Podcast appearances and mentions of joel shupack

Everything changed on October 7th. In A Leaflet Drops in Shul, Rabbi David Minkus explores this heartbreaking and disorienting time through a small act of rebellion in his Chicago synagogue. It's a story that shows both how easily a community can lose its center, and how we might come together to find it again.  It all started with a piece of paper. New episodes weekly, starting on June 10th A Leaflet Drops in Shul, the inaugural series from Mercaz Media, was created by Rabbi David Minkus and Joel Shupack with music from Blue Dot Sessions.  Mercaz Media is the content arm of Mercaz: The Center for Purposeful Living. Mercaz is a portal where both religious and ambivalent Jews, as well as fellow travelers, come together and make sense of the wisdom and technologies that have grown out of Judaism. Mercaz works to change the landscape of Jewish life through both in-person experiences and content.  More information at: https://www.mercaz.community/

“A lot of people think about RealWear as giving superpowers to frontline workers.”Technology has become integrated into every aspect of the way we work. But what if you work in a job where your hands are tied doing other things, like operating machinery or climbing to the top of a radio tower? Checking an iPad, or dialling into Zoom becomes a little more challenging!And that's where Assisted Reality and RealWear's incredible suite of head wearables comes in. Realwear devices are easy to clip on to hard hats, baseball caps or PPE and provide an easy-to-use interface similar to a smartphone which is powered entirely by voice. This provides a range of workers with tools to access additional information and enhance their work without them having to down tools. For example, construction workers are able to see the temperatures of electric cables in thermal mode, and paramedics have the ability to link up with specialist doctors to advise them on the scene, all hands-free.To find out about this tech our reporter Joel Shupack visited RealWear's HQ in Vancouver, Washington, to meet chairman and CEO Andrew Crosstowski (Chrostowski). We also hear from Brian Thompson, who heads up PTC's CAD division. He explains why PTC's CAD software CREO has been vital to RealWear.Find out more about RealWear here.Find out more about CREO here.Your host is Paul Haimes from industrial software company PTC. Episodes are released bi-weekly. Follow us on LinkedIn and Twitter for updates.Third Angle is an 18Sixty production for PTC. Executive producer is Jacqui Cook. Sound design and editing by Ollie Guillou. Location recording by Hannah Dean. And music by Rowan Bishop.

We begin our Mini-Series where the violence in May all started - Jerusalem. We speak with Jerusalem activists Nivene Sandouka and Suf Patishi about what it's actually like on the ground, what they think led to the interethnic violence in May, and what's next.  The show is hosted by Sally Abed and Dina Kraft. We are powered by the New Israel Fund and The Alliance for Middle East Peace. Learn more about our show at Groundworkpodcast.com  Nivene Sandouka is a Palestinian from East Jerusalem and the executive director of Hoqukna, an organization supporting East Jerusalem Palestinian's civic and political rights. Suf Patishi is a Jewish Israeli who lives in West Jerusalem. He works in the Knesset as a parliamentary advisor and is a longtime member  of Standing Together - Israel's largest grassroots movement of Jewish and Palestinian Israelis. This episode was produced by Dina Kraft and Yoshi Fields. Edited by Yoshi Fields. Scoring by Joel Shupack. Theme music by System Ali. Additional music from Blue Dot Sessions. 

In May, Lod was the epicenter of the worst inter-ethnic fighting between Israel's own citizens since 1948. There were shootings in the streets, neighbors attacking one another, lynching. In this episode we speak with Lod activists Rula Daood and Dror Rubin about the complicated history of Lod, what they think led to the interethnic violence in May, and what's next. The show is hosted by Sally Abed and Dina Kraft. We are powered by the New Israel Fund and The Alliance for Middle East Peace. Learn more about our show at Groundworkpodcast.com  Rula Daood is a Palestinian citizen of Israel who lives in Lod. She's the national co-director of Standing Together, a grassroots movement of Jewish and Palestinian Israelis.  Dror Rubin is a Jewish Israeli and a community organizer.  He works at a joint Jewish-Arab community center in the mixed neighborhood of Ramat Eshkol, the epicenter of the recent clashes in the city.  This episode was produced by Dina Kraft and Yoshi Fields. Edited by Yoshi Fields. Scoring by Joel Shupack. Theme music by System Ali. Additional music from Blue Dot Sessions. 

