2024 03:10 - Vertical Video Ads Trend 09:29 - E-Commerce Behavior on TikTok Shop and Amazon  13:13 - Amazon's Sponsored TV and Publisher Ads 14:25 - Comparing Sponsored TV and Self-Serve DSP 16:51 - TikTok and Amazon Trust and Fulfillment 19:19 - Amazon Advertising and Product Attributes 20:46 - Optimizing Advertising Creatives on Amazon 30:10 - Helium 10 Tool Cerebro ► Instagram: instagram.com/serioussellerspodcast ► Free Amazon Seller Chrome Extension: https://h10.me/extension ► Sign Up For Helium 10: https://h10.me/signup  (Use SSP10 To Save 10% For Life) ► Learn How To Sell on Amazon: https://h10.me/ft ► Watch The Podcasts On Youtube: youtube.com/@Helium10/videos Transcript Carrie Miller: Sponsored TV ads. What worked for ads in 2023 on Amazon and what to look forward to in 2024 with Amazon ads. This and so much more on today's episode of the Serious Sellers podcast.   Bradley Sutton: How cool is that? Pretty cool, I think. If you're like me, maybe you were intimidated about learning how to do Amazon PPC, or maybe you think you just don't have the hours and hours that it takes to download and sort through all of those sponsored ads reports that Amazon produces for you. Adtomic for me allowed me to learn PPC for the first time, and now I'm managing over 150 PPC campaigns across all of my accounts in only two hours a week. Find out how Adtomic can help you level up your PPC game. Visit h10.me/adtomic for more information. That's h10.me/adtomic   Carrie Miller: Hello everyone and welcome to another episode of the Serious Sellers podcast by Helium 10. My name is Carrie Miller and I will be your host, and this is our TACoS Tuesday, where we talk about all things Amazon advertising, and we have an expert guest today. So this is Geffen from Vendo. So welcome, Geffen.   Gefen: Hey, Carrie, it's a pleasure to be here.   Carrie Miller: Thanks so much for joining us today. I'm very excited to have you on. I know you've been on here before and a lot of people really liked your episode, so we have some more good content for everyone today. And so for those of you, for those of the people in the audience that don't know you or know about Vendo, could you tell us a little bit about yourself and your experience, and then also about Vendo?   Gefen: Yeah, 100%. So I'm the VP of advertising here at Vendo. So just a background on what Vendo, who and what Vendo is. So we are a full service e-commerce agency specializing in Amazon and Walmart, full service management From an advertising perspective. We have kind of brought in those services across Amazon and Walmart also to bring in things like programmatic, various retail media networks, as well as other marketplaces too, and so those have been incredibly, incredibly growth focused. I mean, 2023 was a very crazy year. The team did an incredible job from a strategic standpoint, from a number standpoint, to grow across the board and when it comes to PPC, as most of the people I hope know, on this call, a lot of those different strategies rhyme. So we've been able to replicate the immense success that we've had on Amazon. We brought it over to Walmart and then we brought that over towards the various retail media networks, as well as things like Page Search and Social with Google, facebook, tiktok, etc. Amazing.   Carrie Miller: Yeah, so you guys are into everything. That's awesome. So I guess, since you were talking about 2023, what are some things that you think worked really really well Specifically in 2023 that you might carry into 2024? And then maybe some new things on the horizon because of just the changing landscape and things that Amazon is introducing right now.   Gefen: Yeah, yeah. Well, I'll start with the second half of that question, because I think that vertical video is going to be a really big push for Amazon this year. I know that everybody's talking about that in the space. I'm very curious to see how it's going to be rolled out. I mean, if you think about it from a practical standpoint, it's going to take up more page real estate than the, than the former video format. Now they might have both horizontal and vertical in play. We also don't know where on the search engine results page it's going to show up. Is it going to show up on row four, which would be row four, five, six on mobile, potentially even row seven, depending on how, you know, zoomed in your screen is, or is it going to be at the bottom of the page? And I think those are big questions because that's going to place a big emphasis on where you're ranking. And so I think that that leads into the first part of your question, which is something that worked really well for us, because we don't look at ads in a vacuum, right?   Gefen: So you know, ACoS is great, but obviously this is TACoS Tuesday and taco of your sales, yes, and so when we're looking at total sales, something that we brought in and I know it's a little vague, but we really looked at the halo impact of ad strategies and how they impacted ranking, ranking and total sales, right. And so when we focused our ad strategy maybe on a cost per customer acquisition model, maybe on a taco's model, and we look to really prioritize, hey, where are we showing up, right? So if, if we're driving all this traffic and we have a 20% conversion rate, let's say, on this keyword, are we tracking, using a Helium 10? Of course, are we tracking that ranking properly? To say, hey, we started running these ads aggressively on August 1st and if we've been tracking ranking on that keyword for the last two months since going aggressive on that term, where are we ranking now and how has it changed?   