Podcasts about krassimira stoyanova

1. Maria Agresta 2. Angel Blue 3. Saioa Hernandez 4. Angela Meade 5. Anna Pirozzi 6. Maria José Siri 7. Krassimira Stoyanova 8. Rachel Willis-Sørensen

Im Podcast spricht die bulgarische Sopranistin mit Michael Küster über Singen als Mission und erklärt, warum Oper für sie auch immer eine Art Gottesdienst ist.

Gundula Janowitz, Jessye Norman, Lucia Popp, Anja Harteros, Karita Mattila, Krassimira Stoyanova and Rachel Willis-Sørensen.

Im Künstlerzimmer mit Helmut Deutsch, Krassimira Stoyanova, Olga Scheps, Andrés Orozco-Estrada, Jan Nast und Markus Schirmer.

Im Künstlerzimmer mit Helmut Deutsch, Krassimira Stoyanova, Olga Scheps, Andrés Orozco-Estrada, Jan Nast und Markus Schirmer.

Im Künstlerzimmer mit Helmut Deutsch, Krassimira Stoyanova, Olga Scheps, Andrés Orozco-Estrada, Jan Nast und Markus Schirmer.

Die finnische Sopranistin Camilla Nylund war im Festpielsommer 2019 als "Meistersinger"-Eva in Bayreuth engagiert. Und als Krassimira Stoyanova kurzfristig die Elsa im "Lohengrin" absagte, hat sie diese Partie auch noch übernommen. Am Wochenende debütiert sie mit den "Vier letzten Liedern" von Richard Strauss bei den Münchner Philharmonikern.

Die Sopranistin Krassimira Stoyanova ist in diesem Jahr Artist in Residence beim Münchner Rundfunkorchester. Unter dem Motto "Notte italiana" gibt sie ein Konzert trotz Lockdowns - als Stream.

Klasikos koncertų salėGiuseppe Verdi Messa da Requiem atlieka Krassimira Stoyanova (sopranas), Elīna Garanča (mecosopranas), Francesco Meli (tenoras), René Pape (bosas), La Scala teatro choras ir orkestras. Diriguoja Riccardo Chailly.

Klasikos koncertų salė„Padėka medicinos darbuotojams“. Ludwigo van Beethoveno Simfoniją Nr. 9 d-moll („Choro“) atlieka Krassimira Stoyanova (sopranas), Ekaterina Gubanova (mecosopranas), Michael König (tenoras), Tomasz Konieczny (bosas-baritonas), „La Scala“ operos teatro choras ir orkestras. Diriguoja Riccardo Chailly. Įrašas iš Milano.

Today’s episode is an interview I did with Ira Siff, artistic director of La Gran Scena Opera Company di New York, alter ego of the beloved “traumatic soprano” Vera Galupe-Borszkh, lecturer for the Metropolitan Opera Guild and Weekly Commentator on the Metropolitan Opera broadcasts. My association with Ira and Gran Scena goes back more than thirty years, when he provided me with my first employment as a singer when my alter ego Daniela della Scarpone sang for two years with the renowned travesty opera company. I sat down with Ira in his East Village apartment last this past January for a wide-ranging interview in which we discuss his early days as a standee at the old Met (where some of his opera-going experiences included Maria Callas’s final Tosca performances, Renata Scotto’s 1965 debut as Madama Butterfly, and Leonie Rysanek’s wild traversals of Verdi and Wagner). He discusses his first performing experiences in the early 1970s in association with Al Carmines and others, the genesis of La Gran Scena and their development into a worldwide phenomenon, and his subsequent “legitimate” career as lecturer, stage director, vocal coach and voice teacher and commentator all stemmed from in his words, “getting in a dress and singing soprano,” which he dubs “the strangest part.” This is a free-wheeling and extremely Opera Queeny interview, peppered with Ira’s unique anecdotes and snippets from Gran Scena (and other!) performances. There is no better way to celebrate Gay Pride in isolation than to listen to this episode! Ira Siff is a native New Yorker, who grew up on the standing room line of the old Metropolitan Opera, worshiping the famous singers of the 60’s. A graduate of the Cooper Union, with a degree in Fine Arts, Mr. Siff began to study voice, and made his debut as a tenor in 1970. For the next decade, he performed roles in opera, operetta and musicals in the New York, at The New York Shakespeare Festival, Circle in the Square, Playwrights Horizons, and many other venues. Turning to cabaret, Ira created an act using vocal parody of opera, jazz, and other styles of music, gaining critical acclaim, and a loyal following. In 1981, he founded La Gran Scena Opera Co. di New York, the internationally acclaimed travesty troupe, whose gifted falsetto “divas” have spoofed opera with great affection for over two decades, in New York annually, and on tours to some of the great festivals, theatres and opera houses of the world. For the past thirty years, Mr. Siff has been a voice teacher and interpretive coach, teaching in New York, Italy, Israel, Holland and China, giving Master Classes for the Metropolitan Opera Guild, and was on the faculty of the Renata Scotto Vocal Academy. Ira was a guest teacher of bel canto technique at The Royal Conservatory in Den Haag in 2008, and then at the Dutch National Opera Academy for five seasons, and at the Amsterdam Conservatory in The Netherlands where he returned annually, and was appointed Permanent Guest Teacher. In 2000, he turned to stage directing, gaining critical acclaim for his productions of operas ranging from Tosca, Turandot, and La Fanciulla del West to Lakmé, Werther, and La Grande Duchesse de Gérolstein at venues such as Carnegie Hall, Sarasota Opera, The Caramoor Festival, and the Tanglewood Music Festival, where he directed productions of Così fan tutte, Don Giovanni, and Ariadne auf Naxos. All in all, he has directed operas for companies in New Jersey to New Zealand, with stops along the way in Puerto Rico, Lima, Peru and Utah. Singers whom he has directed include Sumi Jo, Dolora Zajick, Aprile Millo, Eglise Gutierrez, Krassimira Stoyanova, and the late Marcello Giordani. Conductors with whom he has collaborated as a stage director have included Richard Bonynge, Christoph von Dohnányi, and James Levine. He has also given master classes in bel canto and verismo for the Metropolitan Opera Guild every season since 2008 and has presented sold-out lectures for the M...