Haifa is our final stop in the Mini-Series. It's known as the poster child for co-existence in Israel. But here too violence broke out in May. Among those at the protests against the violence were longtime Haifa residents and activists, Jafar Farah and Merav Ben-Nun. We speak with them about how Haifa has changed over the years, what they think led to the recent violence, and what needs to change.  The show is hosted by Sally Abed and Dina Kraft. We are powered by the New Israel Fund and The Alliance for Middle East Peace. Learn more about our show at Groundworkpodcast.com Jafar Farah lives in a primarily Arab neighborhood of Haifa called Wadi Nisnas. It's where some of the recent violence took place. He is the founder and director Mossawa, an organization that promotes equality for Palestinian citizens of Israel.  Merav Ben-Nun is a founder of the bi-lingual Arabic and Hebrew Hand-in-Hand School in Haifa and a longtime civil rights activist in the city.  This episode was produced by Dina Kraft and Yoshi Fields. Edited by Yoshi Fields. Scoring by Joel Shupack. Theme music by System Ali. Additional music from Blue Dot Sessions. 

With the fate of the 2020 - now 2021 - Tokyo Olympic Games still up in the air, our season finale tells the story of a dream to introduce a sport to a nation, and a nation to a sport. But it is a dream made up of as many tears of pain and disappointment as it is of joy and triumph.Joel Shupack scored and sound-designed the episode with music from Blue Dot Sessions. Sela Waisblum created the mix.The episode’s end song is Lifney She’Yigamer (“Before it Ends”) by Idan Raichel. Stay connected with us on Facebook, Twitter, Instagram and by signing up for our newsletter at israelstory.org/newsletter/. For more, head to our site or Tablet Magazine. See acast.com/privacy for privacy and opt-out information.

Cowgirls with oversized belt buckles and horse breeders fantasizing about producing world champions are not exactly what come to mind when you think of Israel. But today we take you into arenas, rings, and stables around the country to uncover a surprising subculture of equine enthusiasts.Joel Shupack scored and sound-designed the episode with music by Blue Dot Sessions and William Ryan Fritch. Sela Waisblum created the mix. The end song is Zehava Ben’s cover version of Abdel Halim Hafez’s “Sawah”. Stay connected with us on Facebook, Twitter, Instagram and by signing up for our newsletter at israelstory.org/newsletter/. For more, head to our site or Tablet Magazine. See acast.com/privacy for privacy and opt-out information.

Forty years after Carl Sagan’s ‘Golden Records’ began their long voyage into the depths of outer space, Eyal Gever - an Israeli high-tech-wunderkind-turned-conceptual-artist - received an unusual call: NASA asked him to create the first artwork to be printed in space. What, he now had to decide, truly captured the essence of humanity? Joel Shupack scored and sound-designed the episode, with original music and additional music by Blue Dot Sessions, Broke for Free and Nehora & Hadas. Sela Waisblum created the mix. Yochai Maital and Mishy Harman edited the episode. The music and lyrics of the end song - “Leil Emesh” (“Last Night”) - are by Naomi Shemer. The song used in the episode is a cover version by Nehora Kakone and Hadas Fraenkel. Stay connected with us on Facebook, Twitter, Instagram and by signing up for our newsletter at israelstory.org/newsletter/. For more, head to our site or Tablet Magazine. See acast.com/privacy for privacy and opt-out information.

David Ben Shabat hates being called a prophet. As he sees it, he’s just a guy who stumbled upon a deep truth and wants to share it with the people. But, come to think of it, isn’t that precisely the definition of a prophet?Joel Shupack scored and sound-designed the episode, with original music and additional music by Blue Dot Sessions. Sela Waisblum created the mix.The end song, "Migdal Bavel" ('Tower of Babylon') is by System Ali. Stay connected with us on Facebook, Twitter, Instagram and by signing up for our newsletter at israelstory.org/newsletter/. For more, head to our site or Tablet Magazine. See acast.com/privacy for privacy and opt-out information.

