Podcasts about Mowbray

Nicole Mowbray came out as a lesbian in 1986 in Melbourne, Australia. She was 19 at the time and came out to a thriving lesbian community. In the intervening 40 years, she has watched that thriving community go underground in order to keep males out. It is now illegal for lesbians to have public single sex spaces and there is now nowhere for young lesbians to find their community. Nicole joined the Lesbian Action Group in order to try to turn this around and has been involved in the ensuing legal action. She worked professionally as an academic librarian and multimedia designer and has also been involved in the environmental movement as a climate leader and grower of trees."

In 1096, Robert de Mowbray, the former Earl of Northumbria, was living in Windsor.  And he better get comfy, because his majesty seemed quite happy to keep him there as a permanent resident. The post 476 – The Crackdown first appeared on The British History Podcast.

Health professionals have voiced concerns as the Runit Championship League makes its debut in Auckland. The controversial new combat sport has players running full force at each other. Stacey Mowbray, Headway CEO, says this sport presents high risks of brain injury - and the research agrees. "One thing that worries us is - have these people been fully informed? Listening to people involved in it, they didn't actually seem to realise there was a difference...we want to educate people." LISTEN ABOVESee omnystudio.com/listener for privacy information.

I was delighted to talk to the historian Helen Castor (who writes The H Files by Helen Castor) about her new book The Eagle and the Hart. I found that book compulsive, and this is one of my favourite interviews so far. We covered so much: Dickens, Melville, Diana Wynne Jones, Hilary Mantel, whether Edward III is to blame for the Wars of the Roses, why Bolingbroke did the right thing, the Paston Letters, whether we should dig up old tombs for research, leaving academia, Elizabeth I, and, of course, lots of Shakespeare. There is a full transcript below.Henry: Is there anything that we fundamentally know about this episode in history that Shakespeare didn't know?Helen: That's an extremely good question, and I'm tempted now to say no.Helen told me what is hardest to imagine about life in the fourteenth century.I think it's relatively easy to imagine a small community or even a city, because we can imagine lots of human beings together, but how relationships between human beings happen at a distance, not just in terms of writing a letter to someone you know, but how a very effective power structure happens across hundreds of miles in the absence of those things is the thing that has always absolutely fascinated me about the late Middle Ages. I think that's because it's hard, for me at least, to imagine.Good news to any publishers reading this. Helen is ready and willing to produce a complete edition of the Paston Letters. They were a bestseller when they were published a hundred years ago, but we are crying out for a complete edition in modern English.Henry: If someone wants to read the Paston Letters, but they don't want to read Middle English, weird spelling, et cetera, is there a good edition that they can use?Helen: Yes, there is an Oxford World's Classic. They're all selected. There isn't a complete edition in modern spelling. If any publishers are listening, I would love to do one. Henry: Yes, let's have it.Helen: Let's have it. I would really, really love to do that.Full TranscriptHenry: Today I am talking to the historian, Helen Castor. Helen is a former fellow of Sydney Sussex College in Cambridge. She has written several books of history. She is now a public historian, and of course, she has a Substack. The H Files by Helen CastorWe are going to talk mostly about her book, The Eagle and the Hart, which is all about Richard II and Henry IV. I found this book compulsive, so I hope you will read it too. Helen, welcome.Helen: Thank you very much for having me, Henry.Henry: You recently read Bleak House.Helen: I did.Henry: What did you think?Helen: I absolutely loved it. It was a long time since I'd read any Dickens. I read quite a lot when I was young. I read quite a lot of everything when I was young and have fallen off that reader's perch, much to my shame. The first page, that description of the London fog, the London courts, and I thought, "Why have I not been doing it for all these years?"Then I remembered, as so often with Dickens, the bits I love and the bits I'm less fond of, the sentimentality, the grotesquerie I'm less fond of, but the humour and the writing. There was one bit that I have not been able to read then or any of the times I've tried since without physically sobbing. It's a long time since a book has done that to me. I don't want to spoil it for anyone who hasn't read it, but--Henry: I'm sure I know what you mean. That's quite a sentimental passage.Helen: It is, but not sentimental in the way that I find myself objecting to. I think I really respond viscerally to this sentimentalising of some of his young women characters. I find that really off-putting, but I think now I'm a parent, and particularly I'm a parent of a boy [laughter]. I think it's that sense of a child being completely alone with no one to look after them, and then finding some people, but too late for a happy ending.Henry: Too late.Helen: Yes.Henry: You've been reading other classic novels, I think, Moby Dick?Helen: I'm in the middle of Moby Dick as we speak. I'm going very slowly, partly because I'm trying to savour every sentence. I love the sentence so much as a form. Melville is just astonishing, and also very, very funny in a way I hadn't expected to keep laughing out loud, sometimes because there is such humour in a sentence.Sometimes I'm just laughing because the sentence itself seems to have such audacity and that willingness to go places with sentences that sometimes I feel we've lost in the sort of sense of rules-based sentences instead of just sticking a semicolon and keep going. Why not, because it's so gorgeous and full of the joy of language at that point? Anyway, I'm ranting now, but--Henry: No, I think a lot of rules were instituted in the early 20th century that said you can and cannot do all these things, and writers before that point had not often followed those rules. I think what it has led to is that writers now, they can't really control a long sentence, in the sense that Melville and Dickens will do a long sentence, and it is a syntactically coherent thing, even though it's 60, 70 longer words. It's not just lots of stuff, and then, and then. The whole thing has got a beautiful structure that makes sense as a unit. That's just not obvious in a lot of writing now.Helen: I think that's exactly right. Partly, I've been reading some of the Melville out loud, and having just got onto the classification of whales, you can see I'm going very slowly. Those sentences, which are so long, but it's exactly that. If you read them out loud, and you follow the sense, and the punctuation, however irregular it might be in modern terms, gives you the breathing, you just flow on it, and the excitement of that, even or perhaps especially when one is talking about the classification of whales. Just joyful.Henry: Will we be seeing more very long sentences in your next book?Helen: I think I have to get a bit better at it. The habit that I was conscious of anyway, but became acutely so when I had to read my own audiobook for the first time is that I think I write in a very visual way. That is how I read because mostly it's silent.I discovered or rediscovered that often what I do when I want to write a very long sentence is I start the sentence and then I put a diversion or extra information within em dashes in the middle of the sentence. That works on the page because you can see spatially. I love that way of reading, I love seeing words in space.A lot of different kinds of text, both prose and poetry, I read in space like that. If you're reading to be heard, then the difficulty of breaking into a sentence with, whether it's brackets or em dashes or whatever, and then rejoining the sentence further down has its own challenges. Perhaps I ought to try and do less of that and experiment more with a Melvillian Dickensian onward flow. I don't know what my editor will think.Henry: What has brought you back to reading novels like this?Helen: I was wondering that this morning, actually, because I'm very aware having joined Substack, and of course, your Substack is one of the ones that is leading me further in this direction, very inspiringly, is discovering that lots of other people are reading and reading long novels now too. It reminded me of that thing that anyone with children will know that you have a baby and you call it something that you think only you have thought of, and then four years later, you call and you discover half the class is called that name. You wonder what was in the water that led everybody in that direction.I've just seen someone tweet this morning about how inspired they are by the builder next door who, on the scaffolding, is blasting the audiobook Middlemarch to the whole neighborhood.Henry: Oh my god. Amazing.Helen: It's really happening. Insofar as I can work out what led me as opposed to following a group, which clearly I am in some sense, I think the world at the moment is so disquieting, and depressing, and unnerving, that I think for me, there was a wish to escape into another world and another world that would be very immersive, not removed from this world completely. One that is very recognizably human.I think when I was younger, when I was in my teens and 20s, I loved reading science fiction and fantasy before it was such a genre as it is now. I'm a huge fan of Diana Wynne Jones and people like that.Henry: Oh, my god, same. Which one is your favorite?Helen: Oh, that is an impossible question to answer, partly because I want to go back and read a lot of them. Actually, I've got something next to me, just to get some obscurity points. I want to go back to Everard's Ride because there is a story in here that is based on the King's square. I don't know if I'm saying that right, but early 15th century, the story of the imprisoned King of Scotland when he was in prison in England. That one's in my head.The Dalemark Quartet I love because of the sort of medieval, but then I love the ones that are pure, more science fantasy. Which is your favorite? Which should I go back to first?Henry: I haven't read them all because I only started a couple of years ago. I just read Deep Secret, and I thought that was really excellent. I was in Bristol when I read it quite unwittingly. That was wonderful.Helen: Surrounded by Diana Wynne Jones' land. I only discovered many years into an obsession that just meant that I would read every new one while there were still new ones coming out. I sat next to Colin Burrow at a dinner in--Henry: Oh my god.Helen: I did sort of know that he was her son, but monstered him for the whole time, the whole course of sitting together, because I couldn't quite imagine her in a domestic setting, if you like, because she came up with all these extraordinary worlds. I think in days gone by, I went into more obviously imaginary worlds. I think coming back to it now, I wanted something big and something that I really could disappear into. I've been told to read Bleak House for so many decades and felt so ashamed I hadn't. Having done that, I thought, "Well, the whale."Henry: Have you read Diana Wynne Jones' husband's books, John Burrow? Because that's more in your field.Helen: It is, although I'm ashamed to say how badly read I am in medieval literary scholarship. It's weird how these academic silos can operate, shouldn't, probably don't for many, many people. I always feel I'm on horribly thin ground, thin ice when I start talking about medieval literature because I know how much scholarship is out there, and I know how much I haven't read. I must put John Burrow on my list as well.Henry: He's very readable. He's excellent.Helen: I think I can imagine, but I must go into it.Henry: Also, his books are refreshingly short. Your husband is a poet, so there's a lot of literature in your life at the moment.Helen: There is. When we met, which was 10 years ago-- Again, I don't think of myself as knowledgeable about poetry in general, but what was wonderful was discovering how much we had in common in the writing process and how much I could learn from him. To me, one of the things that has always been extremely important in my writing is the sentence, the sound of a sentence, the rhythm of a sentence folded into a paragraph.I find it extremely hard to move on from a paragraph if it's not sitting right yet. The sitting right is as much to do with sound and rhythm as it is to do with content. The content has to be right. It means I'm a nightmare to edit because once I do move on from a paragraph, I think it's finished. Obviously, my editor might beg to differ.I'm very grateful to Thomas Penn, who's also a wonderful historian, who's my editor on this last book, for being so patient with my recalcitrance as an editee. Talking to my husband about words in space on the page, about the rhythm, about the sound, about how he goes about writing has been so valuable and illuminating.I hope that the reading I've been doing, the other thing I should say about going back to big 19th-century novels is that, of course, I had the enormous privilege and learning curve of being part of a Booker jury panel three years ago. That too was an enormous kick in terms of reading and thinking about reading because my co-judges were such phenomenal reading company, and I learned such a lot that year.I feel not only I hope growing as a historian, but I am really, really focusing on writing, reading, being forced out of my bunker where writing is all on the page, starting to think about sound more, think about hearing more, because I think more and more, we are reading that way as a culture, it seems to me, the growth of audiobooks. My mother is adjusting to audiobooks now, and it's so interesting to listen to her as a lifelong, voracious reader, adjusting to what it is to experience a book through sound rather than on the page. I just think it's all fascinating, and I'm trying to learn as I write.Henry: I've been experimenting with audiobooks, because I felt like I had to, and I sort of typically hate audio anything. Jonathan Swift is very good, and so is Diana Wynne Jones.Helen: Interesting. Those two specifically. Is there something that connects the two of them, or are they separately good?Henry: I think they both wrote in a plain, colloquial style. It was very capable of being quite intellectual and had capacity for ideas. Diana Wynne Jones certainly took care about the way it sounded because she read so much to her own children, and that was really when she first read all the children's classics. She had developed for many years an understanding of what would sound good when it was read to a child, I think.Helen: And so that's the voice in her head.Henry: Indeed. As you read her essays, she talks about living with her Welsh grandfather for a year. He was intoning in the chapel, and she sort of comes out of this culture as well.Helen: Then Swift, a much more oral culture.Henry: Swift, of course, is in a very print-heavy culture because he's in London in 1710. We've got coffee houses and all the examiner, and the spectator, and all these people scribbling about each other. I think he was very insistent on what he called proper words in proper places. He became famous for that plain style. It's very carefully done, and you can't go wrong reading that out loud. He's very considerate of the reader that you won't suddenly go, "Oh, I'm in the middle of this huge parenthesis. I don't know how--" As you were saying, Swift-- he would be very deliberate about the placement of everything.Helen: A lot of that has to do with rhythm.Henry: Yes.Helen: Doesn't it? I suppose what I'm wondering, being very ignorant about the 18th century is, in a print-saturated culture, but still one where literacy was less universal than now, are we to assume that that print-saturated culture also incorporated reading out loud —Henry: Yes, exactly so. Exactly so. If you are at home, letters are read out loud. This obviously gives the novelists great opportunities to write letters that have to sort of work both ways. Novels are read out loud. This goes on into the 19th century. Dickens had many illiterate fans who knew his work through it being read to them. Charles Darwin's wife read him novels. When he says, "I love novels," what he means is, "I love it when my wife reads me a novel." [laughs]You're absolutely right. A good part of your audience would come from those listening as well as those reading it.Helen: Maybe we're getting back towards a new version of that with audiobooks expanding in their reach.Henry: I don't know. I saw some interesting stuff. I can't remember who was saying this. Someone was saying, "It's not an oral culture if you're watching short videos. That's a different sort of culture." I think, for us, we can say, "Oh yes, we're like Jonathan Swift," but for the culture at large, I don't know. It is an interesting mixed picture at the moment.Helen: Yes, history never repeats, but we should be wary of writing off any part of culture to do with words.Henry: I think so. If people are reporting builders irritating the neighbourhood with George Eliot, then it's a very mixed picture, right?Helen: It is.Henry: Last literary question. Hilary Mantel has been a big influence on you. What have you taken from her?Helen: That's quite a hard question to answer because I feel I just sit at her feet in awe. If I could point to anything in my writing that could live up to her, I would be very happy. The word that's coming into my head when you phrase the question in that way, I suppose, might be an absolute commitment to precision. Precision in language matters to me so much. Her thought and her writing of whatever kind seems to me to be so precise.Listening to interviews with her is such an outrageous experience because these beautifully, entirely formed sentences come out of her mouth as though that's how thought and language work. They don't for me. [chuckles] I'm talking about her in the present tense because I didn't know her, but I find it hard to imagine that she's not out there somewhere.Henry: She liked ghosts. She might be with us.Helen: She might. I would like to think that. Her writing of whatever genre always seems to me to have that precision, and it's precision of language that mirrors precision of thought, including the ability to imagine herself into somebody else's mind. That's, I suppose, my project as a historian. I'm always trying to experience a lost world through the eyes of a lost person or people, which, of course, when you put it like that, is an impossible task, but she makes it seem possible for her anyway and that's the road I'm attempting to travel one way or another.Henry: What is it about the 14th and 15th centuries that is hardest for us to imagine?Helen: I think this speaks to something else that Hilary Mantel does so extraordinarily well, which is to show us entire human beings who live and breathe and think and feel just as we do in as complex and contradictory and three-dimensional a way as we do, and yet who live in a world that is stripped of so many of the things that we take so much for granted that