Podcasts about Glenn Branca

This week, we talk to Stuart Swezey & Bruce Licher, who produced and worked on the Desolation Center series of shows that took bands like minutemen, Swans, Redd Kross, Meat Puppets, Sonic Youth, and Einsturzende Neubauten and put them in locations such as the Mojave Desert as a reaction to the omnipresent police violence against punk rock kids.  We talked about the Desolation Center documentary that Swezey directed, the iconic visuals that Licher created for the events, having the legendary artist Chris Burden as your teacher, the healing power of Throbbing Gristle, how to source school buses to take punk rockers to the desert, fake ids, Savage Republic, Glenn Branca and the No New York LP, Redd Kross getting lost in the desert, violence coming from rednecks, the notion of selling out and not repeating oneself, the impact of D. Boon on the scene, Survival Research Laboratories, Lydia Lunch, being naive, Action News, the eventual change in the 80s music underground, psychedelics, early punk clubs like The Masque and Brave Dog, NEA grants for industrial noise music events, and we're also joined by surprise guests, ML Compton and Skip King who are featured in the documentary and describe what it was like being a passenger into the unknown.So party with me punker, as we head into the desert at night on this week's Revolutions Per Movie.DESOLATION CENTER:https://www.desolationcenter.com/SEE THE FILM IN MAY 2024 IN L.A.:https://www.instagram.com/dktrfest/STUART SWEZEY:https://www.amokbooks.com/BRUCE LICHER:https://www.independentprojectrecords.com/LIMITED EDITION REVOLUTIONS PER MOVIE SHIRT:revolutionspermovie.bandcamp.comREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please subscribe, rate, and review it on your favorite podcast app.The show is also a completely independent affair, so the best way to support the show is through our Patreon at patreon.com/revolutionspermovie, where you can get weekly bonus episodes and exclusive goods sent to you just for joining.SOCIALS:@revolutionspermovieX, BlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

Music and Fashion Writer and Editor turned Rupaul co-star, Merle Ginsberg, talks about sharing a scene with Laurie Anderson, Twyla Tharp, and Eric Bogosian, catching The Clash, Television, and Glenn Branca at Danceteria, Mudd Club, and The Ritz, and parlaying Downtown Avant-garde Art into Midtown Corporate Music Media Business at a then-nascent MTV.

Greetings! As you might have noticed, glancing through this week's playlist, Leon Alvarado's track planted the seed of music related to elephants, both real & fictional.  In addition, the usual mix of new, old and in-between. Enjoy! Joel e-mail: pushingtheenvelopewhus@gmail.com Twitter-like x-thing: https://twitter.com/envpusher1    4-6-24 PTE Playlist   Carbon Monoxide - Glenn Branca Ensemble - Ensemble: Live at Primavera Sound Music Festival 2011 in Barcelona, Spain - Free Music Archive (2011) https://freemusicarchive.org/music/Glenn_Branca/Live_at_Primevera_Sound_2011-_Glenn_Branca    Where Songs Go At Night (for flute, oboe, clarinet, tenor saxophone, horn, and bassoon) - ensemble: Bandwidth / composer: Anna Weesner - Where Songs Go At Night - Neuma Records (2024) https://neumarecords.org/ols/products/bandwidth-where-songs-go-at-night    Sprawl Twilight - Temporal Waves - Temporal Waves - people | places | records (2024) https://peopleplacesrecords.bandcamp.com/album/temporal-waves    Dance of the Pink Elephants - Leon Alvarado - Brain Damage - Melodic Revolution Records EP (2024) https://leonalvarado.bandcamp.com/album/brain-damage    Medley Five (Technicolor Pachyderms): Pink Elephants on Parade/Zip-A-Dee-Doo-Dah - Sun Ra And His Arkestra & Harry Nilsson - Stay Awake: Various Interpretations of Music from Vintage Disney Films - A&M Records (1988) https://haltribute.com/discography/    Elephant Talk - King Crimson - CIRKUS: The Young Person's Guide to King Crimson LIVE, Vol. One - Neon Heat Disease (1984-1986) - Virgin/DGM (1999) https://www.dgmlive.com/    Music by Humans About Elephants > Big Elephant Saddle - mahout (elephant caretaker) musicians - Thai Elephant Orchestra - Mulatta Records (2002) https://davesoldier.bandcamp.com/album/thai-elephant-orchestra    Elephants With Humans > Somneuk & Four Elephants - Thai Elephant Orchestra - Mulatta Records (2002) https://davesoldier.bandcamp.com/album/thai-elephant-orchestra    Natural Elephant Sounds > Elephant Field Recordings - Thai Elephant Orchestra - Mulatta Records (2002) https://davesoldier.bandcamp.com/album/thai-elephant-orchestra    dance of the fungi - Sam Wilson — guitar/ compositions; Jen Yakamovich — drums; Geordie Hart — upright bass - Wintertides - self-release (2024) https://samwilsonmusiq.bandcamp.com/album/wintertides    Paradoxon - Gerald Gradwohl - ...Or What? - self-release (May 2024 pre-release) https://www.gradwohl.at/    Sea of Hopeless Angels  - Markus Reuter & Stefano Castagna - Sea of Hopeless Angels - Flatiron Recordings (2024) https://markusreuterflatiron.bandcamp.com/album/sea-of-hopeless-angels    Seaward Galaxy - Vaster Than Empires / Erica Dicker, violin - baritone violin, Allen Otte - percussion, amplified sound boards, shortwave radio, Paul Schuette - synthesizers, guitar - Three Days - New Focus Recordings (2021) https://newfocusrecordings.bandcamp.com/album/three-days    Wer aber vom Kapitalismus nicht reden will, der sollte auch vom Faschismus schweigen (But if you don't want to talk about capitalism, you should also keep quiet about fascism) - David Wallraf and monad node - Un culte sans r​ê​ve et sans merci (A cult without dreams and without mercy) - self-release (2024) https://monadnode.bandcamp.com/album/un-culte-sans-r-ve-et-sans-merci    The Machines - Caught In Joy - Astral Arcadia - digital release (2024) https://caughtinjoy.bandcamp.com/album/astral-arcadia 

Bowen Gu joins Juliet and Erik on the podcast to talk about environmental justice and China's coal investments in Indonesia, with a focus on Gu's recent paper: Black gold and green BRI: A grounded analysis of Chinese investment in coal-fired power plants in Indonesia (2024).Bowen Gu is a PhD student at the Institute of Environmental Science and Technology, Autonomous University of Barcelona (ICTA-UAB). Her research looks into coal-related environmental justice movements in China and broader regions under the Belt and Road Initiative. Recommendations: Erik:Terror Capitalism: Uyghur Dispossession and Masculinity in a Chinese City by Darren Byler (2022)The symphonies of Glenn Branca (especially no.10)Bowen:Land, Water, Air, and Freedom: The Making of World Movements for Environmental Justice by Joan Martínez-Alier (2023)Album of Indonesian music (name tk)Juliet:The Railpolitik: Leadership and Agency in Sino-African Infrastructure Development by Yuan Wang (2023)

