Podcast appearances and mentions of John Foxx

This episode features legendary electronic musician, producer and synth nut Benge.His works with John Foxx and the Maths and Hannah Peel are outstanding, also Wrangler, OMD, Blancmange and Creep Show with Mal from Cabaret Voltaire, John Grant and Phill Winter.He also runs a label - MemeTune Recordings, as well as a YouTube series MemeTune, semi-ironically exploring the history of synthesisers…Ladies and gentlemen - prepare to geek out - meet Benge.If you can, please support the Electronically Yours podcast via my Patreon: patreon.com/electronicallyours

Welcome to Live From Progzilla Towers Edition 549. In this All Request edition, we heard music by Circus, City Boy, The Flower Kings, Gentle Giant, Army Of Moths, Blood Incantation, John Foxx, Freeze The Fall, Jack Lancaster & Rick Van Der Linden, Pendragon, Hanabie., The Prophets Of Zarquon, Discipline, John Greaves, Peter Blegvad, Lisa Herman, The John Irvine Band, The Orb & Supertramp.

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When British band Ultravox released their fourth studio album 'Vienna' in 1980, the addition of new lead singer Midge Ure marked a total change in direction from experimental post-rock to lushly orchestrated synth-pop. This week's guest, singer/songwriter Oscar Herrera (The Sleep of Reason, Black Tape For A Blue Girl), joins us as we explore this icely beautiful record that manages to be both cold-blooded and fierce at the same time. "This means nothing to me..." Songs discussed in this episode: Vienna - London Symphony Orchestra; The Sleep Of Reason - The Sleep Of Reason; Io, Father Whiskey - Oscar Herrera; Saturday Night In The City Of The Dead - Ultravox!; Forever and Ever - Silk; Fade To Grey - Visage; Get Out Of Here - Thin Lizzy; Sleepwalk, Passing Strangers, New Europeans, Private Lives, Astradyne, My Sex, Mr X, Western Promise, Vienna, All Stood Still - Ultravox; Final Sound (Chamber Version) - Oscar Herrera

For this interview special of Electric Friends, I'm speaking to Andy Gray, one of the most sought-after DJs, songwriters, producers and composers of the last few decades.Andy made a name for himself in the early 90s in the growing dance music scene, with his remixes and work with his group Amoeba Assassin, and for his work with Paul Oakenfold's Perfecto label. He has gone on to produce or remix music by a wide range of artists such as The Human League, Tori Amos, New ORder, Tears for Fears, Moby, U2, John Foxx and many more.He is also a prolific film and TV soundtrack composer, on projects such as Swordfish, Get Carter and Hunters, and he also composed and produced the iconic Big Brother theme in the UK.He has also had a long association with Gary Numan, whom he counts as a good friend. He has collaborated and remixed Gary's music many times, including appearances on the Hybrid, Jagged and Dead Son Rising albums. In particular, he remixed the brilliant version of A Prayer for the Unborn, which we hear at pretty much every Gary Numan gig today.I caught up with Andy to talk about his career, how Gary's music inspired him as a youth, and what his experiences of working with Gary have been, and what we can look forward to in the future. Clips used:Tubeway Army - Are Friends Electric?Amoeba Assassin - RollercoasterThe Human League - Tell Me WhenElementfour - Big Brother ThemeGary Numan - Listen to My Voice (Andy Gray remix)Gary Numan - A Prayer for the Unborn (Andy Gray remix)Gary Numan - Are Friends Electric (Andy Gray remix)Gary Numan - AncientsAndy Gray & Gary Numan - For YouPlease get in touch on Twitter, Facebook, TikTok and Instagram, or email at numanpodcast@gmail.com.

Tomorrow's fascinating episode features an extraordinarily eclectic and creative character - Mark Reeder. He is a musician, record producer, remixer, DJ, graphic designer and film maker who has been living and working in Berlin since 1978. Originally from Manchester, his clandestine musical career has spanned over more than four decades. He was a founding member of The Frantic Elevators together with Mick Hucknall (Simply Red). Upon moving to Berlin in 1978, he became the German representative for Joy Division and the legendary Manchester record label Factory Records from 1978-1983 and a member of synthpop bands Die Unbekannten and Shark Vegas. Reeder is also meanwhile, an established DJ and remixer, for artists such as New Order, Depeche Mode, The Pet Shop Boys, Blank & Jones, John Foxx, Anne Clark, Yello or Die Toten Hosen. He has DJ'd all over the World in some of the most prestigious locations, from events in Amsterdam, Turin, Bogota, Stockholm, Vilnius, Taipei, Moscow, Minsk, Beijing, Shanghai, to venues like Berlin's Kraftwerk, or Ohm club, to more exotic locations as The Morning House Festival in Chengdu, China, Contact club in Tokyo, or in the Sydney Opera House and O2 Arena in London for New Order. Ladies and gentlemen – prepare to be immersed in the Berlin scene – meet Mark Reeder... If you can, please support the Electronically Yours podcast via my Patreon: https://www.patreon.com/electronicallyours

For Episode 105, Radical Research follows the lead of musical polyglot and overachiever, Steven Wilson. Inspired by Wilson's recently-curated, Intrigue: Progressive Sounds in UK Alternative Music 1979-1989, this episode traces out the music found on the first disc of this four-volume edition, digging into such varied artists as Public Image Ltd., John Foxx, In Camera, and This Heat. This constitutes the first in a four-part series around Wilson's collection, which we will revisit occasionally throughout 2024. Should you have any interest in the rich mosaic of the late 1970s/early 1980s UK underground, tune in, turn on, and experiment out.  Note I: As mentioned late in the episode, here is further reading on the Durutti Column's sandpaper packaging of their Return of the Durutti Column album: https://en.wikipedia.org/wiki/The_Return_of_the_Durutti_Column Note II: Please consider donating if you listen to Radical Research often: https://www.paypal.me/rrpodcast We also have a webstore where you can find shirts, CDs, and books, many of them recently restocked: http://radicalresearch.org/shop/ Music cited in order of appearance: intro: Peter Hammill, “Nobody's Business” (Nadir's Big Chance, 1975) [all snippets in this episode are taken from the Intrigue compilation; the following indicates where the songs initially appeared] Wire, “I Should Have Known Better” (154, 1979) Bill Nelson's Red Noise, “A Better Home in the Phantom Zone” (Sound on Sound, 1979) Magazine, “Back to Nature” (Secondhand Daylight, 1979) XTC, “Complicated Game” (Drums and Wires, 1979) Public Image Ltd, “Careering” (Metal Box, 1979) The Stranglers, “The Raven” (The Raven, 1979) Punishment of Luxury, “Puppet Life” (Puppet Life 7”, 1979) Ultravox, “Astradyne” (Vienna, 1980) Gang of Four, “Contract” (Entertainment!, 1979) Simple Minds, “I Travel” (Empires and Dance, 1980) The Durutti Column, “Sketch for Summer” (The Return of the Durutti Column, 1980) This Heat, “Health and Efficiency” (Health and Efficiency [EP], 1980) John Foxx, “Burning Car” (Burning Car 7”, 1980) Robert Fripp and the League of Gentlemen, “Cognitive Dissonance” (The League of Gentlemen, 1981) In Camera, “The Fatal Day” (Fin [EP], 1982) Radical Research is a conversation about the inner- and outer-reaches of rock and metal music. This podcast is conceived and conducted by Jeff Wagner and Hunter Ginn. Though we consume music in a variety of ways, we give particular privilege to the immersive, full-album listening experience. Likewise, we believe that tangible music formats help provide the richest, most rewarding immersions and that music, artwork, and song titles cooperate to produce a singular effect on the listener. Great music is worth more than we ever pay for it.

