Podcast appearances and mentions of henry mason

If you would like to give us feedback on how were doing follow us at: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.gg/cd6sNqvnav⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://beacons.ai/senornerdpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/senornerdpodcast/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ @senornerdpod on Twitter. Safe (titled onscreen as Harlan Coben's Safe) is a British drama thriller television miniseries[1] created by crime author Harlan Coben and written primarily by screenwriter Danny Brocklehurst. Set in England, the series is a production by Canal+, with C8 airing the show in France, and Netflix streaming the show internationally outside France.[2] The series began filming in Manchester, Liverpool, and Cheshire in July 2017. It consists of eight episodes that premiered in 190 countries on 10 May 2018.[3][4] The series' theme song is "Glitter and Gold" by Barns Courtney. Safe focuses on Briton Tom Delaney (Hall), a paediatric surgeon and widowed father of two teenage daughters. He is struggling to connect with his daughters as they still grieve the loss of his wife from cancer one year prior. After his 16-year-old daughter Jenny goes missing, Tom uncovers a web of secrets as he frantically searches for her. Michael C. Hall as Tom Delaney, widower of wife Rachel, surgeon[3] Amanda Abbington as Sophie Mason, Detective Sergeant partnered to Emma, Tom's girlfriend and neighbour[3] Marc Warren as Pete Mayfield, Tom's best friend and fellow doctor[5] Audrey Fleurot as Zoé Chahal, mother of Chris, French teacher accused of impropriety[5] Hannah Arterton as Emma Castle, Detective Constable relocated from the big city Nigel Lindsay as Jojo Marshall, Sia's father[5] Laila Rouass as Lauren Marshall, Sia's mother[5] Joplin Sibtain as Neil Chahal, Zoé's husband Milo Twomey as Archie "Bobby" Roberts, owner of a 1980s-themed bar called Heaven Emmett J. Scanlan as Josh Mason, Sophie's ex-husband who lives in a trailer-camper parked in her driveway[5] Amy James-Kelly as Jenny Delaney, 16, Tom's elder daughter, girlfriend to Chris Amy-Leigh Hickman as Sia Marshall, Jenny's drug-dealing classmate Freddie Thorp as Chris Chahal, Zoé and Neil's son, and Jenny's 19-year-old boyfriend Hero Fiennes Tiffin as Ioan Fuller, a teenager who may know something about Jenny's disappearance Louis Greatorex as Henry Mason, Sophie's teenage son Isabelle Allen as Carrie Delaney, Tom's younger daughter India Fowler as Ellen Mason, Sophie's daughter Imogen Gurney as Tilly Chahal, Zoé and Neil's daughter Darren Kemp as B.O Ben, a tech expert who helps Tom track his daughters GPS Karen Bryson as Helen Crowthorne, next-door neighbour to the Delaney family Plot[edit]Cast and characters[edit]

"Hearing the raw feeling with which these Sunderland fans sing an apparently silly tribute to their manager prompted me to write a simple song about how emotional we can all get over something as trivial as football. The sacking of Tony Mowbray during this project brought out something especially sad about the intense but fleeting bonds that form between football's practitioners and their audiences, and I did my best to highlight this with some fairly minimal instrumentation." Sunderland fans in London reimagined by Henry Mason.

Henry: Partner at Dawn Capital, which recently raised the largest early stage tech fund in Europe at $700M Previously worked at the Ministry of Justice in the UK Started his career as a consultant with Farsight Consulting Check out the episode for our discussion on regional differences between European cybersecurity markets, expansion overseas, and more.

Christoph Wellner spricht mit Librettist Henry Mason und Komponist Thomas Zaufke über ihre Arbeit am Musical „Die Königinnen“, welches im Februar 2024 Premiere feiert.

Henry Mason is a voice actor and ADR script adapter. He is best known for voicing Colm in Fire Emblem Heroes, Good Yosh Imimi in Yu-Gi-Oh! and Guccio in Jojo's Bizarre Adventure Part 6: Stone Ocean.   In this episode Henry and I talk about his career, anime, dubs vs subs, script adapting, dealing with negativity, Demon Slayer, Edens Zero and the ins and outs of anime localization.   Henry's website and social media:   http://www.henrymasonvoice.com/   https://twitter.com/HenryMasonVoice    