Who smoked more: academics like John Cage, La Monte Young and Vladamir Ussachevsky- or the underground scenesters, like Glenn Branca, Arthur Russel and Laurie Anderson? Why is turntablist Christian Marclay on the cover of "Transfigured New York," but not in the book, even though she interviewed him multiple times? Could AI design be to blame? How did the old guard of "New Music" feel about the commodification of computer-based music production four decades ago? In the 1980s, Brooke Wentz hosted a radio show in the middle of the night that focused on experimental music, which was developing all around her in New York City. Over the course of a decade, many of the artists Brooke played on that show would join her in the studio. Her journalism days are through, (now she works on the business side of the industry) but she has just released a book with selected interviews back in the day called “Transfigured New York: Interviews with Experimental Artists and Musicians," available now from Columbia University Press. This may be a bit of a shock to you, but I'll say it- I'm a big fan of oral history interviews, and I'm a big fan of experimental music. I'm pleased to feature Brooke and her work here today, which includes a couple of clips from her interviews (with Morton Subotnik and John Lurie, respectively). She joins me today from a working holiday somewhere in Mexico. The artwork for this episode is a drawing by my kid Camille, based on a photo from "back when" sent to me by today's guest. Terrific. Many thanks. Low Profile is stoked to be a part of the Ruinous Media network. This show is also supported directly by you on Patreon ( patreon.com/lowprofile ) Low Profile also receives in-kind support from these independent Olympia businesses: Schwart'z Deli, San Francisco Street Bakery, Old School Pizzeria, Rainy Day Records and Scherler Easy Premium Shitty American Lager from Three Magnets Brewing Company. More on the book: http://cup.columbia.edu/book/transfigured-new-york/9780231558631 Instagram: Brooke @seven_seas_music and Markly @lowpropodcast Facebook Community: Low Profile Listener Hub Patreon (donation-based bonus content+goods): patreon.com/lowprofile

Adrian Utley is one of the most versatile and creative musicians the UK has produced. His work with artists such as Jeff Beck, Patti Smith and Glenn Branca is testament to this.  Shooting to prominence in the mid 1990s with Portishead, Adrian's beautifully judged, nuanced playing - with its unique jazz and soul sensibilities - set the band apart from their contemporaries in what would become known as the trip-hop scene.  Dummy, Portishead's debut album, would go multi-platinum. The band continues to have a lasting influence in terms of production values, musicianship and sheer style.   Adrian accepted an invitation to join me for this episode of Life on the Fretboard after an online conversation about our shared love of the work of Fred Frith - a pioneer in the improvised and exploratory music scene.  Shortly after, I was invited to film an original 1958 Gibson Flying V. Those of you familiar with my work will understand my trepidation to go it alone with a guitar that was so far out of my comfort zone, so I asked Adrian if he'd like to join me in exploring one of the rarest and pointiest electric guitars known to humanity. I was a little taken aback at the speed with which he accepted. I made a video of us exploring that Flying V: https://youtu.be/VM95mN7eDC0 Once we had finished with the pointy beast, we sat down to record this conversation. Adrian shares his memories of working with Jeff Beck and Glenn Branca and we talk about Adrian's love of all guitars, from vintage L-5s to dumpster-find acoustics. We also chat about learning to love limitations, the Fender Jazzmaster, the best footwear for wah-wah pedal usage, and that solo from the song "Glory Box."  Here's a reminder if you need one https://www.youtube.com/watch?v=MnMTK8EdsOc I hope you enjoy this conversation as much as I did. Be advised there is adult language throughout.  This episode of Life on the Fretboard was brought to you by the kind sponsorship of Elixir Strings https://www.elixirstrings.com. I use Phosphor Bronze 12-53s on all my acoustic guitars We are also brought to you by Microtech Gefell Microphones https://www.microtechgefell.de  I used a pair of their M300 small diaphragm models to record this interview and you're hearing my voice on the M930 model. To support this podcast please use this Tip Jar link https://michaelwattsguitar.com/tip-jars/4745 Your Host,  Michael Watts https://www.michaelwattsguitar.com https://www.youtube.com/user/michaelwattsguitar https://www.instagram.com/michael.watts.guitar/  Learn more about the Fretboard Journal and our new, 53rd issue here: https://www.fretboardjournal.com  

Di e con Carlo Centemeri Un appuntamento incluso nella II edizione del festival "Spirito del Tempo", quest'anno dedicato alla New York tra gli anni cinquanta e oggi. Nel secondo appuntamento, accanto a Carlo Centemeri in studio un ospite d'onore come Veniero Rizzardi (musicologo, organizzatore, produttore) e ascolti sugli ambiti più particolari della scena Newyorchese, con autori come Moondog, Laurie Anderson, Peter Gordon, Glenn Branca, Elliot Sharp e tanti altri brani insoliti

Based in London, Tantrum Zentrum's members draw from the UK, Canada and the USA, music having brought them together like a magnet while living in the megapolis. Inspired by early 70s krautrock and late 70s New York no-wave bands, they deliver sonic dissonance and poppy hooks with great energy and style... imagine Killing Joke on happy pills. This is the second of three songs recently recorded with renowned producer Steve Evans (Robert Plant, Siousxie Sioux, Goldfrapp). The earlier-released single 'Der Leiermann' is performed in German. And while the new single is performed in English, it contains a few Bosnian and corrupted German words for emphasis. Made up of Vaat Dafuq (vocals, guitar), Sabine de Rousseau (guitar, vocals), Valhalla Schimmer (bass guitar) and Kur Putchnik (drums). Tantrum Zentrum makes hi-energy post punk interlaced with funk, goth and krautrock influences. "'Don't Be A Fascist' is a wartime love story. Inspired by the 80s Yugoslavian pop hit 'Fa Fa Fašista' (performed by Sarajevo's Plavi Orkestar), the song tells a story as old as time itself: boy meets girl, and they fall in love. Then their country gets occupied by the German forces of the Third Reich, and the girl falls for the tall, handsome enemy soldier in a magnificent uniform. Needless to say, the boy is furious!" says Vaat Dafuq. "We chose a bombastic title that may resonate with many even now. The release is accompanied by a humorous ‘explainer'-style video that shouldn't be taken too seriously." With analogue synths, distortion and hypnotic drums played with Devo-esque precision, the band's music shares elements of Krautrock pioneers Neu! and Faust, along with goth and no-wave experimentalists such as Sonic Youth, Glenn Branca and Theoretical Girls.

Karl D'Silva is a fascinating figure in the UK underground music scene. His dark electronic pop songs are both subtly slippery and crushingly direct, and he's blessed with the kind of powerhouse singing voice that you just have to hear to believe. He's also prolific as a saxophonist and collaborator in far more overtly experimental contexts, working with Helm, VANISHING, Rian Treanor, Ex-Easter Island Head, and a million others. Here, Karl and I talk a lot about the voice: finding one's own, overcoming shame, and some of Karl's unusual warm-ups and recording techniques. We also talk about Glenn Branca, early industrial music, and the unique realm of the Northern UK.

Podcast de Jean Michel Espitallier pour websynradio : Jean-Michel Espitallier - L'hibiscus n'est pas un animal - Robert Fripp & Brian Eno , Suicide, Zdenek Liska, Rimitti + Robert Fripp, Jean-Luc Godard, James Chance and the Contortions, Tricky, Zeni Geva, Glenn Branca.

