Podcasts about Early Light

The Comics Canon podcast, hosted by Kevin Moreau and Curt Holman, reads, reviews, and renders judgment on some of the best comic books of yesterday and today. It's one of our favorite comics podcasts and well worth your time!For 80+ minutes of bonus content — including 24 more Marvel comics in the Mighty MBTM Checklist — support us at patreon.com/marvelbythemonth. $5 a month gets you instant access to our bonus feed of over 160 extended and exclusive episodes! Stories Covered in this Episode: "If Asgard Should Perish...!" - Thor #250, written by Len Wein, art by John Buscema and Tony DeZuniga, letters by John Costanza, colors by Glynis Wein, edited by Len Wein, ©1976 Marvel Comics"Dawn's Early Light!" - Captain America #200, written by Jack Kirby, art by Jack Kirby and Frank Giacoia, letters by John Costanza, colors by Don Warfield, edited by Jack Kirby and Marv Wolfman, ©1976 Marvel Comics"Avengers Assemble!" - Avengers #150, written by Steve Englehart and Stan Lee, art by George Pérez, Jack Kirby, John Tartaglione, Duffy Vohland, and Dick Ayers, letters by Denise Wohl and Artie Simek, colors by Irene Vartanoff, edited by Archie Goodwin, ©1976 Marvel Comics"Greater Love Hath No X-Man..." - Uncanny X-Men #100, written by Chris Claremont, art by Dave Cockrum, letters by Annette Kawecki, colors by Bonnie Wilford, edited by Marv Wolfman, ©1976 Marvel Comics "Marvel by the Month" theme v. 4 written and performed by Robb Milne. All incidental music by Robb Milne.Visit us on the internet (and buy some stuff) at marvelbythemonth.com, follow us on Bluesky at @marvelbythemonth.com and Instagram (for now) at @marvelbythemonth, and support us on Patreon at patreon.com/marvelbythemonth.Much of our historical context information comes from Wikipedia. Please join us in supporting them at wikimediafoundation.org. And many thanks to Mike's Amazing World of Comics, an invaluable resource for release dates and issue information. (RIP Mike.)

Newt’s guest is Dr. Kevin Roberts, president of The Heritage Foundation and Heritage Action for America. They discuss President Trump's first 100 days in office, highlighting significant achievements such as border security, economic growth, and challenging unfair international tariffs. Their conversation also covers the Trump administration's strategic approach to governance, emphasizing the importance of merit and performance over diversity quotas. They consider the potential for a Trump economic boom, the necessity of passing reconciliation in Congress, and the broader implications of Trump's presidency on American politics and global relations. Roberts shares insights from his recent book, "Dawn's Early Light," which outlines a revitalized conservative movement focused on empowering families and local communities. Their conversation concludes with a call to action for Congress to act swiftly to ensure continued economic success and political momentum.See omnystudio.com/listener for privacy information.

Take One For the Team – Chancey Williams Back in the Country – Big Country Bluegrass Any Highway – Darren Nicholson Much Too Young (To Feel This Damn Old) – Garth Brooks Who Needs The Neon – John Howie Jr. and the Rosewood Bluff Ridin’ the Rodeo – Vince Gill Double Down – Josiah Spicer The Gig That Matters – Amy Ray Til Dawn’s Early Light – Mike Kuster Take Me Home, Country Roads – John Denver Amarillo By Morning – Charley Crockett

Story #1: Pete Hegseth is officially the Secretary of Defense! Will breaks it all down: what it means for the military, America, and the world.   Story #2: The first edition of the 'Catch Me Up' segment. Will sits down with legal analyst, Lexie Rigden who tells you everything you need to know about the Blake Lively legal battle.  Story #3: President Trump delivers Truth Social diplomacy from his golf course and gets the President of Colombia to back down and acquiesce to his demands on immigration within hours. Plus, could we actually get rid of the income tax?  A conversation on the future of politics and diplomacy with President of the Heritage Foundation and author of Dawn's Early Light, Kevin Roberts. Tell Will what you thought about this podcast by emailing WillCainShow@fox.com Subscribe to The Will Cain Show on YouTube here: Watch The Will Cain Show! Follow Will on Twitter: @WillCain Learn more about your ad choices. Visit podcastchoices.com/adchoices

President Trump is tearing DEI out of the federal government by the root. The executive order " Ending Radical and Wasteful Government DEI Programs and Preferencing" put a halt to all programs, training and DEI related contracts and goes into effect today at 5pm. So, say goodbye to DEI! The Heritage Foundation has assembled the best Conservative minds in the country to offer solutions in policy and governance in all areas of the federal government. Dr. Kevin Roberts is president of The Heritage Foundation and thinks that Donald Trump has potentially assembled the greatest cabinet in the history of this country. Today he is with me to discuss policy, cabinet picks and budget reconciliation. Featuring: Dr. Kevin Roberts President | The Heritage Foundation President | Heritage Action For America https://www.heritage.org/ https://heritageaction.com/ Get your copy of Dr. Roberts book Dawn's Early Light: https://www.harpercollins.com/products/dawns-early-light-kevin-roberts?variant=41585944526882#images-1 Read The Heritage Foundation's article on the department of education: https://www.heritage.org/education/commentary/why-congress-funding-the-failing-department-education Read The Heritage Foundation's article on government spending: https://www.heritage.org/taxes/commentary/how-subdue-the-federal-government-leviathan-2025 -- Sponsors: Ramp Want $250?? Ramp has easy-to-use cards, spend limits, approval flows, vendor payments, and more. Ramp makes all your spending smarter with seamless integration! Join Ramp now and get $250 upon sign-up. Just go to https://ramp.com/SPICER LifeVac How would you help a child, yourself or a loved one if they were choking? In the event of a choking accident, the LifeVac can turn anyone into a hero. It is now being used by police and fireman across the country and SAVING thousands of lives. The LifeVac is an upper airway clearing device in order to bring the safest, simplest method to save an aspirating person. Like a fire extinguisher or a first aid kit, this is a must have around the house with the hopes you never have to use it. You don't want to be without a LifeVac handy and if you ever have to use it, LifeVac will replace it for FREE. So head on over to https://lifevac.net/ and be prepared in case of a choking accident! Wired 2 Fish Do you want to drink coffee from the finest coffee beans in the world? Wired 2 Fish sources directly from Mexico and Guatemala to bring you the freshest arabica coffee beans in the world. Wired 2 Fish cares so much about the earth that they give back 25% of their net profits to faith-based organizations and clean water initiatives. If you're a coffee lover and want to support a great company doing great work head to https://www.wired2fishcoffee.com/ use code: WECARE for 15% off your first order. -- Trump may never do another rally so this may be your last chance to experience it for yourself! Front Row Joes: https://frontrowjoes.movie/ -- Subscribe and ring the bell for new videos: https://youtube.com/seanmspicer?sub_confirmation=1 Listen to the full audio show on all platforms: Apple Podcasts: https://podcasts.apple.com/us/podcast/the-sean-spicer-show/id1701280578 Spotify: https://open.spotify.com/show/32od2cKHBAjhMBd9XntcUd iHeart: https://www.iheart.com/podcast/269-the-sean-spicer-show-120471641/ Become a part of The Sean Spicer Show community: https://www.seanspicer.com/ Follow The Sean Spicer Show on social media: Facebook: https://facebook.com/seanspicershow Twitter: https://twitter.com/seanspicershow Instagram: https://instagram.com/seanspicershow Stay in touch with Sean on social media: Facebook: https://facebook.com/seanmspicer Twitter: https://twitter.com/seanspicer Instagram: https://instagram.com/seanmspicer/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Happy Inauguration Day! Today, we sit down with Kevin Roberts, president of the Heritage Foundation, to discuss our feelings about Trump's new term as president of the United States. He also tells us more about Project 2025 and how the Left was able to fearmonger about it, when in reality, it's mostly just average Republican policy. We also discuss the potential dissolution of the Department of Education, and Kevin also gives us insight into how the Republican Party can best overcome its internal disagreements between factions. Kevin tells us how America-loving people can best reclaim our major institutions from the Left and how hopeful we can be for the good that the Trump-Vance administration will do for our country. Buy Kevin Roberts' new book, “Dawn's Early Light: Taking Back Washington to Save America”: https://a.co/d/2lLzJOp Buy Allie's new book, "Toxic Empathy: How Progressives Exploit Christian Compassion": https://a.co/d/4COtBxy --- Timecodes: (01:08) Happy Inauguration Day! (09:24) Kevin's feelings on Inauguration Day (10:55) Project 2025  (18:18) Disagreements in Republican Party  (22:01) Dissolution of the Dept. of Education (25:54) Parental Bill of Rights (31:25) Protection of Women and Girls in Sports Act (34:51) Kevin's new book, “Dawn's Early Light”  (37:12) How American-loving people can reclaim the institutions (39:23) Overhaul of our intelligence agencies ---   Today's Sponsors: America's Christian Credit Union — Switch to America's Christian Credit Union today for faith-aligned banking with exceptional rates and nationwide access. ACCU will donate a box of EveryLife diapers to a Christian pregnancy resource center for every new member who opens a checking account before January 31st, and pay a $100 bonus to a new account when you sign up with code "ALLIE". Visit https://www.americaschristiancu.com/allie to get started! Cozy Earth - Go to COZYEARTH.COM/RELATABLE and use code “RELATABLE” for up to 40% off! --- Related Episodes: Ep 1032 | Project 2025: Truth vs. Lies https://podcasts.apple.com/us/podcast/ep-1032-project-2025-truth-vs-lies/id1359249098?i=1000661942041 ---   Buy Allie's book, You're Not Enough (& That's Okay): Escaping the Toxic Culture of Self-Love: https://alliebethstuckey.com/book Relatable merchandise – use promo code 'ALLIE10' for a discount: https://shop.blazemedia.com/collections/allie-stuckey Learn more about your ad choices. Visit megaphone.fm/adchoices

Joy Behar still doesn't understand how Trump won. You won’t believe her newEST allegations. Meanwhile, new revelations about J6 and the FBI are proving the people right again. Jay-Z is in massive legal trouble as three new allegations are made….and Trish has dug up some tape from 2018 that maybe doesn’t sound so good about now! Plus, Dr. Kevin Robert, President of the Heritage Foundation, joins Trish to discuss his new book "Dawn's Early Light" and the amazing opportunities ahead.

