Podcasts about editions eg

"Un Segundo de Luz" es la sección cultural de La Hora Oscura, donde ampliamos el componente cultural de cada episodio, de una forma más extensa: libros, comics, juegos, cine...y todo de la mano de nuestro especialista Jesús García. ¡Escúchalo ya y a disfrutar! Lista de recomendaciones mencionadas: Libros de Jacobo Grinberg: El Cerebro Consciente Editorial: Alamah. Psicología de la Ayahuasca Editorial: Alamah. Películas y series La habitación del miedo (1988) Buscar en DVD o servicios de alquiler digital. La zona muerta (1983) Disponible para alquilar o comprar en Apple TV, YouTube Movies, o Amazon. Carrie (2013) Alquiler en Amazon, Google Play, o Apple TV. Ojos de fuego (2022) Alquiler en Amazon, Google Play, o Apple TV. Dark City (1998) Buscar en plataformas de alquiler como Apple TV o Amazon. Stranger Things (2016-presente) Exclusiva en Netflix. Nivel 13 (1999) Disponible para alquilar en Apple TV y Amazon Video. Desaparecer por completo (2022) Exclusiva en Netflix. Hannibal (2001) En Movistar Plus+ y Filmin. Hannibal (serie, 2013-2015) En Movistar Plus+ y Filmin. Archive (2020) Alquiler o compra digital en Apple TV, Amazon, Rakuten, o Google Play. Next (2007) Disponible en plataformas de alquiler como Apple TV o Amazon Video. Señales del futuro (2009) Disponible para alquiler en servicios digitales. Juegos de mesa The Mind Editorial: NSV. Disponible en tiendas de juegos como Amazon o tiendas especializadas. MindMGMT: The Psychic Espionage “Game” Editorial: Off The Page Games. Disponible en tiendas de juegos de mesa y plataformas en línea como Amazon. Música recomendada: Icaros (música tradicional de ayahuasca) Disponible en YouTube o en recopilaciones de música étnica. Música Huichol (tradicional mexicana) En plataformas como YouTube o servicios de música en línea. Pink Floyd - "The Dark Side of the Moon" Editorial musical: Harvest Records. Spotify, YouTube Music, o servicios de streaming. The Beatles - "Sgt. Pepper's Lonely Hearts Club Band" Editorial musical: Apple Records. Disponible en Spotify, YouTube Music. Shpongle - "Are You Shpongled?" Disponible en servicios de música en línea como Spotify o Bandcamp. Boards of Canada - "Music Has the Right to Children" Editorial musical: Warp Records. Spotify, YouTube Music. Brian Eno - "Ambient 1: Music for Airports" Editorial musical: Editions EG. Spotify, Apple Music, YouTube. Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Episode 111 Before and After Ambient, Part 2 Playlist Midori Takada, “Mr. Henri Rousseau's Dream” from Through The Looking Glass (1983 RCA Red Seal). 高田みどり (Midori Takada) is a Japanese composer and percussionist. She was a key figure in the Japanese ambient movement of the 1980s. Composed, performed, produced, Marimba, Gong, Cowbell, Recorder, Wood Bell, Ocarina, Tam-tam, Midori Takada. She performed all of the instruments on this album. The album was not immediately popular but seeded the nascent ambient movement that was growing in Japan at the time. Midori Takada, “Trompe-l'œil” from Through The Looking Glass (1983 RCA Red Seal). 高田みどり (Midori Takada) is a Japanese composer and percussionist. She was a key figure in the Japanese ambient movement of the 1980s. Composed, performed, produced, Marimba, Gong, Cowbell, Recorder, Wood and clay Bells, Ocarina, Tam-tam, Cola Bottle, Reed Organ, Midori Takada. She performed all of the instruments on this album. Brian Eno and Harold Budd, “Their Memories” from The Pearl (1984 Editions EG). Composed by Brian Eno, Harold Budd; produced by Brian Eno and Daniel Lanois. David Behrman, “Interspecies Smalltalk Scene 2” (1984) from Leapday Night (1987 Lovely Music). Composed, produced, and computers by David Behrman; violin, Takehisa Kosugi. "Interspecies Smalltalk" (1984) is an interactive piece originally commissioned by the Cunningham Dance Company. Yutaka Hirose, “Light Which Shakes Quietly” from Nova+4 (2019 WRWTFWW Records). Bonus track on this reissued album that dates from 1986. Composed , Arranged and Computer by, Yutaka Hirose; Synthesizer, Jun Tohyama. Takashi Kokubo, “A Dream Sails Out To Sea - Scene 3” (2019 Light In The Attic). Originally