Podcast appearances and mentions of Ebony G Patterson

On this week's episode, hosts Ben Davis and Kate Brown are joined by the newly-minted Artnet Pro editor and veteran art journalist and critic Andrew Russeth. We're thrilled to have him as a part of our team, and he's making his Art Angle debut with another edition of the Round Up, where we discuss three topics making headlines and sparking conversation in and around the art world. The first subject is the opening of The Dean Collection at the Brooklyn Museum, a show featuring the collection of Swizz Beatz and Alicia Keys titled "Giants," which is generating a lot of buzz for championing the works of Black artists including Kehinde Wiley, Ebony G. Patterson, Jordan Casteel, Henry Taylor, and Hank Willis Thomas, among many, many others. But that's not the only reason it's in the news. Andrew edited a piece by resident Art Detective Katya Kazakina titled "Should Museums Show Art Owned by Patrons? It's Tempting. It Can Also Blow Up" that investigates the fraught history of institutions doing just that. Though Swizz Beatz resigned as a trustee of the Brooklyn Museum three months before the show opened, "Public museums, critics argue, need to guard their curatorial independence and should not be used by wealthy patrons to boost the value of their holdings." The next topic of conversation is about a long-standing issue of ownership and repatriation surrounding an ancestral sculpture from Africa that was bought and sold to the Virginia Museum of Fine Arts, where it has resided since 2015. A recent push by the art collective Cercle d'Art des Travailleurs de Plantation Congolaise (CATPC) has resulted in a temporary loan agreement in which the sculpture will be shown at a local gallery in the Democratic Republic of Congo, and simultaneously live-streamed to the Dutch Pavilion at the Venice Biennale. Finally, on a lighter note, we turn to the recent news of Jeff Koons's art making its lunar landing after hitching a ride on the Odysseus Lander. Koons set a record in 2019 when his mirrored sculpture Rabbit fetched a total of $538.9 million, the most expensive price for a living artist at auction. In recent years though, his market has faltered, and the trio discusses if his moonshot will help send his prices back into the stratosphere.

On this week's episode, hosts Ben Davis and Kate Brown are joined by the newly-minted Artnet Pro editor and veteran art journalist and critic Andrew Russeth. We're thrilled to have him as a part of our team, and he's making his Art Angle debut with another edition of the Round Up, where we discuss three topics making headlines and sparking conversation in and around the art world. The first subject is the opening of The Dean Collection at the Brooklyn Museum, a show featuring the collection of Swizz Beatz and Alicia Keys titled "Giants," which is generating a lot of buzz for championing the works of Black artists including Kehinde Wiley, Ebony G. Patterson, Jordan Casteel, Henry Taylor, and Hank Willis Thomas, among many, many others. But that's not the only reason it's in the news. Andrew edited a piece by resident Art Detective Katya Kazakina titled "Should Museums Show Art Owned by Patrons? It's Tempting. It Can Also Blow Up" that investigates the fraught history of institutions doing just that. Though Swizz Beatz resigned as a trustee of the Brooklyn Museum three months before the show opened, "Public museums, critics argue, need to guard their curatorial independence and should not be used by wealthy patrons to boost the value of their holdings." The next topic of conversation is about a long-standing issue of ownership and repatriation surrounding an ancestral sculpture from Africa that was bought and sold to the Virginia Museum of Fine Arts, where it has resided since 2015. A recent push by the art collective Cercle d'Art des Travailleurs de Plantation Congolaise (CATPC) has resulted in a temporary loan agreement in which the sculpture will be shown at a local gallery in the Democratic Republic of Congo, and simultaneously live-streamed to the Dutch Pavilion at the Venice Biennale. Finally, on a lighter note, we turn to the recent news of Jeff Koons's art making its lunar landing after hitching a ride on the Odysseus Lander. Koons set a record in 2019 when his mirrored sculpture Rabbit fetched a total of $538.9 million, the most expensive price for a living artist at auction. In recent years though, his market has faltered, and the trio discusses if his moonshot will help send his prices back into the stratosphere.

Episode No. 608 is a holiday clips episode featuring artist Ebony G. Patterson. The New York Botanical Garden is presenting "…things come to thrive…in the shedding…in the molting…," a site-specific exhibition that immerses Patterson's work in the NYBG's spaces. It is on view in the Bronx through October 22. This episode was taped in 2020 on the occasion of “Ebony G. Patterson… while the dew is still on the roses…”, a survey of work Patterson had made in the previous decade that was on view at the Nasher Museum of Art at Duke University. Patterson's installations, tapestries, videos and sculptures wield beauty to address disenfranchised communities, violence, masculinity and the impacts of colonialism. “… while the dew” especially examines her consideration of gardens. Patterson's work has been the subject of solo exhibitions at the Baltimore Museum of Art, the Savannah College of Art and Design Museum of Art, The Studio Museum in Harlem, the Bermuda National Gallery, and more. For images, see Episode No. 436.

