Podcasts about Tuxedomoon

Baxie talks to drummer Greg Langston. This is an unbelievable story about Greg's time with the Sea Hags. This was a band that had been set to become “The Next Guns n Roses”. But due to a series of unfortunate circumstances and bad decisions the band began to implode just before they had a chance to record their one and only studio album. This was a band that had everything going their way until it suddenly didn't. In fact, Greg talks about the Sea Hags even having their early demos produced by Kirk Hammet from Metallica and the great Siliva Masse (Johnny Cash, Tool, RHCP). Greg talks about that, his previous work with both No Alternative and Tuxedo Moon, getting fired from the band, and about the release of a previously unavailable live recording of the Sea Hags which has just been released on Liberation Hall records (“Dead & Gone”). Just an amazing and heartbreaking story of a band that missed it by THAT much! Listen wherever you find podcasts and on the Rock102 app! Brought to you by Metro Chrysler Dodge Jeep Ram of Chicopee.

Episodio 7.20 de Las Cosas Que Hay Que Escuchar, en el cual seguimos combatiendo al realismo capitalista mientras escuchamos la música de Band Maid, XTC, Wild Billy Childish & CTMF, The Raincoats, Tuxedomoon, The The, Tronco, Luis Alberto Spinetta, Carlos Cutaia, The Selecter, The Specials, Toyah, Yazoo y The Wolfgang Press Y, obviamente, todo el delirio habitual de Saurio y las voces que lo atormentan.

Sintonía: "Hommes assis devant un mur chaulé" - Benjamin Lew"Dans les jardins" - Benjamin Lew & Steven Brown; "L´apparition" - Hector Zazou; "Jounieh" - Foreign Affair; "Ishtar" - Sussan Deyhim & Richard Horowitz; "Vera C." - Hector Zazou; "Sidetegnash negn" - Mahmoud Ahmed; "Sub-Lunar Folly" - Peter Principle; "Le maka" - Peter Principle; "Milano per caso" - Aksak Maboul; "Cine Cittá" - Hector Zazou; "The Big Dig" - Family Fodder; "Bonus Beast" - Foreign Affair; "Desert Equations" - Sussan Deyhim & Richard Horowitz; "In A Manner Of Speaking" - Tuxedomoon; "Tippi Rider" - Peter Principle; "Retour chez les futuristes" - Aksak Maboul; "Un celte" - Daniel Schell; "Hole version" - Minimal Compact; "Decollage" - The Honeymoon Killers; "Bamako ou ailleurs" - Benjamin Lew & Steven Brown; "Volo vivace" - Tuxedomoon; "Sunny Day" - Sonoko; "Bolingo" - Poto Doundongo; "Scratch Holiday" - Aksak Maboul; "Low Flight" - Minimal Compact; "The Waltz" - Tuxedomoon; "Romeo Sama" - Sonoko; "Blue Angel" - HermineTodas las músicas seleccionadas y mezcladas por Marc HollanderTodas las músicas extraídas de la recopilación (1xCD) "Crammed Global Soundclash 1980-89: Part One: World Fusion" (Crammed Discs, 2003)Escuchar audio

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! La música nos rodea, está por todas partes. Es dificil escapar a ella. Suena al entrar en la cafetería, en todos y cada uno de los cientos de miles de anuncios que intentamos esquivar en todo momento, en el supermercado, en las tiendas, en la televisión, en la radio, en el cine, en la calle, en nuestro teléfono móvil... Da igual si nos apetece oírla o no. Está ahí deliberadamente para influir en nuestro estado de ánimo, para que compremos más (y más deprisa). Y ante las cientos y cientos de propuestas que nos asedian incontroladamente, nosotros pretendemos seleccionar justo aquellas que los demás desdeñan. Entre todas las toneladas de música que nos sepultan a diario, aquí os ofrecemos una selección cuidada con infinito mimo para que disfrutéis de un oasis de dos horas con sonidos que de verdad merece la pena escuchar. Philip Glass, Kummerspeck, Johannes Winkler/Rusanda Panfili, Tuxedomoon & Cult with No Name, Judah Earl, Hannah Yoo, Patrick O'Hearn, Himekami, Masayuki Hasuo, Nelman Music System, Lotus Sky, Birds on a Wire/Rosemary Standley, Ola Gjeilo. 🎧 El playlist detallado: lostfrontier.org/t29.html#1054.Escucha este episodio completo y accede a todo el contenido exclusivo de lostfrontier.org. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/26825