we find it, I think, hard to imagine how one could function without them.What I've always loved about the late Middle Ages, as a political historian, which is what I think of myself as, is that it has in England such a complex and sophisticated system of government, but one that operates so overwhelmingly through human beings, rather than impersonal, institutionalized, technological structures.You have a king who is the fount of all authority, exercising an extraordinary degree of control over a whole country, but without telephones, without motorized transport, without a professional police service, without a standing army. If we strip away from our understanding of government, all those things, then how on earth does society happen, does rule happen, does government happen?I think it's relatively easy to imagine a small community or even a city, because we can imagine lots of human beings together, but how relationships between human beings happen at a distance, not just in terms of writing a letter to someone you know, but how a very effective power structure happens across hundreds of miles in the absence of those things is the thing that has always absolutely fascinated me about the late Middle Ages. I think that's because it's hard, for me at least, to imagine.Henry: Good. You went to the RSC to watch The Henriad in 2013.Helen: I did.Henry: Is Shakespeare a big influence on this book? How did that affect you?Helen: I suppose this is a long story because Richard II and The Henriad have been-- there is Richard II. Richard II is part of The Henriad, isn't it?Henry: Yes.Helen: Richard II. Henry, see, this is-Henry: The two Henry IVs.Helen: -I'm not Shakespearean. I am. [laughs]Henry: No, it's Richard II, the two Henry IVs, and Henry V. Because, of course, Henry Bolingbroke is in Richard II, and it--Helen: Yes, although I never think of him as really the same person as Henry IV in the Henry IV plays, because he changes so dramatically between the two.Henry: Very often, they have a young actor and an old actor, and of course, in real life, that's insane, right?Helen: It's absolutely insane. I always separate Henry IV, parts I and II, and Henry V off from Richard II because it feels to me as though they operate in rather different worlds, which they do in lots of ways. My story with the Henry ad, now that we've established that I actually know what we're talking about, goes back to when I was in my teens and Kenneth Branagh was playing Henry V in Stratford. I grew up very near Stratford.At 15, 16, watching the young Branagh play Henry V was mind-blowing. I went a whole number of times because, in those days, I don't know how it is now, but you could go and get standing tickets for a fiver on the day. More often than not, if there were spare seats, you would get moved into some extraordinary stall seats at-- I was about to say halftime, I'm a football fan, at the interval.Henry V was the play I knew best for a long time, but at the same time, I'd studied Richard II at school. The Henry IV plays are the ones I know least well. I'm interested now to reflect on the fact that they are the ones that depart most from history. I wonder whether that's why I find them hardest to love, because I'm always coming to the plays from the history. Richard II and Henry V actually have a lot to show us about those kings. They bear very close relationships with a lot of the contemporary chronicles, whereas the Henry IV ones is Shakespeare doing his own thing much more.Particularly, as you've just said, making Henry IV way too old, and/or depending which angle we're looking at it from, making Hotspur way too young, the real Hotspur was three years older than Henry IV. If you want to make Hotspur and how-- your young Turks, you have to make Henry IV old and grey and weary with Northumberland.Back in 2013, the really intense experience I had was being asked to go for a day to join the RSC company on a school trip to Westminster Hall and Westminster Abbey at the beginning of their rehearsal process, so when David Tennant was playing Richard II and Greg Doran was directing. That was absolutely fascinating. I'd been thinking about Richard and Henry for a very long time. Obviously, I was a long way away from writing the book I've just written.Talking to actors is an extraordinary thing for a historian because, of course, to them, these are living characters. They want to know what's in their character's mind. They want to know, quite rightly, the chronological progression of their character's thought. That is something that's become more and more and more and more important to me.The longer I go on writing history, the more intensely attached I am to the need for chronology because if it hasn't happened to your protagonist yet, what are you doing with it? Your protagonist doesn't yet know. We don't know. It's very dramatically clear to us at the moment that we don't know what's happening tomorrow. Any number of outrageous and unpredictable things might happen tomorrow.The same certainly was true in Richard II's reign, goes on being true in Henry IV's reign. That experience, in the wake of which I then went to see Henry IV, parts 1 and 2 in Stratford, was really thought-provoking. The extent to which, even though I'd been working on this period for a long time, and had taught this period, I still was struggling to answer some of those questions.Then I'd just had the similarly amazing experience of having a meeting with the Richard II cast and director at the Bridge Theatre before the Nicholas Heitner production with Jonathan Bailey as Richard went on stage. That was actually towards the end of their rehearsal process. I was so struck that the actor playing Bolingbroke in this production and the actor playing Bolingbroke in the production back in 2013 both asked the same excellent first question, which is so hard for a historian to answer, which is at what point does Bolingbroke decide that he's coming back to claim the crown, not just the Duchy of Lancaster?That is a key question for Bolingbroke in Richard II. Does he already know when he decides he's going to break his exile and come back? Is he challenging for the crown straight away, or is he just coming back for his rightful inheritance with the Duchy of Lancaster? That is the million-dollar question when you're writing about Bolingbroke in 1399.It's not possible to answer with a smoking gun. We don't have a letter or a diary entry from Henry Bolingbroke as he's about to step on board ship in Boulogne saying, "I'm saying I'm coming back for the Duchy of Lancaster." The unfolding logic of his situation is that if he's going to come back at all, he's going to have to claim the crown. When he admits that to himself, and when he admits that to anybody else, are questions we can argue about.It was so interesting to me that that's the question that Shakespeare's Richard II throws up for his Bolingbroke just as much as it does for the historical one.Henry: Is there anything that we fundamentally know about this episode in history that Shakespeare didn't know?Helen: That's an extremely good question, and I'm tempted now to say no.Henry: When I left your book, the one thing I thought was that in Shakespeare, the nobles turn against Richard because of his excesses. Obviously, he really dramatizes that around the death of Gaunt. From your book, you may disagree with this, I came away thinking, well, the nobles wanted more power all the time. They may not have wanted the king's power, but there was this constant thing of the nobles feeling like they were owed more authority.Helen: I think the nobles always want more power because they are ambitious, competitive men within a political structure that rewards ambition and competition. The crucial thing for them is that they can only safely pursue ambition and competition if they know that the structure they're competing within will hold.The thing that keeps that structure rooted and solidly in place is the crown and the things that the crown is there to uphold, namely, particularly, the rule of law because if the rule of law starts to crumble, then the risk is that the whole structure collapses into anarchy. Within anarchy, then a powerful man cannot safely compete for more power because an even more powerful man might be about to roll into his estates and take them over. There have to be rules. There has to be fair competition. The referee is there on a football pitch for a reason.The king, in some senses, whether you want to see him as the keystone in an arch that supports a building or whether he's a referee on a football pitch, there are reasons why powerful men need rules because rules uphold their power. What goes wrong with Richard is that instead of seeing that he and the nobles have a common interest in keeping this structure standing, and that actually he can become more powerful if he works with and through the nobles, he sees them as a threat to him.He's attempting to establish a power structure that will not be beholden to them. In so doing, he becomes a threat to them. This structure that is supposed to stand as one mutually supportive thing is beginning to tear itself apart. That is why Richard's treatment of Bolingbroke becomes such a crucial catalyst, because what Richard does to Bolingbroke is unlawful in a very real and very technical sense. Bolingbroke has not been convicted of any crime. He's not been properly tried. There's been this trial by combat, the duel with Mowbray, but it hasn't stopped arbitrarily, and an arbitrary punishment visited upon both of them. They're both being exiled without having been found guilty, without the judgment of God speaking through this duel.Richard then promises that Bolingbroke can have his inheritance, even though he's in exile. As soon as Gaunt dies, Richard says, "No, I'm having it." Now, all of that is unlawful treatment of Bolingbroke, but because Bolingbroke is the most powerful nobleman in the country, it is also a warning and a threat to every other member of the political classes that if the king takes against you, then his arbitrary will can override the law.That diagnosis is there in Shakespeare. It's the Duke of York, who in reality was just a completely hopeless, wet figure, but he says, and I've got it written down, keep it beside me.Henry: Very nice.Helen: Kind of ridiculous, but here it is. York says to Richard, "Take Herford's rights away and take from time his charters and his customary rights. Let not tomorrow then ensue today. Be not thyself, for how art thou a king, but by fair sequence and succession?" In other words, if you interfere with, and I know you've written about time in these plays, it's absolutely crucial.Part of the process of time in these plays is that the rules play out over time. Any one individual king must not break those rules so that the expected process of succession over time can take place. York's warning comes true, that Richard is unseating himself by seeking to unseat Bolingbroke from his inheritance.Henry: We give Shakespeare good marks as a historian.Helen: In this play, yes, absolutely. The things he tinkers with in Richard II are minor plot points. He compresses time in order to get it all on stage in a plausible sequence of events. He compresses two queens into one, given that Richard was married to, by the time he fell, a nine-year-old who he'd married when he was six. It's harder to have a six-year-old making speeches on stage, so he puts the two queens into one.Henry: You don't want to pay another actor.Helen: Exactly.Henry: It's expensive.Helen: You don't want children and animals on stage. Although there is a wonderful account of a production of Richard II on stage in the West End in 1901, with the Australian actor Oscar Asche in it, playing Bolingbroke. The duel scene, he had full armour and a horse, opening night. It was a different horse from the one he rehearsed with. He gives an account in his autobiography of this horse rearing and him somersaulting heroically off the horse.Henry: Oh my god.Helen: The curtain having to come down and then it going back up again to tumultuous applause. You think, "Oscar, I'm wondering whether you're over-egging this pudding." Anyway, I give Shakespeare very good marks in Richard II, not really in the Henry IV plays, but gets back on track.Henry: The Henry IV plays are so good, we're forgiven. Was Richard II a prototype Henry VIII?Helen: Yes. Although, of course, history doesn't work forwards like that. I always worry about being a historian, talking about prototypes, if you see what I mean, but--Henry: No, this is just some podcast, so we don't have to be too strict. He's over-mighty, his sense of his relationship to God. There are issues in parliament about, "How much can the Pope tell us what to do?" There are certain things that seem to be inherent in the way the British state conceives of itself at this point that become problematic in another way.Helen: Is this pushing it too far to say Richard is a second son who ends up being the lone precious heir to the throne who must be wrapped in cotton wool to ensure that his unique God-given authority is protected? Also describes Henry VIII.Henry: They both like fancy clothes.Helen: Both like fancy clothes. Charles I is also a second son who has to step up.Henry: With wonderful cuffs and collars. He's another big dresser.Helen: And great patrons of art. I think we're developing new historical--Henry: No, I think there's a whole thing here.Helen: I think there is. What Henry does, of course, in rather different, because a lot has changed thanks to the Wars of the Roses, the power of the nobility to stand up independently of the crown is significantly lessened by the political effects of the Wars of the Roses, not at least that a lot of them have had their heads cut off, or died in battle, and the Tudors are busy making sure that they remain in the newly subjected place that they find themselves in.Henry then finds to go back to Hilary Mantel, a very, very able political servant who works out how to use parliament for him in rejecting those extra English powers that might restrain him. I do always wonder what Richard thought he was going to do if he'd succeeded in becoming Holy Roman Emperor, which I take very seriously as a proposition from Richard.Most other historians, because it's so patently ridiculous, if you look at it from a European perspective, have just said, "Oh, he got this idea that he wanted to become Holy Roman Emperor," but, of course, it was never going to happen. In Richard's mind, I think it was extremely real. Whether he really would have tried to give the English crown to Rutland, his favorite by the end of the reign, while he went off in glory to be crowned by the Pope, I don't know what was in his head. The difference with Henry is that the ambitions he eventually conceives are very England-focused, and so he can make them happen.Henry: Is there some sort of argument that, if the king hadn't won the Wars of the Roses, and the nobility had flourished, and their sons hadn't been killed, the reformation would have just been much harder to pull off here?[silence]Helen: I wonder what that would have looked like, because in a sense, the king was always going to win the Wars of the Roses, in the sense that you have to have a king. The minute you had someone left standing after that mess, that protracted mess, if he knew what he was doing, and there are arguments about the extent to which Henry VII knew what he was doing, or was doing something very different, whether or not he knew it was different, but there was always going to be an opportunity for a king to assert himself after that.Particularly, the extent to which the lesser landowners, the gentry had realized they couldn't just rely on the nobility to protect them anymore. They couldn't just follow their lord into battle and abdicate responsibility.Henry: Okay.Helen: That's an interesting--Henry: How much should we blame Edward III for all of this?Helen: For living too long and having too many sons?Henry: My argument against Edward is the Hundred Years' War, it doesn't actually go that well by the end of his reign, and it's cost too much money. Too many dukes with too much power. It's not that he had too many sons, he elevates them all and creates this insane situation. The war itself starts to tip the balance between the king and parliament, and so now you've got it from the dukes, and from the other side, and he just didn't manage the succession at all.Even though his son has died, and it really needs some kind of-- He allowed. He should have known that he was allowing a vacuum to open up where there's competition from the nobles, and from parliament, and the finances are a mess, and this war isn't there. It's just… he just leaves a disaster, doesn't he?Helen: I think I'd want to reframe that a little bit. Perhaps, I'm too much the king's friend. I think the political, and in some senses, existential dilemma for a medieval king is that the best of all possible worlds is what Edward achieves in the 1340s and the 1350s, which is, fight a war for reasons that your subjects recognize as in the common interest, in the national interest. Fight it over there so that the lands that are being devastated and the villages and towns that are being burned are not yours. Bring back lots of plunder. Everybody's getting richer and feeling very victorious.You can harness parliament. When things are going well, a medieval king and a parliament are not rivals for power. An English king working with parliament is more powerful than an English king trying to work without parliament. If things are going well, he gets more money, he can pass laws, he can enforce his will more effectively. It's win-win-win if you're ticking all those boxes.As you're pointing out, the worst of all possible worlds is to be fighting a war that's going badly. To fight a war is a big risk because either you're going to end up winning and everything's great, or if it's going badly, then you'd rather be at peace. Of course, you're not necessarily in a position to negotiate peace, depending on the terms of the war you've established.Similarly, with sons, you want heirs. You want to know the succession is safe. I think Edward's younger sons would argue with you about setting up very powerful dukes because the younger ones really-- York and Gloucester, Edmund of Langley and Thomas of Woodstock, really didn't have much in the way of an estate given to them at all, and always felt very hard done by about that. John of Gaunt is set up very well because he's married off to the heir of the Duke of Lancaster who's handily died, leaving only daughters.Henry: That's the problem, isn't it, creating that sort of impact? John of Gaunt is far too rich and powerful.Helen: You say that, except he's unfeasibly loyal. Without Gaunt, disaster happens much, much, much earlier. Gaunt is putting all those resources into the project of propping up the English state and the English crown for way longer than Richard deserves, given that Richard's trying to murder him half the time in the 1380s.Henry: [laughs] For sure. No, I agree with you there, but from Edward III's point of view, it's a mistake to make one very powerful son another quite powerful son next to-- We still see this playing out in royal family dynamics.Helen: This is the problem. What is the perfect scenario in a hereditary system where you need an heir and a spare, but even there, the spare, if he doesn't get to be the heir, is often very disgruntled. [laughs] If he does get to