Stories matter. They have the power of connecting us over time and space. And in the finale of our “Alone, Together” miniseries, we see how a podcast episode turned two strangers - a man from Migdal HaEmek, Israel, and a woman from Porto Alegre, Brazil - into soulmates. Porto Alegre is a large city in the south of Brazil, a five-hour drive from the border with Uruguay. Five rivers converge there, making it an important center of industry and commerce. Though its name means “joyful harbor,” in 2017, Porto Alegre ranked as the world’s 39th most violent city, with nearly 41 homicides per 100,000 residents. And while the city does have a sizable Jewish community, primarily Eastern Europeans who founded the local União Israelita association and settled in the Bom Fim neighborhood, there are no direct flights from Porto Alegre to Tel Aviv. So why, you might wonder, is Porto Alegre featured in the final episode of a series exploring life in Israel during the pandemic?Porto Alegre is home to Isabel Christina de Oliveira, a 54-year-old public school teacher. Isabel isn’t Jewish and has never been to Israel. But through Israel Story, and over Zoom, she found an unlikely friend with whom she could share a terribly painful experience. Back in March, Isabel traveled to Italy. Unbeknownst to her, she contracted the virus in Bergamo, and brought it back to Brazil. She was the first COVID-19 patient in her region. And though she immediately went into quarantine, she was publicly shamed and blamed, especially on social media. Vicious posts accused her of infecting the country and made her feel incredibly guilty. If all that sounds familiar, you are not mistaken: In episode 52, “In The Beginning”, we told a similar story about Roni Bargill, Israel’s patient no. 7. Under normal circumstances, Isabel and Roni would have never met. But Isabel’s daughter’s friend, a Brazilian journalist by the name of Giovana Fleck, listened to the Israel Story episode, and translated it for Isabel. The emotional upheaval they had each experienced was uncannily similar. That’s where our team came in once again, arranging a Zoom call that left everyone in tears. Joel Shupack scored and sound-designed this episode with music from Blue Dot Sessions, and Sela Waisblum created the mix. The end song, “Kore Li Kol” (A Voice is Calling) is by Dotan Moshonov. Stay connected with us on Facebook, Twitter, Instagram and by signing up for our newsletter at israelstory.org/newsletter/. For more, head to our site or Tablet Magazine. See acast.com/privacy for privacy and opt-out information.

Israel's one thousandth COVID-19 casualty passed away this weekend. And for all of us, death has sadly been an ever-present part of life over the past six months. In the penultimate episode of our "Alone, Together" series, we bring you two stories about dying in times of Corona. Over the course of this series, we’ve shared many stories of Israelis dealing - in completely different ways - with COVID-19. We’ve heard people express fear, disappointment, shame, anger, hope and acceptance. We’ve told tales of coexistence and discrimination, nightmares and dreams, resilience and panic. But one thing shared by everyone we have encountered in the series thus far is that they have all - thankfully - survived the pandemic. Some got sick, others didn’t, but all lived to tell the tale. That, however, isn’t true of everyone. More than 1,000 Israelis have died of the disease as of early September 2020. In a country of roughly nine million, that’s about 0.0112% of the population. The mortality rate of infected patients is hovering around 0.6%. And while, both those figures are lower than most other countries, there is no doubt that COVID-19 has claimed many victims in Israel. And in our episode today we explore what it looks like to die of, or during, COVID-19. Yochai Maital and Joel Shupack scored and sound-designed this episode, with music from Blue Dot Sessions, Esther Abrami, and Papalin. The end song, “No More Corona,” is by Shai and Galit Dagan. Stay connected with us on Facebook, Twitter, Instagram and by signing up for our newsletter at israelstory.org/newsletter/. For more, head to our site or Tablet Magazine. See acast.com/privacy for privacy and opt-out information.