My fellow travelers of the aural universe, I'm so very happy to have you all here as we lazily flow into a continuation of the Mental Drift series. As with any amalgamation that is woven, special consideration is given to those of you that may feel alarmed by disruptive and angular sonic anomalies. Our mission here at the Spaceman's Transmissions laboratory is optimized towards the analyzation of our sketches. It is during these rigorous processes that the removal of diluted mish-mash and scratchy, if not, dull and turbulent static are discarded. Dear listeners, we have baked you a morsel of mental release made with only the freshest natural ingredients. All allergy free. This sweetly baked bite-sized snack is a mere hour(ish) of an escape journey, and is one which requires only a very tiny fraction of of your devotion. This will allow you to paint your grey matter with colorful light and provide your creative spirit a smooth path inward towards your cerebral control center. Allow the gears of your mind the pleasure of connecting with what really matters: you! Sink deep into your own universe, you owe yourself that. There will be no bumps or turbulence along the way, as we are drifting calmly and slowly upon a mental breeze of comfort and beauty. Take a moment to gaze skyward and marvel at how wonderful you are. Celebrate your uniqueness with a smile and a sense of motivation towards your utopian sunset. Don't hurry through this journey. Rather, let the slight breeze set the course of the voyage. It will steadily (and purposefully) carry you to where your creative oasis resides. Stay there awhile, and rejoice over the beauty of everything around you. Your old boy Tonepoet is there to ensure that your mellow flight of peace is every bit as rejuvenating as it should be.    Revisit Spaceman's Transmissions often, and invite your loved ones along so that they, too, may take advantage of the mental reset that we afford everyone. The journey was, is, and always will be a free ticket to the calm skies within your amazingly underappreciated personal space: the galaxy between your ears.   Turn on, tune in, drift away...   https://www.tonepoet-music.com https://www.facebook.com/tonepoetmusic     TRACK LISTING “Station ID” by Tonepoet's Daughter from Goodnight, Lady (Start Time: 00:00) “Space Travel” by Ancient Astronaut from Through The Tunnel of Love (Start Time: 00:31) “Two Divers” by Isik Kural from Maya's Night (Start Time: 02:42) “Follow the Stream Entry” by J. Arif Verner from From A Distant Horizon [Remastered Edition] (Start Time: 04:43) “116” by Hidden Sky from 3 (Start Time: 08:24) “Nummer 2” by Anne Mueller from Heliopause (Start Time: 11:11) “Words Appear Lost” by An Imaginal Space from Anniversaries (Start Time: 16:41) “Layered Sun” by William St Hugh from Anomaly (Start Time: 17:57) “Before We Were Born (Bonus Track)” by Hammock from The Sleepover Series, Volume Two (Start Time: 20:09) “Audition” by Jim Wallis from Return Train (Start Time: 26:18) “Through Summer Rooms” by John Foxx from The Complete Cathedral Oceans (Start Time: 31:03) “Hypermorph Swingstellar X” by Rikaar from Malin 1 (Start Time: 36:39) “Damaged” by Endless Melancholy from A Perception Of Everything (Start Time: 41:30) “Live and Die (Excerpt)” by Spencer Bott from Abstract Reflex (Start Time: 45:53) “Icebergs Melt (Excerpt)” by Static Storm from Burial At Sea (Start Time: 48:18) “Empty Packs Of Thai Cigarettes” by Benoît Pioulard from These Clouds… (Start Time: 50:58) “Carta Atlántica II (Excerpt)” by bahía mansa & Yama Yuki from Cartas Náuticas (Start Time: 55:09)

Episode 111 Before and After Ambient, Part 2 Playlist Midori Takada, “Mr. Henri Rousseau's Dream” from Through The Looking Glass (1983 RCA Red Seal). 高田みどり (Midori Takada) is a Japanese composer and percussionist. She was a key figure in the Japanese ambient movement of the 1980s. Composed, performed, produced, Marimba, Gong, Cowbell, Recorder, Wood Bell, Ocarina, Tam-tam, Midori Takada. She performed all of the instruments on this album. The album was not immediately popular but seeded the nascent ambient movement that was growing in Japan at the time. Midori Takada, “Trompe-l'œil” from Through The Looking Glass (1983 RCA Red Seal). 高田みどり (Midori Takada) is a Japanese composer and percussionist. She was a key figure in the Japanese ambient movement of the 1980s. Composed, performed, produced, Marimba, Gong, Cowbell, Recorder, Wood and clay Bells, Ocarina, Tam-tam, Cola Bottle, Reed Organ, Midori Takada. She performed all of the instruments on this album. Brian Eno and Harold Budd, “Their Memories” from The Pearl (1984 Editions EG). Composed by Brian Eno, Harold Budd; produced by Brian Eno and Daniel Lanois. David Behrman, “Interspecies Smalltalk Scene 2” (1984) from Leapday Night (1987 Lovely Music). Composed, produced, and computers by David Behrman; violin, Takehisa Kosugi. "Interspecies Smalltalk" (1984) is an interactive piece originally commissioned by the Cunningham Dance Company. Yutaka Hirose, “Light Which Shakes Quietly” from Nova+4 (2019 WRWTFWW Records). Bonus track on this reissued album that dates from 1986. Composed , Arranged and Computer by, Yutaka Hirose; Synthesizer, Jun Tohyama. Takashi Kokubo, “A Dream Sails Out To Sea - Scene 3” (2019 Light In The Attic). Originally released in 1987, this track was part of the new wave of Japanese ambient music. By that time, Kokubo was already reknown for his synthesizer skills on a part with Isao Tomita. He turned to sound design and ambient music and has been instrumental in addition to creating such sounds as the nationally-used mobile phone earthquake alert and credit card payment jingles. Yoichiro Yoshikawa, “Nube” from Cyprus (1988 Eastworld). Original sound track of Japanese TV program. Yoshikawa was already a reliable session musician when he acquired one of the first Phophet-5 synthesizers in Japan. He quickly became a go-to composer for television and other purposes, such as soundscapes for museum exhibitions. Tetsu Inoue, “Low of Vibration” from Ambiant Otaku (1994 Fax +49-69/450464). Before I met Tetsu around the year 2000, I was fascinated by music such as this which had all of the elements of ambient music—slow and forming harmonies, spatial rhythms rather than beats, and a sustained energy throughout—without sounding at all like something out of an Eno production. Produced and performed by Tetsu Inoue. Kenji Kawai, “Ghostdive” from Ghost in the Shell (Original Soundtrack) (1995 RCA). An ambient work from the popular movie soundtrack.Composed, Performed, Produced, Arranged, Keyboards, Instruments, Kenji Kawai; synthesizer, Hironori Houki. Waveform Transmission, “V 1.3” from V 1.0-1.9 (1996 Silent). Analog Tone Engineering and Realization, Recordings Of The Dead, Shortwave, Field Recordings Made During Periods Of Highly-charged Paranormal Activity, Korg MS 10, Korg MS 20, Korg MS 50, Roland System 100 Synthesizers, Home Built Analog Synthesizers, Tape, Loops, Chris Troy; Digital Audio Graphs, Granular Synthesis, Microwave Communications, Psycho-acoustics, Tape, Loops Otari MX 5050 loops, Rod Modell. Experimental Audio Research, “Automatic Music (For Oscillator, Ring Modulator & Filter Clusters)” from Pestrepeller (1999 Ochre Records). UK release, limited to 1000 copies. Engineer, Serge Modular Music System, Sonic Boom (Pete Kember). Some interesting modular synthesizer ambience. John Foxx and Harold Budd, “Raindust” from Translucence + Drift Music (2003 Edsel Records). Composed, produced, and performed by Harold Budd, John Foxx. John Foxx and Harold Budd, “Some Way Through All the Cities” from Translucence + Drift Music (2003 Edsel Records). Composed, produced, and performed by Harold Budd, John Foxx. Pete Namlook, Tetsu Inoue, “Ethereal Being” from 2350 Broadway 4 (2007 Fax +49-69/450464). Composed, produced, and performed by Pete Namlook, Tetsu Inoue. Recorded at Bretton Hall, New York and Klanglobor Hödeshof. Tetsu was an endless collaborator. Here he and the wondrous Pete Namlook wove some ambient magic. Tetsu Inoue, “Kaze” from Inland (2007 Fax +49-69/450464). Written, performed and produced by Tetsu Inoue. This was his post-glitch faze, which brought together, strangely enough, element so his earlier ambient work and glitch music for computers. Masuko Shinji, “Woven Music for Blue Steppe” from Woven Music (2011 Jagjaguwar). All music, vocals and guitar, 増子真二 (Shinji Masuko). This is a project by Masuko, who sometimes works with the Boredoms. It has a characteristic high but sustained energy level that flirts with the outer reaches of the ambient music concept. Caroline Park, “Grain 5” from Grain (2011 Private Chronology). This is a cassette release by Park, often known her for generative composition work and electronic improvisations based on parameters that she defines. Recorded, performed, and mixed between May 2010 and January 2011 in Los Angeles and Boston. Sarah Davachi, “First Cadence” from Antiphonals (2021 Late Music). Composed, Recorded, Performed, Mellotron (bass flute, recorder, oboe), Tape Echo, Sarah Davachi. A recent ambient work by this contemporary experimenter. In the background: An example of ambient music from the program Droneo by Henry Lowengard, which produces self-generating ambient music on a smart phone. “Droneo 1.5 vanDelay and Ape,” (5:25). Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation. For additional notes, please see my blog, Noise and Notations.  

Tune in on Monday July 24, 2023 for episode 13 where Steve and Marlowe discuss John Foxx. --- Support this podcast: https://podcasters.spotify.com/pod/show/lost-futures/support

Episode 13 - Marlowe and Steven discuss the work of recording artist John Foxx ----- Patreon: https://www.patreon.com/LostFuturesPod Rate us on Apple Podcasts: https://podcasts.apple.com/us/podcast/lost-futures-a-mark-fisher-podcast/id1685663806 Spotify: https://open.spotify.com/show/0EnwNGZijCDZVIl5JtjwGT Follow us on Twitter: @lostfuturespod Theme Song By: EvilJekyll Art By: Gregory --- Support this podcast: https://podcasters.spotify.com/pod/show/lost-futures/support

Edición Limitada - 3 de Julio del 2023. Selección, producción, realización y conducción: Gustavo Verduzco. Micrófono: Lewitt LCT 440 Pure. Presentando música de Tubeway Army, Orchestral Manoeuvres in the Dark, John Foxx, Peter Godwin, Rational Youth, Thomas Dolby, Icehouse, Moev, Talk Talk, Giorgio Moroder con Philip Oakey, Alphaville, Secession, Sharpe y Numan, Real Life, A-ha, Images in Vogue, The Communards, Cetu Javu, Radio Heart con Gary Numan, Information Society, Camouflage, Clan Of Xymox, Seven Red Seven, The Shamen, Anything Box, The Beloved, The Grid, La Ley, Elegant Machinery y Red Flag.