Dr. Kevin Roberts is the President of The Heritage Foundation, a conservative think tank that plays a central role in hosting national public policy debates among the political right. In his new book, “Dawn's Early Light,” Roberts offers a diagnosis of America's most urgent problems, as well as a series of policy prescriptions for a more prosperous future. In this episode of The Sunday Special, Kevin discusses the tradeoffs inherent to policymaking, why Republicans must not neglect fiscal conservatism any longer, and which executive agency he would reform first. Roberts also injects nuance into our foreign policy debates and explains why some institutions are not even worth overhauling. Stay tuned, and welcome back to another episode of The Sunday Special. - - -  Today's Sponsors: Collars & Co - Get 20% off your first order when you use code BEN at: https://collarsandco.com Tax Network USA - Seize control of your financial future! Call 1 (800) 958-1000 or visit https://www.TNUSA.com/Shapiro IFCJ - To give to IFCJ, visit https://benforthefellowship.org/

Dr. Kevin Roberts joins Joshua Treviño of the Texas Public Policy Foundation to discuss his new book, Dawn's Early Light: Taking Back Washington to Save America. He outlines a plan to challenge the Washington establishment and shares personal insights from his journey. AN INSTANT NATIONAL BESTSELLER WITH A FOREWORD BY VICE PRESIDENT-ELECT J.D. VANCE Heritage […]

Dr. Kevin Roberts joins Joshua Treviño of the Texas Public Policy Foundation to discuss his new book, Dawn's Early Light: Taking Back Washington to Save America. He outlines a plan to challenge the Washington establishment and shares personal insights from his journey. AN INSTANT NATIONAL BESTSELLER WITH A FOREWORD BY VICE PRESIDENT-ELECT J.D. VANCE Heritage Foundation president Kevin Roberts outlines a peaceful "Second American Revolution" for voters looking to shift the power back into the hands of the people. America is on the brink of destruction. A corrupt and incompetent elite has uprooted our way of life and is brainwashing the next generation. Many so-called conservatives are as culpable as their progressive counterparts. In this ambitious and provocative book, Heritage Foundation President Dr. Kevin Roberts announces the arrival of a New Conservative Movement. His message is simple: Global elites — your time is up. Dawn's Early Light blazes a promising path for the American people to take back their country. Chapter by chapter, it identifies institutions that conservatives need to build, others that we need to take back, and more still that are too corrupt to save: Ivy League colleges, the FBI, the New York Times, the National Institute of Allergy and Infectious Diseases, the Department of Education, BlackRock, the Bill and Melinda Gates Foundation, the National Endowment for Democracy, to name a few. All these need to be dissolved if the American way of life is to be passed down to future generations. The good news is, we're going to win. The Swamp is so drunk on power that the elites don't realize the ground is moving beneath their feet. In Washington, they wear foreign flags on their lapels, but they don't protect our border. They wave around the Constitution, but they don't respect its wisdom. They appeal to Reagan, but Reagan would never put up with this non-sense. Their decadence will be their downfall. A new day is here.

Steve and the crew discuss how the federal lawfare against Donald Trump ends with a whimper, instead of a bang … and why it's not over until serious lessons are learned. Then, Kevin Roberts from the Heritage Foundation joins the show to talk about his new book, “Dawn's Early Light.” In Hour Two, Fake News or Not reacts to some recent comments from Axios CEO Jim VandeHei. Pop Culture Tuesday is Steve's review of “Bonhoeffer.” Learn more about your ad choices. Visit megaphone.fm/adchoices

On today's special show, I'm joined by Kevin Roberts, president of the Heritage Foundation, for a wide-ranging discussion on the future of fiscal and social conservatism. Kevin outlines some of the unique opportunities we have to change direction and fuse populist campaign rhetoric with conservative outcomes on budget and inflation. We discuss the need to devolve programs to the states, thereby achieving durable policy victories that will survive a Democrat resurgence. We also discuss the more challenging aspects of social values that are eroding even on the right. Heritage is working on a family policy plan that will cut through the false choices that are presented to women these days. Kevin's vision is presented in his new book, “Dawn's Early Light.”  Learn more about your ad choices. Visit megaphone.fm/adchoices

Dr. Kevin Roberts, president of The Heritage Foundation Dawn's Early Light The post Reshaping American Life – Dr. Kevin Roberts, 11/19/24 (3243) first appeared on Issues, Etc..

The elites are on notice. In his new book, “Dawn's Early Light: Taking Back Washington to Save America,” Heritage Foundation President Dr. Kevin Roberts presents a plan for everyday Americans to wrest power back from a corrupt, incompetent ruling class. With crises like unchecked illegal immigration, the looming threat of World War III, and an […]

The elites are on notice. In his new book, "Dawn's Early Light: Taking Back Washington to Save America," Heritage Foundation President Dr. Kevin Roberts presents a plan for everyday Americans to wrest power back from a corrupt, incompetent ruling class. With crises like unchecked illegal immigration, the looming threat of World War III, and an unbearable cost of living, Americans can't afford to sit on the sidelines. In this week's episode of The Kevin Roberts Show, Dr. Roberts sits down with the Great One, Mark Levin, to discuss the battle plan for Americans ready to take back their country. "Dawn's Early Light: Taking Back Washington to Save America" OUT NOW: https://amzn.to/48Nj90a

WMAL GUEST: 7:05 AM - INTERVIEW - DR. KEVIN ROBERTS - Heritage Foundation President and author of new book "DAWN'S EARLY LIGHT: Taking Back Washington to Save America" SOCIAL MEDIA: https://x.com/KevinRobertsTX BOOK: https://www.amazon.com/Dawns-Early-Light-Burning-Washington/dp/0063353504/ Where to find more about WMAL's morning show:  Follow the Show Podcasts on Apple podcasts, Audible and Spotify. Follow WMAL's "O'Connor and Company" on X: @WMALDC, @LarryOConnor,  @Jgunlock, @patricepinkfile, and @heatherhunterdc.  Facebook: WMALDC and Larry O'Connor Instagram: WMALDC Show Website: https://www.wmal.com/oconnor-company/ How to listen live weekdays from 5 to 9 AM: https://www.wmal.com/listenlive/ Episode: Tuesday, November 12, 2024 / 7 AM Hour  O'Connor and Company is proudly presented by Veritas AcademySee omnystudio.com/listener for privacy information.

11/12/24 Hour 2     Vince speaks with Kevin Roberts, President of the Heritage Foundation, about his thoughts on the Senate Leadership race, Tom Homan as Border Czar, and his new book “Dawn's Early Light; Taking Back Washington to Save America.”  Vince speaks with KT McFarland, Former US Deputy National Security Advisor and Author of “Revolution: Trump, Washington and "We the People" about Mike Walz being named National Security advisor, Iran signaling a willingness to negotiate, and what Donald Trump must do to bring peace to the Middle East and Ukraine.       For more coverage on the issues that matter to you visit www.WMAL.com, download the WMAL app or tune in live on WMAL-FM 105.9 from 3-6pm.   To join the conversation, check us out on social media: @WMAL @VinceCoglianese.      Executive Producer: Corey Inganamort @TheBirdWords See omnystudio.com/listener for privacy information.

Vince speaks with Kevin Roberts, President of the Heritage Foundation, about his thoughts on the Senate Leadership race, Tom Homan as Border Czar, and his new book “Dawn's Early Light; Taking Back Washington to Save America.”      For more coverage on the issues that matter to you visit www.WMAL.com, download the WMAL app or tune in live on WMAL-FM 105.9 from 3-6pm.   To join the conversation, check us out on social media: @WMAL @VinceCoglianese.      Executive Producer: Corey Inganamort @TheBirdWords See omnystudio.com/listener for privacy information.

Dr. Kevin Roberts, president of The Heritage Foundation and Heritage Action. New Book: Dawn's Early Light

SpaceTime Series 27 Episode 130*Epoch of Reionization: New Insights from WebbA groundbreaking study suggests the epoch of reionization, a pivotal era in the universe's early evolution, may have occurred 350 million years earlier than previously believed. Utilising data from the James Webb Space Telescope, astronomers have uncovered a greater abundance of extreme ultraviolet emitting galaxies, challenging established models. This revelation might imply that the cosmic microwave background radiation and the Lyman alpha forest should appear different, posing a conundrum for scientists and opening new avenues for understanding the universe's history.*NASA's DaVinci Mission Prepares for VenusNASA's upcoming DaVinci mission aims to explore Venus's enigmatic Alpha Regio, a mountainous region shrouded in mystery. The mission, set for the early 2030s, will delve into whether Venus once harboured oceans and continents, akin to Earth. By reanalysing old data and employing modern techniques, scientists have enhanced the resolution of Venus's topography, offering fresh insights into its geological features and potential volcanic activity. DaVinci's descent probe will capture unprecedented high-resolution images, potentially revealing new details about Venus's surface.*China's First Reusable Satellite TestChina has successfully tested its first reusable satellite, the SHY119, launched aboard a Long March 2D rocket. Recovered after 13.5 days, the mission included various payloads, such as plant seeds and technology demonstration devices. This achievement marks a significant milestone in China's Space exploration efforts, showcasing advancements in reusable satellite technology.The Science RobertA study links hearing loss in older age to an increased risk of Parkinson's disease, with effective management through hearing aids potentially mitigating this risk. In the South Australian outback, palaeontologists have discovered one of Earth's earliest life forms, dating back 550 million years. Meanwhile, a new study warns that up to 33% of frog and toad habitats could become arid by the century's end due to climate change. Additionally, a Gallup poll reveals a significant drop in support for childhood vaccinations in the US, raising concerns about herd immunity.www.spacetimewithstuartgary.comwww.bitesz.com

In this episode of AKAPAD's The Film Buff Podcast, we dive into what may be one of James Earl Jones' greatest performances. From the early days of HBO Studios, By Dawn's Early Light is a gripping thriller that keeps you on the edge of your seat, despite nearly every character spending the majority of the film sitting down.