Gefen: And are there broader KPIs that we're measuring outside of just direct ad revenue? And that worked really well for us because we centered that around 10 poll events and this is a really big strategy of ours. That is incredibly complex, it takes a whole village to actually execute. But when we, when we focus our customer acquisition and ranking models around major times in the year so think Prime Day, think fall Prime Day, Black Friday, Cyber Monday, Holiday, and then, of course, if you're a one off brand, if you I don't know are ski related, then obviously your season is January to March. You know like there are differences, but really peak seasons. If you're able to focus your growth model around the times that are going to give you the most reward, then that worked really well for us last year and we expect to see a lot more of that this year, especially as we all expect people are going to be more deal oriented, the constant battle for margins. So the better ranks you are, the more organic sales you drive, the better your TACoS is.   Carrie Miller: Yeah, so are you. Are you also maybe sending a lot of outside traffic for that ranking as well, or just utilizing? Can you tell us a little bit about that and what your strategy is there? That kind of goes in with what you were just talking about?   Gefen: Yeah, absolutely so. One of the verticals that I oversee is paid search and social, and so that's going to be met in Google primarily. There's Pinterest, there's Reddit, there's now TikTok. That can drive back to Amazon as well. I think there's two buckets. I think you have the always on external strategy right, which is the constant drip of, say, a Facebook campaign that's driving, whatever the budget is $200 a day, $150 a day, whatever it is back to Amazon. We all know that Amazon is going to reward external conversion a little bit more. Also, the Amazon attribution program gives you a bit of a boost with getting up to 10% back usually around 5% to 7%, but up to 10% back on each sale, which is nice. And then you also get a boost in your actual ranking. The influencer programs that we've run specifically for 10 poll events again, to go back to that first point, those are the ones that have really kind of set themselves apart or set those brands apart, the ones that are willing to have very strategic and targeted strategies towards high return on investment periods. And so you have the always on, which is great, that is a constant, and we run that for many brands. And then we have a few brands, usually on the larger side, that are willing to invest some serious cash into some of the of Amazon programs that are just going to drive as much traffic as possible. Those are the ones that see big gains, and it's not necessarily that you have to hit a home run with one TikTok influencer. You can have 10, you can have 20, you can have 30 micro. That actually get you the same result potentially for cheaper. But you have less risk with putting all of your eggs into one basket, and so that external traffic has been really helpful.   Carrie Miller: Yeah, I actually know some people in our elite group said that their ranking just organically just shot up just from their TikTok stuff that they were doing. They were focusing on certain keywords in their title and they just all the traffic from TikTok was really bad, yeah, and now there's actually a TikTok shop, so that's actually going to compete with Amazon.   Gefen: We've actually launched multiple brands on TikTok shop. We're seeing phenomenal success with those. It doesn't necessarily directly translate to Amazon sales, but what we always say at Vendo and it's the approach we've taken that has been very successful for all of our brands is you can't separate your customers anymore, right, you can say that an Amazon customer is in its own bucket and they're never going to be a DTC customer, and vice versa. Yeah, every customer everywhere you're exposed is a form of advertising and you can't force a customer to buy in a certain place. So if you're available on TikTok shop and that's where they find you, maybe next time they're going to buy an Amazon, right? Or maybe they're going to buy your DTC. As long as you're looking at the business holistically and Amazon is a piece of that pie, or TikTok is a piece of that pie, then, and your business is growing, then you know that your efforts are pushing the whole business up.   Carrie Miller: Yeah, I was saying that I think that a lot of people aren't necessarily comfortable yet purchasing on TikTok, so I think that's why a lot of people are just going to Amazon. They might be like, oh, I saw this on TikTok, but maybe it'll change eventually, because I think we're still seeing quite a bit of traffic on Amazon, even though TikTok is like not wanting anyone to do that. Have you seen that same thing?   Gefen: Yeah, I can't remember what the exact term was. It was like I saw this on TikTok, or I found this on TikTok, or seen on TikTok, or something like that.   Carrie Miller: Yeah, TikTok.   Gefen: whatever the thing is, TikTok is game here, yeah it was one of the largest search terms a few months ago. And so, to your point, 100% right, yeah. And that is actually, I think, more proof to my previous point, which is, wherever they're seeing things, they're coming to other places, to their comfortable place to buy. And so if they're coming there and from an advertising perspective, we're showing up where we need to show up, then we're in a good place, right yeah, because then we're going to get that conversion and that you just you spent elsewhere. Maybe your customer acquisition was slightly higher, but you drove that conversion.   