Phil Selway, Hannah Peel, Valentina Magaletti, and Errollyn Wallen discuss how to progress from a blank page to a room full of musicians, navigating barriers to development, and balancing the various demands of being a musician. Phil Selway grew up in Oxfordshire and met his Radiohead bandmates at school. They formed the band in 1985 and released their debut album Pablo Honey in 1993. They've released nine studio albums to date. Phil's debut solo album, Familial, came out in 2010, and he recently released his third solo album Strange Dance. Hannah Peel is a Mercury Prize and Emmy-nominated composer, musician, artist and broadcaster. Her music is primarily electronic and often includes classical scoring and sound design, with references to the links between science, nature and music. As well as solo releases, she has also composed soundtracks and collaborated with artists such as Paul Weller, John Foxx and Phil Selway. Valentina Magaletti is a drummer, composer and multi-instrumentalist, with an inventive approach to drums and percussion. She moves effortlessly between the seemingly disparate worlds of alternative and mainstream music. She's played with artists such as Jandek, Mica Levi, Sampha, Kamasi Washington, and Nicolas Jaar. Errollyn Wallen is a multi award-winning Belize-born British composer and performer. Her output includes 22 operas and a large catalogue of orchestral, chamber, and vocal works. She composed for the opening ceremony of the 2012 Paralympic Games and for the climate change conference COP26. In 2020, she was awarded a CBE for services to music.

Welcome to Live From Progzilla Towers Edition 477. In this edition we heard music by Billy The Beach Boys, Chaos And The Cosmos, Eloy, Matt Dorsey, Leprous, Armchair Gods, Deep Space Destructors, John Foxx, Talk Talk, Corvus Stone, Mike Oldfield, Ne Obliviscaris, Greg Howard Band, Marillion, Jan Rivera, Cozy Powell, Nepaal, Toyah & Robert, Pixie Ninja & Zoungla.

Edición Limimtada - 10 de Abril del 2023. Selección, producción, realización y conducción: Gustavo Verduzco. Micrófono: Lewitt LCT-240 Pro. Presentando música de Zanias, Annie con Von Hertzog, Fad Gadget, Leæther Strip, A Certain Ratio, Split Vision, Leathers, Fragrance., John Foxx, Shiny Darkness, Final Selection, Italoconnection, G.W. Childs IV, Spray, BlakLight, Depeche Mode, Toni Halliday, Rotersand, Irradiated with Sound, VNV Nation, White Noise TV, Cattac, Blutengel, Basscalate, nolongerhuman, Girls Under Glass, Massiv in Mensch y ELM.

A principios de década el mundo se encontraba en plena ebullición de ritmos, estilos y géneros. El movimiento Punk despertó a toda una generación con inquietudes e ideas nuevas. La New Wave fue uno de los principales movimientos surgidos después del Punk, y su influencia se ha notado durante toda la década, el SynhtPop y el New Romantic son un ejemplo. En este Podcast escuchareis artistas provenientes de la New Wave influenciados por el New Romantic y/o el SynthPop, y viceversa. Comenzamos con los ingleses B-Movie, grupo a mitad de camino entre la New Wave y el SynthPop, su mayor (y prácticamente único) éxito fue el maravilloso “Nowhere Girl”. Originalmente publicado en 1980 sin éxito volvieron a grabarlo y publicarlo dos años más tarde convirtiéndose en un éxito en Europa. A Flock of Seagulls, artistas New Wave originales de Liverpool, estuvieron en activo entre 1979 y 1985. Aquí podréis escucharlos por partida doble, el mega hit “I Ran” y “The More You Live, The More You Love”. Spandau Ballet, uno de los lideres del movimiento New Romantic, procedentes de la discoteca Blitz. Durante sus primeros años se notó la influencia de la New Wave, luego continuaron con mucho éxito entre el pop de consumo y el Blue-Eyed Soul. Aquí podréis escuchar 2 de sus primeros singles. Duran Duran, ejemplo similar a Spandau Ballet, aunque no proceden de la escena del Blitz han hecho suyo el New Romantic, con pinceladas de SynthPop, New Wave y Pop. Vendieron más de 100 millones de copias durante toda su carrera, convirtiéndose en uno de los artistas mas famosos de la década. Podéis escuchar dos singles de su primer álbum. Los londinenses de Ultravox, formados a mediados de los 70s influenciados principalmente por el Post-Punk en sus orígenes y luego de un cambio de formación continuaron hacia el SynthPop barra New Romantic barra New Wave. Aquí suena uno de sus mayores éxitos Dancing With Tears in My Eyes”. Y hablando de Ultravox, cabe mencionar a John Foxx, primer cantante del grupo, quien los abandono al acabar una gira para abocarse en su carrera como solista. Ha tenido algunos singles y discos de éxito, sobre todo en UK. Su mayor éxito fue “Europe After the Rain” que suena en el Podcast. A pesar que muchos recordéis a Kim Wilde como una cantante de Pop, sus comienzos fueron entre el SynthPop y la New Wave. Al día de hoy sigue en activo y uno de sus primeros éxitos fue “Kids in Amerika”. Peter Schilling es un cantante alemán que trascendió su país con el exitazo de 1983 “Major Tom (Coming Home)” una revisión del Space Oddity de Bowie. Fue su único éxito en los USA, convirtiéndolo en un “One-Hit Wonder en aquel país. Antes he mencionado la discoteca Blitz, y no podemos olvidarnos de Visage, combo creado por Steve Strange. Su canción “Mind of a Toy” llegó al Top-20 en el Reino Unido. Real Life, grupo de Synth-Pop, New Wave australiano, publicaron varios LP y singles durante la década, el single más recordado es “Send Me an Angel” aquí podréis escuchar su versión del año 89, la original fue publicada en 1983. En 1984 Giorgio Moroder y Philip Oakey (The Human League) publicaron un single conjunto “Together in Electric Dreams” como banda sonora de la película “Electric Dream”, de esta colaboración surgió un álbum publicado un año más tarde. En 1981 Ian Craig Marsh y Martyn Ware abandonan The Human League y junto a Glenn Gregory crean Heaven 17, publicando varios singles de éxito durante la década. Uno de los primeros éxitos fue “(We Don't Need This) Fascist Groove Thang” que suena al final del podcast. Espero que os guste la selección y disfruten del Podcast. TRACKLIST: 01 - B-Movie - Nowhere Girl (Extended) 02 - A Flock of Seagulls - I Ran (Hache Mix) 03 - Spandau Ballet - To Cut A Long Story Short (12" Version) 04 - Ultravox - Dancing With Tears In My Eyes (U.S. Special Re-Mix) 05 - Kim Wilde - Kids In Amerika (Blank & Jones so8os Remix) 06 - Peter Schilling - Major Tom (Coming Home) 07 - Duran Duran - Planet Earth 08 - Visage - Mind Of A Toy (Original 12" Dance Mix) 09 - A Flock Of Seagulls - The More You Live, The More You Love (7'' Remix) 10 - John Foxx - Europe After The Rain 11 - Real Life - Send Me An Angel '89 (Dance Mix) 12 - Philip Oakley & Giorgio Moroder - Together in Electric Dreams (Extended Mix) 13 - Duran Duran - Girls On Film 14 - Spandau Ballet - The Freeze 15 - Heaven 17 - (We Don't Need This) Fascist Groove Thang