Episode 174 Chapter 33, Digital Synthesizers and Samplers. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 33, Digital Synthesizers and Samplers from my book Electronic and Experimental music.   Playlist: DIGITAL SYNTHESIZERS AND SAMPLERS   Time Track Time Start Introduction –Thom Holmes 01:38 00:00 1.     Jon Appleton, “Syntrophia”(1978) from Music For Synclavier And Other Digital Systems. Composed and performed on the Synclavier, Dartmouth Digital Synthesizer, Jon Appleton. 08:55 01:40 2.     Claude Larsen, “Nitrogen” (1980) from Synthesis. Sounds a bit like “Oxygen” by Jarre from 1976. Programmed, performed, Fairlight CMI Music, Roland System 700, Oberheim TVS-1 Four Voice, Polymoog, Roland MC 8 Micro-Composer, Syntovox vocoder, Claude Larson. 02:31 10:36 3.     Eberhard Schoener, “Fairlight 80” (1980) from Events. Featured the Fairlight CMI played by Schoener and vocals by Clare Torry. 04:20 13:04 4.     Eberhard Schoener, “Events - A La Recherche Du Temps Perdu” (1980) from Events. Mellotron, Violin, Piano, Moog, Oberheim, Fairlight CMIsynthesizers, Eberhard Schoener;  Fairlight CMI, Morris Pert; Gong, Percussion (Gede, Kempli, Rejong), Furst Agong Raka; Gong, Percussion (Gender, Lanang, Rejong), Ketut Tama; Gong, Percussion (Wadong, Rejong), Rai Raka; Percussion, Morris Pert; Fender electric piano, Roger Munnis; tenor saxophone, Olaf Kübler; Drums,  Evert Fraterman, Pete York; Electric Bass, Steve Richardson; Electric Guitar, Ian Bairnson. 11:07 17:26 5.     Klaus Schulze, “Death Of An Analogue” (1980) from Dig It. All music played on the Crumar GDS digital synthesizer/computer. All percussion by F.S. Drum Inc. and GDS. 12:20 28:31 6.     Klaus Schulze, “The Looper Isn't A Hooker” (1980) from Dig It. All music played on the Crumar GDS digital synthesizer/computer. All percussion by F.S. Drum Inc. and GDS. 07:05 40:52 7.     Joel Chadabe and Jan Williams, “Song Without Words” (1981) from Rhythms For Computer And Percussion. "The equipment used in RHYTHMS is a portable minicomputer/digital synthesizer system designed and manufactured by New England Digital Corporation in Norwich, Vermont, expressly for making music.” This was an early Synclavier without a keyboard controller. Synclavier digital synthesizer, Joel Chadabe; Percussion, Vibraphone, Marimba, Slit Drum, Log, Wood Block, Temple Block, Cowbell, Singing Bowls, Jan Williams. 07:24 47:54 8.     Don Muro, “Deanna Of The Fields” (1981) from Anthology. Vocals, Piano, Electric Piano, Acoustic Guitar, Electric Guitar, Synthesizer, Korg M1 Music Workstation, Bass, Drums, Percussion, Don Muro. 02:52 55:18 9.     Nervous Germans, “Hometown” (1981) from Nervösen Deutschen. Bass, Producer, Micki Mäuser; Drums, Udo Dahmen; Guitar, Manni Holländer; Vocals, Casio VL Tone micro keyboard, Grant Stevens. 05:15 58:10 10.   Tuxedomoon, “Blind” from Time To Lose, Blind. Effects, Guitar, Peter Principle; Casio M-10, Blaine L. Reininger; Vocals, Moog, Soprano Saxophone, Steven Brown; Vocals, Winston Tong. 07:44 01:03:26 11.   Herbie Hancock, “Rough” (1983) from Future Shock. Fairlight CMI, AlphaSyntauri, Emulator, Herbie Hancock; Background Vocals, Bernard Fowler, Grandmixer D.ST., Nicky Skopelitis, Roger Trilling; Bass, Bill Laswell; Drums, Sly Dunbar; Lead Vocals, Lamar Wright; Prophet-5, Michael Beinhorn; Turntables, Voice, Grandmixer D.ST. 06:54 01:11:00 12.   Wendy Carlos, “Genesis,” “Eden,” and “I.C. (Intergalactic Communications)” (1984) from Wendy Carlos' Digital Moonscapes. Programmed All Sounds programmed and performed on the Crumar GDS/Synergy digital synthesizer, Wendy Carlos. 15:20 01:17:50 13.   Ron Kuivila, “Household Object” (1984) from Fidelity. Casio VL toneand homemade electronics, Ron Kuivila. 09:34 01:33:20 14.   Lejaren Hiller, “Expo '85” (1985) from Computer Music Retrospective. Four short pieces highlight the versatility of the Kurzweil K250: “Circus Piece - A Cadential Process” (4:04), “Transitions - A Hierarchical Process” (2:12), “Toy Harmonium - A Statistical Process” (1:41), “Mix Or Match - A Tune Generating Process (5 Examples)” (3:44). 11:55 01:42:52 15.   Third World, “Can't Get You (Out Of My Mind)” (1985) from Sense Of Purpose. Yamaha DX7, Prophet 5, PFR Yamaha, Grand Piano Yamaha Acoustic, Organ Hammond B3, Clavinet Mohner D6, Percussion, Vocals, Michael "Ibo" Cooper; Backing Vocals, Glenn Ricks, Meekaaeel; Bass, Rhythm Guitar, Backing Vocals, Percussion, Richie "Bassie" Daley; Drums Yamaha Acoustic Drums, Electronic Drums Simmons, Drum Machine D.M.X., Drum Machine Linn Drum Machine, Percussion, Backing Vocals, Willie Stewart; Keyboards, Lead Guitar, Rhythm Guitar, Harmonica, Acoustic Guitar The Washburn Electro Acoustic, Vocals, Percussion, Stephen "Cat" Coore; Lead Vocals, Backing Vocals, Bill "Bunny Rugs" Clarke; Percussion, Neil Clarke; Percussion, Binghi Drums, Junior Wedderburn, Tschaka Tonge. 03:37 01:54:46 16.   George Todd, “Sound Sculptures” (1985) from Music For Kurzweil And Synclavier. Synclavier Digital Music System, George Todd. 09:02 01:58:22 17.   Russ Freeman, “Easter Island” (1986) from Nocturnal Playground. Electric Guitar, Acoustic Guitar, Guitar Synthesizer, Keyboard Bass, Emulator II, Linn 9000 Drum programming, Russ Freeman; Drums, Percussion, David Renick; Percussion, Emulator II programming, Steve Reid; Alto Saxophone, Brandon Fields. 05:30 02:07:22 18.   Donald Steven of G.E.M.S., “Images - Refractions Of Time And Space (1986)” from Group Of The Electronic Music Studio - McGill University. Yamaha DX7, Laurie Radford; Bass, John Oliver; Electric Flute, Jill Rothberg; Percussion, Elliot Polsky, François Gauthier. 11:42 02:12:52 19.   Jane Brockman, “Kurzweil Etudes” (1-3) (1986) from Music For Kurzweil And Synclavier. Kurzweil K250, Jane Brockman. 10:19 02:24:32 20.   Richard Burmer, “Across The View” (1987) from Western Spaces. Emulator II plus an analog synth, Richard Burmer. 04:38 02:34:48 21.   Sonny Sharrock Band, “Kate (Variations On A Theme By Kate Bush)” (1990) from Highlife.  Electronics, Korg M1, Korg Wave Station, Dave Snider; Bass, Charles Baldwin; Drums, Abe Speller, Lance Carter; Guitar, Sonny Sharrock. 05:52 02:39:32 22.   Second Decay, “Taste” (1994) from Taste. Produced with the Roland Compu Music CMU-800R workstation and without MIDI; Simmons Electronic Drums,Thomas V.. Other synths used: ARP Odyssey, ARP 2600, PPG Wave 2.0, Emulator I and II, Roland SH-101, SH-7, CR-78, TR-808, MC-4, TR-606, EMS Synthi A, Solina String, Mellotron, Crumar Performer, Teisco 110F, Wasp, Linn LM-1, SCI Pro-One, Minimoog, Korg Mono-Poly, SQ-10, Elektro Harmonix Minisynth, Vocoder and effect devices, Compact Phasing A, Roland Echos RE 201, SRE 555.  04:20 02:45:18   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.

Le freestyle du mercredi ! Marva Whitney – It_s my thingSaba, No ID Feat. Raphael Saadiq and Kelly Rowland – Crash HAIM – Everybody's trying to figure me outTuxedomoon – Incubus (Blue Suit)Stella – Ta VimataBarker – ReframingAlex Blex – CHEASYDj Koze Feat. Markus Acher & The Notwist– What About Us The Beloved – Sweet HarmonyWet Leg – catch these fistsfeeble little horse – This Is Realhelen island – hot zone, regular dayLou Reed – KicksLou Reed – Temporary ThingLectroluv – Dream Drums (Junior Vasquez's All Over The Sound Factory Mix)The Specials - Too Much Too YoungElvis Costello & The Attractions – Beyond BeliefElvis Costello & The Attractions – Almost BlueOne Dove – White Love Benis Cletin – Jungle MagicBro. Valentino – Ah Wo (Brand New Revolution) Marvin Gaye – Rockin' After MidnightDistribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

