Podcasts about epicycle

Lexman interviews Michael Littman, a self-taught aerialist who uses his epicycle to perform aerials and hydrolysis displays.

Podcast #633 time travels with records from Iggy Pop, Cozy, Epicycle, Ravagers, The Briefs, The Aislers Set, Gaze, Dear Nora, & Deerful.

Now more than ever, it is time to be the most authentic and powerful you. How, you might ask? In this action-packed episode, we talk all things awakening, lifepath, and epicycles. My guest, Sue Coffin, shares insights from an ancient modality, numerology, that reveals who we are and what this moment is calling for.Follow and join the conversation. Access show notes at grittymystic.com/ep36

Born in Donetsk (Ukraine), Dina Pysarenko is a pianist, accompanist at the National Tchaikovsky Music Academy of Ukraine, soloist of the Ukho Ensemble Kyiv and a laureate of the Levko Revutsky Award (2014) as well as the 6th International S. Prokofiev Competition (Saint-Petersburg, 2013). While still studying at the Donetsk Specialized Music School for gifted children, Dina was twice a laureate of the International Competition in Memory of Vladimir Horowitz in Kyiv. She graduated with Honours from Sergey Prokofiev Donetsk State Music Academy in 2009, where she studied with Prof. Lidiya Adamenko. Eager to embrace various styles in her repertoire, Dina devotes particular attention to contemporary music: since 2006 she has premiered a number of pieces by living composers, such as Yevhen Petrychenko, Serhiy Piliutykov, Alexandra Karastoyanova-Hermentin and Oleksiy Voytenko, performing at important Ukrainian festivals such as KyivMusicFest, GogolFEST, Donbas Modern Music Academy, etc.Together with Ukho Ensemble Kyiv under the baton of Luigi Gaggero, she has given the Ukrainian premieres of several important pieces of the 20th and 21st centuries, including À propos du concert de la semaine dernière by Samuel Andreyev, ...quasi una fantasia... by György Kurtág, Kammerkonzert by Klaus-Steffen Mahnkopf, and the Piano concerto of György Ligeti. Dina participated in a conducting masterclass held by maestro Luigi Gaggero with the Ukho Ensemble Kyiv, making her debut as a conduc- tor with Intégrales by Edgard Varèse (2016) and Epicycle by Iannis Xenakis (2018).Since 2009, Dina Pysarenko has accompanied the class of Prof. Valeriy Ivko, one of the founders the of Ukrainian domra school. In the 2013/14 season she was accompanist at the Anatolii Solovyanenko Donetsk Opera and Ballet Theatre. She has also participated in three opera productions staged in the National Opera of Ukraine by Ukho agency and directed by Luigi Gaggero: Limbus-Limbo by Stefano Gervasoni (2016), Pane, sale, sabbia by Carmine Emmanuele Cella (2017), and Luci mie traditrici by Salvatore Sciarrino (2018). This interview was recorded on March 9th, 2022. SUPPORT THIS PODCASTPatreonDonorboxORDER SAMUEL ANDREYEV'S NEWEST RELEASEIridescent NotationLINKSYouTube channelOfficial WebsiteTwitterInstagramEdition Impronta, publisher of Samuel Andreyev's scoresEPISODE CREDITSPost production: Marek IwaszkiewiczPodcast artwork photograph © 2019 Philippe StirnweissSupport the show (http://www.patreon.com/samuelandreyev)

Brian Ferneyhough is widely recognized as one of today's foremost living composers. Since the mid-1970s, when he first gained widespread international recognition, his music has earned him an enviable reputation as one of the most influential creative personalities and significant musical thinkers on the contemporary scene. Ferneyhough was born in Coventry, England, in 1943 and received formal musical training at the Birmingham School of Music and the Royal Academy of Music, London. In 1968 he was awarded the Mendelssohn Scholarship, which enabled him to continue his studies in Amsterdam with Ton de Leeuw, and the following year obtained a scholarship to study with Klaus Huber at the Basel Conservatoire. Following Ferneyhough's move to mainland Europe, his music began to receive much wider recognition. The Gaudeamus Composers' Competition in the Netherlands awarded Ferneyhough prizes in three successive years (1968-70) for his Sonatas for String Quartet, Epicycle and Missa Brevis respectively. The Italian section of the ISCM at its 1972 competition gave Ferneyhough an honourable mention (second place) for Firecycle Beta and two years later a special prize for Time and Motion Study III which was considered the best work submitted in all categories. Recent works have included Inconjunctions (2014), Contraccolpi (2016), and a collection of encounters influenced by Christopher Tye, Umbrations (2001-2017), premiered by the Arditti Quartet and Ensemble Modern at Wittener Tage für Neue Kammermusik. Associated with the most prestigious teaching institutions and international summer schools for contemporary music, from 1984 to 1996 Ferneyhough was Composition Course Co-ordinator at the biennial Darmstädter Ferienkurse für Neue Musik. In 1984 he was made Chevalier de l'Ordre des Arts et des Lettres and he has since been named a member of the Berlin Akademie der Künste, the Bayrische Akademie der Schönen Künste and a Fellow of the Royal Academy of Music. Most recently, he was awarded the 2007 Ernst von Siemens Music Prize.SUPPORT THIS PODCASTPatreonDonorboxORDER SAMUEL ANDREYEV'S NEWEST RELEASEIridescent NotationLINKSYouTube channelOfficial WebsiteTwitterInstagramEdition Impronta, publisher of Samuel Andreyev's scoresEPISODE CREDITSPodcast artwork photograph © 2019 Philippe StirnweissSupport the show (http://www.patreon.com/samuelandreyev)

In this episode Bridget discusses six common retail math terms that are important to the success of any vintage clothing business. We are also offering a $19.99 supplementary online course for retail math, great for visual learners. Real life scenarios and equations explained, check out more here:My Best Vintage Life AcademyPlease don't forget to rate, review, and subscribe to the podcast. It is much appreciated and just takes a few minutes of your time! :) Email us at admin@mybestvintagelifepodcast.com!Call and leave us a voicemail: 559-365-6473Shop Bridget's podcast website for vintage fashion books and repurposed clothing, and accessories. You can also subscribe to our newsletter!Follow along on InstagramLike us on FacebookFollow our boards on PinterestMy theme song is legally licensed through Marmoset Music and is Chop Shop by White Flowers. Logo imagery is by Samantha Payne Photography.

