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13 episodes with Marilyn Horne
3 episodes with Marilyn Horne
3 episodes with Marilyn Horne
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3 episodes with Marilyn Horne
3 episodes with Marilyn Horne
2 episodes with Marilyn Horne
2 episodes with Marilyn Horne
2 episodes with Marilyn Horne
What's the best Christmas episode of The Facts of Life? The Nanny vs Mama's Family? Let's find out!If you grew up in the 80s, tuning in to the special “Holiday” episodes of our favorite shows was a winter ritual. Susan and Sharon bring that tradition home as they dive into the “Best Holiday Episodes” of three favorite 80's and 90s TV shows -- The Facts of Life, Mama's Family and The Nanny. Musical numbers, mixed-up gifts, screwed-up travel plans -- and lots of hot cocoa!80's TV “Holiday” episodes had them all -- and we loved them for it! So grab some eggnog and fruitcake, and listen as Susan and Sharon choose their personal favorite holiday episodes of the some of our favorite 80s TV Ladies shows!THE EPISODESThe Facts of Life:S5, EP12 - “The Christmas Show”S6, EP13 - “Christmas in the Big House”S7, EP13 - “Christmas Baby”S9, EP12 - “It's A Wonderful Christmas” Mama's Family:S3, EP13 - “Santa Mama”S6, EP14 - “Mama Gets Goosed”The Nanny:S1, EP8 - “The Christmas Episode”S3, EP14 - “Oy To The World”S6, EP10 - “The Hannukah Story” BONUS! The Carol Burnett Show:S2, EP12 - Eileen Farrell, Bob Hope, and Marilyn HorneS8, EP13 - Alan AldaTHE CONVERSATION GO FIGURE -- Not a lot of Hanukkah or Kwanza episodes back in the 80s.Why did it take FIVE SEASONS before Facts of Life finally did a Christmas episode?S5, EP12 “The Christmas Show” - directed by Asaad Kelada.In S6, EP13 “Christmas in the Big House” -- Blair organizes a charity Christmas show for what she thinks is an orphanage -- but it turns out to be a men's prison!Mickey Mouse Club veteran former Mousketeer Lisa Whelchel shows off her singing skills! Heck, all the ladies get to sing! NO ROOM AT THE INN? In the third Facts of Life Christmas episode, Blair's mom gives birth -- It's a Christmas baby episode!IS IT A WONDERFUL SHOW? Cloris Leachman gets center stage in the fourth -- and final -- Facts of Life Christmas episode, S9, EP10 “It's A Wonderful Christmas”.Mama's Family S6, EP14 “Mama Gets Goosed” -- The family is horrified when they meet their dinner -- a live goose that Mama plans to kill and cook for Christmas!The Nanny got a jump on Christmas episodes in S1, EP8 -- where complications from a gift Mr. Sheffield gives to Fran ends up fulfilling Gracie's only Christmas wish!S3, EP14 “Oy To The World” -- The Nanny's one and only ANIMATED EPISODE!S6, EP 10 “The Hanukkah Story” -- Susan and Sharon BOTH loved this Nanny episode where cultures clash when Fran tries to teach the Sheffields the importance of Hanukkah.PLUS -- BONUS HOLIDAY EPISODES from The Carol Burnett Show! - Alan Alda, star of the M*A*S*H TV show hit, sings with Carol! And plays one of Mama's sons and Eunice's brother in “The Family” in a hilarious, homecoming Christmas sketch.But is that a better episode than the Christmas special with incredibly famous opera stars, Eileen Farrell, Marily Horne and a surprise guest star Bob Hope?AND -- A BIG THANK YOU to our PATREON MEMBERS! We'll tell you about NEW PERKS coming your way in 2025!So, join Susan and Sharon as they talk Ray Charles, Community, dreidels, Alan Alda, vegetarian Christmas dinners, talking dogs, opera, “Big Spender”, Bob Hope -- and confessional confessions! AUDIO-OGRAPHYWatch three of The Facts of Life Christmas Episodes on YouTube. Watch “Mama Gets Goosed” on PlutoTV.And “Santa Mama” on PlutoTV.Watch The Nanny streaming on Peacock.The Carol Burnett ShowS2, EP12 - Aired 12/16/1968 - Eileen Farrell, Bob Home and Marilyn Horne on YouTube.S8, EP13 - Aired 12/21/1974 - Alan Alda Christmas episode clips:- Nobody Does it Like Me with Carol Burnett on YouTube.- “The Family” Christmas sketch with Alan Alda on YouTube. LIGHT READING Read On Tyranny by Timothy Snyder Read the Guardian article “How To Survive The Broligarchy” by Carol Cadwalladr.The Fire Next Time by James Baldwin at Baldwin and Co Books. Orwell's Roses by Rebecca Solnit at Bookshop.orgSHOPGET IN ON THE “80's TV LADIES” HOLIDAY SALE!15% off on all merch at the 8TL Shop. Make sure to use promo code “Festive80s”!CONNECTVisit 80sTVLadies.com for transcripts.Sign up for the 80s TV Ladies mailing list.Support us and get ad-free episodes on PATREON. Get your Carter on: This year is the 45th anniversary of President Carter's Crisis of Confidence speech. Get Susan's new play about it: Confidence (and the Speech) at Broadway Licensing.
