Child whose parents are dead or have abandoned them permanently
POPULARITY
Categories
We're checking out a new horror short in the form of Picture, a 7-minute-long short about a haunted Polaroid camera from director Sadé Sellers (guest on our previous episodes for Alien 3 and Orphan).Watch the short here.Questions? Comments? Snark? Connect with the boys on BlueSky, Instagram, Youtube, Letterboxd, Facebook, or join the Facebook Group or the Horror Queers Discord to get in touch with other listeners.> Trace: @tracedthurman (BlueSky)/ @tracedthurman (Instagram)> Joe: @joelipsett (BlueSky) / @bstolemyremote (Instagram) Be sure to support the boys on Patreon! Theme Music: Alexander Nakarada Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Ep 45 - Series: Identity Unlocked - Pt 1About This Series: This is Part 1 of our "Identity Unlocked" series. Over the next few episodes, we'll dive deep into what sonship really means, how to walk in it daily, and how to recognize when you're slipping back into orphan or slave thinking.About This Episode: Most Christians know the phrase "identity in Christ," but few actually walk in it. If you've been stuck in the same patterns of behavior despite trying everything to change, the problem isn't your effort—it's your identity.In this episode, we expose the two false identities that war against believers: the orphan mindset and the slave mindset. Using the parable of the prodigal son in Luke 15, we reveal how these hidden operating systems drive your decisions, sabotage your blessings, and keep you from living in the freedom Christ died to give you.You'll discover: ✓ Why behavior modification never works without identity transformation ✓ The signs you're living with an orphan or slave mindset ✓ How these false identities make you forfeit your God-given inheritance ✓ What it truly means to be a son or daughter of God ✓ How to break free from religious performance and strivingThis isn't about trying harder—it's about believing who God says you are.Turn this episode into real change: The Kingdom Shift newsletter gives you one specific way to apply this week's Kingdom truth. Weekly delivery. 4-minute read. One simple action step included. Join at https://tekoaproject.com/newsletter/Episode Chapters: 0:00 - Introduction: The Identity Crisis No One Talks About1:06 - Why Identity Drives Every Decision You Make6:35 - What Is Identity? Your Internal Operating System12:17 - The Two False Identities Warring Against Believers18:02 - The Orphan Mindset: Never Feeling Worthy of Love30:47 - Signs You're Living with an Orphan Spirit42:30 - The Slave Mindset: Trying to Earn God's Love54:04 - Romans 8: You Have NOT Received a Spirit of Slavery1:00:42 - The Hidden Cost of Living in the Wrong Identity1:05:43 - The Father Will Never Validate Your Lies
We are joined by returning special guest Anthony G from Sloth Love Chunk Podcast to spotlight Etrigan, the Demon (created by Jack Kirby) and The Demon Knights from DC Comics New 52, just in time to set the mood for Halloween! Plus, we dive into recent comic book and manga reads, including Color of the End, Tower Dungeon, Orphan by Five Beasts, Skinbreaker, DC Horror anthology, Wally West the Flash, Imperial and Invincible Universe Battle Beast! DC Comics, Marvel Comics, Image Comics, Dark Horse Comics You can follow us on Bluesky @comicsdiscourse114.bsky.social, Instagram: @comicsdiscourse114, Threads: @comicsdiscourse114, X: https://x.com/comicsdiscourse?s=21 and Facebook: Facebook Comics Discourse 114 Also, please leave us a 5-star review at your favorite podcast platforms.
- Mandalorian and Grogu trailer reaction- Marvel Zombies TV review (Disney+)- Alien: Earth TV review (Hulu)- Fortnite bans Fortnite dance- New Wolverine game trailer announced- Tom Holland suffers injury on Brand New Day setVidja game section- XBox ROG Ally X price and release dateComic Book Review- ULTIMATE HAWKEYE (2025) #1- MR. TERRIFIC: YEAR ONE #5 - DETECTIVE COMICS #1101 - ULTIMATE SPIDER-MAN (2024) #21- Skinbreaker #1 - Orphan and the Five Beasts: Bath of Blood #1- FINAL CRISIS #1 (retro review)LIKE, SHARE, AND SUBSCRIBE! Audio link:linktr.ee/cbbpodcast
Have you ever felt unwanted, unloved, or like your life was beyond repair? That's exactly where Stephanie Vigers once was. Rejected by her parents, scarred by abuse, and trapped in anger and depression, she even came to the brink of suicide. But God stepped in — and everything changed.In this powerful episode of Her God Story, Stephanie shares how God's love broke through her deepest pain and revealed her true worth. Today, she's a pastor, author, and leader who inspires others with the hope and healing she found in Christ.Through her story, you'll discover how to:Find hope when you feel abandoned or unworthy.Experience God's deliverance from shame, fear, and destructive patterns.Walk in forgiveness and freedom, even after deep wounds.Recognize your true worth as God's beloved child.Be inspired to live boldly in your God-given purpose.Stephanie's journey is a reminder that you are not defined by your past—you are worthy of love because of Christ. If you need encouragement, healing, or fresh faith, this episode will speak life to your soul.Click here for SHOW NOTES!Start a Her God Story Podcast Club! Learn more here!Share this message with a friend and subscribe for weekly encouragement and inspiration!Check out HerGodStory.org for a FREE 6-WEEK DEVOTIONAL and to see upcoming guests.Want to help Widows and Orphans? Join our growing company of women meeting special needs of parentless children and nurturing their unique gifts so they can be ALL God has in mind for them! And help meet real needs of women who have given a lifetime of service to God! Support the Somebody Cares Widows and Orphan fund today!Learn more about the ministry at SomebodyCares.org,Read Jodie's BLOG at LivingYourFaith.netFOLLOW US ON:Facebook: @SomebodyCaresAmericaYoutube: SomebodyCaresAmericaRumble: SomebodyCaresX: _SomebodyCares.Instagram: SomebodyCaresAmericaLinkedIn: Somebody Cares America
This episode originally aired on August 10, 2020: This week on Terra Informa, Sonak Patel and Skylar Lipman, joined by Morrigan Simpson-Marran from the Pembina Institute and Daniel Schiffner from the University of Alberta, discuss orphan wells in Alberta.The evidence of oil and gas development on Alberta's landscape appears in various forms across the province. Much of oil and gas extraction requires drilling a well into the ground to reach subterranean fossil fuels. Under provincial regulations, these wells are supposed to be reclaimed once they reach the end of their productive lifespan. But in some cases, reclamation doesn't happen, leaving a substantial number of wells dotted across the Albertan landscape.How many orphaned wells are there in Alberta? How does a well become 'orphaned', and why are they a problem? We find out the answers to these questions in this week's episode.Download program log here. ★ Support this podcast ★
In this week's episode, Liam & Ben:
For many children, going barefoot isn't a choice—it's a daily struggle that puts their health, safety, and future at risk. But one pair of shoes can change that story.Today, we'll hear how Buckner Shoes for Orphan Souls is bringing hope and dignity to vulnerable children around the world. Shawn Spurrier joins us to share how God is changing lives through something as ordinary—and extraordinary—as shoes.Shawn Spurrier is the Director of Buckner Shoes for Orphan Souls at Buckner International, an underwriter of Faith & Finance. A Mission That Began in DallasBuckner Shoes for Orphan Souls started in 1999 as a local effort in Dallas, Texas, to serve children in Russian orphanages. Over 25 years later, God has expanded this work into a global ministry. Today, more than 5 million children in 86 countries have received shoes through the generosity of churches, businesses, and believers across the U.S.What began as a small act of compassion has grown into a worldwide movement of hope.More Than Shoes: Health, Safety, and EducationAround 300 million children worldwide lack access to shoes. This barrier affects nearly every aspect of life:Health—Shoes prevent footborne diseases, many of which carry social stigma and long-term consequences.Education—In many countries, shoes are required for school attendance. Without them, children are forced to stay home, trapped in cycles of poverty.Hope—Receiving shoes as a gift in Jesus' name opens hearts to the Gospel and connects families with life-changing ministries.Shoes are more than fabric and rubber—they are a bridge to dignity, opportunity, and transformation.Restoring Dignity for FamiliesFor many of us, buying new shoes for back-to-school is routine. But in parts of the world where Buckner serves, parents may spend months saving to afford just one pair—or go without entirely. Some families must rotate a single pair of shoes between siblings, deciding who can attend school on a given day.The gift of shoes restores dignity to parents, enabling them to provide for their children and giving kids the confidence to learn, grow, and thrive.Global Reach and Local ImpactBuckner's ministry extends both globally and locally:United States—Shoe distributions in Texas, including for families affected by flooding.Latin America—Serving children in Guatemala, the Dominican Republic, Mexico, Honduras, and Peru.Africa—Programs in Ethiopia and Kenya.Beyond—Partnerships have extended Buckner's reach into 75+ additional countries.Every pair of shoes opens the door to broader ministry. Family Hope Centers offer resources, education, and Christ-centered training, bringing lasting transformation to entire communities.How You Can JoinTogether, we're striving to provide 1,000 children with shoes, socks, and the message of God's love.$15 provides one child with shoes and socks.$150 equips ten children.Visit GiveShoesToday.org to make your gift and bring hope to a child in need.Shoes may seem ordinary, but in the life of a child, they are extraordinary. They represent safety, opportunity, dignity, and above all, the love of Christ.On Today's Program, Rob Answers Listener Questions:I'm 40 and have several old 401(k) accounts from past employers. One advisor suggests consolidating them for an expected return of 8–10%, while another recommends a hedge fund offering 15–17% returns. What's the best course of action?I'm 64 and want to get my end-of-life documents in order to protect my wife from probate. Her credit was poor, so she's not on the deed to our house. How can I take care of this without spending $3,000–$5,000 on a lawyer?Resources Mentioned:Faithful Steward: FaithFi's New Quarterly Magazine (Become a FaithFi Partner)Buckner Shoes for Orphan SoulsWisdom Over Wealth: 12 Lessons from Ecclesiastes on MoneyLook At The Sparrows: A 21-Day Devotional on Financial Fear and AnxietyRich Toward God: A Study on the Parable of the Rich FoolFind a Certified Kingdom Advisor (CKA) or Certified Christian Financial Counselor (CertCFC)FaithFi App Remember, you can call in to ask your questions most days at (800) 525-7000. Faith & Finance is also available on the Moody Radio Network and American Family Radio. Visit our website at FaithFi.com where you can join the FaithFi Community and give as we expand our outreach. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Links: 2025 Audit Analytics and AI Conference United Airlines AI bot injected because it kept refusing to connect with a human The rise of orphan agents: autonomy without control Be sure to follow us on our social media accounts on: LinkedIn: https://www.linkedin.com/company/the-audit-podcast Instagram: https://www.instagram.com/theauditpodcast TikTok: https://www.tiktok.com/@theauditpodcast?lang=en Also be sure to sign up for The Audit Podcast newsletter and to check the full video interview on The Audit Podcast YouTube channel. * This podcast is brought to you by Greenskies Analytics. the services firm that helps auditors leapfrog up the analytics maturity model. Their approach for launching audit analytics programs with a series of proven quick-win analytics will guarantee the results worthy of the analytics hype. Whether your audit team needs a data strategy, methodology, governance, literacy, or anything else related to audit and analytics, schedule time with Greenskies Analytics.
Subscribe for more Videos: http://www.youtube.com/c/PlantationSDAChurchTV Deeper Dive Theme: Pastor Braham explains how you can know if God has an urgent call for you. Episode Title: The Urgency of Now: Answering the Call Host: Dawn Williams Guest: Pastor Balvin B Braham Date: September 23, 2025 Tags: #psdatv #abraham #call #urgent #urgency #hope #homeless #orphan For more life lessons and inspirational content, please visit us at http://www.plantationsda.tv. Church Copyright License (CCLI): 1659090 CCLI Streaming Plus License: 21338439Support the show: https://adventistgiving.org/#/org/ANTBMV/envelope/startSee omnystudio.com/listener for privacy information.
Subscribe for more Videos: http://www.youtube.com/c/PlantationSDAChurchTV Deeper Dive Theme: Pastor Braham explains how you can know if God has an urgent call for you. Episode Title: The Urgency of Now: Answering the Call Host: Dawn Williams Guest: Pastor Balvin B Braham Date: September 23, 2025 Tags: #psdatv #abraham #call #urgent #urgency #hope #homeless #orphan For more life lessons and inspirational content, please visit us at http://www.plantationsda.tv. Church Copyright License (CCLI): 1659090 CCLI Streaming Plus License: 21338439Support the show: https://adventistgiving.org/#/org/ANTBMV/envelope/startSee omnystudio.com/listener for privacy information.
