Podcasts about room40

Lawrence English is a brilliant artist, composer and curator based in Australia. In this wide-ranging interview, Lawrence spoke to me about many topics, touching architecture, philosophy, field recordings, running a record label, and emerging biotech. One of his many projects is the record label Room40, which is celebrating 25 years, and punctuating this podcast are some clips from some of Lawrence's albums, including Even the Horizon Knows it's Bounds, Shell Type, and Observation of Breath. You'll fine several links in the show notes so you can explore each project more fully.Like all my episodes, you can watch this on my YouTube channel or listen to the podcast on all the podcast platforms, and I've also linked the transcript to my website where you'll also find all the separate links for the albums featured in this episode.Lawrence English websiteNewsletterBuy me a coffee? Thanks! Podcast merchOther episodes which I think may interest you: with Jesse StewartCeara ConwayLinsey Pollak Verna GillisStephen Nachmanovitch(00:00) Intro(01:42) commission for Naalu Badu Art Gallery of New South Wales(15:39) excerpt from Even the Horizon Knows Its Bounds(20:00) architecture and design of cities, Metabolism, Japan(28:24) Young Person's Guide to Hustling in Music and the Arts(34:03) sound art(38:13) Room40 label, Akio Suzuki(45:43) the importance of curiosity(47:30) other episodes and ways to support this series(48:20) about Field recordings, with clips, relational listening(57:40) biotech cerebral organoids(01:07:03) clip from Shell Thype(01:08:35) Lawrence's different musical phases and collaborations(01:16:31) recording the organ Queensland(01:21:28) And a Twist from Observation of Breath(01:24:10) ambient music, harmony and pulse, Merzbow(01:27:19) childhood musical memoriesphoto T. Pakioufakis

Episode 21 presents a portrait of Iranian experimental composer Siavash Amini. His music, which moves seamlessly between contemplative ambience, menacing dissonance, and spacious melodicism, has been released on experimental imprints such as Umor Rex and Room40. His latest, A Mimesis of Nothingness, just came out on the Swiss label Hallow Ground. Siavash tells host Mack Hagood that his entire life is based on an experiment and he doesn't yet know what its outcome will be. This episode traces the contours of that story, from his boyhood as a metalhead in a small Iranian port town to his role in the development of Tehran's lauded experimental music scene. Along the way, we drill down on the international and internal politics that add danger and difficulty to the life of this outspoken leftest composer. Amini is forced to navigate not only the authoritarianism of Iranian government censorship, but also the authoritarianism of western tastemakers, who sometimes want him to make the “Middle Eastern music” they hear in their own heads. Steadfast in his individuality, Siavash makes sounds that resist these authorities–the defiant anthems of an imaginary land, population: one. Most of the music in this episode is by Siavash Amini–listen to it again in this Spotify playlist and check out this great introduction to his music on Bandcamp. This episode was edited by Mack Hagood.   Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Episode 21 presents a portrait of Iranian experimental composer Siavash Amini. His music, which moves seamlessly between contemplative ambience, menacing dissonance, and spacious melodicism, has been released on experimental imprints such as Umor Rex and Room40. His latest, A Mimesis of Nothingness, just came out on the Swiss label Hallow Ground. Siavash tells host Mack Hagood that his entire life is based on an experiment and he doesn't yet know what its outcome will be. This episode traces the contours of that story, from his boyhood as a metalhead in a small Iranian port town to his role in the development of Tehran's lauded experimental music scene. Along the way, we drill down on the international and internal politics that add danger and difficulty to the life of this outspoken leftest composer. Amini is forced to navigate not only the authoritarianism of Iranian government censorship, but also the authoritarianism of western tastemakers, who sometimes want him to make the “Middle Eastern music” they hear in their own heads. Steadfast in his individuality, Siavash makes sounds that resist these authorities–the defiant anthems of an imaginary land, population: one. Most of the music in this episode is by Siavash Amini–listen to it again in this Spotify playlist and check out this great introduction to his music on Bandcamp. This episode was edited by Mack Hagood.   Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

France Jobin has been exploring quantum theory for many years now, an interest that has shown up in her compositions, sound installations, and work with VR. But the pandemic finally afforded the Montreal-based minimalist composer time for deeper study with a personal brain trust of physicists she'd assembled over the years. Jobin recently released Infinite Probabilities (Particle 2) on the great Room40 label.We sat down in Montreal to discuss her formative sonic experiences, her origin in a blues band, her interest in physics, and a growing body of audio-visual work with Markus Heckmann. TRACKLIST ARTIST – “TITLE” (ALBUM, LABEL, YEAR) France Jobin - “Superposition [excerpt]” (Infinite Probabilities (Particle 2), Room40, 2024) SP INTRO Christopher Tyng - “Futurama Theme” (Futurama, 1999) Pierre Henry / Michel Colombier - “Messe Pour Le Temps Présent: Psyché Rock” (Les Jerks Électroniques De La Messe Pour Le Temps Présent Et Musiques Concrètes Pour Maurice Béjart, Philips, 1968) I8U (France Jobin) - “29 Palms [excerpt]” (29 Palms, Dragon's Eye, 2010) France Jobin + Fabio Perletta - “Parallel” (Mirror Neurons, Dragon's Eye, 2015) Son House - “Forever On My Mind” [1964] (Forever On My Mind, Easy Eye Sound, 2022) Marc Nerenberg - “Cocaine Blues [edit]” (Live at the Yellow Door Hootenanny, Montreal, Nov 2023)  The Twelve Bar Bluesband - “Life is Hard (when you play the blues)” (Live at bluesmoose Radio, 2014) I8U -  “10³³CM [excerpt]” (10³³CM,  Room40, 2009) France Jobin and Stephan Mathieu - “Sea Song IV” (RADIANCE II: Music for the Answer, Schwebung, 2016)  France Jobin - “The Fluidity Of Time Does Not Exist” (The Fluidity Of Time Does Not Exist, Room40, 2021) France Jobin - “Unified Quantum State” (Infinite Probabilities (Particle 2), Room 40, 2024) France Jobin - “f6e36b” (Hues, SUPERPANG, 2021) France Jobin  - “Random” (Source of Uncertainty, Luminous Drift, 2022) France Jobin + Richard Chartier - “DUO 4” (DUO, Matter, 2018) France Jobin - “Casino Music” (Casino Music, 2023) France Jobin - “EMS Synthi” (#evenmoresynthporn, 2020) France Jobin - “A little buchla something​.​.​.” (A little buchla something​.​.​., 2022) France Jobin - “Dégel” (Symbiose X - Dix Ans De Musiques Expérimentales - Ten Years Of Experimental Music, [walnut + locust] – wl076, Symbiose, 2022) France Jobin - “Superposition [excerpt]” (Infinite Probabilities (Particle 2), Room 40, 2024) —-Sound Propositions is written, recorded, mixed, and produced by Joseph Sannicandro. --- Support this podcast: https://podcasters.spotify.com/pod/show/soundpropositions/support

Aggressive pianos, bursting arpeggios, music for the cool kids. The Australian composer and producer discusses three important albums.Madeleine's picks:Philip Glass – GlassworksDirty Three – Whatever You Love, You AreTim Hecker – VirginsMadeleine's new album, Bodies, is out now on Room40. Check it out on her Bandcamp. Her website is here and she's also Instagram.Donate to Crucial Listening on Ko-fi: https://ko-fi.com/cruciallistening

Solénoïde (15.04.2024) - Au Solénopole, notre mission est de repousser les limites de votre univers musical tout en adoptant une approche ludique et parfois ironique. Nous nous fixons des objectifs toujours plus ambitieux, car pour nous, la musique transcende les frontières culturelles et géographiques. Dans cette 51e étape de la Grande Boucle, nous revenons aux racines bien ancrées de la France, mais avec une perspective résolument tournée vers l'avant. Pour cette émission dédiée à la création sonore française, nous avons sélectionné avec soin 8 albums qui incarnent l'évasion et l'imprévisibilité musicale. Du jazz contemporain à l'électronica audacieuse en passant par des influences ethniques variées, ces projets nous emmèneront dans des territoires sonores où règnent l'ouverture d'esprit et la non-conformité. Notre playliste sera animée par une multitude de créateurs sonores, des aventuriers de la musique venus d'horizons divers, mais unis par leur engagement authentique aux marges de la scène musicale française. Que vous soyez amateur de voyages musicaux ou simplement curieux de découvrir de nouveaux sons, cette émission promet une expérience unique et enrichissante !

Solénoïde (08.04.2024) - Cette Mission 231 mettra en avant quatre albums de musiques à vocation visuelle, reflétant une actualité discographique dynamique. Cette émission explorera des univers sensoriels et émotionnels uniques, avec notamment le retour de David Shea, compositeur et DJ légendaire du label Sub Rosa, avec son nouvel album "The Ship", bande originale d'un jeu de réalité virtuelle. Elle vous emmènera également en Norvège avec l'album contemplatif "Hereafter" de Kim Myhr, ainsi qu'au Portugal avec le premier opus du collectif Turning Point, mêlant musique électronique, industrielle et fado. Enfin, l'émission mettra en lumière la violoniste italienne Laura Masotto et son album "The Spirit of Things" (7K!), une œuvre précise et audacieuse inspirée par le chamanisme, offrant une ambiance cinématographique et mystérieuse.

As a tribute to Ryuichi Sakamoto on the first anniversary of his passing, Caro C talks to Richard Barbieri, Natalie Beridze and Carsten Nicolai, aka Alva Noto, three musicians who were fortunate enough to collaborate with him. Here, they share some insights into his mindset and methodologies. Chapters00:00 - Introduction01:44 - Richard Barbieri09:04 - Natalie Beridze 19:45 - Carsten Nicolai / Alva Noto Ryuichi Sakamoto BiogRyuichi Sakamoto was a multi award-winning keyboardist, songwriter, composer and producer who along with Haruomi Hosono and Yukihiro Takahashi, became pioneers of the electronic music genre in Honsono's band Yellow Magic Orchestra.Prior to his success with the band, Sakamoto earned a B.A. in music composition and worked as a session musician and producer. Alongside his success with the band, he continued his solo work, releasing solo albums and collaborations, experimenting with various genres and fusing traditional with electronic. This work led to him scoring more than 30 films throughout his career, his most famous being Merry Christmas, Mr Lawrence and The Last Emperor. In his later career he composed a multimedia opera, sampled a glass building for use in one of his works and traveled to the Arctic to record the sound of melting snow.Richard Barbieri BiogHailing from London, Richard joined the British band Japan in 1975 and saw huge success around the world until they split in 1982. He continued to work with David Sylvian, as well as Sylvian's brother, Steve Jansen on separate projects. He reunited with Sylvian, Jansen and bass player Mick Karn for the Rain Tree Crow project and continued to play with Steve & Mick as part of ‘JBK'. In the early 1990s, the three of them teamed up with Tim Bowness and Steven Wilson as part of No-Man and it was here that Barbieri and Wilson would begin their long musical association. Porcupine Tree had initially been a Wilson solo project but he recruited Richard in 1993 and over the next 17 years, became one of the shining lights of the neo-prog / pop scene, embracing a more heavy style as the years went on. Reuniting in 2021, they released the first Porcupine Tree album in 12 years with 2022's ‘Closure/ Continuation', a critically acclaimed return to form. Richard has a large body of solo work which he started to release in 2005 and still does to this day.http://www.richardbarbieri.co.uk/Natalie Beridze BiogNatalie Beridze is a Georgian music composer and songwriter. Since 2003 Natalie has been performing live concerts worldwide, and has been known as the first female electronic music artist from Georgia. From 2002-2008 she lived in Cologne and produced music under the artist name TBA. She's released music in Europe on Max.E, Monika Enterprise, CMYK, Laboratory Instinct, CES Records DADO records, Apollo Records Chainmusic, CES Records and ROOM40.In addition to her solo projects, Beridze has collaborated with artists such as Thomas Brinkmann, AGF (Antye Greie), Gudrun Gut, Joerg Follert, Marcus Schmickler, Nika Machaidze aka Nikakoi, Ryuichi Sakamoto, Gacha Bakradze, Alex Kordzaia, Annika Henderson, Antye Greie-Fuchs, Barbara Morgenstern, Beate Bartel, Danielle De Picciotto, Gudrun Bredemann, Lucrecia Dalt, Merja Kokkonen, Mommo G, Natalie Beridze, Pilocka Krach, Sonae. Beridze's music is part of Adam Curtis's recent BBC Documentary series “Can't get you out of my head”. She also creates works for piano, orchestra and choir, which have been performed by a number of artists and the Tbilisi state opera orchestra. Her recent compositions for piano, keyboard, soprano and tape are part of the ongoing program of Zurich based KioskEnsemble.Beridze, alongside Nika Machaidze teaches songwriting and music production at CES (creative education studio).https://natalieberidzetba.bandcamp.com/Carsten Nicolai / Alva Noto BiogUnder the pseudonym Alva Noto, Carsten Nicolai is one of the best-known representatives of contemporary electronic music. Concerts have taken him to the Solomon R. Guggenheim Museum in New York, the San Francisco Museum of Modern Art, the Centre Pompidou in Paris, and the Tate Modern in London. His various musical projects include collaborations with Ryōji Ikeda, Mika Vainio, Iggy Pop, Blixa Bargeld and Ryūichi Sakamoto. With the latter, Nicolai composed the score for Alejandro González Iñárritu's Oscar-winning film The Revenant, which was nominated for a Golden Globe, a BAFTA, a Critics Choice Award and a Grammy.https://alvanoto.com/Caro C BiogCaro C is an artist, engineer and teacher specialising in electronic music. Her self-produced fourth album 'Electric Mountain' is out now. Described as a "one-woman electronic avalanche" (BBC), Caro started making music thanks to being laid up whilst living in a double decker bus and listening to the likes of Warp Records in the late 1990's. This 'sonic enchantress' (BBC Radio 3) has now played in most of the cultural hotspots of her current hometown of Manchester, UK. Caro is also the instigator and project manager of electronic music charity Delia Derbyshire Day.URL: http://carocsound.com/Twitter: @carocsoundInst: @carocsoundFB: https://www.facebook.com/carocsound/

Wes Tang-Wymer is co-founder of Room40, a crossover investment firm focused on crypto. Room40's platform consists of a multi-strategy hedge fund and early-stage venture funds. Prior to Room40, Wes was a founding team member of SoftBank Group International and SoftBank Vision Fund, where he oversaw investments and held board roles across a range of growth stage companies in the fintech, transportation, and logistics sectors. Before SoftBank, he was an equities investment analyst at Point72. Wes began his career at Morgan Stanley in the investment banking department.    -----   This episode is brought to you by:   Global Coin Research ("GCR") is a community-first research and investment DAO. GCR's mission is to create a community-driven investment DAO where the best Web3 deals are sourced by community members for community members.  This discussion was recorded in our Discord.  You can find more information about us and how to join at GlobalCoinResearch.com   -----   Remember to rate, review and subscribe to the Podcast!  