CCH is an avid art collector. A new exhibit featuring pieces from CCH's collection Diaspora Stories: Selections from the CCH Pounder Collection opened in Chicago on March 18 at The DuSable Black History Museum and Education Center and runs through July 16, 2023.  The exhibition which was curated especially for the DuSable Museum contains 24 works of art by worldrenowned artists including Kehinde Wiley, Patricia Renee Thomas, Reginald Jackson, Robert Pruitt, Greg Breda, Ebony G. Patterson, and Mickalene Thomas, among others. Each item was curated and personally selected in collaboration with the DuSable and Ms. Pounder from her extensive collection specifically for “Diaspora Stories: Selections from the CCH Pounder Collection.”  Bio: Award winning actress CCH Pounder can currently be seen as “Mo'at” in James Cameron's AVATAR: THE WAY OF WATER. Pounder portrayed “Dr. Loretta Wade” on the CBS series, NCIS: NEW ORLEANS for seven seasons and other notable projects include the television shows THE GOOD FIGHT, WAREHOUSE 13, SONS OF ANARCHY, REVENGE, BROTHERS, LAW & ORDER: SVU and HBO's THE NO. 1 LADIES' DETECTIVE AGENCY, which garnered Pounder her fourth Emmy® nomination. For seven years, Pounder portrayed "Claudette Wyms" on the critically acclaimed FX series, THE SHIELD, which earned her many accolades including an Emmy® nomination, the MIB Prism Award," two Golden Satellite Awards and the “Genii Excellence in TV Award.” Other honors for Pounder include an Emmy® nomination for her role as Dr. Angela Hicks on the NBC series ER and an Emmy® nomination for her role in FOX's The X-FILES.  In addition, she received a Grammy® Award nomination for "Best Spoken Word Album" for GROW OLD ALONG WITH ME, THE BEST IS YET TO BE and won an AUDIE, the Audio Publishers Association's top honor, for WOMEN IN THE MATERIAL WORLD. Film credits include HOME AGAIN, RAIN, PRIZZI'S HONOR, POSTCARDS FROM THE EDGE, ROBOCOP 3, SLIVER, TALES FROM THE CRYPT: DEMON KNIGHT, FACE/OFF, END OF DAYS, MORTAL INSTRUMENTS: CITY OF BONES, ORPHAN, AVATAR, GODZILLA: KING OF THE MONSTERS and her breakout role in BAGDAD CAFÉ.  A graduate of Ithaca College, she received an Honorary Doctorate of Fine Arts from the school, was their 2010 Commencement Speaker and in 2021, she received Ithaca College Alumni Association's Lifetime Achievement Award.  Pounder serves on the Board of the African Millennium Foundation and was a founding member of Artists for a New South Africa. An advocate of the arts, she is active in the Creative Coalition and recent accolades for Pounder include the Visionary Leadership Award in Performing Arts from the Museum of the African Diaspora (MOAD) in San Francisco, the 2015 Carney Awards, the Lifetime Achievement Award from Chase Brexton Health Care in Baltimore, 2015 Honoree at the Grand Performances Gala in Los Angeles, the 2016 SweetArts Performing Arts honoree from the Contemporary Arts Center in New Orleans, the National Urban League's 2017 Women of Power Award and the 2018 Bob Marley Award from AFUWI (American Foundation for the University of the West Indies).  In addition to her prolific acting career and advocacy, Pounder has been extensively involved with the arts as a patron, collector, gallery owner and museum founder. Originally from Georgetown, Guyana, Pounder's collection consists of Caribbean and African artists and artists of the African Diaspora. Her collection is heavily concentrated in the area of Contemporary Art but also includes traditional African sculptures. In 1992, Pounder and her husband, the late Boubacar Koné, founded and built the Musée Boribana, the first privately owned contemporary museum in Dakar Senegal, which they gifted to that nation in 2014. Pounder's personal collection contains over 500 works of art, many of which she has loaned to Xavier University of Louisiana for a series of exhibitions and some which were on exhibit at Somerset House in England, Kent State Museum, The Charles H. Wright Museum of African American History in Detroit, MI and The DuSable Black History Museum and Education Center in Chicago. 

Jamaican artist Ebony G. Patterson is the first visual artist to have a residency with the New York Botanical Garden. This summer, a solo exhibition of her work is on view around the park, featuring flower and gardening inspired designed, glittered vultures, and a peacock sculpture. Patterson joins to discuss making art inspired by nature, and her residency.