On this episode, my guest is Stephen Jenkinson, culture activist and ceremonialist advocating a handmade life and eloquence. He is an author, a storyteller, a musician, sculptor and off-grid organic farmer. Stephen is the founder/ principal instructor of the Orphan Wisdom School in Canada, co-founded with his wife Nathalie Roy in 2010. Also a sought-after workshop leader, articulating matters of the heart, human suffering, confusions through ceremony.He is the author of several influential books, including Money and the Soul's Desires, Die Wise: A Manifesto for Sanity and Soul (2015), Come of Age: The Case for Elderhood in a Time of Trouble (2018), A Generation's Worth: Spirit Work While the Crisis Reigns (2021), and Reckoning (2022), co-written with Kimberly Ann Johnson. His most recent book, Matrimony: Ritual, Culture, and the Heart's Work, was released in August 2025. He is also involved in the musical project Nights of Grief & Mystery with singer-songwriter Gregory Hoskins, which has toured across North America, Europe, Australia, and New Zealand.Show Notes:* The Bone House of the Orphan Wisdom Enterprise* Matrimony: Ritual, Culture and the Heart's Work* The Wedding Industry* Romantic Sameness and Psychic Withering* The Two Tribes* The Roots of Hospitality* The Pompous Ending of Hospitality* Debt, And the Estrangement of the Stranger* More Than Human Hospitality* The Alchemy of the Orphan Wisdom SchoolHomework:Matrimony: Ritual, Culture, and the Heart's Work | PurchaseOrphan WisdomThe Scriptorium: Echoes of an Orphan WisdomTranscription:Chris: This is an interview that I've been wondering about for a long time in part, because Stephen was the first person I ever interviewed for the End of Tourism Podcast. In Oaxaca, Mexico, where I live Stephen and Natalie were visiting and were incredibly, incredibly generous. Stephen, in offering his voice as a way to raise up my questions to a level that deserve to be contended with.We spoke for about two and a half hours, if I remember correctly. And there was a lot in what you spoke to towards the second half of the interview that I think we're the first kind of iterations of the Matrimony book.We spoke a little bit about the stranger and trade, and it was kind of startling as someone trying to offer their first interview and suddenly hearing something [00:01:00] that I'd never heard before from Stephen. Right. And so it was quite impressive. And I'm grateful to be here now with y'all and to get to wonder about this a little more deeply with you Stephen.Stephen: Mm-hmm. Hmm.Chris: This is also a special occasion for the fact that for the first time in the history of the podcast, we have a live audience among us today. Strange doings. Some scholars and some stewards and caretakers of the Orphan Wisdom enterprise. So, thank you all as well for coming tonight and being willing to listen and put your ears to this.And so to begin, Stephen, I'm wondering if you'd be willing to let those who will be listening to this recording later on know where we're gathered in tonight?Stephen: Well, we're in... what's the name of this township?Nathalie: North Algona.Stephen: North Algona township on the borders, an eastern gate [00:02:00] of Algonquin Park. Strangely named place, given the fact that they were the first casualties of the park being established. And we're in a place that never should have been cleared - my farm. It should never have been cleared of the talls, the white pines that were here, but the admiralty was in need back in the day. And that's what happened there. And we're in a place that the Irish immigrants who came here after the famine called "Tramore," which more or less means "good-frigging luck farming."It doesn't technically mean that, but it absolutely means that. It actually means "sandy shore," which about covers the joint, and it's the only thing that covers the joint - would be sand. You have to import clay. Now, that's a joke in many farming places in the world, but if we wanted any clay, we'd have to bring it in and pay for the privilege.And the farm has been in [00:03:00] my, my responsibility for about 25 years now, pretty close to that. And the sheep, or those of them left because the coyotes have been around for the first time in their casualty-making way... They're just out here, I'm facing the field where they're milling around.And it's the very, very beginnings of the long cooling into cold, into frigid, which is our lot in this northern part of the hemisphere, even though it's still August, but it's clear that things have changed. And then, we're on a top of a little hill, which was the first place that I think that we may have convened a School here.It was a tipi, which is really worked very well considering we didn't live here, so we could put it up and put it down in the same weekend. [00:04:00] And right on this very hill, we were, in the early days, and we've replaced that tipi with another kind of wooden structure. A lot more wood in this one.This has been known as "The Teaching Hall" or "The Great Hall," or "The Hall" or "The Money Pit, as it was known for a little while, but it actually worked out pretty well. And it was I mean, people who've come from Scandinavia are knocked out by the kind of old-style, old-world visitation that the place seems to be to them.And I'd never really been before I had the idea what this should look like, but I just went from a kind of ancestral memory that was knocking about, which is a little different than your preferences, you know. You have different kinds of preferences you pass through stylistically through your life, but the ones that lay claim to you are the ones that are not interested in your [00:05:00] preferences. They're interested in your kind of inheritance and your lineage.So I'm more or less from the northern climes of Northern Europe, and so the place looks that way and I was lucky enough to still have my carving tools from the old days. And I've carved most of the beams and most of the posts that keep the place upright with a sort of sequence of beasts and dragons and ne'er-do-wells and very, very few humans, I think two, maybe, in the whole joint. Something like that. And then, mostly what festoons a deeply running human life is depicted here. And there's all kinds of stories, which I've never really sat down and spoken to at great length with anybody, but they're here.And I do deeply favour the idea that one day [00:06:00] somebody will stumble into this field, and I suppose, upon the remains of where we sit right now, and wonder "What the hell got into somebody?" That they made this mountain of timber moldering away, and that for a while what must have been, and when they finally find the footprint of, you know, its original dimensions and sort of do the wild math and what must have been going on in this sandy field, a million miles in away from its home.And wherever I am at that time, I'll be wondering the same thing.Audience: Hmm.Stephen: "What went on there?" Even though I was here for almost all of it. So, this was the home of the Orphan Wisdom School for more than a decade and still is the home of the Orphan Wisdom School, even if it's in advance, or in retreat [00:07:00] or in its doldrums. We'll see.And many things besides, we've had weddings in here, which is wherein I discovered "old-order matrimony," as I've come to call it, was having its way with me in the same way that the design of the place did. And it's also a grainery for our storage of corn. Keep it up off the ground and out of the hands of the varmints, you know, for a while.Well that's the beginning.Chris: Hmm. Hmm. Thank you Stephen.Stephen: Mm-hmm.Chris: You were mentioning the tipi where the school began. I remember sleeping in there the first time I came here. Never would I have thought for a million years that I'd be sitting here with you.Stephen: It's wild, isn't it?Chris: 12 years later.?: Yeah.Chris: And so next, I'd like to do my best in part over the course of the next perhaps hour or two to congratulate you on the release of [00:08:00] your new book, Matrimony: Ritual, Culture, and the Heart's Work.Stephen: Thank you.Chris: Mm-hmm. I'm grateful to say like many others that I've received a copy and have lent my eyes to your good words, and what is really an incredible achievement.For those who haven't had a chance to lay their eyes on it just yet, I'm wondering if you could let us in on why you wrote a book about matrimony in our time and where it stands a week out from its publication.Stephen: Well, maybe the answer begins with the question, "why did you write a book, having done so before?" And you would imagine that the stuff that goes into writing a book, you'd think that the author has hopes for some kind of redemptive, redeeming outcome, some kind of superlative that drops out the back end of the enterprise.And you know, this is [00:09:00] the seventh I've written. And I would have to say that's not really how it goes, and you don't really know what becomes of what you've written, even with the kind people who do respond, and the odd non-monetary prize that comes your way, which Die Wise gamed that.But I suppose, I wrote, at all partly to see what was there. You know, I had done these weddings and I was a little bit loathe to let go, to let the weddings turn entirely into something historical, something that was past, even though I probably sensed pretty clearly that I was at the end of my willingness to subject myself to the slings and arrows that came along with the enterprise, but it's a sweet sorrow, or there's a [00:10:00] wonder that goes along with the tangle of it all. And so, I wrote to find out what happened, as strange as that might sound to you. You can say, "well, you were there, you kind of knew what happened." But yes, I was witness to the thing, but there's the act of writing a book gives you the opportunity to sort of wonder in three-dimensions and well, the other thing I should say is I was naive and figured that the outfit who had published the, more or less prior two books to this one, would kind of inevitably be drawn to the fact that same guy. Basically, same voice, new articulation. And I was dumbfounded to find out that they weren't. And so, it's sort of smarted, you know?And I think what I did was I just set the whole [00:11:00] enterprise aside, partly to contend with the the depths of the disappointment in that regard, and also not wanting to get into the terrible fray of having to parse or paraphrase the book in some kind of elevator pitch-style to see if anybody else wanted to look at it. You know, such as my touchy sense of nobility sometimes, you know, that I just rather not be involved in the snarl of the marketplace any longer.So, I withdrew and I just set it aside but it wasn't that content to be set, set aside. And you know, to the book's credit, it bothered me every once in a while. It wasn't a book at the point where I was actually trying to engineer it, you know, and, and give it some kind of structure. I had piles of paper on the floor representing the allegation of chapters, trying to figure out what the relationship was [00:12:00] between any of these things.What conceivably should come before what. What the names of any of these things might be. Did they have an identity? Was I just imposing it? And all of that stuff I was going through at the same time as I was contending with a kind of reversal in fortune, personally. And so in part, it was a bit of a life raft to give me something to work on that I wouldn't have to research or dig around in the backyard for it and give me some sort of self-administered occupation for a while.Finally, I think there's a parallel with the Die Wise book, in that when it came to Die Wise, I came up with what I came up with largely because, in their absolute darkest, most unpromising hours, an awful lot of dying people, all of whom are dead now, [00:13:00] let me in on some sort of breach in the, the house of their lives.And I did feel that I had some obligation to them long-term, and that part of that obligation turned into writing Die Wise and touring and talking about that stuff for years and years, and making a real fuss as if I'd met them all, as if what happened is really true. Not just factually accurate, but deeply, abidingly, mandatorily true.So, although it may be the situation doesn't sound as extreme, but the truth is, when a number of younger - than me - people came to me and asked me to do their weddings, I, over the kind of medium-term thereafter, felt a not dissimilar obligation that the events that ensued from all of that not [00:14:00] be entrusted entirely to those relatively few people who attended. You know, you can call them "an audience," although I hope I changed that. Or you could call them "witnesses," which I hope I made them that.And see to it that there could be, not the authorized or official version of what happened, but to the view from here, so to speak, which is, as I sit where I am in the hall right now, I can look at the spot where I conducted much of this when I wasn't sacheting up and down the middle aisle where the trestle tables now are.And I wanted to give a kind of concerted voice to that enterprise. And I say "concerted voice" to give you a feel for the fact that I don't think this is a really an artifact. It's not a record. It's a exhortation that employs the things that happened to suggest that even though it is the way it is [00:15:00] ritually, impoverished as it is in our time and place, it has been otherwise within recoverable time and history. It has.And if that's true, and it is, then it seems to me at least is true that it could be otherwise again. And so, I made a fuss and I made a case based on that conviction.There's probably other reasons I can't think of right now. Oh, being not 25 anymore, and not having that many more books in me, the kind of wear and tear on your psyche of imposing order on the ramble, which is your recollection, which has only so many visitations available in it. Right? You can only do that so many times, I think. And I'm not a born writing person, you know, I come to it maniacally when I [00:16:00] do, and then when it's done, I don't linger over it so much.So then, when it's time to talk about it, I actually have to have a look, because the act of writing it is not the act of reading it. The act of writing is a huge delivery and deliverance at the same time. It's a huge gestation. And you can't do that to yourself, you know, over and over again, but you can take some chances, and look the thing in the eye. So, and I think some people who are there, they're kind of well-intended amongst them, will recognize themselves in the details of the book, beyond "this is what happened and so on." You know, they'll recognize themselves in the advocacy that's there, and the exhortations that are there, and the [00:17:00] case-making that I made and, and probably the praying because there's a good degree of prayerfulness in there, too.That's why.Chris: Thank you. bless this new one in the world. And what's the sense for you?Stephen: Oh, yes.Chris: It being a one-week old newborn. How's that landing in your days?Stephen: Well, it's still damp, you know. It's still squeaky, squeaky and damp. It's walking around like a newborn primate, you know, kind of swaying in the breeze and listening to port or to starboard according to whatever's going on.I don't know that it's so very self-conscious in the best sense of that term, yet. Even though I recorded the audio version, I don't think [00:18:00] it's my voice is found every nook and cranny at this point, yet. So, it's kind of new. It's not "news," but it is new to me, you know, and it's very early in terms of anybody responding to it.I mean, nobody around me has really taken me aside and say, "look, now I want to tell you about this book you wrote." It hasn't happened, and we'll see if it does, but I've done a few events on the other side of the ocean and hear so far, very few, maybe handful of interviews. And those are wonderful opportunities to hear something of what you came up with mismanaged by others, you know, misapprehend, you could say by others.No problem. I mean, it's absolutely no problem. And if you don't want that to happen, don't talk, don't write anything down. So, I don't mind a bit, you know, and the chances are very good that it'll turn into things I didn't have in mind [00:19:00] as people take it up, and regard their own weddings and marriages and plans and schemes and fears and, you know, family mishigas and all the rest of it through this particular lens, you know. They may pick up a pen or a computer (it's an odd expression, "pick up a computer"), and be in touch with me and let me know. "Yeah, that was, we tried it" or whatever they're going to do, because, I mean, maybe Die Wise provided a bit of an inkling of how one might be able to proceed otherwise in their dying time or in their families or their loved ones dying time.This is the book that most readily lends itself to people translating into something they could actually do, without a huge kind of psychic revolution or revolt stirring in them, at least not initially. This is as close as I come, probably, to writing a sequence of things [00:20:00] that could be considered "add-ons" to what people are already thinking about, that I don't force everybody else outta the house in order to make room for the ideas that are in the book. That may happen, anyway, but it wasn't really the intent. The intent was to say, you know, we are in those days