Carrie Miller: Yeah.   Gefen: And, at the end of the day, if you have a good product and your customers are loyal, then it's going to pay off in not even the long term.   Carrie Miller: Do you see that a lot, because I know you do a lot of DSP too. Do you see that a lot with DSP, where you're kind of putting a lot into Amazon and maybe you don't necessarily see the exact conversion on Amazon, but then all of a sudden their website goes way up or kind of other platforms.   Gefen: So a couple of points to that. So, when it comes to programmatic, there is there is native programmatic on Amazon, right so. And then there's also non-native programmatic, right, so we can use something like the trade desk that can kind of target any programmatic targeting across the entire internet. Basically, the latter, yes, right, so the latter we do see that kind of um, that kind of halo impact across either website, and you can, you can also measure that right. You can put in a pixel and you can actually, so you can also put in a pixel on the, on the um, on the Amazon DSP as well. So you can put a pixel on your website for Amazon DSP and even though traffic isn't necessarily driving to your website, it will still pick up if there are sales on your website or, at the very least, visits from that same campaign. And so the interconnectedness of this world is growing, where the advertising synergies are becoming a lot more um, a lot more intentional, and so you have to have the pixels on your DTC site, right. You have to be launching on TikTok, you have to be on Amazon, on Walmart, because if you're not measuring that, then you won't know if, if your sales are lifting across the board. And if they are lifting, then you don't know where you can take spend. Maybe you're bloated in one area and two lean in another and you can put those and so, uh, to your question, 100%. Um, we do see the halo impact from DSP with Amazon DSP specifically. I will say the biggest halo impact is actually in the performance of the PPC ads. Um, we usually tend to see, especially on our mid, mid to large size brands, um, when we launched DSP for them, their PPC ads tend to pick up in specifically in performance. So their, their ACOS tends to go down. Um, and that's probably because Amazon, as we all know, is a, uh, is a pay to pay platform, so they're just rewarding you with being further entrenched in their ecosystem.   Carrie Miller: Yeah, that makes a lot of sense. I did have actually another question, um, kind of about just some newer things that are going on with Amazon. Have you started the using the, the TV ads and then also just the sponsored um ads that go to uh like things like Buzzfeed and um, I forgot what the it's called, I think it's uh Sponsored Product Ads but they go to publishers. Have you started using those?   Gefen: So yeah, Sponsored TV.   Carrie Miller: And then also they're sponsored ads that go to like Buzzfeed or yeah, yeah.   Gefen: So two points. So, first off, Bradley's point. We actually don't use Paki for Amazon. We uh use them for Walmart. Uh, we actually use software for Amazon, besides Helium 10, of course. But as far as management software goes, uh, it's, it's all manual, um, um, but, and we can talk, we can have a whole 10 podcasts just on that. Yes, there's a ton there, but as it pertains to sponsor TV, so that's something that Amazon launched at uh, unboxed this past year, um, and the goal is to create similar to how sponsored display is like DSP light, sponsored TV is like STV or CTV light, right, so they want to bring the, the, the TV portion of programmatic, into a self-serve area. There's pros and cons. The pro is that there's no minimum, there's no barrier to entry. You can throw up a video and it gets blasted out towards a bunch of different publishers at a um at a uh, fairly, fairly decent rate. It's a little bit more expensive, obviously, because you're not able to put your max CPMs or anything like that. At the same time, you have no control. So, similar to sponsor display, um, you know, if you work with and uh with an um, with an agency like Vendo, uh, we don't have any minimums on our uh, on our uh, on our DSP self-serve seat, so we're able to uh to say, hey, you know, if you want to spend a thousand or 2000 or 3000, you can, you don't have to spend 20.   Gefen: Um, and so my recommendation is, if you're a very small brand, you're starting out, definitely test out sponsored TV. Don't expect because they're usually non-engageable, or or, if they are engageable, um, the really the primary KPI and what they're optimized for internally is views. Um then, don't expect a strong row as treat that as a top of funnel approach. Yeah, at the same time, if you do have a little bit more budget and you want some more control, go into self-serve DSP. You're just going to get more. You can choose what your destinations are, what your publishers are, you can choose your audiences, you can choose your retargeting. You can't in sponsored TV too, but there's just a lot more control and so, similar to sponsored display, it's a great launching pad. But I wouldn't say, hey, if you're going to take 10 grand and throw it into there, take 10 grand and throw it in the DSP, you're going to see better results.   