NO WAVE SPECIAL - music from Suicide, Mars, Teenage Jesus And The Jerks, DNA, Contortions, Y Pants, Rhys Chatham, Glenn Branca, God Is My Co-Pilot, Scissor Girls and Gay Beast Suicide - Rocket USA Mars - Puerto Rican Ghost Teenage Jesus And The Jerks - Orphans DNA - Blonde Redhead Contortions - Contort Yourself Y Pants - That's The Way Boys Are Rhys Chatham - Guitar Trio (1977) Glenn Branca - Lesson No. 2 God Is My Co-Pilot - Sun, Wind Scissor Girls - By Process E-lmntn Gay Beast - Eeexxxpppaaannndddiiinnnggg

Vi är tillbaka i grått igen! Denna gång med sällskap av en utbildad kompositör och "friend of the pod", nämligen Corinne Dominique. Vi hör såklart på hennes egen musik och diskuterar livets stora frågor, såsom "vad har musikbranschen för roll idag?" och "finns det egentligen något fetare än en fjompig synt och en koskälla i exakt rätt ögonblick?" Eftersom en hel sommar har förflutit, går vi också igenom våra respektive musiksomrar; Robert har varit på Gefle Metal och sett såväl den forne poddgästen Uffe Cederlund som diverse rutinerade black metal-farbröder, Corinne har sett Mitski och Sungazer och Loves sommar har - lämpligt nog - gått i trädgårdarnas tecken. Vi hör dessutom Franska Trion och Joanna Newsom samt spårar in på laidback frijazz med Jimmy Giuffre och "är detta verkligen en symfoni??"-musik med Glenn Branca. Nu undrar förstås somliga: "Men är inte Corinne känd som Sveriges största Pugh-fan?" En del kalenderbitare kanske också lägger till: "Vad har hänt med de stående inslagen 'Love har gjort en låt' och 'Bisarra hörnan'?" Och som svar på dessa mycket berättigade frågor kan vi bara säga: vänta till nästa avsnitt! Gör oss sällskap på Discord: https://discord.gg/Cywtq7vaqZ Gilla, kommentera och recensera på The Facebook: https://facebook.com/musikensmaktpodcast/ Bidra till Loves fysiska överlevnad och få lite bonusmaterial: https://www.patreon.com/musikensmakt

Vi är tillbaka i grått igen! Denna gång med sällskap av en utbildad kompositör och "friend of the pod", nämligen Corinne Dominique. Vi hör såklart på hennes egen musik och diskuterar livets stora frågor, såsom "vad har musikbranschen för roll idag?" och "finns det egentligen något fetare än en fjompig synt och en koskälla i exakt rätt ögonblick?" Eftersom en hel sommar har förflutit, går vi också igenom våra respektive musiksomrar; Robert har varit på Gefle Metal och sett såväl den forne poddgästen Uffe Cederlund som diverse rutinerade black metal-farbröder, Corinne har sett Mitski och Sungazer och Loves sommar har - lämpligt nog - gått i trädgårdarnas tecken. Vi hör dessutom Franska Trion och Joanna Newsom samt spårar in på laidback frijazz med Jimmy Giuffre och "är detta verkligen en symfoni??"-musik med Glenn Branca. Nu undrar förstås somliga: "Men är inte Corinne känd som Sveriges största Pugh-fan?" En del kalenderbitare kanske också lägger till: "Vad har hänt med de stående inslagen 'Love har gjort en låt' och 'Bisarra hörnan'?" Och som svar på dessa mycket berättigade frågor kan vi bara säga: vänta till nästa avsnitt!

Susan Stenger - Band of Susans - in conversation with David Eastaugh Band of Susans was an American alternative rock band formed in New York City in 1986 and active until 1996. It originally consisted of Robert Poss (guitar/vocals), Susan Stenger (bass/vocals), Ron Spitzer (drums), with Susan Lyall (guitar), Susan Tallman (guitar), and Alva Rogers (vocals). The band would undergo several permutations over the years, usually involving three guitarists. Poss, Stenger, and Spitzer were the band's core members throughout its duration. They originated in the New York noise rock scene, but due to their layered guitar sound were sometimes seen as the American counterparts to the UK shoegazing bands and also drew influence from modern experimental composers Rhys Chatham and Glenn Branca. 

Arturo Uriza te invita a disfrutar de un espacio dedicado a la música en donde experimentarás emociones fuertes y conocerás novedosas propuestas, así que sube el volumen y escucha con atención, pues es momento del Wild Brunch. Acompáñalo de lunes a viernes a las 10:30 horas. Disfruta de la emisión número 1492, con bandas como Glenn Branca, Faust y Hammered Hulls, entre otras; y de la amena charla del invitado de hoy: Marcos Hassan.

We travelled through a few bands that influences the future of music. Now lets see how these experimenters influenced future generations of musicians.Bands on the playlist:Suicide- Ghost Rider and CheThe Ramones- Bliztkrieg Bop and 53rd and 3rdGary Numan and Tubeway Army- Something's in the House and CarsGlen Branca- Lesson No 1 for Electric GuitarEinsturzende Neubauten- Tanz Debil and Absteig and Zefall

"Welcome to Fear City", una guida alla sopravvivenza per i visitatori di New York City. Un viaggio musicale, letterario e cinematografico nella New York City di fine anni 70, inizio anni 80 e oltre, tra depravazione, degrado, violenza e disagio. A cura di Maurizio Mottola (MM), Roberto Liuzzi (RL) e Enrico De Vincentiis (EDV).MM1. swans – blackout2. sonic youth - shaking hell3. suicide - frankie teardrop 4. lydia lunch - lady scarface5. lizzy mercier descloux - torso corsoRL6. diamanda galas – sono l'antichristo7. naked city – thrash jazz assassin + osaka bondage8. anthrax/public enemy – bring the noise9. unsane – only pain10. dead boys – ain't nothin' to doEDV11. the dictators - search and destroy12. ramones - today your love tomorrow the world13. agnostic front - blind justice14. reagan youth - reagan youth15. beastie boys - egg raid on mojo16. bad brains – big take overIn "tappeto" Glenn Branca, Rhys Chatham e la "No Wave" di Brian Eno.

David Robert Jones (8 January 1947 – 10 January 2016), known professionally as David Bowie, was an English singer-songwriter and actor. A leading figure in the music industry, Bowie is regarded as one of the most influential musicians of the 20th century. He was acclaimed by critics and musicians, particularly for his innovative work during the 1970s. His career was marked by reinvention and visual presentation, and his music and stagecraft had a significant impact on popular music. In this episode we selected two tracks from each of the 25 records Bowie revealed were his favorite to Vanity Fair, for their November 2003 issue. Lineup: The Last Poets, Robert Wyatt, Little Richard, Steve Reich, The Velvet Underground, Nico, John Lee Hooker, Ray Koerner & Glover, James Brown, Linton Kwesi Johnson, The Red Flower Of Tachai Blossoms Everywhere, Daevid Allen, Scott Walker, Tom Dissevelt, Kid Baltan, The Incredible String Band, Tucker Zimmerman, Richard Strauss, Gundula Janowitz, Berliner Philharmoniker, Herbert von Karajan, Glenn Branca, Syd Barrett, George Crumb, Kronos Quartet, Toots & The Maytals, Harry Partch, John Stannard, Victoria Bond, Paul Bergen, Ensemble of Unique Instruments, Danlee Mitchell, Charles Mingus, Igor Stravinsky, Columbia Symphony Orchestra, The Fugs, Anatoly Lyadov, Florence Foster Jenkins, Cosme McMoon

Brooklyn trio Upper Wilds features Dan Friel (ex-Parts & Labor) on guitar, vocals, and effects, bassist Jason Binnick, and drummer Jeff Ottenbacher and is really exceptional at making fuzzy-noisy songs with big pop riffs, usually concealed within explosive sonic textures.  They've now released the third in a series of albums about the planets, Venus, and the band is continuing their way further out as they go, planning to release a seven inch when they get to Pluto. Friel confides that he's still learning how to be a singer-songwriter after starting with interesting and possibly noisy textures. He prefers using the open tunings of Glenn Branca, tremolo picking, and effects that can ring and chime forever. Friel says that the lyrics just write themselves, themed around the planet named for the god of love, which also happens to be a “backwards-spinning hellscape that melts every camera we send there…” Hear through the noise to the melodies as Upper Wilds plays very fast love songs from Venus, remotely from their practice space. - Caryn Havlik Set List: “Love Song #5,” “Love Song #3,” “Love Song #1” Watch "Love Song #5": Watch "Love Song #3": Watch "Love Song #1":