when we're insanely preoccupied with the notion of a special event. We are on the receiving end of a considerable number of shards showing up without any notion really about what these shards remember or are memories of. And that's the principle contention I think that runs down the spine of the book, is that when we undertake matrimony, however indelicately, however by rote, you know, however mindlessly we may do it, [00:21:00] inadvertently, we call upon those shards nonetheless.And they're pretty unspectacular if you don't think about them very deeply, like the rice or confetti, like the aisle, like the procession up the aisle, like the giving away of someone, like the seating arrangement, like the spectacle seating arrangement rather than the ritual seating arrangement.And I mean, there's a fistful of them. And they're around and scholars aside maybe, nobody knows why they do them. Everybody just knows, "this is what a wedding is," but nobody knows why. And because nobody knows why, nobody really seems to know what a wedding is for, although they do proceed like they would know a wedding if they saw one. So, I make this a question to be really wondered about, and the shards are a way in. They're the kind of [00:22:00] breadcrumb trail through the forest. They're the little bits of broken something, which if you begin to handle just three or four of them, and kind of fit them together, and find something of the original shape and inflection of the original vessel, kind of enunciates, begins to murmur in your hands, and from it you can begin to infer some three-dimensionality to the original shape. And from the sense of the shape, you get a set sense of contour, and from the sense of contour, you get a sense of scale or size. And from that you get a sense of purpose, or function, or design. And from that you get a sense of some kind of serious magisterial insight into some of the fundament of human being that was manifest in the "old-order matrimony," [00:23:00] as I came to call it.So, who wouldn't wanna read that book?Chris: Mm-hmm.Thank you. Mm-hmm. Thank you, Stephen. Yeah. It reminds me, just before coming up here, maybe two weeks ago, I was in attending a wedding. And there was a host or mc, and initially just given what I was hearing over the microphone, it was hard to tell if he was hired or family or friends. And it turned out he was, in fact, a friend of the groom. And throughout the night he proceeded to take up that role as a kind of comedian.Audience: Mm-hmm.Chris: This was the idea, I guess. Mm-hmm. And he was buzzing and mumbling and swearing into the microphone, [00:24:00] and then finally minimizing the only remnant of traditional culture that showed up in the wedding. And his thing was, okay, so when can we get to the part where it's boom, boom, boom, right. And shot, shot, shot, whatever.Stephen: Right.Chris: There was so much that came up in my memories in part because I worked about a decade in Toronto in the wedding industry.Mm-hmm. Hospitality industry. Maybe a contradiction in terms, there. And there was one moment that really kind of summed it up. I kept coming back to this reading the book because it was everything that you wrote seemed to not only antithetical to this moment, but also an antidote.Anyways, it was in North Toronto and the [00:25:00] owner of the venue - it was a kind of movie theatre turned event venue - and there was a couple who was eventually going to get married there. They came in to do their tasting menu to see what they wanted to put on the menu for the dinner, for their wedding.And the owner was kind of this mafioso type. And he comes in and he sees them and he walks over and he says, "so, you're gonna get married at my wedding factory."Audience: Mm-hmm.Chris: In all sincerity.Stephen: Mm-hmm.Chris: Right.Without skipping a beat. Could you imagine?Stephen: Yeah.I could. I sure could.Chris: Yeah. Yeah.Stephen: I mean, don't forget, if these people weren't doing what the people wanted, they'd be outta business.Audience: Mm-hmm.Stephen: No, that's the thing. This is aiding and abetting. This is sleeping with the enemy, stylistically-speaking. [00:26:00] The fact that people "settle" (that's the term I would use for it), settle for this, the idea being that this somehow constitutes the most honest and authentic through line available to us is just jaw dropping. When you consider what allegedly this thing is supposed to be for. I mean, maybe we'll get into this, but I'll just leave this as a question for now. What is that moment allegedly doing?Not, what are the people in it allegedly doing? The moment itself, what is it? How is it different from us sitting here now talking about it? And how is it different from the gory frigging jet-fuelled aftermath of excess. And how's it different from the cursing alleged master of ceremonies? How can you [00:27:00] tell none of those things belong to this thing?And why do you have such a hard time imagining what doesAudience: Hmm mmChris: Well that leads me to my next question.Stephen: Ah, you're welcome.Chris: So, I've pulled a number of quotes from the book to read from over the course of the interview. And this one for anyone who's listening is on page 150. And you write Stephen,"Spiritually-speaking, most of the weddings in our corner of the world are endogamous affairs, inward-looking. What is, to me, most unnerving is that they can be spiritually-incestuous. The withering of psychic difference between people is the program of globalization. It is in the architecture of most things partaking of the internet, and it is in the homogeneity of our matrimony. [00:28:00] It is this very incestuous that matrimony was once crafted and entered into to avoid and subvert. Now, it grinds upon our differences until they are details.And so, this paragraph reminded me of a time in my youth when I seemed to be meeting couples who very eerily looked like each other. No blood or extended kin relation whatsoever, and yet they had very similar faces. And so as I get older, this kind of face fidelity aside, I continue to notice that people looking for companionship tend to base their search on similitude, on shared interests, customs, experiences, shared anything and everything. This, specifically, in opposition to those on the other side of the aisle or spectrum, to difference or divergence. And so, opposites don't attract anymore. I'm curious what you think this psychic [00:29:00] withering does to an achieve understanding of matrimony.Stephen: Well, I mean, let's wonder what it does to us, generally, first before we get to matrimony, let's say. It demonizes. Maybe that's too strong, but it certainly reconstitutes difference as some kind of affliction, some kind of not quite good enough, some kind of something that has to be overcome or overwhelmed on the road to, to what? On the road to sameness? So, if that's the goal, then are all of the differences between us, aberrations of some kind, if that's the goal? If that's the goal, are all the [00:30:00] differences between us, not God-given, but humanly misconstrued or worse? Humanly wrought? Do the differences between us conceivably then belong at all? Or is the principle object of the entire endeavor to marry yourself, trying to put up with the vague differences that the other person represents to you?I mean, I not very jokingly said years ago, that I coined a phrase that went something like "the compromise of infinity, which is other people." What does that mean? "The compromise of infinity, which is other people." Not to mention it's a pretty nice T-shirt. But what I meant by the [00:31:00] phrase is this: when you demonize difference in this fashion or when you go the other direction and lionize sameness, then one of the things that happens is that compromise becomes demonized, too. Compromise, by definition, is something you never should have done, right? Compromise is how much you surrender of yourself in order to get by. That's what all these things become. And before you know it, you're just beaten about the head and shoulders about "codependence" and you know, not being "true to yourself" as if being true to yourself is some kind of magic.I mean, the notion that "yourself is the best part of you" is just hilarious. I mean, when you think about it, like who's running amuck if yourself is what you're supposed to be? I ask you. Like, who's [00:32:00] doing the harm? Who's going mental if the self is such a good idea? So, of course, I'm maintaining here that I'm not persuaded that there is such a thing.I think it's a momentary lapse in judgment to have a self and to stick to it. That's the point I'm really making to kind of reify it until it turns ossified and dusty and bizarrely adamant like that estranged relative that lives in the basement of your house. Bizarrely, foreignly adamant, right? Like the house guest who just won't f**k off kind of thing.Okay, so "to thine own self be true," is it? Well, try being true to somebody else's self for ten minutes. Try that. [00:33:00] That's good at exercise for matrimony - being true to somebody else's self. You'll discover that their selves are not made in heaven, either. Either. I underscore it - either. I've completely lost track of the question you asked me.Chris: What are the consequences of the sameness on this anti-cultural sameness, and the program of it for an achieved understanding of matrimony.Stephen: Thank you. Well, I will fess up right now. I do so in the book. That's a terrible phrase. I swear I'd never say such a thing. "In my book... I say the following," but in this case, it's true. I did say this. I realized during the writing of it that I had made a tremendous tactical error in the convening of the event as I did it over the years, [00:34:00] and this is what it came to.I was very persuaded at the time of the story that appears in the chapter called "Salt and Indigo" in the book. I was very, very persuaded. I mean, listen, I made up the story (for what it's worth), okay, but I didn't make it up out of nothing. I made it up out of a kind of tribal memory that wouldn't quite let go.And in it, I was basically saying, here's these two tribes known principally for what they trade in and what they love most emphatically. They turn out to be the same thing. And I describe a circumstance in which they exchange things in a trade scenario, not a commerce scenario. And I'm using the chapter basically to make the case that matrimony's architecture derives in large measure from the sacraments of trade as manifest in that story. [00:35:00] Okay. And this is gonna sound obvious, but the fundamental requirement of the whole conceit that I came up with is that there are two tribes. Well, I thought to myself, "of course, there's always two tribes" at the time. And the two tribe-ness is reflected in when you come to the wedding site, you're typically asked (I hope you're still asked) " Are you family or friend of the groom or friend of the bride?" And you're seated "accordingly," right? That's the nominal, vestigial shard of this old tribal affiliation, that people came from over the rise, basically unknown to each other, to arrive at the kind of no man's land of matrimony, and proceeded accordingly. So, I put these things into motion in this very room and I sat people accordingly facing each other, not facing the alleged front of the room. [00:36:00] And of course, man, nobody knew where to look, because you raised your eyes and s**t. There's just humans across from you, just scads of them who you don't freaking know. And there's something about doing that to North Americas that just throws them. So, they're just looking at each other and then looking away, and looking at each other and looking away, and wondering what they're doing here and what it's for. And I'm going back and forth for three hours, orienting them as to what is is coming.Okay, so what's the miscalculation that I make? The miscalculation I made was assuming that by virtue of the seating arrangement, by virtue of me reminding them of the salt and indigo times, by virtue of the fact that they had a kind of allegiance of some sort or another to the people who are, for the moment, betrothed, that those distinctions and those affiliations together would congeal them, and constitute a [00:37:00] kind of tribal affiliation that they would intuitively be drawn towards as you would be drawn to heat on a cold winter's night.Only to discover, as I put the thing into motion that I was completely wrong about everything I just told you about. The nature of my error was this, virtually all of those people on one side of the room were fundamentally of the same tribe as the people on the other side of the room, apropos of your question, you see. They were card carrying members of the gray dominant culture of North America. Wow. The bleached, kind of amorphous, kind of rootless, ancestor-free... even regardless of whether their people came over in the last generation from the alleged old country. It doesn't really claim them.[00:38:00]There were two tribes, but I was wrong about who they were. That was one tribe. Virtually everybody sitting in the room was one tribe.So, who's the other tribe? Answer is: me and the four or five people who were in on the structural delivery of this endeavour with me. We were the other tribe.We didn't stand a chance, you see?And I didn't pick up on that, and I didn't cast it accordingly and employ that, instead. I employed the conceit that I insisted was manifest and mobilized in the thing, instead of the manifest dilemma, which is that everybody who came knew what a wedding was, and me and four or five other people were yet to know if this could be one. That was the tribal difference, if you [00:39:00] will.So, it was kind of invisible, wasn't it? Even to me at the time. Or, I say, maybe especially to me at the time. And so, things often went the way they went, which was for however much fascination and willingness to consider that there might have been in the room, there was quite a bit more either flat affect and kind of lack of real fascination, or curiosity, or sometimes downright hostility and pushback. Yeah.So, all of that comes from the fact that I didn't credit as thoroughly as I should have done, the persistence in Anglo-North America of a kind of generic sameness that turned out to be what most people came here ancestrally to become. "Starting again" is recipe for culture [00:40:00] loss of a catastrophic order. The fantasy of starting again. Right?And we've talked about that in your podcast, and you and I have talked about it privately, apropos of your own family and everybody's sitting in this room knows what I'm talking about. And when does this show up? Does it show up, oh, when you're walking down the street? Does it show up when you're on the mountaintop? Does it show up in your peak experiences? And the answer is "maybe." It probably shows up most emphatically in those times when you have a feeling that something special is supposed to be so, and all you can get from the "supposed to" is the allegation of specialness.Audience: Mm-hmm.Stephen: And then, you look around in the context of matrimony and you see a kind of febral, kind of strained, the famous bridezilla stuff, all of that stuff. [00:41:00] You saw it in the hospitality industry, no doubt. You know, the kind of mania for perfection, as if perfection constitutes culture. Right? With every detail checked off in the checkbox, that's culture. You know, as if everything goes off without a hitch and there's no guffaws. And in fact, anybody could reasonably make the case, "Where do you think culture appears when the script finally goes f*****g sideways?" That's when. And when you find out what you're capable of, ceremonially.And generally speaking, I think most people discovered that their ceremonial illiteracy bordered on the bottomless.That's when you find out. Hmm.Chris: Wow.Stephen: Yeah. And that's why people, you know, in speech time, they reach in there and get that piece of paper, and just look at it. Mm-hmm. They don't even look up, terrified that they're gonna go off script for a minute as [00:42:00] if the Gods of Matrimony are a scripted proposition.Chris: Mm-hmm. Yeah. Thank you for sharing that with us, that degree of deep reflection and humility that I'm sure comes with it.Stephen: Mea Culpa, baby. Yeah, I was, I got that one totally wrong. Mm-hmm. And I didn't know it at the time. Meanwhile, like, how much can you transgress and have the consequences of doing so like spill out across the floor like a broken thermometer's mercury and not wise up.But of course, I was as driven as anybody. I was as driven to see if I could come through with what I promised to do the year before. And keeping your promise can make you into a maniac.Audience: Hmm hmm.Chris: But I imagine that, you [00:43:00] know, you wouldn't have been able to see that even years later if you didn't say yes in the first place.Stephen: Oh, yeah. Yeah. And I wouldn't have been able to make the errors.Chris: Right.Stephen: Right. Yeah. I mean, as errors go, this is not a mortal sin. Right, right. And you could chalk it up to being a legitimate miscalculation. Well, so? All I'm saying is, it turns out I was there too, and it turns out, even though I was allegedly the circus master of the enterprise, I wasn't free and clear of the things we were all contending with, the kind of mortality and sort of cultural ricketiness that were all heirs to. That's how I translated it, as it turns out.So, PS there was a