released in 1987, this track was part of the new wave of Japanese ambient music. By that time, Kokubo was already reknown for his synthesizer skills on a part with Isao Tomita. He turned to sound design and ambient music and has been instrumental in addition to creating such sounds as the nationally-used mobile phone earthquake alert and credit card payment jingles. Yoichiro Yoshikawa, “Nube” from Cyprus (1988 Eastworld). Original sound track of Japanese TV program. Yoshikawa was already a reliable session musician when he acquired one of the first Phophet-5 synthesizers in Japan. He quickly became a go-to composer for television and other purposes, such as soundscapes for museum exhibitions. Tetsu Inoue, “Low of Vibration” from Ambiant Otaku (1994 Fax +49-69/450464). Before I met Tetsu around the year 2000, I was fascinated by music such as this which had all of the elements of ambient music—slow and forming harmonies, spatial rhythms rather than beats, and a sustained energy throughout—without sounding at all like something out of an Eno production. Produced and performed by Tetsu Inoue. Kenji Kawai, “Ghostdive” from Ghost in the Shell (Original Soundtrack) (1995 RCA). An ambient work from the popular movie soundtrack.Composed, Performed, Produced, Arranged, Keyboards, Instruments, Kenji Kawai; synthesizer, Hironori Houki. Waveform Transmission, “V 1.3” from V 1.0-1.9 (1996 Silent). Analog Tone Engineering and Realization, Recordings Of The Dead, Shortwave, Field Recordings Made During Periods Of Highly-charged Paranormal Activity, Korg MS 10, Korg MS 20, Korg MS 50, Roland System 100 Synthesizers, Home Built Analog Synthesizers, Tape, Loops, Chris Troy; Digital Audio Graphs, Granular Synthesis, Microwave Communications, Psycho-acoustics, Tape, Loops Otari MX 5050 loops, Rod Modell. Experimental Audio Research, “Automatic Music (For Oscillator, Ring Modulator & Filter Clusters)” from Pestrepeller (1999 Ochre Records). UK release, limited to 1000 copies. Engineer, Serge Modular Music System, Sonic Boom (Pete Kember). Some interesting modular synthesizer ambience. John Foxx and Harold Budd, “Raindust” from Translucence + Drift Music (2003 Edsel Records). Composed, produced, and performed by Harold Budd, John Foxx. John Foxx and Harold Budd, “Some Way Through All the Cities” from Translucence + Drift Music (2003 Edsel Records). Composed, produced, and performed by Harold Budd, John Foxx. Pete Namlook, Tetsu Inoue, “Ethereal Being” from 2350 Broadway 4 (2007 Fax +49-69/450464). Composed, produced, and performed by Pete Namlook, Tetsu Inoue. Recorded at Bretton Hall, New York and Klanglobor Hödeshof. Tetsu was an endless collaborator. Here he and the wondrous Pete Namlook wove some ambient magic. Tetsu Inoue, “Kaze” from Inland (2007 Fax +49-69/450464). Written, performed and produced by Tetsu Inoue. This was his post-glitch faze, which brought together, strangely enough, element so his earlier ambient work and glitch music for computers. Masuko Shinji, “Woven Music for Blue Steppe” from Woven Music (2011 Jagjaguwar). All music, vocals and guitar, 増子真二 (Shinji Masuko). This is a project by Masuko, who sometimes works with the Boredoms. It has a characteristic high but sustained energy level that flirts with the outer reaches of the ambient music concept. Caroline Park, “Grain 5” from Grain (2011 Private Chronology). This is a cassette release by Park, often known her for generative composition work and electronic improvisations based on parameters that she defines. Recorded, performed, and mixed between May 2010 and January 2011 in Los Angeles and Boston. Sarah Davachi, “First Cadence” from Antiphonals (2021 Late Music). Composed, Recorded, Performed, Mellotron (bass flute, recorder, oboe), Tape Echo, Sarah Davachi. A recent ambient work by this contemporary experimenter. In the background: An example of ambient music from the program Droneo by Henry Lowengard, which produces self-generating ambient music on a smart phone. “Droneo 1.5 vanDelay and Ape,” (5:25). Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation. For additional notes, please see my blog, Noise and Notations.  

