Podcasts about orozco estrada

durée : 01:27:49 - Andrés Orozco-Estrada, le naturel et l'émotion - par : Aurélie Moreau - Régulièrement invité à diriger de prestigieuses formations, Andrés Orozco-Estrada est chef principal de l'Orchestre Symphonique National de la RAI. Il sera aussi General Musik Direktor de la ville de Cologne et chef du Gürzenich à la rentrée 2025.

Beethoven's first attempt at opera, Leonore, premiered in Vienna on 20th November, 1805. Attendance was sparse, due in part to Napoleon's recent invasion: the audience largely composed of French officers. And, unlike almost all his other work, the piece still has a reputation as ‘A Director's Graveyard'. Why? Possibly because the setting - a jail - is drab and uninspiring. Perhaps because the archetypal characters are mostly singing about their inner life. Or… maybe because it's all sung in German, and Beethoven didn't know how to write for singers? In this episode, Arion, Rebecca and Olly discover how the great composer made an initial impact on Austria thanks to his virtuoso piano skills, not his compositions; reveal the multiple occasions on which he attempted to re-work his flop (finally debuting a revised Fidelio in 1814 to great acclaim); and explain why Leonore was the Spider-Man of its day… Further Reading: • 'Fidelio: Story, Synopsis & More' (English National Opera):: https://www.eno.org/operas/fidelio/ • ‘Beethoven: Fidelio, By Peter Gutmann' (Classical Notes, 2014): http://www.classicalnotes.net/opera/fidelio.html • ‘Stage@Seven: Beethoven: Fidelio (Ouverture) - Andrés Orozco-Estrada' (Frankfurt Radio Symphony, 2020): https://www.youtube.com/watch?v=kQ8xsi42ubA Love the show? Support us!  Join 

Forbidden love is in the air as Andrés Orozco-Estrada takes listeners from the streets of Bernstein's New York to Tchaikovsky's fantasy on Shakespearean Verona. The Argentine Pampas region is the setting of Ginastera's vibrant ballet about a city boy who wins the heart of a rancher's daughter. Barber's lush and virtuosic Violin Concerto features Benjamin Beilman, whose “rich sound conveys both dreamy lyricism and heated intensity” (The New York Times). Please note: Hilary Hahn must regrettably withdraw from her planned September 19 and 20 performances with the Chicago Symphony Orchestra. Earlier this summer, Hahn suffered from a double pinched nerve; as part of her treatment, her medical team advised her to abstain from performing. While Hahn is expected to recover in time for the majority of her fall engagements and is improving steadily, she is not yet cleared to perform. Original ticket orders for this concert remain valid; no additional action is needed. For order adjustments, please contact Patron Services. Learn more: cso.org/performances/24-25/cso-classical/orozco-estrada-conducts-romeo-juliet

durée : 02:04:24 - Musique matin du mardi 16 avril 2024 - par : Jean-Baptiste Urbain - La soprano colorature américaine sort son premier album de récital, Rose in Bloom, une ode à la nature qui célèbre les fleurs, les oiseaux et les jardins. Elle est aussi sur la scène de la Philharmonie de Paris pour Carmina Burana avec l'Orchestre de Paris, dirigé par Andrés Orozco-Estrada. - réalisé par : Margot Page