moment, [00:44:00] which I don't remember which setting it was now, but there was a moment when the "maybe we'll see if she becomes a bride" bride's mother slid up to me during the course of the proceedings, and in a kind of stage whisper more or less hissed me as follows."Is this a real wedding?"I mean, that's not a question. Not in that setting, obviously not. That is an accusation. Right. And a withering one at that. And there was a tremendous amount of throw-down involved.So, was it? I mean, what we do know is that she did not go to any of the weddings [00:45:00] that she was thinking of at the time, and go to the front of the room where the celebrant is austerely standing there with the book, or the script, or the well-intentioned, or the self-penned vows and never hissed at him or her, "is this a real wedding?"Never once did she do that. We know that.Right.And I think we know why. But she was fairly persuaded she knew what a real wedding was. And all she was really persuaded by was the poverty of the weddings that she'd attended before that one. Well, I was as informed in that respect as she was, wasn't I? I just probably hadn't gone to as many reprobate weddings as she had, so she had more to deal with than I did, even though I was in the position of the line of fire.And I didn't respond too well to the question, I have to say. At the moment, I was rather combative. But I mean, you try to do [00:46:00] what I tried to do and not have a degree of fierceness to go along with your discernment, you know, just to see if you can drag this carcass across the threshold. Anyway, that happened too.Chris: Wow. Yeah. Dominant culture of North America.Stephen: Heard of it.Chris: Yeah. Well, in Matrimony, there's quite a bit in which you write about hospitality and radical hospitality. And I wanted to move in that direction a little bit, because in terms of these kind of marketplace rituals or ceremonies that you were mentioning you know, it's something that we might wonder, I think, as you have, how did it come to be this [00:47:00] way?And so I'd like to, if I can once again, quote from matrimony in which you speak to the etymology of hospitality. And so for those interested on page 88,"the word hospitality comes from hospitaller, meaning 'one who cares for the afflicted, the infirm, the needy.' There's that thread of our misgivings about being on the receiving end of hospitality. Pull on it. For the written history of the word, at least, it has meant, 'being on the receiving end of a kind of care you'd rather not need.'"End quote.Stephen: That's so great. I mean, before you go on with the quote. It's so great to know that the word, unexamined, just kind of leaks upside, doesn't it? Hospitality, I mean, nobody goes "Hospitality, ew." [00:48:00] And then, if you just quietly do the obvious math to yourself, there's so much awkwardness around hospitality.This awkwardness must have an origin, have a home. There must be some misgiving that goes along with the giving of hospitality, mustn't there be? How else to understand where that kind of ickiness is to be found. Right? And it turns out that the etymology is giving you the beginnings of a way of figuring it out what it is that you're on the receiving end of - a kind of succor that you wish you didn't need, which is why it's the root word for "hospital."Chris: Hmm hmm. Wow.Audience: Hmm.Chris: May I repeat that sentence please? Once more."For the written history of the word, at least, it has meant, [00:49:00] 'being on the receiving end of a kind of care you'd rather not need.'"And so this last part hits home for me as I imagine it does for many.And it feels like the orthodoxy of hospitality in our time is one based not only in transaction, but in debt. And if you offer hospitality to me, then I owe you hospitality.Stephen: Right.Chris: I'm indebted to you. And we are taught, in our time, that the worst thing to be in is in debt.Stephen: Right?Chris: And so people refuse both the desire to give as well as the learning skill of receiving. And this is continuing on page 88 now."But there's mystery afoot with this word. In its old Latin form, hospice meant both 'host' and 'guest.'"Stephen: Amazing. One. Either one, This is absolutely amazing. We're fairly sure that there's a [00:50:00] acres of difference between the giver of hospitality and the receiver that the repertoire is entirely different, that the skew between them is almost insurmountable, that they're not interchangeable in any way. But the history of the word immediately says, "really?" The history of the word, without question, says that "host" and "guest" are virtually the same, sitting in different places, being different people, more or less joined at the hip. I'll say more, but you go ahead with what you were gonna do. Sure.Chris: "In it's proto Indo-European origins, hospitality and hospice is a compound word: gosh + pot. And it meant something like [00:51:00] 'stranger/guest/host + powerful Lord.'It is amazing to me that ancestrally, the old word for guest, host, and stranger were all the same word. Potent ceremonial business, this is. In those days, the server and the serve were partners in something mysterious. This could be confusing, but only if you think of guest, host, and stranger as fixed identities.If you think of them as functions, as verbs, the confusion softens and begins to clear. The word hospice in its ancient root is telling us that each of the people gathered together in hospitality is bound to the others by formal etiquette, yes, but the bond is transacted through a subtle scheme of graces.Hospitality, it tells us, is a web of longing and belonging that binds people for a time, some hithereto unknown to each other is a clutch of mutually-binding elegances, you could say. In its ancient practice, [00:52:00] hospitality was a covenant. According to that accord, however we were with each other. That was how the Gods would be with us. We learn our hospitality by being on the receiving end of Godly administration. That's what giving thanks for members. We proceed with our kin in imitation of that example and in gratitude for it."Mm-hmm.And so today, among "secular" people, with the Gods ignored, this old-time hospitality seems endangered, if not fugitive. I'm curious how you imagine that this rupture arose, the ones that separated and commercialized the radical relationships between hosts and guests, that turned them from verbs to nouns and something like strangers to marketplace functions.[00:53:00]Stephen: Well, of course this is a huge question you've asked, and I'll see if I can unhuge it a bit.Chris: Uhhuh.Stephen: Let's go right to the heart of what happened. Just no preliminaries, just right to it.So, to underscore again, the beauty of the etymology. I've told you over and over again, the words will not fail you. And this is just a shining example, isn't it? That the fraternization is a matter of ceremonial alacrity that the affiliation between host and guest, which makes them partners in something, that something is the [00:54:00] evocation of a third thing that's neither one of them. It's the thing they've lent themselves to by virtue of submitting to being either a host or a guest. One.Two. You could say that in circumstances of high culture or highly-functioning culture, one of the principle attributes of that culture is that the fundament of its understanding, is that only with the advent of the stranger in their midst that the best of them comes forward.Okay, follow that. Yeah.So, this is a little counterintuitive for those of us who don't come from such places. We imagine that the advent of strangers in the midst of the people I'm describing would be an occasion where people hide their [00:55:00] best stuff away until the stranger disappears, and upon the disappearance of the stranger, the good stuff comes out again.You know?So, I'm just remembering just now, there's a moment in the New Testament where Jesus says something about the best wine and he's coming from exactly this page that we're talking about - not the page in the book, but this understanding. He said, you know, "serve your best wine first," unlike the standard, that prevails, right?So again, what a stranger does in real culture is call upon the cultural treasure of the host's culture, and provides the opportunity for that to come forward, right? By which you can understand... Let's say for simplicity's sake, there's two kinds of hospitality. There's probably all kinds of gradations, [00:56:00] but for the purposes of responding to what you've asked, there's two.One of them is based on kinship. Okay? So, family meal. So, everybody knows whose place is whose around the table, or it doesn't matter - you sit wherever you want. Or, when we're together, we speak shorthand. That's the shorthand of familiarity and affinity, right?Everybody knows what everybody's talking about. A lot of things get half-said or less, isn't it? And there's a certain fineness, isn't it? That comes with that kind of affinity. Of course, there is, and I'm not diminishing it at all. I'm just characterizing it as being of a certain frequency or calibre or charge. And the charge is that it trades on familiarity. It requires that. There's that kind of hospitality."Oh, sit wherever you want."Remember this one?[00:57:00]"We don't stand on ceremony here.""Oh, you're one of the family now." I just got here. What, what?But, of course, you can hear in the protestations the understanding, in that circumstance, that formality is an enemy to feeling good in this moment, isn't it? It feels stiff and starched and uncalled for or worse.It feels imported from elsewhere. It doesn't feel friendly. So, I'm giving you now beginnings of a differentiation between how cultures who really function as cultures understand what it means to be hospitable and what often prevails today, trading is a kind of low-grade warfare conducted against the strangeness of the stranger.The whole purpose of treating somebody like their family is to mitigate, and finally neutralize their [00:58:00] strangeness, so that for the purposes of the few hours in front of us all, there are no strangers here. Right? Okay.Then there's another kind, and intuitively you can feel what I'm saying. You've been there, you know exactly what I mean.There's another kind of circumstance where the etiquette that prevails is almost more emphatic, more tangible to you than the familiar one. That's the one where your mother or your weird aunt or whoever she might be, brings out certain kind of stuff that doesn't come out every day. And maybe you sit in a room that you don't often sit in. And maybe what gets cooked is stuff you haven't seen in a long time. And some part of you might be thinking, "What the hell is all this about?" And the answer is: it's about that guy in the [00:59:00] corner that you don't know.And your own ancestral culture told acres of stories whose central purpose was to convey to outsiders their understanding of what hospitality was. That is fundamentally what The Iliad and The Odyssey are often returning to and returning to and returning to.They even had a word for the ending of the formal hospitality that accrued, that arose around the care and treatment of strangers. It was called pomp or pompe, from which we get the word "pompous." And you think about what the word "pompous" means today.It means "nose in the air," doesn't it? Mm-hmm. It means "thinks really highly of oneself," isn't it? And it means "useless, encumbering, kind of [01:00:00] artificial kind of going through the motions stuff with a kind of aggrandizement for fun." That's what "pompous" means. Well, the people who gave us the word didn't mean that at all. This word was the word they used to describe the particular moment of hospitality when it was time for the stranger to leave.And when it was mutually acknowledged that the time for hospitality has come to an end, and the final act of hospitality is to accompany the stranger out of the house, out of the compound, out into the street, and provision them accordingly, and wish them well, and as is oftentimes practiced around here, standing in the street and waving them long after they disappear from view.This is pompous. This is what it actually means. Pretty frigging cool when you get corrected once in a while, isn't it? [01:01:00] Yeah.So, as I said, to be simplistic about it, there's at least a couple of kinds, and one of them treasures the advent of the stranger, understanding it to be the detonation point for the most elegant part of us to come forward.Now, those of us who don't come from such a place, we're just bamboozled and Shanghai'ed by the notion of formality, which we kind of eschew. You don't like formality when it comes to celebration, as if these two things are hostile, one to the other. But I'd like you to consider the real possibility that formality is grace under pressure, and that formality is there to give you a repertoire of response that rescues you from the gross limitations of your autobiography.[01:02:00]Next question. I mean, that's the beginning.Chris: Absolutely. Absolutely. Mm-hmm. Thank you once again, Stephen. So alongside the term or concept of "pompe," in which the the guest or stranger was led out of the house or to the entrance of the village, there was also the consideration around the enforcement of hospitality, which you write about in the book. And you write that"the enforcement of hospitality runs the palpable risk of violating or undoing the cultural value it is there to advocate for. Forcing people to share their good fortune with the less fortunate stretches, to the point of undoing the generosity of spirit that the culture holds dear. Enforcement of hospitality is a sign of the eclipse of hospitality, typically spawned by insecurity, contracted self-definition, and the darkening of the [01:03:00] stranger at the door.Instead, such places and times are more likely to encourage the practice of hospitality in subtle generous ways, often by generously treating the ungenerous."And so there seems to be a need for limits placed on hospitality, in terms of the "pompe," the maximum three days in which a stranger can be given hospitality, and concurrently a need to resist enforcing hospitality. This seems like a kind of high-wire act that hospitable cultures have to balance in order to recognize and realize an honorable way of being with a stranger. And so I'm wondering if you could speak to the possibility of how these limits might be practiced without being enforced. What might that look like in a culture that engages with, with such limits, but without prohibitions?Stephen: Mm-hmm. That's a very good question. [01:04:00] Well, I think your previous question was what happened? I think, in a nutshell, and I didn't really answer that, so maybe see how I can use this question to answer the one that you asked before: what happened? So, there's no doubt in my mind that something happened that it's kind of demonstrable, if only with the benefit of hindsight.Audience: Right.Stephen: Or we can feel our way around the edges of the absence of the goneness of that thing that gives us some feel for the original shape of that thing.So you could say I'm trafficking in "ideals," here, and after a fashion, maybe, yeah. But the notion of "ideals," when it's used in this slanderous way suggests that "it was never like that."Chris: Mm-hmm.Stephen: And I suggest to you it's been like that in a lot of places, and there's a lot of places where it's still like that, although globalization [01:05:00] may be the coup de grâce performed upon this capacity. Okay. But anyway.Okay. So what happened? Well, you see in the circumstance that I described, apropos of the stranger, the stranger is in on it. The stranger's principle responsibility is to be the vector for this sort of grandiose generosity coming forward, and to experience that in a burdensome and unreciprocated fashion, until you realize that their willingness to do that is their reciprocity. Everybody doesn't get to do everything at once. You can't give and receive at the same time. You know what that's called? "Secret Santa at school," isn't it?That's where nobody owes nobody nothing at the end. That's what we're all after. I mean, one of your questions, you know, pointed to that, that there's a kind of, [01:06:00] what do you call that, teeter-totter balance between what people did for each other and what they received for each other. Right. And nobody feels slighted in any way, perfect balance, et cetera.Well, the circumstance here has nothing of the kind going with it. The circumstance we're describing now is one in which the hospitality is clearly unequal in terms of who's eating whose food, for example, in terms of the absolutely frustrated notion of reciprocity, that in fact you undo your end of the hospitality by trying to pay back, or give back, or pay at all, or break even, or not feel the burden of "God, you've been on the take for fricking hours here now." And if you really look in the face of the host, I mean, they're just getting started and you can't, you can't take it anymore.