This year, the High Museum of Art announced artist Ebony G. Patterson as the 2023 recipient of the David C. Driskell Prize in recognition of her contributions to African American art. Patterson joins City Lights to discuss how her multiple media work addresses visibility issues through explorations of class, race, gender, age and acts of violence in the context of "postcolonial" spaces. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

John talks with Ghanaian-American curator and cultural critic, Larry Ossei-Mensah. Larry uses contemporary art as a vehicle to redefine how we see ourselves and the world around us. He has organized exhibitions and programs at commercial and nonprofit spaces around the globe from New York City to Rome featuring artists such as Firelei Baez, Allison Janae Hamilton, Brendan Fernades, Ebony G. Patterson, Modou Dieng, Glenn Kaino, Joiri Minaya and Stanley Whitney to name a few. Moreover, Ossei-Mensah has actively documented cultural happenings featuring the most dynamic visual artists working today such as Derrick Adams, Mickalene Thomas, Njideka Akunyili Crosby, Federico Solmi, and Kehinde Wiley.A native of The Bronx, Ossei-Mensah is also the co-founder of ARTNOIR, a 501(c)(3) and global collective of culturalists who design multimodal experiences aimed to engage this generation’s dynamic and diverse creative class. ARTNOIR endeavors to celebrate the artistry and creativity by Black and Brown artists around the world via virtual and in-person experiences. Ossei-Mensah is a contributor to the first-ever Ghanaian Pavilion for the 2019 Venice Biennial with an essay on the work of visual artist Lynette Yiadom-Boakye.Ossei-Mensah is the former Susanne Feld Hilberry Senior Curator at MOCAD in Detroit. He co-curated in 2019 with Dexter Wimberly the critically acclaimed exhibition at MOAD in San Francisco Coffee, Rhum, Sugar, Gold: A Postcolonial Paradox in Spring/Summer 2019. Ossei-Mensah currently serves as Curator-at-Large at BAM, where he curated the inaugural exhibition When A Pot Finds Its Purpose featuring the work of Glenn Kaino at the Rudin Family Gallery. He will be co-curating with Omsk Social Club 7th Athens Biennale in Athens, Greece in 2021. Ossei-Mensah has had recent profiles in such publications as the NY Times, Artsy, and Cultured Magazine, and was recently named to Artnet’s 2020 Innovator List.

Episode 2 explores a favorite arts integration tool, visual thinking strategies or VTS! The Des Moines team took a virtual field trip to the Des Moines Art Center for the exhibition Black Stories co-curated by Jordan Weber and Mitchell Squire. The exhibition presents artwork created by Black and African artists from the museums permanent collection. The group explores the question, how can viewing and discussing artwork support anti-racist work in our schools and classrooms? SHOUT OUT! to Mia Buch, Museum Educator, and Jill Featherstone, Director of Education, for developing and facilitating this opportunity with our team and teachers! SHOUT OUT! To the following Madison Elementary students for providing their voices... 5th Grade: Raul, Sai Khaue, Danaya, Julie 4th Grade: Nadya, Blake, Jacob, Paw Lay Artworks discussed in this episode: Wigs, Lorna Simpson, 1994 Iago's Mirror, Fred Wilson, 2009 ...among the blades between the flowers... while the horse watches... for those who bear/bare witness, Ebony G. Patterson, 2018 Gladiators, Mitchell Squire, 2013 The Means to an End, ...A Shadow Drama in Five Acts, Kara Elizabeth Walker, 1995 Untitled, Jean-Michel Basquiat, 1984 Legacy of Dr. Martin Luther King, Samuel Adoquei

Episode Forty-Three features Monique Meloche. She founded her eponymous gallery in Chicago’s West Loop in 2001 with an international roster of emerging artists working in all media. Her programming has been diverse and inclusive since its inception, and the gallery continues to be a bellwether for artistic talents early or under-recognized in their careers like Rashid Johnson, Amy Sherald, Ebony G. Patterson, Sanford Biggers and Brendan Fernandes. She has consistently presented conceptually challenging programming in Chicago and at art fairs internationally with an emphasis on institutional outreach. Canadian born Meloche holds a BA from the University of Michigan, and Masters of Art History and Theory from the School of the Art Institute of Chicago. She spent six years at the Museum of Contemporary Art Chicago as an assistant curator, then went on to direct both Rhona Hoffman and Kavi Gupta galleries before striking out on her own and will celebrate the gallery’s 20th anniversary in 2021. The Monique Meloche gallery will feature six artists during the ‘OVR: Miami Beach’, Art Basel’s upcoming Online Viewing Rooms initiative running December 2-6, 2020 Below are links to the gallery website and recent article/interview for the 6 artists. Monique Meloche http://moniquemeloche.com/ https://news.artnet.com/art-world/monique-meloche-1312325 Candida Alvarez - https://brooklynrail.org/2020/03/art/CANDIDA-ALVAREZ-with-Phong-H-Bui Sanford Biggers - https://www.contemporaryand.com/magazines/the-many-faces-of-sanford-biggers/ David Antonio Cruz - https://www.documentjournal.com/2019/10/david-antonio-cruz-the-artist-giving-lgtbq-victims-of-violence-a-place-in-art-history/ Maia Cruz Palileo - https://www.artnews.com/art-in-america/aia-reviews/maia-cruz-palileo-62676/ Ebony G. Patterson - https://news.artnet.com/exhibitions/ebony-g-patterson-nasher-museum-1805721 Cheryl Pope - https://sixtyinchesfromcenter.org/in-conversation-with-cheryl-pope/ Monique Meloche, photographed by Heidi Norton.