Nicola Campogrande"MiTo Settembre Musica"https://mitosettembremusica.itÈ “Città” il tema dell'edizione 2023 del Festival MITO SettembreMusica, in programma dal 7 al 22 settembre a Milano e a Torino: un viaggio musicale che si apre al mondo grazie alla grande musica e a interpreti d'eccellenza, coinvolgendo il pubblico in una fruizione sempre più condivisa e con uno spirito di aggregazione ancora più ampio.«La musica classica, per sua natura, appartiene al mondo – spiega il direttore artistico Nicola Campogrande. Certo, i compositori la inventano in qualche luogo: il loro pianoforte, il loro tavolo da lavoro, sono a Vienna o a Parigi, a Napoli o a Mosca, a Praga o a New York. Ma poi gli interpreti viaggiano, fanno conoscere i brani, li diffondono e così, a un certo punto, capita che l'origine di una partitura, la sua storia, la città nella quale è nata passino in secondo piano, sbiadiscano, si dimentichino. Qualche volta, però, è bello riallacciare la relazione che ha legato un brano al territorio nel quale ha preso vita, riscoprire le tradizioni, le abitudini, gli stili, le mode tra le quali sono state create una sinfonia o un quartetto, un concerto per violoncello o una sonata». «MITO SettembreMusica, Festival che da diciassette anni unisce Milano e Torino – dicono i  Sindaci delle due città Giuseppe Sala e Stefano Lo Russo – quest'anno si muove raggiungendo idealmente molte altre città del mondo con un programma creato con fantasia e spirito di sfida, capace di costruire percorsi, visioni, curve pericolose o gentili che portano a paesaggi la cui bellezza è da godere dal vivo, partecipi, coinvolti, emozionati, nel segno dell'eccellenza, della qualità e dell'immaginazione». Si rafforza dunque la caratteristica di MITO di portare la grande musica ovunque per tutti e per tutte. Quest'anno infatti il Festival torna in piazza – luogo di incontro per eccellenza nelle città – e dedica grande attenzione alle famiglie, privilegiando la programmazione dei fine settimana, per consentire una maggiore condivisione, sempre nel segno della qualità. Come da tradizione, tutti i concerti sono costruiti ad hoc attorno al tema generale, grazie anche alla collaborazione con gli artisti ospiti del Festival, e vedono un'introduzione all'ascolto, che in questa edizione sarà affidata a Gaia Varon, Stefano Catucci, Corrado Greco e Alberto Brunero. Non mancano brani offerti in prima esecuzione italiana e trascrizioni inedite. Si andrà così alla scoperta di quelle “città” che hanno ispirato i compositori nelle loro creazioni in diversi momenti della storia della musica.Ma non solo: si esploreranno anche i luoghi vicini ai musicisti che interpretano quelle pagine.Nel nuovo cartellone le due città protagoniste di MITO si omaggiano vicendevolmente. Il Festival si apre infatti giovedì 7 settembre al Teatro alla Scala di Milano, con l'Orchestra del Teatro Regio di Torino diretta dal travolgente Wayne Marshall (l'inaugurazione, come da tradizione, è doppia: si replica venerdì 8 all'Auditorium Giovanni Agnelli - Lingotto di Torino). Eloquente il programma della serata con il musical di Bernstein Wonderful Town, presentato in forma di concerto, che narra di due sorelle originarie dell'Ohio giunte a New York per cercare fortuna. Si chiude invece venerdì 22 settembre all'Auditorium Giovanni Agnelli - Lingotto di Torino, con la Filarmonica della Scala guidata da Andrés Orozco-Estrada e con il grande virtuoso del violoncello Mario Brunello. Qui ci si sposta nell'Europa dell'Est con “Praga”, titolo dell'appuntamento che accosta due pagine del compositore ceco Dvořák: il Concerto per violoncello e orchestra e la Settima Sinfonia. La diciassettesima edizione di MITO SettembreMusica è l'ultima impaginata da Nicola Campogrande, che dopo otto anni di direzione artistica lascia il Festival. Sotto la sua direzione, dal 2016, sono nate le edizioni intitolate Padri e figli, Natura, Danza, Geografie, Spiriti, Futuri, Luci, e infine Città. I prezzi sono ancora una volta molto contenuti: i biglietti vanno dai 5 ai 30 euro (e a Torino, nell'ambito di Torino futura, per chi è nato dal 2009 i biglietti costano 1 euro). I concerti serali in città quest'anno avranno luogo alle ore 20, mentre i serali decentrati resteranno programmati alle 21 e i pomeridiani alle 17.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.itQuesto show fa parte del network Spreaker Prime. Se sei interessato a fare pubblicità in questo podcast, contattaci su https://www.spreaker.com/show/1487855/advertisement

durée : 00:28:20 - Actualités de l'orchestre - par : Christian Merlin - Au programme du jour du basson (décès de Mordechai Rechtman, nouveau disque de Marie Boichard), et des chefs d'orchestre (nomination d'Andrés Orozco-Estrada à Turin et Cologne, adieu de Franz Welser-Möst à Wagner). - réalisé par : Lise Côme