L'altra gran Marilyn de la cultura nord-americana: la mezzosoprano Marilyn Horne va compaginar el repertori barroc i del bel canto rossini
durée : 01:33:49 - Relax ! du mardi 06 février 2024 - par : Lionel Esparza - Cet après-midi dans Relax !, portrait de la mezzo-soprano américaine Marilyn Horne qui fête ses 90 ans cette année. Voici un panorama de la carrière exceptionnelle d'une chanteuse qui porta haut l'art du bel canto rossinien tout en explorant un répertoire éclectique.
durée : 01:33:33 - Relax ! du vendredi 19 janvier 2024 - par : Lionel Esparza - La mezzo-soprano Marilyn Horne, née le 16 janvier 1934 fête ses 90 ans. Le violoniste Augustin Dumay, né le 17 janvier 1949 fête ses 75 ans. Happy Birthday !
Elina Garanca—2004 | Vivica Genaux—1997 | Marilyn Horne—1983 | Vesselina Kasarova—1998 | Jennifer Larmore—2000 | Isabel Leonard—2019 | José Maria LoMonaco—2015 | Christa Ludwig—1959
This is an episode I have been planning for years now! This past August 15, the great French baritone Robert Massard turned 98 years old. As many of my listeners know, I have a thing for baritones in general, and I have devoted episodes to artists of the baritone persuasion from world-renowned to virtually unknown to somewhere in-between. Just think of it: Gérard Souzay, Jorma Hynninen, Eugene Holmes, Andrzej Hiolski, Gabriel Bacquier, Will Parker, Gilbert Price: these and many more have already been featured with more (Hugo Hasslo, Eric Sædén) on the horizon for next season. But I would be hard-pressed to think of a baritone who possessed a more beautiful natural voice, a more refined technique, or a more elegant artistry than did Robert Massard, who in his thirty-odd years of career chalked up approximately 2,500 performances, including 1,003 at the Paris Opéra alone (the same number, he himself points out, as Don Giovanni's conquests)! Massard also sang an incredibly varied (though primarily operatic) repertoire, and this episode presents highlights from both the standard to the more obscure repertoire, from Gluck, Gounod, Verdi, and Massenet; to Reyer, Milhaud, Lalo, and Diaz (who?). These recordings are supplemented by a number of excerpts from French operetta (Planquette, Varney, Messager, and Beydts) which provide unalloyed melodic delight, the Massard voice heard at its absolute peak. And the colleagues who appear opposite Massard are like a Who's Who of great opera singers (French and otherwise) of the era: Régine Crespin, Mady Mesplé, Denise Duval, Shirley Verrett (subject of next week's episode!), Andréa Guiot, Jean Giraudeau, André Turp, Marilyn Horne, Renée Doria, Jane Rhodes, Andrée Esposito, Rita Gorr, and the falcon Suzanne Sarroca, who died last month at the age of 96. And if you listen very closely, you will also catch fleeting glimpses of favorites Patricia Neway and George Shirley. I know I say this too often, but if you only listen to one episode of Countermelody, make it this one! Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford. Bonus episodes available exclusively to Patreon supporters are currently available and further bonus content including interviews and livestreams is planned for the upcoming season.