Anna analyses Edvard Munch's ‘Self Portrait with the Spanish Flu' from 1919 before chatting with eco-friendly and ‘upcycling' designer, Laura Zabo about how she's been staying creative and sane during the coronavirus lockdown. Epicycle about how she's been keeping everyone creative in the kitchen during lockdown. To get in touch visit Instagram: @annagammansart or visit Facebook: @theartthenandnowshow. See acast.com/privacy for privacy and opt-out information.

This week Bridget discusses working in a wholesale vintage clothing warehouse with Art Bazerkanian. Please don't forget to rate, review, and subscribe to the podcast. It is much appreciated and just takes a few minutes of your time! :) Email us at admin@mybestvintagelifepodcast.com!Call and leave us a voicemail: 559-365-6473Shop Bridget's podcast website for vintage fashion books and repurposed clothing, and accessories. You can also subscribe to our newsletter!Follow along on InstagramLike us on FacebookFollow our boards on PinterestMy theme song is legally licensed through Marmoset Music and is Chop Shop by White Flowers. Logo imagery is by Samantha Payne Photography.

Nieuwe Complexiteit.   Brian Ferneyhough, (foto) ‘Epicycle’ voor 20 strijkers. New London Opera Orchestra olv. Alberto Erede. Helmut Lachenmann, ‘Notturno’. Andreas Lindenbaum, cello. Ensemble Klangforum Wien olv. Hans Zender. Carola Bauckholt, ‘Doina’ voor stem en strijkorkest. David Cordier, countertenor; Ensemble Resonanz olv. Roland Kluttig. Brian Ferneyhough, ‘Adagissimo’ voor strijkkwartet. Ardittikwartet. Id., ‘In nomine à 3‘. […]

Þáttur um tónlistarkonuna Gyðu Valtýsdóttur sem hlaut tónlistarverðlaun Norðurlandaráðs 2019. Í þættinum mun meðal annars hljóma tónlist af óútkominni plötu hennar, Epicycle 2, sem geymir verk eftir íslensk tónskáld sem flest eru samin sérstaklega fyrir Gyðu eða í samvinnu við hana. Umsjón: Þorgerður E. Sigurðardóttir og Elísabet Indra Ragnarsdóttir.

Hátalarinn spjallar við Emilíu Rós Sigfúsdóttur og Helgu Björg Arnardóttur úr Elektra Ensemble um nýja plötu þess tíu ára gamla tónlistarhóps. Þar er að finna spennandi tónlist íslenskra tónsmiða, samin sértstaklega fyrir Eleketru. Einnig er rifjað upp ársgamalt viðtal við Gyðu Valtýsdóttur sem heimsótti Hátalarann til að ræða plötur sínar Epicycle og Evolution, en einnig víddir í tónlist og ýmislegt fleira. Gyða fékk sem kunnugt er tónlistarverðlaun Norðurlandaráðs í síðustu viku.

Hátalarinn spjallar við Emilíu Rós Sigfúsdóttur og Helgu Björg Arnardóttur úr Elektra Ensemble um nýja plötu þess tíu ára gamla tónlistarhóps. Þar er að finna spennandi tónlist íslenskra tónsmiða, samin sértstaklega fyrir Eleketru. Einnig er rifjað upp ársgamalt viðtal við Gyðu Valtýsdóttur sem heimsótti Hátalarann til að ræða plötur sínar Epicycle og Evolution, en einnig víddir í tónlist og ýmislegt fleira. Gyða fékk sem kunnugt er tónlistarverðlaun Norðurlandaráðs í síðustu viku.

Gyða heimsækir Hátalarann og segir frá tónlist sinni sem var að koma út á plötunni Evolution. Einnig er rætt við hana um samstarf við annað tónlistarfólk og plötuna Epicycle sem kom út fyrir tveimur árum.

Gyða heimsækir Hátalarann og segir frá tónlist sinni sem var að koma út á plötunni Evolution. Einnig er rætt við hana um samstarf við annað tónlistarfólk og plötuna Epicycle sem kom út fyrir tveimur árum.

Happy Thanksgiving! This episode is the opening and revamping of our weekly podcast. Jake from the band Epicycle joins us as we discuss the recent events that transpired. Thanks for listening, much love and appreciation! This episode was recorded Sunday, November 20th.

Sasha McDowell is the creator and founder of Epicycle - an organization whose mission is to support parents pursuing flexible, meaningful work, so they can devote ample time to their families and maintain engaging, challenging careers. Unlike some people who leave a job that they do not like and become an entrepreneur as a result, Sasha loved the work she was doing before starting her company. The journey began when she became a new mother and had to think about her time away from home and in the office in a whole new way. While looking for a new job, she struggled to find meaningful and challenging work that would also allow her the flexibility to be with her daughter. Meeting other parents that felt the same way, Sasha saw a real need and one that she had the skillset to address.  Featuring - "Let It Be" by Joan Baez

In the Chicago music community, Ellis is the true Renaissance Man. He is the brilliant producer of Goodbyehome's new album with a release date in January of 2010. He has several albums published under the band name Epicycle. He is friends with a veritable who's who of both Chicago based and National touring musicians.