A principios de década el mundo se encontraba en plena ebullición de ritmos, estilos y géneros. El movimiento Punk despertó a toda una generación con inquietudes e ideas nuevas. La New Wave fue uno de los principales movimientos surgidos después del Punk, y su influencia se ha notado durante toda la década, el SynhtPop y el New Romantic son un ejemplo. En este Podcast escuchareis artistas provenientes de la New Wave influenciados por el New Romantic y/o el SynthPop, y viceversa. Comenzamos con los ingleses B-Movie, grupo a mitad de camino entre la New Wave y el SynthPop, su mayor (y prácticamente único) éxito fue el maravilloso “Nowhere Girl”. Originalmente publicado en 1980 sin éxito volvieron a grabarlo y publicarlo dos años más tarde convirtiéndose en un éxito en Europa. A Flock of Seagulls, artistas New Wave originales de Liverpool, estuvieron en activo entre 1979 y 1985. Aquí podréis escucharlos por partida doble, el mega hit “I Ran” y “The More You Live, The More You Love”. Spandau Ballet, uno de los lideres del movimiento New Romantic, procedentes de la discoteca Blitz. Durante sus primeros años se notó la influencia de la New Wave, luego continuaron con mucho éxito entre el pop de consumo y el Blue-Eyed Soul. Aquí podréis escuchar 2 de sus primeros singles. Duran Duran, ejemplo similar a Spandau Ballet, aunque no proceden de la escena del Blitz han hecho suyo el New Romantic, con pinceladas de SynthPop, New Wave y Pop. Vendieron más de 100 millones de copias durante toda su carrera, convirtiéndose en uno de los artistas mas famosos de la década. Podéis escuchar dos singles de su primer álbum. Los londinenses de Ultravox, formados a mediados de los 70s influenciados principalmente por el Post-Punk en sus orígenes y luego de un cambio de formación continuaron hacia el SynthPop barra New Romantic barra New Wave. Aquí suena uno de sus mayores éxitos Dancing With Tears in My Eyes”. Y hablando de Ultravox, cabe mencionar a John Foxx, primer cantante del grupo, quien los abandono al acabar una gira para abocarse en su carrera como solista. Ha tenido algunos singles y discos de éxito, sobre todo en UK. Su mayor éxito fue “Europe After the Rain” que suena en el Podcast. A pesar que muchos recordéis a Kim Wilde como una cantante de Pop, sus comienzos fueron entre el SynthPop y la New Wave. Al día de hoy sigue en activo y uno de sus primeros éxitos fue “Kids in Amerika”. Peter Schilling es un cantante alemán que trascendió su país con el exitazo de 1983 “Major Tom (Coming Home)” una revisión del Space Oddity de Bowie. Fue su único éxito en los USA, convirtiéndolo en un “One-Hit Wonder en aquel país. Antes he mencionado la discoteca Blitz, y no podemos olvidarnos de Visage, combo creado por Steve Strange. Su canción “Mind of a Toy” llegó al Top-20 en el Reino Unido. Real Life, grupo de Synth-Pop, New Wave australiano, publicaron varios LP y singles durante la década, el single más recordado es “Send Me an Angel” aquí podréis escuchar su versión del año 89, la original fue publicada en 1983. En 1984 Giorgio Moroder y Philip Oakey (The Human League) publicaron un single conjunto “Together in Electric Dreams” como banda sonora de la película “Electric Dream”, de esta colaboración surgió un álbum publicado un año más tarde. En 1981 Ian Craig Marsh y Martyn Ware abandonan The Human League y junto a Glenn Gregory crean Heaven 17, publicando varios singles de éxito durante la década. Uno de los primeros éxitos fue “(We Don't Need This) Fascist Groove Thang” que suena al final del podcast. Espero que os guste la selección y disfruten del Podcast. TRACKLIST: 01 - B-Movie - Nowhere Girl (Extended) 02 - A Flock of Seagulls - I Ran (Hache Mix) 03 - Spandau Ballet - To Cut A Long Story Short (12" Version) 04 - Ultravox - Dancing With Tears In My Eyes (U.S. Special Re-Mix) 05 - Kim Wilde - Kids In Amerika (Blank & Jones so8os Remix) 06 - Peter Schilling - Major Tom (Coming Home) 07 - Duran Duran - Planet Earth 08 - Visage - Mind Of A Toy (Original 12" Dance Mix) 09 - A Flock Of Seagulls - The More You Live, The More You Love (7'' Remix) 10 - John Foxx - Europe After The Rain 11 - Real Life - Send Me An Angel '89 (Dance Mix) 12 - Philip Oakley & Giorgio Moroder - Together in Electric Dreams (Extended Mix) 13 - Duran Duran - Girls On Film 14 - Spandau Ballet - The Freeze 15 - Heaven 17 - (We Don't Need This) Fascist Groove Thang

A unique assessment of American military involvement in Syria, written by three very different authors who between them participated in all large Kurdish operations between late 2014 and mid-2016, experiencing first-hand the impact America had on the battlefield. With America's War on Terror and the subsequent democracy experiments in Afghanistan and Iraq having turned into geopolitical disasters, the US military campaign in alliance with the Kurdish forces in Syria remains a rare success story. Considering the overwhelming military victory, the functioning Kurdish civilian governing structures that followed the fighting, the extremely light military footprint and the strong link to Kurdish partners, many political analysts, military experts and politicians in Washington, DC, judge the intervention against ISIS in Syria as the nation's most successful campaign since World War II. However, since neither these experts nor many journalists were on the ground during the fighting, they struggle to explain exactly how this particular operation turned into a just war. The authors, however, were there. Between the three of them, they fought for over two years with the Kurdish forces. They participated in all the large Kurdish operations against the Islamic State between late 2014 and mid-2016. They endured muddy archaic trench warfare, witnessed the first waves of decisive US and British airstrikes against ISIS, and experienced the impact America had on the battlefield. Later, when American, British and French Special Forces were deployed at the front lines, the authors worked closely with those teams when they evacuated hundreds of wounded from the battlefield together. Based on the authors' unique insights, this book analyses America's war in Syria and structures the intervention into different phases including the secretive build up and the ultimate destruction of the ISIS Caliphate. Today's Sponsor: Mad Rabbit Tattoo https://www.MADRABBIT.com/team They've preserved over 1.5 MILLION tattoos and right now, they've got an exclusive offer just for The Team house Project listeners. If you go to MadRabbit.com/team and use promo code Team you'll receive 25% off. Take care of those tats!

A unique assessment of American military involvement in Syria, written by three very different authors who between them participated in all large Kurdish operations between late 2014 and mid-2016, experiencing first-hand the impact America had on the battlefield.With America's War on Terror and the subsequent democracy experiments in Afghanistan and Iraq having turned into geopolitical disasters, the US military campaign in alliance with the Kurdish forces in Syria remains a rare success story. Considering the overwhelming military victory, the functioning Kurdish civilian governing structures that followed the fighting, the extremely light military footprint and the strong link to Kurdish partners, many political analysts, military experts and politicians in Washington, DC, judge the intervention against ISIS in Syria as the nation's most successful campaign since World War II. However, since neither these experts nor many journalists were on the ground during the fighting, they struggle to explain exactly how this particular operation turned into a just war.The authors, however, were there. Between the three of them, they fought for over two years with the Kurdish forces. They participated in all the large Kurdish operations against the Islamic State between late 2014 and mid-2016. They endured muddy archaic trench warfare, witnessed the first waves of decisive US and British airstrikes against ISIS, and experienced the impact America had on the battlefield.Later, when American, British and French Special Forces were deployed at the front lines, the authors worked closely with those teams when they evacuated hundreds of wounded from the battlefield together.Based on the authors' unique insights, this book analyses America's war in Syria and structures the intervention into different phases including the secretive build up and the ultimate destruction of the ISIS Caliphate.Today's Sponsor:Mad Rabbit Tattoohttps://www.MADRABBIT.com/teamThey've preserved over 1.5 MILLION tattoos and right now, they've got an exclusive offer just for The Team house Project listeners. If you go to MadRabbit.com/team and use promo code Team you'll receive 25% off. Take care of those tats!

If you love the content, you can buy me a coffee. I love coffee just $2…CashApp: £djcolzz  PayPal  *** Your donation keeps this podcast alive***                                 Look us up on Deezer, Google Podcasts, Amazon Music PlayerFM and TuneIn “Electric Thunder Radio”Apple Podcasts “DJColzz” We have an absolute real classic chart from the 1980s for you. September 1981, where we have Shakin' Stevens, Dollar, Stevie Wonder, Randy Crawford, Duran Duran, Soft Cell, Rolling Stones, Pointer Sisters, John Foxx, Ottawan, Ultravox and more. Two whole hours to download for FREE.However, if you feel like dropping a tip to my cashapp, it keeps me able to do more, for you.Enjoy!

Episode 171: Coming Around Again; the segment which focuses on songs that charted or were released more than once is back again! The song "Don't Tell Me Lies" by UK act Breathe got a remix and a second shot at success on the Hot 100, as did an early single from Adam and the Ants. John Foxx and Paul Young (or rather, their record labels) also re-released some singles...did any of them deserve a second chance?Just a Bit Outside: no second chances for these singles from Rush, Crystal Gayle, Kiss and Bonham. They have been relegated to the lower reaches of the Hot 100, but should they have charted higher?

This week for Post Punk New Wave Wednesday we give the spotlight to all the great new wave classics that you want to hear with all request and a few surprises from Danny's vinyl library to boot. Featuring music by John Foxx, David Bowie, Cocteau Twins, Siouxsie & the Banshees, Peter Murphy, General Public, Cyndi Lauper, pet Shop Boys, Fad Gadget, Roxy Music, Grace Jones, Nena, Kim Wilde, and more.

This week on Post Punk New Wave Wednesday's Danny plays an eclectic mix of early and rare post punk and some classics we haven't heard in quite awhile featuring Cyndi Lauper, Wang Chung, Madonna, The Pretenders, The Waitresses, The B-52's, Billy Idol, Kate Bush, John Foxx, Thomas Dolby, General Public, Tom Tom Club, Kim Wilde, Berlin, M, The Only Ones, Fad Gadget, Zero Vision, Modern English, Blue Kremlin, Toni Basil and more. Original Airdate 6/22/22.© Copyright Danny Diess 2022.