Songs From Todays Episode: "Excursions" - A Tribe Called Quest "Buggin Out" - A Tribe Called Quest "Check the Rhime" - A Tribe Called Quest "Shango" - Cyril Jackson "Watt" - Floored By Four "Aho" - Jack DeJohnette "Sabbath Bloody Sabbath" - Black Sabbath "Dntfall" - Knxwledge "Dissonance" - Glenn Branca "Big Nick" - John Coltrane & Duke Ellington "Silver Apples of the Moon Part 1" - Morton Subotnick "Makeshift Swahili" - This Heat "Dreams" - John Tropea

From playing alongside Glenn Branca in seminal band Theoretical Girls to producing the first Sonic Youth album, Wharton Tiers has his fingerprints all over the late-70s/early-80s New York scene. Add to that his work with A Band and Glorious Strangers, and Tiers' discography provides the perfect entry point to the visceral world that is no wave. Since then, Tiers has also gone on to produce such beloved and acclaimed albums as Dinosaur Jr.'s "You're Living All Over Me" and Helmet's "Strap It On." Today, Wharton Tiers remains active with the Wharton Tiers Ensemble, Superduperlooper, his solo piano work, and the brand new Wharton's Expanding Jazz band. For more information, visit:http://www.whartontiers.com

Good Morning, This is Louise. Episode 100 - Levitation featuring soundworks by Akio Suzuki and Lawrence Englishwith music by Melii, Glenn Branca, Glenn Branca, The New York Chamber Sinfonia & Glen Cortese, Tomppabeats, Jung Jaeil, Jon Brion, Mulatto, Mother Superia, Redman & KRS-One, Trina, Yaeji, Moondog, Zbigniew Preisner, Leila, Cliff Martinez, Sudan Archives, Dawn Richard, Susumu Yokota, Marianne Moore, Muslimgauze, The Alchemist, Mariah, Sergiu Celibidache & Munich Philharmonic, Kaitlyn Aurelia Smith, Phoelix, Lucky Daye, Theater 1, Elysia Crampton, Blossom & HOT16, Arlo Parks, Bill Evans Trio, and Remy Ma.also with sound and voices from the flight crew of a 2014 Virgin Atlantic Boeing 747 200 Classic.programmed and produced by @small_ernst / touch touch publishingNamo Guan Shi Yin Pusa Thank you for listening

Jason Cady is a New-York-based composer, librettist, pedal steel guitar and modular synthesizer player, and co-founder and co-artistic director of Experiments in Opera. We talk about following one’s musical curiosity, the definition of opera, music and storytelling, leaving the 20th century avant-garde behind, and how when “everything goes” in art, we might as well make it fun. Jason's website: jasoncadymusic.com

#10 Misture um bocado de Tom Wolfe com um balde de Saquarema, pitadinha de Glenn Branca com uma garrafa de Filipe Toledo, adicione lentamente água salgada, meia dúzia de palavrões em clara e 3 colheres (sopa) de Keramas. Deixar cozinhando por hora e meia enquanto ouve Júlio Adler e João Valente arrudear todo e qualquer assunto sem pressa. Trilha - Can't Get Enough of Your Love pelos The Afghan Whigs e Welcome to the Machine, Pink Floyd --- Send in a voice message: https://anchor.fm/boia/message

Véritable météorite arty, la no wave s’est développé dans les lofts et les clubs du Lower East Side, au coeur de Manhattan vers 77. Malgré une existence très courte, seulement 5-6ans et bien que l’essentiel du mouvement n’ait été consignés que sur d’obscurs labels à faible tirages assez mal distribués, la no wave a eu une influence considérable dans de nombreux genres musicaux. Notamment dans la scène free jazz avec John Zorn, ou dans la musique contemporaine avec Arthur Russell, Rhys Chatham et Glenn Branca qui ont eux-même participé à sa genèse. On retrouve aussi l’héritage de no wave dans la noise avec des groupes comme Harry Pussy ou Prurient. Le terme No Wave souligne le caractère expérimental de la musique : la musique No Wave n'appartenait à aucun style ou genre fixe. À bien des égards, la No Wave n'est pas un genre musical.
 Bien que prolongeant le punk à sa manière, la no wave, n’aura aucun porte étendard. Toutes les formations que l’on regroupera sous cette étiquette n’auront ,comme pour le post-punk britannique, assez peu de points communs, en dehors d’un rejet commun envers la structure traditionnelle de la chanson. Il y a cependant certains éléments propres à la plupart des groupes de cette scène au son très particulier, les guitares bruitistes souvent atonales, les rythmes déstructurés, le chant hurlés ou atone, la tendance à mettre l'accent sur la texture musicale plutôt que sur la mélodie pour beaucoup, la NO WAVE, c'est avant tout ça. Elle est souvent mieux défini en termes d'environnement artistique. Les musiciens s'inspirant fortement de l'art de la performance à la fois très théâtrale et minimaliste. Cette scène n'aurait sans doute pas eu autant de résonance sans Brian Eno qui décida d’enregistrer les artistes qu’il avait découvert lors du festival underground à l'Artist Space en mai 78. Il les enregistrera pendant les séances de mastering du deuxième album des Talking Heads. Sa compilation NO NEW YORK sort en 1978, avec des titres de D.N.A., Mars, James Chance et Teenage Jesus & The Jerk et donnera un véritable coup de projecteur à ses groupes éphémères mais tellement important. Pour finir deux citations qui résume bien le mouvement et la vie artistique de l’époque à New-York. Celle de Brian Eno : « Je savais que les groupes que j’avais produits sur No New York allaient se séparer dans la foulée de l’enregistrement. Pourtant j’avais dans l’idée qu’ils marqueraient les esprits aussi durablement que les mouvements esthétiques du début du 20ème siècle. » Enfin celle de Anita Sarko, à l’époque Dj, dans le livre New York Noise : « La vie avait des allures de performance artistique continuelle, mais débarrassée de toute prétention crispante. Tu pouvais faire ce que tu désirais. Si tu voulais peindre, tu peignais. Si tu voulais être musicien, tu prenais ta putain de guitare ». Suicide/Cheree Teenage Jesus and the Jerks/Orphans Bush Tetras/Things That Go Boom In The Night Mars/3E Lizzy Mercier Descloux/Fire Y Pants/Barbara's Song Liquid Liquid/Cavern Swell Maps/The Helicopter Spies Glenn Branca/Lesson No. 2 Theoretical Girls/Computer Dating