pWotD Episode 2687: James Earl Jones Welcome to Popular Wiki of the Day, spotlighting Wikipedia's most visited pages, giving you a peek into what the world is curious about today.With 1,070,030 views on Monday, 9 September 2024 our article of the day is James Earl Jones.James Earl Jones (January 17, 1931 – September 9, 2024) was an American actor known for his film roles and for his work in theatre. Jones has been described as "one of America's most distinguished and versatile" actors for his performances on stage and screen. He has also been called "one of the greatest actors in American history". He was inducted into the American Theater Hall of Fame in 1985. He was honoured with the National Medal of Arts in 1992, the Kennedy Center Honor in 2002, the Screen Actors Guild Life Achievement Award in 2009, and the Honorary Academy Award in 2011.Born in Arkabutla, Mississippi in 1931, he had a stutter since childhood. Jones said that poetry and acting helped him overcome the challenges of his disability. A pre-med major in college, he served in the United States Army during the Korean War before pursuing a career in acting. His deep voice was praised as a "stirring basso profondo that has lent gravel and gravitas" to his projects. Jones made his Broadway debut in 1957 in Sunrise at Campobello (1957). He gained prominence for acting in numerous productions with Shakespeare in the Park including Othello, Hamlet, Coriolanus, and King Lear. Jones worked steadily in theatre, winning the Tony Award for Best Actor in a Play for his role as a boxer in The Great White Hope (1968), which he reprised in the 1970 film adaptation, earning him Academy Award and Golden Globe nominations.Jones won his second Tony Award for Best Actor in a Play for his role as a working class father in August Wilson's Fences (1987). He was a Tony award nominee for his roles as the husband in Ernest Thompson's On Golden Pond (2005) about an ageing couple, and as a former president in the Gore Vidal play The Best Man (2012). His other Broadway performances included Cat on a Hot Tin Roof (2008), Driving Miss Daisy (2010–2011), You Can't Take It with You (2014), and The Gin Game (2015–2016). He received a Special Tony Award for Lifetime Achievement in 2017.Jones made his film debut in Stanley Kubrick's Dr. Strangelove (1964). He received a Golden Globe Award nomination for Claudine (1974). Jones gained international fame for his voice role as Darth Vader in the Star Wars franchise, beginning with the original 1977 film. Jones' other notable roles include parts in Conan the Barbarian (1982), Matewan (1987), Coming to America (1988), Field of Dreams (1989), The Hunt for Red October (1990), The Sandlot (1993), and The Lion King (1994). Jones reprised his roles in Star Wars media, The Lion King (2019), and Coming 2 America (2021). On television, Jones won two Primetime Emmy Awards for his roles in TNT thriller film Heat Wave (1990) and the crime series Gabriel's Fire (1991). He was Emmy-nominated for East Side West Side (1963), By Dawn's Early Light (1990), Picket Fences (1994), Under One Roof (1995), Frasier (1997), and Everwood (2004). He also acted in Roots (1977), Jesus of Nazareth (1977), and Homicide: Life on the Street (1997).This recording reflects the Wikipedia text as of 08:28 UTC on Tuesday, 10 September 2024.For the full current version of the article, see James Earl Jones on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Gregory.

In this episode of AKAPAD's The Film Buff Podcast, we dive into what may be one of James Earl Jones' greatest performances. From the early days of HBO Studios, By Dawn's Early Light is a gripping thriller that keeps you on the edge of your seat, despite nearly every character spending the majority of the film sitting down.