be the heir, as we've just said, turns out to be overconvinced of his own-Henry: Oh, indeed, yes.Helen: -specialness. Then, if you have too many spares, you run into a different kind of problem. Equally, if you don't have a hereditary system, then you have an almighty battle, as the Anglo-Saxons often did, about who's actually going to get the crown in the next generation. It's a very tricky--Henry: Is England just inherently unstable? We've got the Black Death, France is going to be a problem, whatever happens. Who is really going to come to a good fiscal position in this situation? It's no one's fault. It's just there wasn't another way out.Helen: You could say that England's remarkably-- See, I'm just playing devil's advocate the whole time.Henry: No, good.Helen: You could say England is remarkably stable in the sense that England is very unusually centralized for a medieval state at this point. It's centralized in a way that works because it's small enough to govern. It's, broadly speaking, an island. You've got to deal with the Scotts border, but it's a relatively short border. Yes, you have powerful nobles, but they are powerful nobles who, by this stage, are locked into the state. They're locked into a unified system of law. The common law rules everyone. Everyone looks to Westminster.It's very different from what the King of France has been having to face, which has been having to push his authority outward from the Île-de-France, reconquer bits of France that the English have had for a long time, impose his authority over other princes of the realm in a context where there are different laws, there are different customs, there are different languages. You could say that France is in a much more difficult and unstable situation.Of course, what we see as the tide of the war turns again in the early 15th century is precisely that France collapses into civil war, and the English can make hay again in that situation. If Henry V had not died too young with not enough sons in 1423, and particularly, if he'd left a son who grew up to be any use at all, as opposed to absolutely none-- what am I saying? I'm saying that the structure of government in England could work astonishingly well given the luck of the right man at the helm. The right man at the helm had to understand his responsibilities at home, and he had to be capable of prosecuting a successful war abroad because that is how this state works best.As you've just pointed out, prosecuting a successful war abroad is an inherently unstable scenario because no war is ever going to go in your direction the entire time. That's what Richard, who has no interest in war at all is discovering, because once the tide of war is lapping at your own shores, instead of all happening over there, it's a very, very different prospect in terms of persuading parliament to pay for it, quite understandably.You talk about the Black Death. One of the extraordinary things is looking at England in 1348, 1349, when the Black Death hits. Probably, something approaching half the population dies in 18 months. If you're looking at the progress of the war, you barely notice it happened at all. What does the government do? It snaps into action and implements a maximum wage immediately, in case [chuckles] these uppity laborers start noticing there are fewer of them, and they can ask for more money.The amount of control, at that stage at least, that the government has over a country going through an extraordinary set of challenges is quite remarkable, really.Henry: Did Bolingbroke do the right thing?Helen: I think Bolingbroke did the only possible thing, which, in some senses, equates to the right thing. If he had not come back, he would not only have been abandoning his own family, his dynasty, his inheritance, everything he'd been brought up to believe was his responsibility, but also abandoning England to what was pretty much by that stage, clearly, a situation of tyranny.The big argument is always, well, we can identify a tyrant, we have a definition of tyranny. That is, if a legitimate king rules in the common interest and according to the law, then a tyrant rules not in the common interest, and not according to the law. But then the thing that the political theorists argue about is whether or not you can actively resist a tyrant, or whether you have to wait for God to act.Then, the question is, "Might God be acting through me if I'm Bolingbroke?" That's what Bolingbroke has to hope, because if he doesn't do what he does in 1399, he is abandoning everything his whole life has been devoted to maintaining and taking responsibility for. It's quite hard to see where England would then end up, other than with somebody else trying to challenge Richard in the way that Henry does.Henry: Why was he anointed with Thomas Becket's oil?Helen: Because Richard had found it in the tower, [chuckles] and was making great play of the claims that were made for Thomas. This is one of the interesting things about Richard. He is simultaneously very interested in history, and interested in his place in history, his place in the lineage of English kings, going all the way back, particularly to the confessor to whom he looks as not only a patron saint, but as in some sense, a point of identification.He's also seeking to stop time at himself. He doesn't like to think about the future beyond himself. He doesn't show any interest in fathering an heir. His will is all about how to make permanent the judgments that he's made on his nobles. It's not about realistically what's going to happen after his death.In the course of his interest in history, he has found this vial of oil in the tower somewhere in a locked drawer with a note that says, "The Virgin gave this to Thomas Becket, and whoever is anointed with this oil shall win all his battles and shall lead England to greatness," et cetera. Richard has tried to have himself re-anointed, and even his patsy Archbishop of Canterbury that he's put in place after exiling the original one who'd stood up to him a bit.Even the new Archbishop of Canterbury says, "Sire, anointing doesn't really work like that. I'm afraid we can't do it twice." Richard has been wearing this vial round his neck in an attempt to claim that he is not only the successor to the confessor, but he is now the inheritor of this holy oil. The French king has had a holy oil for a very long time in the Cathedral of Reims, which was supposedly given to Clovis, the first king of France, by an angel, et cetera.Richard, who is always very keen on emulating, or paralleling the crown of France, is very, very keen on this. If you were Henry coming in 1399 saying, "No, God has spoken through me. The country has rallied to me. I am now the rightful king of England. We won't look too closely at my justifications for that," and you are appropriating the ceremonial of the crown, you are having yourself crowned in Westminster Abbey on the 13th of October, which is the feast day of the confessor, you are handed that opportunity to use the symbolism of this oil that Richard has just unearthed, and was trying to claim for himself. You can then say, "No, I am the first king crowned with this oil," and you're showing it to the French ambassadors and so on.If we are to believe the chroniclers, it starts making his hair fall out, which might be a contrary sign from God. It's a situation where you are usurping the throne, and what is questionable is your right to be there. Then, any symbolic prop you can get, you're going to lean on as hard as you can.Henry: A few general questions to close. Should we be more willing to open up old tombs?Helen: Yes. [laughs]Henry: Good. [laughs]Helen: I'm afraid, for me, historical curiosity is-- Our forebears in the 18th and 19th century had very few qualms at all. One of the things I love about the endless series of scholarly antiquarian articles that are-- or not so scholarly, in some cases, that are written about all the various tomb openings that went on in the 18th and 19th century, I do love the moments, where just occasionally, they end up saying, "Do you know what, lads? Maybe we shouldn't do this bit." [chuckles]They get right to the brink with a couple of tombs and say, "Oh, do you know what? This one hasn't been disturbed since 1260, whatever. Maybe we won't. We'll put it back." Mostly, they just crowbar the lid off and see what they can find, which one might regret in terms of what we might now find with greater scientific know-how, and et cetera. Equally, we don't do that kind of thing anymore unless we're digging up a car park. We're not finding things out anyway. I just love the information that comes out, so yes, for me.Henry: Dig up more tombs.Helen: Yes.Henry: What is it that you love about the Paston Letters?Helen: More or less everything. I love the language. I love the way that, even though most of them are dictated to scribes, but you can hear the dictation. You can hear individual voices. Everything we were saying about sentences. You can hear the rhythm. You can hear the speech patterns. I'm no linguistic expert, but I love seeing the different forms of spelling and how that plays out on the page.I love how recognizable they are as a family. I love the fact that we hear women's voices in a way that we very rarely do in the public records. The government which is mainly what we have to work with. I love Margaret Paston, who arrives at 18 as a new bride, and becomes the matriarch of the family. I love her relationship with her two eldest boys, John and John, and their father, John.I do wish they hadn't done that because it doesn't help those of us who are trying to write about them. I love the view you get of late medieval of 15th-century politics from the point of view of a family trying to survive it. The fact that you get tiny drops in letters that are also about shopping, or also about your sisters fall in love with someone unsuitable. Unsuitable only, I hasten to add, because he's the family bailiff, not because he isn't a wonderful and extremely able man. They all know those two things. It's just that he's a family bailiff, and therefore, not socially acceptable.I love that experience of being immersed in the world of a 15th-century gentry family, so politically involved, but not powerful enough to protect themselves, who can protect themselves in the Wars of the Roses in any case.Henry: If someone wants to read the Paston Letters, but they don't want to read Middle English, weird spelling, et cetera, is there a good edition that they can use?Helen: Yes, there is an Oxford World's Classic. They're all selected. There isn't a complete edition in modern spelling. If any publishers are listening, I would love to do one. [chuckles]Henry: Yes, let's have it.Helen: Let's have it. I would really, really love to do that. There are some very good selections. Richard Barber did one many years ago, and, of course, self-advertising. There is also my book, now more than 20 years old, about the Paston family, where I was trying to put in as much of the letters as I could. I wanted to weave the voices through. Yes, please go and read the Paston Letters in selections, in whatever form you can get them, and let's start lobbying for a complete modernized Paston.Henry: That's right. Why did you leave academia? Because you did it before it was cool.Helen: [laughs] That's very kind of you to say. My academic life was, and is very important to me, and I hate saying this now, because the academic world is so difficult now. I ended up in it almost by accident, which is a terrible thing to say now, people having to-- I never intended to be an academic. My parents were academics, and I felt I'd seen enough and wasn't sure I wanted to do that.I couldn't bear to give up history, and put in a PhD application to work with Christine Carpenter, who'd been the most inspiring supervisor when I was an undergraduate, got the place, thought, "Right, I'm just going to do a PhD." Of course, once you're doing a PhD, and everyone you know is starting to apply for early career jobs, which weren't even called early career jobs in those days, because it was a million years ago.I applied for a research fellowship, was lucky enough to get it, and then applied for a teaching job, utterly convinced, and being told by the people around me that I stood no chance of getting it, because I was way too junior, and breezed through the whole process, because I knew I wasn't going to get it, and then turned up looking for someone very junior.I got this wonderful teaching job at Sidney Sussex in Cambridge and spent eight years there, learned so much, loved working with the students. I was working very closely with the students in various ways, but I wasn't-- I'm such a slow writer, and a writer that needs to be immersed in what I was doing, and I just wasn't managing to write, and also not managing to write in the way I wanted to write, because I was becoming clearer and clearer about the fact that I wanted to write narrative history.Certainly, at that point, it felt as though writing narrative history for a general audience and being an early career academic didn't go so easily together. I think lots of people are now showing how possible it is, but I wasn't convinced I could do it. Then, sorry, this is a very long answer to what's [crosstalk] your question.Henry: That's good.Helen: I also had my son, and my then partner was teaching at a very different university, I mean, geographically different, and we were living in a third place, and trying to put a baby into that geographical [chuckles] setup was not going to work. I thought, "Well, now or never, I'll write a proposal for a book, a narrative, a book for a general readership, a narrative book about the Paxton family, because that's what I really want to write, and I'll see if I can find an agent, and I'll see if I," and I did.I found the most wonderful agent, with whose help I wrote a huge proposal, and got a deal for it two weeks before my son was due. At that point, I thought, "Okay, if I don't jump now, now or never, the stars are aligned." I've been a freelance medieval historian ever since then, touching every wood I can find as it continues to be possible. I am very grateful for those years in Cambridge. They were the making of me in terms of training and in terms of teaching.I certainly think without teaching for those years, I wouldn't be anywhere near as good a writer, because you learn such a lot from talking to, and reading what students produce.Henry: How do you choose your subjects now? How do you choose what to write about?Helen: I follow my nose, really. It's not very scientific.Henry: Why should it be?Helen: Thank you. The book, bizarrely, the book that felt most contingent, was the one I wrote after the Paston book, because I knew I'd written about the Pastons in my PhD, and then again more of it in the monograph that was based on my PhD. I knew having written about the Pastons in a very academic, analytical way, contributing to my analysis of 15th-century politics. I knew I wanted to put them at the center and write about them. That was my beginning point.The big question was what to do next, and I was a bit bamboozled for a while. The next book I ended up writing was She-Wolves, which is probably, until now, my best-known book. It was the one that felt most uncertain to me, while I was putting it together, and that really started from having one scene in my head, and it's the scene with which the book opens. It's the scene of the young Edward VI in 1553, Henry VIII's only son, dying at the age of 15.Suddenly, me suddenly realizing that wherever you looked on the Tudor family tree at that point, there were only women left. The whole question of whether a woman could rule was going to have to be answered in some way at that point, and because I'm a medievalist, that made me start thinking backwards, and so I ended up choosing some medieval queens to write about, because they've got their hands on power one way or another.Until very close to finishing it, I was worried that it wouldn't hang together as a book, and the irony is that it's the one that people seem to have taken to most. The next book after that grew out of that one, because I found myself going around talking about She-Wolves, and saying repeatedly, "The problem these queens faced was that they couldn't lead an army on the battlefield."Women couldn't do that. The only medieval woman who did that was Joan of Arc, and look what happened to her. Gradually, I realized that I didn't really know what had happened to her. I mean, I did know what--Henry: Yes, indeed.Helen: I decided that I really wanted to write about her, so I did that. Then, having done that, and having then written a very short book about Elizabeth I, that I was asked to write for Penguin Monarchs, I realized I'd been haunted all this time by Richard and Henry, who I'd been thinking about and working on since the very beginning of my PhD, but I finally felt, perhaps, ready to have a go at them properly.It's all been pretty organic apart from She-Wolves, which was the big, "What am I writing about next?" That took shape slowly and gradually. Now, I'm going to write about Elizabeth I properly in a-Henry: Oh, exciting.Helen: -full-scale book, and I decided that, anyway, before I wrote this last one, but I-- It feels even righter now, because I Am Richard II, Know Ye Not That, feels even more intensely relevant having now written about Richard and Henry, and I'm quite intimidated because Elizabeth is quite intimidating, but I think it's good, related by your subjects.[laughter]Henry: Have you read the Elizabeth Jenkins biography?Helen: Many, many years ago. It's on my shelf here.Henry: Oh, good.Helen: In fact, so it's one of the things I will be going back to. Why do you ask particularly? I need--Henry: I'm a big Elizabeth Jenkins fan, and I like that book particularly.Helen: Wonderful. Well, I will be redoubled in my enthusiasm.Henry: I look forward to seeing what you say about it. What did you learn from Christine Carpenter?Helen: Ooh. Just as precision was the word that came into my head when you asked me about Hilary Mantel, the word that comes into my head when you ask about Christine is rigor. I think she is the most rigorous historical thinker that I have ever had the privilege of working with and talking to. I am never not on my toes when I am writing for, talking to, reading Christine. That was an experience that started from the first day I walked into her room for my first supervision in 1987.It was really that rigor that started opening up the medieval world to me, asking questions that at that stage I couldn't answer at all, but suddenly, made everything go into technicolor. Really, from the perspective that I had been failing to ask the most basic questions. I would sometimes have students say to me, "Oh, I didn't say that, because I thought it was too basic."I have always said, "No, there is no question that is too basic." Because what Christine started opening up for me was how does medieval government work? What are you talking about? There is the king at Westminster. There is that family there in Northumberland. What relates the two of them? How does this work? Think about it structurally. Think about it in human terms, but also in political structural terms, and then convince me that you understand how this all goes together. I try never to lose that.Henry: Helen Castor, thank you very much.Helen: Thank you so much. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.commonreader.co.uk/subscribe