Solénoïde (11.03.2024) - Bienvenue dans un monde où le son devient paysage, où l'atmosphère musicale est une toile vierge pour votre imagination. Cette semaine, Solénoïde vous invite à plonger dans les profondeurs de l'ambient et du minimalisme sonore, où les rythmes et les mélodies cèdent la place à des textures évocatrices et mystérieuses. Pendant plus de 50 mn, notre émission vous emmènera dans un voyage sonore au croisement de la composition paysagiste, du field recording et des bandes-sons atmosphériques. Imaginez-vous survoler un champ esthétique où les sons diffus et les échos naturalistes se mêlent aux tonalités urbaines, créant une expérience immersive et captivante !

Please Support this Podcast and become a Patronhttps://www.patreon.com/drumwithmikeandeddyIn this episode, we discuss the importance of practice and introduce The Practice Project! We also do a deep dive into our different headspaces in various drumming contexts, including 1-1 lessons, drum camps, and live shows. We talk about the importance of structure and order in drum camps, allowing the camp to unfold naturally and creating an environment where campers can become their best version. We discuss the challenges of reading the room and balancing different personalities in a camp setting. The conversation then shifts to the headspace for shows, the difference between playing in front of other drummers, and the unique challenges of teaching in a one-to-one lesson. TakeawaysPractice is essential for drummers to improve their skills and overcome challenges.The Practice Project is a new initiative for patrons to hold each other accountable and make progress in their drumming.The headspace of a practicing drummer can be influenced by distractions and the need to prioritize different aspects of drumming.One-to-one drum lessons require teachers to balance honesty and encouragement while providing solutions to students' challenges.Teaching multiple students can be challenging, but experience and preparation can help teachers provide effective instruction.Drum camps offer a unique teaching experience that requires instructors to create a positive and engaging environment for a group of drummers. Creating structure and order in drum camps can provide a sense of stability and allow for flexibility when needed.Allowing the camp to unfold naturally and embracing the unknown can lead to a more authentic and meaningful experience for campers.Reading the room and adapting to different personalities is crucial in creating a positive and supportive environment in drum camps.The headspace for shows is often more relaxed and confident compared to the headspace for one-to-one lessons or camps.Understanding and navigating drummers' different goals and aspirations in a camp setting can be challenging but rewarding.Chapters00:00 Introduction and the Importance of Practice03:30 The Practice Project for Patrons10:25 The Head Space of a Practicing Drummer16:56 The Head Space of a One-to-One Drum Lesson26:06 The Head Space of Teaching Multiple Students31:56 The Head Space of a Drum Camp35:23 Headspace for Drum Camps36:12 Allowing the Camp to Unfold37:14 Creating the Best Version of Themselves37:37 Structure and Order39:15 Reading the Room40:20 Balancing Different Personalities41:00 Transitioning from Camps to Shows42:23 Headspace for Shows43:20 Playing in Front of Other Drummers45:14 Different Headspace for Shows, Lessons, and Camps46:08 Dealing with Potential Issues in Shows48:00 Navigating Different Drummer Goals in Camps49:48 Seriousness in Advanced Drummers51:03 Headspace for YouTube Videos52:16 Appreciation for Listener Support53:01 Closing RemarksSupport the show

Compositora argentina. Su catálogo cuenta con casi 700 piezas, obras de naturaleza acusmática que nacen de sensaciones personales que convierte en sonido. Compone también para películas, ballets y espectáculos. Parte de su trabajo en la música se enfoca en lo terapéutico._____Has escuchado“Antidiáspora, Beatriz Ferreyra”. YouTube Vídeo. Publicado por Centro de Experimentación, 6 de agosto de 2015: [Vídeo]“Beatriz Ferreyra (entrevista), La Casa Encendida”. YouTube Vídeo. Publicado por La Casa Encendida, 1 de abril de 2019: [Vídeo]Demeures aquatiques (1967). Ina GRM (2015)Echos: In Memoriam of Mercedes Cornu (1978). Room40 (2020)Souffle d'un petit Dieu distrait (1988). Innova Recordings (1997)_____Selección bibliográficaDALLET, Sylvie y Anne Veitl, Du sonore au musical: cinquante années de recherches concrètes (1948-1998). L'Harmattan, 2001FARRA, Ricardo Dal, “Some Comments about Electroacoustic Music and Life in Latin America”. Leonardo Music Journal, vol. 4 (1994), pp. 93-94*MARCEL-BERLIOZ, Laure, et al., Compositrices: l'égalité en acte. Centre de documentation de la musique contemporaine; Éditions MF, 2019RIESTRA, Agustín, “‘Me piden muchísimos conciertos ahora desde que tengo 80 años'. Entrevista a Beatriz Ferreyra”. Centro de Arte Sonoro (2020), consultada el 6 de junio de 2023: [Web]*Documento disponible para su consulta en la Sala de Nuevas Músicas de la Biblioteca y Centro de Apoyo a la Investigación de la Fundación Juan March

Es algo parecido a la fotografía, pero aplicada al sonido. No solo incide en la parte de la investigación del patrimonio de sonidos que se extinguen, sino en la búsqueda de sonidos con los que luego se puede hacer una obra derivada: componer._____Has escuchadoOutside the Circle of Fire. Adult Cheetah, Testing by Baobab Tree / Chris Watson. Grabado en Zimbabue en junio de 1994. Touch (2012)Small Sand-Stream on Beach / Toshiba Tsunoda. Emitida en la sala de conciertos de la Fundación Juan March con motivo del Ciclo Música y Arte Sonoro: Los Cuatro Elementos. Tierra, celebrado el 5 de abril de 2014. Room40 (2008)Sounds from Dangerous Places. Oilfield Atmosphere / Peter Cusack. Grabada en el Caspian Oil, Bibi Heybat, Azerbaiyán, en 2004. ReR Megacorp (2012)Spring Bloom in the Marginal Ice Zone / Jana Winderen. Touch (2018)Stile Post/Correu silent (2016) / Xabier Erkizia. Obra encargada con motivo de la exposición Escuchar con los ojos. Arte sonoro en España, 1961-2016. Realizada a partir de grabaciones en el Museu Fundación Juan March, Palma. Fundación Juan March (2019)_____Selección bibliográficaBELGIOJOSO, Ricciarda, Constructing Urban Space with Sounds and Music. Ashgate, 2014*BENSON, Stephen y Will Montgomery (eds.), Writing the Field Recording: Sound, Word, Environment. Edinburgh University Press, 2018BRUYNINCKX, Joeri, Listening in the Field: Recording and the Science of Birdsong. The MIT Press, 2018BUDHADITYA, Chattopadhyay, The Nomadic Listener. Errant Bodies Press, 2020*COMELLES, Edu, “Mapas sonoros, netlabels y culturas emergentes: una aproximación sobre la fonografía y el paisaje sonoro en la era digital”. Arte y Políticas de Identidad, n.º 7 (2012), pp. 187-208COSTA, José Manuel, “La ilusión del paisaje sonoro”. Arte y Parte, n.º 117 (2015), pp. 48-63*CUSACK, Peter, “CD Companion Introduction: Interpreting the Soundscape”. Leonardo Music Journal, vol. 16 (2006), pp. 69-70*DAUBY, Yannick, Paysages sonores partagés. DEA, Université de Poitiers, 2004*FIEBIG, Gerald, “The Sonic Witness: On the Political Potential of Field Recordings in Acoustic Art”. Leonardo Music Journal, vol. 25 (2015), pp. 14-16*FISCHER, Tobias y Lara Cory, Animal Music: Sound and Song in the Natural World. Strange Attractor Press, 2015*GALAND, Alexandre, Field Recording: l'usage sonore du monde en 100 albums. Le Mot et le Reste, 2012*IGES, José, “Paisajes sonoros: una aproximación histórica”. En: La exposición invisible. Editado por Delfim Sardo. MARCO; Centro José Guerrero, 2006*KOHUT, Tom, “Noise Pollution and the Eco-Politics of Sound: Toxicity, Nature, and Culture in the Contemporary Soundscape”. Leonardo Music Journal, vol. 25 (2015), pp. 5-8*KRAUSE, Bernie, La gran orquesta animal: a la busca de los orígenes de las músicas en los espacios salvajes del planeta. Faktoría K, 2021*LANE, Cathy y Angus Carlyle, In the Field: Art of Field Recording. Uniformbooks, 2013LÓPEZ, Xoán-Xil, “La fonografía más allá del fonógrafo”. En: MASE. Historia y presencia del Arte Sonoro en España. Editado por José Iges et al. Bandaàparte Editores, 2015*—, Abellón: o libro negro das zoadeiras. aCentral Folque; Centro Galego de Música Popular, 2019MCKINNON, Dugal, “Dead Silence: Ecological Silencing and Environmentally Engaged Sound Art”. Leonardo Music Journal, vol. 23 (2013), pp. 71-74*MONTGOMERY, Will, “Beyond the Soundscape: Art and Nature in Contemporary Phonography”. En: The Ashgate Research Companion to Experimental Music. Editado por James Saunders. Ashgate, 2009*PALMESE, Cristina, José Luis Carles y Antonio Alcázar, Paisajes sonoros de Cuenca. Universidad de Castilla-La Mancha, 2010*PEZANOSKI-BROWNE, Alison, “The Tragic Art of Eco-Sound”. Leonardo Music Journal, vol. 25 (2015), pp. 9-13*SAMARTZIS, Philip, “The Nature of Sound and the Sound of Nature”. En: Antarctica: Music, Sounds and Cultural Connections. Editado por Bernadette Hince, Rupert Summerson, y Arnan Wiesel. ANU Press, 2015SCHAFER, R. Murray, El paisaje sonoro y la afinación del mundo. Intermedio, 2013*SMOLICKI, Jacek, Soundwalking: Through Time, Space, and Technologies. Routledge, 2023*WRIGHT, Mark Peter, Listening After Nature: Field Recording, Ecology, Critical Practice. Bloomsbury Academic, 2022* *Documento disponible para su consulta en la Sala de Nuevas Músicas de la Biblioteca y Centro de Apoyo a la Investigación de la Fundación Juan March

Siavash Amini, Sarrsew, mHz and Mariam Rezaei discuss Tehran's experimental scene, and how geography and community can affect the creative process.Based in Tehran, Iranian musician and composer Siavash Amini has worked with the labels Room40, Hallow Ground, Opal Tapes and Umor Rex for the better part of the past 10 years. He's also collaborated with a wide range of international artists including Rafael Anton Irisarri, 9T Antiope and Zenjungle, and remixed tracks for Carl Craig, Bernard Szajner and the duo Arigt. This year he's released two albums, Eidolon and Eremos. Mariam Rezaei is a composer and genre-defying turntablist who's been honing her own unique style since starting DJing at 15. She previously led experimental arts project TOPH, TUSK FRINGE and TUSK NORTH, and in November 2022 received the Paul Hamlyn Foundation Award for Artists in recognition of her contribution to music composition. She released her album BOWN earlier this year. Sara Bigdeli Shamloo, aka SarrSew, is a Tehran-born and Paris-based vocalist, lyricist and composer. She's one half of duo 9T Antiope, and also one half of the aternative/electronic Farsi duo Taraamoon. On top of her collaborative projects and solo releases, she's also produced creations for theatre and film and is an active performer and actor. Mo H. Zareei, aka mHz, is an electronic musician, sound artist, and researcher whose artistic practice covers a wide range from electronic compositions to kinetic sound-sculptures and audiovisual installations. After studying in Tehran and California, he now lives in Wellington, New Zealand, where he's a senior lecturer in composition and sonic arts. He also released the album Proof of Identity earlier this year

Join us for this week's crypto podcast, featuring Paul Yablon, Founder and CIO at Room40, as a special guest. Paul walks through the structural changes in the crypto market that have underpinned the price action over the past weeks and elaborates on reasons for the current rally. David and Paul engage in a conversation about macroeconomic trends, inflationary vs deflationary pressures and the outlook for the US economy also discussing the idiosyncratic decoupling of crypto despite macro concerns. Paul also shares some insights on Solana, real world assets in crypto and other projects he is excited about. Georg walks through the latest ETF news driving the price action of the last week, dealer BTC vs ETH gamma profiles and altcoin performance while Greg shares some colour on institutional interest picking up, trading volumes and flows. Sid then concludes talking about DYDX v4, Celestia's upcoming mainnet launch and a large sell off in Friend tech as well as the rise of competing SocialFi protocols. Please like or subscribe if you like our content and reach out to the Coinbase institutional team if you want to get more insights! Featuring: Ben Floyd, Head of Execution Services Special guest:Paul Yablon, Founder and CIO at Room40 Panel:Georg Toropov, Senior CES Salestrader David Duong, Head of Institutional ResearchGreg Sutton, Senior CES SalestraderSid Shekhar, Blockchain Research Manager 

(Almost) falling into the water, post-dumb-house-party-bike-rides, wildness and mastery. The musician and member of Xiu Xiu discusses three important albums.Hyunhye's picks:Chris Watson – El Tren FantasmaPJ Harvey – To Bring You My LoveCecil Taylor – Solo (1973)Hyunhye's new album, Eel, is out now on Room40. Check out her website and Instagram.Donate to Crucial Listening on Ko-fi: https://ko-fi.com/cruciallistening