Around the world, the tourism industry essentially dried up during the pandemic. But in Israel there was one category of hotels - the so-called “Corona Hotels” - that actually thrived. And depending on whom you ask, they were either a post-apocalyptic heaven or an exit-less hell.  In March 2020, Israel - like many other countries around the world - closed its borders. Since then, according to the country’s Central Bureau of Statistics, international tourism has dropped by some 99%. Hotel rooms emptied out, busy lobbies went silent, and those famous Israeli breakfast buffets remained uneaten. While you might assume this spelled the end for most hospitality establishments in Israel, there were actually some hotels that managed not only to stay open, but indeed to stay full. These were hotels leased by the government to serve as “Corona Hotels” and host two distinct populations: Israelis who had already contracted the virus and were waiting until they were no longer contagious and could safely return home, and Israelis returning from abroad who needed to make sure they weren’t bringing coronavirus into the country.  Corona Hotels brought complete strangers into close, and prolonged, contact. Unsurprisingly, many of the “guests” were from segments of the population that don’t typically mix and mingle. At times this melting-pot-like experiment created friction, but it also allowed for unusual interactions to occur. Forced to cohabitate, people had to learn to get along, and—in some cases at least—even respect each other.  Our episode today examines two different Corona Hotel experiences - one a heartwarming tale of coexistence, the other a dark account of agony.     The episode was mixed by Sela Waisblum and scored by Joel Shupack with music from Blue Dot Sessions and sound-design help from Yochai Maital. The end song, “Bomba,” is by Hadag Nahash and Johnny Goldstein. Stay connected with us on Facebook, Twitter, Instagram and by signing up for our newsletter at israelstory.org/newsletter/. For more, head to our site or Tablet Magazine.

The global pandemic has introduced us to many “lifesavers”—doctors, nurses, and medical staff who are on the frontlines day in and day out. But what happens when those ‘superheroes’ need to be saved themselves? And can saving a life end up saving your life, too? If, God forbid, you find yourself in a medical emergency in Israel, you dial 101 for Magen David Adom. Yet more often than not, before an ambulance shows up, someone else—often riding a motorcycle and donning a bright orange vest—will appear on the scene. These are the volunteer medics of a national organization called United Hatzalah, or Ichud Hatzalah in Hebrew. And those extra moments? They can literally be the difference between life and death.  Ichud Hatzalah responds to roughly 1,800 calls a day, and has—according to the Israeli Heart Society—reduced the rate of cardiac-arrest deaths in Israel by as much as 50%. Private emergency medical services exist around the world, of course. But Ichud Hatzalah is unique: While most focus on a specific neighborhood or community, they cover the entire country. Their volunteers are Jews, Muslims, Christians, Druze, religious, secular, you name it. And what’s more, their services are completely free. The organization is the brainchild of a Jerusalemite who—for more than three decades now—has been single-mindedly focused on one goal: saving as many lives as possible.  But what happens when, in the midst of a global pandemic, this lifesaver needs to saved himself? Being saved, we learn, can often be harder than it seems. The episode was mixed by Sela Waisblum and scored by Joel Shupack with music from Blue Dot Sessions and sound-design help from Yochai Maital. The end song, “Refa Tziri” is sung by Akiva Turgeman, Ariel Zilber, Berry Sakharof, Amir Benayoun, and Lior Elmaliach. The words are from a piyyut, or Jewish liturgical poem, written by Rabbi Raphael Antebi Tabbush of Aleppo, Syria (1853-1919), and the melody is attributed to a Judeo-Spanish song called “Triste Vida” (‘A Sad Life’).  Stay connected with us on Facebook, Twitter, Instagram and by signing up for our newsletter at israelstory.org/newsletter/. For more, head to our site or Tablet Magazine.

Israel’s ultra-orthodox community was hit twice during COVID-19: First, and in disproportionate numbers, by the virus itself, and then by a wave of anti-Haredi sentiment that pervaded the country. Here’s what it looked like from their perspective. When COVID-19 first hit Israel, many of its epicenters were in Haredi, or Ultra-Orthodox, communities. More than one-third of coronavirus tests in Bnei Brak, for instance, came back positive. Some pointed a finger to the pervasive poverty and crowded dwellings, others to the packed yeshivas and mass prayers. And many pundits found an easy culprit in certain defiant rabbis who ordered their followers to ignore the public health guidelines and go on with life as normal. Before long, matters escalated, and with a climbing case count, the media reports became increasingly vicious, and a wave of anti-Haredi sentiment swept through the country.  In an attempt to stop, or at least slow down, the spread of the virus, the government deployed soldiers to Haredi cities and neighborhoods. These uniformed men and women recited social-distancing guidelines, told people to wear masks, dished out fines, and enforced strict curfews and lockdowns. But if you imagine soldiers and policemen chatting away with Haredim on street corners and sharing humorous Yiddishisms, think again. Many clashes ensued, and some of them turned violent.  In this unusual episode, we don’t tell the story of a central character with a clear plotline. Instead, we spent months collecting testimonies from everyday Haredi men and women who give us a glimpse into the sheltered world of Ultra-Orthodox Judaism.  The episode was mixed by Sela Waisblum. “Gevalt” was scored and sound-designed by Yochai Maital, together with original music composed and performed by Ari Jacob. The rest of the episode was sound-designed and scored by Joel Shupack with music from Blue Dot Sessions. The end song, “Keter Melukha” (“Royal Crown”) is by Ishay Ribo, and was written and recorded during lockdown. Stay connected with us on Facebook, Twitter, Instagram and by signing up for our newsletter at israelstory.org/newsletter/. For more, head to our site or Tablet Magazine.