With America's retreat from Afghanistan still fresh, it's popular for politicians and pundits to bemoan America's inability to fight and win a war. That line ignores an important bit of recent history we've memory-holed—the war against he Islamic State.America didn't fight that war alone, however. Far from it. An international coalition of trained soldiers and volunteer troops recognized a horrifying threat and came together to defeat it. As terrifying as the Islamic State is, the successful campaign against it simply isn't talked about much anymore.Today let's resurrect the memory. With me here to talk about the war is someone who fought in it: Till ‘Baaz' Paasche.Along with fellow soldiers John Foxx and Shaun Murray, 'Baz' is the author of America's War in Syria: Fighting With Kurdish Anti-ISIS Forces.Angry Planet has a substack! Join the Information War to get weekly insights into our angry planet and hear more conversations about a world in conflict.https://angryplanet.substack.com/subscribeYou can listen to Angry Planet on iTunes, Stitcher, Google Play or follow our RSS directly. Our website is angryplanetpod.com. You can reach us on our Facebook page: https://www.facebook.com/angryplanetpodcast/; and on Twitter: @angryplanetpod.Support this show http://supporter.acast.com/warcollege. See acast.com/privacy for privacy and opt-out information.

My guest this week is electronic musician, producer and Emmy-nominated composer Hannah Peel We discuss, amongst other things, her most recent work 'The Unfolding', an album she made with the Paraorchestra, which got to number one in the classical album charts a few weeks back. We talk about the making of her Mercury nominated album 'Fir Wave' and about other musicians Hannah has collaborated with over the years, including Ultravox legend, John Foxx. http://www.hannahpeel.com https://hannahpeelmusic.bandcamp.com

Welcome to Live From Progzilla Towers Edition 415. In this edition we heard music by Voyager, Gandalf's Fist, Meat Loaf, Arka'n, Fuhrs & Frohling, Masque, PTF, Arabs In Aspic, Toccata, Espiritu, Azahar, John Foxx, Retreat From Moscow, Funin, Illumion, Xang, Windom End, Five Alarm Funk, Guruh Gypsy, Not A Good Sign, Eela Craig & The Beatles.

Robin Guthrie  in conversation with David Eastaugh 40 years on from founding Cocteau Twins, Robin Guthrie has certainly been its most prolific member, offering a steady and stellar stream of material over the years. His film scores include Gregg Araki's ‘Mysterious Skin' and ‘White Bird in a Blizzard', co-written with longtime collaborator Harold Budd. His many other collaborators include John Foxx, Mark Gardener, Telefon Tel-Aviv, Eraldo Bernocchi and Jay Jay Johanson. Following the October release of his 'Mockingbird Love' EP and the November release of his full-length album 'Pearldiving' (his first album in nine years) comes another unique release by legendary Scottish music sculptor Robin Guthrie - the 4-track 'Riviera' EP, a collection completed earlier this year..  The 'Riviera' EP is available on limited-edition CD and as a digital download via Soleil Après Minuit with distribution in North America via Darla and in Europe by Cargo.

Scottish musician, prolific composer and audio engineer, Robin Guthrie is one of the founders of the legendary band, The Cocteau Twins. Throughout the band's history, Guthrie was the principal songwriter, guitarist, bassist, keyboardist and handling most of the programming and effects. In addition to his ongoing work as a producer and engineer, his musical career included his collaboration with Siobhan de Mare and co-founding the band Violet Indiana. He also released several collaborative albums with the acclaimed ambient composer and pianist, the late Harold Budd as well as John Foxx from Ultravox and Mark Gardener (Ride) along with numerous film scores such as Gregg Araki's “Mysterious Skin”2004  and “White Bird in a Blizzard” 2014 just to name a few. Following the released of his EP in October called Mockingbird Love,  his first full length instrumental album, his first album in nine years since “Fortune” is called “Pearldiving “ which is available via Soleil Après Minuit.  He released another EP called "Riviera" on December 3, 2021 which is available on CD, as well as digital on all major streaming and listening platforms. http://robinguthrie.comhttps://robinguthrie.bandcamp.comSubscribe to my monthly mailing list for the latest music news, updates and my next interviews and events:http://eepurl.com/gtw6PPQUEEN OF WANDS with DJ Nocturna RemixedEvery Saturday on MODSNAP Alternative RadioKMOD: San AntonioListen : http://modsnapradio.comPlaylist and podcast: https://djnocturna.com3pm to 5pm (HST/Hawaii Standard Time)5pm to 7pm (PST/Pacific Standard Time)6pm to 8pm (MST/ Mountain Standard Time)7pm to 9pm (CST/Central Standard Time)8pm to 10pm (EST/Eastern Standard Time

As the guitarist/multi-instrumentalist and songwriter for The Cocteau Twins, Robin Guthrie's unique sonic palette helped spearhead and popularize the dream pop sub-genre, with songs that emerged like hazy daydreams through his unique combination of melody and his focused use of effects on albums like 'Treasure', 'Blue Bell Knoll' and 'Heaven or Las Vegas.' During that time, Guthrie also did extensive production work for a variety of artists including The Wolfgang Press, The Gun Club, A.R. Kane, Lush, Ian McCulloch, Guy Chadwick and The Veldt. While the Cocteau Twins folded in 1997, Guthrie forged ahead, continuing to produce, and also collaborating with artists like the late Harold Budd (including their score for the 2004 film Mysterious Skin), John Foxx, Mark Gardener among others. In addition, Guthrie has also led a prolific and engaging career all his own, and speaking of, he's back after a 9 year absence with both an EP ('Mockingbird Love') and a full-length album ('Pearldiving') both of which showcase his inimitable, ethereal and emotive sound through evocative instrumentals. In today's interview, Guthrie discusses why he's been away for so long, why he decided to put out two releases so close together, his creative process and signature sound, his memories of working with Harold Budd, the legacy and influence of The Cocteau Twins, and much more. So take a listen, and be sure to stick around afterwards when I'll be playing 'Oceanaire' off the new album. Click here to listen on Apple Podcasts, and click here to listen on Spotify. You can listen via all the podcast platforms listed at the bottom of the blog post on our main site as well, where you will also find an Amazon link for both of his new releases. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/slis/message Support this podcast: https://anchor.fm/slis/support

Episode 530: August 8, 2021 playlist: Campbell / Mallinder / Benge, "Camouflage" (Clinker) 2021 Les Disques du Crepuscule Grouper, "Unclean Mind" (Shade) 2021 Kranky Ty Segall, "Harmonizer" (Harmonizer) 2021 Drag City Nation of Language, "Across That Fine Line" (A Way Forward) 2021 self-released Brin and Josiah Steinbrick, "6 nite walk" (Bliss Place) 2021 self-released New Candys, "Begin Again" (Vyvyd) 2021 Little Cloud / Dischi Sotterraneie Alexander Garsden, "Voiles" (041 'Solo Guitar I') 2021 Nice Music Dean Garcia, "Can Of Weirdness" (Can Of Weirdness) 2021 self-released Ephat Mujuru and the Spirit of the People, "Mudande" (Mbavaira) 1983 Zimbabwe / 2021 Awesome Tapes from Africa Sonmi451, "Never Walk Home Alone At Night" (Seven Signals In The Sky) 2021 Laaps hyacinth., "run through." (Hold Onto Love) 2021 The Jewel Garden 808 State, "Pacific State" (Quadrastate) 1989 Creed Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

Flashback Friday: Recorded Live (for the first time)! Putting this out there, blemishes and all! lol It's Flashback Friday: music anywhere from 1976 to 2020! Give the bands a listen and if you like what you hear then support the bands! Today's episode features music by THYX, Wave In Head, Klockwork, Depeche Mode, The Break Up, Provision, John Foxx, Celebrate The Nun, Legacy Of Music, XP8, Daily Planet, AD:keY, Last Phase, Peter Schilling, Say Y, Vain Machine, Pet Shop Boys, Backandtotheleft, Kurs Valüt, Electronic, The Azoic, Second Decay, Beborn Beton, ADULT., Electrovot, Zynik 14, Frontal, Yazoo, and Helalyn Flowers!

Edición Limitada - 31 de Mayo del 2021. Producción, realización y conducción: Gustavo Verduzco. Presentando música de Felix Marc, Cold Connection, Unroyal, Dead Astronauts, Psyche, Pixel Grip, The Assembly, John Foxx & Louis Gordon, Electronic, The Beloved, The Human League, Alphaville, Blaklight, Conjure One & Jaren, Handful of Snowdrops, U-Manoyed, VH x RR, Fonohead, Dark-O-Matic, Unzyme, Noprism, I Ya Toyah, Lucia Cifarelli, Orbital, The Future Sound of London, Fluke, 808 State, The Shamen, Revenge, BlueForge, ESA, Third Realm, Digital Energy, Die Braut, F.O.D., Infacted Allstars, Super Dragon Punch!!, Orange Sector con Armageddon Dildos, Massiv in Mensch con Rana Arborea y Funker Vogt.

Edición Limitada - 24 de Mayo del 2021. Especial con Mark Reeder. Producción, realización y conducción: Francisco J. Brenes. Presentando música de Mark Reeder, Die Unbekannten, Shark Vegas, Die Toten Hosen, Joy Division, Blank & Jones, Vanessa Daou, Cemetery Sex Fairies, Queen Of Hearts, Liars, Depeche Mode, Noblesse Oblige, Alanas Chosnau & Mark Reeder, John Foxx, Anne Clark, Anne Clark, Electrobelle, May68, Bernard Sumner, New Order, Bad Lieutenant, Corvin Dalek, Robert Smith, Marsheaux, Koishii & Hush con John Taylor, Stolen, Claudia Brücken, Spartak, Zachery Allan Starkey, Dot Allison, Bono, Florence & the Machine, Wolf Alice, Kele, The Chills, Duran Duran, Crowded House, Manic Street Preachers, Gruff Rhys, Paul Weller, The The, Torres, St. Vincent, Sleater-Kinney, Garbage, Muse, Twin Shadow, Gary Numan, Pet Shop Boys, A Certain Ratio, Gerald V Casale, Erika de Casier, Sondre Lerche, Erasure, Hot Chip con Jarvis Cocker, Kraftwerk y Martin Gore.