Ludwig van Beethoven: das unsterbliche Genie. Seine Musik, sein Leben, sein durchdringender Blick lassen niemanden kalt, obwohl er schon fast 200 Jahre lang unter der Erde liegt (und das nicht ungestört). Rund um sein Leben gibt's so viele Geschichten, manche lesen sich wie True Crime und manche sind Fake News. Sein Leben und sein Leiden liegen gerade wieder unter dem Mikroskop der Wissenschaft. Erst vor ein paar Wochen, im Frühjahr 2023, wurde sein Genom entschlüsselt und dabei vieles aufgedeckt.    Wie die Mediziner, so werden auch wir den Ludwig, der als der Titan der Musik gilt, in diesem Podcast als einen Menschen aus Fleisch und Blut betrachten. In Beethovens Wien war das Theater DER unverzichtbare Newsroom, Multi-Kulti völlig normal und hätte man nur Deutsch allein gesprochen, so hätte man als erbärmlich blöd gegolten. Er kämpfte um die Freiheit und Gleichheit und um das Sorgerecht für seinen Neffen. Der fesche Celebrity und Junggeselle war auf den angesagtesten Partys unterwegs und später als tauber, dem Wein zugetaner Grantler gefürchtet.    Beethoven und seine Welt – der Talk in zwei Episoden aus dem Hause Styriarte.    Sollten Sie Fragen zu diesem Podcast haben, schreiben Sie uns einfach eine Nachricht an: info@styriarte.com   Die Musik in diesem Podcast:  Die Musik in diesem Podcast stammt aus der „Eroica.SOAP“.  Es spielt für Sie das Styriarte Festspielorchester unter der Leitung von Andrés Orozco-Estrada.  Aufgenommen in der Styriarte 2020 in der Helmut List Halle Graz.    Ludwig van Beethoven: Symphonie Nr. 3 in Es, „Eroica“     Unsere Tipps, für alle, die noch mehr zu Beethoven wissen wollen:   Beethoven!!! 7. Juli 2023, 19 Uhr, Helmut List Halle Graz Karl Markovics schlüpft in die Rolle Beethovens und seiner Besucher:innen Olga Chepovetsky liefert Beethovens Klaviermusik dazu   Analyse des Genoms aus Beethovens HaarenArtikel aus Current Biology, erschienen im März 2022https://www.cell.com/current-biology/fulltext/S0960-9822(23)00181-1?_returnURL=https%3A%2F%2Flinkinghub.elsevier.com%2Fretrieve%2Fpii%2FS0960982223001811%3Fshowall%3Dtrue   Beethoven: Unsterbliches GenieGraphic Novel von Peer Meter und Rem Broo