Episode 22 Music from the Dark–In Memory of Harold Budd Playlist Harold Budd, “Style Is,” an interview excerpt (with music) (cassette, 1983 Les Disques Du Crépuscule). Part of a longer production by Wim Mertens for the New Musical Festival in Chicago, July 1982, featuring music and interviews (by Mertens). The festival featured performances by Peter Gordon, Jon Gibson, Meredith Monk, Jill Kroesen, Glenn Branca and others. The recording was dedicated to John Cage, and intended to be released on his 70th birthday, 1982. Harold Budd, “Noyo” (1970 unreleased), excerpt. From a late-night electronic music mix produced by the editorial staff of Source Magazine--Music of the Avant Garde. Harold Budd, voice, Buchla Modular synthesizer, jazz ensemble (uncredited). Harold Budd, “The Oak of The Golden Dreams” (1971 Advance), for Buchla modular synthesizer from the California Institute of the Arts, based on the Balinese 'Slendro' scale, a five-note scale and the older of the two most common scales used in Indonesian gamelan music. Harold Budd, “The Plateaux Of Mirror” from Ambient 2 (The Plateaux Of Mirror) (1980 Editions EG). Composed by Harold Budd and Brian Eno; acoustic and electric piano, Harold Budd; other instruments and treatments, produced by Brian Eno. Harold Budd, “The Serpent (In Quicksilver)” from The Serpent (In Quicksilver) (1981 Cantil). Bass, Eugene Bowen; Electric Piano [Yamaha Electric Piano], Grand Piano [Bosendorfer], Organ [Hammond Organ] and producer, Harold Budd. Harold Budd, “On Performing,” an interview excerpt (with music) (cassette, 1983 Les Disques Du Crépuscule). Harold Budd, “A Stream with Bright Fish” from The Pearl (1984 Editions EG). Composed by Harold Budd and Brian Eno. Produced by Brian Eno and Daniel Lanois. Harold Budd, “Against the Sky” from The Pearl (1984 Editions EG). Composed by Harold Budd and Brian Eno. Produced by Brian Eno and Daniel Lanois. Harold Budd, “Abandoned Cities” excerpt from Abandoned Cities (1984 Cantil). Composed, performed and produced by Harold Budd. Guitar Eugene Bowen. Harold Budd, “Flowered Knife Shadows (For Simon Raymonde)” from Lovely Thunder (1986 Editions EG). Composed and performed by Harold Budd. Produced by Harold Budd and Michael Hoenig. Harold Budd, “The White Arcades” from The White Arcades (1988 Opal). Composed, performed and produced by Harold Budd Harold Budd, “Advent” from By The Dawn's Early Light (1991 Opal). Piano, Organ [Hammond B3], Synthesizer, Vocals, Artwork, Written-By [Poems], Composed By, Producer, Harold Budd; Electric Guitar, Acoustic Guitar, Bill Nelson; Harp, Susan Allen; Steel Guitar, BJ Cole; Viola, Mabel Wong. Harold Budd, “Paul McCarthy” from Luxa (1996 All Saints). Composer, performer, producer, Harold Budd. Harold Budd, “The Room of Ancillary Dreams” from The Room (2000 Atlantic). Composer, performer, producer, Harold Budd. Harold Budd, “Arabesque 3” from Avalon Sutra (2004 Samadhisound). Composer, performer, producer, Harold Budd. Composer and sopranino saxophone, Jon Gibson. Harold Budd, “It's Steeper Near the Roses (for David Sylvian)” from Avalon Sutra (2004 Samadhisound). Composer, performer, producer, Harold Budd. Cello,Marston Smith; Viola, James Acevedo; Violins, James Sitterly and Peter Kent. Harold Budd, “Jane 1” from Jane 1-11 (2014 Darla). Composer, performer, producer, Harold Budd. Harold Budd, “As Long as I can Hold My Breath” from Avalon Sutra (2004 Samadhisound). Composer, performer, producer, Harold Budd.   Archive Mix (two tracks played at the same time). Harold Budd, “Jane 11” from Jane 1-11 (2014 Darla). Composer, performer, producer, Harold Budd. Harold Budd, “As Long as I can Hold My Breath” (excerpt of longer version) from Avalon Sutra (2004 Samadhisound). Composer, performer, producer, Harold Budd.  

Player. Artist. And genuinely one of the most interesting people we've met! Born in Los Angeles into a musical family, Alan Deremo has had a long and varied career as a bass player and more recently as a producer and composer as well. His touring and recording credits include stints with Colin Hay (Men at Work), Belinda Carlisle, Nathaniel Rateliff, John Denver, the Captain and Tennille, Tony Hawk's Boom Boom Huck Jam, Glenn Frey, Dave Alvin, Eric Marienthal, Vince Gill and Amy Grant, Glenn Branca, Jesse Colin Young, and many others. His scoring work has appeared on CBS Sports, ESPN, Fuel TV, Sierra Club Films and elsewhere. Alan has produced over a dozen independent album releases over the last few years. During the pandemic Alan has stayed busy with various studio projects, contributing bass tracks to projects by artists from all over the world as well as working on ongoing production assignments. The most recent of those is Illuminations from Nashville artist Sean Della Croce, due for release in late February on the Pasadena/Concord label. In addition to all of the above, Alan has been an inveterate tinkerer from an early age, progressing from hacking up his first bass (a 60's Teisco) to extensive modification and building and finishing at least half dozen instruments in recent years. --- Send in a voice message: https://anchor.fm/bestbassgear/message

On today's episode I talk to musician Thurston Moore. Originally from Coral Gables, Florida, Thurston eventually ended up in New York in the late-70s, just as a vibrant musical scene was exploding, which included post-punk, new wave, no wave, jazz and numerous other styles. After playing in a few different bands, he met Kim Gordon and they eventually formed Sonic Youth in 1981. Over the next three decades, Sonic Youth released 15 amazing albums and became one of the most well-known indie rock bands. Outside of Sonic Youth, Thurston founded and runs the Ecstatic Peace! record label, has collaborated with everyone from Glenn Branca to Yoko Ono, and started the band Chelsea Light Moving in 2012. In addition to all this, Thurston has recorded a number of albums under his own name, and his latest By the Fire was just released at the end of September as part of the Daydream Library Series. This is the website for Beginnings, subscribe on Apple Podcasts, follow me on Twitter.

The producer, arranger, composer, and Piety St. Studio owner cut his teeth as a teenage songwriter signed to Elektra Records and an apprentice in the late 60s studios of NYC and L.A. Mark hung out with the Flying Burrito Brothers at the Whiskey and was seen as fresh meat at the Troubadour. Allen Ginsberg, REM, Marianne Faithfull, John Scofield, Sun Ra, and Hal Wilner are just a few of the projects he's been a part of. The new Michot's Melody Makers record, “Cosmic Cajuns From Saturn,” is the latest in his psychedelic journey. Mark's stopover with the Troubled Men may be his strangest trip yet. Topics include an illness, a firing, Walter Mercado, “Judy”, Cabaret”, masking, a scam, pet sedatives, women doctors, Danny Fields, Elektra Records, an assault, a Yale happening, a fight with William Styron, the 70s Village, the Screaming Gypsy Bandits, dates with the Dolls, Glenn Branca, the Social Climbers, a John Cale story, Marty Thau, the Letterman show, N.O. music politics, an ad agency, the Boiler Room studio, an N.A. meeting, new music, Julie Odell, Sonic Youth, a lucky man, a Bob Marley story, Nouveau Electric Records, Louis Michot's work ethic, good neighbors, and much more. Subscribe, review, and rate (5 stars) on Apple Podcasts, Spotify, or almost any podcast source. Follow on social media, share with friends, and spread the Troubled Word. Intro music: Styler/Coman Outro music: “La Jument De Michot” by Michot's Melody Makers from “Cosmic Cajuns From Saturn”

The producer, arranger, composer, and Piety St. Studio owner cut his teeth as a teenage songwriter signed to Elektra Records and an apprentice in the late 60s studios of NYC and L.A. Mark hung out with the Flying Burrito Brothers at the Whiskey and was seen as fresh meat at the Troubadour. Allen Ginsberg, REM, Marianne Faithfull, John Scofield, Sun Ra, and Hal Wilner are just a few of the projects he’s been a part of. The new Michot’s Melody Makers record, “Cosmic Cajuns From Saturn,” is the latest in his psychedelic journey. Mark’s stopover with the Troubled Men may be his strangest trip yet. Topics include an illness, a firing, Walter Mercado, “Judy”, Cabaret”, masking, a scam, pet sedatives, women doctors, Danny Fields, Elektra Records, an assault, a Yale happening, a fight with William Styron, the 70s Village, the Screaming Gypsy Bandits, dates with the Dolls, Glenn Branca, the Social Climbers, a John Cale story, Marty Thau, the Letterman show, N.O. music politics, an ad agency, the Boiler Room studio, an N.A. meeting, new music, Julie Odell, Sonic Youth, a lucky man, a Bob Marley story, Nouveau Electric Records, Louis Michot’s work ethic, good neighbors, and much more. Subscribe, review, and rate (5 stars) on Apple Podcasts, Spotify, or almost any podcast source. Follow on social media, share with friends, and spread the Troubled Word. Intro music: Styler/Coman Outro music: “La Jument De Michot” by Michot’s Melody Makers from “Cosmic Cajuns From Saturn”