Producer/Engineer/Mixer Gareth Jones didn't set out to be the "synth guy", but that didn't stop him from working closely with some of the greatest synth artists ever. First came John Foxx and his first solo album, the revolutionary Metamatic. Then came a string of legendary albums with Depeche Mode like Black Celebration and Some Great Reward. And lastly, he continues to work with Erasure and produced albums of theirs like Wild! and Cowboy. There have also been notable work with bands like Wire, Interpol, Embrace, and Grizzly Bear. Gareth also has some recent solo projects that deserve your attention like Electrogenetic. We get stories about all of it and learn how Gareth was the man to help these people find their creative voices. Enjoy!  wwww.garethjones.com www.facebook.com/garethjonesnoisemaker www.patreon.com/thehustlepod

    What if the original Blade Runner film had a pop music soundtrack? You know how some films have an instrumental score but also an album of pop/rock tunes that were used in the film or inspired by the film. If Blade Runner had such a collection maybe it would sound like this mix. This all started when I was listening to Pink Floyd - Shine On You Crazy Diamond part 1 and I thought that it sounded like it would sort of fit with the Blade Runner score we are all so familiar with. That got me thinking about the question posed at the top of this post. As I started collecting tracks the first place I went was Gary Numan & Tubeway Army - Replicas. How could I not use a song called "Replicas"? Likewise from the same album, how could resist the track "Are Friends Electric?" I got some great recommendations from Mixcloud listeners in this thread - https://www.mixcloud.com/lowlight/posts/pop-tunes-for-blade-runner/   Tracks from Public Image Ltd., John Foxx, Quieter Than Spiders and New Order came right from those suggestions. There were also some great ideas in that thread which will work perfectly in a Blade Runner alternative score mix. I'm hyped to do that mix but I should probably wait a bit after this BR mix. This was a lot of fun to put together. I hope you enjoy it. Cheers!   T R A C K L I S T : 00:00    Pink Floyd - Shine On You Crazy Diamond pt. 1 03:36    Tubeway Army - Replicas 08:25    Air - Kelly Watch the Stars 12:00    Public Image Ltd. - The Order of Death 16:26    John Foxx - A New Kind Of Man 19:58    Kuedo - Memory Rain 23:23    Ultravox - Your Name Has Slipped My Mind Again 27:34    Air - Remember 29:52    Kraftwerk - The Robots 35:20    Ultravox - Mr. X 41:45    Quieter Than Spiders - The Signs of Life 46:52    Brad Mehldau - Paranoid Android 48:23    Metric - Artificial Nocturne 52:31    Tubeway Army - Are “Friends” Electric 57:45    New Order - Elegia 61:43    end  

John Foxx aka Dennis Leigh is the quietly powerful and enigmatic maker of futurist electro pop and composer of elegant soundscapes. Martyn met him and became friends whilst recording in his studio The Garden 40 years ago, and his work has remained massively influential since then, featuring an ever changing series of reinventions. His commitment to innovation and education is a powerful one. And he's a fellow Northerner! Ladies and gentlemen, prepare to be fascinated...

Episode 34   When Synth-Pop Ruled Britannia An exploration of synth-pop that was popular in the UK. Playlist Space, “Magic Fly” (1977 United Artists). French group led by Didier Marouani (aka Ecama) and Roland Romanelli. Flirted with electronic disco music. 4:18 Giorgio Moroder, “The Chase” (1978 Casablanca). Big synths programmed and played by Moroder. Produced in Germany. An extended play “Casablanca Disco Single.” 13:08 The Normal, “Warm Leatherette” (1978Mute). UK artist Daniel Miller. 3:21 Vice Versa, “New Girls Neutrons” (1979 Neutron Records). Electronic New Wave / Minimal Synth band from Sheffield, UK. Synthesizers, David Sydenham. 2:02 Gary Numan, “Metal” from The Pleasure Principle (1979 Beggar's Banquet). UK group. Gary Numan on keyboards, synthetic percussion. 3:28 Telex, “Moskow Diskow” from Looking For Saint Tropez (1979 Vogue). This Belgian synth group included Dan Lacksman, Marc Moulin, and Michel Moers. 4:12 Yellow Magic Orchestra, “Rydeen” from X∞Multiplies (1980 A&M Records). Japanese band featuring electronic keyboards, synthesis and processing, Ryuichi Sakamoto; Guitar, Kenji Omura; synthesis programming, Hideki Matsutake; vocals, Chris Mosdell. 4:25 Suicide, “Diamonds, Fur Coat, Champagne” from Suicide: Alan Vega · Martin Rev (1980 Antilles). UK group. Electronics, Martin Rev; vocals, Alan Vega. 3:18 Yello, “Bostich” from Bostich (1981 Stiff America). Swiss electronic band formed in 1979 in Zürich, Switzerland. Electronics, vocals, Boris Blank; lyrics, vocals, Dieter Meier; tape, Carlos Peron. 4:32 Jon Foxx, “Underpass” (1980 Metal Beat). UK artist. Electronics, John Foxx. 3:21 Visage, “Fade to Grey” (1980 Polydor). UK artist. Produced by Midge Ure (Ultravox). 3:50 The Human League, “Love Action (I Believe in Love)” (1981 A&M). Electronic band from Sheffield, England. Synthesis Philip Oakey. 3:49 Heaven 17, “Play to Win” (1981 Virgin). UK artist. Formed as a side project of the British Electric Foundation (B.E.F.), the production company formed by Ian Craig Marsh and Martyn Ware, after their departure from the The Human League in 1980. 7:26 Soft Cell, “Memorabilia” (1981 Some Bizarre). UK artist. Synthesizer, percussion, David Ball; vocals, percussion, Marc Almond. 4:48 Depeche Mode, “Just Can't Get Enough” from Speak & Spell (1981 Mute). UK group. English electronic music band formed March 1980 in Basildon, Essex. Lead vocals, Dave Gahan; keyboards, guitar, vocals, Martin Gore; keyboards, Andy Fletcher; keyboards, Vince Clarke. 3:39 Yazoo, “Don't Go” (1982 Mute). Yazoo was an English Synth-Pop duo from Basildon, Essex. Vocals, Alison Moyet; synthesizers, Vince Clarke. 4:58 Kajagoogoo, “Hang on Now” (1983 EMI). UK group.Lead vocals, Limahl; bass, Nick Beggs; E-bow and guitar, Steve Askew; synthesizers, Stuart Croxford Neale; drums and electronic programming, Jez Strode. 3:38 The Art of Noise, “Moments in Love” (1985 ZTT). UK group. Vocals, Camilla Pilkington; keyboards, Ann Dudley; engineering, Gary Langan; electronics, Fairlight CMI, J.J. Jeczalik; bass, producer, Trevor Horn. 4:32 Propaganda, “Dr. Mabuse” (1984 Island Records). German group.German group from Düsseldorf; formed in 1982 by former Die Krupps keyboarder Ralf Dörper and Andreas Thein. Produced by Trevor Horn. 4:46 Pet Shop Boys, “West End Girls” (1985 Parlophone). UK group. Lead vocals, keyboards, occasional guitar, Neil Tennant; keyboards, occasional vocals, Chris Lowe. 3:58 Bronski Beat, “Smalltown Boy” (1984 Forbidden Fruit). UK group. Keyboardists Steve Bronski, Larry Steinbachek; vocals Jimmy Somerville. 4:59 Frankie Goes to Hollywood, “Black Night White Light” from Welcome To The Pleasuredome (1984 ZTT). UK group. Lead vocals, Holly Johnson; backing vocals, Paul Rutherford; guitar, Brian Nash; bass, Mark O'Toole; drums Peter Gill; keyboards, programming, software, J. J. Jeczalik. 4:02 Prefab Sprout, “Appetite” (1985 Kitchenware Records). English pop band from Witton Gilbert, County Durham. This track produced by Thomas Dolby. 3:54 Ivan, “Fotonovela” (1984 CBS). Spanish singer, Juan Carlos Ramos Vaquero; produced by Pedro Vidal. 4:32 A-HA, “The Blue Sky” (1986 Warner Brothers). Norwegian band formed in Oslo in 1982. Lead vocals, Morten Harket; guitar, vocals, Paul Waaktaar-Savoy; keyboards, vocals, Magne Furuholmen. 3:15     Opening background music: David Bowie, “Subterraneans” from Low (1977 RCA Victor). Vocals, saxophones, guitar, ARP synthesizer, Chamberlin (tape horn and brass, synthetic strings, tape cellos), David Bowie; Minimoog, ARP, EMS Synthi AKS, piano, Chamberlin, other synthesizers, vocals, guitar treatments, synthetics, Brian Eno; rhythm guitar, Carlos Alomar; bass, George Murray; produced by David Bowie, Tony Visconti. 5:38 This list, not the recordings, originally appeared in the February 2018 edition of Classic Pop in an article by Paul Lester. Check it out!   Opening and closing sequences voiced by Anne Benkovitz.  