Andrea Belfi discusses his latest album, Eternally Frozen, a canon-based composition for percussion, electronics, and brass ensemble. Inspired by a visit to LA's Museum of Jurassic Technology, Belfi draws upon the story of Deprong Mori, a mythological bat that could use its powers of echolocation to phase through solid matter, before being captured by an American researcher, “eternally frozen” in lead. Movement, circularity, and stasis are all terms that also describe Belfi's interests as a composer. We discuss his origins in Italy's punk scene, his time as drummer of the noisy instrumental rock band Rosolina Mar, opening for Thom Yorke, and the development of his unique approach to solo performance as a drummer. TRACKLIST Andrea Belfi - “Golden” [edit 1] (Eternally Frozen, Maple Death, 2023) SP INTRO Andrea Belfi - “Golden” [edit 2] (Eternally Frozen, Maple Death, 2023) Andrea Belfi - “Cera Persa 1” (Cera Persa, Latency, 2016) Andrea Belfi - “Wege B” (Wege, Room40, 2012) Andrea Belfi - “Ton”  (Ore, Float, 2017) Thom Yorke - “Atoms for Peace” (The Eraser, XL, 2006) Four Tet - “Pyramid (Atoms For Peace remix)” (Pink Remixes, Bandcamp, 2014) Andrea Belfi - “Pulsing” (Eternally Frozen, Maple Death, 2023) Carla Bozulich - “Pissing” (Evangelista, Constellation, 2006) Andrea Belfi & Ignaz Schick - “Myth 5” (The Myth Of Persistence Of Vision Revisited, Zarek, 2011) Steve Reich / Ulrich Krieger (performer) - “Pendulum Music” (An Anthology Of Noise & Electronic Music / Fourth A-Chronology 1937-2005, Sub Rosa, 2006) Andrea Belfi - “Shale” (Strata, Float, 2019) Steve Reich - “Drumming, Part I” (Works 1965-1995 (Disc 02 - Drumming), Nonesuch, 1997)  John Zorn / Ennio Morricone - “The Battle of Algiers” (The Big Gundown, Nonesuch, 1986) Ennio Morricone - “L'Attentato” (C'era una volta il west, RCA, 1969) Egisto Macchi - “Gare Spatiale” (I Futuribili, Gemelli, 1971) Egisto Macchi - “Jungla I”(Africa Minima, Anya, 1972) Vladislav Delay - “Nesso” (Multila, Chain Reaction, 2000) Vladislav Delay - “Mustelmia” (Tummaa, Leaf, 2009) Medves [Andrea Belfi, Giuseppe Ielasi, Renato Rinaldi, Riccardo Wanke, Stefano Pilia] - “Untitled” [Figures Side] (Medves, Fringes Recordings, 2004) Rosolina Mar - “Malpensa Social Club” (Rosolina Mar, Wallace, 2004) Swell Maps - “Harmony In Your Bathroom” (A Trip To Marineville, Rough Trade, 1979) Antioch Arrow - “David” (Gems Of Masochism, Amalgamated, 1995) Clikatat Ikatowi- “Science Fiction Reality” (Orchestrated And Conducted By…, Gravity, 1996) Antioch Arrow - “Date With Destiny”  (Gems Of Masochism, Amalgamated, 1995) Drive Like Jehu - “If it kills you” (Drive Like Jehu, Headhunter, 1992) Clikatat Ikatowi - “Rise and Shine” (River of Souls, Gravity, 1998) Heroin - “Indecision” [rework] (All About Heroin, Vinyl Communications, 1991) Hiroshima Rocks - “Walking Like US Maple” (Around Isolation Bus Blues, NO=FI, 2001) Stereolab - “Metronomic Underground” (Emperor Tomato Ketchup, Elektra, 1996) Gastr del Sol - “Thos. Dudley Ah! Old Must Dye” (Crookt, Crackt, Or Fly, Drag City, 1995) Gastr del Sol - “The Japanese Room At La Pagode” (The Japanese Room At La Pagode / May [Split with Tony Conrad], Table of the Elements, 1995) Rosolina Mar -  “La Bottega Del Krapftwerk” (Rosolina Mar, Wallace, 2004) Rosolina Mar - “Before And After Dinner” (Before And After Dinner, Wallace, 2005) Rosolina Mar - “L'ora Di Religione” (Before And After Dinner, Wallace, 2005) Rosolina Mar - “Mingozo di Mongozo (Claudio Rocchetti Remix)” (Rosolina Mar Meet Trumans Water, Robot Radio, 2007) Rhythm & Sound - “Trace” (Rhythm & Sound, Rhythm & Sound, 2001) Andrea Belfi - “Picture Burning” (...a gift for (°!°)..., Afe/Grey Sparkle/et. al, 2004) 3/4hadbeeneliminated - “Loop Recorder in the Patient with Heart Disease” (a year of the aural gauge operation, häpna, 2005) Andrea Belfi - “Iso” (Ore, Float, 2017) Andrea Belfi - “Pastorale” (Eternally Frozen, Maple Death, 2023) -—- Sound Propositions produced by Joseph Sannicandro. --- Support this podcast: https://podcasters.spotify.com/pod/show/soundpropositions/support

Solénoïde (07.08.2023) - Phénomène musical originaire d'Egypte, Nadah El Shazly nous offre un premier album "Ahwar" qui ouvre une brèche étonnante dans le champ de la musique arabe à tendance expérimentale. L'alchimie sonore est à la fois hautement inventive et sensuelle, tissant des liens inédits entre cordes orientales, jazz, pop et électronique... En radiobalisage dans cette mission 202 ! Aussi au programme, une échappée musicale de Catherine Graindorge, au sein de son trio Nile On Wax, qui nous emmène dans des sphères émotionnelles remplies d'ambiguïté. Chevauchant les territoires post-rock, néo-classique et cinématographique, leur album "Bell Dogs" s'impose comme un modèle du genre. Et enfin le britannique Mike Cooper, vétéran de la musique expérimentale et activiste de la guitare blues et folk depuis le début des années 70, viendra assembler field recordings, interférences radios, sons de gamelan et slide guitare sur son album "Raft" (Room40). Un bijoux d'ambient-music immersive à écouter sans modération !

Solénoïde (31.07.2023) - Défiez l'entendement musical à l'écoute de notre radiobalisage ‘Alterra' ! Cet album de LASZLO HORTOBAGYI opère des rapprochements stupéfiants entre des traditions musicales éminemment éloignées l'une de l'autre. Quant à l'artiste japonaise HACO, elle revient avec ‘Qoosui' (Room40), un album envoûtant d'ambient pop, toute à la fois aérienne, minimaliste et sophistiquée. Enfin, le compositeur et guitariste DENIS FRAJERMAN, ancien membre du collectif PALO ALTO, exposera une vision artistique empreinte de racines cold wave et de penchants néoclassiques dans son opus ‘Rivières de la Nuit' publié sur son propre label Douzième Lune. Voilà encore une Mission qui s'annonce des plus exaltantes !

Solénoïde (10.07.2023) - Découvrez 4 de nos coups de cœur discographiques récents dans le monde des musiques de traverses et d'atmosphères ! David Toop et Lawrence English exploreront le monde fascinant du field recording avec leur œuvre immersive "The Shell That Speaks The Sea". De séquences naturalistes troublantes en montages bruitistes effrayants, cet album (en radiobalisage) reflètera l'intérêt du duo pour les sons sensibles et hantés. Inventeur de la trompette mutante, l'américain Ben Neill présentera "Prana Cantos", une œuvre ambient méditative accompagnée de textes lus par sa fille. Le percussionniste et claviériste Nevaris, avec l'aide de Bill Laswell, offrira des grooves afro-latins dans son 1er album "Reverberations". Et enfin, Christine Ott se démarquera avec son nouveau trio. Sur l'album éponyme de THE CRY, des compositions hypnotiques et progressives mettront en valeur les ondes martenot et les claviers analogiques.

FLORILEGIO'S MIXTAPE #13 A tapestry of contemporary experimental and underground tracks from Florilegio's worldwide network of female musicians. www.florilegio.org https://www.freeformfreakout.com/florilegio-mixtape-13/ TRACKLIST: Ana Roxanne “Immortality” ~~~ (Leaving Records) 00:04-04:08 Manja Ristić “Duša Damena / Soul of Stone” Glasovi / Voices (Self-released) 03:55-08:55 Sainkho Namtchylak “Singing to the Sea” Where Water Meets Water: Bird Songs and Lullabies (Ponderosa) 08:16-13:06 MimiCof “Distant Symphony III” Distant Symphony (Karlrecords) 12:34-19:41 Alexandra Spence “Blue waves” Blue waves, Green waves (Room40) 19:27-23:25 Aylu “Blu” Profondo Rosa (Mana) 22:23-27:28 Magda Drozd “Suspended Sream” Epiphanies (Hallow Ground) 27:19-32:06 Yewen Jin “ICE” 5 (Chinabot) 32:00-34:36 Madeleine Cocolas “Exhale 86” Fragile States (New Weird Australia) 34:20-40:37 Pö “Wind” Cociage (Hakuna Kulala) 40:17-43:11 Hüma Utku “Fuel for the Flames” The Psychologist (Editions Mego) 42:56-49:08 Kar Pouzi “Red Sprite I” Red Sprite (Don't Drone Alone) 49:00-55:57 Susana Santos Silva “All The Birds” All The Birds and a Telephone Ringing” (Thanatosis Produktion) 55:56-1:03:3

Episode 91 The Silent Episode Playlist Morton Feldman, “Intersection” (1953) from First Recordings: 1950s (1999 Mode). Feldman, like Cage, had already been a proponent of including silence in his pieces. Feldman was a part of the Project of Music for Magnetic Tape (1951 to 1954), an artist's collective founded by Cage to explore experiments in magnetic tape music. From this period came several works, the most famous of which was Williams Mix (1952) by Cage. For Williams Mix, Cage commissioned the recording of hundreds of taped sounds by Louis and Bebe Barron and then specified how to splice them together using a daunting 192-page graphical composition created using chance operations. Cage conceived the work for eight tracks of magnetic tape played simultaneously. The other members of the collective, in addition to helping edit Williams Mix, also created some unique works of their own using the same library of sounds. Feldman was one of these composers but took a decidedly different approach than Cage. For Intersection, Feldman used a graphic score composed of a grid, a method he had been testing for various instrumental works such as Intersections No. 1 for Piano (1951). The score could be likened to a sheet of graph paper with one row assigned to each of the eight channels. Each square, or cell, of each row represented a unit of time to be occupied by either a sound or silence. The sounds were assigned only as numbers representing the lengths of tape snippets to be used, thus regulating the duration of individual sounds. The sequence and simultaneity of the audio was dictated by the “intersection” of sounds and silences across the columns of the score. The realization of the piece was left in the hands of Cage and Earle Brown, who assembled the tape segments by following the grid score. The choice of sounds drawn from the tape library was left to the executors of the score. Whereas Cage had not actually specified the use of silence in the score of Williams Mix, Feldman clearly had, and this is evident from the result. Speaking about the piece later, Feldman famously said that he “loathed the sound of electronic music.” He disliked the labor of executing a piece by cutting up magnetic tape and didn't feel the result was justifiably unique. He also said, “John [Cage] says that experimental music is where the outcome cannot be foreseen. . . . After my first adventure in electronic music, its outcome was foreseen.” 3:24 John Cage Variations I from Darmstadt Aural Documents Box 2 – Communication (2012 NEOS). Two Pianos, Electronics, Radio Sets, David Tudor, John Cage. This German disc is part of the Darmstadt Aural Documents projects and features recordings from 1958. This track was of the European premiere of Variations 1 and was recorded at the International Ferienkurse für Neue Musik Darmstadt September 3, 1958. This track is enlightening because it not only contains a work by Cage with purposefully scored silences, albeit by chance operations, but is also a live recording with an audience. You can clearly hear how the audience responds during the silent passages, mostly in their bemusement. Whereas the implied humor was unintentional, I often experienced this phenomenon while seeing a Cage performance. I wanted to include this as an example of what can happen when silence becomes part of a live performance. Chance operations were used to determine the placement and duration of silences. 8:50 John Cage, “WBAI” (1960) from Early Electronic And Tape Music (2014 Sub Rosa). Sine wave oscillator, record player, synthesizer, radio. Description of the piece from the score in the Edition Peters catalogue (1962) of Cage's works: “Certain operations may be found impossible e.g., 3 or 4 at once. Let the operator do what he can without calling in assistants.” Chance operations were used to determine the placement and duration of silences. This performance for sine wave oscillator, record player, synthesizer, radio. Not performed by Cage and recorded in 2013 by participants following the score. Originally presented on WBAI (NY) as a solo work scored for performance with Cage's lecture ("Where Are We Going? And What Are We Doing?"). From the comments of the score: “This composition may be used in whole or in part by an operator of machines.” Personnel on this disc include, Square-wave oscillator, Auxiliary Sounds, Radio, Robert Worby; Performer, Langham Research Centre Auxiliary Sounds, Cassette, Open-reel tape, Radio, Iain Chambers; Synthesizer, Auxiliary Sounds, Spoken Word, Philip Tagney; Turntables, Auxiliary Sounds, Open-reel tape, Felix Carey. 7:04 John Cage, David Tudor, “Klangexperimente (Sound Experiment)” 1963 from Siemens-Studio Für Elektronische Musik (1998 Siemens Kultur Programm). Interesting collection of tracks by a variety of artists invited to explore the technological possibilities of the early "Studio for Electronic Music" built and run by Siemens since 1956 in Munich and Ulm. In the case of the Cage piece, both Cage and Tudor programmed this work using punch cards, an early computer control device. Chance operations were used to determine the placement and duration of silences. 1:58 Henri Pousseur, “Scambi (Exchanges)” (1957) from Panorama Des Musiques Expérimentales (1964 Philips) is an electronic music tape composition by the Belgian composer , realized in 1957 at the Studio di Fonologia musicale di Radio Milano. Pousseur fluidly added silence patches throughout this piece, using them to create tension due to their unpredictable nature. This is an analog recording, so the silences include an abundance of tape hiss. 6:27 Ton Bruynèl, “Reflexen (Reflexes)” (1961) from Anthology of Dutch Electronic Tape Music: Volume 1 (1955-1966) (1978 Composer's Voice). Recorded in Bruynèl private electronic music studio. Another tape work that shows the potential for splicing in silence as a tool of the composer. The silences are carefully added from about the 2:14 to 4:00 mark to underscore the accelerating pace of the music. Note that the original recording has rumble from what sounds like a turntable, plus tape hiss, so the “silences” are not as abject as they are in digital recordings. 4:41 MEV (Musica Elettronica Viva), “Spacecraft” from Live Electronic Music Improvised (1970 Mainstream). Performers, Alan Bryant, Alvin Curran, Frederic Rzewski, Ivan Vandor, Richard Teitelbaum (Moog Modular synthesizer). The liner notes described the following editing process for this album that includes the random insertion of silent passages within the recorded live tracks: “The tape has been edited and interspersed with silence in accordance with a random number programme to give a representative cross-section of a concert lasting two hours.” 19:50 Maggi Payne, “Scirocco” from Crystal (1986 Lovely Music Ltd.). Composed, engineered, performed by Maggi Payne. This beautiful piece of ghostly, haunting sounds is long enough to create an expectation of a continuous soundscape, only to two drop off in two spots to present long silent or nearly silent passages. 10:26 Mika Vainio, “In a Frosted Lake” from Aíneen Musta Puhelin = Black Telephone Of Matter (2009 Touch). Produced and recorded in Berlin 2008. This piece seems to be about amplitude and inaudible frequencies, frameworked by silences. There is a pattern of eight peak tones from the start to the end of the piece. In between these peaks are quieter sounds and silences, with a tension that leans toward achieving a silent state. 5:53 Giancarlo Mangini, “September 14, 2020, from 4.50a.m. to 5.02a.m. ...and remember what peace there may be in silence” from Electronic Music Philosophy, Vol. 27: Silence (2020 Bandcamp). From the twenty-seventh collection of tracks from the collective known as Electronic Music Philosophy (Tustin, California) came this disc devoted to works composed using silence as a principal technique. In this work, there is a steady pattern of silences from start to finish, but the duration of the silences gradually increases in many instances as the work progresses. 11:38 Richard Chartier, “Herein, Then” from Other Materials(2002 3Particles). This disc includes is a compilation of tracks and unreleased works from 1999-2001. Limited to 500 copies. Composed, produced, programmed, and performed by Richard Chartier. As with many of his tracks, Chartier explores the outer reaches of human hearing. Many of the sounds in this track cannot be heard when played on loudspeakers with even moderate background noise. There are actually only two spots of abject, digital silence in this track, although due to the low frequency and amplitude of many of the other electronic tones, you might think there in nothing there. This is a clever, psychological trick. 5:02 Marina Rosenfeld, “Formal Arrangement” from Plastic Materials (2009 Room40). Composed and performed by Marina Rosenfeld. Among the various commissions found on this disc is this solo electronic work. A pattern of silences in which 25 evenly-spaced sound events, mostly gong- or bell-like tones, are each followed by a fade and then a discrete, abject silence. 2:35 Tetsu Inoue, “Super Digital” from Fragment Dots (2000 Tzadik). Composed, Programmed by Tetsu Inoue. I knew Tetsu and he would probably be embarrassed to know that I counted every conceivable “digital” silence in this special piece of music. There are 293 of them that I think one can perceive. Many are short, but because silence is an important structural component of this work, I thought it warranted a fresh listen. The longest of these silences is but 2.5 seconds. The shortness of all the tones, either audible or silent, works together to form a unity. 3:39 Miki Yui, “Balloon” from Small Sounds (1999 BMP Lab). Composed, engineered, and performed by Miki Yui. Recorded in Cologne, Germany. The composer wrote, “small sounds are to merge and fuse with your acoustic environment—please play in a transparent level; in different atmosphere.” In this piece, the silences are placed in the middle of sounds to break up an otherwise continuous noise. 2:57 Opening background music: Mooshzoom, “Silence” from Electronic Music Philosophy, Vol. 27: Silence (2020 Bandcamp). From the twenty-seventh collection of tracks from the collective known as Electronic Music Philosophy (Tustin, California) came this disc devoted to works composed using silence as a principal technique. Plus clips from the following as examples: Amelie Lens, “Resonance” from Contradiction (2017 Second State); Nora En Pure, “Norma Jean” from Come With Me (2013 Enormous Tunes). Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation: For additional notes, please see my blog, Noise and Notations.  