Trend Driven Innovation O livro "inovação motivada por tendências" ou do inglês "Trend driven innovation" foi escrito por David Mattin e Henry Mason, palestrantes TED, consultores e referências em futurismo, inovação e tendências. Nesse livro os autores compartilham uma mensagem contra-intuitiva e desconfortável : Para descobrir qual será a próxima tendência, precisamos parar de olhar para o que as pessoas querem e passar a observar o que as empresas querem. A economia da antecipação Porque os seus consumidores são praticamente impossíveis de serem 100% agradados? A economia da expectativa acontece sobre 3 pilares. 1- Expectativa de aumento da qualidade 2- Expectativa de Impacto positivo 3- Expectativa de expressão pessoal e personalização Esses 3 pontos dão aos consumidores poder e controle sobre as tendências, enquanto que, o que resta para as empresas é persegui-los incansavelmente. Baixe o Relatório de Tendências produzido pelo Pinterest e Revista Elle para entender como se posicionar e se diferenciar em diversos nichos de mercado. https://www.resumocast.com.br/pinterest ou https://business.pinterest.com/pt-br/blog/tendencias-pinterest-elle/     Entre para o Clube do Livro: https://www.resumocast.com.br/apoiase

"When you have a door bell that goes ting ting thunk instead of ringing properly, you get accustomed to unusual visitors. At least, it seemed to Henry Mason that since his doorbell had taken to misbehaving his visitors had been anything but run of the mill." Today's story is "MCMLV," a story written by Wilson Tucker and published in Issue 8 of Universe Science Fiction. Wilson Tucker, the author of "MCMLV," lived from 1914 to 2006. In addition to his fiction writing, he also wrote about science fiction as a prominent fan, and he even coined the immortal term "space opera." "MCMLV" was published in Issue 8 of Universe Science Fiction. All issues of Universe Science Fiction are available on the Internet Archive at archive.org. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Today Katie Uttley catches up with Fredericton, NB native CFC150 RB Henry Mason, who's hoping to navigate the unique path from the Maritimes to the NCAA ... Become a CFCINSIDER today on canadafootballchat.com

Hosts John Fenn and Stephen Winick are joined by staff member Jennifer Cutting to discuss and play some of their favorite ballads and songs about ghosts, goblins, fairies, and elves—not to mention the Devil himself. Songs include “The Unquiet Grave” sung by Jean Ritchie; “Polly Vaughan” sung by Albert Lancaster “Bert” Lloyd; “The Three Babes” or “The Wife of Usher’s Well” sung by Isaac Garfield “Ike” Greer and accompanied by Willie Spainhour Greer on a mountain dulcimer; “Bolakins,” also known as “Lamkin” or “Long Lankin,” sung by Lena Bare Turbyfill; “The Stolen Bride” or “A Bhean Úd Thíos (The Woman Of The Fairy Mound)” sung by Séamus Ennis; and “Tom Devil” sung by James Carter, Ed Lewis, Henry Mason, Johnny Lee Moore. All the recordings are from the American Folklife Center archive at the Library of Congress, and the hosts and guests talk about the songs, the singers, and the archive.

With a cameo appearance by Buck O'Neil, KC Monarch pitcher Henry Mason recalls his career in the Negro Leagues including pitching a no-hitter!  Batter Up!

This round table chat between Negro League players and this young generation of students is inspiring. Though having completely different backgrounds and experiences, these generations come together to share a passion for Negro League history! 

Brutality and inhumanity were central to the Southern state prison farms, in their theory and their practice, and of them all, the Mississippi State Penitentiary at Parchman Farm was the most brutal and inhuman. Both John A. and Alan Lomax made repeated visits to Parchman, recording — under the eye of the disinterested white captains, sergeants, and warden, and the guns of the "trusty" prisoner-guards — a body of American song unmatched in its depth, dignity, and power. 

Folklorist and prison documentarian Bruce Jackson once said that the group work songs sung by the black inmates of the Southern penitentiary farms were means of "making it in Hell." Alan Lomax, writing in 1947, said that: "In the pen itself, we saw that the songs, quite literally kept the men alive and normal.... These songs, coming out of the filthy darkness of the pen, touched with exquisite musicality, are a testimony to the love of truth and beauty which is a universal human trait." In this episode, spurred by the ongoing horrors being reported in the Mississippi Department of Corrections in general and at Parchman in particular, we listen back over the four decades of recordings made by the four white folklorists (the Lomaxes, Herbert Halpert, and William Ferris) who took the trouble to visit the place and document the singing of its prisoners: work songs for clearing ground, felling trees, picking cotton, or breaking rocks, as well as solo field hollers, spirituals, and blues.No one can mourn the passing of this song tradition and the system of black disenfranchisement and white supremacy that made it necessary to its singers. But, despite the 1971 class-auction lawsuit that forced federal reorganization of Parchman due to its epidemic use of "cruel and unusual punishment," it's only differently awful in 2020. In his harrowing "Worse Than Slavery: Parchman Farm and the Ordeal of Jim Crow Justice," Michael Oshinsky provides a 1975 quote from a convict named Horace Carter, who’d been at Parchman for fifty years. What was missing in the “new” Parchman, Mr. Carter said, was “the feeling that work counted for something… awful bad as it was in most camps, that kept us tired and kept us together and made me feel better. I’m not looking to go backwards. I know the troubles at old Parchman better than any man alive. I’m 73 years old. But I look around today and see a place that makes me sad.”  