Er gilt als Superbrain der Musikgeschichte. Aus seiner Feder stammen die genialsten Werke, die fast jede:r kennt. Er kämpfte in seiner Musik für Freiheit, Gleichheit, Brüderlichkeit. Aber im Privaten, da hatte er es mit der Gleichheit nicht so. Gegen seine Schwägerin führte er einen unerbitterlichen Kampf ums Sorgerecht seines Neffen. Mit seinem Hauspersonal ging er grob um, was vielleicht auch damit zu tun hatte, dass er dem Alkohol sehr zugetan war.  Das alles wissen wir aus den sogenannten Konversationsheften. Weil Beethoven komplett gehörlos geworden war, schrieben seine Besucher:innen ihre Fragen in Hefte und Beethoven antwortete mündlich. Die Heftchen sind erhalten, die Antworten verflogen. Vom Preis des Weines, der Fuhrwerker, über Gerüchte, Streitgespräche und Musikalisches – in diesen Heften ist die ganze menschliche Palette Beethovens zu finden. Sie geben ein Zeugnis davon ab, wie der Titan der Musikgeschichte sich über die banalsten Dinge aufregen konnte. Und manche Seiten von ihm hätte man lieber nicht kennengelernt. Diese Podcast-Folge gibt Einblicke in die menschlichen Seiten und Abgründe des Musikgenies.    Beethoven und seine Welt – der Talk in zwei Episoden.     Sollten Sie Fragen zu diesem Podcast haben, schreiben Sie uns einfach eine Nachricht an: info@styriarte.com   Die Musik in diesem Podcast:  Die Musik in diesem Podcast stammt aus der „Eroica.SOAP“.  Es spielt für Sie das Styriarte Festspielorchester unter der Leitung von Andrés Orozco-Estrada.  Aufgenommen in der Styriarte 2020 in der Helmut List Halle Graz.  Ludwig van Beethoven: Symphonie Nr. 3 in Es, „Eroica“   Unsere Tipps, für alle, die noch mehr zu Beethoven wissen wollen:   Beethoven!!! 7. Juli 2023, 19 Uhr, Helmut List Halle Graz Karl Markovics schlüpft in die Rolle Beethovens und seiner Besucher:innen Olga Chepovetsky liefert Beethovens Klaviermusik dazu

In this episode, we discuss recordings of “Janáček - Brahms – Bartók” by Patricia Kopatchinskaja & Fazıl Say, “EclipseDvořák Ginastera – Sarasate” by Hilary Hahn & Frankfurt Radio Symphony Orchestra / Andrés Orozco-Estrada, “Poulenc: La Voix Humaine” by Véronique Gens & Orchestre National de Lille / Alexandre Bloch, “Mel's Vision” by Alex Sipiagin, “Love and Peace” by Diego Rivera, and “Flowing Mind” by Isabelle Bodenseh.   The Adult Music Podcast is featured in: Feedspot's Best 60 Jazz Podcasts   Episode 104 Deezer Playlist   “Janáček - Brahms – Bartók” (Alpha) Patricia Kopatchinskaja, Fazıl Say https://open.spotify.com/album/6MvrZWeBsmHzEsdE9o4L6O https://music.apple.com/us/album/janáček-brahms-bartók/1653100479   “EclipseDvořák - Ginastera – Sarasate” (Deutsche Grammophon) Hilary Hahn, Frankfurt Radio Symphony Orchestra / Andrés Orozco-Estrada https://open.spotify.com/album/2SISiPoLkWsCq3OWEG0mWO https://music.apple.com/us/album/eclipse/1630748553   “Poulenc: La Voix Humaine” (Alpha) Véronique Gens, Orchestre National de Lille / Alexandre Bloch https://music.apple.com/us/album/poulenc-la-voix-humaine/1654710010 https://open.spotify.com/album/1ncMb3XT16iUBExxwNuNiY   “Mel's Vision” (Criss Cross) Alex Sipiagin https://open.spotify.com/album/6AqCSof8hZJBo6rGFUhNSF https://music.apple.com/us/album/mels-vision/1658831366   “Love and Peace” (Posi-Tone)  Diego Rivera https://open.spotify.com/album/6B0ZDIJhLRNZlXZlcFY9N4 https://music.apple.com/us/album/love-and-peace/1662003920   “Flowing Mind” (Edition Collage)  Isabelle Bodenseh https://open.spotify.com/album/7GdHAcS0V5PjjA1CH97FHO https://music.apple.com/us/album/flowing-mind/1654966699   Be sure to check out these other podcasts:  "SOMETHING came from Baltimore"   Jazz, blues, and R&B interviews from Tom Gouker. Famous Interviews and Neon Jazz  Features a wide range of artists, musicians, writers, creatives and business folks from around the globe.   "Same Difference: 2 Jazz Fans, 1 Jazz Standard" Johnny Valenzuela and Tony Habra look at several versions of the same Jazz standard each week, play snippets from each version, discuss the history of the original and the different versions.