Ruinous beauty, hauling a bass sax up the stairs, Hendrix's face, worlds of breath. The saxophonist and composer discusses his important albums.Colin's picks:Hendrix – Band Of GypsysPeter Brötzmann / Bill Laswell – Low LifeEnya – Shepherd MoonsSam Cooke – Live At The Harlem Square Club, 1963Colin's new album Chimæra I is out now via ROOM40. You can also grab it on Colin's Bandcamp. Colin's website is here.Donate to Crucial Listening on ko-fi: https://ko-fi.com/cruciallistening

Electronic Music - Fall 2022 01 - MOLLY JOYCE_Resilience (0'00) (Perspective / New Amsterdam Records / 2022) 02 - STEFAN GOLDMANN_Brick & Mortar (3'30) (Call & Response / Ash International / 2022) 03 - J.WLSN_Counting To 10 (6'30) (1993 / Room40 / 2022) 04 - SCANNER_Woman & The Cosmos (11'00) (Struktura Revisited / A Strangely Isolated Place / 2022) 05 - BUFFALO TIDE_Sentinel Three (16'40) (A Delicate Ecosystem / BLBX / 2022) 06 - ASC_Avoidance (19'30) (Colours Of Absence / Auxiliary / 2022) 07 - AROVANE & TAYLOR DEUPREE_Avoid Shut (25'40) (Skal Ghost / 12K / 2022) 08 - GRAND CIEL_Sentier D'Etoiles Pt2 (29'00) (W(h)ere / Self-Released / 2022) 09 - DOMINIC COPPOLA & ANGELO HARMSWORTH_Soledad (31'00) (Pavonime / Total Black / 2022) 10 - CROSSING BRIDGES_This Is How You Die (33'30) (Landscape Painting / Forest Kids Collective / 2022) 11 - ADAM WINCHESTER_False Red (36'30) (Trailing Remnants / Osiris Music / 2022) 12 - LOTUS EATER_Tunnel (41'30) (Plasma / Stroboscopic Artefacts / 2022) 13 - THE MICROGRAM_Evil People (45'30) (Everything In Decay / Dream Catalogue / 2022) 14 - SEABUCKTHORN_So It Remains (48'50) (Of No Such Place / CAAPS / 2022) 15 - DERU_The Return (52'00) (We Will Live On / Friends Of Friends / 2022) 16 - OLAFUR ARNALDS_Spiral (DUSTIN O'HALLORAN Rework) (55'40) (Some Kind Of Peace - Piano Reworks / Mercury KX / 2022)

Peter Knight is an Australian composer, trumpeter, and sound artist. He has been Artistic Director of the Australian Art Orchestra for the last ten years, performed with Anthony Braxton, Senyawa, and Alvin Lucier, and played at some of the most significant festivals and venues in the world. He has also recently released his twelfth album, Shadow Phase, on the inimitable @Room40 imprint. @phjk From Peter: "This is a mix of tracks that have inspired me, particularly across COVID when I was craving that sense of 'strange beauty' that each of these works impart - at least to me. Sometimes when I am making music I will 'check in' with albums that relate somehow to the music I am working on, and each of these tracks has a quality that seemed relevant to what I was working on for Shadow Phase." David Sylvian - Small Metal Gods [Manafon; Samahdi Sound] Christian Wallumrod - Eliasong [A Year From Easter; ECM] Marina Rosenfeld - Sweetest Sensation [Plastic Materials; Room40] Oren Ambarchi - Remedios the Beauty [Grapes from the Estate, Touch Music] Julia Reidy - Of Neither [Brace, Brace; Slip] Jon Hassell and Brian Eno - Ba-Benzélé [Fourth World Vol 1: Possible Musics; Editions EG]

Most (if not all) previous Ambientblog mixes always had some dark moments in them, they are never 'just' relaxing. You can only feel release if you also felt tension. This time, I wanted to avoid the darkness and create a 'lighter mood mix'. Not of the 'Ibiza Chillout Lounge' kind, but one that can be played in the background and is still exciting enough to listen to. I hope I succeeded, but of course, you're the one to decide about that!With two hours, Cloudwatching is longer than usual. Only a few tracks are included in their full length, but most are heavily edited or even just short fragments. Also, they are often overlayed, so you'll hear the music in a different context. The extensive playlist below may help you track down the original in their full-length versions. I really hope you'll enjoy watching these -imaginary- clouds! Tracklisting Start Length Artist - TitleAlbum Title, Year, Label 00:00 3:58 Francisco López - Untitled #373Untitled, 2019, Esc.Rec00:17 4:09 Lawrence English - Pre-Approach - CitizenApproach, 2022, Room4001:47 6:04 William Basinski & Janek Schaefer - … On Reflection (Four)… On Reflection, 2022, Temporary Residence Limited06:15 4:02 Arve Henriksen, Eivind Aarset, Jan Bang - The Swans Bend Their Necks Backward To See GodThe Height Of The Reeds, 2018, Rune Grammofon09:22 2:59 Masayoshi Fujita - HarpBook Of Life, 2018, Erased Tapes11:12 4:07 Mombi Yuleman - Mental TelepathyHours Lost, 2022, ZeroK13:14 2:31 Asmus Tietchens - Paralelle Ebene 1Parallelen, 2022, Line14:26 2:41 Abul Mogard - Like WaterStrega Music, 2022, Make Noise Music16:14 2:48 Keda - La Lune De CoréeHwal, 2015, Bruit Clair18:31 4:27 Tapani Rinne & Teho Majamäki - ReflectionOn the Border, 2022, Signature Dark22:34 4:01 Radboud Mens - ConvolutionContinuous, 2022, ERS26:02 3:03 Alex Haas & Michel Banabila - The Woods (ft. Bill Laswell)Singles (2020-2022), 2022, Tapu Records27:58 2:01 Imperial Valley - Fields North Of Kane Spring, Oct 8, 1938Imperial valley III, 2022, Folded Rime29:03 3:47 James Murray - ClearingsCareful Now, 2022, Home Normal31:41 2:02 Raum - DaughterDaughter, 2022, Yellow Electric32:04 3:05 Tierro Cosmico - Eres NocturnaFigments Of Wonder, 2022, Neotantra34:29 2:34 Emmanuel Holterbach - Rivage (Shore)Le Rêve, L'Ombre Et La Vision, 2022, Canti Magnetici35:09 3:51 Holland Patent Public Library - A Road I've Passed But Never TakenSongs To Fall Asleep At The Wheel To, 2022, Dear Life Records38:34 2:11 Thomas Ragsdale & Richard Arnold - The ViewChasing Waves, 2022, Frosti39:24 3:50 David Cordero & Kenji Kihara - GrazalemaKomorebi, 2022, Home Normal42:27 2:14 Abul Mogard - The Rain Has GoneFor Ukraine Vol. 3, 2022, Headphone Commute44:06 3:43 Robyn Miller - GateroomRiven - The Soundtrack, 1998, Virgin47:34 2:12 From The Mouth Of The Sun - Paint & StoriesA Broken House, 2021, Dronarivm49:01 4:23 Olga Wojciechowska - Recreating WorldsFor Ukraine Vol. 3, 2022, Headphone Commute52:50 3:13 Biosphere - Aura In The Kitchen With The CandlesticksDeparted Glories, 2016, Smalltown Supersound55:35 1:46 Jolanda Moletta - Spell II: Daydream And NightbloomNine Spells, 2022, Ambientologist56:32 1:48 Budhaditya Chattopadhay - DhvaniAnthology Of Exploratory Music From India, 2021, Unexplained Sounds Group57:01 6:29 Cell - GeigerOnwards System, 2022, Ultimae Records1:02:46 1:33 Clarice Jensen - FearEsthesis, 2022, FatCat Records1:03:19 4:06 Erik Wøllo - Peace BellsSojourns, 2022, Projekt1:06:30 4:07 Tarotplane - AuximenesAeonium, 2022, Constellation Tatsu1:09:30 2:39 Norman W. Long - Return & RecoveryReturn & Recovery, 2022, Line1:10:51 3:08 Marine Eyes & Antarctic Wastelands - EnshroudedSustain Series, Vol. 3, 2022, Ambientologist1:13:54 1:34 Ryoji Ikeda - Data.Tron (2007-14)Music For Installations Vol. 1, 2021, Codex Edition1:14:37 2:07 Masayoshi Fujita - PonsBird Ambience, 2021, Erased Tapes1:16:39 3:32 Tetsuroh Konishi - Kevaan AaniaScenes, 2021, Off-Recordlabel1:19:38 3:30 Madeleine Cocolas - PresenceSpectral, 2022, Room401:22:17 1:49 Pinkcourtesyphone - Comfortable PredictabilityAll Intensive Purposes, 2022, Room401:23:51 4:10 Clarice Jensen - LoveEsthesis, 2022, FatCat Records1:26:16 3:47 Radboud Mens - ModularMovement, 2022, ERS1:29:16 2:08 Arve Henriksen - The Farmers Of Sonic AlchemyMurimorphosis, 2021, Arve Music1:31:18 2:10 Daigo Hanada - KageSatori, 2022, Moderna Records1:33:04 3:21 Ivan Cebrian - Snow In SilenceInside/Outside, 2022, Oigovisiones1:35:53 3:34 Robert Rich & Luca Formentini - First DayFor Sundays When It Rains, 2022, Soundscape Productions1:39:20 1:48 Sofie Birch & Antonina Nowacka - OutroLanguoria, 2022, Unsound / Mondoj1:41:03 1:50 Sven Laux & Fione - StayTomorrow Everything Could Be Different, 2022, Whitelabrecs1:42:07 4:16 Loscil - Dub For CascadiaEndless Falls, 2010, Kranky1:45:50 2:22 Powlos & Holt - Our Shimmering BreathSustain Series, Vol. 3, 2022, Ambientologis1:47:48 3:33 Anne Chris Bakker - Johan (In Memoriam)A Sketch In Leaving, 2022, Whitelabrecs1:50:45 2:34 Glåsbird - SirsaHimalaya, 2022, Whitelabrecs1:53:15 1:04 Trio Ramberget - D Minor Postlude24 Ways Vol. 1, 2022, Piano And Coffee Records1:54:11 2:08 Galya Bisengalieva - The CrashHold Your Breath: The Ice Dive OST, 2022, One Little Independent Records1:55:48 4:11 Madeleine Cocolas - EnfoldSpectral, 2022, Room40

Solénoïde (24.10.2022) - Ce qui fait la singularité de Solénoïde, c'est son goût pour les mix chamarrés à travers le champ des musiques visuelles et itinérantes. A tous ceux qu'une telle versatilité n'effraie pas, cette 55e Blender Session offrira un bouquet de sonorités et de sensations encore une fois inédites ! Au total s'y illustreront 10 artistes couvrant un large spectre d'humeur et de nuances instrumentales. Des marges du rock à l'ambient onirique, en passant par le jazz de chambre ou encore la world orchestrale cette émission vous assurera un voyage virtuel exigeant, à travers des contrées telles que la Turquie, l'Australie, la Palestine, le Japon ou encore la Pologne.

Solénoïde (22.08.2022) - Contre toute attente, ce sont deux vétérans de la scène rock/blues suédoise qui tiendront le haut de l'affiche de cette mission 191 : le guitariste ZILVERZURF et le (défunt) batteur BOSSE SKOGLUND qui nous livreront d'envoûtantes "Mantra Sessions" au parfum de multiculturalisme post-rasta. Une épopée musicale qui vous emmènera au point de fusion ultime entre mantras indiens, dub, reggae et jazz... Basé à Brisbane, en Australie, ANDREW TUTTLE complètera le catalogue de la folktronica de nuances nouvelles aidé d'un séquencer, d'un banjo et d'une guitare acoustique. Le duo franco-écossais CYRIL SECQ et ORLA WREN confrontera cordes acoustique et outils numériques pour façonner une folk toute à la fois douce et abrasive. Et le trio américain ERGO rebattra les cartes du jazz, au gré d'accords pointilleux entre instruments acoustiques (pianos, percussions, trombone) et échantillonnage en temps réel.

Ep. 300 Maria Moles and Simon. This weekend, we celebrate three centuries of broadcasts with Maria Moles. Maria is a drummer, composer and producer based in Naarm. Alongside her solo releases, including this year's stunning album For Leolanda for Room40, Maria currently plays with Jaala, Ajak Kwai, and Doroth, and has previously collaborated with FP faves including Mildlife, Krakatau, and Jonnine. For FPR300, she shares a collection that celebrates percussion and groove within music, drawing from artists worldwide. After that, FPR mainstay Simon plays some brainstem soothers. 