Band of Susans with Robert Poss talking about life in music with David Eastaugh Band of Susans was an American alternative rock band formed in New York City in 1986 and active until 1996. It originally consisted of Robert Poss(guitar/vocals), Susan Stenger (bass/vocals), Ron Spitzer (drums), with Susan Lyall (guitar), Susan Tallman (guitar), and Alva Rogers (vocals). The band would undergo several permutations over the years, usually involving three guitarists. Poss, Stenger, and Spitzer were the band's core members throughout its duration. They originated in the New York noise rock scene, but due to their layered guitar sound were sometimes seen as the American counterparts to the UK shoegazing bands and also drew influence from modern experimental composers Rhys Chatham and Glenn Branca.

In the first of two episodes recorded on the same day, Bob and Mike share their favorite songs from New Orleans soul legend Irma Thomas and Yorkshire indie rockers Boyracer, plus play a song from seminal no wave band Theoretical Girls, which started the music careers of Glenn Branca and Wharton Tiers.

During his four decades making music, Thurston Moore has been many things – guitarist, composer, improviser, collaborator, co-founder of the trailblazing rock band Sonic Youth. His new project might be his most ambitious yet.  It’s a 3-record set of expansive, guitar-driven sonic meditations called Spirit Counsel. Radical guitarist Thurston Moore and his co-conspirators present these altered states based in guitars, in-studio, and in tribute to some of the musicians and art that have influenced him (i.e. Alice Coltrane, and Glenn Branca.) Watch the session here: 

Bill Brovold is an educator, visual artist, and composer/musician. He has performed with Rhys Chatham, Arthur Russell, and Glenn Branca; and led the New York band Strange Farm (feat. Billy Ficca of Television and Ernie Brooks of the Modern Lovers) and the six-to-thirteen-member Detroit post rock band Larval, which features his twangy guitar alongside a … Continue reading "Bill Brovold, guitar"

Bill Brovold is an educator, visual artist, and composer/musician. He has performed with Rhys Chatham, Arthur Russell, and Glenn Branca; and led the New York band Strange Farm (feat. Billy Ficca of Television and Ernie Brooks of the Modern Lovers) and the six-to-thirteen-member Detroit post rock band Larval, which features his twangy guitar alongside a …Continue reading "Bill Brovold, guitar"

Audio Arts Cassettes was a British magazine documenting contemporary artistic activity interviewing artists and curators, publishing sound performances or sound-based artworks. Audio Arts has been active from 1973 to 2006, issuing 25 volumes and now is part of the Tate Modern collection. The episode features: Uniform, Glenn Branca, Susan Hiller, Yura Adams, Dan Graham, Ann Lee, Charlie Hooker and Lawrence Weiner.

Mantis Radio 282 + Prettybwoy Mantis Radio returns packing grime influenced sonics from Japan's Prettybwoy. We've music by Cylob, Bjork, Coldcut, Khost, Slipknot, Paul Woolford, Sclist, Tipper, and Glenn Branca. playlist → show archives. support the show → become a patron.

Mantis Radio 282 + Prettybwoy Mantis Radio returns packing grime influenced sonics from Japan's Prettybwoy. We've music by Cylob, Bjork, Coldcut, Khost, Slipknot, Paul Woolford, Sclist, Tipper, and Glenn Branca. Show playlist available at Darkfloor.

The story of 99 (pronounced “nine nine” and not “ninety-nine”) it's basically the story of Ed Bahlman, a born-and-bred Brooklynite with a strong work ethic and an intense passion for music, especially new and underground music that wasn’t wholly embraced by the mainstream or even alternative establishments. Everything started from a punk clothing store called 99, that later Ed transformed in the infamous record shop, thanks to his incredible selection of obscure and independent rock, reggae and punk music, that later became the ideal launching pad for the homonymous independent record label. The episode features: Y Pants, Liquid Liquid, ESG, Vivien Goldman, Bush Tetras, Maximum Joy, John Cage (in an interview about Glenn Branca) and Glenn Branca.

In this episode, I talk to Sarah Lipstate, a Los Angeles-based composer, and a guitarist. We cover topics such as making a living as a musician today, marketing your work, the things Sarah is currently struggling with, the relationship between her gear and her art, and much more. Biography Sarah Lipstate is a Los Angeles-based composer, most known for Noveller, her solo electric guitar project. Handling the guitar as her muse, Lipstate summons a sonic palette so rich as to challenge the listener to conceive of how it’s housed in a single instrument manipulated by a solitary performer. In 2014, Lipstate announced her signing with Fire Records. Fire released Noveller's latest full-length 'Fantastic Planet' in January 2015 and also re-issued Noveller's critically acclaimed albums 'No Dreams' and 'Glacial Glow' in early 2016. She's previously released records on No Fun Productions, Important Records, Weird Forest, Taiga, and her own imprint Saffron Recordings. Noveller has toured with Iggy Pop, St. Vincent, Radiolab, Xiu Xiu, the Jesus Lizard, U.S. Girls, & Aidan Baker. Lipstate has collaborated with several renowned musicians, including JG Thirlwell (Foetus, Manorexia), Carla Bozulich (Evangelista, The Geraldine Fibbers), David Wm. Sims (the Jesus Lizard, Scratch Acid), Lee Ranaldo (Sonic Youth). She has previously performed as a member of Cold Cave, Parts & Labor, and One Umbrella. Lipstate has also participated in Rhys Chatham’s Guitar Army, Ben Frost’s “Music for 6 Guitars” Ensemble, and Glenn Branca’s 100 guitar ensemble. Selected Links From the Episode Sarah Lipstate's Website Sarah Lipstate's Instagram Radiolab Apocalyptical Parts & Labor Effects unit (Wikipedia) Bandcamp Ray Dalio Moon Canyon Signature Pedal Show Notes Introduction [00:00] Episode Introduction [00:52] Advice to Younger Self [02:56] Main Challenges of Being a Musician Today [05:11] Making a Living as a Musician [08:02] Short Episode Break – Support the Podcast [18:28] Marketing Your Work [19:21] Relationship Between Gear and Art [23:05] The Best Investment Sarah Made in Herself [25:38] Sarah’s Current Struggles [27:23] Advice for Being a Better Musician and Creative Professional [30:41] Episode Outro [33:18] Full transcript and more at https://creative.voyage/

Nope, we’re not lampooning anyone (well, bar John Cage) in this episode. This time around we pay our respects to the late great Glenn Branca,and discuss both his own work and his place in the wider scheme of things. The original plan was a family tree but really, it’s more of a bird’s nest, taking in Theatre, Guitar Composition, Neutral Records, the Brian Eno/Mr Burns parallell, and Waterford’s top teenage Sonic Youth based dance routine.

Introduced by a conversation between John Cage and Morton Feldman about the use of portable radios, this episode is a flux of minimalistic pieces, tuned on the same frequencies thanks to the use of the pitch slider on a couple of technics 1210 turntables. The episode features: John Cage & Morton Feldman, Pauline Oliveros, Philip Glass, Lawrence Weiner, Franco Battiato, Steve Reich, Rhys Chatham & Charlemagne Palestine, Glenn Branca, Earth 2 and La Monte Young.