Carrie Miller: Yeah, that's very good advice for everyone, as far as the DSP, Very good advice for everyone, especially for smaller brands, Cause usually it's all you know, it's harder because a lot of people are focused on big brands with kind of strategies and smaller brands is like I don't know if it's time to do even DSP or the sponsored TV. So that's good advice about the TV and there is no real, like right time.   Gefen: I would just say hey, if you have some budget, if your ads are performing well, test it out.   Bradley Sutton: You know, we test as much as we can, I mean if it works, amazing.   Gefen: You know. If it doesn't, then we know it doesn't and maybe we'll test it out later on. But we can put that budget immediately into other areas.   Carrie Miller: How long do you usually test it for DSP? Two or three months or?   Gefen: Technically, DSP is a 14 day window before it's actually giving you proper data and usually DSP you'll know within a month.   Carrie Miller: Okay, that's good to know too. Okay, so then we have Chris Shipperling said to your point about trust people also want to see the product ASAP and Amazon owns product operations. I bought a product from TikTok which is from Shipbob. I'll say no more as a customer.   Gefen: Yes, you can technically fulfill with Amazon for TikTok shop. I don't have too many details on that, but I know it's possible. I don't know how much of that is being conveyed to the customer, and so that's a great point about trust from the. From the customer standpoint as a seller, it doesn't really take much more. I don't know the fees, I don't know what it kind of entails, but I know that I've heard that is possible.   Carrie Miller: I it is possible and that's definitely a better. You basically connected to your Shopify site and then use the fulfillment by Amazon. But I I did purchase something on TikTok and it was literally shipped all the way from China. So I didn't know that was happening when I bought it. So that is kind of the that's going to kind of ruin some trust, I think, with people. So something to think about moving forward.   Gefen: If you even talk about Temu here either, because that's a different ballgame.   Carrie Miller: Yeah, that's another one. All right, and let's see, Chris Shipperling has something else. He says, which, which is why you always KPI individual platform metrics, but blended CAC is so important when you do have several activities running to drive traffic and conversion. Completely agree with what you were saying, so yeah, 100%.   Gefen: We use a cat model for a ton of our brands. We track new to brand customers on Amazon very closely new and repeat as well, and we have we have a lifetime value graphs that we track over multiple years to see what the actual return is for our clients.   Carrie Miller: Amazing, that's awesome. Okay, so, Michael, would love to hear your thoughts on how to organize Hold on sponsored product campaigns. Thank you, you lost your audio there multiple skews in a category, independent skews, not variant ASINs that share many keywords. When is it better to combine ASINs into an ad group and let Amazon pick the best for separating each SKU into its own ad group or campaign?   Gefen: Thanks, it's a phenomenal question and this is where you're going to hear the variation in answers. You're going to hear shows that advertising still, to an extent, is a good amount of art versus science, because there are different opinions and I manage my own brands for Vendo as well, and I've actually done both in terms of separating out and then keeping them together. So a couple of different things. Number one there are always differing what's the word differing attributes to a product, right, whether it's a count, whether it's a size, whether it's a color, at the very least you can separate out by that. So, for instance, if you have TVs, right, you might have a smart TV. Right, so let's. But you could have a 45 inch, a 55 inch and a 65 inch smart TV. So, right off the bat, you can look at the search volume. For what is a 65 inch TV bring in in terms of search volume? Okay, that's, that's a separate campaign, right, 55 inch, separate campaign.   Gefen: And then to your question, my recommendation and best practice is you can never rank and and equally grow all of your products, right, you have to have a hero item or a hero couple of items. So, for instance, let's say you go back to these TVs. You've got, I don't know, 10 sizes, 354555, whatever it is. Some of those are going to be best sellers, right? More people search for 55 inch and 65 inch versus 24 inch, so you know that those are the ones that have the highest potential and those are the ones that you're going to want to rank. So you might as well take those, and maybe take three of them, and put them into their own hero term campaign, so smart TV, tv, etc. And then that way you're focusing the majority of your ranking spend on the highest search volume terms towards the few that are actually going to generate that sales and performance.   