AW CLASSROOM PODCAST: INTERVIEW WITH LARRY OSSEI MENSAH For this episode, we are diving into Larry Ossei-Mensah’s curatorial journey and perspective on supporting artists early in their careers. Larry shares his eye for art and his advice for young artists. Larry Ossei-Mensah uses contemporary art as a vehicle to redefine how we see ourselves and the world around us. The Ghanaian-American curator and cultural critic has organized exhibitions and programs at commercial and nonprofit spaces around the globe from New York City to Rome featuring artists such as Firelei Baez, Allison Janae Hamilton, Brendan Fernades, Ebony G. Patterson, Glenn Kaino, and Stanley Whitney to name a few. Moreover, Ossei-Mensah has actively documented cultural happenings featuring the most dynamic visual artists working today such as Derrick Adams, Mickalene Thomas, Njideka Akunyili Crosby, Federico Solmi, and Kehinde Wiley. A native of The Bronx, Ossei-Mensah is also the co-founder of ARTNOIR, a 501(c)(3) and global collective of culturalists who design multimodal experiences aimed to engage this generation’s dynamic and diverse creative class. ARTNOIR endeavors to celebrate the artistry and creativity by Black and Brown artists around the world via virtual and in person experiences. Ossei-Mensah is a contributor to the first ever Ghanaian Pavilion for the 2019 Venice Biennial with an essay on the work of visual artist Lynette Yiadom-Boakye. Ossei-Mensah is the former Susanne Feld Hilberry Senior Curator at MOCAD in Detroit. He recently co-curated in 2019 with Dexter Wimberly the critically acclaimed exhibition at MOAD in San Francisco Coffee, Rhum, Sugar, Gold: A Postcolonial Paradox in Spring/Summer 2019. Ossei-Mensah currently serves as guest curator at BAM's Rudin Family Gallery. He also will be co-curating with Omsk Social Club 7th Athens Biennale in Athens, Greece in Spring 2021. Ossei-Mensah has had recent profiles in such publications like the NY Times, Artsy, and Cultured Magazine, which recently named him one of seven curators to watch in 2019. Follow him on Instagram/Twitter at @youngglobal or www.larryosseimensah.com. Image: Miranda Barnes for New York Times Follow us: @artsywindow --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/artsywindow/support

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Today, we share our first-ever Fresh Art International radio broadcast, recorded live in Brazil! For three days only, we were livestreaming from inside the São Paulo Biennial pavilion on Jolt Radio. Our new hour-long show expands on conversations about creativity that we’ve been recording with contemporary artists, curators, filmmakers, and architects since 2011 for the Fresh Art International podcast. The cultural context for our remote broadcast is Incerteza Viva, Live Uncertainty. The title and theme of the 32nd biennial exhibition revolves around the political, social, and environmental uncertainties of contemporary life. Today’s show features participating artists Eduardo Navarro (Argentina); Ebony G. Patterson (Jamaica), and artist collective Opivivaro! (Brazil), as well as activists from the Aparelhamento movement, a group or artists protesting current politics in Brazil. We hope you enjoy the show!

This week: A conversation with Ebony G. Patterson & Tumelo Mosaka at Monique Meloche Gallery. Patterson (Jamaican, born Kingston Jamaica 1981, lives Lexington, KY) will have a dynamic mixed-media installation that investigates Jamaican dance hall culture in the gallery’s window facing Division Street. Mosaka included Patterson in his 2007 exhibition Infinite Island: Contemporary Caribbean Art at the Brooklyn Museum of Art where he was formerly Associate Curator of Exhibitions. Recently, Mosaka has become the Contemporary Art Curator at the Krannert Art Museum, Champaign, Illinois. Patterson’s installation Gully Godz in Conversation-Conversations Revised I, II and III will continue through March 26 as our 4th on the wall project.   in conversation with Tumelo Mosaka, Curator, Krannert Art Museum, University of Illinois    link to series...   http://moniquemeloche.com/winter-experiment-2011/