This episode was completed before the announcement that William Barr's Justice Department will open a civil rights investigation into conditions at Parchman. It's hard to imagine an administration with less sympathy for incarcerated people of color, but who knows, maybe, at last, Parchman Farm will be shuttered for good. 

“These songs are a vivid reminder of a system of social control and forced labor that has endured in the South for centuries, and I do not believe that the pattern of Southern life can be fundamentally reshaped until what lies behind these roaring, ironic choruses is understood.” —Alan Lomax, 1958For streaming audio of all of Alan Lomax's 1947, 1948, and 1959 Parchman Farm recordings, visit research.culturalequity.org.



PLAYLIST:[Bed music:] Unidentified ensemble, including Lonnie Robertson, guitar, and possibly "Black Eagle," cornet. Camp 1, April 1936. *Frank Devine and unidentified man: In the Bye and Bye. Unidentified camp, August 1933. *Bowlegs (real name unknown): Drink My Morning Tea. Camp 12, August 1933. *Unidentified men: He Never Said A Mumblin' Word. Unidentified camp, August 1933. *M.B. Barnes, Louella Dade, Passion Buckner, Alberta Turner, Bertha Riley, Lily Mallard, Christine Shannon, and Josephine Douglas: Oh Freedom. Women's camp, April 1936.*Big Charlie Butler: Diamond Joe. Unidentified camp, March 1937. [Bed music:] John Dudley: Cool Drink of Water Blues. Dairy camp, October 1959. 

*Mattie May Thomas: Workhouse Blues. Women's camp, May 1939.*"22" (Benny Will Richardson) and group: It Makes A Long Time Man Feel Bad. Camp B, November or December 1947.

*Ervin Webb and group: I'm Goin' Home. Dairy camp, October 1959. *Johnny Lee Moore, Henry Mason, Ed Lewis and James Carter: Tom Devil. Camp B, October 1959.[Bed music:] James Carter and group: Poor Lazarus. Camp B, October 1959. *Unidentified prisoners: Water Boy Drowned In the Mobile Bay. Unidentified camp, August 1968. *Heuston Earms: Ain't Been Able to Get Home No More / interview. Camp B, October 1959.