[01:07:00]So, one of the ways that we contend with this is through habits of speech. So, if somebody comes around with seconds. They say, "would you like a little more?"And you say, "I'm good. I'm good. I'm good." You see, "I'm good" is code for what? "F**k off." That's what it's code for. It's a little strong. It's a little strong. What I mean is, when "I'm good" comes to town, it means I don't need you and what you have. Good God, you're not there because you need it you knucklehead. You're there because they need it, because their culture needs an opportunity to remember itself. Right?Okay. So what happened? Because you're making it sound like a pretty good thing, really. Like who would say, "I think we've had enough of this hospitality thing, don't you? Let's try, oh, [01:08:00] keeping our s**t to ourselves. That sounds like a good alternative. Let's give it a week or two, see how it rolls." Never happened. Nobody decided to do this - this change, I don't think. I think the change happened, and sometime long after people realized that the change had had taken place. And it's very simple. The change, I think, went something like this.As long as the guest is in on it, there's a shared and mutually-held understanding that doesn't make them the same. It makes them to use the quote from the book "partners," okay, with different tasks to bring this thing to light, to make it so. What does that require? A mutually-held understanding in vivo as it's happening, what it is.Okay. [01:09:00] So, that the stranger who's not part of the host culture... sorry, let me say this differently.The culture of the stranger has made the culture of the host available to the stranger no matter how personally adept he or she may be at receiving. Did you follow that?Audience: A little.Stephen: Okay. Say it again?Audience: Yes, please.Stephen: Okay. The acculturation, the cultured sophistication of the stranger is at work in his or her strangerhood. Okay. He or she's not at home, but their cultural training helps them understand what their obligations are in terms of this arrangement we've been describing here.Okay, so I think the rupture takes place [01:10:00] when the culturation of one side or the other fails to make the other discernible to the one.One more time?When something happens whereby the acculturation of one of the partners makes the identity, the presence, and the valence of the other one untranslatable. Untranslatable.I could give you an example from what I call " the etiquette of trade," or the... what was the word? Not etiquette. What's the other word?Chris: The covenant?Stephen: Okay, " covenant of trade" we'll call it. So, imagine that people are sitting across from each other, two partners in a trade. Okay? [01:11:00] Imagine that they have one thing to sell or move or exchange and somebody has something else.How does this work? Not "what are the mechanics?" That can be another discussion, but, if this works, how does it work? Not "how does it happen?" How does it actually achieve what they're after? Maybe it's something like this.I have this pottery, and even though you're not a potter, but somebody in your extended family back home was, and you watched what they went through to make a fricking pot, okay?You watched how their hands seized up, because the clay leached all the moisture out of the hands. You distinctly remember that - how the old lady's hands looked cracked and worn, and so from the work of making vessels of hospitality, okay? [01:12:00] It doesn't matter that you didn't make it yourself. The point is you recognize in the item something we could call "cultural patrimony."You recognize the deep-runningness of the culture opposite you as manifest and embodied in this item for trade. Okay? So, the person doesn't have to "sell you" because your cultural sophistication makes this pot on the other side available to you for the deeply venerable thing that it is. Follow what I'm saying?Okay. So, you know what I'm gonna say next? When something happens, the items across from you cease to speak, cease to have their stories come along with them, cease to be available. There's something about your cultural atrophy that you project onto the [01:13:00] item that you don't recognize.You don't recognize it's valence, it's proprieties, it's value, it's deep-running worth and so on. Something happened, okay? And because you're not making your own stuff back home or any part of it. And so now, when you're in a circumstance like this and you're just trying to get this pot, but you know nothing about it, then the enterprise becomes, "Okay, so what do you have to part with to obtain the pot?"And the next thing is, you pretend you're not interested in obtaining the pot to obtain the pot. That becomes part of the deal. And then, the person on the making end feels the deep running slight of your disinterest, or your vague involvement in the proceedings, or maybe the worst: when it's not things you're going back and forth with, but there's a third thing called money, which nobody makes, [01:14:00] which you're not reminded of your grandma or anyone else's with the money. And then, money becomes the ghost of the original understanding of the cultural patrimony that sat between you. That's what happened, I'm fairly sure: the advent, the estrangement that comes with the stranger, instead of the opportunity to be your cultural best when the stranger comes.And then of course, it bleeds through all kinds of transactions beyond the "obvious material ones." So, it's a rupture in translatability, isn't it?Chris: You understand this to happen or have happened historically, culturally, et cetera, with matrimony as well?Stephen: Oh, absolutely. Yeah.Yeah. This is why, for example, things like the fetishization of virginity.Audience: Mm-hmm. [01:15:00]Stephen: I think it's traceable directly to what we're talking about. How so? Oh, this is a whole other long thing, but the very short version would be this.Do you really believe that through all of human history until the recent liberation, that people have forever fetishized the virginity of a young woman and jealously defended it, the "men" in particular, and that it became a commodity to trade back and forth in, and that it had to be prodded and poked at to determine its intactness? And this was deemed to be, you know, honourable behavior?Do you really think that's the people you come from, that they would've do that to the most cherished of their [01:16:00] own, barely pubescent girls? Come on now. I'm not saying it didn't happen and doesn't still happen. I'm not saying that. I'm saying, God almighty, something happened for that to be so.And I'm trying to allude to you now what I think took place. Then all of a sudden, the hymen takes the place of the pottery, doesn't it? And it becomes universally translatable. Doesn't it? It becomes a kind of a ghosted artifact of a culturally-intact time. It's as close as you can get.Hence, this allegation of its purity, or the association with purity, and so on. [01:17:00] I mean, there's lots to say, but that gives you a feel for what might have happened there.Chris: Thank you, Stephen. Thank you for being so generous with your considerations here.Stephen: You see why I had to write a book, eh?Audience: Mm-hmm.Stephen: There was too much bouncing around. Like I had to just keep track of my own thoughts on the matter.But can you imagine all of this at play in the year, oh, I don't know, 2022, trying to put into motion a redemptive passion play called "matrimony," with all of this at play? Not with all of this in my mind, but with all of this actually disfiguring the anticipation of the proceedings for the people who came.Can you imagine? Can you imagine trying to pull it off, and [01:18:00] contending overtly with all these things and trying to make room for them in a moment that's supposed to be allegedly - get ready for it - happy.I should have raised my rates on the first day, trying to pull that off.But anyway.Okay, you go now,Chris: Maybe now you'll have the opportunity.Stephen: No, man. No. I'm out of the running for that. "Pompe" has come and come and gone. Mm.Chris: So, in matrimony, Stephen, you write that"the brevity, the brevity of modern ceremonies is really there to make sure that nothing happens, nothing of substance, nothing of consequence, no alchemy, no mystery, no crazy other world stuff. That overreach there in its scripted heart tells me that deep in the rayon-wrapped bosom of that special day, the modern wedding is scared [01:19:00] silly of something happening. That's because it has an ages-old abandoned memory of a time when a wedding was a place where the Gods came around, where human testing and trying and making was at hand, when the dead lingered in the wings awaiting their turn to testify and inveigh."Gorgeous. Gorgeous.Audience: Mm-hmm.Chris: And so I'm curious ifStephen: "Rayon-wrapped bosom." That's not, that's not shabby.Chris: "Rayon-wrapped bosom of that special day." Yeah.So, I'm curious do you think the more-than-human world practices matrimony, and if so, what, if anything, might you have learned about matrimony from the more-than-human world?Stephen: I would say the reverse. I would say, we practice the more-than-human world in matrimony, not that the more-than-human world practices matrimony. We practice them, [01:20:00] matrimonially.Next. Okay. Or no? I just gonna say that, that's pretty good.Well, where do we get our best stuff from? Let's just wonder that. Do we get our best stuff from being our best? Well, where does that come from? And this is a bit of a barbershop mirrors situation here, isn't it? To, to back, back, back, back.If you're thinking of time, you can kind of get lost in that generation before, or before, before, before. And it starts to sound like one of them biblical genealogies. But if you think of it as sort of the flash point of multiple presences, if you think of it that way, then you come to [01:21:00] credit the real possibility that your best stuff comes from you being remembered by those who came before you.Audience: Hmm.Stephen: Now just let that sit for a second, because what I just said is logically-incompatible.Okay? You're being remembered by people who came before you. That's not supposed to work. It doesn't work that way. Right?"Anticipated," maybe, but "remembered?" How? Well, if you credit the possibility of multiple beginnings, that's how. Okay. I'm saying that your best stuff, your best thoughts, not the most noble necessarily. I would mean the most timely, [01:22:00] the ones that seem most needed, suddenly.You could take credit and sure. Why, why not? Because ostensibly, it arrives here through you, but if you're frank with yourself, you know that you didn't do that on command, right? I mean, you could say, I just thought of it, but you know in your heart that it was thought of and came to you.I don't think there's any difference between saying that and saying you were thought of.Audience: Mm-hmm.Stephen: So, that's what I think the rudiments of old-order matrimony are. They are old people and their benefactors in the food chain and spiritually speaking. Old people and their benefactors, the best part of them [01:23:00] willed to us, entrusted and willed to us. So, when you are willing to enter into the notion that old-order matrimony is older than you, older than your feelings for the other person, older than your love, and your commitment, and your willingness to make the vows and all that stuff, then you're crediting the possibility that your love is not the beginning of anything.You see. Your love is the advent of something, and I use that word deliberately in its Christian notion, right? It's the oncomingness, the eruption into the present day of something, which turns out to be hugely needed and deeply unsuspected at the same time.I used to ask in the school, "can you [01:24:00] have a memory of something you have no lived experience of?" I think that's what the best part of you is. I'm not saying the rest of you is shite. I'm not saying that. You could say that, but I am saying that when I say "the best part of you," that needs a lot of translating, doesn't it?But the gist of it is that the best part of you is entrusted to you. It's not your creation, it's your burden, your obligation, your best chance to get it right. And that's who we are to those who came before us. We are their chance to get it right, and matrimony is one of the places where you practice the gentle art of getting it right.[01:25:00] Another decent reason to write a book.Chris: So, gorgeous. Wow. Thank you Stephen. I might have one more question.Stephen: Okay. I might have one more answer. Let's see.Chris: Alright. Would I be able to ask if dear Nathalie Roy could join us up here alongside your good man.So, returning to Matrimony: Ritual, Culture and the Heart's Work. On page 94, [01:26:00] Stephen, you write that"hospitality of the radical kind is
Emma Friedman
Recorded in August of 2025 Hola, fans! That Horror Show Podcast brings yet another excellence in podcasting (hopefully!) to your precious eardrums. Those two show hosts Timothy Kazda and Chris Koenig have been enjoying this wonderful summer, but movie review duty calls, and they have lined up a double-feature involving killer children and the clueless adults as their victims. Listen in as they review "Orphan" (2009) and you will believe a 9-year-old Russian girl can kill, and then the hosts talk about "Abigail" (2024) featuring a child ballerina/vampire that makes minced meat of her captors much to the delight of the audience! And yes, Nate from 'Kids Corner' tackles the original "Friday the 13th" (1980) and "Scream 4" (2011) with 'special guest podcaster' Marc L. Rissmann! So what are YOU waiting for?! Put on those earbuds and give this episode a listen! * Editor's Note: Our Kidz Corner: Double Feature turned out to be so supersized, it couldn't be contained in a single segment! That's why it's getting its own special episode. Be sure to tune in for a very special Kidz Corner drop later this month- you won't want to miss it. #killerkids #Orphan #Abigal #THSP #ThatHorrorShowPodcast
Sexto programa de nuestro homenaje a Alien (1979). Seguimos recorriendo la Nostromo, el punto de no retorno, donde la calma se rompe y comienza la verdadera condena. En La Torre del Cuervo seguimos tejiendo conexiones entre fantasía, ciencia ficción y terror. Porque Alien, como Dune, Lovecraft o Warhammer, forma parte del mismo grimdark que nos obsesiona. Subid a bordo. La cena está servida. En la Torre del Cuervo creemos que el grimdark no se limita a la palabra. También vibra en la música. Por eso, al final del programa abrimos nuestras compuertas a Tooth Unlabeled Society, banda de metal progresivo nacida en 2022 que en poco tiempo ha compartido escenario con Avalanch, Jorge Salán o Zenobia. Su nombre lo dice todo: Unlabeled Society, una sociedad sin etiquetas. Esta vez cerramos con su tema “Orphan 5”, un rugido áspero y visceral que prolonga la pesadilla de la Nostromo en acordes y sombras. Gracias a nuestros mecenas por mantener viva la llama de esta Torre, y a nuestros amigos de MultiverseWar, con quienes cada mes sorteamos más de 200 € en juegos de mesa, miniaturas y novelas entre quienes nos apoyan en iVoox. Cuélebre BAND: Instagram: @cuelebre_band Facebook: Cuélebre — Folk Cuélebre X (antes Twitter): @CuelebreBand YouTube: OficialCuelebre Una producción monumental de La Torre del Cuervo Ficción sonora a cargo del maestro Antonio "Lobo" Salinas. Guión y adaptación: Mekancorvus, Rosa y Viktoria. Reparto: ELLEN RIPLEY - Viktoria Hyvin JOAN M. LAMBERT - Rosa del estudio @laratamojada DENNIS T. PARKER - Gus SAMUEL E. BRETT - Dani Dominguez ASH - Alberto Láudano de @Noviembre Nocturno W. KANE - Omar Muñoz J. DALLAS - Xavi Varghar MADRE - Alexa Voz extraña - MekanCorvus Narración a cargo de El Corintio. Recordad que podéis uniros al Canal de Telegram de La Torre del Cuervo para estar al tanto de todas las novedades: https://t.me/+fnXc1Gr1WydmYTY8 Y no olvidéis visitar nuestra página web: https://latorredelcuervo.com/ Encontraréis artículos con novedades del hobby, reseñas de las novelas más Grimdark y menciones a eventos que podrían estar ocurriendo en vuestra ciudad sin que lo sepáis. Apóyanos en iVoox pulsando el botón azul. Con tu ayuda, no solo haces posible este programa, sino que participas automáticamente en el sorteo mensual de 200€ en material de wargames, cortesía de MultiversoWar. www.multiversowar.com ¡Gracias por vuestro apoyo constante y por seguirnos en este viaje grimdark! ⚔️ Síguenos en nuestras redes sociales: Facebook: https://www.facebook.com/torredelcuervo/?locale=es_ES Bluesky: https://bsky.app/profile/latorredelcuervo.bsky.social Instagram: https://www.instagram.com/latorre_delcuervo/ YouTube: https://www.youtube.com/@La_TorredelCuervo Telegram: https://t.me/+fnXc1Gr1WydmYTY8 Para sugerencias o comentarios: info@latorredelcuervo.com
When Tyler Feder was 19, her mom died of cancer, an experience she captured years later in her bestselling graphic memoir Dancing at the Pity Party. In the years since, Tyler has described herself as a “dead mom person” - reflecting just how much of her life was shaped by the death of her mother. But this past winter, Tyler's dad also died, adding a new aspect to her identity, this time as an adult orphan. In this episode, we discuss: The contrast between her parents' personalities – mom (quiet, creative, cat-like), dad (gregarious, emotional, dog-like) - and which of those aspects Tyler carries forward in hers. How writing, art, and community help her process grief. One of Tyler's favorite questions about her parents. Why tangible keepsakes matter so much. The difference having a parent die when you're still a teenager vs an adult. How her family approached her father's illness and death compared to her mom's. Living with worry and fear about her own health and mortality. Follow Tyler's work on Instagram @tylerfeder.