Homily two, for 8th September 2024

This week on the blog, a podcast interview with playwright and screenwriter Jeffrey Hatcher on Columbo, Sherlock Holmes, favorite mysteries and more!LINKSA Free Film Book for You: https://dl.bookfunnel.com/cq23xyyt12Another Free Film Book: https://dl.bookfunnel.com/x3jn3emga6Fast, Cheap Film Website: https://www.fastcheapfilm.com/Jeffrey Hatcher Facebook Page: https://www.facebook.com/jeffrey.hatcher.3/The Good Liar (Trailer): https://youtu.be/ljKzFGpPHhwMr. Holmes (Trailer): https://youtu.be/0G1lIBgk4PAStage Beauty (Trailer): https://youtu.be/-uc6xEBfdD0Columbo Clips from “Ashes to Ashes”Clip One: https://youtu.be/OCKECiaFsMQClip Two: https://youtu.be/BbO9SDz9FEcClip Three: https://youtu.be/GlNDAVAwMCIEli Marks Website: https://www.elimarksmysteries.com/Albert's Bridge Books Website: https://www.albertsbridgebooks.com/YouTube Channel: https://www.youtube.com/c/BehindthePageTheEliMarksPodcastTRANSCRIPTJohn: Can you remember your very first mystery, a movie, book, TV show, play, a mystery that really captured your imagination? Jeffrey: You know, I was thinking about this, and what came to mind was a Disney movie called Emile and the Detectives from 1964. So, I would have been six or seven years old. It's based on a series of German books by Eric Kastner about a young man named Emile and his group of friends who think of themselves as detectives. So, I remember that—I know that might've been the first film. And obviously it's not a play because, you know, little kids don't tend to go to stage thrillers or mysteries and, “Daddy, please take me to Sleuth.But there was a show called Burke's Law that I really loved. Gene Barry played Captain Amos Burke of the Homicide Division in Los Angeles, and he was very rich. That was the bit. The bit was that Captain Burke drove around in a gorgeous Rolls Royce Silver Ghost, and he had a chauffeur. And every mystery was structured classically as a whodunit.In fact, I think every title of every episode was “Who Killed Cock Robin?” “Who Killed Johnny Friendly?” that kind of thing. And they would have a cast of well-known Hollywood actors, so they were all of equal status. Because I always think that's one of the easiest ways to guess the killer is if it's like: Unknown Guy, Unknown Guy, Derek Jacobi, Unknown Guy, Unknown Guy. It's always going to be Derek Jacobi. John: Yeah, it's true. I remember that show. He was really cool. Jim: Well, now I'm going to have to look that up.Jeffrey: It had a great score, and he would gather all of the suspects, you know, at the end of the thing. I think my favorite was when he caught Paul Lynde as a murderer. And, of course, Paul Lynde, you know, kept it very low key when he was dragged off. He did his Alice Ghostly impersonation as he was taken away.John: They did have very similar vocal patterns, those two.Jeffrey: Yep. They're kind of the exact same person. Jim: I never saw them together. John: You might have on Bewitched. Jim: You're probably right.Jeffrey: Well, I might be wrong about this, either Alice Ghostly or Charlotte Ray went to school with Paul Lynde. And Charlotte Ray has that same sound too. You know, kind of warbly thing. Yes. I think they all went to Northwestern in the late 40s and early 50s. So maybe that was a way that they taught actors back then. John: They learned it all from Marion Horne, who had the very same warble in her voice. So, as you got a little older, were there other mysteries that you were attracted to?Jeffrey: Yeah. Luckily, my parents were very liberal about letting me see things that other people probably shouldn't have. I remember late in elementary school, fifth grade or so, I was reading Casino Royale. And one of the teachers said, “Well, you know, most kids, we wouldn't want to have read this, but it's okay if you do.”And I thought, what's that? And I'm so not dangerous; other kids are, well they would be affected oddly by James Bond? But yeah, I, I love spy stuff. You know, The Man from Uncle and The Wild Wild West, all those kind of things. I love James Bond. And very quickly I started reading the major mysteries. I think probably the first big book that I remember, the first novel, was The Hound of the Baskervilles. That's probably an entrance point for a lot of kids. So that's what comes in mind immediately. Jim: I certainly revisit that on—if not yearly basis, at least every few years I will reread The Hound of the Baskervilles. Love that story. That's good. Do you have, Jeffrey, favorite mystery fiction writers?Jeffrey: Oh, sure. But none of them are, you know, bizarre Japanese, Santa Domingo kind of writers that people always pull out of their back pockets to prove how cool they are. I mean, they're the usual suspects. Conan Doyle and Christie and Chandler and Hammett, you know, all of those. John Dickson Carr, all the locked room mysteries, that kind of thing. I can't say that I go very far off in one direction or another to pick up somebody who's completely bizarre. But if you go all the way back, I love reading Wilkie Collins.I've adapted at least one Wilkie Collins, and they read beautifully. You know, terrifically put together, and they've got a lot of blood and thunder to them. I think he called them sensation novels as opposed to mysteries, but they always have some mystery element. And he was, you know, a close friend of Charles Dickens and Dickens said that there were some things that Collins taught him about construction. In those days, they would write their novels in installments for magazines. So, you know, the desire or the need, frankly, to create a cliffhanger at the end of every episode or every chapter seems to have been born then from a capitalist instinct. John: Jeff, I know you studied acting. What inspired the move into playwriting?Jeffrey: I don't think I was a very good actor. I was the kind of actor who always played older, middle aged or older characters in college and high school, like Judge Brack in Hedda Gabler, those kind of people. My dream back in those days was to play Dr. Dysart in Equus and Andrew Wyke in Sleuth. So, I mean, that was my target. And then I moved to New York, and I auditioned for things and casting directors would say, “Well, you know, we actually do have 50 year old actors in New York and we don't need to put white gunk in their hair or anything like that. So, why don't you play your own age, 22 or 23?” And I was not very good at playing 22 or 23. But I'd always done some writing, and a friend of mine, Graham Slayton, who was out at the Playwrights Center here, and we'd gone to college together. He encouraged me to write a play, you know, write one act, and then write a full length. So, I always say this, I think most people go into the theater to be an actor, you know, probably 98%, and then bit by bit, we, you know, we peel off. We either leave the profession completely or we become directors, designers, writers, what have you. So, I don't think it's unnatural what I did. It's very rare to be like a Tom Stoppard who never wanted to act. It's a lot more normal to find the Harold Pinter who, you know, acted a lot in regional theaters in England before he wrote The Caretaker.Jim: Fascinating. Can we talk about Columbo?Jeffrey: Oh, yes, please. Jim: This is where I am so tickled pink for this conversation, because I was a huge and am a huge Peter Falk Columbo fan. I went back and watched the episode Ashes To Ashes, with Patrick McGowan that you created. Tell us how that came about. Jeffrey: I too was a huge fan of Columbo in the 70s. I remember for most of its run, it was on Sunday nights. It was part of that murder mystery wheel with things like Hec Ramsey and McCloud, right? But Columbo was the best of those, obviously. Everything, from the structure—the inverted mystery—to thw guest star of the week. Sometimes it was somebody very big and exciting, like Donald Pleasence or Ruth Gordon, but often it was slightly TV stars on the skids.John: Jack Cassidy, Jim: I was just going to say Jack Cassidy.Jeffrey: But at any rate, yeah, I loved it. I loved it. I remembered in high school, a friend and I doing a parody of Columbo where he played Columbo and I played the murderer of the week. And so many years later, when they rebooted the show in the nineties, my father died and I spent a lot of time at the funeral home with the funeral director. And having nothing to say to the funeral director one day, I said, “Have you got the good stories?”And he told me all these great stories about, you know, bodies that weren't really in the casket and what you can't cremate, et cetera. So, I suddenly had this idea of a Hollywood funeral director to the stars. And, via my agent, I knew Dan Luria, the actor. He's a close friend or was a close friend of Peter's. And so, he was able to take this one-page idea and show it to Peter. And then, one day, I get a phone call and it's, “Uh, hello Jeff, this is Peter Falk calling. I want to talk to you about your idea.” And they flew me out there. It was great fun, because Falk really ran the show. He was the executive producer at that point. He always kind of ran the show. I think he only wrote one episode, the one with Faye Dunaway, but he liked the idea.I spent a lot of time with him, I'd go to his house where he would do his drawings back in the studio and all that. But what he said he liked about it was he liked a new setting, they always liked a murderer and a setting that was special, with clues that are connected to, say, the murderer's profession. So, the Donald Pleasant one about the wine connoisseur and all the clues are about wine. Or the Dick Van Dyke one, where he's a photographer and most of the clues are about photography. So, he really liked that. And he said, “You gotta have that first clue and you gotta have the pop at the end.”So, and we worked on the treatment and then I wrote the screenplay. And then he asked McGoohan if he would do it, and McGoohan said, “Well, if I can direct it too.” And, you know, I've adored McGoohan from, you know, Secret Agent and The Prisoner. I mean, I'd say The Prisoner is like one of my favorite television shows ever. So, the idea that the two of them were going to work together on that script was just, you know, it was incredible. John: Were you able to be there during production at all? Jeffrey: No, I went out there about four times to write, because it took like a year or so. It was a kind of laborious process with ABC and all that, but I didn't go out during the shooting.Occasionally, this was, you know, the days of faxes, I'd get a phone call: “Can you redo something here?” And then I'd fax it out. So, I never met McGoohan. I would only fax with him. But they built this whole Hollywood crematorium thing on the set. And Falk was saying at one point, “I'm getting pushback from Universal that we've got to do all this stuff. We've got to build everything.” And I was saying, “Well, you know, 60 percent of the script takes place there. If you're going to try to find a funeral home like it, you're going to have all that hassle.” And eventually they made the point that, yeah, to build this is going to cost less than searching around Hollywood for the right crematorium, And it had a great cast, you know, it had Richard Libertini and Sally Kellerman, and Rue McClanahan was our murder victim.Jim: I'll tell you every scene that Peter Falk and Mr. McGoohan had together. They looked to me as an actor, like they were having a blast being on together. Jeffrey: They really loved each other. They first met when McGoohan did that episode, By Dawn's Early Light, where he played the head of the military school. It's a terrific episode. It was a great performance. And although their acting styles are completely different, You know, Falk much more, you know, fifties, methody, shambolic. And McGoohan very, you know, his voice cracking, you know, and very affected and brittle. But they really loved each other and they liked to throw each other curveballs.There are things in the, in the show that are ad libs that they throw. There's one bit, I think it's hilarious. It's when Columbo tells the murderer that basically knows he did it, but he doesn't have a way to nail him. And, McGoohan is saying, “So then I suppose you have no case, do you?” And Falk says, “Ah, no, sir, I don't.” And he walks right off camera, you know, like down a hallway. And McGoohan stares off and says, “Have you gone?” And none of that was scripted. Peter just walks off set. And if you watch the episode, they had to dub in McGoohan saying, “Have you gone,” because the crew was laughing at the fact that Peter just strolled away. So McGoohan adlibs that and then they had to cover it later to make sure the sound wasn't screwed up. Jim: Fantastic. John: Kudos to you for that script, because every piece is there. Every clue is there. Everything pays off. It's just it is so tight, and it has that pop at the end that he wanted. It's really an excellent, excellent mystery.Jim: And a terrific closing line. Terrific closing line. Jeffrey: Yeah, that I did right. That was not an ad lib. Jim: It's a fantastic moment. And he, Peter Falk, looks just almost right at the camera and delivers that line as if it's, Hey, check this line out. It was great. Enjoyed every minute of it. Can we, um, can I ask some questions about Sherlock Holmes now?Jeffrey: Oh, yes. Jim: So, I enjoyed immensely Holmes and Watson that I saw a couple summers ago at Park Square. I was completely riveted and had no, absolutely no idea how it was going to pay off or who was who or what. And when it became clear, it was so much fun for me as an audience member. So I know that you have done a number of Holmes adaptations.There's Larry Millet, a St. Paul writer here and I know you adapted him, but as far as I can tell this one, pillar to post was all you. This wasn't an adaptation. You created this out of whole cloth. Am I right on that? Jeffrey: Yes. The, the idea came from doing the Larry Millet one, actually, because Steve Hendrickson was playing Holmes. And on opening night—the day of opening night—he had an aortic aneurysm, which they had to repair. And so, he wasn't able to do the show. And Peter Moore, the director, he went in and played Holmes for a couple of performances. And then I played Holmes for like three performances until Steve could get back. But in the interim, we've sat around saying, “All right, who can we get to play the role for like a week?” And we thought about all of the usual suspects, by which I mean, tall, ascetic looking actors. And everybody was booked, everybody was busy. Nobody could do it. So that's why Peter did it, and then I did it.But it struck me in thinking about casting Holmes, that there are a bunch of actors that you would say, you are a Holmes type. You are Sherlock Holmes. And it suddenly struck me, okay, back in the day, if Holmes were real, if he died—if he'd gone over to the falls of Reichenbach—people probably showed up and say, “Well, I'm Sherlock Holmes.”So, I thought, well, let's take that idea of casting Holmes to its logical conclusion: That a couple of people would come forward and say, “I'm Sherlock Holmes,” and then we'd wrap it together into another mystery. And we're sitting around—Bob Davis was playing Watson. And I said, “So, maybe, they're all in a hospital and Watson has to come to figure out which is which. And Bob said, “Oh, of course, Watson's gonna know which one is Holmes.”And that's what immediately gave me the idea for the twist at the end, why Watson wouldn't know which one was Holmes. So, I'm very grateful whenever an idea comes quickly like that, but it depends on Steve getting sick usually. Jim: Well, I thoroughly enjoyed it. If it's ever staged again anywhere, I will go. There was so much lovely about that show, just in terms of it being a mystery. And I'm a huge Sherlock Holmes fan. I don't want to give too much away in case people are seeing this at some point, but when it starts to be revealed—when Pierce's character starts talking about the reviews that he got in, in the West End—I I almost wet myself with laughter. It was so perfectly delivered and well written. I had just a great time at the theater that night. Jeffrey: It's one of those things where, well, you know how it is. You get an idea for something, and you pray to God that nobody else has done it. And I couldn't think of anybody having done this bit. I mean, some people have joked and said, it's kind of To Tell the Truth, isn't it? Because you have three people who come on and say, “I'm Sherlock Holmes.” “I'm Sherlock Holmes.” “I'm Sherlock Holmes.” Now surely somebody has done this before, but Nobody had. Jim: Well, it's wonderful. John: It's all in the timing. So, what is the, what's the hardest part about adapting Holmes to this stage?Jeffrey: Well, I suppose from a purist point of view‑by which I mean people like the Baker Street Irregulars and other organizations like that, the Norwegian Explorers here in Minnesota‑is can you fit your own‑they always call them pastiches, even if they're not comic‑can you fit your own Holmes pastiche into the canon?People spend a lot of time working out exactly where Holmes and Watson were on any given day between 1878 and 1930. So, one of the nice things about Holmes and Watson was, okay, so we're going to make it take place during the three-year interregnum when Holmes is pretending to be dead. And it works if you fit Holmes and Watson in between The Final Problem and The Adventure of the Empty House, it works. And that's hard to do. I would say, I mean, I really love Larry Millett's book and all that, but I'm sure it doesn't fit, so to speak. But that's up to you to care. If you're not a purist, you can fiddle around any old way you like. But I think it's kind of great to, to, to have the, the BSI types, the Baker Street Irregular types say, “Yes, this clicked into place.”Jim: So that's the most difficult thing. What's the easiest part?Jeffrey: Well, I think it's frankly the language, the dialogue. Somebody pointed out that Holmes is the most dramatically depicted character in history. More than Robin Hood, more than Jesus Christ. There are more actor versions of Holmes than any other fictional character.We've been surrounded by Holmes speak. Either if we've read the books or seen the movies or seen any of the plays for over 140 years. Right. So, in a way, if you're like me, you kind of absorb that language by osmosis. So, for some reason, it's very easy for me to click into the way I think Holmes talks. That very cerebral, very fast, sometimes complicated syntax. That I find probably the easiest part. Working out the plots, you want them to be Holmesian. You don't want them to be plots from, you know, don't want the case to be solved in a way that Sam Spade would, or Philip Marlowe would. And that takes a little bit of work. But for whatever reason, it's the actor in you, it's saying, all right, if you have to ad lib or improv your way of Sherlock Holmes this afternoon, you know, you'd be able to do it, right? I mean, he really has permeated our culture, no matter who the actor is.Jim: Speaking of great actors that have played Sherlock Holmes, you adapted a movie that Ian McKellen played, and I just watched it recently in preparation for this interview.Having not seen it before, I was riveted by it. His performance is terrific and heartbreaking at the same time. Can we talk about that? How did you come to that project? And just give us everything.Jeffrey: Well, it's based on a book called A