A weaving of voices, moments of pure connection, sibling influences. The Narrm/Melbourne-based drummer and composer discusses three important albums.Maria's picks:The Necks – OpenAlice Coltrane – Journey In SatchidanandaTyondai Braxton – HIVE1Maria's new album For Leolanda is out now on ROOM40. Check it out here, along with her other works. Maria's website is over here.Donate to Crucial Listening on ko-fi: https://ko-fi.com/cruciallistening

Die Resterampe und die Beschaffungskriminalität. ## April 2022 Fast alles Vorkriegsware. Rocklastig, mein Gefühl. 1. Laibach — Wir sind das Volk nur durch die Liebe: Abschlussrede von Peter Mlakar (Wir Sind Das Volk : Ein Musical Aus Deutschland — 25. März 2022 — Mute / PIAS) 2. Laibach — Ordnung und Disziplin: Müller versus Brecht (Wir Sind Das Volk : Ein Musical Aus Deutschland — 25. März 2022 — Mute / PIAS) 3. Alligatoah — Nicht adoptiert (Rotz & Wasser — 25. März 2022 — Alligatoah) 4. Pastor Leumund — Das Problem mit der Zeit: Feat. Bernadette la Hengst im Mittekill Remix (Konzentriert euch: Remixe — 13. April 2021 — Not On Label) 5. Blvd. feat. SHAQUILLE O'NEAL - Posterize (Area Code — 5. März 2022 — Purple Fly Records) 6. The Residents – I Hate Heaven (Wormwood Box: Curious Stories From The Bible — 28. Januar 2022 — Cherry Red / MVD Audio / New Ralph Too) 7. Les Gam's — L'anneau de feu (Oh ! Wow Wow Wee — 1964 — Mercury) 8. Kami-Sakunobe House Explosion / K-S.H.E – Down Home Kami-sakunobe / 上作延村立: Zeitkratzer & Terre Thaemlitz Live At Volksbühne (Spirits, Lose Your Hold / 精霊、力を落とす — 10. Januar 2022 — Comatonse Recordings) 9. Luna — Moon Palace (Live Penthouse — 04. März 2022 — Not on Label) 10. Funki Porcini — Steve McQueen Is Stuck in Traffic (Where The Sauce Is Deluxe — 29. Januar 2022 — Not On Label) 11. The Preachers — Stay Out Of My World: No Frills Mix (Stay Out Of My World — 25. Februar 2022 — Beatrocket) 12. The Residents – I Hate Heaven (Wormwood Box: Curious Stories From The Bible — 28. Januar 2022 — Cherry Red / MVD Audio / New Ralph Too) 13. All Them Witches — When God Comes Back (LIVE ON THE INTERNET — 18. März 2022 — New West Records) 14. Godspeed You! Black Emperor — Perfumed Pink Corpses from the Lips of Ms. Celine Dion (All Lights Fucked on the Hairy Amp Drooling — 14. Februar 2022 — Not On Label) 15. Maleñczuk & Waglewski — Ring of Fire (KOLEDZY — 7. Mai 2007 — Agora SA) 16. The Nunfuckers — Ring of Fire (Dead And On The Floor — 2000 – Not On Label) 17. Bye Bye Tsunami: 䈀礀攀 䈀礀攀 吀猀甀渀愀洀椀 — Bye Bye Tsunami: 䈀礀攀 䈀礀攀 吀猀甀渀愀洀椀 (Bye Bye Tsunami: 䈀礀攀 䈀礀攀 吀猀甀渀愀洀椀 — ???? — ????) 18. Ghost Iris — Cult (Comatose: Instrumental Edition — 11. März 2022 — Long Branch Records) 19. Tudor Acid – Disregard, Disengage (Empathy for Cyborgs – 27. Januar 2022 – Tudor Beats) 20. Chipmunks on 16 speed — You Were Always On My Mind (Vol.1 — 21. November 2015 — Not on Label) 21. aircode — Wow, That's so Cool (Grounded — 28. Januar 2021 — Alien Jams) 22. Pale Hornet — FIFO WIFO (We Are All Snowflakes — 4. März 2022 — Not on Label) 23. Chris Carter — Moonshot (Moonshot / Earthbound — 23. Juni 2001 — Thursday Club Recordings) 24. Troll Teeth — Gallows on the Playground (Hanged, Drawn, & Quartered — 11. März 2022 — Electric Talon Records) 25. John Zorn & Bill Laswell – The Cleansing (The Cleansing – 18. Februar 2022 – Tzadik) 26. Watashi — Corpse Dance (Euthanasia Coaster — 25. Februar 2022 — Regenerate Music) 27. Christian Coiffure — Cave Moss: Glass Remix (Freefloat Remixes — 28. Januar 2022 — Worst Recordsl) 28. Ruby My Dear — A Dada (A Dada — 15. März 2022 — Blue Sub Records) 29. Saint Abdullah — Blurring Of Management Theory (Inshallahlaland — 4. Februar 2022 — Room40) 30. BODAH — Filastrocca per una strega (Nessun incubo per il sole — 14. März 2022 — TRULLETTO RECORDS) ### Informationen * Maisendung auf Pi Radio: 6. Mai 2022 um 1:00 Uhr * Maisendung auf dem Nachtprogramm der Freien Radios (zZ Radio Corax, Radio Blau, u.a.): 13. Mai 2022 und 15. Mai 2022 um 0:00 Uhr (Wenn alles gut geht) # Subtracks Neuste Errungenschafften und ungespielte Neuveröffentlichungen. Das was von einer Hitparade übrigbleibt, trocken wiederverwendet, um die Datenhalden abzubauen. * https://subtracks.funkwelle.org

Solénoïde (07.03.2022) - Rejoignez la grande nébuleuse des musiques planantes et atmosphériques ! Dans ce parcours radiophonique, pas moins de 9 alchimistes de l'éther vous feront voyager sans bouger... 9 signatures singulières, issues des scènes ambient, vont vous embarquer dans une capsule spatio-temporelle d'où peut émaner une poésie trouble à dimension illustrative ou narrative.

Ça faisait un moment qu'on n'avait pas dédié une tranche à un label, on en choisit donc un qui nous tient particulièrement à cœur : Room40. Né au crépuscule du millénaire dernier dans une volonté initiale de donner une chance à des compositeurs dans l'ombre, la maison australienne tenue par Lawrence English pourrait un peu rejoindre ce qu'on disait à propos de 12k et de son image de contre-culture musicale. Pourtant, son unité ne se trouve pas tant dans sa patte sonore que dans son intégrité : la room 40 était le service de décryptage britannique des codes ennemis durant la Ière Guerre Mondiale, rencontre de cerveaux aux compétences diverses mais au but commun. Room40 se nourrit aussi de son éclectisme de forme pour alimenter une vision artistique globale de fond ; pas facile d'en faire un tour vraiment fidèle donc, mais Amplitudes va tenter de lui rendre hommage de son mieux. Bonne écoute. Tracklist : Chihei Hatakeyama - Journey to the Imaginary Country (Moon Light Reflecting Over Mountains, 2015) Pinkcourtesyphone - Lure / Beyond Exactly (Indelicate Slices, 2017) Geneva Skeen - Leveled Ground, Bottomless Pit (Double Bind, 2020) Ben Frost - You, Me and the End of Everything (Steel Wound, 2003) M. Geddes Gengras - Vulture (Light Pipe, 2018) I/O - Flightpath (Calm, 2001) Kevin Richard Martin - Too Much (Sirens, 2019) Beatriz Ferreyra - Echos (Echos +, 1978/2020) Marina Rosenfeld - roygbivetb II (Teenage Lontano, 2021) Rafael Anton Irisarri - Reprisal (A Fragile Geography, 2015) Lawrence English - March 16 - Heavy Breath of Silence / April 4 - And He Sleeps (The Peregrine, 2011/2015)

Ça faisait un moment qu'on n'avait pas dédié une tranche à un label, on en choisit donc un qui nous tient particulièrement à cœur : Room40. Né au crépuscule du millénaire dernier dans une volonté initiale de donner une chance à des compositeurs dans l'ombre, la maison australienne tenue par Lawrence English pourrait un peu rejoindre ce qu'on disait à propos de 12k et de son image de contre-culture musicale. Pourtant, son unité ne se trouve pas tant dans sa patte sonore que dans son intégrité : la room 40 était le service de décryptage britannique des codes ennemis durant la Ière Guerre Mondiale, rencontre de cerveaux aux compétences diverses mais au but commun. Room40 se nourrit aussi de son éclectisme de forme pour alimenter une vision artistique globale de fond ; pas facile d'en faire un tour vraiment fidèle donc, mais Amplitudes va tenter de lui rendre hommage de son mieux. Bonne écoute. Tracklist : Chihei Hatakeyama - Journey to the Imaginary Country (Moon Light Reflecting Over Mountains, 2015) Pinkcourtesyphone - Lure / Beyond Exactly (Indelicate Slices, 2017) Geneva Skeen - Leveled Ground, Bottomless Pit (Double Bind, 2020) Ben Frost - You, Me and the End of Everything (Steel Wound, 2003) M. Geddes Gengras - Vulture (Light Pipe, 2018) I/O - Flightpath (Calm, 2001) Kevin Richard Martin - Too Much (Sirens, 2019) Beatriz Ferreyra - Echos (Echos +, 1978/2020) Marina Rosenfeld - roygbiv&b II (Teenage Lontano, 2021) Rafael Anton Irisarri - Reprisal (A Fragile Geography, 2015) Lawrence English - March 16 - Heavy Breath of Silence / April 4 - And He Sleeps (The Peregrine, 2011/2015)

My Ranking Of The Best Albums Of 2021 - Part 2 25 : HOD_Duality (0'00) (Means For Liberating / Diffuse Reality) 24 : HERCEGOVINA_Drama Of Nature (5'30) (Locusts Of The Summer / Janushoved) 23 : VERGE_Arid Dust (9'50) (Vignettes / Perfect Aesthetics) 22 : BROKEN ENGLISH CLUB_They Burned The Villages (14'00) (White Rats III / L.I.E.S. Records) 21 : BLANCK MASS_Phase I (Extract) (16'20) (In Ferneaux / Sacred Bones Records) 20 : IAN WELLMAN_I Watched The World Burn (20'10) (On The Darkest Day... / Room40) 19 : ROMANCE RELIC_Golden Hour...(23'40) (One Feather For Each Season / Janushoved) 18 : CUT WORMS_Cinder Locks (28'30) (Breath Mule / Opa Loka Records) 17 : 93MILLIONMILESFROMTHESUN_Hold My Breath (35'00) (Why Do We Fall Apart / White Light Recordings) 16 : ARNAUD LE TEXIER_Continuum (40'30) (Incisive / Affin) 15 : P.LOPEZ_2 Steppers 333 (45'30) (Asuncion / Counterchange) 14 : CHRISTIAN LOEFFLER_Moldau (50'00) (Parallels : Shellac Reworks / Deutsche Grammophon) 13 : MAENAD VEYL & THE SARCASM ENSEMBLE_Suntrails (56'20) (Comfort In Misery / Veyl) 12 : JOSEPH LAWRENCE CLARK_Surrealist Americans (59'00) (Thendara / Audio.Visual.Atmosphere) 11 : BIRDS OF PASSAGE_Worship My Flaws (64'30) (The Last Garden / Denovali Records)

Sound Ecology is a continuation of our Season 2 theme, Art Meets Science. In this episode we experience the work of sound artists and musicians. We're moving at a meditative pace and providing listeners with a contemplative, relaxing experience. First up will be a six minute sound experience entitled "Shivering Sands," the contemplative ambient music project of singer-songwriter Angela James and multi-instrumentalist Jordan Martins. After "Shivering Sands" is an interview with sound artist, Norman W. Long, followed by his sound piece entitled "Expanded Field." Norman's practice involves walking, listening, improvising, performing, recording and composing to create environments and situations in which he and the audience are engaged in dialogues about memory, place, ecology, culture, race, value, silence and the invisible. Norman Long has performed and exhibited at Experimental Sound Studio, Kavi Gupta Gallery, Links Hall, Elastic Arts,Green Line Performing Arts Center, Chicago Humanities Festival, Chicago Cultural Center and 2021 Chicago Architecture Biennial. Norman has performed with Damon Locks, Tatsuya Nakatani, Cher Jey, Sara Zalek, Cristal Sabbagh, Xris Espinoza, Adam Zanolini, Dan Bitney and Todd Carter and performed and toured with Angel Bat Dawid and the Brothahood. He has released his compositions on Hausu Mountain, Reserve Matinee and Room40 labels. His latest release, BLACK BROWN GRAY GREEN, was released in September 2021 on Hausu Mountain.The Pivot Arts Podcast is created and produced by Julieanne Ehre with sound engineering by Hannah Foerschler and original music composed by Andrew Hansen. Generous support for the podcast is provided by FLATS, a Chicago-based apartment community. For more information on Pivot Arts visit pivotarts.org.

This week Robbie and Jordan cut loose! We talk about "panoramic attention," being on both sides of misdirected anger, birding, and the US Postal Service. Also mentioned are audio ecologist Gordon Hempton and his recent appearance on On Being, sound artist Lawrence English and his label Room40, anarcho-primitivist writer John Zerzan, and Jess/Queervengeance's Instagram. Wanna try body doubling and Pomodoro sessions? Drop in to Jordan's Twitch channel 7-11 AM Mountain, Mon-Fri! Thank you to our Patreon subscribers, your support means so much! Production and music by Jordan Lane. Find HSIHADAD online: anchor.fm/holyshitihaveadhd patreon.com/holyshitihaveadhd HSIHADHD Facebook Twitter: @hsihadhd Instagram: @holyshitihaveadhd Robbie: twitter.com/robertadinvan Jordan: linktr.ee/thefresheye --- Send in a voice message: https://anchor.fm/holyshitihaveadhd/message

Liturgical lullaby, canine concrète, a chess game that never ends. The Chicago-based media artist and composer talks about three important albums.Olivia's picks:Alèmu Aga – Éthiopiques 11: The Harp Of King DavidBeatriz Ferreyra – Huellas EntreveradasMorton Feldman – For Samuel BeckettHonourable mention: Kim Jung Mi – NowOlivia also mentioned another record in the Éthiopiques series: Piano Solo by Tsegué-Maryam Guèbrou.Olivia's new album, Innocent Passage In The Territorial Sea, is out now on Room40. Check it out on Bandcamp here. Her website is here.PLUS: Head over to ATTN for a premiere of the video for "Laika", directed by Deborah Stratman.Crucial Listening is taking donations on ko-fi: https://ko-fi.com/cruciallistening