    Talk Talk is an interesting band. Their musical style evolved significantly over time, moving from synth-pop to a more experimental art rock and post-rock sound, particularly with the albums 'Spirit of Eden' and 'Laughing Stock'. I like every phase of their career but I especially love the album 'Spirit of Eden'. Those last two albums have grown in stature and influence over the decades, inspiring countless musicians with their innovative use of space, silence, and unconventional song structures. It's no wonder that an ambient focused person like me would glom onto Talk Talk when you consider band leader, Mark Hollis's often-quoted sentiment about the importance of silence in music – "Before you play two notes, learn how to play one note... and don't play one note unless you've got a reason to". Recently a favorite podcast of mine, Discord & Rhyme, dedicated an episode to 'Spirit of Eden'. It's totally worth a listen. You can find here - https://discordpod.com/listen/155-talk-talk-spirit-of-eden-1988 After listening to that episode I decided to make a mix of tracks with a 'Spirit of Eden' feel. I used a few tracks recommended by the guys in the podcast - Bark Psychosis, Van Morrison, and Mile Davis. And combined those with 7 other cuts that fit the vibe. I always knew that Rain Tree Crow/Sylvian/Jansen/Barbieri would be a perfect fit. I was excited to use one of my favorite albums of 2022 - 'The Great Awakening' by Shearwater. I had forgotten how much I love that record. Are there any Talk Talk fans out there? What do you think of this collection of Talk Talk inspired tunes? Cheers!   T R A C K L I S T : 00:00   Steve Jansen & Richard Barbieri - Mother London (Stone To Flesh 1995) 05:52   Phil Clemo - Maze (Through the Wave of Blue 2024) 11:07   Bark Psychosis - Street Scene (Hex 1994) 16:20   Van Morrison - When Heart Is Open (Common One 1980) 22:33   Rain Tree Crow - Blackwater (Rain Tree Crow 1991) 26:44   Shearwater - No Reason (The Great Awakening 2022) 32:00   Tuxedomoon & Cult With No Name - Do It For Van Gogh (Blue Velvet Revisited 2016) 36:18   The Blue Nile - From a Late Night Train (Hats 1989) 40:01   Bed - The Whimps (The Newton Plum 2001) 43:10   Miles Davis - He Loved Him Madly (Get Up With It 1974) 62:37   end

Bienvenidísima, queridísima fauna radial de la noche nocturna a este su Ritual de lo VIRTUAL de eclectomeiroland Sedición 566, les alude su servilleta, juan eltomeiro Jackson en la operación, producción, conducción y liposucción neuronal desde La Política y RocknRoll Radio en el Decimo tercer piso con vista a la copiosa cantidad de baches de esta assholeada ciudad. Con Cheap Perfumes, Lila Downs, Columna de Rogelio Garza sobre las "listas tan listas" de la spotify, Earl of Hell, Dead Kennedys, la #Reseña #Musical de NADYA sobre Jentotk, The americojones experience, Tuxedomoon, reflexiones sobre la celebración con saludo nazi del elon musk, los carteles de las grandes farmacéuticas en estados unidos y más acá desde el Ritual de lo VIRTUAL de eclectomeiroland Sedición #566 en Política y rockandroll Radio 106.7fM desde el desierto de sonora hasta el bosque del Ajusco en CdMX por La Radio Común 103.1FM

Episodio 6.41 de Las Cosas Que Hay Que Escuchar, en el cual nos concebimos inmaculados mientras escuchamos la música de Reel Big Fish, The Interrupters, The Muffs, Suburban Lawns, Shonen Knife, Scout Niblett, The Big Moon, Renaldo And The Loaf, P.E.O., Tuxedomoon, Anne Clark y Una Cebolla. Y, obviamente, todo el delirio habitual de Saurio y las voces que lo atormentan. Si quieren convidar con un cafecito ☕, pueden hacerlo acá: https://cafecito.app/saurio Programa emitido originalmente el 8 de diciembre de 2024 por FM La Tribu, 88.7, Buenos Aires, Argentina. Repite el 10 y 14 de diciembre en Radio de la Calle, FM 87.9, Bahía Blanca y el 11 de diciembre en Radio Asamblea FM 94.1, CABA.

Episode 722: November 14, 2024 playlist: James Blackshaw, "Dexter" (Unraveling In Your Hands) 2024 [self-released] FACS, "Wish Defense" (Wish Defense) 2025 Trouble In Mind Laibach, "Strange Fruit" (Strange Fruit) 2024 Mute La Securite, "Detour" (Detour) 2024 Bella Union Good Sad Happy Bad, "Find My Way" (All Kinds of Days) 2024 Textile Eramus Hall, "Determination" (Lost and Found) 2024 Westbound Nonconnah, "You're Too Old To Be Killing Rabbits, Beatrice" (Nonconnah vs. the Spring of Deception) 2024 Absolutely Kosher The Rollies, "Disco" (Ayo Ke Disco: Boogie, Pop and Funk from the South China Sea (1974-88)) 2024 Soundway Jabu, "Ashes Over Shute Shelve ft. Daniela Dyson and memotone" (A Soft and Gatherable Star) 2024 Do You Have Peace? Freckle, "Taraval" (Freckle) 2025 Drag City Evan Chapman, "Reveries" (Reveries) 2024 Better Company diane barbe, "les marecageuses" (musiques tourbes) 2024 forms of minutiae Tuxedomoon, "Lowlands Tone Poem" (Ship of Fools) 1986 Crammed Discs / Restless Mark McGuire, "And Away We Go" (Anhedonia) 2024 [self-released] Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

Episodio 6.30 de Las Cosas Que Hay Que Escuchar, en el cual nos damos cuenta de que se acerca el fin de septiembre mientras escuchamos la música de Thee Headcoatees, The Waitresses, Luces Negras, Wild Billy Childish & CTMF, They Might Be Giants, María Gabriela Epúmer, The Puppini Sisters, The Roches, The Wolfgang Press, Zahara, Tuxedomoon y Crystal Fighters. Y, obviamente, todo el delirio habitual de Saurio y las voces que lo atormentan. Si quieren convidar con un cafecito ☕, pueden hacerlo acá: https://cafecito.app/saurio Programa emitido originalmente el 22 de septiembre de 2024 por FM La Tribu, 88.7, Buenos Aires, Argentina. Repite el 23 de septiembre de 2024 en Radio Asamblea FM 94.1, CABA, y el 24 y 28 de septiembre en Radio de la Calle, FM 87.9, Bahía Blanca

Thank you everyone for tuning into the 1 year anniversary episode of ARE WE CONTENT? Bob and CHUD talk about the inevitable consequence of life: DEATH! It is always hard to lose someone you love, but maybe death isn't the end and maybe we can prepare for it, both for ourselves and our loved ones, in ways that can allow us to make more sense of things. Special thanks to Negativland, OTE and Tuxedomoon for musical programming. Bob on IG: @theperpetualskeptic CHUD on IG: @mr_chudxindeed email: esotericgore@protonmail.com