It annoyed Cage that the general public and popular press continued to identify him as the inventor of the prepared piano. In an interview in 1961 he said: “It was what I was doing 10 years ago. The public is always 10 years behind.” The music featured in this episode has been actually rediscovered recently — in some cases more than 10 years later — thanks to the passionate work of labels such us Superior Viaduct and États-Unis that repressed these avant-garde gems. The episode features: B.C.Gilbert & G.Lewis, Jon Gibson, Anna Lockwood, Edward Artemiev, Warner Jepson, Glenn Branca, Sensations Fix, Milk from Cheltenham and Inflatable Boy Clams

Beðmál í borginni, Anthony Bourdain, Arrested Development, drengur með hjálm, Chanel Monet, Erna Hlöðversdóttir, Glenn Branca, Snorri Hallgrímsson, Kids see ghosts og pólitískur margbreytileiki. Það er HM, augu heimsins beinast að Rússlandi. Halldór Armand Ásgeirsson rithöfundur kemur inn á sérstaklega í tilefni mótsins og fjallar í pistli sínum um ofmetna hæfileika leikmanna og mikilvægi góðra ákvarðanna.

Í Lestinni í dag verður meðal annars hugað að menningarfyrirbæri sem á um þessar mundir 20 ára útgáfuafmæli, einnig verður hugað að bandarísku tónskáldi sem lést fyrir rúmum mánuði, og fundi alþjóðlegra leiðtoga sem fór fram í nótt að íslenskum tíma. Nú eru tuttugu ár frá því sjónvarpsþættirnir, og menningarfyrirbærið, Sex and the City, eða Beðmál í borginni, hófu göngu sína. Við rifjum upp þættina í dag og spyrjum: Eiga þeir erindi í okkar samtíma? Heimildarmenn okkar verða Alexandra Ýr van Erven og Hrefna Björg Gylfadóttir. Í pistli sínum í dag fjallar Halldór Armand Ásgeirsson um leiðtogafundinn í Singapúr og flugvélar fullar af sokkum. Þórður Ingi Jónsson fer síðan yfir ævi og feril bandaríska tónskáldsins Glenn Branca en hann lést úr krabbameini í hálsi í maímánuði, 69 ára að aldri. Branca spilaði lykilrullu í hinni svokölluðu no wave listasenu sem spratt upp í New York seint á áttunda áratugnum og var þekktur fyrir drunandi gítarorkestrur þar sem hann ýtti hljóðfærinu að ystu mörkum.

Apologies for going off the air last week, moving takes a while and ate up all of my time. Today's episode features a dazzling display of talent, tracks by DEZORAH, She Returns From War, Preoccupations, Cosey Fanni Tutti, Sun Ra & His Intergalactic Arkestra, as well as a special vignette for the late, great Glenn Branca among the rubble. Check out our back episodes on Mixcloud.com/BLASST and follow us on Instagram: @u_punk !

The episode features: Gil Scott-Heron, Brian Eno, Sun Ra, Gretchen Langheld, Robert Ashley, Pauline Oliveros, Larry Polansky, Sun Ra, Glenn Branca, Al Diaz, Valeri Scherstjanoi, Hermann Nitch and Lydia Lunch, Angus Maclise.

Mister, Height Keech and ialive talk First Degree The DE, Morgan Delt and Glenn Branca.

The dough starts rough, and after a few rolls, falls over itself, as it slowly starts to congeal. This piece is a flakey pie crust, in the school of Rhys Chatham or Glenn Branca. Set in 3 time, its 14 tracks were blind-recorded with the through-line of “record the same thing each time”. Obviously some variations emerged from the performances, and some from improvisation, and willful neglect. The crust gains its life from imperfections.

Sup Doc kicks off the jams w ROCKTOBER a month long line-up of music docs and great guests. We hit the stage with The Devil and Daniel Johnston with our guest, musician Kip Uhlhorn!The Devil and Daniel Johnston is a 2005 documentary film about the noted American musician Daniel Johnston. It chronicles Johnston's life from childhood up to the present, with an emphasis on his experiences with bipolar disorder, and how it manifested itself in demonic self-obsession. The film was directed by Jeff Feuerzeig, edited by Tyler Hubby, and produced by Henry S. Rosenthal.Kip Uhlhorn formed Cloudland Canyon in 2002. The first Cloudland Canyon release, Requiems Der Natur, 2002-2004 was released by Tee Pee in 2006. Cloudland Canyon quickly set about releasing a number of other releases and touring that same year, most notably a single track collaboration 12”/LP entitled Exterminating Angel with Chicago musician Lichens in 2007 on Holy Mountain.In 2007, the band was signed to Kranky and released their first proper album Silver Tongued Sisyphus. In 2008, the band released another collaborative 12” with Mythical Beast on Not Not Fun, as well as their second full length, Lie in Light on Kranky. The latter was chosen as one of top 25 albums of the year 2008 by the Magnet magazine. Cloudland Canyon subsequently moved to Holy Mountain, where the band began their own imprint of Holy Mountain (Intercoastal Artists) for 2010’s album Fin Eaves, which has become their best-received work to date, landing on numerous year-end lists. They went on tour with the Flaming Lips (whom Uhlhorn has collaborated extensively with) as well as with Interpol and Bear in Heaven. Members of the Arcade Fire even name checked the band.Uhlhorn has also played in several other successful groups and bands during this time, including King Khan & the Shrines, Panthers (Dim Mak, Vice), Pharaohs (100% Silk, Stone's Throw, Intercoastal Artists), Eden Express (Holy Mountain), and Tav Falco's Panther Burns He has also played guitar live and on albums by Rhys Chatham and Glenn Branca, including Chatham's Crimson Grail, which was staged at Lincoln Center. Cloudland Canyon’s ranks have included close friend Jerry Fuchs (also drummer for !!!, LCD Soundsystem, Maserati, Turing Machine, Moby) who died in 2009. Most recently, memphis drummer Ross Johnson (Tav Falco's Panther Burns, Alex Chilton) has joined the band.

Episode no.7 of the Doris Day Or Die Podcast, an experimental, free improvisation, noise and new music podcast.  This episode sees me ramblin' on and on about whatever and ever. Some deep thoughts? Hints of sadness? Almost political stuff? It's all the same. Check it out.  Music and sounds:1. "Cloud Colored Christ"- Yogananda2. John Cage talks about Glenn Branca for 18 minutes3. "Mirrors" - Taku Sugimoto4. "From The Plains to Mexico (Live on Night Music)" - The ResidentsSubscribe, rate and review to Doris Day Or Die on iTunes!Listen on FeedburnerDoris Day Or Die on Facebook. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; line-height: 14.0px; font: 12.0px Helvetica; color: #4a4f56; background-color: #f1f0f0} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; line-height: 15.0px; font: 13.0px Arial; color: #323333; -webkit-text-stroke: #323333} span.s1 {font-kerning: none} p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica} p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica}

S01E30 mixed by KG (Inde. / Sausheim / France) TRACKLIST 1) KG – Für x gegen minus unendlich 2) Glenn Branca – Symphonie #3 third movement 3) Grandaddy – Under the western freeway 4) Loyola...

13° capítulo de Autómata emitido el miércoles 10 de Diciembre del 2015 por Ser FM. En este Programa sonaron: Echo and the Bunnymen, Mazzy Star, Nick Drake, Brian Wilson, Mercury Rev, Masami Kawahara, Trans Am, Griz y Glenn Branca.