Gefen: And even within that, I mean usually think about it. I mean, how many brands do you see that have three products ranked on the top row? Right, it's usually one. And so at the end of the day, we are going to try and diversify our sales as much as possible, but at the same time, one product is going to win out. And so to the last part of your question, when it's better to combine a since into an ad group on Amazon, pick the best when it comes to your hero items. Let's say you've got three and that whole product line the three best selling colors, three best selling sizes, whatever it is, put those into their own ad group and then Amazon can choose. If you're again going back to smart TV, it's like, okay, someone's typing in smart TV, Amazon's going to eventually know whether or not someone typing in smart TV is more likely to buy 55 inch or 65 inch. And you'll be able to see the conversion rate, you'll be able to see the performance and you can say that's good, that's not good, etc.   Carrie Miller: We'll go into kind of ad creatives like videos and stuff. How do you optimize those? Are you doing a lot of tests and split testing? What is your process for creatives And so when it comes to the best. ?   Gefen: So, again, we have five ad verticals. Every vertical requires different size creatives. So we have a phenomenal team working on our creatives that can really customize to whatever it is that we want or need. A Facebook creative is going to be different from a DSP creative. It's going to be different from a, from a credo creative. But to backtrack for a sec, specifically on Amazon, specifically for something like sponsored brands because you're sponsored brand lifestyle imagery and sponsored brand video, right, those the two main creatives that you're going to be generating. And I will say, first and foremost well, first of all, by January 31, all of your product collection ads have to have a lifestyle image on them, if not, they're going to be paused. So that's a note to everybody that's selling you need to have a lifestyle image on your product and ads, if not, they're just not going to show up. That's by the end of this month, but I've found, from a video perspective, having a video versus not having a video gets you 80% of the way there. Of course, it needs to look like decent, right, but if you have any form of a decent video made by, made by a graphic designer or software, that's good enough to pass for you to be like okay, I'm fine with that. You're 70 to 80% of the way there. Obviously, that 20% for much larger brands matters.   Gefen: So that's where you bring in different testing, right, and usually that's at the discretion of the brand's creatives, right? We're not a full creative agency. We have creative support, and so what we like to do is we like to take their direction and actually make the asset. So usually they have a marketing team that's going to bring us either static imagery or video imagery, and then we're going to scale that into, let's say, three different videos from that static imagery of just like slideshows or whatever, and then maybe we'll test out those three. Now Amazon's sponsor brand video has different ad groups that you can test out, which is awesome. So you can do like three different ad groups there and whatever ends up working. Basically, from a CVR standpoint conversion rates going to be your primary KPI there Then that's the one that you go with.   Carrie Miller: All right, very good, we actually have something else from the audience. I sell yoga pants. Can I print my website on the product hang tag? Does it follow Amazon and Walmart terms of service?   Gefen: I don't think it does. I don't think that you're allowed to drive any form of traffic to off Amazon. Don't fully quote me. I am not an expert in all of Amazon terms of service. I know the ad portion. But if you were to ask me my two cents, I would say if you're referencing your website anywhere on your product and Amazon catches you, it's probably against TOS.   Carrie Miller: I do actually on mine, have on our packaging our website, because we use the same packaging for all different platforms and I know big brands also have their websites in there and they even have you know things where maybe it's not enforced. Yeah, I don't know if it's enforced as much, but I think it's if you kind of drive traffic to your website or you're kind of contacting people with their info. But it is kind of a gray area there. So yeah, that is a hard one.   Gefen: Yeah, it's tough. I know that on any assets you have on Amazon you can't do that. We've even made videos where, like at the end, like we've just taken a video from their website and put it onto sponsor brand video and it was like at the end, like the last slide was like buyonx.com.   Bradley Sutton: And it got taken down. Yeah, exactly.   Gefen: It just depends. I mean there's a lot of gray area. My guess is that's against TOS. Also to your point, Carrie if a lot of people are doing it, maybe it's not really a police stuff that much.   Carrie Miller: Yeah, I think. I think the kind of differentiator is are you trying to drive traffic away from Amazon, or you know? I think it's also when you think about big brands. I don't think they're all going to change their packaging just for Amazon?   Gefen: I guess that's going to not yeah, yeah, so that's also a good point.   Carrie Miller: It's not really. You know it's when you're like you've got an insert and you're like buy this on my side or you know something like that. That's kind of a difference, whereas if it's just on your packaging, I think it's, it should be fine.   