What if your path doesn't look like anyone else's—because God designed it that way?In this powerful episode of Her God Story, Rev. Dr. Susan Bubbers shares her deeply personal journey of following God through unexpected places—from computer programming to the priesthood, from lonely seasons to leading in worship and theology. Her story is a reminder that bold obedience often looks unconventional… but always leads to divine purpose.Listen and be encouraged as you discover:How to discern God's voice in quiet, personal waysWhat it means to walk by faith without a clear roadmapHow worship ignites real joy, direction, and enduranceThe freedom that comes from living with “no ceilings”Whether you're questioning your next step, wrestling with feeling “different,” or longing for deeper intimacy with God—Susan's story will stir your spirit and strengthen your resolve to follow Jesus fully, no matter the cost.Tune in now to Rev. Dr. Susan Bubbers: Embracing the Unconventional — and walk away with fresh vision, clarity, and confidence in God's call on your life.Click here for SHOW NOTES!Start a Her God Story Podcast Club! Learn more here!Share this message with a friend and subscribe for weekly encouragement and inspiration! Check out HerGodStory.org for a FREE 6-WEEK DEVOTIONAL and to see upcoming guests. Want to help Widows and Orphans? Join our growing company of women meeting special needs of parentless children and nurturing their unique gifts so they can be ALL God has in mind for them! And help meet real needs of women who have given a lifetime of service to God! Support the Somebody Cares Widows and Orphan fund today! Learn more about the ministry at SomebodyCares.org, Read Jodie's BLOG at LivingYourFaith.netFOLLOW US ON:Facebook: @SomebodyCaresAmerica Youtube: SomebodyCaresAmerica Rumble: SomebodyCares X: _SomebodyCares.Instagram: SomebodyCaresAmericaLinkedIn: Somebody Cares America
What if your path doesn't look like anyone else's—because God designed it that way?In this powerful episode of Her God Story, Rev. Dr. Susan Bubbers shares her deeply personal journey of following God through unexpected places—from computer programming to the priesthood, from lonely seasons to leading in worship and theology. Her story is a reminder that bold obedience often looks unconventional… but always leads to divine purpose.Listen and be encouraged as you discover:How to discern God's voice in quiet, personal waysWhat it means to walk by faith without a clear roadmapHow worship ignites real joy, direction, and enduranceThe freedom that comes from living with “no ceilings”Whether you're questioning your next step, wrestling with feeling “different,” or longing for deeper intimacy with God—Susan's story will stir your spirit and strengthen your resolve to follow Jesus fully, no matter the cost.Tune in now to Rev. Dr. Susan Bubbers: Embracing the Unconventional — and walk away with fresh vision, clarity, and confidence in God's call on your life.Click here for SHOW NOTES!Start a Her God Story Podcast Club! Learn more here!Share this message with a friend and subscribe for weekly encouragement and inspiration! Check out HerGodStory.org for a FREE 6-WEEK DEVOTIONAL and to see upcoming guests. Want to help Widows and Orphans? Join our growing company of women meeting special needs of parentless children and nurturing their unique gifts so they can be ALL God has in mind for them! And help meet real needs of women who have given a lifetime of service to God! Support the Somebody Cares Widows and Orphan fund today! Learn more about the ministry at SomebodyCares.org, Read Jodie's BLOG at LivingYourFaith.netFOLLOW US ON:Facebook: @SomebodyCaresAmerica Youtube: SomebodyCaresAmerica Rumble: SomebodyCares X: _SomebodyCares.Instagram: SomebodyCaresAmericaLinkedIn: Somebody Cares America
“No matter how difficult your life is, to know that you are resilient enough. Your spirit, your soul, you will make it.” – Christine Sadry Today's featured award-winning author is a mom and a former United Nations peacekeeper, Christine Sadry. Christine and I had a chat about her book, “13 Years Lost: An Unbelievable Story of Fleeing Communist Poland to Traveling the World Serving the United Nations”, how she began working at the UN, her advice to others writing about painful memories, and more!Key Things You'll Learn:What inspired Christine to write her bookWhat her childhood was like in Soviet Poland to enduring an abusive adoptive home in AmericaWhy it's good to embrace life fully and the power of the human spiritAn unexpected benefit that she received from writing her bookChristine's Site: https://christinesadry.com/Christine's Book: https://a.co/d/fkXaeQnThe opening track is titled, “North Wind and the Sun” by Trevin P. To listen to and download the full track, click the following link. https://compilationsforhumanity.bandcamp.com/track/north-wind-and-the-sunPlease support today's podcast to keep this content coming! CashApp: $DomBrightmonDonate on PayPal: @DBrightmonBuy Me a Coffee: https://www.buymeacoffee.com/dombrightmonGet Going North T-Shirts, Stickers, and More: https://www.teepublic.com/stores/dom-brightmonThe Going North Advancement Compass: https://a.co/d/bA9awotYou May Also Like…Ep. 825 – One Woman's Story of Survival & Courageous Leadership in Syria with Dr. Amani Ballour (@AmaniBallour): https://www.goingnorthpodcast.com/ep-825-one-womans-story-of-survival-courageous-leadership-in-syria-with-dr-amani-ballour-am/#Bonus Ep. – “Perfectly Flawed” with Janae Sergio (@janae_sergio): https://www.goingnorthpodcast.com/bonus-ep-perfectly-flawed-with-janae-sergio-janae_sergio/229 – “Unbroken” with Tajci Cameron (@TajciCameron): https://www.goingnorthpodcast.com/229-unbroken-with-tajci-cameron-tajcicameron/Ep. 750 – Surviving Human Trafficking & Finding Purpose with Amanda Blackwood (@DetailedPieces): https://www.goingnorthpodcast.com/ep-750-surviving-human-trafficking-finding-purpose-with-amanda-blackwood-detailedpieces/Ep. 807 – Inside The Mind of The Author Activist with Dawn Bates (@msdawnbates33): https://www.goingnorthpodcast.com/ep-807-inside-the-mind-of-the-author-activist-with-dawn-bates-msdawnbates33/#FourFoldFormula Ep. – “Coming to the USA” with Nene Kodjoe (@SIA_Africa): https://www.goingnorthpodcast.com/fourfoldformula-ep-coming-to-the-usa-with-nene-kodjoe-sia_africa/Ep. 500 – “Life Reset” With Dr. Foojan Zeine, Psy.D., MFT (@DrZeine): https://www.goingnorthpodcast.com/ep-500-life-reset-with-dr-foojan-zeine-psyd-mft-drzeine/Ep. 690 – “Prosper mE” with Victoria Rader, Ph.D. (@VicaRader): https://www.goingnorthpodcast.com/ep-690-prosper-me-with-victoria-rader-phd-vicarader/#Bonus Ep. – “From Shy Girl to Award-Winning Model” with Lorna Greyling (@LornaGreyling): https://www.goingnorthpodcast.com/bonus-ep-from-shy-girl-to-award-winning-model-with-lorna-greyling-lornagreyling/Ep. 499 – “Take Center Stage” with Janelle Anderson: https://www.goingnorthpodcast.com/ep-499-take-center-stage-with-janelle-anderson/270 – "Forever Employable" with Jeff Gothelf (@jboogie): https://www.goingnorthpodcast.com/270-forever-employable-with-jeff-gothelf-jboogie/Ep. 372 – “The Grit Factor” with Shannon Huffman Polson (@ABorderLife): https://www.goingnorthpodcast.com/ep-372-the-grit-factor-with-shannon-huffman-polson-aborderlife/
Some people are extremely wary about bringing a stranger into their home. But what if that child was an Orphan who could start their life anew because of your kindness? Sure, you can go that route, but have you ever thought about the possibility that this "kid" could be a sadistic killer in they're 30s who's trying to sleep with your husband?! Didn't think so! One of our Ghouls, Joe Mertens, joins Prince on the show to discuss this topic at length! Next movie: Cooties ————————————————————— We officially have merch! Shop your little demonic heart! Want to keep the horror chats alive? Do you want to join a super awesome community that loves the genre and Knight Light? Want to have access to exclusive content? You should join our Discord! For as little as $2 a month, you can watch the video podcast version and participate in polls to choose the film that we cover to conclude the month! ————————————————————— Sign up on our Patreon to access our Patreon-exclusive shows. Sign up for a 7-day trial, and if you like what we offer, stick around! Want to be a part of the growth of Knight Light? Please support us at these links! PATREON | MERCH | X | DISCORD | INSTAGRAM | PRINCE | FREDDY | SIDNEY Learn more about your ad choices. Visit megaphone.fm/adchoices
It's easy to forget how something as simple as a pair of shoes can change a life. But for vulnerable children around the world, shoes mean protection, dignity, and the chance to dream.Today, we'll hear how Buckner Shoes for Orphan Souls is meeting this need with the love of Christ. Shawn Spurrier joins us to share the incredible impact that is being made all around the world, one pair of shoes at a time.Shawn Spurrier is the Director of Buckner Shoes for Orphan Souls at Buckner International, an underwriter of Faith & Finance. The Heart of Buckner InternationalFounded in Dallas, Texas, Buckner International has been serving vulnerable children, families, and seniors for more than 146 years. Their mission is clear: to follow the example of Jesus by serving the most vulnerable in every phase of life. From foster care and adoption to family-strengthening programs and senior care, Buckner demonstrates Christ's love in tangible ways.The Shoes for Orphan Souls initiative began 25 years ago in Dallas as a small effort to provide children in orphanages with something they lacked: their own pair of shoes. Many had to borrow communal shoes from a basket just to attend school.Since then, the ministry has distributed more than 5 million pairs of shoes in 86 countries. These shoes do more than protect feet—they open doors to health, education, dignity, and the hope of Christ.Why Shoes MatterA new pair of shoes provides more than comfort:Health Protection – In many regions, shoes prevent devastating illnesses like hookworm or podoconiosis.Access to Education – In many countries, schools require shoes as part of their uniform, making footwear a key factor in attending class.Economic Stability – Protecting children from illness reduces financial strain on families already in vulnerable situations.Hope and Dignity – Every pair is delivered with prayer, encouragement, and the gospel, often through partnerships with local churches.Stories of TransformationShawn shared two moving stories that reveal the ministry's impact:Romina in Mexico – A seven-year-old girl was overwhelmed with tears when she realized someone cared enough to give her a pair of shoes. That moment reminded Sean why this work matters—it's a tangible expression of Christ's love. Dulce in Guatemala – An eight-year-old girl received pink-and-white shoes so she could attend school. That simple gift opened the door for her family to receive housing, literacy training for her mother, and ultimately, salvation and discipleship for her father.A small act of generosity became the seed of a transformed family story.Your Opportunity to GiveThis month, we're partnering with Buckner to put shoes on the feet of 1,000 children worldwide. Each pair represents health, education, dignity, and an opportunity for children and families to hear the gospel.$15 provides a pair of shoes.$150 provides shoes for 10 children.You can be part of this life-changing work by visiting GiveShoesToday.org. Together, we can share the love of Christ one pair of shoes at a time.On Today's Program, Rob Answers Listener Questions:I'm retiring and turning 65 in February. Right now, I'm covered by my employer's health insurance, but I'm running into issues with prescription coverage. Should I sign up for Medicare now, keep my employer insurance as primary, and then wait until my younger wife becomes eligible for Medicare?I've managed to pay off all my credit card debt, but now my mortgage company has started foreclosure proceedings. They're demanding $2,160, and I'm not sure how to handle it. The FDIC says they shouldn't be taking this action, but I haven't received any formal notification yet.Resources Mentioned:Faithful Steward: FaithFi's New Quarterly Magazine (Become a FaithFi Partner)Buckner Shoes for Orphan SoulsWisdom Over Wealth: 12 Lessons from Ecclesiastes on MoneyLook At The Sparrows: A 21-Day Devotional on Financial Fear and AnxietyRich Toward God: A Study on the Parable of the Rich FoolFind a Certified Kingdom Advisor (CKA) or Certified Christian Financial Counselor (CertCFC)FaithFi App Remember, you can call in to ask your questions most days at (800) 525-7000. Faith & Finance is also available on the Moody Radio Network and American Family Radio. Visit our website at FaithFi.com where you can join the FaithFi Community and give as we expand our outreach.
Quinto programa de nuestro homenaje a Alien (1979). Seguimos recorriendo la Nostromo, el punto de no retorno, donde la calma se rompe y comienza la verdadera condena. En La Torre del Cuervo seguimos tejiendo conexiones entre fantasía, ciencia ficción y terror. Porque Alien, como Dune, Lovecraft o Warhammer, forma parte del mismo grimdark que nos obsesiona. Subid a bordo. La cena está servida. En la Torre del Cuervo creemos que el grimdark no se limita a la palabra. También vibra en la música. Por eso, al final del programa abrimos nuestras compuertas a Tooth Unlabeled Society, banda de metal progresivo nacida en 2022 que en poco tiempo ha compartido escenario con Avalanch, Jorge Salán o Zenobia. Su nombre lo dice todo: Unlabeled Society, una sociedad sin etiquetas. Esta vez cerramos con su tema “Orphan 5”, un rugido áspero y visceral que prolonga la pesadilla de la Nostromo en acordes y sombras. Gracias a nuestros mecenas por mantener viva la llama de esta Torre, y a nuestros amigos de MultiverseWar, con quienes cada mes sorteamos más de 200 € en juegos de mesa, miniaturas y novelas entre quienes nos apoyan en iVoox. Puedes seguir a Tooth aquí: Web: www.toothband.es YouTube: Tooth Unlabeled Society Instagram: @toothunlabeledsocietyoficial Facebook: Tooth Unlabeled Society TikTok: @toothunlabeledsociety Una producción monumental de La Torre del Cuervo Ficción sonora a cargo del maestro Antonio "Lobo" Salinas. Guión y adaptación: Mekancorvus, Rosa y Viktoria. Reparto: ELLEN RIPLEY - Viktoria Hyvin JOAN M. LAMBERT - Rosa del estudio @laratamojada DENNIS T. PARKER - Gus SAMUEL E. BRETT - Dani Dominguez ASH - Alberto Láudano de @Noviembre Nocturno W. KANE - Omar Muñoz J. DALLAS - Xavi Varghar MADRE - Alexa Voz extraña - MekanCorvus Narración a cargo de El Corintio. Recordad que podéis uniros al Canal de Telegram de La Torre del Cuervo para estar al tanto de todas las novedades: https://t.me/+fnXc1Gr1WydmYTY8 Y no olvidéis visitar nuestra página web: https://latorredelcuervo.com/ Encontraréis artículos con novedades del hobby, reseñas de las novelas más Grimdark y menciones a eventos que podrían estar ocurriendo en vuestra ciudad sin que lo sepáis. Apóyanos en iVoox pulsando el botón azul. Con tu ayuda, no solo haces posible este programa, sino que participas automáticamente en el sorteo mensual de 200€ en material de wargames, cortesía de MultiversoWar. www.multiversowar.com ¡Gracias por vuestro apoyo constante y por seguirnos en este viaje grimdark! ⚔️ Síguenos en nuestras redes sociales: Facebook: https://www.facebook.com/torredelcuervo/?locale=es_ES Bluesky: https://bsky.app/profile/latorredelcuervo.bsky.social Instagram: https://www.instagram.com/latorre_delcuervo/ YouTube: https://www.youtube.com/@La_TorredelCuervo Telegram: https://t.me/+fnXc1Gr1WydmYTY8 Para sugerencias o comentarios: info@latorredelcuervo.com
Orphan Trains with Wonda Phillips - On The Front Porch See omnystudio.com/listener for privacy information.
Send us a textWhat makes some children overcome unimaginable trauma while others struggle to recover? Is resilience something you're born with, or can it be cultivated? These questions drive our fascinating conversation with Dr. Nicole Wilke, author and Director of Research at Christian Alliance for Orphans.Drawing from her extraordinary background—growing up in a family that fostered 70 children and personally experiencing severe health challenges as a teenager—Nicole brings professional expertise and lived experience to this critical topic. Her insights challenge conventional wisdom, revealing that resilience is less "bouncing back from" and more "growing through" adversity.The heart of resilience, Nicole explains, lies in relationships. "When I'm weak, I can borrow from your strength," she shares, highlighting how humans were designed for interdependence rather than independence. This perspective transforms how we approach trauma recovery, shifting focus from individual grit to supportive connections. For children who've experienced separation, abuse or neglect, healing happens primarily through consistent, attuned relationships that communicate worth and belonging.What's particularly striking is how science and faith align in understanding resilience. Nicole unpacks research showing that spirituality correlates with better recovery outcomes, while biblical principles like finding purpose in suffering parallel scientific concepts of post-traumatic growth. This intersection offers practical strategies for parents, social workers, and anyone walking alongside vulnerable children.The conversation takes a powerful turn when addressing systems change, advocating for family-based solutions over institutional care and locally-driven approaches ________Travel on International Mission, meet local leadership and work alongside them. Exchange knowledge, learn from one another and be open to personal transformation. Step into a 25 year long story of change for children in some of the poorest regions on Earth.https://www.helpingchildrenworldwide.org/mission-trips.html****** _____A bible study for groups and individuals, One Twenty-Seven: The Widow and the Orphan by Dr Andrea Siegel explores the themes of the first chapter of James, and in particular, 1:27. In James, we learn of our duty to the vulnerable in the historical context of the author. Order here or digital download ___________Family Empowerment Advocates support the work of family empowerment experts at the Child Reintegration Centre, Sierra Leone. Your small monthly donation, prayers, attention & caring is essential. You advocate for their work to help families bring themselves out of poverty, changing the course of children's lives and lifting up communities. join ____Organize a Rooted in Reality mission experience for your service club, church group, worship team, young adult or adult study. No travel required. Step into the shoes of people in extreme poverty in Sierra Leone, West Africa, Helping Children Worldwide takes you into a world where families are facing impossible choices every day.Contact support@helpingchildrenworldwide.org to discuss how. Shout out to our newest sponsor: The Resilience InstituteSupport the showHelpingchildrenworldwide.org
Maaaannnnnn, fu*k them kids! Would you choose another child over your own if you suspected your child of being a deranged psychopathic killer at the age of 11? Or maybe he's a master manipulator who wants you to only think of him as The Good Son? Either way, you're screwed! Next movie: Orphan (2009) ————————————————————— We officially have merch! Shop your little demonic heart! Want to keep the horror chats alive? Do you want to join a super awesome community that loves the genre and Knight Light? Want to have access to exclusive content? You should join our Discord! For as little as $2 a month, you can watch the video podcast version and participate in polls to choose the film that we cover to conclude the month! ————————————————————— Sign up on our Patreon to access our Patreon-exclusive shows. Sign up for a 7-day trial, and if you like what we offer, stick around! Want to be a part of the growth of Knight Light? Please support us at these links! PATREON | MERCH | X | DISCORD | INSTAGRAM | PRINCE | FREDDY | SIDNEY Learn more about your ad choices. Visit megaphone.fm/adchoices
This week, Jake and Bob continue their series on athletics, and welcome Bart Schuchts, a former D1 football player, to the podcast. Bart reflects on how athletics shaped his self-identity, beliefs, and relationships from childhood through his adult life. They also discuss sports culture, fear based coaching, and the fine line between healthy competition and idolizing sports. Ultimately, when approached with balance and intention, athletics can foster deep connection, personal growth, and spiritual insight that extends far beyond the game itself, enriching every aspect of life. Key Points: Athletic achievement is often tied to receiving love, affirmation, and attention in families, especially when there are older siblings who excel in sports. Sports can become an idol when one's entire sense of self-worth and identity is defined by performance and recognition. Sports teaches “conditional love,” when praise and acceptance are contingent on athletic success. A coach's coaching style can establish either a positive, formative atmosphere or contribute to wounding dynamics. The question “Am I lovable?” is often unconsciously brought to sports, and how one seeks to answer that can drive them to healthy mastery of athletics or unhealthy obsession. Healthy participation in sports fosters union and belonging. It also highlights both the best and worst ways we seek connection, love, and purpose. Resources: Church on Fire (Bart's Website) Interview with Bart and Bobby Bowden Healing Professionals Virtual Workshop Chapters: 00:00:00 Introduction 00:08:43 Sports in Bart's Life 00:10:44 Sports as an Idol 00:18:55 Finding Our Worth in Sports 00:28:38 The Good and Bad of Sports Culture 00:32:03 Dion Sanders and Work Ethic 00:33:39 Finding the Four Identities of a Human in Sports 00:34:58 Son vs Orphan 00:44:32 Brother 00:52:44 Husband 00:55:31 Father Connect with Restore the Glory: Instagram: @restoretheglorypodcast Twitter: @RestoreGloryPod Facebook: Restore the Glory Podcast Never miss out on an episode by hitting the subscribe button right now! Help other people find the show and grow in holiness by sharing this podcast with them individually or on your social media. Thanks!