Night fell… and gradually, everything within Bamburgh and the Malvoisin went quiet.  Sure, there were the occasional patrols, and the occasional muffled voice as two people shared a moment, or simply tried to keep themselves awake while on watch… but for the most part, there was no sound except for that of the waves lapping […] The post 475 – The Fall of Mowbray first appeared on The British History Podcast.

SEND US FAN MAILIn this episode, Dr. Fabrice Mowbray joins the Spartan Nurse Podcast to break down how big data and predictive analytics are transforming healthcare. Mowbray shares how data can help predict patient needs, improve clinical decisions, and guide healthcare policy. He explains the difference between machine learning and traditional models, why nurses are key to building meaningful data tools, and how Michigan State University's College of Nursing is leading the way in training the next generation of data-driven clinicians.GlossaryBlack BoxAny complex piece of equipment, typically a unit in an electronic system, with contents that are mysterious to the user.CalibrationAdjusting a tool or model so it gives accurate and reliable results.ComplianceFollowing rules or laws, especially in healthcare or safety.ConsultationA meeting to get advice or share information, often with a professional like a doctor.ContextualDependent on the situation or setting something happens in.DelineateTo clearly show or describe something, like drawing boundaries or explaining steps.DiagnosticsTests or tools used to find out what is wrong with someone's health.Discrimination (in data/modeling)How well a model tells the difference between different groups or outcomes (not related to unfair treatment in this context).DisseminationThe act of sharing or spreading information widely.Doctorate (PhD)The highest degree you can earn in school. People with a PhD have studied a subject deeply and done original research.Electronic Medical Record (EMR)A digital version of a patient's medical chart that doctors and nurses use to track health information.Emergency Department (ED)A hospital facility that provides immediate, unscheduled outpatient care for patients with serious medical conditions requiring prompt attention.Emergency Room (ER)Another term for an emergency department.EncryptionA way to protect information by changing it into a code that only authorized people can read.EpidemiologyThe study of the distribution, causes, and control of diseases and other health-related states or events in populations.GeneralizableAble to apply to many people or situations, not just the ones studied.GeriatricRelated to the health and care of older adults.Hyper-parametersSettings or choices that guide how a machine learning model works, like how fast it learns.Intensive Care Unit (ICU)A special hospital area for very sick patients who need constant care and monitoring.NeonatalRelated to the care of newborn babies, especially those who are sick or born early.PrognosisA prediction about what is likely to happen with a person's health.Registered Nurse (RN)A licensed healthcare professional who gives medicine, helps patients, and works closely with doctors to provide care.Regression (in statistics)A way to find relationships between things, like how one factor might affect another.SepsisA life-threatening condition that occurs when the body's response to an infection damages vital organs.SocioeconomicRelated to a person's income,To find your breaking news and latest updates within the College of Nursing, please refer to our website at nursing.msu.edu. You can also find us on all social media platforms @MICHSTNursingIf you have a question for our hosts or a prospective guest, please message us at: MCOM.nursing@msu.edu