Brutality and inhumanity were central to the Southern state prison farms, in their theory and their practice, and of them all, the Mississippi State Penitentiary at Parchman Farm was the most brutal and inhuman. Both John A. and Alan Lomax made repeated visits to Parchman, recording — under the eye of the disinterested white captains, sergeants, and warden, and the guns of the "trusty" prisoner-guards — a body of American song unmatched in its depth, dignity, and power. Folklorist and prison documentarian Bruce Jackson once said that the group work songs sung by the black inmates of the Southern penitentiary farms were means of "making it in Hell." Alan Lomax, writing in 1947, said that: "In the pen itself, we saw that the songs, quite literally kept the men alive and normal.... These songs, coming out of the filthy darkness of the pen, touched with exquisite musicality, are a testimony to the love of truth and beauty which is a universal human trait." In this episode, spurred by the ongoing horrors being reported in the Mississippi Department of Corrections in general and at Parchman in particular, we listen back over the four decades of recordings made by the four white folklorists (the Lomaxes, Herbert Halpert, and William Ferris) who took the trouble to visit the place and document the singing of its prisoners: work songs for clearing ground, felling trees, picking cotton, or breaking rocks, as well as solo field hollers, spirituals, and blues.No one can mourn the passing of this song tradition and the system of black disenfranchisement and white supremacy that made it necessary to its singers. But, despite the 1971 class-auction lawsuit that forced federal reorganization of Parchman due to its epidemic use of "cruel and unusual punishment," it's only differently awful in 2020. In his harrowing "Worse Than Slavery: Parchman Farm and the Ordeal of Jim Crow Justice," Michael Oshinsky provides a 1975 quote from a convict named Horace Carter, who'd been at Parchman for fifty years. What was missing in the “new” Parchman, Mr. Carter said, was “the feeling that work counted for something… awful bad as it was in most camps, that kept us tired and kept us together and made me feel better. I'm not looking to go backwards. I know the troubles at old Parchman better than any man alive. I'm 73 years old. But I look around today and see a place that makes me sad.” This episode was completed before the announcement that William Barr's Justice Department will open a civil rights investigation into conditions at Parchman. It's hard to imagine an administration with less sympathy for incarcerated people of color, but who knows, maybe, at last, Parchman Farm will be shuttered for good. “These songs are a vivid reminder of a system of social control and forced labor that has endured in the South for centuries, and I do not believe that the pattern of Southern life can be fundamentally reshaped until what lies behind these roaring, ironic choruses is understood.” —Alan Lomax, 1958For streaming audio of all of Alan Lomax's 1947, 1948, and 1959 Parchman Farm recordings, visit archive.culturalequity.org.PLAYLIST:[Bed music:] Unidentified ensemble, including Lonnie Robertson, guitar, and possibly "Black Eagle," cornet. Camp 1, April 1936. *Frank Devine and unidentified man: In the Bye and Bye. Unidentified camp, August 1933. *Bowlegs (real name unknown): Drink My Morning Tea. Camp 12, August 1933. *Unidentified men: He Never Said A Mumblin' Word. Unidentified camp, August 1933. *M.B. Barnes, Louella Dade, Passion Buckner, Alberta Turner, Bertha Riley, Lily Mallard, Christine Shannon, and Josephine Douglas: Oh Freedom. Women's camp, April 1936.*Big Charlie Butler: Diamond Joe. Unidentified camp, March 1937.[Bed music:] John Dudley: Cool Drink of Water Blues. Dairy camp, October 1959. *Mattie May Thomas: Workhouse Blues. Women's camp, May 1939.*"22" (Benny Will Richardson) and group: It Makes A Long Time Man Feel Bad. Camp B, November or December 1947. *Ervin Webb and group: I'm Goin' Home. Dairy camp, October 1959. *Johnny Lee Moore, Henry Mason, Ed Lewis and James Carter: Tom Devil. Camp B, October 1959.[Bed music:] James Carter and group: Poor Lazarus. Camp B, October 1959. *Unidentified prisoners: Water Boy Drowned In the Mobile Bay. Unidentified camp, August 1968. *Heuston Earms: Ain't Been Able to Get Home No More / interview. Camp B, October 1959.

Our first ADC 2018 Episode :) I recorded this with Henry earlier today before his talk and we had a lot of fun, talking about trends and what to learn from them for today. He thinks that looking into the future is totally overrated and analysing what happens today is underrated.

Our first ADC 2018 Episode :) I recorded this with Henry earlier today before his talk and we had a lot of fun, talking about trends and what to learn from them for today. He thinks that looking into the future is totally overrated and analysing what happens today is underrated.

For anyone looking to be an authority in their industry I can promise you that being able to stay five steps ahead of the others in your space is one of the keys.  How exactly do you track trends? Where do you look? How do you take something on the fringe of what's going on, and make it relevant to the people that you're interested in influencing? How do you use that to drive the next big game changing conversation in your industry? And what if what if the answer to all of that was to firstly stop looking where everybody else is looking? Henry Mason is the master of determining trends over fads, this London based think tank has been across the innovations that are transforming today for many years - he decodes for us how to get ahead of what's next. Find out more about me and the work I do at juliemasters.com or follow me on instagram at jules.masters See acast.com/privacy for privacy and opt-out information.

Last month, I caught up with Henry Mason, global keynote speaker, Managing Director of Trendwatching, and co-author of Trend-Driven Innovation. We spent a sunny afternoon discussing crowd-sourced business models, the nuanced art of “trade jiu jitsu,” and the unexpected benefits when you play the role of the court jester. For more, visit: instigating.co

Henry Mason spends his days trying to figure out what consumers might want next. Author of the book ‘Trend-Driven Innovation’ and head of the research firm, Trendwatching, he and his team scour the world for new ideas, business model innovation and the impact of disruptive technologies. Over a cup of tea in London, we spoke about the viral impact of great experience design, how to look outside your frame of reference, why the most powerful trends cross demographics, and the human needs that will shape the future of virtual reality, AI and machine learning.

Henry Mason spends his days trying to figure out what consumers might want next. Author of the book ‘Trend-Driven Innovation’ and head of the research firm, Trendwatching, he and his team scour the world for new ideas, business model innovation and the impact of disruptive technologies. Over a cup of tea in London, we spoke about the viral impact of great experience design, how to look outside your frame of reference, why the most powerful trends cross demographics, and the human needs that will shape the future of virtual reality, AI and machine learning.