Episodio 6.05 de Las Cosas Que Hay Que Escuchar, en el cual rompemos los huevos de Pascua junto a la música de The Waitresses, Death Valley Girls, Wall of Voodoo, Wild Billy Childish & CTMF, A. C. Newman, Socrates Drank The Conium, Pappo’s Blues, The Boswell Sisters, Suárez, Tuxedomoon, Einstürzende Neubauten, Auto!Automatic!, Lizzy Mercier Descloux, Son Rompe Pera. Y, obviamente, todo el delirio habitual de Saurio y las voces que lo atormentan. Si quieren convidar con un cafecito ☕, pueden hacerlo acá: https://cafecito.app/saurio Programa emitido originalmente el 31 de marzo de 2024 por FM La Tribu, 88.7, Buenos Aires, Argentina. Repite el 1 de abril de 2024 en Radio Asamblea FM 94.1, CABA, y el 2 y 7 de abril de 2024 en Radio de la Calle, FM 87.9, Bahía Blanca

Nos invitées sont des voyageuses, atlantique pour la 1ère, méditerranéenne pour la seconde. 48 minutes 30 entre Gatica et son Chili natal et Vakia Stavrou, Chypriote amoureuse des belles lettres en 5 langues ! Notre 1ère invitée est Gatica (Alejandra Gatica), pour la sortie de l'album Altamar. Née à Santiago du Chili, Gatica (Alejandra de son prénom), son corps a la forme de son pays, une nature qu'elle a dans la peau, celle du Chili, elle improvise (avec Alex Finkin, du projet Roseaux, et à la réalisation de son album) des mélodies de vie, portées par de la poésie. Elle nous invite dans la chaleur de sa tendresse, à partager sur scène et dans son album à venir les battements des cœurs, les percussions de Clara Noll et les ondées du violoncelle de Lola Malique. Cordes hypersensibles, chœurs, corps, cœur.Titres joués au grand studio- Embrassons-nous, Live RFI- Altamar, extrait de l'album- Ayulen, Live RFI voir le clip. Line Up : Alejandra Gatica : chant, guitare, charango ; Lola Malique : violoncelle, chœurs ; Clara Noll : basse, percussions.Son : Mathias Taylor et Benoît Letirant.► Album Gatica (Daydream Music 2024). Puis nous recevons l'auteure-compositrice interprète Vakia Stavrou (Chypre).L'artiste chypriote Vakia Stavrou présente son nouvel album Vakia, un mélange de compositions originales et de reprises d'Aznavour, Tuxedomoon, et quelques titres sud-américains.► Album Vakia (2024).Son site.

Nos invitées sont des voyageuses, atlantique pour la 1ère, méditerranéenne pour la seconde. 48 minutes 30 entre Gatica et son Chili natal et Vakia Stavrou, Chypriote amoureuse des belles lettres en 5 langues ! Notre 1ère invitée est Gatica (Alejandra Gatica), pour la sortie de l'album Altamar. Née à Santiago du Chili, Gatica (Alejandra de son prénom), son corps a la forme de son pays, une nature qu'elle a dans la peau, celle du Chili, elle improvise (avec Alex Finkin, du projet Roseaux, et à la réalisation de son album) des mélodies de vie, portées par de la poésie. Elle nous invite dans la chaleur de sa tendresse, à partager sur scène et dans son album à venir les battements des cœurs, les percussions de Clara Noll et les ondées du violoncelle de Lola Malique. Cordes hypersensibles, chœurs, corps, cœur.Titres joués au grand studio- Embrassons-nous, Live RFI- Altamar, extrait de l'album- Ayulen, Live RFI voir le clip. Line Up : Alejandra Gatica : chant, guitare, charango ; Lola Malique : violoncelle, chœurs ; Clara Noll : basse, percussions.Son : Mathias Taylor et Benoît Letirant.► Album Gatica (Daydream Music 2024). Puis nous recevons l'auteure-compositrice interprète Vakia Stavrou (Chypre).L'artiste chypriote Vakia Stavrou présente son nouvel album Vakia, un mélange de compositions originales et de reprises d'Aznavour, Tuxedomoon, et quelques titres sud-américains.► Album Vakia (2024).Son site.

Die Zonic Radio Show ist die hör-mediale Erweiterung der Kulturerscheinung Zonic. ## Ausstellungsaus & Ausblicke 1. Bhed - Minerva – V.A.: Second Drop – BSSMSSG 2. Dynasonic - Delight – Dynasonic – Instant Classic 3. Dub Across Borders - Bass Tree Dream – V.A.: Second Drop – BSSMSSG 4. Cloud Management - PST Version (Seekers International) – V.A. – Altin Village & Mine 5. Om Unit Meets Seekers International - Nu Killa – Secret Location – Berceuse Heroique 6. Pessimist - Nothing Positive – All Hope Lost – Berceuse Heroique 7. Budzynski/Trzaska/Jacaczek - Ja to ktos inny – Rimbaud – Gusstaff Records 8. Armia - To moja zemsta – Legenda – Wifon 9. Ircha - Night Flight To The City – Zikaron-Lefani – Kilogram Records 10. Shofar - Baromether gadol No. 97 – Right Before It Started – Gusstaff Records 11. Raphael Roginski - Listopad – Talan – Instant Classic 12. Alte Zachen - Gimel 31 – Total Gimel – Lado ABC 13. Felix Kubin mit Mitch & Mitch - Horizontal Rain – Bakterien & Batterien – Lado ABC / Gagarin Records 14. Tuxedomoon - 59 To 1 Remix – 7" – Celluloid 15. Klaus Mit Foch - Tife Tife – Mordoplan – Polskie Nagrania Muza 16. Disjecta - Timorous Bitster – Clean Pit And Lid – Warp 17. Asunta - Landscape IV – Landscapes – Lollipop Shop * Eine Sendung vom 15. November 2023. # Zonic Radio Show Süd Die Zonic Radio Show ist die hör-mediale Erweiterung der Kulturerscheinung Zonic. Thematisch frei zwischen Musik, Literatur und Kunst changierend, gibt es von tieftauchenden popkulturellen Features über experimentelle Klangstücke oder Sound & Poetry- Mixe bis zum Hangeln durch den News-Jungle eines extrem offenen musikalischen Spektrums alles zu hören, was potentielle Relevanz im stetig sich ausbreitenden Zonic-Kosmos hat. Und über dessen Rand hinaus! Die Wort- & Musikauswahl liegt bei Zonic-Herausgeber Alexander Pehlemann. * http://www.zonic-online.de

On this episode, Marc talks with Will York, author of “Who Cares Anyway: Post-Punk San Francisco and the End of the Analog Age,” published in April 2023. It's a thorough and fascinating history of underground music in San Francisco, from the punk scene at Mahubey Gardens, to the post-punk craziness of Flipper, to the art rock of Tuxedomoon and the Residents, to the weirdness of Thinking Fellers, Caroliner, and Amarillo Records, to the massive success of Faith No More. Will captures San Francisco at a time when truly creative freaks were drawn there, could survive there, and changed the course of underground music.As Will writes, “With the benefit of hindsight, it's possible to detect premonitions of things to come…as if they could sense that this was somehow a last gasp for a certain age of humanity. Yet instead of fear and loathing, the overriding mood was one of desperation and urgency. To paraphrase Flipper's Bruce Loose, “It was the dance to the death at the end of the world.”We hope you enjoy Marc's conversation with Will York!