Slight Trick of the Mind by Mitch Cullen, and it's about a very old Sherlock Holmes in Surrey, tending to his bees, as people in Holmesland know that he retired to do. And it involves a couple of cases, one in Japan and one about 20 years earlier in his life that he's trying to remember. And it also has to do with his relationship with his housekeeper and the housekeeper's son. The book was given to me by Anne Carey, the producer, and I worked on it probably off and on for about five years.A lot of time was spent talking about casting, because you had to have somebody play very old. I remember I went to meet with Ralph Fiennes once because we thought, well, Ralph Fiennes could play him at his own age,‑then probably his forties‑and with makeup in the nineties.And Ralph said‑Ralph was in another film that I'd done‑and he said, “Oh, I don't wear all that makeup. That's just far too much.” And I said, “Well, you did in Harry Potter and The English Patient, you kind of looked like a melted candle.” And he said, “Yes, and I don't want to do that again.” So, we always had a very short list of actors, probably like six actors in the whole world And McKellen was one of them and we waited for him to become available And yeah, he was terrific. I'll tell you one funny story: One day, he had a lot of prosthetics, not a lot, but enough. He wanted to build up his cheekbones and his nose a bit. He wanted a bit, he thought his own nose was a bit too potatoish. So, he wanted a more Roman nose. So, he was taking a nap one day between takes. And they brought him in, said, “Ian, it's time for you to do the, this scene,” and he'd been sleeping, I guess, on one side, and his fake cheek and his nose had moved up his face. But he hadn't looked in the mirror, and he didn't know. So he came on and said, “Very well, I'm all ready to go.” And it was like Quasimodo.It's like 5:52 and they're supposed to stop shooting at six. And there was a mad panic of, Fix Ian's face! Get that cheekbone back where it's supposed to be! Knock that nose into place! A six o'clock, we go into overtime!” But it was very funny that he hadn't noticed it. You kind of think you'd feel if your own nose or cheekbone had been crushed, but of course it was a makeup. So, he didn't feel anything. Jim: This is just the, uh, the actor fan boy in me. I'm an enormous fan of his work straight across the board. Did you have much interaction with him and what kind of fella is he just in general?Jeffrey: He's a hoot. Bill Condon, the director, said, “Ian is kind of methody. So, when you see him on set, he'll be very decorous, you know, he'll be kind of like Sherlock Holmes.” And it was true, he goes, “Oh, Jeffrey Hatcher, it's very good to meet you.” And he was kind of slow talking, all that. Ian was like 72 then, so he wasn't that old. But then when it was all over, they were doing all those--remember those ice Dumps, where people dump a tub of ice on you? You have these challenges? A the end of shooting, they had this challenge, and Ian comes out in short shorts, and a bunch of ballet dancers surrounds him. And he's like, “Alright, everyone, let's do the ice challenge.” And, he turned into this bright dancer. He's kind of a gay poster boy, you know, ever since he was one of the most famous coming out of the last 20 some years. So, you know, he was suddenly bright and splashy and, you know, all that old stuff dropped away. He has all of his headgear at his house and his townhouse. He had a party for us at the end of shooting. And so, there's a Gandalf's weird hat and there's Magneto's helmet, you know, along with top hats and things like that. And they're all kind of lined up there. And then people in the crew would say, can I take a picture of you as Gandalf? “Well, why, of course,” and he does all that stuff. So no, he's wonderful. Jim: You do a very good impression as well. That was great. Now, how did you come to the project, The Good Liar, which again, I watched in preparation for this and was mesmerized by the whole thing, especially the mystery part of it, the ending, it was brilliant.How did you come to that project?Jeffrey: Well, again, it was a book and Warner Brothers had the rights to it. And because Bill and I had worked on Mr. Holmes--Bill Condon--Bill was attached to direct. And so I went in to talk about how to adapt it.This is kind of odd. It's again based in McKellen. In the meeting room at Warner Brothers, there was a life size version of Ian as Gandalf done in Legos. So, it was always, it'll be Ian McKellen and somebody in The Good Liar. Ian as the con man. And that one kind of moved very quickly, because something changed in Bill Condon's schedule. Then they asked Helen Mirren, and she said yes very quickly.And it's a very interesting book, but it had to be condensed rather a lot. There's a lot of flashbacks and going back and forth in time. And we all decided that the main story had to be about this one con that had a weird connection to the past. So, a lot of that kind of adaptation work is deciding what not to include, so you can't really be completely faithful to a book that way. But I do take the point with certain books. When my son was young, he'd go to a Harry Potter movie, and he'd get all pissed off. Pissed off because he'd say Dobby the Elf did a lot more in the book.But if it's a book that's not quite so well-known—The Good Liar isn't a terribly well-known book, nor was A Slight Trick of the Mind--you're able to have a lot more room to play. Jim: It's a very twisty story. Now that you're talking about the book, I'll probably have to go get the book and read it just for comparison. But what I saw on the screen, how did you keep it--because it was very clear at the end--it hits you like a freight train when it all sort of unravels and you start seeing all of these things. How did you keep that so clear for an audience? Because I'll admit, I'm not a huge mystery guy, and I'm not the brightest human, and yet I was able to follow that story completely.Jeffrey: Well, again, I think it's mostly about cutting things, I'm sure. And there are various versions of the script where there are a lot of other details. There's probably too much of one thing or another. And then of course, you know, you get in the editing room and you lose a couple of scenes too. These kinds of things are very tricky. I'm not sure that we were entirely successful in doing it, because you say, which is more important, surprise or suspense? Hitchcock used to have that line about, suspense is knowing there's a bomb under the table. And you watch the characters gather at the table. As opposed to simply having a bomb blow up and you didn't know about it.So, we often went back and forth about Should we reveal that the Helen Mirren character knows that Ian's character is doing something bad? Or do we try to keep it a secret until the end? But do you risk the audience getting ahead of you? I don't mind if the audience is slightly ahead. You know, it's that feeling you get in the theater where there's a reveal and you hear a couple of people say, “Oh, I knew it and they guessed it may be a minute before. But you don't want to get to the point where the audience is, you know, 20 minutes or a half an hour ahead of you.Jim: I certainly was not, I was not in any way. It unfolded perfectly for me in terms of it being a mystery and how it paid off. And Helen Mirren was brilliant. In fact, for a long time during it, I thought they were dueling con men, the way it was set up in the beginning where they were both entering their information and altering facts about themselves.I thought, “Oh, well, they're both con men and, and now we're going to see who is the better con man in the end.” And so. when it paid off. In a way different sort of way, it was terrific for me. Absolutely. Jeffrey: Well, and I thank you. But in a way, they were both con men. Jim: Yes, yes. But she wasn't a professional con man.Jeffrey: She wasn't just out to steal the money from him. She was out for something else. She was out for vengeance. Jim: Yes. Very good. Very, if you haven't seen it, The Good Liar folks, don't wait. I got it on Amazon prime and so can you.Jeffrey: I watched them do a scene, I was over there for about five days during the shooting.And watching the two of them work together was just unbelievable. The textures, the tones, the little lifts of the eyebrow, the shading on one word versus another. Just wonderful, wonderful stuff. Jim: Yeah. I will say I am a huge Marvel Cinematic Universe fan along with my son. We came to those together and I'm a big fan of that sort of movie. So I was delighted by this, because it was such a taut story. And I was involved in every second of what was going on and couldn't quite tell who the good guys were and who the bad guys were and how is this going to work and who's working with who?And it was great. And in my head, I was comparing my love for that sort of big blow it up with rayguns story to this very cerebral, internal. And I loved it, I guess is what I'm saying. And, I am, I think, as close to middle America as you're going to find in terms of a moviegoer. And I thought it was just dynamite. Jeffrey: It was very successful during the pandemic--so many things were when people were streaming--but it was weirdly successful when it hit Amazon or Netflix or whatever it was. And, I think you don't have to be British to understand two elderly people trying to find a relationship. And then it turns out that they both have reasons to hate and kill each other. But nonetheless, there is still a relationship there. So, I pictured a lot of lonely people watching The Good Liar and saying, “Yeah, I'd hang out with Ian McKellen, even if he did steal all my money.” John: Well, speaking of movies, I am occasionally handed notes here while we're live on the air from my wife. And she wants you to just say something about the adaptation you did of your play, Stage Beauty, and what that process was like and how, how that process went.Jeffrey: That was terrific because, primarily Richard Eyre--the director who used to run the National Theater and all that--because he's a theater man and the play's about theater. I love working with Bill Condon and I've loved working with Lassa Hallstrom and other people, but Richard was the first person to direct a film of any of my stuff. And he would call me up and say, “Well, we're thinking of offering it to Claire Danes.” or we're thinking…And usually you just hear later, Oh, somebody else got this role. But the relationship was more like a theater director and a playwright. I was there on set for rehearsals and all that.Which I haven't in the others. No, it was a wonderful experience, but I think primarily because the, the culture of theater saturated the process of making it and the process of rehearsing it and—again--his level of respect. It's different in Hollywood, everybody's very polite, they know they can fire you and you know, they can fire you and they're going to have somebody else write the dialogue if you're not going to do it, or if you don't do it well enough. In the theater, we just don't do that. It's a different world, a different culture, different kind of contracts too. But Richard really made that wonderful. And again, the cast that he put together: Billy Crudup and Claire and Rupert Everett and Edward Fox and Richard Griffiths. I remember one day when I was about to fly home, I told Richard Griffiths what a fan Evan-- my son, Evan--was of him in the Harry Potter movie. And he made his wife drive an hour to come to Shepperton with a photograph of him as Mr. Dursley that he could autograph for my son. John: Well, speaking of stage and adaptations, before we go into our lightning round here, you did two recent adaptations of existing thrillers--not necessarily mysteries, but thrillers--one of which Hitchcock made into a movie, which are Dial M for Murder and Wait Until Dark. And I'm just wondering what was that process for you? Why changes need to be made? And what kind of changes did you make?Jeffrey: Well, in both cases, I think you could argue that no, changes don't need to be made. They're wildly successful plays by Frederick Knott, and they've been successful for, you know, alternately 70 or 60 years.But in both cases, I got a call from a director or an artistic director saying, “We'd like to do it, but we'd like to change this or that.” And I'm a huge fan of Frederick Knott. He put things together beautifully. The intricacies of Dial M for Murder, you don't want to screw around with. And there are things in Wait Until Dark having to do just with the way he describes the set, you don't want to change anything or else the rather famous ending won't work. But in both cases, the women are probably not the most well drawn characters that he ever came up with. And Wait Until Dark, oddly, they're in a Greenwich Village apartment, but it always feels like they're really in Westchester or in Terre Haute, Indiana. It doesn't feel like you're in Greenwich Village in the 60s, especially not in the movie version with Audrey Hepburn. So, the director, Matt Shackman, said, why don't we throw it back into the 40s and see if we can have fun with that. And so it played out: The whole war and noir setting allowed me to play around with who the main character was. And I know this is a cliche to say, well, you know, can we find more agency for female characters in old plays or old films? But in a sense, it's true, because if you're going to ask an actress to play blind for two hours a night for a couple of months, it can't just be, I'm a blind victim. And I got lucky and killed the guy. You've got a somewhat better dialogue and maybe some other twists and turns. nSo that's what we did with Wait Until Dark. And then at The Old Globe, Barry Edelstein said, “well, you did Wait Until Dark. What about Dial? And I said, “Well, I don't think we can update it, because nothing will work. You know, the phones, the keys. And he said, “No, I'll keep it, keep it in the fifties. But what else could you What else could you do with the lover?”And he suggested--so I credit Barry on this--why don't you turn the lover played by Robert Cummings in the movie into a woman and make it a lesbian relationship? And that really opened all sorts of doors. It made the relationship scarier, something that you really want to keep a secret, 1953. And I was luckily able to find a couple of other plot twists that didn't interfere with any of Knott's original plot.So, in both cases, I think it's like you go into a watch. And the watch works great, but you want the watch to have a different appearance and a different feel when you put it on and tick a little differently. John: We've kept you for a way long time. So, let's do this as a speed round. And I know that these questions are the sorts that will change from day to day for some people, but I thought each of us could talk about our favorite mysteries in four different mediums. So, Jeff, your favorite mystery novel”Jeffrey: And Then There Were None. That's an easy one for me. John: That is. Jim, do you have one?Jim: Yeah, yeah, I don't read a lot of mysteries. I really enjoyed a Stephen King book called Mr. Mercedes, which was a cat and mouse game, and I enjoyed that quite a bit. That's only top of mind because I finished it recently.John: That counts. Jim: Does it? John: Yeah. That'll count. Jim: You're going to find that I am so middle America in my answers. John: That's okay. Mine is--I'm going to cheat a little bit and do a short story--which the original Don't Look Now that Daphne du Murier wrote, because as a mystery, it ties itself up. Like I said earlier, I like stuff that ties up right at the end. And it literally is in the last two or three sentences of that short story where everything falls into place. Jeff, your favorite mystery play? I can be one of yours if you want. Jeffrey: It's a battle between Sleuth or Dial M for Murder. Maybe Sleuth because I always wanted to be in it, but it's probably Dial M. But it's also followed up very quickly by Death Trap, which is a great comedy-mystery-thriller. It's kind of a post-modern, Meta play, but it's a play about the play you're watching. John: Excellent choices. My choice is Sleuth. You did have a chance to be in Sleuth because when I directed it, you're the first person I asked. But your schedule wouldn't let you do it. But you would have been a fantastic Andrew Wyke. I'm sorry our timing didn't work on that. Jeffrey: And you got a terrific Andrew in Julian Bailey, but if you wanted to do it again, I'm available. John: Jim, you hear that? Jim: I did hear that. Yes, I did hear that. John: Jim, do you have a favorite mystery play?Jim: You know, it's gonna sound like I'm sucking up, but I don't see a lot of mystery plays. There was a version of Gaslight that I saw with Jim Stoll as the lead. And he was terrific.But I so thoroughly enjoyed Holmes and Watson and would love the opportunity to see that a second time. I saw it so late in the run and it was so sold out that there was no coming back at that point to see it again. But I would love to see it a second time and think to myself, well, now that you know what you know, is it all there? Because my belief is it is all there. John: Yeah. Okay. Jeff, your favorite TV mystery?Jeffrey: Oh, Columbo. That's easy. Columbo.John: I'm gonna go with Poker Face, just because the pace on Poker Face is so much faster than Columbo, even though it's clearly based on Columbo. Jim, a favorite TV mystery?Jim: The Rockford Files, hands down. John: Fair enough. Fair enough. All right. Last question all around. Jeff, your favorite mystery movie? Jeffrey: Laura. Jim: Ah, good one. John: I'm going to go with The Last of Sheila. If you haven't seen The Last of Sheila, it's a terrific mystery directed by Herbert Ross, written by Stephen Sondheim and Anthony Perkins. Fun little Stephen Sondheim trivia. The character of Andrew Wyke and his house were based on Stephen Sondheim. Jeffrey: Sondheim's townhouse has been for sale recently. I don't know if somebody bought it, but for a cool seven point something million, you're going to get it. John: All right. Let's maybe pool our money. Jim, your favorite mystery movie.Jim: I'm walking into the lion's den here with this one. Jeffrey, I hope this is okay, but I really enjoyed the Robert Downey Jr. Sherlock Holmes movies. And I revisit the second one in that series on a fairly regular basis, The Game of Shadows. I thought I enjoyed that a lot. Your thoughts on those movies quickly? Jeffrey: My only feeling about those is that I felt they were trying a little too hard not to do some of the traditional stuff. I got it, you know, like no deer stalker, that kind of thing. But I thought it was just trying a tad too hard to be You know, everybody's very good at Kung Fu, that kind of thing.Jim: Yes. And it's Sherlock Holmes as a superhero, which, uh, appeals to me. Jeffrey: I know the producer of those, and I know Guy Ritchie a little bit. And, I know they're still trying to get out a third one. Jim: Well, I hope they do. I really hope they do. Cause I enjoyed that version of Sherlock Holmes quite a bit. I thought it was funny and all of the clues were there and it paid off in the end as a mystery, but fun all along the road.Jeffrey: And the main thing they got right was the Holmes and Watson relationship, which, you know, as anybody will tell you, you can get a lot of things wrong, but get that right and you're more than two thirds there.