En este cuarto programa de nuestro homenaje sonoro a Alien, descendemos aún más en los pasillos metálicos de la Nostromo. Kane despierta, el parásito ha desaparecido y la tripulación respira un falso alivio. Pero sabemos que la calma es la mentira favorita del horror. En este capítulo exploramos la diferencia entre el guion original de Dan O'Bannon, la mirada clínica de Ridley Scott y la novela de Alan Dean Foster, que aporta detalles y matices ausentes en la pantalla. Y avanzamos hacia el momento más brutal e icónico de la franquicia: el nacimiento del chestburster, el “revientapechos”, una escena que convirtió el banquete en matadero y a Alien en mito. De ahí brotó toda su iconografía maldita: vísceras, cuerpos traicionados y el xenomorfo elevado a símbolo eterno del terror espacial. En la Torre del Cuervo creemos que el grimdark no se limita a la palabra. También vibra en la música. Por eso, al final del programa abrimos nuestras compuertas a Tooth Unlabeled Society, banda de metal progresivo nacida en 2022 que en poco tiempo ha compartido escenario con Avalanch, Jorge Salán o Zenobia. Su nombre lo dice todo: Unlabeled Society, una sociedad sin etiquetas. Esta vez cerramos con su tema “Orphan 5”, un rugido áspero y visceral que prolonga la pesadilla de la Nostromo en acordes y sombras. Gracias a nuestros mecenas por mantener viva la llama de esta Torre, y a nuestros amigos de MultiverseWar, con quienes cada mes sorteamos más de 200 € en juegos de mesa, miniaturas y novelas entre quienes nos apoyan en iVoox. Puedes seguir a Tooth aquí: Web: www.toothband.es YouTube: Tooth Unlabeled Society Instagram: @toothunlabeledsocietyoficial Facebook: Tooth Unlabeled Society TikTok: @toothunlabeledsociety Una producción monumental de La Torre del Cuervo Ficción sonora a cargo del maestro Antonio "Lobo" Salinas. Guión y adaptación: Mekancorvus, Rosa y Viktoria. Reparto: ELLEN RIPLEY - Viktoria Hyvin JOAN M. LAMBERT - Rosa del estudio @laratamojada DENNIS T. PARKER - Gus SAMUEL E. BRETT - Dani Dominguez ASH - Alberto Láudano de @Noviembre Nocturno W. KANE - Omar Muñoz J. DALLAS - Xavi Varghar MADRE - Alexa Voz extraña - MekanCorvus Narración a cargo de El Corintio. Recordad que podéis uniros al Canal de Telegram de La Torre del Cuervo para estar al tanto de todas las novedades: https://t.me/+fnXc1Gr1WydmYTY8 Y no olvidéis visitar nuestra página web: https://latorredelcuervo.com/ Encontraréis artículos con novedades del hobby, reseñas de las novelas más Grimdark y menciones a eventos que podrían estar ocurriendo en vuestra ciudad sin que lo sepáis. Apóyanos en iVoox pulsando el botón azul. Con tu ayuda, no solo haces posible este programa, sino que participas automáticamente en el sorteo mensual de 200€ en material de wargames, cortesía de MultiversoWar. www.multiversowar.com ¡Gracias por vuestro apoyo constante y por seguirnos en este viaje grimdark! ⚔️ Síguenos en nuestras redes sociales: Facebook: https://www.facebook.com/torredelcuervo/?locale=es_ES Bluesky: https://bsky.app/profile/latorredelcuervo.bsky.social Instagram: https://www.instagram.com/latorre_delcuervo/ YouTube: https://www.youtube.com/@La_TorredelCuervo Telegram: https://t.me/+fnXc1Gr1WydmYTY8 Para sugerencias o comentarios: info@latorredelcuervo.com
Born in Naples, Italy, Rosaria Crawford was baptized as a Catholic but never truly learned the faith. At just 14, she lost both parents within six months, and as one of nine children, she was left to work, wander, and wonder where God was in the midst of it all.At 23, Rosaria immigrated to the United States with no English and no plan—just hope. She worked humble jobs, lived through the sexual revolution, and searched for meaning in all the wrong places. But through a series of “God-incidences,” she rediscovered her childhood dream of becoming a teacher, and more importantly, her soul's deepest longing for God.Her journey back to the Catholic Church—first in her 40s, and then again more deeply after retirement—is a powerful witness of God's patience, providence, and mercy.
God opens doors no résumé can! What happens when we stop striving and start listening? In this inspiring episode, Kay Horner shares how her ministry journey unfolded—not through ambition or self-promotion, but through quiet obedience to God's call. From raising a family and homeschooling her children to leading national prayer movements and organizations, Kay's story is a powerful reminder that God opens doors no résumé can. Listeners will discover:How to recognize and respond to God's leadingEncouragement for women navigating transitions or feeling unqualifiedInsights on balancing motherhood, ministry, and leadershipThe importance of intimacy with God over platform-building Whether you're a mom, ministry leader, or woman in the workplace, this episode will strengthen your confidence that God equips those He calls — in His time, His way. Click here for SHOW NOTES!Start a Her God Story Podcast Club! Learn more here!Share this message with a friend and subscribe for weekly encouragement and inspiration! Check out HerGodStory.org for a FREE 6-WEEK DEVOTIONAL and to see upcoming guests. Want to help Widows and Orphans? Join our growing company of women meeting special needs of parentless children and nurturing their unique gifts so they can be ALL God has in mind for them! And help meet real needs of women who have given a lifetime of service to God! Support the Somebody Cares Widows and Orphan fund today! Learn more about the ministry at SomebodyCares.org, Read Jodie's BLOG at LivingYourFaith.net
This week and next, Film Comment is reporting from the picturesque shores of the Lido, where the Venice Film Festival takes place each year. This year's edition features new films by many major auteurs, including Noah Baumbach, Luca Guadagnino, Yorgos Lanthimos, Laura Poitras, and more. For our second episode from the city of canals, Film Comment Editor Devika Girish invited critics Tim Grierson and Katie McCabe to talk about recent festival premieres, including Guadagnino's After the Hunt, Park Chan-wook's No Other Choice, László Nemes's Orphan, and Poitras and Mark Obenhaus's Cover-Up. Stay tuned for more Venice coverage, providing everything you need to know about the 2025 edition.
En este tercer episodio de nuestro homenaje sonoro a Alien, descendemos aún más en los pasillos metálicos de la Nostromo. Kane despierta, el parásito ha desaparecido y la tripulación respira un falso alivio. Pero sabemos que la calma es la mentira favorita del horror. En este capítulo exploramos la diferencia entre el guion original de Dan O'Bannon, la mirada clínica de Ridley Scott y la novela de Alan Dean Foster, que aporta detalles y matices ausentes en la pantalla. Y avanzamos hacia el momento más brutal e icónico de la franquicia: el nacimiento del chestburster, el “revientapechos”, una escena que convirtió el banquete en matadero y a Alien en mito. De ahí brotó toda su iconografía maldita: vísceras, cuerpos traicionados y el xenomorfo elevado a símbolo eterno del terror espacial. En la Torre del Cuervo creemos que el grimdark no se limita a la palabra. También vibra en la música. Por eso, al final del programa abrimos nuestras compuertas a Tooth Unlabeled Society, banda de metal progresivo nacida en 2022 que en poco tiempo ha compartido escenario con Avalanch, Jorge Salán o Zenobia. Su nombre lo dice todo: Unlabeled Society, una sociedad sin etiquetas. Esta vez cerramos con su tema “Orphan 5”, un rugido áspero y visceral que prolonga la pesadilla de la Nostromo en acordes y sombras. Gracias a nuestros mecenas por mantener viva la llama de esta Torre, y a nuestros amigos de MultiverseWar, con quienes cada mes sorteamos más de 200 € en juegos de mesa, miniaturas y novelas entre quienes nos apoyan en iVoox. Puedes seguir a Tooth aquí: Web: www.toothband.es YouTube: Tooth Unlabeled Society Instagram: @toothunlabeledsocietyoficial Facebook: Tooth Unlabeled Society TikTok: @toothunlabeledsociety Una producción monumental de La Torre del Cuervo Ficción sonora a cargo del maestro Antonio "Lobo" Salinas. Guión y adaptación: Mekancorvus, Rosa y Viktoria. Reparto: ELLEN RIPLEY - Viktoria Hyvin JOAN M. LAMBERT - Rosa del estudio @laratamojada DENNIS T. PARKER - Gus SAMUEL E. BRETT - Dani Dominguez ASH - Alberto Láudano de @Noviembre Nocturno W. KANE - Omar Muñoz J. DALLAS - Xavi Varghar MADRE - Alexa Voz extraña - MekanCorvus Narración a cargo de El Corintio. Recordad que podéis uniros al Canal de Telegram de La Torre del Cuervo para estar al tanto de todas las novedades: https://t.me/+fnXc1Gr1WydmYTY8 Y no olvidéis visitar nuestra página web: https://latorredelcuervo.com/ Encontraréis artículos con novedades del hobby, reseñas de las novelas más Grimdark y menciones a eventos que podrían estar ocurriendo en vuestra ciudad sin que lo sepáis. Apóyanos en iVoox pulsando el botón azul. Con tu ayuda, no solo haces posible este programa, sino que participas automáticamente en el sorteo mensual de 200€ en material de wargames, cortesía de MultiversoWar. www.multiversowar.com ¡Gracias por vuestro apoyo constante y por seguirnos en este viaje grimdark! ⚔️ Síguenos en nuestras redes sociales: Facebook: https://www.facebook.com/torredelcuervo/?locale=es_ES Bluesky: https://bsky.app/profile/latorredelcuervo.bsky.social Instagram: https://www.instagram.com/latorre_delcuervo/ YouTube: https://www.youtube.com/@La_TorredelCuervo Telegram: https://t.me/+fnXc1Gr1WydmYTY8 Para sugerencias o comentarios: info@latorredelcuervo.com
In this episode of The Metal Maniacs Podcast, we sit down with Metzfire—a Grand Rapids-based hard rock/alt-metal powerhouse whose sound blends moody atmospheres with haunting melodies, crushing grooves, and deeply emotional lyricism.Formerly known as The Orphan and Others, Metzfire is a band that channels personal struggle and historic tragedy into powerful sonic storytelling. We dive deep into their debut album “Coordinate Oblivion”, discuss their evolving lineup, talk gear, production, and the journey from their inception to opening for national acts like The Browning and Hail The Sun.
We often do an internal check in with ourselves when it comes to work, parenthood, or our friendships, but when was the last time you asked yourself, "How am I doing as a son or daughter?" In this impactful message in our sermon season, "Messages That Marked Us," Pastor Jon Chasteen teaches us what an orphan heart looks like and how to replace that with our true identities as sons and daughters to a Heavenly Father! We pray this message would serve as an invitation to see yourself the way God sees you--not as an orphan, but as a son or daughter! Scripture references: John 14:15-18 (NIV) Romans 8:14-16 (TPT) Galatians 4:1-7 (TPT) Connect With Us: To learn more about Victory Church and to get connected, visit us at https://victory.church/ Worship Gathering Times: To see locations & worship gathering times, visit https://victory.church/locations/ Prayer: We believe in praying big prayers to a big God and expecting big results. If you're in need of prayer, our team would be honored to pray with you. You can reach us for prayer at https://victory.church/prayer Giving: At Victory, we steward God's resources well and with radical generosity. If you'd like to give toward the mission of Victory Church, visit https://victory.church/give/ Follow Us: OKC Campus: Instagram: https://www.instagram.com/victorychurchokc/ Facebook: https://www.facebook.com/victorychurchok Edmond Campus: Instagram: https://www.instagram.com/victoryedmond/ Facebook: https://www.facebook.com/victory.churchEDM Grapevine (Texas) Campus: Instagram: https://www.instagram.com/victorychurchgrapevine/ Facebook: https://www.facebook.com/profile.php?id=100089341962919
Small Town News--whose headline is it, anyway? @SmallTownNewsImprov
On this episode Gil Bashe welcomes Craig Martin—former acting CEO of Global Genes and founder/CEO of the Orphan Therapeutics Accelerator—about the urgent need to rescue clinically promising drugs for rare and ultra-rare diseases. Craig shares how his nonprofit model uses AI, CDMOs, CROs, and alternative funding to de-risk shelved therapies and transform them into treatments for patients with unmet needs. including context on systemic inequities and the human cost of stalled innovation. He describes a startling trend: when capital dries up or regulations shift, life-saving drug programs get shelved—not because of safety or efficacy issues, but due to dilution in business incentives. Among those left behind are rare disease candidates that patients and families know work, but simply become financially unviable. Martin joins us to unpack a pressing challenge in rare disease therapeutics: promising clinical‑stage drug programs that have been shelved—not for lack of science, but due to shifting capital and incentives. Through his nonprofit model at OTXL, he's pioneering an entirely new approach to rescue these assets and deliver real impact. To stream our Station live 24/7 visit www.HealthcareNOWRadio.com or ask your Smart Device to “….Play Healthcare NOW Radio”. Find all of our network podcasts on your favorite podcast platforms and be sure to subscribe and like us. Learn more at www.healthcarenowradio.com/listen
This week my new series re-watch reaches Doctor Who: Orphan 55, a low point for the Jodie Whitaker era but definitely not the lowest point of the new series. You may wish to contribute to the show's running costs, it's Patreon is here https://www.patreon.com/tdrury or buy me a coffee here https://ko-fi.com/timdrury The show is also on Facebook please join the group for exclusive behind the scenes insights and of course also discuss and feedback on the show https://www.facebook.com/groups/187162411486307/ If you want to send me comments or feedback you can email them to tdrury2003@yahoo.co.uk or contact me on twitter where I'm @tdrury or send me a friend request and your comments to facebook where I'm Tim Drury and look like this http://www.flickr.com/photos/tdrury/3711029536/in/set-72157621161239599/ in case you were wondering.