Peter Knight is an Australian composer, trumpeter, and sound artist. He has been Artistic Director of the Australian Art Orchestra for the last ten years, performed with Anthony Braxton, Senyawa, and Alvin Lucier, and played at some of the most significant festivals and venues in the world. He has also recently released his twelfth album, Shadow Phase, on the inimitable @Room40 imprint. @phjk From Peter: "This is a mix of tracks that have inspired me, particularly across COVID when I was craving that sense of 'strange beauty' that each of these works impart - at least to me. Sometimes when I am making music I will 'check in' with albums that relate somehow to the music I am working on, and each of these tracks has a quality that seemed relevant to what I was working on for Shadow Phase." David Sylvian - Small Metal Gods [Manafon; Samahdi Sound] Christian Wallumrod - Eliasong [A Year From Easter; ECM] Marina Rosenfeld - Sweetest Sensation [Plastic Materials; Room40] Oren Ambarchi - Remedios the Beauty [Grapes from the Estate, Touch Music] Julia Reidy - Of Neither [Brace, Brace; Slip] Jon Hassell and Brian Eno - Ba-Benzélé [Fourth World Vol 1: Possible Musics; Editions EG]

Episode 22 Music from the Dark–In Memory of Harold Budd Playlist Harold Budd, “Style Is,” an interview excerpt (with music) (cassette, 1983 Les Disques Du Crépuscule). Part of a longer production by Wim Mertens for the New Musical Festival in Chicago, July 1982, featuring music and interviews (by Mertens). The festival featured performances by Peter Gordon, Jon Gibson, Meredith Monk, Jill Kroesen, Glenn Branca and others. The recording was dedicated to John Cage, and intended to be released on his 70th birthday, 1982. Harold Budd, “Noyo” (1970 unreleased), excerpt. From a late-night electronic music mix produced by the editorial staff of Source Magazine--Music of the Avant Garde. Harold Budd, voice, Buchla Modular synthesizer, jazz ensemble (uncredited). Harold Budd, “The Oak of The Golden Dreams” (1971 Advance), for Buchla modular synthesizer from the California Institute of the Arts, based on the Balinese 'Slendro' scale, a five-note scale and the older of the two most common scales used in Indonesian gamelan music. Harold Budd, “The Plateaux Of Mirror” from Ambient 2 (The Plateaux Of Mirror) (1980 Editions EG). Composed by Harold Budd and Brian Eno; acoustic and electric piano, Harold Budd; other instruments and treatments, produced by Brian Eno. Harold Budd, “The Serpent (In Quicksilver)” from The Serpent (In Quicksilver) (1981 Cantil). Bass, Eugene Bowen; Electric Piano [Yamaha Electric Piano], Grand Piano [Bosendorfer], Organ [Hammond Organ] and producer, Harold Budd. Harold Budd, “On Performing,” an interview excerpt (with music) (cassette, 1983 Les Disques Du Crépuscule). Harold Budd, “A Stream with Bright Fish” from The Pearl (1984 Editions EG). Composed by Harold Budd and Brian Eno. Produced by Brian Eno and Daniel Lanois. Harold Budd, “Against the Sky” from The Pearl (1984 Editions EG). Composed by Harold Budd and Brian Eno. Produced by Brian Eno and Daniel Lanois. Harold Budd, “Abandoned Cities” excerpt from Abandoned Cities (1984 Cantil). Composed, performed and produced by Harold Budd. Guitar Eugene Bowen. Harold Budd, “Flowered Knife Shadows (For Simon Raymonde)” from Lovely Thunder (1986 Editions EG). Composed and performed by Harold Budd. Produced by Harold Budd and Michael Hoenig. Harold Budd, “The White Arcades” from The White Arcades (1988 Opal). Composed, performed and produced by Harold Budd Harold Budd, “Advent” from By The Dawn's Early Light (1991 Opal). Piano, Organ [Hammond B3], Synthesizer, Vocals, Artwork, Written-By [Poems], Composed By, Producer, Harold Budd; Electric Guitar, Acoustic Guitar, Bill Nelson; Harp, Susan Allen; Steel Guitar, BJ Cole; Viola, Mabel Wong. Harold Budd, “Paul McCarthy” from Luxa (1996 All Saints). Composer, performer, producer, Harold Budd. Harold Budd, “The Room of Ancillary Dreams” from The Room (2000 Atlantic). Composer, performer, producer, Harold Budd. Harold Budd, “Arabesque 3” from Avalon Sutra (2004 Samadhisound). Composer, performer, producer, Harold Budd. Composer and sopranino saxophone, Jon Gibson. Harold Budd, “It's Steeper Near the Roses (for David Sylvian)” from Avalon Sutra (2004 Samadhisound). Composer, performer, producer, Harold Budd. Cello,Marston Smith; Viola, James Acevedo; Violins, James Sitterly and Peter Kent. Harold Budd, “Jane 1” from Jane 1-11 (2014 Darla). Composer, performer, producer, Harold Budd. Harold Budd, “As Long as I can Hold My Breath” from Avalon Sutra (2004 Samadhisound). Composer, performer, producer, Harold Budd.   Archive Mix (two tracks played at the same time). Harold Budd, “Jane 11” from Jane 1-11 (2014 Darla). Composer, performer, producer, Harold Budd. Harold Budd, “As Long as I can Hold My Breath” (excerpt of longer version) from Avalon Sutra (2004 Samadhisound). Composer, performer, producer, Harold Budd.  