Rufus was marching North to directly challenge de Mowbray and anyone foolish enough to follow  him.  And of course he was.  There was only one response this King was ever going to have to de Mowbray's instigation.  War.   The post 474 – Malvoisin, the Evil Neighbor first appeared on The British History Podcast.

Let's go and finish the season off on a high shall we starting on Saturday!

Jonny Drury and Lewis Cox bring you the latest episode of the Baggies Broadcast in association with West Midlands Metro. After a day that saw Albion all but slip out of the play-off race and sack Tony Mowbray, the boys reflect on the decision to move the manager on just three months into his second spell. They discuss whether it is the right move, why the owners made the move now, and look at the players and their part in the end of season downfall. Lewis and Jonny also discuss what is next and who could be in the frame - while looking at the need for another big summer of change in the squad. And they also answer some of your burning Baggies questions. Want to have your say? Follow us on Twitter at @AlbionPoddy and get in touch with your questions Title Track: 'King Cyrille' by The King Dukes. (M.Griffiths) This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

Chris & Pete give their thoughts on the departure of Tony Mowbray and the sequence of events that led to his dismissal from the Albion hot-seat.They also ask what and who next for The Baggies.For more from Albion Analysis, follow us on X (@AlbionAnalysis) or check out our Substack: https://albionanalysis.substack.com/ Hosted on Acast. See acast.com/privacy for more information.

Another defeat and this time this really is the one that condemns us to Championship football next season.But as always - I keep the positive vibes going with plenty of Albion chat with different voices this time! While also giving you a view on the lucky mascot and how the day unfolded.

✅ Want all-access to step-by-step training from 7, 8 & 9-figure founders? Start your Foundr+ $1 trial today → Click Here ✅ Prefer 1-on-1 mentorship to launch or scale your brand faster? Apply for eCommerce coaching: → Starting your ecom biz? Click Here → Already selling and want to scale? Click Here What You'll Learn in This Episode In this episode, Nick Mowbray, co-founder of ZURU, shares how he and his brother built a backyard hot air balloon project into a global toy & consumer goods empire with over $3 billion in projected revenue. He shares: ✅ Why they lived off cents for 7 years in China to make ZURU work ✅ The brutal lessons from getting sued as a young entrepreneur ✅ How their first viral product generated $100M+ in revenue ✅ The “2% better every week” mindset that helped them outpace Hasbro & Mattel ✅ Why they never raised VC money and still scaled to billions This is a raw, relentless look at what it actually takes to go from zero to global dominance—without outside funding. If you want to scale fast, build lean, and think bigger, you'll want to listen to this one.

Nutty, irrational policy, that is costing a New Zealand toy company billions of dollars a year in trade tariffs. That's how Zuru Toys co-founder Nick Mowbray describes US import taxes and said President Trump needs more adults in the decision making room. Mowbray spoke to Lisa Owen.

How can big data actually help you shoot lower scores? In this episode, Jon and Adam are joined by Fabrice Mowbray—a data scientist and golf enthusiast—to explore how the same principles used in predictive clinical modeling can be applied to golf improvement. They dig into what big data really means, why small data can be misleading, and how golfers can use their own stats to make smarter decisions. You'll learn how to spot the signal through the noise and avoid some of the most common pitfalls in stat tracking. Whether you love geeking out on numbers or just want to know what's worth tracking, this one's packed with actionable insights. Thanks to our show sponsors Rhoback, Pestie, and Maui Nui Experience the unmatched comfort and versatility of Rhoback (pronounced ROW-back) Activewear, perfect for the golf course to everyday life. From polos with the best collars in the game to incredibly soft Q-zips for early morning rounds and hoodies so comfortable you'll never want to take them off, Rhoback delivers performance without sacrificing style. Use code SWEET20 for 20% off your first purchase at rhoback.com • Tired of bugs invading your home? Pestie is a simple, DIY pest control kit customized to your location and climate—no expensive service needed. For just $35 per treatment, you get everything you need to keep your home bug-free, with a 100% money-back guarantee. It's pet and kid-friendly and even used in schools and hospitals. Sweet Spot listeners get 10% off at pestie.com/sweetspots. • Looking for a lean, high-protein snack on the course? Maui Nui meat sticks pack 10g of protein in just 55 calories, with a clean, simple flavor perfect for golf. Sourced from wild axis deer on Maui, Maui Nui is the only company offering 100% wild-harvested, stress-free meat—part of a mission to restore Hawaii's ecosystem. Trusted by names like Dr. Huberman and Tim Ferriss, their products are a go-to for health-conscious eaters. Check out sticks, fresh cuts, and more at mauinuivenison.com/golf. Learn more about your ad choices. Visit megaphone.fm/adchoices

Zuru Toys co-founder Nick Mowbray speaks on the impacts of United States tariffs on China. He said businesses were “in a holding pattern” as they grappled with the uncertainty of changeable policy. US President Donald Trump announced sweeping tariffs on April 2. Kiwi billionaire Nick Mowbray says “it's hard to say we're not worried” about US President Donald Trump's tariffs and his administration's “chaotic” policy decisions. “We'll ship about $2 billion worth of goods to the US this year. So, at that run rate, that makes our tariffs worth about $3 billion at the moment.” Speaking from Los Angeles this morning (New Zealand time), the toy mogul said it was difficult to read the mood on the ground there. New Zealand businessman Nick Mowbray could not say he wasn't worried about the impact of tariffs. Photo / Alex Burton The co-founder of Zuru Toys told Newstalk ZB's Mike Hosking Breakfast it was impossible to plan around the tariffs. He also said it would be “obviously impossible” to shift manufacturing of his products from China to the United States to skirt the 145% tariff rate. His business, along with retailers, were “in a holding pattern”. “It's hard to say we're not worried. Everything seems to change each day. We're in a state of stopping everything at the moment because it's impossible to plan,” said Mowbray. “We're all hoping it doesn't continue for very long, but the [US] administration is definitely very chaotic.” He believed it was possible the tariffs would ultimately be negotiated down. Trump announced huge tariffs on different countries on April 2. In a whiplash change of tune a week later, he said all targeted countries but China would face a 10% rate for 90 days. Photo /The New York Times The $3b worth of tariffs his company would have to pay would be passed on to consumers in significant price increases. Mowbray said he was in the US, at his office, trying to work through the impact of the tariffs. The US has become Zuru's main export market, supplying the likes of Walmart, Target, Costco and Amazon. An escalating trade war ensued after the US imposed tariffs on China, seeing Beijing put in a retaliatory 125% rate on US imports. Trump announced huge tariffs on different countries on April 2. In a whiplash change of tune a week later, he said all targeted countries but China would face a 10% rate for 90 days. The trade war has created fears of an economic downturn as the dollar drops and investors part with US government bonds, normally considered a safe investment, Agence France-Presse reported. The impact on New Zealand remains uncertain. Kiwibank economists have outlined three possible scenarios for the country: Quick negotiations of tariff deals and little relative economic damage, longer dealmaking and prolonged economic insecurity, and the least likely scenario, recession. LISTEN ABOVE See omnystudio.com/listener for privacy information.

Kiwi toy entrepreneur Nick Mowbray says businesses in the US are pressing pause on major purchasing decisions. There's ongoing uncertainty about Donald Trump's tariff plan. The US President says he might temporarily lower tariffs on the auto industry following temporary reductions for Chinese electronics and goods from most other countries. Zuru Toys co-founder Nick Mowbray told Mike Hosking manufacturers and retailers are in a holding pattern, waiting to see how things pan out. He says it would be hard to say they're not worried, but they're just trying to deal with the situation as it unfolds daily. LISTEN ABOVE See omnystudio.com/listener for privacy information.

An exhaustive study of the construction of the St. Petersburg-Moscow Railway, written by my father. The written version of this review can be found here (https://theworthyhouse.com/2025/04/11/russia-enters-the-railway-age-1842-1855-richard-mowbray-haywood/). We strongly encourage all listeners to bookmark our main site (https://www.theworthyhouse.com). You can also subscribe for email notifications. The Worthy House does not solicit donations or other support, or have ads. Other than at the main site, you can follow Charles here: https://x.com/TheWorthyHouse

Jonny Drury and Lewis Cox bring you the latest episode of the Baggies Broadcast, sponsored by West Midlands Metro. The boys reflect on back to back defeats in four days, and what went so wrong at Bristol City as Albion conceded in the dying seconds of the game yet again. Jonny tears into the first half display, and raises big question marks about the character of Tony Mowbray's side. They talk selections and answer a mass of questions from you Baggies fans, as many question whether it is down to Mowbray and what the future holds. Want to have your say? Follow us on Twitter at @AlbionPoddy and get in touch with your questions Title Track: 'King Cyrille' by The King Dukes. (M.Griffiths) This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

DaveP is joined by Chris Honor, Ellie Jones & Tom Sutton in assessing City's chances of securing 5th or 6th position and participating in the Championship play offs for the first time since 2008.City have some massive games coming up with a lot of dog eat dog encounters amongst what we see as 4 clubs [WBA, Coventry, Boro & City] competing for 2 slots.We discuss potential "banana skin" fixtures against QPR & Preston, neither club have anything to play for - so City to fail against them after unexpectedly getting something perhaps at Burnley & Leeds!!Will experience in the dugout be a factor in determining success - Mowbray, Lampard, Carrick & Manning, our man being the least experienced in every respect. Hosted on Acast. See acast.com/privacy for more information.