Have you ever thought about firing your parents? I remember a season in my life when I realized that I might never get my father's approval, and I emotionally fired him. Oh, I still lived under his roof until I got married, but I quit looking to him for approval. In other words, I began to live my life as an Orphan. In this podcast, and in the next podcast, we are going to look at a very common stronghold that is probably affecting your life in some way, and you might be so used to it, you don't recognize it's power over your life. Come along as we look at the stronghold of orphan lifestyle, performance, and anxiety. To learn more about the ministry of Restoring the Foundations International, please visit www.restoringthefoundations.org.
The state has plugged hundreds of the unused wells, but thousands are still leaking dangerous chemicals and climate-warming methane. Learn more at https://www.yaleclimateconnections.org/
Jennifer Lichter is a pro trail runner for The North Face, living in Missoula, MT. In 2023, Jenn was 4th at the Short Trail World Championships, landing her on the international radar in a big way early in her career. This season, Jenn has taken her game to a new level, winning and setting course records at both Broken Arrow 46k and Speedgoat 50k. In this episode, Jenn shares her personal story for the first time - a remarkable journey of living on the streets of Bogota, Colombia, to being adopted by an American family, and later blossoming into a global trail running superstar. Follow Jenn on Strava Sponsors: Use code freetrail10 for 10% off Speedland Footwear Grab a trail running pack from Osprey Use code FREETRAIL25 for 25% off your first order of NEVERSECOND nutrition at never2.com Go to ketone.com/freetrail30 for 30% off a subscription of Ketone IQ Freetrail Links: Website | Freetrail Pro | Patreon | Instagram | YouTube | Freetrail Experts Dylan Links: Instagram | Twitter | LinkedIn | Strava
God desires an intimate, personal relationship with you. And in order to get it, He wants to adopt you into His family. Listen as Pastor Brent intertwines his family's story with the story of God in one of his favorite sermons. Jesus didn't just come to redeem; He came to adopt.
Are you living as a slave to striving, or as a beloved son or daughter of God? In this message, we confront the orphan mindset that traps us in legalism, fear, and weariness. Discover the rest that comes from sonship, the living water of Christ, and the Father's unshakable love.
Choice Classic Radio Mystery, Suspense, Drama and Horror | Old Time Radio
Choice Classic Radio presents Columbia Workshop, which aired from 1936 to 1943, and again from 1946 to 1947. Today we bring to you the episode titled “Orphan Ego.” Please consider supporting our show by becoming a patron at http://choiceclassicradio.com We hope you enjoy the show!
Orphan or Child of God // Austin Svangren by HungryGen
On this week's episode, the guys discuss why Jurassic World Rebirth is trash, why Silent Hill 2 is trash, the Claire boyfriend update, Ryan fixing a busted water heater 5am, the Discord store, finding rest with God, and so much more! – http://linktree.com/thegmgpod – All of our links can be found on the LinkTree link including our audio podcast (Apple, Spotify, etc.), YouTube, Twitch streaming channels, Discord, Patreon, GMG Merchandise, X, Facebook, Instagram, and E-Mail. – Listen as Lucas, Patrick, and Ryan talk about video games, TV, movies, sports, Jesus, but most importantly, life...the greatest and most difficult game of all. And you shouldn't go at it alone, so we are gonna do it with you on this fine morning.
SpaceTime with Stuart Gary | Astronomy, Space & Science News
In this episode of SpaceTime, we explore exciting new findings about our galaxy, the latest achievements of NASA's Mars Curiosity rover, and groundbreaking images of the Sun captured by the Parker Solar Probe.Milky Way's Hidden SatellitesRecent research suggests that the Milky Way may host up to 100 previously undetected satellite galaxies. Using advanced supercomputer simulations and mathematical modeling, astronomers have identified the existence of these faint dwarf galaxies, which could provide crucial support for the Lambda cold dark matter model. Currently, only 60 companion galaxies are confirmed, but with new telescopes like the Vera Rubin Observatory, the search for these elusive satellites is set to expand, potentially reshaping our understanding of the universe's structure.Curiosity Rover Reaches New HeightsNASA's Mars Curiosity rover has made significant progress in its exploration of Mount Sharp, revealing intricate geological formations known as boxwork. This unique terrain, shaped by ancient groundwater processes, offers valuable insights into the Red Planet's history. Curiosity has been utilizing its advanced instruments to analyze the composition of the Martian surface and conduct atmospheric observations, marking a new phase in its mission to uncover the secrets of Mars.Parker Solar Probe's Record-Breaking ImagesIn a groundbreaking achievement, NASA's Parker Solar Probe has captured the closest images of the Sun ever taken. These stunning observations, made during a recent pass through the solar corona, are helping scientists understand solar phenomena and their impact on space weather. The high-resolution images reveal important details about the solar wind and coronal mass ejections, providing insights that could improve predictions of solar activity and protect technology on Earth.www.spacetimewithstuartgary.com✍️ Episode ReferencesNature Astronomyhttps://www.nature.com/natureastronomy/NASA Mars Curiosity Missionhttps://mars.nasa.gov/msl/Parker Solar Probehttps://www.nasa.gov/content/parker-solar-probeBecome a supporter of this podcast: https://www.spreaker.com/podcast/spacetime-space-astronomy--2458531/support.00:00 New study says Milky Way could have far more satellite galaxies than previously thought00:47 Our Milky Way galaxy could have more satellite galaxies surrounding it than previously predicted05:37 NASA's Mars Curiosity rover reaches new heights exploring boxwork terrain on Mount Sharp09:08 NASA's Parker Solar Probe captured stunning new images of the solar atmosphere18:40 A new study warns that hail storms could hit Australian cities harder due to climate change
Earlier this year, FaithFi had the opportunity to sit down with Tim Tebow—Heisman Trophy winner, former NFL quarterback, and founder of the Tim Tebow Foundation. But this wasn't a conversation about championships or accolades. Instead, it focused on the moments that most people would rather forget—the painful setbacks that God can use to shape something far greater than we could ever have imagined.Tim Tebow is a Heisman Trophy winner, former NFL quarterback, and founder of the Tim Tebow Foundation, a nonprofit organization dedicated to serving vulnerable children and individuals with disabilities through initiatives such as Night to Shine, orphan care, medical outreach, anti-human trafficking efforts, and support for children with profound medical needs.The Loss That Sparked a PromiseOne of those moments came during the 2008 college football season, when the University of Florida suffered an unexpected loss to Ole Miss. It's a game many fans remember, but for Tebow, it was deeply personal.As the team's quarterback and leader, he took responsibility—not just for the plays on the field, but for the team's mindset, culture, and lack of focus. “We thought we had it in the bag,” he recalled. But after falling behind and ultimately missing a critical extra point, the Gators were handed a humbling defeat.That moment set the stage for what became one of the most iconic press conferences in college football history—Tebow's passionate promise that the team would never be outworked again. What few saw, however, was the deeper soul-searching that happened behind the scenes. It was a moment of internal reckoning and spiritual clarity.Released, Then RedirectedA more recent setback came in 2021, when Tebow signed with the Jacksonville Jaguars and was released after just one preseason game. “I knew all the right truths,” he said, “but I wasn't fully living them out. My ego was wrapped up in it.”Shortly afterward, news broke of the U.S. military's withdrawal from Afghanistan, triggering a humanitarian crisis. As the situation unfolded, the Tim Tebow Foundation mobilized to respond. Tim flew to the Middle East, where he spent time serving in a refugee camp amidst chaos and suffering.Looking back, he sees God's timing clearly. “If I hadn't been cut, I wouldn't have been there. I wouldn't have been free to do what I was really called to do—care for the most vulnerable.” What looked like a professional failure turned out to be a divine redirection.A Calling Rooted in CompassionThe heart behind the Tim Tebow Foundation was planted years earlier, when a 15-year-old Tim met a boy in the jungles of the Philippines. The boy had been born with his feet on backwards and was viewed by many as cursed or disposable.“I knew God didn't see him that way,” Tim said. “But I also felt like God was asking me, ‘If you know this boy matters to Me, what are you going to do about it?'”That moment became the driving force behind the foundation's mission: to bring faith, hope, and love to those in need of a brighter day in their darkest hour. Today, that mission plays out through global efforts in orphan care, anti-human trafficking, medical outreach, and Night to Shine—a worldwide prom event celebrating individuals with special needs.From Success to Eternal SignificanceTebow also offered a powerful challenge: What are we really chasing—success or significance?“Success is about us. Significance is about others. But in God's economy, He allows us to turn our success—our platform, influence, and resources—into something that matters eternally.”He referenced Proverbs 29:2: “When the righteous flourish, the people rejoice.” The question becomes, are our achievements causing others to rejoice, or are they only benefiting ourselves?This mindset starts with a proper view of ownership. “If we believe what we have is ours, we'll hold it tightly. But if we believe it's God's, we'll live open-handed. We're stewards, not owners.”And when it comes to investing, Tebow offered a new take on ROI: “What if ROI didn't just mean ‘return on investment,' but ‘rescuing of image-bearers'? Spiritually, emotionally, eternally—investing in people who matter to God.”To anyone in the middle of a setback, Tebow pointed to a deep truth rooted in Scripture: “Do you really believe that God works all things together for good?” (Romans 8:28). Even this heartbreak? Even this moment?He reminded listeners that God is near to the brokenhearted (Psalm 34:18), and when we can't understand His plan, we can still trust His heart—because His love has already been proven at the cross.On Today's Program, Rob Answers Listener Questions:My husband and I own a condo that we're planning to move out of soon. We're considering two options: renting it out or selling it, which could bring in around $100,000 in profit. Would it be wiser to sell and invest the proceeds or hold onto it as a rental property?My wife has a beneficiary IRA worth approximately $108,000, and she has been required to take distributions from it. I'm trying to understand how a beneficiary IRA differs from a traditional IRA, especially when it comes to how it's managed. Also, she's turning 62 in November—does that milestone change anything about how we should approach this account?Resources Mentioned:Faithful Steward: FaithFi's New Quarterly Magazine (Become a FaithFi Partner)Tim Tebow FoundationWisdom Over Wealth: 12 Lessons from Ecclesiastes on MoneyLook At The Sparrows: A 21-Day Devotional on Financial Fear and AnxietyRich Toward God: A Study on the Parable of the Rich FoolFind a Certified Kingdom Advisor (CKA) or Certified Christian Financial Counselor (CertCFC)FaithFi App Remember, you can call in to ask your questions most days at (800) 525-7000. Faith & Finance is also available on the Moody Radio Network and American Family Radio. Visit our website at FaithFi.com where you can join the FaithFi Community and give as we expand our outreach.
Lexi Silver is 15 years old. She lost both of her parents before she turned 11. That should tell you enough—but it doesn't. Because Lexi isn't here for your pity. She's not a sob story. She's not a trauma statistic. She's a writer, an advocate, and one of the most emotionally intelligent people you'll ever hear speak into a microphone.In this episode, Lexi breaks down what grief actually feels like when you're a kid and the adults around you just don't get it. She talks about losing her mom on Christmas morning, her dad nine months later, how the system let her down, and how Instagram trolls tell her she's faking it for attention. She also explains why she writes, what Experience Camps gave her, how she channels anger into poems, and what to say—and not say—to someone grieving.Her life isn't a Netflix drama. But it should be.And by the way, she's not “so strong.” She's just human. You'll never forget this conversation.RELATED LINKS• Lexi on Instagram: @meet.my.grief• Buy her book: The Girl Behind Grief's Shadow• Experience CampsFEEDBACKLike this episode? Rate and review Out of Patients on your favorite podcast platform. For guest suggestions or sponsorship inquiries, email podcast@matthewzachary.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Your dad dies before you're born. Your mom can't afford to take care of you. You grow up without a family and in an institution. You learn a trade and start working full time at the age of 14. You work all day and go to school at night. You're precise, meticulous, restless, and work circles around everyone. You're promoted to run the factory at 18 but the thought of working for anyone else terrifies you. For your entire life you'll be obsessed with control. You'll do whatever it takes to escape the harshness of poverty and the pangs of hunger. You organize your life around a simple principle: "I want to be the best at everything I do.” You start your own workshop, create the best product, and your biggest customer wants to become your partner. They underestimate you and abuse you. You destroy them. You take all of their customers. You're not satisfied with being a subcontractor. You want everything. You make your own glasses, you buy your distributor, you list your company on the New York Stock Exchange, you complete hostile takeovers of much larger companies, you buy entire retail chains, and control everything about your product: from the raw materials to the relationship with the customer. Your competitors call you the hawk because you circle, wait, and then strike. You work 20 hours a day and fuse yourself with the factory. You get married four times, to three different women, and have six kids. You don't look back, you don't rest on your laurels, and you don't go to sleep on wins. You make something great, then you do it again. Your biggest deal comes 60 years into your career. The only thing that could stop you was death. You are Leonardo Del Vecchio. This episode is what I learned from reading Leonardo Del Vecchio by Thomas Ebhardt and The Spectacle of Big Lens: How One Giant Company Will Dominate How the World Sees by Sam Knight. ------ Ramp gives you everything you need to control spend, watch your costs, and optimize your financial operations —all on a single platform. Make history's greatest entrepreneurs proud by going to Ramp and learning how they can help your business control your costs and save time and money. ----- Automate compliance, security, and trust with Vanta. Vanta helps you win trust, close deals, and stay secure—faster and with less effort. Find out how increased security leads to more customers by going to Vanta. Tell them David from Founders sent you and you'll get $1000 off. ----- Join my free email newsletter to get my top 10 highlights from every book ----