Der neue Versuch ne Hitparade bei Radio Woltersdorf zu etablieren, und auf Pi Radio und Radio Corax auszuweiten und bei Radio Słubfurt auszurollen, und bei Freies Radio Neumünster anzufangen. ## Neuvorstellungen (Dezember 2021) 1. Seatbelts — Santo City (Soundtrack from the Netflix Series — 19. November 2021 — Sunrise Music Label) 2. Rolf Blumig — 1000 Thomas (Rolfie lebt — 25. Februar 2022 — Staatsakt / Hansaplatte) 3. Erste Allgemeine Verunsicherung — A klanes Feuer: feat. TURBOBIER (EAVliche Weihnachten: Ihr Sünderlein kommet — 5. November 2021 — Universal Music GmbH) 4. Kills Birds — Rabbit (Married — 12. November 2021 — Royal Mountain Records / KRO Records) 5. Sun People — Where Were You (My Heart, Your Dick / Life Is Nothing But A Joke — 28. November 2021 — plusz tapes) 6. Öil! — Fuck The Metric System (Greatest Hits Völume 4 — 2. Dezember 2021 — Not On Label) 7. Robin Fox — Cabin Fever (Waking Fever Dream — 26. November 2021 — Room40) 8. Modeselektor — Komm: Long Version Feat. Blixa Bargeld (EXTLP — 5. November 2021 — Monkeytown Records) 9. Hackedepicciotto — The Silver Threshold (The Silver Threshold — 12. November 2021 — Mute) 10. The Bug Feat. Jason Williamson — Stoat (Treetop — 23. November 2021 — Not on Label) 11. Bambara — mythic love (Love on My Mind — 25. Februar 2022 — Wharf Cat Records / Cargo) 12. The Düsseldorf Düsterboys — Traurige Gesichter: Maurice & Die Familie Summen Cover (Chaos — 19. November 2021 — Not on Label) ## Die aktuelle Hitparade (November 2021) 13. (Platz 3) HGich.T — Viva Valium (Viva Valium – 28. Oktober 2021 — Tapete Records) 14. (Platz 2) Ghösh — toxic (Alien Nation — 1. Oktober 2021 — get better Records) 15. (Platz 1) St.raumen — Keiner da: Feat. Gudrun Gut (Ponyhof — 17. September 2021 — Morr Music Germany) ### Informationen * Einsendeschluss: 1. Januar 2022 * Januarsendung Radio Woltersdorf: 6. Januar 2022 um 17:00 Uhr (Ungeklärt, warten auf die neue Rundfunklizenz) * Januarsendung Pi Radio: 6. Januar 2022 um 17:00 Uhr (Ungeklärt, warten auf die neue Rundfunklizenz) * Januarsendung Freies Radio Neumünster: 6. Januar 2022 um 22:00 Uhr (Ohne Gewähr) * Januarsendung Radio Corax: 10. Januar 2022 um 20:00 Uhr und 11. Januar 2022 um 11:00 Uhr (Ohne Gewähr) * Januarsendung Radio Slubfurt: 11. Januar 2022 um 20:00 Uhr (Ohne Gewähr) # Die Hitparade von Radio Woltersdorf Die Regeln sind einfach. Wähle deinen Titel aus den Neuvorstellungen aus und schicke uns entweder eine E-Mail mit dem Titel, oder eine zum Titel zugeordnete E-Mail die Leer bleiben kann oder gehe auf die Abstimmungsseite ( http://pipapo.radio-woltersdorf.org ). Oder Postkarte an Pi Radio; Lottumstr. 9/10; 10119 Berlin oder vorbeikommen... Es ist alles noch nicht richtig durchdacht, wir wollten aber mal damit anfangen, deswegen geht hier nicht alles mit richtigen Dingen zu. * http://pipapo.radio-woltersdorf.org * http://soundcloud.com/pi-radio/pi-pa-po-rade-kopf-an-kopf

Solénoïde (01.11.2021) - Solénoïde vous propose de défier les lois de l'apesanteur sonore. Pour cela, notre émission se déploiera en couches ondulantes de sons diffus et de rythmes lents. Vous pourrez ainsi profiter d'un mix allégé en structures rythmiques et riche en effets vaporeux, un mix en forme de fabrique à images mentales que chacun s'appropriera au gré de ses propres représentations. Et ce sont au total huit artistes que nous avons retenu pour animer ce programme, huit maestros de la suggestion visuelle qui nous feront voyager d'Amsterdam à Sydney, de Setubal au Portugal à Oslo, en passant par Berlin.

Max Alper is best known for La Meme Young, his popular Instagram account turning niche experimental music jokes into dank memes. But a deep interest in music pedagogy is at the heart of everything Alper does, including his non-profit Sonic Arts For All!, an organization that puts music technology directly into the hands of K-12 and special needs students. We talk about the importance of creativity, memes as pedagogy, the limits of traditional music education, and how to democratize music technology. Read more at www.acloserlisten.com TRACKLIST ARTIST – “TITLE” (ALBUM, LABEL, YEAR) Peretsky – “Pase que lo que” (Bandcamp, 2019) George Clinton (RBMA, 2015) Parliament – “Supergroovalisticprosifunkstication” (Mothership Connection, Casablanca, 1975) SP Intro Peretzky – “Cuarentena Canovanas (edit)” (Cuarentena Canovanas, Bandcamp, 2020) Konono N°1 – “Lufuala Ndonga” (Congotronics, Crammed Discs, 2004) Eddie Palmieri – “Bilongo” (El Lunatico / Bilongo, Tico, 1968) DJ Riobamba Latin LDN #2 (Boiler Room, 2019) Valentine - Odysseus Matrix (SAFA!, 2020) Les Filles de Illighadad – “Eghass Malan” (Eghass Malan, Sahel Sounds, 2017) Francis Bebey – Sahel (African Electronic Music 1975 - 1982, Born Bad, 2011) George Lewis & Douglas Ewart - “Homage to Charles Parker” (Live at Palasport, Novara, Italy, November 11, 1978) Extra Life –“Strong Brother, Weak Brother (Laurel Halo remix)” (Ripped Hearts, Last Things, 2010) Eric Whitacre's Virtual Choir – “Lux Aurumque” (2010) Angélica Negrón – “Soundscape Backing Track” (by Audiopuerto / Ariel Alvarado & Manuel Vázquez) (Marejada, 2020) Angélica Negrón – “Excerpt” (Gray Sound Sessions, July 21, 2020) Mike Huckaby - " Wavetable No 9” (My Life With The Wave EP, S Y N T H 2007) Maria Chavez – “Sara Sleeps” (2020) Mauthausen Orchestra – Side A (They Never Learn, 1983) Luigi Russolo / DJ Spooky - Corale_FTP _ Bundle_Conduit (Sound Unbound, 2007) Luigi Russolo – “Veglio di una Citta” [1914) (Dada for Now: a collection of Futurist and Dada Sound Works, 1985) Twodeadsluts Onegoodfuck “live excerpt” (Live @ Basement 414, Lansing, MI, 17 October 2007) John Cage + Sun Ra – “Empty Words And Keyboard” (John Cage Meets Sun Ra: The Complete Concert June 8, 1986 Coney Island, Modern Harmonic, 2016) Pauline Oliveros /Stuart Dempster / Panaiotis “Suiren” (Deep Listening, New Albion, 1989) Jeremiah Cymerman / Charlie Looker - “I’ll show you what you are” (A Horizon Made Of Canvas, Astral Spirit, 2021) Greg Fox – “Stone Pillar” (Stone Pillar, Longform Editions, 2019) Clipping - “Dominoes” (CLPPNG, Sub Pop, 2014) Manitoba [Caribou] – “Children Play Well Together” (Stop Breaking My Heart, Leaf, 2001) David Grubbs – “The Chimney Swifts” (Airport Symphony, Room40, 2007) Wolf Eyes – “Ancient Delay” (Burned Minds, Sub Pop, 2004) The Mad Lads – “Gone, Promises of Yesterday” (A New Beginning, Volt, 1972) ---- Sound Propositions is written, recorded, mixed, and produced by Joseph Sannicandro.

Solénoïde (10.05.2021) - Accédez au monde scintillant des musiques atmosphériques ! Dans cette nouvelle épopée, vous évoluerez dans des environnements semés de motifs oniriques comme d'échos fantastiques. Cette expérience immersive est mise en son par des artistes venus notamment d'Allemagne, d'Australie, de Norvège ou de Géorgie...

Great things come in small packages, and this week’s show packs a punch with multiple short, sharp tracks from across the globe. From the avant garde musique concrete of Sourdure to the extraordinary experimentation of Yuko Araki, via lo-fi Brazilian pop of Sophia Chablau and the hefty bass-driven hiphop of the collaboration between Kool Keith, Scorn, and Submerged. Throw in the exquisite reimagined soundtrack for Solaris from Kevin Richard Martin, Swedish funk, and lots more. Tracklisting Sourdure – La Rupture (Les Disques du Festival Permanent, France) Kool Keith + Scorn + Submerged – Distortion (Ohm Resistance, USA) Sophia Chablau e Uma Enorme Perda de Tempo – Pop Cabecinha (Selo Risco, Brazil) Yuko Araki – Cat Food 2 (Room40, Australia) Duoya – Put Some Butter On It (Urban Waves Records, Belgium) Mighty Lord Deathman – Gladius (Hot Fools Records, UK) Kevin Richard Martin – In Love With a Ghost (Phantom Limb, UK) QOW – Morr (Genot Centre, Czechia) Foodman – Hoshikuzu Tenboudai (Hyperdub, UK) POLA – The Weirding (Soundtracking the Void, UK) Produced and edited by Nick McCorriston

Thrash at the rehearsal room, transcending cheap music, collapsing nature and artifice. The analog noise artist discusses three important albums.Yuko's picks:Slayer – Reign In BloodPink Floyd – The Dark Side Of The MoonMonolake – Gobi. The DesertYuko's new record, End Of Trilogy, is out now on Room40. Follow Yuko on Instagram over here, and Tumblr over here.

Episode 21 presents a portrait of Iranian experimental composer Siavash Amini. His music, which moves seamlessly between contemplative ambience, menacing dissonance, and spacious melodicism, has been released on experimental imprints such as Umor Rex and Room40. His latest, A Mimesis of Nothingness, just came out on the Swiss label Hallow Ground.   Siavash tells host Mack Hagood that his entire life is based on an experiment and he doesn't yet know what its outcome will be. This episode traces the contours of that story, from his boyhood as a metalhead in a small Iranian port town to his role in the development of Tehran's lauded experimental music scene. Along the way, we drill down on the international and internal politics that add danger and difficulty to the life of this outspoken leftest composer.  Amini is forced to navigate not only the authoritarianism of Iranian government censorship, but also the authoritarianism of western tastemakers, who sometimes want him to make the "Middle Eastern music" they hear in their own heads. Steadfast in his individuality, Siavash makes sounds that resist these authorities--the defiant anthems of an imaginary land, population: one. Most of the music in this episode is by Siavash Amini--listen to it again in this Spotify playlist and check out this great introduction to his music on Bandcamp. This episode was edited by Mack Hagood.  

Solénoïde (31.08.2020) - Compositeur américain établi en Australie, David Shea continue de tracer une voie singulière dans le paysage des musiques contemporaines avec la publication d'un album explicitement titré "Rituals". Rassemblant des matériaux sonores empruntés aux cultures bouddhiste et taoïste, cet opus nous tient en haleine pendant 75 mn, offrant une synthèse idéale entre visées contemplatives et explorations contemporaines. De quoi en faire haut la main le radiobalisage de notre mission 178 ! Mais d'autres artistes venus de la sphère radiovisuelle viendront surprendre ou émerveiller vos papilles auditives. Parmi eux, Ustad Sultan Khan et Warren Cuccurello, le curieux phénomène hongrois Laszlo Hortobagyi et le berlinois Kalipo.

  Rare Frequency Podcast 65 - Q Edition One 1 Asher Tuil, "ii" East Somerville Stories (Bandcamp) 2020 2 Nihiloxica, "Dubugwanjuba" Biiri (Nyege Nyege Tapes) 2020 3 CEL (Felix Kubin & Hubert Zemler), "Lichtton" CEL (Felix Kubin & Hubert Zemler) (Bureau B) 2020 4 MANAS, "Ah! the waving lespedeza,Which spills not a drop Of the clear dew!"e; MANAS III (Feeding Tube) 2017 5 Will Guthrie, "Catlike" Nist Nah (Black Truffle) 2020 6 Meryll Ampe, "Residues of Time I" Residues of Time (Scum Yr. Earth) 2020 7 Moor Mother, "After Images" After Images” Analog Fluids for Sonic Black Holes (Don Giovanni) 2019 8 Sympathy Nervous, "Sympathetic Nerves" Sympathy Nervous (Minimal Wave) 2019 (orig 1980) 9 Jan St. Werner, "On The Infinite Of Universe and Worlds" Molocular Meditation (Editions Mego) 2020 10 Andrea Pensado, "For Them & Machault" As Within So Without (FTAM) 2019 11 Jennifer Walshe, "Guillaume De Machaut: Messe de Notre Dame, Agnus Dei”" A Late Anthology of Early Music, Vol. 1: Ancient to Renaissance (Tetbind) 2020 12 Anne-F Jacques & Tim Olive, "A3" Bistre (Tsss) 2020 13 Enrico Malatesta, "Side A" Bestiario, Vol 2 (Senufo) 2012 14 Minoru Sato / Asuna, "Song for Two" One As Two (Senufo) 2010 15 Supermalprodelica, "Don’t Talk To Me About Love (Extended Version)" Supermalprodelica CLD (Scum Yr Earth) 2019 16 Clara de Asis, "Sans nom ni forme" Sans Nom Ni Forme (Pilgrim Talk) 2020 17 Sarah Davachi, "Dysis" Horae (Bandcamp) 2020 18 Beatriz Ferreyra, "L’autre … Ou Le Chant Des Marecages" Echoes + (Room40) 2020 19 Marja Ahti, "Entering a Cloud" Entering a Cloud (Longform) 2018 20 crys cole, "In Praise of Blandness (Chapter IX)" Beside Myself (Students of Decay) 2020 21 Leyland Kirby, "Bursts of Anxiety" We, so tired of all the darkness in our lives (History Always Favors the Winners) 2017

Monolithian matter, melting Arvo Pärt in a pan, finding the hidden trumpets. The Tehran-based composer discusses three important albums.

Tralala Blip: Live at The Foundry, Fortitude Valley, 1 August 2019 In 2007 Randolf Reiman, former singer of Sydney hardcore band Massappeal, began working with a disability support service in Lismore, N.S.W. Reiman provided electronic musical equipment for the differently-abled clients of the service to experiment with. It was here that the seeds of collaboration were sown for the project that would become Tralala Blip. Since 2009, the band has had many highlights, playing at the Sydney Opera House, creating the theatre project "My Radio Heart", touring Europe and delivering a consistent run of experimental pop records. Their releases include limited-run independent CD-R Arpeggiator Heart in 2011, collaboration album Tralala Blip Meets Muttboy in Atlantis in May 2012 on Sound Crucible, album Submarine Love Songs in October 2013 on Room40, album Aussie Dream in April 2014 on Disembraining Machine, album Oceans of Love in February 2016 on Tenth Court and most recently album Eat My Codes If Your Light Falls in July 2019, again on Room40. It was at the Brisbane launch of Eat My Codes If Your Light Falls that this set was recorded, with the lineup of ​Randolf Reimann, Lydian Dunbar, Phoebe Hall, Mathew Daymond and Zac Misfud. Recorded by Blake Howson Mixed by Tralala Blip & Scott Mercer Special thanks to live engineer Jesse Williams Also featuring excerpts from previous Tralala Blip sets recorded by Live Delay: Red Mecca 2 at The Pound, Brisbane, 20 June 2014 (recorded and mixed by Andrew McClellan, originally aired ep. 79) The Foundry, Fortitude Valley, 21 October 2016 (recorded by Eileen Tierney and mixed by Branko Cosic, originally aired ep. 193) Show production, engineering and host: Scott Mercer Originally aired via Zed Digital, 7-8pm, Sunday 8 December, 2019

Solénoïde (04.02.2019) - Cette semaine, Solénoïde vous fait goûter aux plaisirs abstraits de l’apesanteur sonore. Pendant 55 mn, cette émission vous offrira un panorama unique sur la nébuleuse des musiques d’atmosphère. Et pour atteindre cet objectif, ce sont pas moins de 10 sélections musicales qui composeront ce mix, 10 productions signés par d’authentiques designers ou paysagistes sonores.