Welcome to the show Mr. Patrick McGoohan as Colonel Rumford, headmaster at an all-boys military academy and devotee of rules and regulations. When his reign is threatened he retaliates by killing his rival with a cannon! Now it's up to Lt. Columbo to stick around the academy and solve the crime in one of the more solid episodes of Season 4.

JD Vance, U.S. Senator for Ohio, has written the foreword for an upcoming book by Paul Roberts, a prominent figure in the political initiative known as Project 2025. The book, titled "Dawn's Early Light: Taking Back Washington to Save America," is expected to generate significant attention due to its alignment with the aims of Project 2025.Paul Roberts, identified as the head of Project 2025, leads this ambitious agenda aimed at reforming the federal government's structure and policies. Detailed in promotional materials, the book provides insight into the movement's vision for America's future and its strategy for achieving political and social change.Project 2025 is a concerted effort by conservative leaders and thinkers to prepare for a substantial overhaul of government operations and policy approaches by the year 2025. It encompasses a range of initiatives designed to restore what its proponents view as the foundational principles of American governance. Central to this undertaking is a focus on reducing the size of the federal government, increasing state autonomy, and restructuring federal agencies to enhance efficiency and responsiveness to constituents.Roberts' book serves both as a manifesto for the Project 2025 movement and as a practical guide for policymakers and activists who share its goals. In his well-regarded foreword, Senator Vance endorses Roberts' vision and underscores the urgent need for the reforms proposed in "Dawn's Early Light." He highlights the impact that Project 2025 could have on the political landscape, emphasizing its potential to galvanize a new era of governance rooted in accountability and transparency.As head of Project 2025, Roberts articulates a pathway for enacting these changes, drawing from historical precedents and contemporary examples of effective government reform. The movement positions itself as a response to what it characterizes as years of bureaucratic overreach and inefficiency, advocating for a return to principles it sees as foundational to American democracy."Dawn's Early Light" is not merely a theoretical treatise; it includes actionable steps and detailed plans for achieving its objectives. This includes proposals for legislative changes, administrative restructuring, and grassroots mobilization efforts. Roberts' leadership within Project 2025 directs these efforts, providing a coherent and strategic approach to effecting change within the political system.The collaboration between Roberts and Senator Vance signifies a strong endorsement from a sitting member of Congress, potentially increasing the visibility and legitimacy of Project 2025. It also suggests growing support for the movement's ideas within the legislative branch, which could be instrumental in turning its vision into reality by 2025.In summary, "Dawn's Early Light: Taking Back Washington to Save America" by Paul Roberts, with a foreword by JD Vance, serves both as an articulation of and a roadmap for Project 2025's ambitious goals. Roberts' leadership and the movement's detailed policy proposals aim to fundamentally transform the federal government's operations and restore what they see as the core principles of American governance.

It's the return of the mack, the McGhoohan that is! Columbo spends the week at a military boarding school after a grisly accident that might just be murder. We talk about: Luke Lives A Skit, Spotlight, Cody, Relink, MRI, Military School, Explosion, Columbo Scours The Grounds, Square Meal, Slap That Ass, Skip Town, Weird AccentEpisode Watched: S4 Ep3 - By Dawn's Early Light

June 19 - 25, 1953 This week Ken welcomes professor, writer, producer and director Jack Solder (Nightmare on Elm St. 2, By Dawn's Early Light, The Hidden, 12:01, Alone in the Dark) to the show. Ken and Jack discuss growing up in Philly, growing up playing trumpet, being a classical musician, realizing you're good but not GREAT at something, becoming an editor, the rhythm of cuts, working at New Line Cinema, Caroline Biggerstaff, poses vs pauses, editing The Burning, learning by doing, creating suspense, revival art house cinema, the genius of Buster Keaton, exploitation films, Ed Sullivan, Uncle Milty, 1950s music shows, the cultural scene of the 1950s, Uncle Pete Boyle, Chief Halftown, kids shows, Life of Reilly, Magnavox, The DuMont Network, newspapermen, The Big Story, The Big Picture, the strangeness of modern day network TV, the personal nature of TV, working with Harvey Keitel, swapping India for Eastern Europe, the fake Indian word for "Roll 'em" Easta Sasusaway, never being Mr. Wizard, Big Top with Jack Sterling, Wrestling, boxing, You Asked for It, Fearless Ed, Variety Shows, New York Socialites and Intellectuals, Dinah Shore, representations of gay people on TV, Ernie Kovacs, Red necks, Farmers, how your car key fob is more powerful than the computer that sent men to the moon, the world after cell phones, Alan Funt, Candid Camera, Kids Say the Darndest Things, UHF stations, Dragnet, American Bandstand, 12:01, The Hidden, the gayest Nightmare on Elm St film, Robocop, working with Jake the Dog, and the strangeness of The Omen The Series pilot. 