EP33 LUCIO MUNIAIN Estudia Arquitectura y Urbanismo en la Universidad Iberoamericana y en Parsons School of Design en Nueva York. Entre sus proyectos más destacados están el Corporativo Autofin, Proyecto Bahía Balandra en La Paz Baja California Sur, el Tercer Lugar Nacional para la nueva Sede del Senado de la República y el Primer Lugar para la Nueva Sede para la Corporación Andina de Fomento (CAF) en Caracas, Venezuela, Concurso Internacional por Invitación y recientemente fue comisionado con el proyecto para la remodelación de la Plaza de la Constitución (El Zócalo) en la CDMX y ganó el concurso para la remodelación y ampliación del aeropuerto de Guadalajara con Bosco Arquitectos y Andrés Casillas. Es pintor instruido por Loló de la Barra, Robin Bond, Salomón Laiter e Yvonne Domenge y ha expuesto su trabajo desde 1974 en galerías y museos nacionales e internacionales. Hoy es representado por Galería Licenciado. Es contrabajista (Conservatorio Nacional de Música, México, 1992-93) en la banda “Another” con Jair Laiter y Manuel Morán, con quien ha grabado 3 discos hasta hoy y fueron seleccionados para formar parte del disco tributo para TUXEDOMOON llamado “adaptations from the moon”.

Abrimos número de Noviembre de Libertad Jazzera con el descubrimiento de la música de Nudo, el dúo formado por el batería y compositor Federico Isasti y el pianista y compositor Mariano Sarra. El dúo publicó recientemente este 2023, Inhabitante. Después nos acercamos a los años 80 y a uno de los representantes icónicos y genuinos de la New Wave como fueron Tuxedomoon. A través del sello Crammed y su primer volumen de la serie Made to Measure, volvimos a escuchar algo de la música de los californianos. Seguir leyendo Libertad Jazzera 09.2023. Nudo. Made To Measure – Tuxedomoon. Steve Swell, Mark Tokar, Klaus Kugel. Sunny Murray. Paul Flaherty. en La Montaña Rusa Radio Jazz.

O filme mais lindo do Win Wenders sobre um lindo amor de um anjo por uma trapezista, com a trilha mais dark de todas, que tem Nick Cave, Laurie Anderson, Tuxedomoon e mais.

En el programa de hoy, homenajeamos a uno de los grupos más singulares y fascinantes de la primera escena Post Punk estadounidense: TUXEDOMOON. Empezaron en el Punk, pero han viajado por la electrónica, la música de baile, el jazz o la música clásica, sin dejar de innovar y experimentar en ningún momento. Su discografía es tan extensa como cautivadora y en este programa la repasaremos a través de sus singles, maxisingles, álbumes, bandas sonoras y temas en directo.

Blaine L. Reininger—American songwriter, musician, multi-instrumentalist, writer and performer, best known as a member of the Californian post-punk, new wave band Tuxedomoon who migrated on mass to Europe in the 1980s—speaks with James Nice, owner of Les Disques du Crépuscule and Factory Benelux, about their formative time together in the emerging Brussels music scene. Stream the song Blaine created after being inspired by the conversation: https://ffm.to/fleuveenterre Une ville avec un fleuve enterréVoilà la ville avec un fleuve enterréQui coule sous les pavésCiel de plombBas en dessous de la place doréeBruxelles des années 80Ma joie et mes remordsDans le vidéo bar branché oùSans un sou sur la rueDes superstars inconnuesEn longs manteaux noirs Je suis assis sur une rive lointaineSavourant ce chagrin ancienPerdu dans la musiqueDéformé par la musiquePosant dans le cimetièreDebout sous la pluie A city with a buried river Here is the city with a buried riverWhich flows under the cobblestonesleaden skyDown below the golden square80s BrusselsMy joy and my remorseIn the trendy video bar whereWithout a penny in the streetUnknown SuperstarsIn long black coatsI sit on a distant shoreSavoring this ancient sorrowlost in the musicDistorted by the musicPosing in the cemeteryStanding in the rain  https://lesdisquesducrepuscule.com/ https://mundoblaineo.org/ // SUPPORT THIS CHANNEL // Newsletter, donations and download the song for €/$1 @ https://podsongs.com // LINKS // Website: https://podsongs.com Podcast episodes: https://podsongs.com/podcast-episodes Songs: https://podsongs.com/music Spotify artist: https://open.spotify.com/artist/32FYyRx1y1ex3jHHAgLMC7?si=4Nv7WW85SbSPZvCsj1o7Ig Spotify playlist: https://open.spotify.com/playlist/6sN1viy82HPiNTVX2YBxpq?si=1b84c2b9bdea4656 // SOCIAL // Twitter: https://twitter.com/podsongs Instagram: https://instagram.com/podsongs Facebook: https://facebook.com/podsongs --- Send in a voice message: https://podcasters.spotify.com/pod/show/podsongs/message

slight departure from the usual (?) format -- this week's show features a longish conversation with Will York, author of the newly released 'Who Cares Anyway : Post-Punk San Francisco And The End Of The Analog Age' (Headpress). If you've longed for an exhaustive overview of the ups & downs of Flipper, Sleepers, Tuxedomoon, Minimal Man, Toiling Midgets, Thinking Fellers Union Local 282, Caroliner, Zip Code Rapists and many other crucial figures in Bay Area underground music history, today's your lucky day. You're even luckier if you wanted to hear 2 guys talk about it endlessly.