Artist Patricia Fernández talks with Jedediah Caesar about her show Here Is My Name at the Todd Madigan Gallery at CSU Bakersfield curated by Jedediah Caesar which runs thru December 8, 2018. Fernández and Caesar talk about the historical material that Patricia drew from in creating the work in her show, specifically the Basque immigrant community in the Great Basin and central California, as well as transhumance pastoralism, and the arborglyphs that this community left carved into groves of aspen trees along their herding routes. Patricia Fernández is a Spanish born artist living and working in Los Angeles. Jedediah Caesar is an artist who lives in Los Angeles and also works in Bakersfield as the Director and curator of the Todd Madigan Gallery at CSU Bakersfield. Our interstitial music, as always, is Ocfif by Lewis Keller. And we go out with the title track from Los Angeles musician Geneva Skeen's new album A Parallel Array of Horses released by Room40 on October 19, 2018.

Geneva Skeen is a Los Angeles-based artist and composer, whose music explores the contrast between the depleting resources of the physical world, and the apparent relentlessness of digital representations. Her latest release, A Parallel Array of Horses, is her first for Lawrence English's Room40. The album melds recordings of voice and the environment alongside various electronics, in order to toy with time, and embody some form of mutant consciousness. Her mix for us tonight is more upfront - at times confrontational or comforting. Simon ties together some new and old threads to close. *Geneva Skeen* Astilbe - Opaline Y Hyalite (Triadele Revision) [Self] Shygirl - Asher Wolfe [Nuxxe] Gaika - Ruby [Warp] Jamie Stewart - Western Destroying Angel [Pinyon] Steve Hauschildt with Julianna Barwick - Saccade [Ghostly] Ancestral Voices - Meruah [The Fifth Kingdom] Black Spirituals - Black Access-Black Axes [SIGE] Mesa Ritual - Low Mountain [SIGE] Jana Windren - Spring Bloom in the Marginal Ice Bloom (Headphones Mix) [Touch] Philip Samartzis - Unheard Spaces 04 [Microphonics] Yui Onodera - The Garden 1 [taâlem/Dragon's Eye] Chris and Cosey - Put Yourself in Los Angeles [Rough Trade] Lana Del Rey - National Anthem (Sega Bodega Remix) [Universal] KYO & Jeuru - Because of You [Posh Isolation] The Moon Lay Hidden Beneath a Cloud - Untitled 05 [Arthur's Round Table] William Fowler Collins - Field Music [SIGE] Jacqueline Humbert and David Rosenboom - Wild About the Lady [Unseen Worlds] *Simon* Unknown - Unknown [Sahel Sounds] Utopia Cloak - Work (Reprise) [FILM] Lucrecia Dalt - Tar (Jan Jelinek Rmx) [RVNG Intl.] Blair Greenberg - Rainforest [Bedroom Suck] Helen Ripley-Marshall - Under The Sun [Bedroom Suck] Yoshinori Hayashi - Overflow [Smalltown Supersound] Ströer Duo - Treck [Dark Entries] Prins Emanuel - Lindholmarna [Music For Dreams] Maarja Nuut & Ruum - Kuud Kuulama [130701] Carla dal Forno - Lay Me Down [Self] Chuck Senrick - Don't Be So Nice [A Peach/P-Vine] Caetano Veloso - Carolina [Philips] Kath Bloom & Loren Connors - How It Rains [St. Joan/Chapter Music] Jessica Pratt - This Time Around [Mexican Summer]

Computer matrimony, floating outside of time, lounge music for fluorescent light tubes. The Los Angeles-based artist talks about three important albums.

The Australian sound artist discusses the body as an ear, manipulated time and the voice of David Toop.

  Rare Frequency Podcast 61 1 Yuko Nexus6, "J’aime Beaucoup La Cassette #1" Journal de Tokyo (Sonore) 2002 CD Time: 00:00-01:35 2 John Chantler, "All Visible Signs" Which Way to Leave? (Room40) 2017 LP Time: 01:50-08:18 3 Laurence Crane, "John White in Berlin" Chamber Works, 1992-2009 (Another Timbre) 2015 2CD Time: 08:18-21:42 4 Leo Okagawa, "Lumbar Spinre"e; The Notional Terrain (Glistening Examples) 2016 LP/mp3 Time: 21:37-32:16 5 Sarah Davachi, "In Staying" Vergers (Important Records) 2016 LP/mp3 Time: 32:12-42:35 6 Stefan Mathieu, "Traum" Radiance X: Her Dark Gaze Drowned In Light (Schwebung) 2017 mp3 Time: 42:34-48:25 7 Gelbart, "The Big Sleep" Preemptive musical offerings to satisfy our future masters (Gagarin) 2016 LP Time: 49:39-53:56 8 Franck Vigroux / Reinhold Friedl, "Tobel A1" Tobel II (Monotype) 2015 CD Time: 53:55-1:09:13 9 Ghost Grass, "The Wooden Man" The Wooden Man (Bandcamp) 2016 mp3 Time: 1:09:01-1:14:42 10 Porter Ricks, "Harbour Chart" Shadow Boat EP (Tresor) 2016 12” Time: 1:14:37-1:21:05 11 Ashley Bellouin, "Bourden" Ballads (Drawing Room) 2016 LPTime: 1:21:51-1:38:53 12 Asmus Tietchens, "Soiree Fantastique #2" Soiree Fantastique (Auf Abwegen) 2016 EPTime: 1:40:08-end

Episode 343: February 19, 2017 (guest artist Lawrence English) playlist: Lawrence English, "Antarctic Fur Seals Esperanza Bay Antarctica" (Songs Of The Living) 2012 Room40 Laetitia Sadier Source Ensemble, "Undying Love For Humanity" (Find Me Finding You) 2017 Drag City Monopol, "Anarchie" (Weltweit) 1982 Medical Puce Mary, "Enter Into Them" (The Spiral) 2016 Posh Isolation Xiu Xiu, "Falling" (Plays The Music of Twin Peaks) 2016 Polyvinyl Hexa, "Sledge" (Factory Photographs) 2016 Room40 Lawrence English, "The Liquid Casket" (Wilderness of Mirrors) 2014 Room40 Lawrence English, "Object Of Projection ()" (Cruel Optimism) 2017 Room40 Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

Electronic Music - Winter 2017 01 - KATIE KIM_Sunday (0'00) (Salt / Self-Released / 2016) 02 - SHELTERED_Surrounded (1'30) (Ghosts / Harrow / 2016) 03 - JAMES MURRAY_What Can Be Done (5'40) (Eyes To Height / Ultimae Records / 2016) 04 - FRANCK VIGROUX_Flesh (11'10) (Rapport Sur Le Désordre / D'Autres Cordes / 2016) 05 - SCOTT MONTEITH_Ghazal 4 (15'20) (Qawwali Quatsch / Field Records / 2016) 06 - LYRAE_Vesto (18'40) (Vakuum / 1631 Recordings / 2016) 07 - HUMMINGBIRD_Three Empires (22'40) (Glade / Fluid Audio / 2016) 08 - MIRKO_In Conversation (29'00) (LP 1 / Room40 / 2016) 09 - PROTOU_Lost Here (34'00) (Lost Here / Cryo Chamber / 2016) 10 - CINDYTALK_In Search Of New Realities (37'50) (The Labyrinth Of The Straight Line / Editions Mego / 2016) 11 - WORRIEDABOUTSATAN_Blank Tape (45'00) (Blank Tape / This Is Hit Forever / 2016) 12 - MELODIUM_Gravity (49'50) (Low Gravity / Audio Dregs Recordings / 2016) 13 - BRUNO SANFILIPPO_VI (52'50) (Piano Textures 4 / Ad21 Music / 2016)

Featuring a mix from John Chantler, whose album Which Way To Leave? has just been released on Room40. T. Margos takes over the second half. @johnchantler @room40 @tmargos facebook.com/friendlypotential www.r1.co.nz/programme/sunday/friendlypotential

Andrew Tuttle is an artist who for twelve years has been exploring the relationship between the electronic and the acoustic – primarily by marrying the worlds of laptop processing with that of banjo and acoustic guitar. He has played live with artists such as Matmos, Mike Cooper, and Blank Realm, and recently released the album ‘Fantasy League’ on the Room40 imprint, Someone Good.Andrew discusses the inherent tension in his work and his relationship with his home city of Brisbane. In the second half, we hear an exclusive new recording from Andrew, titled ‘Transitory Adaptations’ – a mixtape of edited improvisations created while on the road in Europe, recorded in hotel rooms in Lausanne and Berlin and on a train from Berlin to Basel in April 2016.Originally broadcast on 'Out From Under' on Resonance Extra.

I’m joined by Australian composer, ROOM40 label boss and fringe field recordist Lawrence English. We talk about how philosophical concepts weave together the creative process and the act of listening. The intro/outro music is The Liquid Casket by Lawrence English Check out Lawrence at lawrenceenglish.com and his record label ROOM40. cory-allen.com/theastralhustle @_coryallen The Astral Hustle Facebook http://www.cory-allen.com/review

"Jam Karet" is Bahasa Indonesia (Indonesian language) meaning "Elastic Time" (or "Rubber Hours"). To me, this concept also applies to mixes that include ambient and drone fragments... where the listener gets immersed in sound in such a way that all notion of time is lost; where music could last for minutes, or for hours. --- originally published on Ambientblog --- Playlist:start time - sample length - Artist - Title(Album Title, Release Year, Label details) 00:00 04:30 Samora - Uranium(Lontano, 2014, Tranquillo / Psychonavigation TRAN005)03:38 04:21 Witte Ruis - Droon 1.1A(Places, 2014, Lomechanik LOMEK025)06:03 04:56 Orphax - Mantophasmatodea(Oniscus Asellus, 2014, self-released)08:26 02:33 Alvin Lucier - Music for Gamelan Instruments, Microphones and Loudspeakers(Resonance 9.2, 2002, London Musician's Collective RES 9.2 )09:21 02:07 Francisco Lopez - Untitled #240(Untitled [2009], 2011, Baskaru Karu:20)11:05 02:26 Ulises Conti - M(Los Griegos Creían Que Las Estrellas Eran Pequeños Agujeros Por Donde Los Dioses Escuchaban A Los Hombres, 2014, Flau FLAU41)12:36 03:29 Marina Rosenfeld - New York/It's All About(P.A./ Hard Love, 2013, Room40, RM430)15:39 01:05 Paul Schütze - Sacred Agents(New Maps of Hell, 1996, Big Cat ABB 104 CD)16:00 02:00 Brunette Models - Nie Bryza Targane Poczwary Glebin(Impressions of Whispers, 2009, Jamenda 057363)16:30 04:10 Jacaszek & Kwartludium - Sigh (Les Peupliers)(Catalogue des Arbres, 2014, Touch TO;94)19:30 03:34 Slim Vic - Divalater (Part 1)(Brain Mash, 2014, Lamour Records lamourcd001)21:09 03:00 Sava Marinkovic - Opening(Evocation, 2014, self-released)22:51 02:38 Mica Levi - Andrew Void / Lipstick to Void(Under the Skin OST, 2014, Milan, 399 543-2)25:01 02:24 Hortus Conclusus - Drone_66 Denebola(Selected Drones, 2011, Nostress Netlabel NN_LP006_11_11)26:00 01:32 Laurie Spiegel - Three Sonic Spaces I(Unseen Worlds, 1994, Aesthetic Engineering AE 11001-2)27:06 00:31 Tod Dockstader - Four Telemetry Tapes, No. 2(Apocalypse, 1993, Starkland ST-202)27:13 04:31 Pete Namlook - Music for Urban Meditation - Part VI(Music for Urban Meditation, 2004, Fax PK 08/167)27:28 00:46 Tod Dockstader - Four Telemetry Tapes, No. 3(Apocalypse, 1993, Starkland ST-202)28:46 05:39 Porzellan - Between Two Suns(The Fourth Level of Comprehension, 2009, Hibernate HB03)32:33 02:50 Max Richter - Journey 3(Infra, 2010, Fat Cat Records CD 13-11)35:00 03:40 Monolake - Avalanche(Silence, 2009, Imbalance Computer Music ML025)37:21 03:52 Mesektet - Hollow Monolitis(Towards a Bleak Sun, 2014, Cold Spring CSR191CD)39:33 03:07 Erik Enocksson - Epilogue(Man Tänker Sitt, 2009, Kning Disk KD070)41:41 02:38 Kate Carr - Sunset(Overheard in Doi Saket, 2014, 3Leaves 3L030)42:54 02:00 Man Watching the Stars - Alpha Ursae Minoris(Dusk, 2014, CIUIN UIN002)43:31 02:31 Yair Elazar Glotman - Khaypudyr Bay(Northern Gulfs, 2014, Glacial Movements GM012)45:18 04:19 Alva Noto - Alva Noto Z1 (For John Cage)(For, 2006, Line LINE_026)48:21 01:57 The The - Meat Fever(Tony, 2010 Lazarus Cineola 1)49:24 08:10 Svarte Greiner - Final Sleep (Remix by Hecq)(Conversions, 2014, Ad Noiseam adn174)55:12 02:45 Mike Cooper - Jalan Sam Heng(White Shadows in the South Seas, 2013, Room40 RM454)56:16 02:18 Penjaga Insaf - Cross the Border(To Whom it May Concern, 2005, Shortwave Transmission SWT01)57:22 03:09 Penjaga Insaf - Sang Dalang(Sama Sadja, 2010, Power & Steel PAS 27)59:01 07:11 Man Watching the Stars - Fields (Dusk)(Dusk, 2014, CIUIN UIN002)1:06:47 - End