Get your coffee (or hard cider!) with bread and butter and join us as we chat all about By Dawn's Early Light starring Peter Falk, Patrick McGoohan, Burr DeBenning, Bruce Kirby, Bruno Kirby and more.    We chat filming locations including the Charleston Harbor, how Patrick McGoohan was cast, music and much more!   Other topics we discussed: -The Scarecrow starring Patrick McGoohan -The Prisoner starring Patrick McGoohan -the Dardenne brothers (filmmakers) -Western (2017 film) -and lots more!   We have EXCLUSIVE content available on Patreon!  Get video recordings of the podcast & monthly updates & behind the scenes. Head to https://patreon.com/trenchcoatcigar to join today!   If you'd like to add to our conversation, you can email us at trenchcoatcigar@gmail.com.  Follow us on Instagram at @trenchcoatcigar to see photos from today's episode.   Get podcast merch on RedBubble: https://www.redbubble.com/people/trenchcoatcigar/shop?asc=u  

In Episode 159, Dave starts the show by discussing the looming financial crisis at length and then pivots to an extended conversation regarding the border crisis the potato created. Rounding out the show, Dave spends time discussing the CYA shenanigans the illegal January 6 commission is engaged in and the lies being told by botox Pelosi. He closes the discussion with some vitriol aimed at the communist to our north in Trudeau. Articles discussed: No Major Presidential Candidates Have A Plan To Tackle The Fiscal ‘Trainwreck' Coming In 2025 by mlance from TrumpTrainNews US national debt tracker for Jan 26, 2024: See what American taxpayers (you) owe in real time by Megan Henney from Fox Business Man in America Supreme Court sides with Biden in Texas border razor wire case; Border Patrol Union blasts decision by Bradford Betz from Fox News Biden's DHS Demands Texas Authorities Stand Down At Southern Border As Legal Battle Intensifies by Jennie Taer from American Action News Mexican soldiers find factory producing drone bombs, grenade launchers, fake military uniforms by Greg Norman from Fox News WATCH: Texas Governor Greg Abbott Tells Tucker Carlson He Is 'Prepared' For Conflict With Feds by Sterling Mosley from DC Enquirer Ex-FBI officials warn Congress of 'new and imminent' border danger: 'The country has been invaded' by Adam Shaw from Fox News Trucker Convoy Headed To U.S.-Mexico Border Highlighting Biden's Lax Enforcement by Jon Dougherty from Conservative Brief Audio Clip of President Joe Biden threatening war against Texas is fake from Dallas News House Jan. 6 Committee deleted more than 100 encrypted files days before GOP took majority: sources by Brooke Singman from Fox News As Jan. 6 pipe bomb probe breaks wide open, Blaze News investigative reporter Steve Baker, others ask what government has to hide by Dave Urbanski from BlazeMedia Nancy Pelosi Claims She 'Begged' for National Guard on J6-- How She's Lying by Sarah Arnold from Townhall Court rules Trudeau's use of martial law to crush peaceful trucker protest was 'unjustified' and unlawful by Joseph MacKinnon from BlazeMedia Available for Purchase - Fiction: When Rome Stumbles | Hannibal is at the Gates | By the Dawn's Early Light | Colder Weather | A Time for Reckoning (paperback versions) | Fiction Series (paperback) | Fiction Series (audio) Available for Purchase - Non-Fiction: Preparing to Prepare (electronic/paperback) | Home Remedies (electronic/paperback) | Just a Small Gathering (paperback) | Just a Small Gathering (electronic) --- Support this podcast: https://podcasters.spotify.com/pod/show/contra-radio-network/support

In this episode, David Paul interviews Scott Garber, Managing Director of Early Light Ventures. Scott shares his background as a former CIA operative and how he transitioned into venture capital. He discusses his investment strategy, including the importance of reading founders and identifying grit. Scott also talks about the portfolio construction and his focus on smaller exits with lower failure rates. He reflects on his beliefs that have changed over time and shares his excitement for the future. You can watch/listen to the podcast on YouTube, Spotify, and Apple.TakeawaysScott shares his background as a former CIA operative and how it has influenced his venture capital career.Reading founders and identifying grit are important factors in Scott's investment strategy.Scott focuses on smaller exits with lower failure rates in his portfolio construction.Scott's beliefs about valuations have evolved, and he now considers quality as an important factor in investment decisions.Scott is excited about the sales prospects for startups in the first half of 2024.Chapters03:57 - Transition to Venture Capital05:30 - Recruitment into the CIA07:19 - Transferable Skills from CIA to Venture Capital09:48 - Investment Strategy and Reading Founders13:16 - Early Light Ventures and Investment Thesis15:29 - Transition from Board Seats17:52 - Portfolio Construction and Miss Rates20:49 - Beliefs that Have Changed24:24 - Excitement for 202427:17 - Conclusion and Contact Information

The Waverider has crossed us over into another universe where another world has its own superheroes and super villains. We are covering the Netflix series Jupiter's Legacy based on the Image Comics of the same name. The first episode "By Dawn's Early Light" lays the groundwork for this universe. We have a group of heroes The Union of Justice or the Union for short, who seek to serve the world with morals and integrity. Their leader, The Utopian lays out their code.  "Service, compassion, mercy, those are the words we live by. That is our Code, and it's the most important thing in the world." But that Code is hard to live by in a changing world. The Utopian, know also as Sheldon, and his wife Grace, who's alter ego is Lady Liberty, have two kids. The Code and their parents' life as heroes have had dramatic and dividing impacts on them. Brandon, know as Paragon, wants to carry on the Union. He is not his father and even though everyone tells him he can't live up to that legacy, he tries. But even his father is unsure of him. Meanwhile his sister, Chloe, is rebelling against the code, her father and his morality. We have the original heroes who have served the world since the late 1930's and then the next generation who have inherited their powers.  All are put to the test when the supervillain Blackstar breaks out of prison. But that is only part of the story. We also get flashbacks to the 1929 era where we see our heroes before they gained their powers. It shows us the forces and morals that shape them for decades to come. It was a bold first episode. It raises a lot of questions. It also seeks to examine many of the issues and questions about how superheroes would really work in the real world. Our podcast is ready to examine them all along with you our loyal community.   Contact Information: If you want to join in the discussion, you can submit feedback via email to TomorrowsLegendsPodcast@gmail.com. Please submit all feedback by 7:00 pm eastern on Thursday. You can also join the Facebook group at facebook.com/groups/tomorrowslegends. Answer all the questions and agree to the group rules to be accepted. You can follow us on X (formerly Twitter) @tomorowslegends.  You can support the show on our Patreon page! https://www.patreon.com/TomorrowsLegends You will get access to bonus content like advanced releases, extra questions answered, hang-out sessions, bonus episodes, and merchandise of course!

Ricky and his shy, reserved cousin Angela are spending the summer at Camp Arawak, a bargain basement overnight camp in upstate New York run by Mel, cigar-chomping shyster, and staffed by a bunch of adult and teenage degenerates.  Angela is initially withdrawn, occasionally catatonic – but is soon brought out of her shell by Ricky's friend Paul, who takes a liking to Angela in the hopes he might be able to make it with her before summer's end.  But there are forces are at work – forces determined to put the strangely distant Angela in her place.  Bunkmate and camp harlot Judy sees Angela as a weirdo, then a threat when she attracts Paul's attention.  Counselor Meg, who can't get Angela to eat, play sports, or swim, constantly berates Angela for her failure to thrive.  That's when the murders begin, one at a time, first a staffer, then a camper, and on and on.  Mel tries to hide it due to the bad publicity, but as any good camp director knows, murder's bad for business, and the more we learn about Angela's murky past, the more things at Camp Arawak take a turn… for the deadly. Intro, Math Club, Debate Society, Hot for Teacher (spoiler-free): 00:00-26:29Honor Roll and Detention (spoiler-heavy): 26:30-1:02:16Superlatives (spoiler-heavier): 1:02:17-1:21:08 Director Richard HiltzikScreenplay Richard HiltzikFeaturing Christopher Collet, Paul DeAngelo, Desiree Gould, Karen Fields, Owen Hughes, Robert Earl Jones, Katherine Kamhi, Mike Kellin, Felissa Rose, Jonathan Tiersten Jack Sholder began his career as a film editor, working on the feature documentary King: From Montgomery to Memphis which was nominated for an Academy Award. He won an Emmy for his editing work on 3-2-1 Contact. After writing and directing several award-winning short films, Jack wrote Where Are The Children starring Jill Clayburgh for Ray Stark and Columbia. In 1982, Jack directed Alone In The Dark for New Line Cinema with Martin Landau, Jack Palance, and Donald Pleasence. He then directed A Nightmare On Elm Street II: Freddy's Revenge. His next feature, The Hidden, won many awards including the Grand Prix at the Avoriaz Film Festival, Jury Award at the Sitges Film Festival, and Best Director at Fantasporto. Premiere Magazine called it “one of the ten most underrated films of the 80s.” This was followed by Renegades with Kiefer Sutherland and Lou Diamond Phillips and By Dawn's Early Light for HBO with Martin Landau, James Earl Jones, Rip Torn, Rebecca de Mornay, and Powers Boothe. Jack has directed movies and television for MGM, Paramount, Universal, Warners, Fox, United Artists, Lionsgate, HBO, Showtime, NBC, Discovery, and others. He is the recipient of lifetime achievement awards from FantaFest and the Grossman Festival. In 2004, he founded the Film & Television Production program at Western Carolina University where he was Professor and Director of the FTP program until 2017.  Jack has received Life Achievement Awards from Fantafestival (Rome), Grossmann Film Festival (Slovenia), and Fantastic Fest (Austin). Our theme music is by Sir Cubworth, with embellishments by Edward Elgar.  Music from Sleepaway Camp by Edward Bilous. For more information on this film (including why the Professor chose it, on ⁠⁠⁠Our Blog⁠⁠⁠), the pod, essays from your hosts, and other assorted bric-a-brac, visit our website, ⁠⁠⁠⁠⁠⁠⁠⁠⁠scareupod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠. Please subscribe to this podcast via Apple or Google Podcasts, Stitcher, Spotify, or wherever you get your podcasts. If you like what you hear, please leave us a 5-star rating. Join our ⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠ group. Follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠.

It's the third Odyssey Geek holiday special! This time, this episode is celebrating the USA's Independence Day. Austin does another listen along commentary of an episode of Adventures in Odyssey: By Dawn's Early Light. He discusses the pacing of the story, acting highlights, the pre-Arthur Dent muffin line, and much more! Grab your own copy of the episode and listen along! Amazon Apple Music FOTF Store AIO Club Hear Austin's review of The Day Independence Came (and JD's interview with Phil Lollar) on Audio Theatre Central Listen to past Odyssey Geek episode commentaries: I Slap Floor and Gloobers! This podcast uses this sound from freesound.org: Audio Cassette Tape Open Close Play Stop by Bertrof  ( http://freesound.org/people/Bertrof)

In episode 134, Deacon gives his first ever 4th of July special. One of the best episodes of the year maybe bold to some, but not the creator. Deacon delivers the Top 10 American Rock Bands of All Time with a quick preview of an American Classic on the big screen and much more as we celebrate America's birthday in Deaconland! --- Support this podcast: https://podcasters.spotify.com/pod/show/deaconandcoshow/support

Emerging Revolutionary War returns to the War of 1812 with a discussion of the first part of the campaign that eventually led to the climatic Battle of Baltimore. This discussion will center around the action at Bladensburg and the movement to Baltimore. Joining Emerging Revolutionary War historian Phillip S. Greenwalt will be Daniel Davis, Senior Education Manager for the American Battlefield Trust.