Ein Corona-Album der besonderen Art präsentiert Star-Geigerin Hilary Hahn mit "Eclipse - Finsternis". Zusammen mit dem hr-Sinfonieorchester unter Andrés Orozco-Estrada hat sie sich 2021 ins Licht der Öffentlichkeit zurückgekämpft. Vor allem Alberto Ginasteras Violinkonzert, das sie als "nahezu unspielbar" bezeichnet, bezwingt sie mit unfassbarer Virtuosität.

Hilary Hahn's latest album, Eclipse, celebrates the power of authenticity. Recorded with the Frankfurt Radio Symphony and its Music Director (2014-2021), Andrés Orozco-Estrada, it sees the triple Grammy-winning violinist deliver interpretations of three works charged with universal emotions yet rooted in their composers' musical heritage: Dvorák's Violin Concerto, a tour de force from the Czech composer's “Slavic period,” Ginastera's Violin Concerto, a strikingly original 20th-century gem, and Sarasate's Carmen Fantasy, among the greatest virtuoso show.Purchase the music (without talk) at:Eclipse (classicalmusicdiscoveries.store)Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).

WQED-FM's Jim Cunningham spoke with violinist Hilary Hahn about her new CD on Deutsche Grammophon tiled "Eclipse."  The CD features music of Dvorak, Ginastera and Sarasate with the Frankfurt Radio Symphony conducted by Andrés Orozco-Estrada.   Hilary talks about the CD and recalls her many trips to Heinz Hall to play with the Pittsburgh Symphony Orchestra.   Her new CD is out today (October 7, 20220) and can be purchased here:   https://www.amazon.com/dp/B09X99XPGH/?tag=umgklassik-21&ascsubtag=0028948623839_B09X99XPGH_hilary+hahn_hilary+hahn+-+eclipe_www.universal-music.de  

On Friday's show: Beginning this weekend, a crucial highway ramp connecting 610 and 59 is set to close for two years. We discuss what it will mean for traffic in the region. And we find out which players the Texans picked up in the early rounds of the NFL Draft. Also this hour: With housing prices so high and supply of new homes struggling to keep up, would-be Houston-area homeowners are increasingly looking outward, beyond the suburbs, beyond the exurbs, to developments being touted as “agrihoods.” We learn about one such development in Richmond and contemplate the state of residential real estate in an increasingly sprawling Greater Houston. Plus: The long-awaited Yankees letter has been released and offers insight into how the Yankees stole signs electronically for two seasons before the Astros did. This week's panel weighs in on The Good, The Bad, and The Ugly. And, ahead of his final concert as music director of the Houston Symphony, Andrés Orozco-Estrada sits down with Joshua Zinn.

Im Künstlerzimmer mit Helmut Deutsch, Krassimira Stoyanova, Olga Scheps, Andrés Orozco-Estrada, Jan Nast und Markus Schirmer.

Im Künstlerzimmer mit Helmut Deutsch, Krassimira Stoyanova, Olga Scheps, Andrés Orozco-Estrada, Jan Nast und Markus Schirmer.

Im Künstlerzimmer mit Helmut Deutsch, Krassimira Stoyanova, Olga Scheps, Andrés Orozco-Estrada, Jan Nast und Markus Schirmer.

Jimmy López Bellido, nos presenta Aurora y Ad Astra en una nueva grabación del sello Pentatone con la solista Leticia Moreno acompañada por la Houston Symphony bajo la dirección de Andrés Orozco-Estrada. 

Award-winning composer Jimmy López Bellido has been performed by leading orchestras and his music has been heard in some of the world's most prestigious venues. His opera based on the bestselling novel “Bel Canto” was premiered by Chicago Lyric Opera to great acclaim and he served as the Houston Symphony's Composer-in-Residence from 2017 until 2020. Seth Boustead talks with him about his new album Aurora & Ad Astra featuring Andrés Orozco-Estrada, Leticia Moreno, and the Houston Symphony.