In Who Cares Anyway: Post-Punk San Francisco and the End of the Analog Age (Headpress, 2023), Will York draws on over 100 interviews with musicians, artists, and scene participants as well as zines and other ephemera from the time period to chronicle post-punk San Francisco. York starts with the Punk Era and moves through Post Punk, Hard Core, the Eighties and into the Nineties, to explore the golden age of analog DIY culture, from the dark cabaret of Tuxedomoon and Factrix, the apocalyptic sounds of Minimal Man and Flipper, the conceptual humor of Gregg Turkington's Amarillo Records; through to the subversive pop music of Faith No More, the left-field experimentalism of Caroliner, Mr. Bungle, and Thinking Fellers Union Local 282, and much more. It's a tale full of existential drama, tragic anti-heroes, dark humor, spectacular failures--and even a few improbable successes. In addition, York has a companion podcast to delve further into the scene and the interviews. Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Who Cares Anyway: Post-Punk San Francisco and the End of the Analog Age (Headpress, 2023), Will York draws on over 100 interviews with musicians, artists, and scene participants as well as zines and other ephemera from the time period to chronicle post-punk San Francisco. York starts with the Punk Era and moves through Post Punk, Hard Core, the Eighties and into the Nineties, to explore the golden age of analog DIY culture, from the dark cabaret of Tuxedomoon and Factrix, the apocalyptic sounds of Minimal Man and Flipper, the conceptual humor of Gregg Turkington's Amarillo Records; through to the subversive pop music of Faith No More, the left-field experimentalism of Caroliner, Mr. Bungle, and Thinking Fellers Union Local 282, and much more. It's a tale full of existential drama, tragic anti-heroes, dark humor, spectacular failures--and even a few improbable successes. In addition, York has a companion podcast to delve further into the scene and the interviews. Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In Who Cares Anyway: Post-Punk San Francisco and the End of the Analog Age (Headpress, 2023), Will York draws on over 100 interviews with musicians, artists, and scene participants as well as zines and other ephemera from the time period to chronicle post-punk San Francisco. York starts with the Punk Era and moves through Post Punk, Hard Core, the Eighties and into the Nineties, to explore the golden age of analog DIY culture, from the dark cabaret of Tuxedomoon and Factrix, the apocalyptic sounds of Minimal Man and Flipper, the conceptual humor of Gregg Turkington's Amarillo Records; through to the subversive pop music of Faith No More, the left-field experimentalism of Caroliner, Mr. Bungle, and Thinking Fellers Union Local 282, and much more. It's a tale full of existential drama, tragic anti-heroes, dark humor, spectacular failures--and even a few improbable successes. In addition, York has a companion podcast to delve further into the scene and the interviews. Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

In Who Cares Anyway: Post-Punk San Francisco and the End of the Analog Age (Headpress, 2023), Will York draws on over 100 interviews with musicians, artists, and scene participants as well as zines and other ephemera from the time period to chronicle post-punk San Francisco. York starts with the Punk Era and moves through Post Punk, Hard Core, the Eighties and into the Nineties, to explore the golden age of analog DIY culture, from the dark cabaret of Tuxedomoon and Factrix, the apocalyptic sounds of Minimal Man and Flipper, the conceptual humor of Gregg Turkington's Amarillo Records; through to the subversive pop music of Faith No More, the left-field experimentalism of Caroliner, Mr. Bungle, and Thinking Fellers Union Local 282, and much more. It's a tale full of existential drama, tragic anti-heroes, dark humor, spectacular failures--and even a few improbable successes. In addition, York has a companion podcast to delve further into the scene and the interviews. Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In Who Cares Anyway: Post-Punk San Francisco and the End of the Analog Age (Headpress, 2023), Will York draws on over 100 interviews with musicians, artists, and scene participants as well as zines and other ephemera from the time period to chronicle post-punk San Francisco. York starts with the Punk Era and moves through Post Punk, Hard Core, the Eighties and into the Nineties, to explore the golden age of analog DIY culture, from the dark cabaret of Tuxedomoon and Factrix, the apocalyptic sounds of Minimal Man and Flipper, the conceptual humor of Gregg Turkington's Amarillo Records; through to the subversive pop music of Faith No More, the left-field experimentalism of Caroliner, Mr. Bungle, and Thinking Fellers Union Local 282, and much more. It's a tale full of existential drama, tragic anti-heroes, dark humor, spectacular failures--and even a few improbable successes. In addition, York has a companion podcast to delve further into the scene and the interviews. Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

In Who Cares Anyway: Post-Punk San Francisco and the End of the Analog Age (Headpress, 2023), Will York draws on over 100 interviews with musicians, artists, and scene participants as well as zines and other ephemera from the time period to chronicle post-punk San Francisco. York starts with the Punk Era and moves through Post Punk, Hard Core, the Eighties and into the Nineties, to explore the golden age of analog DIY culture, from the dark cabaret of Tuxedomoon and Factrix, the apocalyptic sounds of Minimal Man and Flipper, the conceptual humor of Gregg Turkington's Amarillo Records; through to the subversive pop music of Faith No More, the left-field experimentalism of Caroliner, Mr. Bungle, and Thinking Fellers Union Local 282, and much more. It's a tale full of existential drama, tragic anti-heroes, dark humor, spectacular failures--and even a few improbable successes. In addition, York has a companion podcast to delve further into the scene and the interviews. Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-west

In Who Cares Anyway: Post-Punk San Francisco and the End of the Analog Age (Headpress, 2023), Will York draws on over 100 interviews with musicians, artists, and scene participants as well as zines and other ephemera from the time period to chronicle post-punk San Francisco. York starts with the Punk Era and moves through Post Punk, Hard Core, the Eighties and into the Nineties, to explore the golden age of analog DIY culture, from the dark cabaret of Tuxedomoon and Factrix, the apocalyptic sounds of Minimal Man and Flipper, the conceptual humor of Gregg Turkington's Amarillo Records; through to the subversive pop music of Faith No More, the left-field experimentalism of Caroliner, Mr. Bungle, and Thinking Fellers Union Local 282, and much more. It's a tale full of existential drama, tragic anti-heroes, dark humor, spectacular failures--and even a few improbable successes. In addition, York has a companion podcast to delve further into the scene and the interviews. Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

It's been QUITE the week here in Unsung towers, with holidays and various other things happening, we weren't able to get a regular episode recorded. So we're dropping this bonus content preview. Please enjoy, and if you like it, consider signing up to our Patreon.

Episodio 5.04 de Las Cosas Que Hay Que Escuchar, en el cual nos damos cuenta de que el futuro que imaginábamos en el pasado es ahora un eterno presente junto a The Muffs, Stereo Total, They Might Be Giants, The Slits, The Creatures, Tronco, Maixa ta Ixiar, That Dog, The Big Moon, Belladona 9ch, Bene Gesserit, Tuxedomoon, The Lautreamonts, Lautremont y The Wolfgang Press. Y, obviamente, todo el delirio habitual de Saurio y las voces que lo atormentan. Si quieren convidar con un cafecito ☕, pueden hacerlo acá: https://cafecito.app/saurio Programa emitido originalmente el 26 de marzo de 2023 por FM La Tribu, 88.7, Buenos Aires, Argentina. Repite el 27 y 28 de marzo de 2023 en Radio Libre, 96.3, Santa Teresita, el 29 de marzo de 2023 en Radio Asamblea FM 94.1, CABA, y el 28 de marzo y 1 de abril de 2023 en Radio de la Calle, FM 87.9, Bahía Blanca

Episodio 5.02 de Las Cosas Que Hay Que Escuchar, en el cual seguimos sufriendo la ola de calor junto a The Queers, Adam and the Ants, Café Tacuba & David Byrne, Maixa ta Ixiar, Ginebras, Shego, The Big Moon, Yoko Ono, Messer für Frau Müller, Wall of Voodoo, Tuxedomoon, Cibo Matto, Luscious Jackson y Desierto y Agua Y, obviamente, todo el delirio habitual de Saurio y las voces que lo atormentan. Si quieren convidar con un cafecito ☕, pueden hacerlo acá: https://cafecito.app/saurio Programa emitido originalmente el 12 de marzo de 2023 por FM La Tribu, 88.7, Buenos Aires, Argentina. Repite el 13 y 14 de marzo de 2023 en Radio Libre, 96.3, Santa Teresita, el 15 de marzo de 2023 en Radio Asamblea FM 94.1, CABA, y el 14 y 18 de marzo de 2023 en Radio de la Calle, FM 87.9, Bahía Blanca

A cura di Gigi Longo. Musiche: Le Stelle di Mario Schifano, Eugenia Post Meridiem, Machine, Lady Aicha & Pisco Cranes Original Fulu Miziki Of Kinshasa, Biensure, Balka Sound, Miriodor, Tuxedomoon, Lydian Sound Orchestra, Gabriele Bombardini, Upupayāma, Oh No Noh, Ekkehard Ehlers.