Six months ago, very few people knew what ‘sheltering in place’ or ‘flattening the curve’ meant. Today, we live in a new world, and it’s often hard to remember what it was like at the beginning.  On January 14, 2020 - exactly half a year ago - even Wuhan wasn’t yet under lockdown. There had been but a handful of reported cases outside of China, and for most of us “Corona” was - first and foremost - a refreshing beer. By February, COVID-19 was already starting to seem like a global threat. But while governments were desperately trying to piece together adequate responses, most ordinary people went on with their daily lives. Before long, however, everyone was checking the news incessantly, and looking for answers to a million menacing questions: How deadly is this disease? Is it just a bad flu or the end of times? Is COVID-19 going to affect my summer plans? Postpone the Olympics? Should we stop taking the kids to visit Grandma and Grandpa? Soon, masks and gloves were impossible to find. Hand sanitizer became the new gold standard. And sure enough, it didn’t take long before people all around the world started getting sick and dying in large numbers.  With all that’s gone on over the past six months, it's easy to forget - or at least mis-remember - what it all felt like at the start. Our episode today takes us back to those early days of panic and confusion, and introduces us to two trailblazers - a nurse and a patient - who have no difficulty conjuring up the terror and uncertainty of that initial period. The episode was mixed by Sela Waisblum and sound-designed and scored by Joel Shupack with music from Blue Dot Sessions. The end song, “Yamim Shel Kolnoa” (“Cinema Days”), is performed by ‘HaTov, HaRa VeHaNa’ara’ (Josie Katz, Benny Amdursky and Israel Gurion). The lyrics were written by Ehud Manor and the melody was composed by Shmulik Kraus. Stay connected with us on Facebook, Twitter, Instagram and by signing up for our newsletter at israelstory.org/newsletter/. For more, head to our site or Tablet Magazine.

When God first spoke to Benjamin, he was reading the newspaper. That was just the start of a wild journey that led two Orthodox brothers from the Bronx to a new life, a new homeland, a new lord and - above all - to each other. Growing up, Benjamin and Reuven Berger never imagined they'd be roommates well into their seventies. Nor did they imagine their lives would unfold as brothers in faith. But from their majestic home in the serene village of Ein Kerem, they reflect on an unusual, almost biblical, path that led them far apart and then back together.  In the prologue, Mishy Harman tries to understand why - if an alien landed in Israel today - it would probably think that the word "achi" is a form of Hebrew punctuation.  Act I, "The Berger Bros," is a tale of two brothers who are brothers in more than just one way. Joel Shupack brings us the story of Benjamin and Reuven Berger, the Bronx-born sons of European Jews who escaped the Nazis. Tumultuous years of doubts, revelations and risks led them from a muddy copy of "Peyton Place" all the way to Jerusalem's small community of Messianic Jews.   Ari Jacob composed and performed the original music in "The Berger Bros." Additional music by Blue Dot Sessions. Thanks to Dina Kraft for editorial help. Adam Milliner mixed the episode. The end song, *November, *is by Shaanan Streett, and features Selva de Mar. It was written in memory of Shaanan's sister, Tova. Stay connected with us on Facebook, Twitter, Instagram and by signing up for our newsletter at israelstory.org/newsletter/. For more, head to our site or Tablet Magazine.