1. The Gunfighter 2. Afar 3. The Plateaux Of Mirror 4. Breathless…I (with Zeitgeist) 5. The Room of Stairs 6. Dead Horse Alive With Flies 7. The Memories Returning (with Robin Guthrie) 8. Gypsy Violin 9. Spoken Roses (with John Foxx) 10. Wanderer 11. Their Memories (with Brian Eno) 12. Outside, Silence (with Robin Guthrie) … Continue reading "Episode 30- In Memory of Harold Budd 5.24.36-12.8.20"

1. The Gunfighter 2. Afar 3. The Plateaux Of Mirror 4. Breathless…I (with Zeitgeist) 5. The Room of Stairs 6. Dead Horse Alive With Flies 7. The Memories Returning (with Robin Guthrie) 8. Gypsy Violin 9. Spoken Roses (with John Foxx) 10. Wanderer 11. Their Memories (with Brian Eno) 12. Outside, Silence (with Robin Guthrie) … Continue reading "Episode 30- In Memory of Harold Budd 5.24.36-12.8.20"

A mixture of Electronic, New wave and synthpop acts including. New Singles from Gary Numan & Tin Gun. John Foxx's collaboration with Jori Hulkkonen Personal new discoveries from Spotify with acts including Anna Oberg, Desire and Peter Schilling Early 80s featuring Human League, Re-Flex,New order and Blacmange German synthpop from De/Vision And three instrumentals including a track from the recently released instrumental version of Tenek's Smoke and Mirrors

Coming up this week - Ritual Howls, Kraftwerk, John Foxx and Chromatics.

This is our second retrospective of the music of Southern California ambient/minimalist composer HAROLD BUDD. Part 1 covered 1978 to 2006, when he announced his "retirement" at age 70. He wasn't serious. After a brief rest, he was more active than ever. Between then and his death at the end of 2020, he added 16 additional collaborations, soundtracks, and solo albums to his already large catalog. Early in his career, Budd rejected the ugly, dissonant sounds of the 20th century avant-garde, embraced traditional consonant tonality, and made it new: “In my music the focus has shifted to consonance as a thing in itself," he told The New York Times in 1987. "I hear an absolute whole life in consonant chords.” His classic "soft pedal" piano style, described as "yearning piano motifs and reverb-laden impressionism," developed and matured during his work with BRIAN ENO. After making his reputation in England, Budd returned to Los Angeles and started a second family in his 60's. While the early years had been about establishing his approach to meditative, atmospheric music, now he worked with sympatico English ambient guitarists who instinctively understood the aesthetics of his "poetic dreamworlds" and "esoteric reveries." Budd relaxed into his comfort zone, while expanding into film and TV scoring and chamber music. His career had a certain inverse symmetry: after abandoning academic classical music in the beginning, at the end he was writing for string quartets. On this transmission of Hearts of Space, our second HAROLD BUDD retrospective called TRANSLUCENT DRIFTS, featuring late solo works and collaborations with ROBIN GUTHRIE, CLIVE WRIGHT, and JOHN FOXX. [ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]

Vienna (1980) es el cuarto álbum de la banda de new wave Ultravox y el primero con el vocalista y guitarrista Midge Ure, quien reemplazó al miembro y cantante original John Foxx. Este disco fue decisivo para darle un punto de partida al trayecto de la banda, el cual daría sus grandes triunfos hasta el penúltimo álbum llamado Lament. Fue lanzado en 1980 y producido por el sello Chrysalis Records. 

Por fin ha llegado el final de este nefasto año y lo celebramos con nuestro imprescindible Especial LO MEJOR DEL 2020. Sonarán hitazos de FIONA APPLE, DUA LIPA, ROISIN MURPHY, JESSIE WARE, KYLIE MINOGUE, LADY GAGA, THE WEEKND, GEORGIA, CHRISTINE AND THE QUEENS, HAIM, TAYLOR SWIFT, PERFUME GENIUS, FREDDIE GIBBS & THE ALCHEMIST, RUN THE JEWELS, JUNO, EL COLUMPIO ASESINO, TRIÁNGULO DE AMOR BIZARRO, MELENAS, PSYCHEDELIC FURS, FONTAINES DC, MOLCHAT DOMA, GRIMES, RIKI, JOHN FOXX, CHARLI XCX, CARIBOU, YVES TUMOR, CABARET VOLTAIRE y ONEOHTRIX POINT NEVER. ¡Feliz Navidad y feliz 2021, edenitas!

Chapters00:32 - Introduction02:11 - Cyril Lance / The Claravox16:44 - Dorit Chrysler25:26 - Bruce Woolley32:08 - Katia Isakoff 45:40 - EndingMusic credits:Rachmaninov Vocalise - Clara Rockmore, theremin. Nadia Reisenberg, piano.From: “Clara Rockmore – The Art of the Theremin”. Delos Productions CD. Courtesy of The Nadia Reisenberg / Clara Rockmore FoundationSchneeleichen - by Dorit Chrysler - unreleased extract from M - eine stadt sucht einen moerder - with kind permission of Dorit ChryslerBeat Monjune - by Dorit Chrysler - unreleased extract from M - eine stadt sucht einen moerder - with kind permission of Dorit ChryslerTherexotica - by Peg Ming - with kind permission of Dorit Chrysler (a track on the Theremin 100 compilation produced by The NY Theremin Society)Peace Song to Other Worlds (2 extracts) - by Radio Science Orchestra - with kind permission of Bruce WoolleyTheremini solo - by Katia Isakoff - with kind permission of Katia IsakoffClara Rockmore BiogClara (Reisenberg) Rockmore holds a unique place in music history as the star performer of the theremin. Born in Russia, in 1911, at four, she was accepted as the youngest ever violin student at the St. Petersburg Imperial Conservatory. As conditions deteriorated after the Revolution, the Reisenberg family left Russia and travelled across Europe for several years until 1921 when they succeeded in gaining passage on a steamship bound for America. In New York, Clara resumed her studies with Leopold Auer, but shortly before she was to make her American debut (playing the Beethoven Concerto), she developed an arthritic problem with her bow arm, and had to give up the violin.Fortunately, she had met Leon Theremin (an Americanisation of Lev Termen, as he was known in Russia), the inventor of the world's first electronic instrument. “I was fascinated by the aesthetic part of it, the visual beauty, the idea of playing in the air,” Clara recalled, “and I loved the sound. I tried it, and apparently showed some kind of immediate ability to manipulate it. Soon Lev Sergeyevich gave me, for a present, the RCA model theremin.”She convinced Leon Theremin to build her a far more precise and responsive instrument than the RCA model, one with a five-octave range, instead of three. Over the years she performed extensively but it was not until 1977 that she saw the release of her first commercial LP, performances with Nadia Reisenberg (recorded by Robert Moog) titled ‘The Art Of The Theremin'.In 1989, Steve M. Martin, long fascinated by the instrument, embarked upon the documentary Theremin - An Electronic Odyssey, a film including some of Clara's last public performances (videotaped at a 1989 Nadia Reisenberg tribute concert in Merkin Hall), and the New York reunion of Clara and Leon Theremin (then aged 95). Premiered in New York at Alice Tully Hall, the film in large measure revitalised interest in both the theremin itself and Clara Rockmore's unique accomplishments. She died in 1998.Cyril Lance BiogCyril Lance is the Chief Technical Officer at Moog Music and lead designer of the Moog Claravox Centennial Theremin. Cyril first met Bob Moog in January 2005 during an informal visit to Moog factory.  When Bob was diagnosed with cancer in April of 2005, Cyril was asked to come up and take over the engineering effort.  Since then, Cyril has been at the helm of engineering and product development and, along with the dedicated and passionate team at Moog Music, has helped to continue Moog's legacy of designing and producing beautifully crafted electronic instruments aimed at inspiring artists world-wide to explore and expand their personal sonic vocabularies.  Cyril strives daily to continue Bob Moog's legacy and to have a lot of fun along the way.  “It's truly a blessing to have the opportunity to contribute in one small-way to the transformative powers of music to bring joy and connect people on the deepest levels through-out the world”.https://www.moogmusic.com/Dorit Chrysler BiogDorit Chrysler has been dubbed a superior wizard of the theremin. An Austrian-born, New York based composer and performer, Chrysler is the co-founder of the NY Theremin Society and started the first international school for Theremin, KidCoolThereminSchool and L'Ecole Theremine with branches in NY and Paris. She is also one of the most visible Thereminists spreading the gospel of this mysterious sounding instrument. Most recently she finished her analog soundtrack for a remake of “M” by Fritz Lang and was featured on the soundtrack of the HBO documentary “Going Clear”. Chrysler received her master's degree of musicology in Vienna and has notably collaborated with Anders Trentemøller, Cluster, Adult., CERN, Carsten Nicolai, Elliot Sharp and Laurie Spiegel. She has performed with the San Francisco Symphony Orchestra, had her work commissioned by MoMA and the Venice Biennale, and is the founder of “Dame Electric,” a festival dedicated to female | pioneers in Analog Music. As the director of the NY Theremin Society, Chrysler is promoting the application of theremin in different art disciplines and has produced the THEREMIN100 compilation release, commemorating the 100th birthday of the Theremin in 2020.http://www.doritchrysler.com/toc.htmlhttps://www.nythereminsociety.org/Bruce Woolley BiogIn 1969 Bruce Woolley bought a Futurama electric guitar, formed a school band, and dreamed of being a professional musician. After years of experimentation, and unsuccessful attempts at becoming a famous jazz-rock guitarist, he decided to concentrate on writing pop songs. In 1979 he co-wrote “Video Killed the Radio Star”.  After a stint fronting cult New Wave unit The Camera Club, Woolley moved back into songwriting and production, forming a creative partnership with Grace Jones. In 1994, Woolley discovered Exotica and formed The Radio Science Orchestra, a theremin-led group that defined retrofuturism before people were talking about retrofuturism. A sonic time machine travelling along the whole history of electronic music, the Orchestra has collaborated with the world's leading theremin virtuosi including Lydia Kavina, Carolina Eyck and Charlie Draper. Notable guest artists include Grace Jones, Polly Scattergood, Ken Hollings, Dr. Robert Moog, Steve Dub and Thomas Dolby.http://www.brucewoolleyhq.com/https://www.radioscienceorchestra.com/Katia Isakoff BiogKatia Isakoff is a composer and multi-instrumentalist music producer whose compositions, performances and productions first appeared in the Add N To (X) album Loud Like Nature (Mute Records).  She has since collaborated on numerous albums and projects including John Foxx and Steve D'Agostino's Evidence of Time Travel which was composed and produced at her London studio. Having contributed synths and co-mixed EOTT, she went on to join them for a live concert performance at Electri_City Conference Dusseldorf, adding Moog Theremini and synths to the sonic architecture of this ever evolving and expansive Karborn graphic novel, which premiered with a live performance at the British Film Institute UK and Sonic Acts Festival, Amsterdam.  She has since spent much of her time between London and Berlin working on her forthcoming album She's Not Here.In 2019, Katia launched !N_K o L // B a new and innovative composer producer series bringing together pioneering, established and emerging composer producers to collaborate in various iconic studios and pop-up locations. Each series sees a new guest pioneer and group joining her; together, they embark on the journey of making an album through improvisation and exploration of the studio as an instrument, building a global network through musical collaborations – one album and city at a time.The first IN_KoLAB series was hosted by British Grove Studios. The group spent two days recording and filming what would become an immersive four-movement quadrophonic piece called IN_KoLAB Making Waves with Suzanne Ciani.  The album and accompanying short will be released in 2021 and plans are in motion for the next series.https://www.katiaisakoff.com/ | https://inkolab.orgCaro C BiogCaro C is an artist, engineer and teacher specialising in electronic music. She started making music thanks to being laid up whilst living in a double decker bus and listening to Warp Records in the late 1990's. This "sonic enchantress" (BBC Radio 3) has now played in most of the cultural hotspots of her current hometown of Manchester, UK. Caro is also the instigator and project manager of electronic music charity Delia Derbyshire Day.URL: http://carocsound.com/Twitter: @carocsoundInst: @carocsoundFB: https://www.facebook.com/carocsound/Delia Derbyshire Day Charity: https://deliaderbyshireday.com