Ryan Dilks and Justin Peach answer your questions to keep you entertained over the international break!How would Birmingham and Wrexham do in the Championship?Who's the most promising young English manager?Did Chris Wilder's celebrations after the Steel City derby go too far?Which Championship manager would you get to cook a three-course meal?It's the Second Tier.Sign up to our Patreon here!Watch this episode on YouTube here!Follow us on X, Instagram and email us secondtierpod@gmail.com.**Please rate and review us on Apple, Spotify or wherever you get your pods. It means a lot and makes it easy for other people to find us. Thank you!** Hosted on Acast. See acast.com/privacy for more information.

Aaron Paul and Jobi McAnuff are joined by West Brom's Jed Wallace. They discuss Guardiola's comments on the FA Cup ball and whether pitches are the real problem in the EFL. Jed lifts the lid on life under Tony Mowbray at West Brom and reveals whether ketchup has returned to the canteen. And could League One leaders Birmingham be set for a slide? 01:30 Jed Wallace on the mend 06:10 Guardiola making excuses about the FA Cup ball? 08:40 Are pitches the real problem in the EFL? 12:15 Jed's West Brom hold Championship leaders Leeds 20:55 Life under Mowbray vs Corberán 28:45 Is ketchup back in the West Brom canteen? 30:55 The Burnley defence has been breached! 34:10 Are Birmingham set for a slide? 36:40 Charlton looking good for play-offs 39:50 Cambridge in for another great escape? 43:45 Bradford pushing Walsall for League Two titleBBC Sounds / 5 Live commentaries this week: Wed 5 Mar 2000 PSG v Liverpool in the UEFA Champions League, Thu 6 Mar 1730 Real Sociedad v Man Utd in the UEFA Europa League, Sat 8 Mar 1500 Liverpool v Southampton in the Premier League, Sat 8 Mar 1730 Brentford v Aston Villa in the Premier League, Sun 9 Mar 1400 Chelsea v Leicester in the Premier League, Sun 9 Mar 1630 Man Utd v Arsenal in the Premier League.

Jonny Drury and Lewis Cox bring you the latest episode of the Baggies Broadcast - in association with West Midlands Metro. Coxy is back from his holidays as the boys reflect on a return to winning ways against Oxford. They discuss Tammer Bany's debut, John Swift and his praise from Mowbray, along with Albion's forward options. Coxy brings you his de-railed and on-track, while Jonny introduces a new segment, Drury's Dustbin, where he rants about things in the game that get him hot under the collar. Want to have your say? Follow us on Twitter at @AlbionPoddy and get in touch with your questions Title Track: 'King Cyrille' by The King Dukes. (M.Griffiths) This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

Providing my personal view on Millwall draw, Mowbray and congratulating WBA Women who will also always have a special place in my heart.

Jonny Drury and Lewis Cox bring you the latest episode of the Baggies Broadcast - in association with West Midlands Metro. Tony Mowbray had his return to The Hawthorns and the goals flowed in the 5-1 thumping of Portsmouth. The boys reflect on the victory, the positives and Albion's free flowing football. They discuss debutant Isaac Price and the conundrum Mowbray now faces in midfield. The big topic of conversation is the transfer window and the need for a striker. Lewis brings you the latest in the striker search with the window slamming shut in a few days time. They also talk Ollie Bostock and a potential return of Daryl Dike from his latest injury set back. Want to have your say? Follow us on Twitter at @AlbionPoddy and get in touch with your questions Title Track: 'King Cyrille' by The King Dukes. (M.Griffiths) This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

Chris & Pete discuss the stunning numbers around Albion's five-star victory over Portsmouth.They also consider the impact Tony Mowbray has had on some of the key performers.For more from Albion Analysis, follow us on X (@AlbionAnalysis) or check out our Substack.And for a limited time, you can now try out our Substack on a 7-day trial absolutely free: https://albionanalysis.substack.com//Mowbray Hosted on Acast. See acast.com/privacy for more information.

Full Episode 210 of Terry Currans Football PodcastsIncludes discussion on: Shirts & Noodles. Arteta . Man U chaos . Grealish & Rash. Best & Iconic teams . Mowbray back . With Paul CollinsEdited/Produced by Chris Browne⁠⁠⁠⁠⁠⁠⁠⁠⁠www.srbpodcasts.com⁠Support this show http://supporter.acast.com/srbmedia. Hosted on Acast. See acast.com/privacy for more information.

Chris & Pete discuss Tony Mowbray's appointment, and Chris reveals what it was like to work with Mowbray between 2006 and 2009.They also analyse the draw with Stoke City which Mowbray watched from the Directors' Box.For more from Albion Analysis follow us on X (@AlbionAnalysis) or check out our Substack: https://albionanalysis.substack.com/ Hosted on Acast. See acast.com/privacy for more information.

Jonny Drury & Lewis Cox bring you the latest episode of the Baggies Broadcast - in association with West Midlands Metro. A week is a long time in football and that has certainly been the case for West Brom. In the space of a few days, talks with Raphael Wicky fell apart and key striker Josh Maja suffered a devastating injury blow. In the latest episode, Jonny and Lewis discuss Albion's mad week and bring you the latest on the managerial search and a potential return to the club for former boss Tony Mowbray. They also answer all your questions and look ahead to the weekend clash with Stoke City at The Hawthorns. Want to have your say? Follow us on Twitter at @AlbionPoddy and get in touch with your questions Title Track: 'King Cyrille' by The King Dukes. (M.Griffiths) This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

Mark Mowbray in conversation with Scott Kartvedt call sign “Intake” is a retired US Navy fighter pilot, keynote speaker and author of the book, “Full Throttle.” Scott received a Bronze Star, flew with the U.S. Navy Blue Angels, and was a stunt pilot in the 2022 action movie, Top Gun Maverick. This is a fascinating look into the life & career both in front and behind the movie camara. The fully extended cut with all of Scott's musical choices can be found on Mark Mowbray's Mixcloud channel, follow the links from the Brooklands website. More information on Scott and the Blue Angel Foundation can be found at: scottkartvedt.com blueangelsfoundation.org

Match of the Day commentator Guy Mowbray returns to the show having commentated on Nottingham Forest's wins over Manchester United and Aston Villa. We also discuss Forest's chances of securing European football next season, what makes Forest work and why Guy has come to like Nuno. #nffc #nottinghamforest

In this futurist episode, Louise Mowbray, Owner and Managing Director of Mowbray by Design, shares how she specializes in The Future of Work and Leadership, working with executives, entrepreneurs, and C-suite teams at the intersection of leadership, futures, tech, transformation, and purpose-driven business.You will discover:- how to become a more future-focused leader (and why you need to)- how genetics and epigenetics shape your leadership in profound ways- what blue zones are, and why should we be paying attention to the habits of those who live in them
Louise Mowbray is the Founder of Mowbray by Design, the Future-Focused Conscious Leadership Consultancy established in London in 2005. She is an executive coach and keynote speaker, and she specializes in the future of work and the future of leadership. Earlier career chapters include working for listed organizations in the investment banking, technology, and executive search sectors, co-founding an executive search firm in London, and MD MENA for a British luxury lifestyle company based in Dubai. She is the author of 'Relevant: Future-Focused Leadership.
Want to learn more about Louise Mowbray's work at Mowbray by Design? Check out her website at https://mowbraybydesign.com/ or get a copy of her book Relevant: Future-Focused Leadership at https://amzn.to/48bobDk.Mentioned in this episode:Take the Founder's Evolution Quiz TodayIf you're a Founder, business owner, or CEO who feels overworked by the business you lead and underwhelmed by the results, you're doing it wrong. Succeeding as a founder all comes down to doing the right one or two things right now. Take the quiz today at foundersquiz.com, and in just ten questions, you can figure out what stage you are in, so you can focus on what is going to work and say goodbye to everything else.Founder's Quiz

Pippa speaks to Ammy and Arno Steijn, the owners of Novo Pizza and Wine in Little Mowbray, about their restaurant, which is a well-kept neighbourhood secret.See omnystudio.com/listener for privacy information.

Richard II är en ung ståtlig kung, men han är slösaktig och spenderar det mesta av sin tid på att göra av med pengar på och med sina nära vänner. Lyssna på alla avsnitt i Sveriges Radio Play. Både gemene man och adelsmän vänder sig mot sin kung när han, för att finansiera sitt överdådiga leverne, börjar hyra ut skiften med engelsk mark till rika adelsmän. När han sedan beslagtar marken och pengarna från en nyligen avliden och mycket respekterad farbror för att fylla på sin personliga kassa, är det droppen som får bägaren att rinna över.Den döde farbrodern, vars mark Richard beslagtagit, tillhörde Henry Bolingbrokes far. När Henry Bolingbroke får reda på att Richard stulit hans arv, samlar han en armé och invaderar Englands norra kust. Också allmogen står på Bolingbrokes sida, och en efter en överger Richards allierade i adeln honom och ansluter sig till Bolingbroke.Richard fängslas i ett avlägset slott i norra England och i London kröns Bolingbroke till kung Henrik IV.Konung Richard den andreAv William ShakespeareÖversättning: Carl August HagbergI rollerna (i den ordning de uppträda): Konung Richard den andre – Olov Molander, Johan av Gaunt, Hertig av Lancaster – Carl Browallius, Lordmarskalken – Gösta Hillberg, Henrik Bolingbroke, Gaunts son – Uno Henning, Mowbray, hertig av Norfolk – Gabriel Alw, Hertiginnan av Gloster – Hilda Borgström, Två härolder; Hertigen av Aumerle – Olof Widgren, Bushy – Manne Grünberger, Edmund av Langley, hertig av York, Aumerles fader – Carl Barcklind, Greven av Northumberland – Carl Ström, Två lorder; Bagot – Bror Bügler, Green – Åke Claesson, Drottningen, konung Richards gemål – Anna Lindahl, Henrik Percy, grevens av Northumberland son – Åke Engfeldt, Greve Berkley; Greven av Salisbury – Oscar Ljung, Sir Stephen Scroop – Gunnar Sjöberg, Hovdamen – Gun Robertson, Trädgårdsmästaren – John Norrman, Trädgårdsdrängen – Åke Uppström, Lord Fitzwater – Albert Ståhl, Hertigen av Surrey – Eric Rosén, Biskopen av Carlisle – Knut Lindroth, Hertiginnan av York – Constance Byström, Sir Pierce av Exton – Gösta Gustafsson, Fångvaktaren – John Ericsson, Stallknekten – Axel HögelDen interfolierade musiken var ”En svit” ur stycken av Henry Purcell sammanställd och bearbetad av John Barbirolli inspelad av New Yorks filharmoniska orkester under Barbirollis ledning.Regi: Olov* Molander*I gamla Radioteaterns arkiv och i gamla Röster i Radio-tidningar skiftar stavningen på Olov Molander. Vi väljer därför att skriva Olov eller Olof utefter den stavning man valt till varje aktuell föreställning. Här är namnet genomgående skrivet Olov i våra arkiv.Kuriosa: När vi började genomlyssningen av ljudfilen upptäcktes att en del av den fattades! Efter idogt arbete av medarbetare på Sveriges Radios ljudarkiv hittades den saknade delen efter att den kommit på avvägar någon gång efter att föreställningen haft premiär den 18 september 1940.

Quay goes to visit councilwoman Isabel de Mowbray for much needed answers. Produced by Remember Tommy Productions for the May Contain Action Media network.  Check out all of May Contain Action's awesome shows by clicking here.  This episode brought to you by Underdog Fantasy Sports! Sign up with code MCA to claim your Special Pick + First Time Deposit offer up to $250 in bonus cash! Support the podcast and join the fun today. Must be 18+ (21+MA & AZ, 19+ AL, NE) and present in a state where Underdog  Fantasy operates. Terms apply. Concerned with your play? Call 1-800-GAMBLER or visit www.ncpgambling.org; AZ: 1-800-NEXT-STEP (1-800-639-8783) or text NEXT-STEP to 53342; NY: Call the 24/7 HOPEline at 1-877-8-HOPENY or Text HOPENY (467369). Want to sponsor a show? Email us at mcapods@gmail.com for all promotional inquiries. Support us and unlock rewards on Ko-Fi, at ko-fi.com/forgottenpathspodcast. Join our Discord and follow on Twitter by visiting linktr.ee/forgottenpaths. Music by @ApproachingNirvana. Art by @EvanEckard.