Gefen: Yeah, um, that's actually a good question. So, do do branded campaigns help in the organic rank of your product? It's yes and no. So when you're launching, 100% yes If you're launching a new product line inside your existing product catalog, um to leverage your branded campaigns is huge. Or, excuse me, your branded traffic with branded campaigns is huge because that's how you build your sales velocity quickly. Same time, if you are seeing that you know a majority of your spend is going towards branded um, then I would look at the CPCs and I would say you're probably not um helping out with ranking as much as you could be for non-branded terms. Remember, amazon will rank you based on how you perform on non-branded terms. If you don't drive traffic to non-branded terms, you can't convert against them. If you can't convert, then you can't rank. Yeah, good point.   Carrie Miller: All right. Another question from Douda to Silva how do you harvest search term reports from a main keyword running as phase type, phrase type? That uh generate tons of variations of the main keywords. Those keywords are all different, with one clicks costing me a dollar.   Gefen: Yep, that's some. That's probably arguably the largest source of waste it's been. Um is phrase terminology, phrase terms, phrase keywords that generate one click, $1, no conversion. You have a thousand of them, you spend $1,000 and you didn't get anything as a result. Um, switch it to exact, pause it out and then test out them in like groups of 15 or 20. It's more manual work. It kind of sucks. But if you take the thousand dollars you spent, let's say over a month, and then you um, you take 500 of that, so you save yourself 500 and you put it towards 30 keywords and you test and let's say you generate sales after driving 10 clicks on each, on five of them, and then you use those as ranking campaigns. That's how you're able to scale the business. You're going to spend that money anyway. You might as well go deep rather than shallow, all right. Sounds like he was. He was testing me. He said correct.   Carrie Miller: Hmm, that's. That's an interesting test, all right.   Gefen: I'm glad I passed.   Carrie Miller: Yeah, yeah, you're definitely passing all these little tests here from people. Um, uh, just on a kind of an ending note um, are there any other kind of things you want to leave for people in 2024? Kind of final thoughts of you know what to look forward to, what, what people should be focused on, and uh, and yeah, just any final words of advice search volume trends.   Gefen: We use Helium 10, I mean hourly, but daily, obviously uh to to look at where the search volume trends are in the space. And when I talk about 10 poll planning, when I talk about uh, uh, high, high traffic times, um, it's just the nature of the beast that you are going to perform better at certain times of the year. Um, you need to have a strategy that is able to address low demand and high demand to what you need your business to do, and so the more demand you're tracking, um, the better, uh, you're going to be able to prepare for that. And just a very simple equation or a simple example, excuse me, is um, if you know that last year you did phenomenal in December, um, then take the steps in October and November to make sure you're ready for that. And if that might mean taking or spending less in August and September, if you do have an annualized budget, then make sure you're looking at December in February, so you know that by the time August and September comes, you know what you need to do to prepare for that time of year. And so you, you know, we have, for almost every term, we have four, five, six years of data. At this point. You know what the best times of the year are. Obviously, things change every year, but we do know that, hey, if you're a holiday or a gift brand, prepare for that Right. And if you, if you are a brand some brands don't, but if you are a brand that has a hard dollar budget, make sure you don't get to December and you're out of money.   Carrie Miller: Yeah, that's a good point. Something to point out too about the Helium 10 tools Cerebro. We have um. It has shows trending if of keywords trending up or if it's trending down. So you can constantly check the trends and how much, what percentage, they're trending up and down. But then you can also do historical keyword searches for 24 months in the past. So that'll really really help. You know, you can kind of see year over year in the last two years what happened. But then you can kind of project also moving forward based on kind of the difference there and track it that way. So definitely, you know that's a really good point. Is, you know, kind of projecting out and making sure you plan properly your budget in the right places, very good? Well, thank you so much for joining us on this episode of tACoS Tuesday. If somebody wants to reach out to you, how can they find you?   Gefen: They can find me by my email, geffen at vendor commercecom. Yeah, would be happy to talk anything. Advertising, um, we, like I said before, we run ads. If you can run ads on it, we do. But we take a different approach and that we make sure that we are looking at your business holistically and we're not just spending to spend, we spend to grow and so, um and so, because we spend to grow, we might recommend different strategies and say, hey, you know, even if it hurts us, right, because we take a cut from that, even if it hurts us. Say, hey, you know, you shouldn't spend 100 can meta. Maybe let's look at these different avenues or save that money for later on. We want to make sure that we are going to provide the best service for you guys.   Carrie Miller: That's amazing. Yeah, thanks so much. I love you guys. Want to reach out to Geffen or Vendo? You need somebody to help you with TikTok ads or Facebook or Amazon or Walmart Walmart especially. I get asked all the time about Walmart, and Vendo is definitely one of the uh the top uh players in the game for Walmart.   Gefen: So one of the largest advertisers on Walmart. Um, I think we have one of, if not the most, brands on Walmart advertising and um, we've just seen so much growth there.   Carrie Miller: And so, yeah, thanks again for joining and thank you everyone for your questions and for joining us live, and we will see you again on the next TACoS Tuesday, which will be next month, and we'll have a different guest. But thanks again, Gefen, for joining us.   Gefen: Of course, see you later.  