In both its first incarnation (1994-1998) and its second one (2003-2006), the UK-based Emit label (officially spelt em:t) delivered a varied, idiosyncratic vision of ambient music in the tradition of the great ambient labels of yore like Editions EG. Although now long gone, Emit's reputation in the dance and electronic underground for quality and innovation remains undiminished to this day. The artists provided us with some of the most thrilling, audacious chill-out music of the 90's and beyond. This two-volume mix series captures my personal highlights from the official Emit releases, as well as from three 'ghost' albums that were more or less finished but never released. Respect to the various Emit crews: David Thompson, Chris Allen, Tom Smyth, Will Joss, Matt Hall and John Bagguley. Escape your speakers. Compiled & mixed by Mike G @ Rubycon Sound, March-April 2020. More at http://ambientmusicguide.com/

In both its first incarnation (1994-1998) and its second one (2003-2006), the UK-based Emit label (officially spelt em:t) delivered a varied, idiosyncratic vision of ambient music in the tradition of the great ambient labels of yore like Editions EG. Although now long gone, Emit's reputation in the dance and electronic underground for quality and innovation remains undiminished to this day. The artists provided us with some of the most thrilling, audacious chill-out music of the 90's and beyond. This two-volume mix series captures my personal highlights from the official Emit releases, as well as from three 'ghost' albums that were more or less finished but never released. Respect to the various Emit crews: David Thompson, Chris Allen, Tom Smyth, Will Joss, Matt Hall and John Bagguley. Escape your speakers. Compiled & mixed by Mike G @ Rubycon Sound, March-April 2020. More at http://ambientmusicguide.com/

Les classiques de  m*u*t*a*t*i*o*n*s ! Rediffusion: Ludaxpack (15 février 2015) Laser - Planet Of No Return - Decca Ludaxpack Robert Fripp -1984 - Editions EG NON - Carnis Vale - MuteTuxedomoon - 59 To 1 - CelluloidMaterial - Ciquri - Base RecordDavid Sylvian - Pulling Punches - VirginDefunkt - Defunkt - HannibalThe Slits - I Heard It Through The Grapevine - IslandLizzy Mercier Descloux - Fire - ZETalking Heads - Making Flippy Floppy (12" Mix) - SireColourbox - Breakdown - 4ADHerbie Hancock - Stars In Your Eyes - Columbia

Les classiques de  m*u*t*a*t*i*o*n*s ! Rediffusion: Ludaxpack (15 février 2015) Laser - Planet Of No Return - Decca Ludaxpack Robert Fripp -1984 - Editions EG NON - Carnis Vale - MuteTuxedomoon - 59 To 1 - CelluloidMaterial - Ciquri - Base RecordDavid Sylvian - Pulling Punches - VirginDefunkt - Defunkt - HannibalThe Slits - I Heard It Through The Grapevine - IslandLizzy Mercier Descloux - Fire - ZETalking Heads - Making Flippy Floppy (12" Mix) - SireColourbox - Breakdown - 4ADHerbie Hancock - Stars In Your Eyes - Columbia