Nick Budlender, researcher at Ndifuna Ukwazi weighs in on the decision by City of Cape Town to release pockets of land within the Mowbray Golf Course for mixed use development including affordable housing.See omnystudio.com/listener for privacy information.

In this episode, we discuss Warren Buffet, Jeff Bezos and Nick Mowbray's best investment quotes. That includes what property investors can learn ... and how to apply it in today's market. We also mention our new app, ⁠Opes+⁠, click the link to try it out. For more from Opes Partners: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Sign up for the weekly Private Property newsletter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok

Today's guest is leading BBC football commentator Guy Mowbray, who commentated on Nottingham Forest's 1-0 win over Liverpool at Anfield for Match of the Day. Guy gives his thoughts on the game and the players who impressed him most, plus he discusses his high hopes for Forest this season and what has changed for the Reds. We also discuss the art of commentary and post match manager interviews. #nffc #nottinghamforest

In this episode, Christopher Loo sits down with futurist and corporate leadership expert Louise Mowbray to discuss the future of work, technology, and leadership. Louise shares insights from her book Relevant Future-Focused Leadership, discussing the convergence of technologies like AI and blockchain, the challenges of navigating today's complex global landscape, and the critical leadership skills needed to thrive in uncertain times. Whether you're curious about AI's impact on jobs, how to prepare for a tech-driven future, or the importance of conscious leadership, this episode is packed with valuable takeaways for entrepreneurs and leaders alike. To check out Louise's books, including, "Relevant Future Focused Leadership", head on over to Amazon (affiliate): ⁠https://amzn.to/4cw2BKe⁠ Disclaimer: Not advice. Educational purposes only. Not an endorsement for or against. Results not vetted. Views of the guests do not represent those of the host or show. Do your due diligence. Click here to join PodMatch (the "AirBNB" of Podcasting): https://www.joinpodmatch.com/drchrisloomdphd We couldn't do it without the support of our listeners. To help support the show: CashApp- https://cash.app/$drchrisloomdphd Venmo- https://account.venmo.com/u/Chris-Loo-4 Spotify- https://podcasters.spotify.com/pod/show/christopher-loo/support Buy Me a Coffee- https://www.buymeacoffee.com/chrisJx Click here to schedule a 1-on-1 private coaching call: https://www.drchrisloomdphd.com/book-online Click here to check out our e-courses and bookstore here: https://www.drchrisloomdphd.com/shop Click here to purchase my books on Amazon: https://amzn.to/2PaQn4p For audiobooks, visit: https://www.audible.com/author/Christopher-H-Loo-MD-PhD/B07WFKBG1F Follow our YouTube channel: https://www.youtube.com/chL1357 Follow us on Twitter: https://www.twitter.com/drchrisloomdphd Follow us on Instagram: https://www.instagram.com/thereal_drchrisloo Follow us on Threads: https://www.threads.net/@thereal_drchrisloo Follow us on TikTok: https://www.tiktok.com/@drchrisloomddphd Follow our Blog: https://www.drchrisloomdphd.com/blog Follow the podcast on Spotify: https://open.spotify.com/show/3NkM6US7cjsiAYTBjWGdx6?si=1da9d0a17be14d18 Subscribe to our Substack newsletter: https://substack.com/@drchrisloomdphd1 Subscribe to our Medium newsletter: https://medium.com/@drchrisloomdphd Subscribe to our email newsletter: ⁠https://financial-freedom-for-physicians.ck.page/b4622e816d⁠ Subscribe to our LinkedIn newsletter: https://www.linkedin.com/build-relation/newsletter-follow?entityUrn=6992935013231071233 Thank you to our advertisers on Spotify. Financial Freedom for Physicians, Copyright 2024 --- Support this podcast: https://podcasters.spotify.com/pod/show/christopher-loo/support

In this enlightening episode, I sit down with Louise Mowbray, a seasoned futurist and leadership expert, to explore the rapidly evolving landscape of work and leadership. We discuss the convergence of exponential technologies like AI and blockchain, the critical importance of conscious leadership, and how leaders can prepare for the future. Louise shares insights from her extensive experience, including her book "Relevant Future Focused Leadership," which offers a roadmap for leaders at all levels to thrive in this new era. Tune in to learn how to navigate complexity, adopt systems thinking, and develop innovative behaviors that will shape the future of work. To check out Louise's books, including, "Relevant Future Focused Leadership", head on over to Amazon (affiliate): https://amzn.to/4cw2BKe Disclaimer: Not advice. Educational purposes only. Not an endorsement for or against. Results not vetted. Views of the guests do not represent those of the host or show. Do your due diligence. Click here to join PodMatch (the "AirBNB" of Podcasting): https://www.joinpodmatch.com/drchrisloomdphd We couldn't do it without the support of our listeners. To help support the show: CashApp- https://cash.app/$drchrisloomdphd Venmo- https://account.venmo.com/u/Chris-Loo-4 Spotify- https://podcasters.spotify.com/pod/show/christopher-loo/support Buy Me a Coffee- https://www.buymeacoffee.com/chrisJx Click here to schedule a 1-on-1 private coaching call: https://www.drchrisloomdphd.com/book-online Click here to purchase my books on Amazon: https://amzn.to/2PaQn4p Follow our YouTube channel: https://www.youtube.com/chL1357 Follow us on Twitter: https://www.twitter.com/drchrisloomdphd Follow us on Instagram: https://www.instagram.com/thereal_drchrisloo Follow us on Threads: https://www.threads.net/@thereal_drchrisloo Follow us on TikTok: https://www.tiktok.com/@drchrisloomddphd Follow the podcast on Spotify: https://open.spotify.com/show/3NkM6US7cjsiAYTBjWGdx6?si=1da9d0a17be14d18 Subscribe to our Substack newsletter: https://substack.com/@drchrisloomdphd1 Subscribe to our Medium newsletter: https://medium.com/@drchrisloomdphd Subscribe to our email newsletter: ⁠https://financial-freedom-for-physicians.ck.page/b4622e816d⁠ Subscribe to our LinkedIn newsletter: https://www.linkedin.com/build-relation/newsletter-follow?entityUrn=6992935013231071233 Thank you to our advertisers on Spotify. Financial Freedom for Physicians, Copyright 2024 --- Support this podcast: https://podcasters.spotify.com/pod/show/christopher-loo/support

In this episode of the Play Big Faster Podcast, we're joined by Louise Mowbray, a leading expert on future-focused leadership. Louise delves into the essential qualities that make leaders "future fit" in today's rapidly changing world. She explores the importance of self-awareness, conscious decision-making, and the agility required to navigate constant technological and societal shifts. As an entrepreneur, Louise emphasizes the need to stay deeply curious about global events and their impact on business, and how delivering value is key to long-term success. Whether you're an entrepreneur, intrapreneur, or business leader, Louise's insights will help you develop the mindset and skills needed to lead effectively in an unpredictable future. If you enjoyed this episode, take a moment to follow the podcast to stay updated on our latest insights and exclusive interviews. Your support helps us bring more valuable content to entrepreneurs like you.

Anna Mowbray is a farm kid from the Waikato who has grown up to be one of New Zealand's most formidable entrepreneurs and businesspeople. Her and her 2 brothers established Zuru and worked tirelessly to grow it into one of the biggest toy companies in the world. Now she is building another brand from the ground up- Zeil, an app for job hunters.https://zeil.com/ This was an honor. Anna has done a few podcasts before, but they have all been business related. This is her first ever podcast where we got to learn a bit more about the person behind the jaw-dropping success. We covered all the important stuff like why she went to see Taylor Swift in Sydney even though she's not a Swiftie. Her childhood in Tokoroa and CambridgeThe early years of the Zuru in ChinaHow her and All Black Ali Williams got together and his memorable first impression- what she loves and hates about him.How they manage to blend families and run a household with five kids, and not spoil the kids. And so much more! Anna is a total weapon. Not to mention bloody good fun and I really appreciated her time, so I hope you guys enjoy this conversation.*Thanks so much to Generate Kiwi Saver for being the official and exclusive sponsor of this podcast.When it comes to KiwiSaver, most of us just sign up and tick the boxes when we started working and then left it to run its course. But, taking the time to make sure you're in the right fund, and ensuring you're maximizing your account, could really improve your lifestyle in retirement.That's where the award winning Generate crew can help.Generate have a team of KiwiSaver advisers across the country available to meet with you, chat through your options, and help you make sure your KiwiSaver investment is working for you.If you've never got KiwiSaver advice before, request a no obligation chat with one of their advisors. Head to:https://www.generatewealth.co.nz/domA copy of their product disclosure statement is available on their website. The issuer of the scheme is Generate Investment Management Limited and of course past performance does not guarantee future returns Hosted on Acast. See acast.com/privacy for more information.

The professional world is changing more rapidly than ever before. Many people made major shifts during and after the pandemic, only to find themselves miserable at work again a few years down the line. Today, we are joined by future-focused thought leader, Louise Mowbray, to consider the steps necessary to stay resilient and hopeful during the next chapter of work.   Louise Mowbray is the visionary Founder of Mowbray By Design, a cutting-edge future-focused leadership consultancy. She's the author of, Relevant: Future-Focused Leadership, and co-author of Uncertainty: Making Sense of the World for Better, Bolder Outcomes. Both of these books offer key insights to help readers navigate today's complex business landscape.  During this episode, Louise shares her wealth of knowledge derived from working with global leaders and organizations, and unpacks how she helps people thrive in a rapidly changing world and economy. We address the nuances of gender dynamics in the workplace, how to think about the future in an empowering way, the elements shaping the future of AI in the world of work, and much more. Thanks for listening! What you'll learn about in this episode:Louise Mowbray's diverse and multi-national career background which spans investment banking, technology, and executive search. Her transition to purpose-driven leadership from deal-making roles. What has driven Louise's career path is a passion for working with people and understanding their needs.Navigating gender dynamics in the workplace early in her career.Common themes among people who are unhappy in their careers following the pandemic. Developing our response to uncertainty in a changing world.Why the onus is on organizations to shift and change in order to prevent burnout.Finding the tools to think about the future in an empowering way.Louise's perspective on the key elements shaping the future of AI and its impact on the world of work. Paving the next steps for those who have tried and failed. Key points from Louise's book, Relevant.Louise's future-focus masterclass.Transcript: HereAdditional Resources:Website: mowbraybydesign.comLinkedIn: linkedin.com/in/louisemowbray/Instagram: instagram.com/louisemowbray/X: x.com/louisemowbray/Book: amazon.co.uk/dp/0957334540/Links Mentioned:Uncertainty: amazon.com/Uncertainty-Making-Better-Bolder-Outcomes-ebook/dp/B0C7FG4ZPHSharon Spano:Website: sharonspano.comFacebook: facebook.com/SharonSpanoPHDInstagram: instagram.com/drsharonspano/LinkedIn: linkedin.com/in/sharonspano/Book: thetimemoneybook.comContact: sharon@sharonspano.comX: x.com/SharonSpanoThe Other Side of Potential Podcast: sharonspano.com/podcast/

Send us a Text Message.Trying To Make Sense Of It All, How You Think, Your Relevance, And Shaping Your Future#csuitenetwork #author #transformation #executivecoaching #futures #leadershipdevelopment Louise is the founder of Mowbray by Design, the Future-Focused Leadership Consultancy and specialises in The Future of Work and The Future of Leadership. She's the author of 'Relevant: Future-Focused Leadership' and a co-author of 'Uncertainty: Making Sense of the World for Better, Bolder Outcomes'. She's also a keynote speaker and occasional lecturer for business schools.Buy the book: https://www.amazon.co.uk/dp/0957334540Website: https://www.mowbraybydesign.com/Instagram: https://www.instagram.com/louisemowbrayX: https://x.com/louisemowbrayLinkedin: https://www.linkedin.com/in/louisemowbray/Youtube: https://www.youtube.com/louisemowbrayThanks for tuning in, please be sure to click that subscribe button and give this a thumbs up!!Email: thevibesbroadcast@gmail.comInstagram: https://www.instagram.com/listen_to_the_vibes_/Facebook: https://www.facebook.com/thevibesbroadcastnetworkLinktree: https://linktr.ee/the_vibes_broadcastTikTok: https://vm.tiktok.com/ZMeuTVRv2/Twitter: https://twitter.com/TheVibesBrdcstTruth: https://truthsocial.com/@KoyoteFor all our social media and other links, go to: Linktree: https://linktr.ee/the_vibes_broadcastPlease subscribe, like, and share!