In this episode I discuss a couple of studies regarding how morning light can help reduce body fat, metabolic function and appetite. I have discussed the importance of getting out for a morning walk many times, and for many reasons such as mood regulation, productivity, and exercise. Now we have even more evidence that validates early morning walks!  Reid KJ, Santostasi G, Baron KG, Wilson J, Kang J, Zee PC. Timing and intensity of light correlate with body weight in adults. PLoS One. 2014 Apr 2;9(4):e92251. doi: 10.1371/journal.pone.0092251. PMID: 24694994; PMCID: PMC3973603.Episode Resources:https://www.ncbi.nlm.nih.gov/pmc/articles/PMC3973603/#pone.0092251-Figueiro1If you love the Get Lean Eat Clean Podcast, we'd love for you to subscribe, rate, and give a review on Apple Podcasts. Until next time!Links:Watch Get Lean Eat Clean podcast video episodes on YouTube!LMNT: A tasty electrolyte drink mix that is formulated to help anyone with their electrolyte needs and is perfectly suited to folks fasting or following low-carb, whole food diets. Free gift with purchase:DrinkLMNT.com/getleaneatcleanhttps://www.21dayfastingchallenge.com/Upgraded Formulas hair mineral test (Coupon Code: GETLEAN10) :https://www.upgradedformulas.com/pages/kit?rfsn=6677062.f87541&utm_source=refersion&utm_medium=affiliate&utm_campaign=6677062.f87541X3 Bar: Variable Resistance Technology allows for a full body workout in only 10 minutes! Use discount code "Save50" for $50 off your purchase! https://www.anrdoezrs.net/click-100286468-13650338| Listen to the Get Lean Eat Clean Podcast |►Apple Podcasts | https://podcasts.apple.com/us/podcast/get-lean-eat-clean/id1540391210►Spotify | https://open.spotify.com/show/0QmJzYZsdV6tUNbDxaPJjS| Connect with Brian |►Website | https://www.briangryn.com►Instagram | https://www.instagram.com/bdgryn►Facebook | https://www.facebook.com/getleanandeatclean►Twitter | https://twitter.com/grynnerwinner

TVC 602.2: Peter Berk, son of longtime television writer Howard Berk and the co-author of the sci-fi action thriller Time Lock, talks to Ed about his dad's experience working with Peter Falk on Columbo; the extent to which Patrick McGoohan contributed to the teleplay of “By Dawn's Early Light,” the episode of Columbo, written by Howard Berk, for which McGoohan won the first of his two Emmy Awards; and Peter's experience collaborating with Dick Van Patten on the nonfiction book Launching Your Child in Show Biz. Time Lock is available wherever books are sold through IESnaps, an imprint of IngramElliott. Want to advertise/sponsor our show? TV Confidential has partnered with AdvertiseCast to handle advertising/sponsorship requests for the podcast edition of our program. They're great to work with and will help you advertise on our show. Please email sales@advertisecast.com or click the link below to get started: https://www.advertisecast.com/TVConfidentialAradiotalkshowabout Learn more about your ad choices. Visit podcastchoices.com/adchoices

Hit the road with us! We head to the Big Apple for Big East Basketball Media Day, the Yankees' series-winning victory over the Guardians, and our visit to the Barstool headquarters in Manhattan. We take you in live to our segment on last week's episode of Macrodosing, as The Wonton Don, Billy Football, and Arian Foster review our very own Don's Early Light. Also making their second appearances on the show are college basketball expert Andy Katz and Providence head coach Ed Cooley. Will chats with Georgetown head coach and Knicks legend Patrick Ewing, and Jake catches up with Marquette head coach & former marshal of the cinderella-story VCU Rams, Shaka Smart. Finally, Providence's Jared Bynum joins us to break down the Friars' season and tells us which transfers we should keep our eyes on. BEERS: We're clinging onto NEIPA season like our lives depend on it. Jake tries Barewolf Brewing, a nano brewery in Amesbury, MA. This week, it's “Pina Colossus,” which reminds us a lot of one of our HBC favorites, Grocery Store Joe - with real pineapple and notes of other fruits, this is one we'll be looking for again. Will tries Zonk, a cannabis-infused imperial IPA from Grimm Artisanal Ales. While the high wasn't there, the flavor most certainly was, as this is one of the more hoppy beers you can find in New England. BUSINESS: We tease two big storylines that we'll dive into more next week. In the ever-evolving saga of Elon Musk, he visited the Twitter HQ today, and many think it's to evaluate who he will be laying off. What's next? Also, Adidas cuts ties with Kanye West after his off-color comments. They'll take a $246 million hit due to severing their partnership, but many believe they've actually saved themselves from more long-term losses by cutting ties with ‘Ye now. BALLS: This week's Contenders are playing against each other, while our Pretenders have two veteran quarterbacks struggling to continue to prove their worth. Who rises up to the challenge, and who caves? The Yankees are now out after getting swept by Houston, and it's down to the Astros and the Phillies in the World Series. We close with poking some fun at the LA Lakers, who are the worst-shooting team in NBA history right now. We're proud to present Manscaped as our latest partner! What guy wouldn't want The Right Tools for The Job?! Head over to manscaped.com/house, or use the code HOUSE at checkout for 20% off AND free shipping on your order. Thanks for listening! Remember to hit the follow button on Spotify, and leave us a review on Apple Podcasts. Join the conversation on Twitter and Instagram --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/beersbusinessandballs/support

In Mexico, life can come cheap - but some are worth millions. When ruthless gangs kidnap the loved ones of the wealthy, the ransoms can soar in to seven-figure sums. And when that happens, Nick Brokhausen and Jeff Miller are the men you want on your side of the negotiating table. They're former Special Forces operatives who've spent a lifetime solving problems and making money in some of the most dangerous parts of the world. In Part 2, Vanessa Kirby joins the duo on a second adventure south of the border. This time, a Mexican dairy tycoon is in danger of going on ice - unless Nick and Jeff track down his kidnappers. From SPYSCAPE, the home of secrets. A Cup And Nuzzle production. Series producers: Gemma Newby, Joe Foley. Produced by Max Bower. Music by Nick Ryan.

In Episode 85, Dave discusses two articles and provides commentary on their content. The first article deals with EMP's and the lack of a government response. --> Hint: read pgs 21-22 in Part 3 of my series (By The Dawn's Early Light) for details on how an EMP works (E1-E3 phases), read Part 2 of the series (Hannibal is at the Gates) for info on the chaos that a portable EMP device could deliver, read the Critical National Infrastructures Report (and Exec Summary) for technical details on EMPs. read the opening chapters of James Wesley Rawles' book Patriots for examples of hyperinflation, it's warning signs, and it's potential effects. Available for Purchase: Fiction Series (electronic)  |  Preparing to Prepare  | Home Remedies

Enjoy The Best Erotica Reddit's Has To Offer! Thank you for listening on today's story. Make sure to rate and subscribe and spice up your day and night!Check her out before listening to the story.   Listen to Ad-Free Episodes here! | https://app.redcircle.com/shows/d62111a0-8f35-4555-bbcd-caf88676bf41/exclusive-content Chance to win ad free access! | Link to other podcasts: linktr.ee/myfriendseroticstories Erotica with Captioned Videos! | https://realifewriter.gumroad.com/ Sexy Stories:Apple: https://podcasts.apple.com/us/podcast/my-sexy-stories/id1583470189 Support this podcast at — https://redcircle.com/sexy-steamy-sex-stories/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

A new MP3 sermon from Truths That Transform is now available on SermonAudio with the following details: Title: The Dawn's Early Light Subtitle: Road to Independence Speaker: Dr. D. James Kennedy Broadcaster: Truths That Transform Event: TV Broadcast Date: 7/17/2022 Length: 28 min.

Thank you for listening to my sexy stories! Enjoy your night or the start of your day, spiced by our imaginative story made only for your enjoyment…  Listen to Ad-Free Episodes here! | https://app.redcircle.com/shows/09cf39ce-f1b3-48e3-9787-160d348be243/exclusive-content Chance to win ad free access! | Link to other podcasts: linktr.ee/myfriendseroticstories Erotica with Captioned Videos! https://realifewriter.gumroad.com/Support this podcast at — https://redcircle.com/my-sexy-stories/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Enjoy listening to our Friend's Erotic Stories!Chance to win ad free access! | Link to other podcasts: linktr.ee/myfriendseroticstoriesErotica with Captioned Videos! https://realifewriter.gumroad.com/More Sexy Stories:Apple: https://podcasts.apple.com/us/podcast/my-sexy-stories/id1583470189Spotify: https://open.spotify.com/show/7vF8k6APi1jeKLF9s6eDygGirl of the Story, (Lena Paul): https://www.instagram.com/lena_paulxoxo/Support this podcast at — https://redcircle.com/my-friends-erotic-stories/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Enjoy The Best Erotica Reddit's Has To Offer!Thank you for listening on today's story. Make sure to rate and subscribe and spice up your day and night!Check her out before listening to the story. Quick read erotica with hot video complementaries! https://realifewriter.gumroad.com/More Sexy Stories:Apple: https://podcasts.apple.com/us/podcast/my-sexy-stories/id1583470189Spotify: https://open.spotify.com/show/7vF8k6APi1jeKLF9s6eDygGirl of the Story, Addison Rae : https://www.instagram.com/addisonraee/For Business Inquiries: boredwriterwrites@gmail.comCheck it out on: https://linktr.ee/myfriendseroticstoriesInstagram: https://www.instagram.com/myfriendseroticstories/Support this podcast at — https://redcircle.com/sexy-steamy-sex-stories/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In this episode of Unclear and Present Danger, Jamelle and John discuss the 1990 made-for-TV movie “By Dawn's Early Light.” Their conversation centers on the politics of nuclear weapons, what they mean for constitutional democracy, and how fear of nuclear weapons has been a potent political tool since the end of the Second World War.“By Dawn's Early Light” is available to stream for free on Amazon and YouTube, and is available for rent on iTunes.Contact us!Follow us on Twitter!John GanzJamelle BouieLinks from the episode!New York Times frontpage for Saturday May 19, 1990.Trailer for “The Day After”Trailer for “Threads”