"I'm not formed by things that are of myself alone" This is the key quote (taken from Stoker) for this mix, which is also 'not formed by things of itself alone'. Every detail, every short sample, has its origin in another context, another musical composition, from which it is taken to find a new place in a completely different context. "My ears hear what others cannot hear." "Parallax" is the visual effect that, when you are moving yourself, objects closer to you seem to move by faster than objects in the distance, which slowly seem to move with you in the same direction. In sound, drones seem to create a somewhat similar effect. In some way that is what this mix is about: the background sound slowly moving along with you while some other fragments pass by so quick you cannot even focus. Just don't try to focus. "...Now I see things that were hidden from my eyes..." --- originally published on Ambientblog --- Playlist: [Start Time][Sample Length][Artist - Title][Album], [Year], [Label details] 00:00 02:11 Sigbjorn Apeland - LiteGlossolalia, 2010, Hubro CD250300:53 02:44 Jorg - ZoomEsc.Rec 36, 2013, Esc.Rec 03601:47 05:07 Joseph Curwen- I-SephirothNocturnal Rites, 2013, Bandcamp03:32 01:34 ME Raabenstein - The Plan ImposesSwimming with Friends Again, 2013, Nonine NON4105:40 02:11 I am A Man With A St Tropez Tan - SouthendJust a Ghost, 2013, self-released06:46 04:05 Michel Banabila - Mltvz 947 Loops, 2013, Bandcamp08:54 03:50 Swartz Et - Ocean BreathRespire, 2012, Bandcamp09:51 03:23 Francisco López - Untitled (2006)Untitled (2006-2007), 2008, Monochrome Vision MV2511:35 05:32 Jffstnhs - BrokenBroken, 2013, Cooper Cult CC01116:27 02:06 Olafur Arnalds - We (Too) Shall RestFor Now I Am Winter, 2013, Mercury Classics 00289 481 015018:11 02:57 Jeremy Keenan - ImmaterialImmaterial, 2013, Bigo & Twigeti20:24 02:50 The Stargazer's Assistant - Kellarinauhat Pt. 1Antibothis Anthology vol 4, 2012, Antibothis Vol. 421:47 01:58 Gideon Wolf - The UnknownPaper, 2012, Fluid Audio 01123:26 03:06 Teleferick - Sketch TwoTwenty Two Minutes of Frame, 2013, Bandcamp24:30 03:21 Jamie Drouin - A Three Month Warm UpA Three Month Warm Up, 2013, Dragon's Eye Recordings, de502327:04 02:00 Ramin Djawadi - The WallGame Of Thrones, 2011, Varèse Sarabande ‎– VSD-709728:24 02:45 Betacicadae - PireneMouna, 2013, Elegua Records ele01730:12 03:51 Hecq - Red SkyNight Falls, 2008, Hymen Records ¥76732:27 02:23 Nigel Samways & Daniel Dickel - ParatheatreCompilation #1, 2013, Assembly Field AF0133:42 02:55 Ben Lukas Boysen - BlessedMother Nature OST, 2013, Hymen Records ¥80736:03 04:03 Richard Lainhart & Luscio Menegon - An Abandoned GardenAn Abandoned Garden, 2013, Rubber City Noise RCNlp002lp37:07 01:55 Lawrence English - Cemetary Gate Honart AustraliaAnd The Lived In, 2012, Room40 drm42038:32 02:05 Lawrence English - Trigona Carbonaria Hive Invasion Brisbane AustraliaSongs of the Living, 2012, Room40 drm42039:52 03:00 Toshiya Tsunoda - Air Vibration in a Bent PipeExtract from Field Recording Archive #1, 1997, WrK WrK008CD40:42 04:22 Stefan Funck - So Far So GodSo Far So Good, 2013, Attenuation Circuit ACR102944:20 03:08 Stray Theories - PromisesElements 02, 2013, The Future Elements TFE00246:40 03:33 Marsen Jules Trio - Histoire de la Nuit (feat. Roger Döring)Présences Acousmatique, 2013, Oktaf #0549:06 01:58 Altus - To The Urban SilenceComplex Silence 22, 2012, Treetrunk Records 20549:57 05:32 Machinefabriek - Vergezicht 2Vergezicht, 2013, Alien Transistor N3152:38 04:21 Karl Verkade - Than are Dreamt Of (Moonlight Mix)Elements 02, 2013, The Future Elements TFE00253:01 04:34 DJ Olive - Wake me at MidnightBalm, 2013, Record Blanks/Bandcamp53:51 04:40 Pietro Riparbelli - The Cathedral of Saint Germain, ParisFour Churches, 2010, Touch Spire 455:24 00:47 Mia Wasikowska - I'm not formed by things that are of myself aloneStoker Soundtrack, 2013, Milan M2-3662157:22 02:27 Oren Ambarchi - SaltAudience of One, 2012, Touch TO:8359:49 End

"We were playing Hide and Seek on a Cemetery Hill... ...quiet hiding in the flowers...among the Flowers and Bones..." Atmospheric drones slowly unfold into childhood memories ... Peaceful melancholic romanticism, but gradually overshadowed by fear of something out of control? Remember: all is well that ends well.... --- originally published on Ambientblog --- Playlist: start time - sample length - Artist - TitleAlbum, Year, Label 00:00 - 01:14 Paolo Fresu, Daniele Di Bonaventura, A Filetta - Le LacMistico Mediterraneo, 2011, ECM 220300:56 - 02:21 Fovea Hex - Love for the UncertainHere Is Where We Used To Sing, 2011, Janet Records JRDS00402:31 - 01:28 Listening Mirror - Rogue BrotherIntensity Breeds Inertia, 2010, aReW recordings RW-01103:12 - 01:23 Mark Harris - LostJust a Moment, 2011, Audio Gourmet AG070350 - 02:48 Peter Prautsch - TreibeisSchwere See, 2012, Palacmusic PM00805:06 - 09:48 Dean de Benedictis - Little Stella Part 2Unreleased 200905:53 - 02:47 Shackleton - There is a Place for UsThe Drawbar Organ EPs, 2012, Woe to the Septic Heart SEPTICCD00110:33 - 04:17 Gareth Davis & Frances-Marie Uitti - Cold CallGramercy, 2012, Miasmah MIACD01910:41 - 03:08 Mathias Delplanque - CalmeLoud Listening, 2012, Crónica 06713:53 - 03:17 Nils Quak - Hymn to the Eternal VoidAether, 2012, Somehow Recordings SR-3714:32 - 03:55 Honoré Feraille - Le Repos des CructacésAu Sud, 2012, Audio Gourmet AGN00616:20 - 03:37 Honoré Feraille - Au SudAu Sud, 2012, Audio Gourmet AGN00618:17 - 04:47 Rudi Arapahoe - Double BindHidden Landscapes 2, 2012, Audio Gourmet AGCD01122:23 - 02:04 Steve Roden & Machinefabriek - LeavesLichtung, 2012, Eat, Sleep, Repeat ESR20120123:41 - 03:24 Miguel A Garciá - StilEscala 2.3, 2012, Escala Netlabel 2:325:50 - 04:48 The Dwindlers - Flowers and BonesDreams, 2010, Feedbacklooplabel FbL008 - (bonus track from bandcamp version)30:02 - 02:13 Andrea Belfi - CWege, 2012, Room40, RM44631:00 - 00:59 Joe Frawley - Premonition ICarnival, 2011, Joe Frawley Music JFM-CD1031:40 - 03:54 Adam Michalak - NowCloudy Days, 2012, Somehow Recordings SR-3534:23 - 03:53 Jan M. Iversen - For Hans RichterStandalones, 2010, TIBProd. MP3 Album 10035:29 - 03:56 Giuseppe Cordaro - Acciaierie di RubieraLoud Listening, 2012, Crónica 06737:09 - 02:07 Marilyn Mazur - TranscendingCelestial Circle, 2011, ECM 222837:28 - 09:08 Greg Haines - 183 TimesDigressions, 2012, Preservation PRE03445:22 - 02:40 Hiroki Sasajima - Colony 17Colony, 2012, Impulsive Habitat IHab04046:30 - 04:30 Mathias Kispert - Anarchy in the UKSomewhere on the Edge, 2012, Gruenrekorder, Gruen 10047:23 - 07:04 Ólafur Arnalds & Nils Frahm - A1Stare, 2012, Erased Tapes Records ERATP024EP52:55 - 03:01 Hildur Gudnadottir - Leyfdu LjosinuLeyfdu Ljosinu, 2012, Touch TO:9055:05 - 01:38 Giya Kancheli - Main Theme From CinemaThemes from the Songbook, 2010, ECM 218856:44 - End

Hace un mes ya de la publicación de escala 2.3 el recopilatorio de ambient drone producido por Escala y Sismógrafo de Radio3. Durante estas últimas semanas hemos estado repasando varios de los cortes que componen este triple álbum disponible para su descarga libre bajo Licencia Creative Commons 3.0 en la página del netlabel Escala. Hoy continuamos con el trío formado para la ocasión por Juan Carlos Blancas, Manuel Calurano y Miguel Ángel Tolosa. El norteamericano Saffron Slumber y Francis Cazal a.k.a porzellan son otros de los protagonistas de escala 2.3 que escuchamos en la primera parte del programa de esta semana. Además tenemos el estreno de lo nuevo de la genial chelista islandesa Hildur Gudnadóttir titulado Leyfdu Ljosinu (Allow the light). Las artistas sonoras Anthea Caddy y Thembi Soddell presentan Host en la plataforma Room40 y Ryo Nakata a.k.a Ryonkt regresa a Sismógrafo con Troposphere editado en el nuevo sello Twice Removed. Cerramos nuestra entrega semanal con Rachel Evans bajo su proyecto Motion Sickness of Time Travel y su recién estrenado trabajo llamado Traces, primera referencia del nuevo sello de casetes A Guide To Saints. Playlist: Blancas+Calurano+Tolosa - Untitled Piano Piece; Saffron Slumber - Sands; porzellan - vienna; Hildur Gudnadóttir - Prelude; Anthea Caddy & Thembi Soddell - A Shut in Place; Ryonkt - Troposphere Two; Motion Sickness of Time Travel - Colour Changing Eyes.Escuchar audio

Today we are honored to share with you a special mix from Richard Chatier. With numerous releases on his very own LINE, as well as 12k, Raster-Noton, Room40, Spekk, Die Stadt and many other experimental labels, Chartier is a highly regarded sound artist, manipulator and sculptor of ambient, minimal, and reductionist electronic music. I could continue spewing praise, but will opt for 'less is more' aesthetic, letting music speak for itself, in honor of the master. For full track listing and more information about this mix, please visit headphonecommute.com

Although it was created in March, this mix shows little signs of "Spring". There was no intentional relation, but inevitably the devastating Japan Earthquake, and the frightening nuclear disaster following it, somehow found its way into this mix. The result: a rather dark overall atmosphere, which seems to leave little room for hope. But at the same time, in Europe, winter retreats and daylight returns. Nature shows that it can destroy as well as recuperate. --- originally published on Ambientblog --- Playlist: 00:00 Porzellan - Vopar Tar[Parvo] Art, 2009, parvo 00702:15 Max Richter - The Vel D'HivElle s'appelait Sarah, 2010, Editions Jade 05:12 Colin Potter & Michael Begg - CarnethyFragile Pitches, 2010, Omnempathy OMIC108:29 Victor Joaquim - Radio_OEssays on Radio: Can I Have 2 Minutes of Your Time, 2005, Crónica 02009:39 Janek Schaefer - Untitled49 Years from Gesang der Jünglinge (2005-1958), 2005, Sirr 002013:08 Mikko Tarmia - Amb_end_softAmnesia, The Dark Descent (Game Soundtrack), 2010, Frictional Games13:25 Mikko Tarmia - Amb_extra01Amnesia, The Dark Descent (Game Soundtrack), 2010, Frictional Games13:40 Jack Wall - Linking ChamberMyst IV, Revelation (Game Soundtrack), 2005, Ubisoft14:12 Mikko Tarmia - Event_hallwayAmnesia, The Dark Descent (Game Soundtrack), 2010, Frictional Games14:18 Alio Die & Mariolina Zitta - Lithos (Part II)La Sala Dei Cristalli, 2010, Hic Sunt Leones HSL05816:08 Peter Andersson - SarkophagusMusic for Film & Exhibition II, 2010, Old Europa Cafe, OECD13518:07 Deaf Center - Hunted TwiceOwl Splinters, 2011, Type 08022:13 Heitor Alvelos - Had a Scanner been born on the BopsphorusEssays on Radio: Can I Have 2 minutes of Your Time, 2005, Crónica 02022:48 Max Eastley - Aerophones 5Installation Recordings (1973 - 2008), 2010, Paradigm Discs, PD2623:14 The Green Kingdom - Velvet LandscapeHidden Landscapes, 2011, Audio Gourmet AGCD00326:10 The Fun Years - Re: We're Again Buried UnderBaby It's Cold Inside, 2008, Barge Recordings, BRG00528:17 Steve Peters - Hymne (pour un Fils des Étoiles)Erik Satie et les Nouveaux Jeunes, 2011, Arbouse ARBOU02830:58 Gareth Davis & Machinefabriek - Grower, part 1Grower, 2011, Sonic Pieces 01037:28 Sussan Deyhim - PulsePossessed, 2001, Venus Rising Records40:44 Carl Michael von Hausswolff - Life and Death of PbocLife and Death of Pboc, 1986, Radium 226.05 RAPH 013-4(also in the 'Enter the Void' Soundtrack, 2010)42:08 Michel Banabila - The FallAlice in Wonderland & Various Other Works, 2010, unreleased43:47 Eluvium - Ogives RedistributedErik Satie et les Nouveaux Jeunes, 2011, Arbouse ARBOU02846:05 Lexithimie - Flesh and StonesI Rather Die Terrified, 2010, Audio Gourmet AGN01847:28 Antonymes - A Fragile AcceptanceThe Licence to Interpret Dreams, 2011, Hidden Shoal Recordings50:55 Deaf Center - Fiction DawnOwl Splinters, 2011, Type 08052:21 Chris Watson - Runway O2EIncidental Amplifications, 2006, Room40, EDRM40553:03 Alva Noto - Interim (for Dieter Rams)For 2, 2010, Line Line_04454:00 Pleq - Good Night, Pjusk RemixGood Night EP, 2010, Basses Frequences BF2958:06 Porzellan - Nebuleuse IIThe Fourth Level of Comprehension, 2009, Hibernate HB031:00:00 End

A conversation about appreciating the seasons, collecting international field recordings and turning others on to sound art with composer, multimedia artist, critic and ROOM40 label head Lawrence English. Two tracks from English's latest record, A Colour for Autumn, are included in this broadcast.

  Rare Frequency Podcast 18: April Showers (opening music from Tom Dissevelt/Kid Baltan, “Repeating Pentatonic Figure 1 (Sound Material For “Drifting”)” Popular Electronics (Basta) 4CD) 1 Otomo Yoshihide, "Violin Bow With Handmade Needle" Multiple Otomo (Asphodel) DVD+CD 2007 2 Richard Francis and Nest, "The Wine Cellar" On Isolation (Room40) CD 2007 3 Bernard Parmegiani, "Energy" Chants Magnetiques(Fractal) CD 2007 4 Artur Nowak, "Untitled 31" Xerrox (EMD) CD 2007 5 Alex Monk, "Soyuz 1" s/t (self-releasesd) CDr 2007 6 Vladimir Ussachevsky, "Computer Piece No. 1 (1968)" Electronic and Acoustic Works (New World Records) CD 2007 7 Martin Denny, "Rot Au Prince (Stereo)" Forbidden Island (Rev-ola) CD 2006

  Rare Frequency Podcast 17: Domestic Bliss 1 Daphne Oram, "Rotolock" Oramics (Paradigm) CD 2007 2 Klaaro, "001-eg" …a gift for… (Grey Sparkle) CDr 2006 3 Sleepararchive?, "L-A-C" Stamp Release EP(Sleeparchive) 12” 2007 4 alva noto, "Haliod_Xerrox_Copy_6" Xerrox (Raster Noton) CD 2007 5 Scott Taylor, "Monkey Puzzle" Five Dreams for Sleepers (Con-v) CDr 2006 6 Janek Schaefer, "Accident Assistant" Wire Tapper 6 (The Wire) CD 2005 7 Oren Ambarchi, "Lost Time Not Found Again" An Evening At Room40 (Room40) CD 2006 8 C-Schulz, "Flimm II" 5.Flicker Tunes (Sonig) CD 2005 9 Svalastog, "Slow-Blowing Wireless" An Evening At Room40 (Room40) CD 2006 10 Jorg Follert, "By Car" Visor (Tomlab) CD 1997 11 Senking, "Graue Musik" List (Raster Noton) CD 2007 12 Salah Ragab and the Cairo Jazz Band, "Egypt Strut" Egyptian Jazz (Art Yard) CD/LP 2006