Intrepid superstar and CSO Artist-in-Residence Hilary Hahn returns to perform Dvořák's Violin Concerto, a work laced with the vibrant colors and dance rhythms of the composer's native Bohemia, which was given its U.S. premiere by the Orchestra in 1891. Andrés Orozco-Estrada leads a world premiere by Gabriela Lena Frank, named by the Washington Post as one of the 35 most significant female composers in history, and Tchaikovsky's Fifth Symphony, a work that embodies the struggle of triumph over adversity. All ticket holders are invited to a free 30-minute Preconcert Conversation on the Armour Stage, which will start 75 minutes before the scheduled performance time. Learn more: cso.org/performances/21-22/cso-classical/hilary-hahn-dvorak-violin-concerto-tchaikovsky-5/

Alain Altinoglu hält als neuer Chefdirigent des hr-Sinfonieorchesters Frankfurt das "Baguette musicale" in der Hand, französisch für Taktstock. Mit der aktuellen Saison 2021/22 übernimmt er die musikalische Leitung des Orchesters und folgt damit auf Andrés Orozco-Estrada. (Wdh. vom 13.02.2020)

«NOTEN & SCHLÜSSEL»Konzerteinführungen aus Grafenegg, die Ohren öffnenWalter Weidringer über das Programm des Konzerts in Grafenegg am 05. September. InterpretenFilarmonica della Scala di MilanoRenée Fleming , SopranAndrés Orozco-Estrada , Dirigent ProgrammCARL MARIA VON WEBEROuvertüre zur Oper «Der Freischütz»RICHARD STRAUSS«Vier letzte Lieder» für Sopran und OrchesterJOHANNES BRAHMSSymphonie Nr. 2 D-Dur op. 73 grafenegg.com/podcast

Andrés Orozco-Estrada, der Chefdirigent der Wiener Symphoniker, erhielt in Österreich 200.000 Euro als staatliche Corona-Hilfe. Peter Jungblut kommentiert in seiner Glosse diesen außergewöhnlichen Vorgang.

In this episode, Andrea Kleibel and Rebecca Schmid explore an evolution that has been quietly taking place in the classical music world: the transformation of orchestras and concert presenters into part-time broadcasters. Executives from the Cleveland Orchestra, Konserthuset Stockholm, Vienna Symphony and New World Symphony speak about their strategies, from monetization to infrastructure, and offer their thoughts about the future. Show Notes:  *0:42 – Introduction of interviewees [underscoring: A. Pärt's “Fratres” (for solo violin, strings, and percussion) / Cleveland Orchestra; Amy Lee, associate concertmaster; Franz Welser-Möst, conductor] *1:41 – John Kieser on producing for the digital medium; remaining in hybrid mode; and the leveling out of audience numbers *3:09 – Andre Gremillet on the launch of Adella and implications for internal operations *4:52 – musical excerpt: G. Walker's“Antifonys” (for string orchestra) / Cleveland Orchestra; Franz Welser-Möst, conductor *6:53 – musical excerpt: I. Stravinsky's“The Firebird”/Royal Stockholm Philharmonic Orchestra; Andre Manze, conductor *7:31 – Stefan Forsberg on defining digital audiences and a Swedish system for making donations on their Play app *10:03 – musical excerpt: E.W. Korngold's “Ständchen” from “Einfache Lieder,” op. 9 / Wiener Symphoniker; Andrés Orozco-Estrada, conductor; Christiane Karg, soprano) *10:50 – Jan Nast on the need to maintain online audiences beyond the pandemic and the particular challenges faced by a publicly-funded orchestra without its own hall *12:50 – musical excerpt: O. Respighi's “Ancient Airs and Dances,” Set 3 (Italiana) / Cleveland Orchestra; Franz Welser-Möst, conductor *13:53 – Gremillet on the competition with digital offerings outside classical music and maintaining value Musical excerpts provided courtesy of the Cleveland Orchestra, Konserthuset Stockholm, and Wiener SymphonikerIntro and outro composed by Miguel Kertsman

Klasikos koncertų salėFrankfurto radijo simfoninio orkestro koncertas Frankfurto Alte Oper salėje. Solistė Alisa Weilerstein. Diriguoja Andrés Orozco-Estrada. Programoje Josepho Haydno Simfonija Nr. 82 C-dur („Meška“), Thomaso Larcherio „Uroboras“, Richardo Strausso „Don Žuanas“, operos „Kavalierius su rože“ siuita.