Pavarotti, Sutherland i Marilyn Horne van ser un trident de luxe que encara podem gaudir en moltes gravacions. Avui l'Albert Galceran i el Pedro Pardo, "Els homes cl
In this podcast, we discuss issues surrounding race and the experiences of people of color in the opera world. Our two guests are Marsha Thompson and The Reverend Kenneth A. Pettigrew Ms. Thompson began her musical studies as a violinist. During her time as a violinist, she played in regional symphony orchestras in Louisiana and Texas including, Galveston Symphony, The Woodlands Symphony Orchestra, Southeast Louisiana Symphony and Texas Music Festival Symphony Orchestra. Ms.Thompson decided to sing full-time after receiving a full scholarship to the prestigious Music Academy of the West in Santa Barbara, CA to study with Marilyn Horne. Since then, she has sung the roles of Tosca, AIDA, Abigaille, Sieglinde, Violetta, and several other leading ladies. The New York Times describes her voice in the role of Violetta as “a warm agile soprano with a secure technique,” Opera News stated of her “Pace, pace, mio Dio” that “[she sang] with a cascade of refined yet plush Italianate sound; …an expertly introspective performance.” Ms. Thompson has performed with Teatro Municipal de São Paulo, Union Avenue Opera, New York City Opera, New York Grand Opera, Opera Carolina, and Mississippi Opera, to name a few. SOURCE: marshathompson.com Reverend Kenneth A. Pettigrew - Executive Director, Winston Lake Family YMCA and REACH Center Preacher, liturgist, and community organizer, Kenneth is a native of Winston-Salem and an emerging voice in progressive Christianity. He has served as pastor of Shouse Temple CME Church in Winston-Salem and currently oversees operations and worship services at St. John CME Church under the leadership of Dr. Regina L. Reese-Young. Kenneth is also the Executive Director at the Winston Lake YMCA, having previously served with the Winston-Salem Urban League, the United Way of Forsyth County with Faith-Based Community Engagement and the Place Matters Initiative. His work is dedicated to building relationships with faith communities, bridging the gap between sacred and secular for intentional partnerships for the building of strong communities. He holds both the Bachelor of Music in Vocal Performance from the University of North Carolina School of the Arts and the Master of Divinity from the Wake Forest University School of Divinity. At the 2016 Connectional Youth and Young Adult Conference in Memphis, Tennessee, Minister Pettigrew was elected as Chaplain of the Connectional Young Adult Ministry of the Christian Methodist Episcopal Church. He is the founder and principal consultant of Sanctuary Consulting, LLC—a firm dedicated to equipping faith communities and nonprofits with the tools for transformative and impactful community engagement. The Triad Podcast Network is presented by The Ginther Group Real Estate, Ashley McKenzie-Sharpe with Highlands Residential Mortgage and Three Magnolias Financial Advisors See omnystudio.com/listener for privacy information.
This summer, Jay had a long talk with Marilyn Horne, the great mezzo-soprano, resulting in a piece called “A Life of Singing.” He thought a podcast, to accompany the piece, would be good. You may well agree. Tracks of various types, showing the versatility, and the heart, of this extraordinary singer. Mahler, “Liebst du um Schönheit,” from “Rückert-Lieder” Bizet, “Dat's Love” (Habanera), from “Carmen Jones” Schubert, “Die junge Nonne” Wolf, “Auf einer Wanderung” Wagner, “Träume,” from “Wesendonck-Lieder” Rossini, “Tanti affetti in tal momento!” from “La donna del lago” Bizet, “Adieux de l'hôtesse arabe” Bernstein, “Somewhere,” from “West Side Story” Trad., arr. Davis, “Shenandoah” Malotte, “The Lord's Prayer”
This summer, Jay had a long talk with Marilyn Horne, the great mezzo-soprano, resulting in a piece called “A Life of Singing.” He thought a podcast, to accompany the piece, would be good. You may well agree. Tracks of various types, showing the versatility, and the heart, of this extraordinary singer. Mahler, “Liebst du um […]
This summer, Jay had a long talk with Marilyn Horne, the great mezzo-soprano, resulting in a piece called “A Life of Singing.” He thought a podcast, to accompany the piece, would be good. You may well agree. Tracks of various types, showing the versatility, and the heart, of this extraordinary singer. Mahler, “Liebst du um Schönheit,” from “Rückert-Lieder” Bizet, “Dat’s Love” (Habanera)... Source