A century ago, close to one-third of Baghdad's population was Jewish. Today, just five Jews remain in the city. In today's episode, we explore the story of the Jews of Iraq, all the way from Nahum the prophet to a Jerusalemite grandma who became the unlikely champion of kidnapped Yazidi girls. Jews first arrived in what is today Iraq in the 6th century BC, after the Babylonian king Nebuchadnezzar sacked Solomon's Temple. It was from there that Ezra and Nehemiah led returning exiles back to Jerusalem. It was there that the Babylonian Talmud was debated, compiled and codified. And it was there, in 1941, that the Farhud - a violent pogrom - left hundreds of Baghdad's Jews dead and thousands injured. While there were many different phases in this 2600-year-long history, Jews knew numerous prosperous periods in the 'land between the two rivers.' There were Jewish politicians, jurists, doctors, businessmen. There was even a Jewish Miss Baghdad. Today that community is all but gone. Ari Jacob wrote the original music in “You Cannot Clap With One Hand.” Joel Shupack arranged the music for the rest of the episode, and for parts of Act I, with music from Blue Dot Sessions. Shai Satran and Mishy Harman edited the episode, and Sela Waisblum mixed it all up. It was recorded in Jonathan Friedlander's 'Quality Sound Studio' in Jerusalem. The end song is a new cover version we commissioned of Boney M.'s "Rivers of Babylon.” It was recorded, arranged and performed by Shay Perry. Stay connected with us on Facebook, Twitter, Instagram and by signing up for our newsletter at israelstory.org/newsletter/. For more, head to our site or Tablet Magazine.

In May 1960, the Mossad captured Adolf Eichmann in Buenos Aires, and brought him to stand trial in Jerusalem. It's one of Israel's most glorified chapters, right up there with Entebbe, the bombing of the Iraqi Nuclear Reactor and Operation Solomon. So why did the doctor who sedated the Nazi mastermind minimize his role in the saga? And what can that tell us about the legacy of World War II, eighty years after its start? Last month, the world marked the eightieth anniversary of Hitler's invasion of Poland and the start of WWII. In Israel, too, this was a big milestone: Kids discussed it at school, academics held conferences at the various universities, newspapers ran articles and editorials. But this wasn't, of course, always the case in Israel. For years, the war - and the Holocaust - were taboo topics. European Jews, many Israelis felt, had gone to the camps like sheep to the slaughter, without resisting, without putting up much of a fight. That perception began to change, almost overnight, as a result of one major event - the capture and trial of Adolf Eichmann. This episode is a collaboration with "Rough Translation," an NPR podcast that tells stories from around the world that offer new perspectives on familiar conversations. Gregory Warner and Daniel Estrin bring us the complicated story of Dr. Yonah Elian, the anesthesiologist who sedated one of the world's most notorious Nazis. Marianne McCune edited the piece, and scored it together with Mike Cruz. Joel Shupack arranged the rest of the episode with music from Blue Dot Sessions. It was produced by Jess Jiang, Neal Carruth, Will Dobson, Anya Grundman, Sarah Knight, Andy Huether, John Ellis, Matt Orton, Autumn Barnes, Zev Levi, Yoshi Fields, Niva Ashkenazi, James Feder and Yochai Maital. Sela Waisblum mixed the episode. The end song, "Perurim Shel Or" ("Sparks of Light") is the first single from the new album of Israel Story's band leader, Dotan Moshonov. Stay connected with us on Facebook, Twitter, Instagram and by signing up for our newsletter at israelstory.org/newsletter/. For more, head to our site or Tablet Magazine.