This week, after a small portion of 1986 Agent Orange: brand new Foxycontin, John Foxx & the Maths, Honeychain, Flying Vipers, The Adam Brown, and Moon Attendant, plus Edwin Starr, Pretty Things,... Real Punk Radio podcast Network brings you the best in Punk, Rock, Underground Music around! From Classic Oi!, Psychobilly and Hardcore to some Classic Rock n Roll and 90's indie Alt Rock greatness!! With Tons of Live DJ's that like to Talk Music From Garage Rock, to Ska.. We are True MUSIC GEEKS!

Corsica One is turning 2 years old!I want to express my gratitude to all listeners as well as old and new friends including the very talented magrosi65, Lauge and Calm Pills who delighted us with their special mixes. Shout out to Radio Raptz who has been hosting my Kimchi shows.Here's to you a special 2-hour mix featuring highlights from the last 12 months.Comparing this year's mixes to the previous ones, I realized that the sound of Corsica One has been evolving. A lot of the exotic, "world" vibes have gone, leaving room to a more urban landscape. I guess that the pandemic and the impossibility to travel gave me no other choice but to look for inspiration in the streets of my city. (Check out the 1-year special 3-hour session from 2019: https://bit.ly/34KjVeS)Enjoy what you hear? Consider signing up via email to be notified about new uploadsAnd if you feel like offering me a cup of coffee each month, consider subscribing to Mixcloud Select.Tracklist:Djrum - creature pt. 1Wings of an Angel - The Ever-present Chance for SplendorLyle Mays - Long LifeJavier Ruibal - Por Tu Amor Me Duele El AireBrian Eno, Daniel Lanois & Roger Eno - Always ReturningSantana - WelcomeCharlemagne Palestine - Sliding FifthsArvo Part - Summa for stringsBIG YUKI - Red PillPerigeo - Monti PallidiSecond Direction - Storm FluteTori - Weirdweeksanodg - Double InfinityLarry Heard - Guidance (Calm)Dj Die - LandslideLTJ Bukem - Music (Peshay Re-Work)Greentea Peng - Mr. Sun (miss da sun)zopelar - Welcome StrangerSup Nasa - FebruaryLeavv - DuskAshley Henry - Dark Honey (4thestorm)Sinh - Miss.americaPhony Ppl - Somehow.J Dilla - Day Dream (Instrumental)Olli Ahvenlahti - BreezeJoni Mitchell - BarangrillTomoko Aran - Midnight PretendersEkkehard Ehlers - John CassavetesJohn Foxx & Harold Budd - A Delicate RomanceApple Podcast

In dieser Episode reden Sven, André und Jeans zuerst über das vergange Konzert in der Schweiz und die kommende Single "This pretty life" (limitiertes Digipak erhältlich unter https://bit.ly/2G8104o) und begrüßen danach Mark Reeder als Gast, der über seine Zeit in West- und Ostberlin in den 80ern erzählt, über die neue Welt des Techno am Anfang der 90er Jahre und über die Entwicklung bis heute. Natürlich geht es auch um den Film B-Movie (https://de.wikipedia.org/wiki/B-Movie:_Lust_%26_Sound_in_West-Berlin_1979%E2%80%931989). Die teils schlechte Tonqualität dieser Episode bitten wir zu entschuldigen, wir sind froh, dass man überhaupt etwas hört und Mark verstehen kann. Leider können wir bis zur Fertigstellung des neuen Albums den Podcast nicht mehr regelmäßig wöchentlich veröffentlichen, sondern nur, wenn es die Zeit erlaubt. Sobald die heiße Phase der Produktion vorbei ist, sind wir wieder wöchentlich mit einer neuen Folge für Euch da. Wir danken für Euer Verständnis, das neue Album geht natürlich für uns vor... Hier sind viele weiterführende Links zu Mark Reeder : http://www.mfsberlin.com/ (Marks Label mit Infos zur Geschichte und allen aktuellen Projekten) Mark Reeders John Foxx Remix : https://m.youtube.com/watch?v=1-yNw_U_Qgo ALANAS CHOSNAU & MARK REEDER: Die aktuelle Single "Heavy Rainfall" (https://youtu.be/JMUy6cYHdIU) Das Album "Children of Nature" : https://markreeder.bandcamp.com/album/children-of-nature Die Lockdown Songs "All alone" : https://m.youtube.com/watch?v=ljEuK0LE9Gg und "Children of nature" : https://www.youtube.com/watch?v=oaFHIoEjRA4 STOLEN : Lockdown Gig : https://www.youtube.com/watch?v=NDsoQHw2tgU Why we chose to die in Berlin : https://www.youtube.com/watch?v=6iNgN7TDU_0

En el episodio de hoy, repasaremos la historia de un grupo capital en la historia de la música electrónica: ULTRAVOX. Desde sus principios en el Glam, pasando por sus coqueteos con el Punk y terminando como uno de los reyes del Techno Pop, tanto de su época con John Foxx como su étapa más exitosa con Midge Ure al frente. Sonarán joyas de sus álbumes de estudio, singles y temas en directo.

In this forth episode of Synchronized! we have Ed Ashcroft and Paul Vials from Ultraphonic as our guests. Besides this great production music label they also own District 6 Music Publishing which represents songs in a wide range of genres and include artists like Roy Harper, Donae'o, Feder, Geezer Butler (founding member of Black Sabbath), Murcof, Dwele, Feder, John Foxx, Gael Rakotondrabe, Mind Against, Traumer, Agents Of Time, Con Brio, Cotonete, Jen Jis, Mathame, Hi Levelz - to name a few. We talk about the difference in dealing with production music and commercial music, the future of sub-publishers, whether you should start your own production music label and the recent request from MCPS to obtain mandates for India and China. We loved hanging out with them and we're sure you're gonna get some great perspectives on the state of the production music industry. Take care, Simon Webb and Ferry van Beek