In 1975, Bob Dylan released "Blood on the Tracks," an album about relationship conflict that has since become a benchmark in his illustrious discography. Hosts Jim DeRogatis and Greg Kot do a classic album dissection and talk to someone who played on the record and some music journalists about what makes it so iconic.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Bob Dylan, "Lily, Rosemary and the Jack of Hearts," Blood on the Tracks, Columbia, 1975Bob Dylan, "Shelter from the Storm," Blood on the Tracks, Columbia, 1975Bob Dylan, "Idiot Wind (Take 6)," The Bootleg Series Vol. 14: More Blood, More Tracks, Columbia, 2018Bob Dylan, "Idiot Wind," Blood on the Tracks, Columbia, 1975Bob Dylan, "Buckets of Rain," Blood on the Tracks, Columbia, 1975Bob Dylan, "You're a Big Girl Now," Blood on the Tracks, Columbia, 1975Bob Dylan, "Tangled Up In Blue (Take 3, Remake 2)," The Bootleg Series Volumes 1–3 (Rare & Unreleased) 1961–1991, Columbia, 1991Bob Dylan, "Tangled Up In Blue," Blood on the Tracks, Columbia, 1975Bob Dylan, "If You See Her, Say Hello," Blood on the Tracks, Columbia, 1975Alabama 3, "Woke Up This Morning (Chosen One Mix)," Woke Up This Morning (Chosen One Mix) (Single), Geffen, 2000See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Every year, host Greg Kot makes a mixtape of new songs to express his feelings about the past year. Greg shares a selection of that mix and the rest of the show staff look at other top singles of 2023. Plus, the hosts remember a few other musicians we lost in 2023.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Olivia Rodrigo, "Vampire," GUTS, Geffen, 2023The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967The Moody Blues, "Go Now!," The Magnificent Moodies, Decca, 1965The Pogues, "Fairytale of New York (feat. Kirsty MacColl)," If I Should Fall from Grace with God, Warner, 1988The Del-Lords, "Burning In The Flame Of Love," Frontier Days, EMI, 1984Dwight Twilley Band, "I'm On Fire," Sincerely, Shelter, 1976Dua Lipa, "Dance The Night," Barbie The Album, Atlantic, Warner Bros., Mattel, 2023SZA, "Kill Bill (feat. Doja Cat)," Kill Bill (feat. Doja Cat) (Single), Top Dawg, RCA, 2023XG, "LEFT RIGHT," SHOOTING STAR - Single, XGALX, 2023PinkPantheress & Ice Spice, "Boy's a liar, Pt. 2," Boy's a liar, Pt. 2 (Single), Warner Music, 2023Jason Isbell and the 400 Unit, "White Beretta," Weathervanes, Southeastern, Thirty Tigers, 2023Shame, "Fingers of Steel," Food for Worms, Dead Oceans, 2023Miley Cyrus, "Flowers," Endless Summer, Columbia, 2023Ratboys, "Crossed That Line," The Window, Topshelf, 2023RVG, "Midnight Sun," Brain Worms, Fire, 2023The Rain Parade, "Last Rays of a Dying Sun," Last Rays of a Dying Sun, Label 51, 2023Sara Noelle, "Dry the Rain," Dry the Rain (Single), Sara Noelle, 2023Ladytron, "City of Angels," Time's Arrow, Cooking Vinyl, 2023Ric Wilson, Chromeo & A-Trak, "Everyone Moves To LA (feat. Felicia Douglass)," CLUSTERFUNK, Free Disco/Empire, 2023Butcher Brown, "MOVE (RIDE) (feat. Jay Prince)," Solar Music, Concord, 2023Avalon Emerson, "Sandrail Silouette," & The Charm, Another Dove/One House, 2023Bob Dylan, "Tangled Up in Blue," Blood on the Tracks, Columbia, 1975See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Hosts Jim DeRogatis and Greg Kot do a classic album dissection of John Prine's debut album with author Erin Osmon. They also listen to feedback on recent episodes from listeners.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:John Prine, "Angel From Montgomery," John Prine, Atlantic, 1971The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967John Prine, "A Good Time," Live at the 5th Peg, unreleased, 1970John Prine, "Paradise," John Prine, Atlantic, 1971John Prine, "Sam Stone," John Prine, Atlantic, 1971Dusty Springfield, "Son of a Preacher Man," Dusty In Memphis, Atlantic, 1969Bonnie Raitt, "Angel From Montgomery," Streetlights, Warner Bros, 1974John Prine, "Illegal Smile," John Prine, Atlantic, 1971John Prine, "Spanish Pipedream," John Prine, Atlantic, 1971John Prine, "Hello In There," John Prine, Atlantic, 1971John Prine, "Your Flag Decal Won't Get You Into Heaven Anymore," John Prine, Atlantic, 1971Viagra Boys, "In Spite Of Ourselves (feat. Amy Taylor)," Welfare Jazz, Year0001, 2021Iris DeMent, "Let The Mystery Be," Infamous Angel, Philo, 1992John Prine, "Jesus, The Missing Years," The Missing Years, Oh Boy, 1991John Prine, "When I Get To Heaven," The Tree of Forgiveness, Oh Boy, 2018Tab Benoit, "Stackolina," Wetlands, Telarc, 2002Wire, "Reuters," Pink Flag, Harvest, 1977Urge Overkill, "Positive Bleeding," Saturation, Geffen, 1993Let's Active, "Every Word Means No," Afoot, I.R.S., 1983Boygenius, "Not Strong Enough," the record, Interscope, 2023See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Hosts Jim DeRogatis and Greg Kot review Sly Stone's memoir and revisit an interview with Family Stone members Jerry Martini and Cynthia Robinson. They also review new albums from The Feelies and Robert Finley. Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Sly and the Family Stone, "Everyday People," Stand!, Epic, 1969The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Robert Finley, "Waste of Time," Black Bayou, Easy Eye, 2023Robert Finley, "What Goes Around (Comes Around)," Black Bayou, Easy Eye, 2023Robert Finley, "Nobody Wants To Be Lonely," Black Bayou, Easy Eye, 2023Robert Finley, "Gospel Blues," Black Bayou, Easy Eye, 2023The Feelies, "Oh! Sweet Nuthin'," Some Kinda Love: The Feelies Performing the Music of the Velvet Underground, Bar None, 2023The Feelies, "What Goes On," Some Kinda Love: The Feelies Performing the Music of the Velvet Underground, Bar None, 2023The Feelies, "All Tomorrow's Parties," Some Kinda Love: The Feelies Performing the Music of the Velvet Underground, Bar None, 2023The Feelies, "I'm Waiting For the Man," Some Kinda Love: The Feelies Performing the Music of the Velvet Underground, Bar None, 2023Sly and the Family Stone, "I Ain't Got Nobody (For Real)," Dance To The Music, Epic, 1968Sly and the Family Stone, "Advice," A Whole New Thing, Epic, 1967Sly and the Family Stone, "I Hate To Love Her," A Whole New Thing, Epic, 1967Ike and Tina Turner, "Bold Soul Sister," The Hunter, Blue Thumb, 1969Sly and the Family Stone, "Dance To The Music," Dance To The Music, Epic, 1968The Roots, "Star/Pointro," The Tipping Point, Geffen, 2004Sly and the Family Stone, "Thank You (Falettinme Be Mice Elf Agin)," Thank You (Falettinme Be Mice Elf Agin) (Single), Epic, 1969Bobby Freeman, "C'mon and Swim," C'mon and Swim (Single), Autumn, 1964Sly and the Family Stone, "Family Affair," There's A Riot Goin' On, Epic, 1971Sly and the Family Stone, "Hot Fun in the Summertime," Hot Fun in the Summertime (Single), Epic, 1969Sly and the Family Stone, "Thank You For Talking To Me Africa," There's A Riot Goin' On, Epic, 1971Sly and the Family Stone, "Brave and Strong," There's A Riot Goin' On, Epic, 1971Sly and the Family Stone, "You Can Make It If You Try (Live)," Stand!, Epic, 1969Sly and the Family Stone, "We Love All," Dance To The Music (2007 version), Epic, 1968Sly and the Family Stone, "Color Me True," Dance To The Music (Single), Epic, 1968Lou Reed, "Walk on the Wild Side," Transformer, RCA, 1972See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Parenting an intense kiddo is a rollercoaster of ups and downs, and sometimes all you want is a wise mentor--someone who has been through it and has compassionate advice for you that actually works with these types of kids. That's why I'm so excited to introduce you to today's guest. Mary Van Geffen is the international parenting coach for moms of Spicy Ones™️. For full show notes, including the three takeaways, go to https://3in30podcast.com/324-mary-van-geffen  Announcement:  I am so thrilled to announce Flecks of Gold for kids, a digital download you can purchase once from my website and then print copies for all of the children in your household, so it becomes part of your family culture to look for the golden moments you experience together. My incredibly talented graphic designer, Bree Morris, included custom illustrations of the parable of the miner throughout the journal that will work as coloring pages for your children to get creative and showcase their personality as they track their Flecks of Gold each day. Make this the year you start a gratitude tradition with your kids! Go to 3in30podcast.com/shop to see the new Flecks of Gold Journal for Kids, and to celebrate the launch of this product, get 50% off from now until the end of the month with the code KIDS!  Episode sponsors: BetterHelp: This episode is sponsored by BetterHelp. Go to betterhelp.com/3in30 to get 10% off your first month of online therapy! Vionic Shoes: Go to vionicshoes.com and use code 3IN30 for 15% off your order. *** Learn more about your ad choices. Visit megaphone.fm/adchoices

Do the sights and sounds and feels of parenting overwhelm you some days? Or most days? How can we parent kindly and intentionally when we desperately need a break from all the stimulation?  My guest this week is Mary Van Geffen. She is a mom who has striven to cultivate good relationships with her children and husband while also navigating life as a Highly Sensitive Person with diagnosed ADHD.  She knows firsthand the struggles moms face with sensory overload and she's not trying to “fix” you - you're not broken! But she does offer a bevy of tips to help us take care of ourselves amidst the din of life and to parent in a calm and connected manner.  Connect with Mary Van Geffen:  Website:  https://www.maryvangeffen.com/  Facebook: https://www.facebook.com/parentcoachforspicyones  Instagram:  @maryvangeffen  Links Mentioned:    How to Say No Without Feeling Guilty Class with Mary Van Geffen  Heather and Mary's Instagram performance–Body Posture in Parenting Related Episodes: Body Awareness in Parenting :: Mary Van Geffen [Ep 333] When Your Child is on the Autism Spectrum (Part 1) :: Terri Conlin [Ep 182] When Your Child is on the Autism Spectrum (Part 2) :: Terri Conlin [Ep 183] Parenting Neurodivergent Children - Summer Edition :: Carrie Cassell [Ep 413] Parenting Sensitive and Intense Kids :: Lynne Jackson and Lydia Rex [Ep 395] Helping Your Child with Sensory Processing Issues :: Lynne Jackson [Ep 258] Featured Sponsors:  Find links to this week's sponsors and unique promo codes at dontmomalone.com/sponsors.