Paul Charpentier Steve Hillage - Garden Of Paradise - Virgin Francis Oak  Maurice Blackburn - Jour Après Jour (Day After Day) - ONF Gil Mellé - Waterbirds (pt.1) - Nocturne Ariel Kalma - Yogini Breath - RVNG INTL Jon Hassell / Brian Eno - Ba-benzélé - Editions EG Alpha Yaya Diallo - Lobi A La Yaya - Onzou  Codona - Mumakata - ECM Vito Ricci - Riverflow Electronic - Music From Memory Ingram Marshall - Gradual Requiem (part 3) - New Albion Records

Paul Charpentier Steve Hillage - Garden Of Paradise - Virgin Francis Oak  Maurice Blackburn - Jour Après Jour (Day After Day) - ONF Gil Mellé - Waterbirds (pt.1) - Nocturne Ariel Kalma - Yogini Breath - RVNG INTL Jon Hassell / Brian Eno - Ba-benzélé - Editions EG Alpha Yaya Diallo - Lobi A La Yaya - Onzou  Codona - Mumakata - ECM Vito Ricci - Riverflow Electronic - Music From Memory Ingram Marshall - Gradual Requiem (part 3) - New Albion Records

01. Laraaji - The Dance No.1 [Editions EG] 02. Dayme Arocena - Nueva Era [Brownswood] 03. Walter Hawkins - Metropolis [Leng] 04. Ingram Marshall - Gradual Requiem: Part 3 [Arc Light Editions] 05. Emanative & Four Tet - Makondi [Steve Reid Foundation] 06. Jon Hopkins - I Remember (Nils Frahm Dub Interupt Mix) [LateNightTales] 07. Flying Saucer Attack - Instrumental 9 [Domino] 08. Nicolas Jaar - Space Is Only Noise If You Can See [Circus Company] 09. Florian Fricke (Popol Vuh) - Last Village [Soul Jazz] 10. Haiku Salut - No Colour Of Rain And Dust [How Does It Feel To Be Loved?] 11. Angela Lansbury - Positive Moves [pinched from YouTube] 12. Earl Wilson - Come In My Mouth [Crippled Dick Hot Wax!] 13. Ike Reiko - Keiken [Bamboo] 14. Jacky Chalard - Les Scandales [Fat City] 15. Jean-Jacques Perrey - E.V.A. [Because Music] 16. Animated Egg - Sock It My Way [Marble Arch] 17. The Anemic Boyfriends - Guys Are Not Proud [Red Sweater] 18. The Innovent Vicars - Funky Town [No Brain] 19. Nazareth - Morning Dew [Pegasus] 20. Dzyan - Back To Earth [Long Hair, Long Hair] 21. The Dream Syndicate - John Coltrane Stereo Blues [A&M] 22. La Secta - Ghost Rider [Sympathy For The Record Industry] 23. Rizzo - I Don't Care[Touch Sensitive] 24. My Life With The Thrill Kill Kult - A Daisy Chain 4 Satan (Acid Flowers Mix) [Wax Trax!] 25. The Durutti Column - Fridays [Factory]

Paul Charpentier Laser - Planet Of No Return - Decca Ludaxpack Robert Fripp -1984 - Editions EG NON - Carnis Vale - Mute Tuxedomoon - 59 To 1 - Celluloid Material - Ciquri - Base Record Davis Sylvian - Pulling Punches - Virgin Defunkt - Defunkt - Hannibal The Slits - I Heard It Through The Grapevine - Island Lizzy Mercier Descloux - Fire - ZE Talking Heads - Making Flippy Floppy (12" Mix) - Sire Colourbox - Breakdown - 4AD Herbie Hancock - Stars In Your Eyes - Columbia

Paul Charpentier Laser - Planet Of No Return - Decca Ludaxpack Robert Fripp -1984 - Editions EG NON - Carnis Vale - Mute Tuxedomoon - 59 To 1 - Celluloid Material - Ciquri - Base Record Davis Sylvian - Pulling Punches - Virgin Defunkt - Defunkt - Hannibal The Slits - I Heard It Through The Grapevine - Island Lizzy Mercier Descloux - Fire - ZE Talking Heads - Making Flippy Floppy (12" Mix) - Sire Colourbox - Breakdown - 4AD Herbie Hancock - Stars In Your Eyes - Columbia