The special was recorded in Ben Wallick’s studio and was mixed by Sela Waisblum.Repentance, prayer and charity, we are told, are our saving graces when Yom Kippur comes around. And, of course, confession is a big part of that trifecta. But do we still get the coveted brownie points if that confession took thirty years? In 1989, Robby Berman - a recent Yeshiva University grad and enthusiastic Zionist - made aliyah and was drafted into the IDF. But nothing in his basic training prepared him for the blood-chilling discovery he made in his friend Tom Cole's Old City dorm-room. There, dangling from the ceiling, Robby saw what looked like a round Hershey bar. But it wasn't. Instead, he immediately realized, it was a forgotten WWII hand grenade. Old and rusty, perhaps, but still fully operational. And how does one get rid of a hand grenade? Thirty years after the dramatic events of that evening, and just in time for Kol Nidre, Robby finally comes clean. In one version of his life, he spends years in jail, as a homegrown terrorist. In the other, he walks away scot-free. What set his life on one path and not the other? In his first-person narrative, Robby answers that question and revisits his encounter with a real-world Detective Columbo. This is the second of our listener drive specials. The Israel we try to explore is all about its people, about its diversity and complexity. About a place that's both genuinely wondrous and utterly messed up. That cracks you up one moment, and brings you to tears the next. That's heartfelt, bizarre, and interesting. So, on the eve of the Day of Atonement, as we open up our hearts and think back to our own story in the past year, please consider donating. Listener support is what makes our show possible. Joel Shupack edited and produced this piece, with help from Yochai Maital, James Feder and Zev Levi. Joel also arranged the scoring with music from Blue Dot Sessions. The special was recorded in Ben Wallick’s studio and was mixed by Sela Waisblum. The end song is Shoshana Damari's version of "Etz HaRimon" ('The Pomegranate Tree'), which was written by Yaakov Orland and put to a traditional Buchari tune. Stay connected with us on Facebook, Twitter, Instagram and by signing up for our newsletter at israelstory.org/newsletter/. For more, head to our site or Tablet Magazine.

Walls can make us feel safe, warm and protected. But that's also their greatest danger. After all, walls can cut us off from what is going on outside, and hiding behind them can give us a false sense of security and stability. Throughout this series, we've tried to open up windows in the walls that make up Israeli society. And that's a tricky thing to do, really. You need to make sure you don't damage the foundations that keep us bonded together. But you also need to be ready to see your neighbor, and let your neighbor see you. Joel Shupack and Yochai Maital scored this piece, with additional music from Blue Dot Sessions, Broke For Free and Peter Gresser. The end song, "A Wall That Has a Door" is an original song commissioned by Israel Story. It was written, arranged and performed by Ari Wenig, together with Dotan Moshonov, Ruth Danon, Eden Djamchid and Ronnie Wagner-Schmidt. This episode was edited by Julie Subrin and Mishy Harman, recorded by Ben Wallick and mixed by Sela Waisblum. It was conceived as part of Israel Story's latest live show tour, "The Wall." Stay connected with us on Facebook, Twitter, Instagram and by signing up for our newsletter at israelstory.org/newsletter/. For more, head to our site or Tablet Magazine.

0:26 - Square Mile Ep 2: "Teeth Of The Black Dog" by Joel Shupack. https://www.squaremilepodcast.com/ https://itunes.apple.com/us/podcast/squaremile/id1231782029?mt=2 * * * 09:20 - Daryl's Menagerie by Tressa Versteeg https://www.tressaversteeg.com  * * * 18:04 - The Send Off by Abby Madan https://abbymadan.com * * * Intro Music: Oohyo - Youth Day Outro Music: oyung - POST RACE WAR GLOW * * * Vote for your faves and provide feedback at https:/selects.show

Featuring two podcasts recorded on boats! * * * 1:00 - Cozy Boat Ep 2: "When I Completely Disappear" (She Owl) by Emily Shaw and George S. Rosenthal. https://soundcloud.com/emily-shaw-creates * * * 08:50 - The Big Rock Candy Meltdown by Joel Shupack http://www.squaremilepodcast.com/ https://itunes.apple.com/us/podcast/squaremile/id1231782029?mt=2 * * * 18:10 - Clip of What’s the Story Ep. 1 by David Tatasciore and Bryan Farrell https://www.wtspodcast.com/ https://itunes.apple.com/us/podcast/whats-the-story/id1193885023 * * * 27:10 - Clip of Revivalism Ep. 3 by Ian Enright and Carlie Sargent http://www.goatrodeodc.com/revivalismbusk/ https://itunes.apple.com/us/podcast/revivalism/id1044704035?mt=2 * * * Music: Maja by Yusuf Siddiquee

Three years ago, folk singer Joel Shupack set off from Portland, Oregon on his bicycle. The plan was to ride across the entire U.S., all the way to New Hampshire. Joel's dream was to escape a life that wasn’t filling him up.  He wanted to travel, to give himself space to think, to make sense out of things. On this episode, he shares his story. It’s a story about leaving behind a comfortable life at home, in order to follow your heart. It shows us what a cross-country bike tour is really like – not just the glamorous idea, but the tough reality. And finally, it’s a story about figuring out how to belong.