On today's show, I talk to musician Weasel Walter. Weasel is a take-charge kind of guy, and an iconoclastic personality, and was a major contributor to the Chicago no-wave/noise/improvised music underground during the '90s and early 2000s, most notably with his band The Flying Luttenbachers, which he formed with jazz cult figure Hal Russell. Since then, Weasel has collaborated with people like Jim O'Rourke, Lydia Lunch and Glenn Branca - as well as many, many others - and currently (though not for long) resides in New York where he plays with Cellular Chaos and Behold...The Arctopus.This is the website for Beginnings, subscribe on iTunes, follow me on Twitter, and check out my gameshow podcast Snap Impression!

This week on the show, music from Blake Shelton, Tommy James and the Shondells, The Wannadies, Calvin Harris, Lester Young, The Marmalade, The Ventures, Beck, David Ruffin, Bix Beiderbecke, & Glenn Branca, plus Jon Stewart fawns over Bruce SpringsteenSUBSCRIBE: iTunes TWITTER: @MusicFirstPcastFACEBOOK: Music First PodcastEMAIL: MusicFirstPodcast@gmail.com

Rhys Chatham performing live Kosmische Club Oya Festival 2007 NY underground legend Rhys Chatham performing live in Oslo August 2007. The insistent motorik rock n roll pulse that runs from Bo Diddley to Neu! to Tony Conrad to The Ramones is captured by Rhys Chatham, the crowd rapturously lost in the joy of repetition (as Hot Chip would have it) the sublime object always just over the horizon. He played as part of kosmische night events at the Oya Festival. This is a full performance of Guitar trio which been influential on groups like Sonic Youth, Glenn Branca, Band of Susans, Helmut and the swans. “Written in 1977, Guitar Trio is Rhys Chatham's signature composition, and with good reason. With a single, repeated chord, Chatham permanently altered the DNA of rock by splicing the gritty, overtone-drenched minimalism of John Cale and Tony Conrad with the elemental fury of the Ramones. The amalgamation was inspired. It energized the downtown New York scene throughout the late 1970s and early 1980s, and made Chatham a founding father of the notorious No Wave movement.” http://www.myspace.com/rhyschatham http://www.rhyschatham.net Brought to you by Magz Hall and Jim Backhouse check out our website www.youarehear.co.uk Subscribe to the podcast you can get emails alerts sent to you direct everytime we update the feed. feedback www.myspace.com/youarehear YAH 2002-6 live radio sessions CD now available as download album via wippit YAH 2002-6 live radio sessions CD Hear us on www.totallyradio.com Podcast of the week in Time Out London!! " excellent alternative music show" "Critics Choice" The Independent Feb 2008Podcast of the week Time Out London!! " excellent alternative music show" "Critics Choice" The Independent

Rhys Chatham performing live Kosmische Club Oya Festival 2007 NY underground legend Rhys Chatham performing live in Oslo August 2007. The insistent motorik rock n roll pulse that runs from Bo Diddley to Neu! to Tony Conrad to The Ramones is captured by Rhys Chatham, the crowd rapturously lost in the joy of repetition (as Hot Chip would have it) the sublime object always just over the horizon. He played as part of kosmische night events at the Oya Festival. This is a full performance of Guitar trio which been influential on groups like Sonic Youth, Glenn Branca, Band of Susans, Helmut and the swans. “Written in 1977, Guitar Trio is Rhys Chatham's signature composition, and with good reason. With a single, repeated chord, Chatham permanently altered the DNA of rock by splicing the gritty, overtone-drenched minimalism of John Cale and Tony Conrad with the elemental fury of the Ramones. The amalgamation was inspired. It energized the downtown New York scene throughout the late 1970s and early 1980s, and made Chatham a founding father of the notorious No Wave movement.” http://www.myspace.com/rhyschatham http://www.rhyschatham.net Brought to you by Magz Hall and Jim Backhouse check out our website www.youarehear.co.uk Subscribe to the podcast you can get emails alerts sent to you direct everytime we update the feed. feedback www.myspace.com/youarehear YAH 2002-6 live radio sessions CD now available as download album via wippit YAH 2002-6 live radio sessions CD Hear us on www.totallyradio.com Podcast of the week in Time Out London!! " excellent alternative music show" "Critics Choice" The Independent Feb 2008Podcast of the week Time Out London!! " excellent alternative music show" "Critics Choice" The Independent

1. Metalux, Victim of Space, Caligraphy Zone2. Blank Dogs, Under And Under, Slowing Down3. Twink, The Broken Record, Alphabent4. Wayne Butane , Backwash, misc. 5. Extra Happy Ghost, How the Beach Boys Sound to Those with No Feelings, How the Beach Boys Sound to Those with No Feelings6. Phantogram, Running from the Cops, Running from the Cops7. Frieda Abtan , Le Son 666, Sing it Daddy-o8. Dimuzio / Wobbly, Dimuzio / Wobbly, The Other9. Glenn Branca, Guitar Barbara Ess, Christine Hahn, ubu.com, The Static,

Brendan Toller, graduate of Hampshire College, has created his 1st feature, the eclectic documentary I Need That Record! The Death (Or Possible Survival) Of The Independent Record Store, a documentary feature examining why over 3000 independent record stores have closed across the U.S. in the past decade. I Need That Record! features interviews with folks including:  Ian Mackaye of Dischord Records, activist/author Noam Chomsky, Thurston Moore of Sonic Youth, Mike Watt, guitar composer Glenn Branca, Pat Carney of The Black Keys, Mike Dreese of Newbury Comics, and independent record store owners across the US.

The Famines!Vue Wave 26: The FaminesThe Famines explain why it took them so long to play a showBed Tracks:Glenn BrancaLesson, No. 1 for Electric GuitarLesson, No. 1CocoRosieBy Your SideLa Maison de Mon ReveCANFather Cannot YellMonster MovieFamines Songs:Gimme Some NumbersLive in StudioJuly 14, 2008The Rumour Mill has a Name and a FaceLive in StudioJuly 14, 2008I Like Some of the Things You Do2 x 7"IndependentTWA Flight 553Live in StudioJuly 14, 2008

The producer, arranger, composer, and Piety St. Studio owner cut his teeth as a teenage songwriter signed to Elektra Records and an apprentice in the late 60s studios of NYC and L.A. Mark hung out with the Flying Burrito Brothers at the Whiskey and was seen as fresh meat at the Troubadour. Allen Ginsberg, REM, Marianne Faithfull, John Scofield, Sun Ra, and Hal Wilner are just a few of the projects he's been a part of. The new Michot's Melody Makers record, “Cosmic Cajuns From Saturn,” is the latest in his psychedelic journey. Mark's stopover with the Troubled Men may be his strangest trip yet. Topics include an illness, a firing, Walter Mercado, “Judy”, Cabaret”, masking, a scam, pet sedatives, women doctors, Danny Fields, Elektra Records, an assault, a Yale happening, a fight with William Styron, the 70s Village, the Screaming Gypsy Bandits, dates with the Dolls, Glenn Branca, the Social Climbers, a John Cale story, Marty Thau, the Letterman show, N.O. music politics, an ad agency, the Boiler Room studio, an N.A. meeting, new music, Julie Odell, Sonic Youth, a lucky man, a Bob Marley story, Nouveau Electric Records, Louis Michot's work ethic, good neighbors, and much more. Support the podcast [here.](https://www.paypal.me/troubledmenpodcast) Subscribe, review, and rate (5 stars) on Apple Podcasts, Spotify, or almost any podcast source. Follow on social media, share with friends, and spread the Troubled Word. Intro music: Styler/Coman Outro music: “La Jument De Michot” by Michot's Melody Makers from “Cosmic Cajuns From Saturn” on [Nouveau Electric Records.](http://nouveauelectricrecords.com)