Atendiendo a la petición de un amable oyente analizamos hoy la célebre aria de Rossini. Partimos de la interpretación de Veselina Kasarova, que desbrozamos poco a poco con inclusión del preludio orquestal y recitativo previo. Luego escuchamos la versión de Frederica von Stade y finalmente la de Marilyn Horne, aunque a esta únicamente la seguimos en la conocida cabaletta. Y ya que estamos con Horne no nos resistimos a escucharla en otra página rossiniana: las imponentes variaciones Tanti affetti in tal momento, final de La donna del lago del propio compositor de Pésaro. Escuchar audio
How often it happens that, even when an artist produces an august and varied body of work, that they are remembered only for a tiny fragment of their output? Such is the case with Brock Peters (1927 – 2005). Universally recognized and justly celebrated for his portrayal of Tom Robinson in the 1962 film version of To Kill a Mockingbird, Peters, born George Fisher, was also a superb singer who made his mark in a number of film musicals, as well as appearances in Broadway musicals and a series of folk albums recorded in the late 1950s and early 1960s. While the focus in this episode is on his musical accomplishments as a solo artist, I also discuss his early appearances in ensembles headed by Harry Belafonte, Leonard de Paur, and others; his jazz collaborations with Miles Davis, Randy Weston, and Duke Ellington; his other film roles; his exceptional work in voiceover and narration; and his late career singing appearances. That Brock Peters was a great actor is a given; that he was a great singer as well may be a delicious surprise to many. Guest vocal appearances by Adele Addison, Martha Flowers, Margaret Tynes, Marilyn Horne, and The Four Lads. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford. Bonus episodes available exclusively to Patreon supporters are currently available and further bonus content including interviews and livestreams is planned for the upcoming season.
In this episode, Jay does his annual Christmas show—this year featuring E. Power Biggs, Heidi Grant Murphy, Oscar Peterson, Marilyn Horne, and other worthy performers. A glad season, with glad music. “God Rest Ye Merry, Gentlemen” Handel, “And He Shall Purify,” from “Messiah” “Angels We Have Heard on High” “Bring a Torch, Jeanette, Isabella” “Long […]
In this episode, Jay does his annual Christmas show—this year featuring E. Power Biggs, Heidi Grant Murphy, Oscar Peterson, Marilyn Horne, and other worthy performers. A glad season, with glad music. “God Rest Ye Merry, Gentlemen” Handel, “And He Shall Purify,” from “Messiah” “Angels We Have Heard on High” “Bring a Torch, Jeanette, Isabella” “Long Ago in Bethlehem” “I Heard the Bells on Christmas Day” “Santa Claus Is Coming to Town” “In dulci jubilo” “O Come, All Ye Faithful” “Last Month of the Year” “O Holy Night” Handel, “Worthy is the Lamb” and “Amen,” from “Messiah”
In this episode, Jay does his annual Christmas show—this year featuring E. Power Biggs, Heidi Grant Murphy, Oscar Peterson, Marilyn Horne, and other worthy performers. A glad season, with glad music. “God Rest Ye Merry, Gentlemen” Handel, “And He Shall Purify,” from “Messiah” “Angels We Have Heard on High” “Bring a Torch, Jeanette, Isabella” “Long Ago in Bethlehem” “I Heard the Bells on Christmas Day” “Santa Claus Is Coming to Town” “In dulci jubilo” “O Come, All Ye Faithful” “Last Month of the Year” “O Holy Night” Handel, “Worthy is the Lamb” and “Amen,” from “Messiah”
A shy but talented woman whom Oscars works with has a crush on him while Felix wants her to sing Carmen in his opera in S4E17 “Vocal Girl Makes Good”. Topics discussed: The career of Marilyn Horne; the gullible and moronic nature of her character; the amount of singing in the episode; the timeline problems caused by an unnecessary prop that is very visible; and several oddly or incorrectly said lines.
Ebe Stignani vs Marilyn Horne
In today's episode of The Metropolitan Opera Guild podcast, we are joined by lecturer Ira Siff to discuss his experiences and memories of watching Marilyn Horne perform, and divas Shirley Verrett, Montserrat Caballe, Magda Olivero, Elisabeth Schwarzkopf, and Virginia Zeani!