Camilla Nylund ist in diesem Jahr gleich in zwei Rollen bei den Bayreuther Festspielen zu erleben. Neben den geplanten Auftritten als Eva in Wagners "Meistersingern" kam kurzfristig noch die Partie der Elsa im "Lohengrin" hinzu. Camilla Nylund war für die erkrankte Krassimira Stoyanova eingesprungen. BR-KLASSIK hat mit ihr darüber gesprochen.

Primavera, Bach e Giornata europea della musica antica con intervista a Giovanni Iudica, presidente di Accademia Musica Antica Milano. Si torna sulla questione cda-Scala. Recensioni dei concerti di Krassimira Stoyanova al Teatro alla Scala e Lucas Debargue.

Primavera, Bach e Giornata europea della musica antica con intervista a Giovanni Iudica, presidente di Accademia Musica Antica Milano. Si torna sulla questione cda-Scala. Recensioni dei concerti di Krassimira Stoyanova al Teatro alla Scala e Lucas Debargue.

Primavera, Bach e Giornata europea della musica antica con intervista a Giovanni Iudica, presidente di Accademia Musica Antica Milano. Si torna sulla questione cda-Scala. Recensioni dei concerti di Krassimira Stoyanova al Teatro alla Scala e Lucas Debargue.

Erst als Krassimira Stoyanova die Geige beiseite legte und sich ausschließlich dem Gesang widmete, fühlte sie sich befreit. Ihre internationale Karriere begann an der Staatsoper in Wien, 2009 wurde der gebürtigen Bulgarin dort der Titel "Kammersängerin" verliehen. Ein Porträt von Manuela Promberger.

Ospite al telefono il soprano Krassimira Stoyanova

Die Salzburger Festspiele zeigten am 27. August Gaetano Donizettis Oper "Lucrezia Boriga" in konzertanter Aufführung. Marco Armiliato stand am Pult des Mozarteum Orchesters, die Solistenriege war mit Ildar Abdrazakov als Don Alfonso, Juan Diego Flórez als Gennaro und Krassimira Stoyanova in der Titelpartie der Donna Lucrezia Borgia exzellent besetzt. Ein Opernfest für jene im Publikum, die es gerne unbeschwert und ohrwurm-tauglich haben.

Giacomo Antonio Domenico Michele Secondo Maria Puccini’s long list of given names was matched by his extensive output of operas, thirteen in all. These masterpieces for the stage have understandably occluded his remarkable set of songs for soprano and piano (and religious songs with organ accompaniment). All of these are now gathered together for the first time on one disc, performed by the radiant voice of Bulgarian soprano Krassimira Stoyanova with adroit accompaniment on piano and organ by Maria Prinz.

Soprano Krassimira Stoyanova comes to San Diego Opera for the first time to sing the role of Amelia in Verdi's A Masked Ball. Stoyanova has been receiving accolades for her singing all over the world, at all the great opera houses. In this interview with Nicolas Reveles, you'll hear about her early career, singing Verdi and this wonderful opera.

Celebrating our 200th podcast, with special guests Karita Mattila, Rolando Villazon, Renee Fleming, Dorothy Kirsten, Renata Scotto, Elena Obratszova, David Daniels, Ruth Ann Swenson, Renata Tebaldi, Giuseppe diStefano, Marilyn Horne, Montserrat Caballe, Kostas Paskalis, Alain Vanzo, Krassimira Stoyanova, Marcello Giordani and Aprile Millo.

Part two of a tribute to the fine sopranos of today. Included are: Karita Mattila(in photo), Edita Gruberova, Hei-Kyung Hong,Krassimira Stoyanova, Olga Guryakova, Anna Netrebko,Sumi Jo, Deborah Voigt, Rene Fleming, Natalie Dessay,Angela Gheorghiu, and Rebecca Evans.                   (60 minutes)

Giacomo Puccini was a composer whose operas tugged at our heartstrings. There are so many emotional moments in his works,and here I include one scene from each of his operas,featuring: Renata Scotto(in photo), Diana Soviero, Renata Tebaldi,Virginia Zeani, Julia Varady, Krassimira Stoyanova,Beverly Sills, Christina Gallardo-Domas, Magda Olivero,Leontyne Price, Dorothy Kirsten, Richard Tucker,Placido Domingo, Jerry Hadley, and Giovanni Inghilleri (72 minutes)