This week's edition of Into The Vault features Tuxedomoon, plus our Terminus interviews continue with part 1 of our Actors interview hosted by JHNNAI!Playlist: The Curls - End Of DaysQ Lazzarus - Tears Of Fear (Demo)panic priest - Self ControlThe Sweet Kill - DarknessVR Sex - Glutton For LoveTuxedomoon - LonelinessTuxedomoon - No Tears (Original)Tuxedomoon - In A Manner Of SpeakingTV Priest - My Other PeopleCola - Met ResistanceFontaines DC - How Cold Love IsKamikaze Nurse - AileenCrystal Eyes - 2,000 YearsVarious Artists, featuring Def-A-Kators - War's A BoreForbidden Dimension - Deadly PickupAyme Gdala - Set Me FreeDJ Phoenix - VenomousLavender Dream, featuring Lizette Lizette - Not Over YetDrummachinemike - Better Living Through ScienceTamarack Cunningham - EmulsifierClara Engel - Rowing Home Through A Sea Of Golden LeavesMitski - I GuessBlume - Do You Want To RideDana Gavanski - The Day UnfoldsEmblematics - Reserve

Solénoïde (01.08.2022) - Artiste Inclassable, KIMMO POHJONEN est devenu un des éléments phares de la scène musicale finlandaise. Il dépoussière comme nul autre l'accordéon pour le faire renaître aux limites de la folk nordique, de l'electronica et de la musique contemporaine. Son album 'Sensitive Skin', sorti en 2015, en est le parfait reflet ! TUXEDOMOON et CULT WITH NO NAME nous livreront quant à eux la bande-son d'un documentaire sur le tournage de 'Blue Velvet', le film culte de David Lynch. Du classique contemporain à l'électronica ambient, ce disque offre une vue imprenable sur d'étonnants panoramas sonores. Big band de 16 artistes dirigés par le compositeur norvégien Lars Myrvoll, THE ISLAND BAND nous offrira des combinaisons instrumentales atypiques, mises au service d'une curieuse partition atmosphérique à coloration néo-classique. Et enfin FLANGER (Burnt Friedman et Atom TM), duo de la scène post-techno teutonne, présentera de troublants assortiments d'explorations digitales et de couleurs jazzy, parsemés de notes dub ou funky.

Solénoïde (04.07.2022) - Ce périple musical explore des territoires anglo-saxons et plutôt ambient, dont certains habités par des voix très humaines. Sans se priver de quelques incursions plus exotiques et d'une virée très cosmique dans la France libre d'après mai 68 !

This week on Revenge of the 80s Radio, we play new music from Men Without Hats and Steve Hovington plus classics by Kid Creole & the Coconuts, Mi-Sex,Gary Numan, Tuxedomoon and more.

Die Sendung von Chaoten für Chaoten, für die, dies warn und jene, die es werden wollen. 1. 2. LIGA – Bewusstsein 2. D.I. – Johnny´s got a problem 3. OI BOYS – sur la place 4. KOVAA RASVAA – hapan marja 5. POZI – detainer man 6. MODERN ENGLISH – move in light 7. BÉRURIER NOIR – nada/amputé 8. ADOLESCENTS – amoeba 9. MITTAGSPAUSE – Deutschland 10. THEATRE OF HATE – poppies 11. TUXEDOMOON – pinheads on the move 12. VIAGRA BOYS – i ain´t living long like this 13. NEW ADULTS – pandemic desire 14. ANGRY SAMOANS – the todd killings 15. JOHN, PAUL, GEORG, RINGO & RICHARD – misery machine * Eine Sendung vom 8. November 2021 um 21:00 Uhr auf Radio Corax. # SUBjektiv SUBjektiv, das ist deliziösester Punk-Funk jenseits von „Schlachtrufe BRD Teil 478“ und aktuellen „Bad Religion – Produkten“. Für diese Sendung stöbern die Moderatoren sowie zigtausende Studiogäste in ihren Musikarchiven und Plattensammlungen, um der geneigten HörerInnenschaft feinste Melodien ins Hirn zu ballern. * http://www.subjektiv.net/

Uhh Yeah Dude is a comedy podcast hosted by Seth Romatelli (born September 20, 1973) and Jonathan Larroquette (born August 7, 1977). Episodes have generally aired once a week since 2006, and run about an hour long. The podcast is described as 'A weekly roundup of America through the eyes of two American-Americans'. In this episode, part one of a series of two, all intro and outro songs from the 2021 episodes (#838 to #866) of Uhh Yeah Dude. Lineup: Neil Young, Tuxedomoon, Squarepusher, Norma Tanega, Captain Torkive, I-Robots, Steve Hillage, Sonya Spence, CAN, Michael Nesmith, The First National Band, PRISM, Susumu Yokota, Dorothy Ashby, Sonny Sharrock Band, Kuruki, Bill Laswell, Dan Curtin, Patrick Cowley, Sylvester, Eddie Hazel, COMPLEX, Dub Specialist, DJ Re Edit, Lena Platonos, Brian Bennett, Bonobo, Capitol K, Paul Blackford, Cerrone, Abba Gargando, John Beltran, CN, Bill Orcutt, Eddie Murphy, Buddy Emmons, Richenel, Bucky Barrett, Ashra, Dog Soldier, Terekke, Delaney & Bonnie, Davey Graham, The Action, Rodney Crowell, Hank Williams, Drifting Cowboys, Black Uhuru, Ahmad Jamal Trio, Intrusion, Rick Barranco, Grateful Dead, Takako Minekawa, Culture, Bohannon, Con Funk Shun, The Bar-Kays, Yarbrough & Peoples, Audience, Indian Ocean

Michael Belfer was the guitarist of The Sleepers and Tuxedomoon both highly influential San Francisco bands from the late 70's. He is also the author of When Can I Fly?  a book chronicling his time with these two bands as well as his stint in Black Lab in the early 90s. Michael lead the proverbial rockstar life and has lived to tell his tale. Michael joins Billy via Zoom to discuss the book, seeing the Sex Pistols live at Winterland in 1978, Jello Biafra, rehab, receiving recognition from Joey Ramone and John Cale, his long friendship with The Sleepers charismatic frontman Ricky Williams and more. Listen to the Sleepers here 