Igor Stravinsky no solo es considerado el mejor compositor del siglo XX, sino que su música cambió el movimiento, el ritmo y el tempo del ballet, catapultándolo a una nueva era. Carolina Vegas charló con el maestro Juan Antonio Cuellar sobre la importancia de las obras del ruso y cómo cambió la danza.Créditos música: Filarmónica Joven de ColombiaPetrushka, dirigida por el director invitado Carlos Izcaray, para la gira de 2014 en Bogotá. Pereira, Cali y Popayán. La Consagración de la primavera, fue dirigida por Andrés Orozco Estrada en la gira Europa 2017 junio en Berlín Alemania.YouTube.

Musikrevyn recenserar Prokofjevs pianokonserter med solisten Olli Mustonen, Beethovens sena stråkkvartetter med Mosaiques-kvartetten och Richard Strauss opera Salome med Emily Magee i huvudrollen. Veckans skivor: SERGEJ PROKOFJEV Pianokonserter nr 2 och 5 Olli Mustonen, piano Finska radions symfoniorkester Hannu Lintu, dirigent Ondine ODE 1288-2 LUDWIG VAN BEETHOVEN De sena kvartetterna Mosaïque-kvartetten Naïve V5445 RICHARD STRAUSS Salome Emily Magee, Peter Bronder m.fl Hessiska radions symfoniorkester i Frankfurt Andrés Orozco-Estrada, dirigent Pentatone PTC 5186602 Referensen: Olli Mustonen vs Yuja Wang. Panelen jämför Olli Mustonens tolkning med en inspelning av Prokofjevs andra pianokonsert med Yuja Wang, tillsammans med Simon Bolivars symfoniorkester i Caracas under Gustavo Dudamels ledning. Deutsche Grammophon, 2013. Fler rekommenderade inspelningar: Pianisten Beatrice Rana spelar Sergej Prokofjevs andra pianokonsert tillsammans med orkestern Accademia di Santa Cecilia i Rom, under ledning av dirigenten Antonio Pappano. Warner, 2015. Pianisten Vladimir Ashkenazy spelar Prokofjevs alla fem pianokonserter med Londons symfoniorkester under ledning av André Previn, Decca.  Pianisten Jean-Efflam Bavouzet spelar Prokofjevs alla fem pianokonserter med BBC:s filharmoniker i Manchester under ledning av Gianandrea Noseda. Chandos.   Pianisten Michel Béroff spelar Prokofjevs alla fem pianokonserter tillsammans med orkestern Gewandhaus under ledning av dirigenten Kurt Masur i Leipzig. Warner, 1974.  Belcea-kvartettens inspelning av Beethovens samtliga stråkkvartetter. Alpha, 2016. Quartetto Italianos inspelning av Beethovens stråkkvartetter. 1960-talet, Philips.  Budapestkvartettens liveinspelningar från Library of Congress, 1940-60-tal Bridge Records. Busch-kvartettens inspelningar av Beethovens stråkkvartetter. 1930- och 40-tal. Salome med sopranen Cheryl Studer i huvudrollen. Tyska statsoperans orkester under ledning av Giuseppe Sinopoli, utgiven på Deutsche Grammophon, 1991. Salome med sopranen Hildegard Behrens i huvudrollen. Wienfilharmonikerna under ledning av Herbert von Karajan. Warner, 1977. Salome med Birgit Nilsson i huvudrollen. Wiens filharmoniker under ledning av Georg Solti. Decca, 1961. Johans val: Johan Korssell rekommenderar en ny inspelning av den franske tonsättaren Florent Schmitts symfoni nr 2, samt sviter ur baletten "Antoine och Cléopatre", med BBC:s symfoniorkester under ledning av Sakari Oramo, utgiven på Chandos.

Vor 20 Jahren war zuletzt das Housten Symphony Orchestra in Europa, sein Dirigent Andrés Orozco-Estrada ist überhaupt zum ersten Mal auf internationaler Tour. Auf dem Tourplan stehen zwischen dem 9. und 19. März 2018 acht renommierte Konzertsäle und Musikfestivals. Ein Gespräch mit Andrés Orozco-Estrada.