"Know thyself and get thyself the hell out of the way." – Louise Mowbray Today's featured author is a conscious leadership advocate, keynote speaker, decorated executive coach, lecturer, Natural Foresight® Practitioner (TFSX), and behavioral science practitioner, Louise Mowbray. Louise and I had a fun on a bun chat about her book, “Relevant: Future-Focused Leadership”, the critical role self-awareness plays in your development, what she had to unlearn to gain more growth, and more!!Key Things You'll Learn:Her journey from working in London to founding her own executive search firm in South AfricaWhy is self-awareness the foundation of all personal growth and developmentWhat lesson Louise learned from one of her coaching clients that improved her game as a coachWhat to do to regain your footing as an entrepreneur after hitting rockbottomThe concept of kind-sight and the importance of being kind to oneself and learning from past experiencesLouise's Site: https://mowbraybydesign.com/Louise's Book: https://a.co/d/fm1E2N3The opening track is titled "Heatsource" by the magnanimous chill-hop master, Marcus D (@marcusd). Be sure to visit his site and support his craft. https://marcusd.net/Please support today's podcast to keep this content coming! CashApp: $DomBrightmonDonate on PayPal: @DBrightmonBuy Me a Coffee: https://www.buymeacoffee.com/dombrightmonGet Going North T-Shirts, Stickers, and More: https://www.teepublic.com/stores/dom-brightmonThe Going North Advancement Compass: https://a.co/d/bA9awotYou Might Also Like…Ep. 806 – Big Bet Leadership with John Rossman (@johnerossman): https://www.goingnorthpodcast.com/ep-806-big-bet-leadership-with-john-rossman-johnerossman/Ep. 726 – “Unleash Your Uniqueness” with Catherine Llewellyn (@CatherineLlew10): https://www.goingnorthpodcast.com/ep-726-unleash-your-uniqueness-with-catherine-llewellyn-catherinellew10/Ep. 396 – “First Lead Yourself” with Stacey Ashley (@AshleyCoaching): https://www.goingnorthpodcast.com/ep-396-first-lead-yourself-with/Ep. 836 – The 6% Club with Dr. Michelle Rozen (@DrMichelleRozen): https://www.goingnorthpodcast.com/ep-836-the-6-club-with-dr-michelle-rozen-drmichellerozen/Ep. 848 – How To Be So Good They Won't Forget You with Emily Jaenson: https://www.goingnorthpodcast.com/ep-848-how-to-be-so-good-they-wont-forget-you-with-emily-jaenson/Ep. 650 – “How to Become #Unstoppable” with Victoria Pelletier (@PelletierV29): https://www.goingnorthpodcast.com/ep-650-how-to-become-unstoppable-with-victoria-pelletier-pelletierv29/Ep. 735 – “Take Back Your Weekends” with Allison Graham (@AllisonDGraham): https://www.goingnorthpodcast.com/ep-735-take-back-your-weekends-with-allison-graham-allisondgraham/#FourFoldFormula Ep. – “The Last Few Decades of My Life” with Sylvie Plante: https://www.goingnorthpodcast.com/fourfoldformula-ep-the-last-few-decades-of-my-life-with-sylvie-plante/Ep. 824 – From the Dojo to the Ballroom with Charlotte Friborg (@CFriborgInt): https://www.goingnorthpodcast.com/ep-824-from-the-dojo-to-the-ballroom-with-charlotte-friborg-cfriborgint/119 - "A Passion for High Performance & Professional Development" with Dr. Elizabeth Carter (@eacaappeal): https://www.goingnorthpodcast.com/119-a-passion-for-high-performance-professional-development-with-dr-elizabeth-carter-eacaappeal/Ep. 424 – “Thoughtfully Fit” with Darcy Luoma (@DarcyLuoma): https://www.goingnorthpodcast.com/ep-424-thoughtfully-fit-with-darcy-luoma-darcyluoma/Ep. 623 - "The Day One Executive" With April Armstrong (@ahaconsult): https://www.goingnorthpodcast.com/ep-623-the-day-one-executive-with-april-armstrong-ahaconsult/Ep. 637 – “The Rough Guide to Awesome Leadership” with Elena Agaragimova (@elenaagaragi): https://www.goingnorthpodcast.com/ep-637-the-rough-guide-to-awesome-leadership-with-elena-agaragimova-elenaagaragi/Ep. 372 – “The Grit Factor” with Shannon Huffman Polson (@ABorderLife): https://shorturl.at/yoNu6

Episode 121 with Geoffrey de Mowbray, who is creating a lean and trusted ecosystem for trade through his two business ventures. He is the Chief Executive Officer at Via.Trade, which enables trade by digitising several aspects of the supply chain and bringing customers and suppliers together, all supported by a financial solution and world-leading logistics.He is also the Chief Executive Officer of Dints International, a company that leverages industry expertise and cutting-edge technology to provide supply chain solutions to the mining, construction, and heavy equipment industries, enabling them to connect with new customers and enter new markets.What We Discuss With GeoffreyCan you tell us about your entrepreneurial journey and what inspired you to launch ViaTrade and Dints International?Dints International and ViaTrade are heavily focused on Africa. Why do you think these solutions are needed on the continent?What are some of the particular challenges that African SMEs face when accessing credit for expansion, and how does ViaTrade solve them?How does ViaTrade use technology to digitise various areas of the supply chain, and what effect does this have on efficiency and transparency?Could you tell us more about the intersection of finance and technology in trade, and how ViaTrade navigates this landscape?Did you miss my previous episode where I discuss Pulse Sports Journey and the Rise of African Sports Media? Make sure to check it out!Like this show? Please leave us a review here -- even one sentence helps!Connect with Terser on LinkedIn at Terser Adamu, and Twitter (X) @TerserAdamuConnect with Geoffrey on LinkedIn at Geoffrey de Mowbray, and Twitter (X) @geoffdemowbrayDo you want to do business in Africa? Explore the vast business opportunities in African markets and increase your success with ETK Group. Connect with us at www.etkgroup.co.uk or reach out via email at info@etkgroup.co.uk

Hello and welcome to The Everything is Black and White Podcast. We're bringing you an additional episode this week as our chief sports writer Lee Ryder catches up with Match of the Day commentator Guy Mowbray. Guy will be covering Newcastle's trip to Man City in the FA Cup. Here Guy speaks about Newcastle's chances of getting through to the Semi-Final. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of "Healthy Mind, Healthy Life," we delved into the world of future-focused leadership with the insightful Louise Mowbray, the founder of Mowbray by Design, a consultancy shaping the landscape of conscious leadership. Louise, an author, keynote speaker, and qualified Conscious Leadership coach, shared her journey from executive search in London to managing director in Dubai and her realization of the golden thread that is her passion for people. Louise highlighted the importance of conscious self-awareness as the foundation of leadership, emphasizing the need to "know thyself" before leading others. She shared her perspective on fostering a culture of innovation, challenging the notion that constant disruption equals true innovation. Louise encouraged leaders to understand the difference between complex and complicated situations, providing tools for navigating the complexities of the ever-changing business landscape. For emerging leaders, Louise offered advice on developing a future-focused and conscious leadership mindset, urging them to embrace diverse experiences, nurture a wide social circle, and stay curious. She emphasized the significance of how leaders think, not just what they think, as a key factor in their success. In terms of staying agile in the face of constant change, Louise recommended trying different experiences, embracing curiosity, and questioning everything to foster cognitive flexibility. She believes that the impact of conscious leadership extends beyond the individual, influencing teams, families, companies, and communities. As a conscious leadership advocate, Louise Mowbray aims to leave a legacy of positive impact by helping individuals become conscious leaders, fostering a ripple effect that creates positive change in various aspects of their lives and beyond. The episode concluded with a call to share the insights gained from this conversation and to subscribe for more discussions with leaders shaping the future of work. Stay tuned for the next episode of "Healthy Mind, Healthy Life," where we continue to explore transformative insights and conversations on mental health and well-being.

Aaron Paul and Jobi McAnuff are joined by Forest Green Rovers head coach Troy Deeney. They dig into the week's big EFL stories and talk LIVE to new Birmingham City boss Tony Mowbray. Also hear from new Swansea City head coach Luke Williams and the panel discuss Ian Foster joining Plymouth Argyle. What about the latest situation at Reading, a big win for Cheltenham and the Cowley brothers sharing a bunk bed?00:25 Jobi's spa day gets physical 02:50 Troy on life at Forest Green and his new electric car! 08:50 Birmingham boss Tony Mowbray LIVE on the pod 16:30 Luke Williams swaps Notts County for Swansea City 21:00 A new manager in the EFL - Plymouth's Ian Foster 25:05 Cheltenham stun Portsmouth – what a turnaround! 26:55 Microwave meals at crisis club Reading 30:00 The Cowleys are back, but they're sharing a bunk bed! 35:15 Bamford's banger is in Jobi's 72PLUS 72MINUS

Aaron Paul, Jobi McAnuff and Lyle Taylor look at a busy week of managerial departures in the Championship, with Tony Mowbray and Michael Duff leaving Sunderland and Swansea respectively. They assess where things have gone wrong and what comes next for both clubs.In the week of his wedding, we hear from the Crewe boss Lee Bell on marriage and his side's fine first half of the season.And Lyle tells us about his move to Wycombe Wanderers after a difficult final year at Nottingham Forest, followed by a spell as a free agent.TIME CODES 03:11 Swansea sack Michael Duff 10:22 Tony Mowbray leaves Sunderland (featuring an interview with A Love Supreme fanzine editor Paul Dobson) 21:35 Lee Bell and Crewe Alexandra 30:29 Lyle Taylor on getting back into football

Help spread the terror! VOTE FOR THIS EPISODE at https://weirddarkness.com/vote – you can vote up to 3X per day! #scarystories #halloweenstories #halloweenkids #storiesforkids #kidsstories #scarystoriesforkids #microterrorsVisit our website: https://MicroTerrors.comFacebook page: https://www.facebook.com/microterrors Other stories, novels, and more from author Scott Donnelly: https://amzn.to/3LymHaU Other narrations, podcasts, and audiobooks from voice artist Darren Marlar: https://WeirdDarkness.com = = = = = = = = = = = = = = = = = = = = = = = = = = = = = =Weird Darkness®, 2023. Weird Darkness©, 2023“Micro Terrors: Scary Stories for Kids”™ 2023This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/3655291/advertisement