Prolific Belgian composer, producer, writer and musician, Jean-Marc Lederman has a long standing career in musical projects, movies and video games. Lederman is known for his many projects and collaborations, a punk band called Streets in 1977, Digital Dance, Ghost and Writer, Kid Montana, the electro-pop project formed in 1981 with Dudley Kludt and the Weathermen in 1985 where he played keyboards and went under the name of Jimmy-Joe Snark III and Patricia Hearst along with the late Bruce Geduldig of Tuxedomoon on vocals.   He has worked with iconic bands and artists playing with Fad Gadget, Gene Loves Jezebel, The The, and frontman of Front 242, Jean Luc De Meyer (Eleven Grinding Songs released on Alfa Matrix).Among his many accomplishments, he has released an exclusive double CD and art books under the name of Jean-Marc Lederman Experience which he gathered singers from all over world to contribute voices to a common musical theme: 13 Ghost Stories in 2019 and Letters to God (And Fallen Angels) in 2020, which he collaborated with Emileigh Rohn (Chiasm), Tom Shear (Assemblage 23), Elena Alice Fossi (Kirlian Camera) JP Aston (Gene Loves Jezebel), Philippe Genion (a;GRUMH), Julianne Regan, Yvette Winkler, Claus Larsen (Leaether Strip), Jenna Fearon, Rodney Orpheus (the Cassandra Complex), Mark Hockings (Mesh), Stefan Netschio (Beborn Beton) just to name a few. One of his current original projects just released is a concept album/ novel called The Mysterious Manuscript of Gabriel Garcia Marquez released in April 2021 under his own label Les Disques De La Pantoufle.  http://www.jmlederman.com  Photo of Jean-Marc Lederman was taken by Erica Hinyot.His very latest collaboration and full album release will be coming out this year with Emileigh Rohn of CHIASM on the COP International record label.  https://www.copint.comThe video recording of this interview is also available on my YouTube Channel under DJ Nocturna. Please like and subscribe to my YouTube channel to hear all the upcoming news and interviews.  Thank you for your continued support. 

Esta semana, en una nueva entrega de Rebelión Sónica, los invitamos a escuchar música de “Figures”, el nuevo disco doble de la importante banda del pop experimental belga, Aksak Maboul. Editado el recién pasada 22 de mayo por el prestigioso sello Crammed Discs, “Figures” es el gran retorno discográfico de la banda actualmente liderada por el compositor y multi-instrumentista Marc Hollander y por la cantante y también autora Véronique Vincent. Recordemos que Aksak Maboul fue fundada en 1977 en Bruselas por Hollander y Vincent Kenis y que, además de ser parte del movimiento rupturista Rock in Opposition (RIO), editó dos trabajos de ineludible importancia para la música experimental: “Onze Danses Pour Combattre la Migraine” en 1977 y “Un Peu de l'Âme des Bandits” en 1980. “Figures” está integrado por 22 composiciones y, de acuerdo al sello, combina electrónica, pop, jazz, minimalismo y música clásica contemporánea, en una reconfiguración del estilo inimitable de la banda. El trabajo fue escrito en su totalidad por Hollander y Vincent y cuenta con la participación de los integrantes de la versión en vivo regular de la banda, Faustine Hollander en bajo y voces, Lucien Fraipont en guitarra y Erik Heestermans en batería, además de invitados como el importante guitarrista inglés Fred Frith, Steveen Brown del grupo Tuxedomoon, así como tres miembros del Aquaserge. Aparte de material de “Figures”, escucharemos también una pieza de “Un Peu de l'Âme des Bandits”. Rebelión Sónica se transmite por radio Rockaxis todos los miércoles a las 10, 17 y 23 horas –se repite los domingos a las 19-, con la conducción y curatoría de Héctor Aravena.

Welcome to Live From Progzilla Towers Edition 390. In this edition we heard music by Chevelle, Poor Genetic Material, Gájanas, Opeth, Holy Monitor, Time Shift Accident, Jethro Tull, Kayak, Tuxedomoon, Mariusz Duda, Eela Craig, Mustafa Khetty, Laurie Anderson, Orange Clocks, Mono, La Morte Viene Dallo Spazio, Spaceslug, Tangled Thoughts Of Leaving, Elephant9, Ars Pro Vita, Genesis & Theo Travis (Ft David Longdon).

Gianluigi Trevisi parte per questa puntata dal primo concerto dei Tuxedomoon per Time Zones al Petruzzelli prima che andasse in fiamme per ricordare Herbie Hancock e Franco Cassano, due personaggi distanti ma vicinissimi per il contributo che hanno saputo dare alle nostre vite. Condividono l'appartenenza ad una generazione in via di sparizione. Passando da "Pensiero meridiano", da "Le ragioni dei topi" e da Carlo Levi, Gianluigi ci porta a volgere lo sguardo verso la verde energia di ogni creatura vivente.

Les classiques de  m*u*t*a*t*i*o*n*s ! Rediffusion: Ludaxpack (15 février 2015) Laser - Planet Of No Return - Decca Ludaxpack Robert Fripp -1984 - Editions EG NON - Carnis Vale - MuteTuxedomoon - 59 To 1 - CelluloidMaterial - Ciquri - Base RecordDavid Sylvian - Pulling Punches - VirginDefunkt - Defunkt - HannibalThe Slits - I Heard It Through The Grapevine - IslandLizzy Mercier Descloux - Fire - ZETalking Heads - Making Flippy Floppy (12" Mix) - SireColourbox - Breakdown - 4ADHerbie Hancock - Stars In Your Eyes - Columbia

Paul Charpentier Laser - Planet Of No Return - Decca Ludaxpack Robert Fripp -1984 - Editions EG NON - Carnis Vale - Mute Tuxedomoon - 59 To 1 - Celluloid Material - Ciquri - Base Record Davis Sylvian - Pulling Punches - Virgin Defunkt - Defunkt - Hannibal The Slits - I Heard It Through The Grapevine - Island Lizzy Mercier Descloux - Fire - ZE Talking Heads - Making Flippy Floppy (12" Mix) - Sire Colourbox - Breakdown - 4AD Herbie Hancock - Stars In Your Eyes - Columbia

 BlackOut in the Bat House: Episode 11-------------------------------------1.Frankenputa-de la muerte2.Arts and Decay-mescal3.Wreckage-bodycount jive4.Sick City Daggers-zombies5.The Brain Eaters-ballad of arcane6.ANNEX-nightmares7.Sinestesicos-folklor macabro8.Sixteens-aphrodite9.Das Kabinette-the cabinet10.Septima Sima-elizabeth11.Tuxedomoon-no tears12.The Adverts-back from the dead13.Junior Achievement-fade to black14.Altered States-what's the matter with lucy?15.Scarehead-ha ha16.Riprize-bewitched