Manuel Molina (1948-2015) a través de la voz de su hija Alba, “Caminando con Manuel” (2017) incluye una selección de las composiciones del cantaor, guitarrista y compositor que formó parte de Smash y en el dúo Lole y Manuel. Entre la novedades que traemos a este programa está el disco dedicado a “Piazzolla” de Leticia Moreno, la violinista española dedica el álbum al genial músico argentino e interpreta sus obras junto a la Philarmonic Orchestra dirigida por Andrés Orozco-Estrada, y su quinteto. Sinouj entrega su tercer álbum, “Labu”, el grupo de Pablo Hernández ofrece un brillante trabajo con raíces magrebíes y africanas. De cierre, Alash el grupo de la república de Tuva (junto a Mongolia) y el disco “Achai” donde hacen una revisión contemporánea del folclore centro asiático. Cuatro discos, con músicas de otros tantos continentes. Una visión amplia, variada y cosmopolita de los sonidos globales.

Als Chefdirigent des hr-Sinfonieorchesters Frankfurt und Music Director beim Houston Symphony muss Andrés Orozco-Estrada nicht nur zwischen zwei Klangkörpern, sondern auch zwei Kontinenten hin- und herwechseln. Wie es ihm mit dem künstlerischen Doppelleben geht, erzählt er im Interview. Am 21. Juni ist der kolumbianische Dirigent mit dem hr-Sinfonieorchester zu Gast beim Kissinger Sommer.

Betsy Cook Weber pops in to talk about being present as a choral director and planning for her upcoming ACDA National Conference performance. Support our sponsor for this episode: KI Concerts Listen   Bio Dr. Betsy Cook Weber is Professor of Music and Director of Choral Studies at the University of Houston’s Moores School of Music and is also active internationally as a conductor, clinician, adjudicator, and lecturer. In the summer of 2013, Weber became the 13th person and 1st woman to receive the Texas Choral Director Association’s coveted Texas Choirmaster Award.  She is editor of the Betsy Cook Weber choral series with Alliance Music Publishing. Weber was appointed Director of the Houston Symphony Chorus in Fall of 2014, a group that she served as Assistant/Associate Director in 1990 – 1997. In that role, she prepares or has helped prepare choral-orchestral masterworks for some of the world’s greatest conductors, including Robert Shaw, Andrés Orozco-Estrada, Christoph Eschenbach, and David Zinman. Choirs under Weber’s direction, including the Moores School Concert Chorale, have been featured at multiple state and national conventions including the  American Choral Directors Association national convention in Miami in 2007 and 2017. Internationally, Chorale has won prizes and received acclaim at prestigious competitions in Wales, France and Germany, including a first-place finish as one of only ten choirs world-wide selected to compete in the famous International Chamber Choir Competition in Marktoberdorf, Germany.  Chorale won first place in their primary division in the Grand Prix of Nations in Magdeburg, Germany in 2015. In the Musica Mundi ranking of the Top 1,000 choirs worldwide, Concert Chorale was ranked third among all choirs and first in the under-24 category. Weber has prepared singers for Da Camera, for early music orchestras Ars Lyrica and Mercury Houston, and is also routinely called upon to prepare singers for touring shows, including Josh Groban, NBC’s Clash of the Choirs, Telemundo’s Latin Grammy’s, Star Wars in Concert, Andreas Bocelli. and Legends of Zelda, Dreamworks, and Final Fantasy. Before coming to the University of Houston, Weber taught vocal music, K-12, in the public schools. She holds degrees from the University of North Texas, Westminster Choir College (Princeton, NJ), and the University of Houston. Links Support the show on

Felix Mendelssohn Bartholdy: Symphonie Nr. 1 c-Moll, op. 11 | Symphonie Nr. 3 a-Moll, op. 56 "Schottische" | Tonkünstler-Orchester Niederösterreich | Leitung: Andrés Orozco-Estrada