When Jay says “just perfect,” in this episode, he is referring to Marilyn Horne's singing of “At the River.” This is the piece that ends the podcast. It's a little Independence Day nod. Elsewhere, Jay discusses and plays a Debussy song, two famous guitar pieces, and a piano piece by Frederic Rzewski, the American composer (also a political radical), recently deceased. A neat, varied, interesting, and enriching program. Debussy, “La mer est plus belle que les cathédrales” Villa-Lobos, Prelude No. 5 Rzewski, “Down by the Riverside” Barrios, “Julia Florida” Lowry, arr. Copland, “At the River”
When Jay says “just perfect,” in this episode, he is referring to Marilyn Horne's singing of “At the River.” This is the piece that ends the podcast. It's a little Independence Day nod. Elsewhere, Jay discusses and plays a Debussy song, two famous guitar pieces, and a piano piece by Frederic Rzewski, the American composer […]
When Jay says “just perfect,” in this episode, he is referring to Marilyn Horne's singing of “At the River.” This is the piece that ends the podcast. It's a little Independence Day nod. Elsewhere, Jay discusses and plays a Debussy song, two famous guitar pieces, and a piano piece by Frederic Rzewski, the American composer (also a political radical), recently deceased. A neat, varied, interesting, and enriching program. Debussy, “La mer est plus belle que les cathédrales” Villa-Lobos, Prelude No. 5 Rzewski, “Down by the Riverside” Barrios, “Julia Florida” Lowry, arr. Copland, “At the River”
On this 2-part special edition of Life in The Grooves, I talk with GRAMMY Award-winning conductor, composer, arranger and trumpeter, Jeff Tyzik. As one of America's most innovative and sought-after pops orchestra conductors, Tyzik is recognized for his brilliant arrangements, original programming, and engaging rapport with audiences of all ages. Jeff has led the Rochester Philharmonic Orchestra as its principal pops conductor for more than 27 years. He is also the principal pops conductor for the Dallas Symphony, the Detroit Symphony, and the Oregon Symphony. Tyzik studied both classical and jazz at the prestigious Eastman School of Music where he earned both his bachelor's and master's degrees. He has also produced and composed theme music for many of the major television networks and released six of his own albums on Capitol, Polygram, and Amherst Records. In Part 1 of my conversation, Jeff talks about how he had to adapt and create new programming for orchestras during the Covid- 19 pandemic. Tyzik also looks back on some of his earliest musical experiences and the impact they had on his career. You'll also learn about the years Jeff spent touring, recording, and producing with GRAMMY Award-winning jazz trumpeter and flugelhornist, Chuck Mangione. Committed to performing music of all genres, Jeff Tyzik has collaborated with such diverse artists as Megan Hilty, Chris Botti, Matthew Morrison, Wynonna Judd, Tony Bennett, Art Garfunkel, Marilyn Horne, and the great Doc Severinsen.
durée : 01:28:45 - Hélène Cixous, autrice - par : Priscille Lafitte - Autoportrait musical d’Hélène Cixous, autrice et dramaturge, dont les écrits sont imprégnés du théâtre Nô japonais et du jazz new-yorkais, en passant par les quatuors de Beethoven qu’écoutaient son père en Algérie jusqu’aux timbres des mezzo-sopranos Marilyn Horne et Janet Baker. - réalisé par : Marie Grout
Join us for this very special chat with Operatic Royalty, Marilyn Horne.
The holiday season is always about children and the child that lives within us. We will hear lullabies by Kathleen Battle, Boris Christoff, Marilyn Horne, and Ian Bostridge. The prayer from Hänsel und Gretel is sung by Elisabeth Schwarzkopf and Elisabeth Grümmer. The Vienna Boys Choir sing a chorus from Bizet’s Carmen as well. The post For the Children appeared first on WFMT.
The Damnation of Faust (La damnation de Faust) is a work by 19th-century French composer Hector Berlioz for four solo voices, chorus, children’s chorus, and orchestra based on German Romantic poet Johann Wolfgang von Goethe’s Faust.Santiago del Estero is a province and city in northern Argentina.Lima is the capital and largest city of Peru.Carlos Gardel was a French Argentine singer notable for his tango compositions and hundreds of recordings of tango pieces.Loons are aquatic birds found in North America and northern Eurasia.The Peruvian panpipe (Andean panpipe or siku) is a traditional flute-like instrument associated with music from the Qullasuyu region of the Andean Mountains of South America.Ella Fitzgerald was one of the best-known American jazz singers of the 20th century.Frank Sinatra was an American singer and actor who is one of the best-selling musicians of all time.Fred Astaire was an American dancer, singer, actor, and choreographer most noted for work in film and television.Gene Kelly was an American actor, dancer, and director known for his lead roles in Singin’ in the Rain and An American in Paris.Located near Lincoln Center in New York City, LaGuardia High School is a public magnet high school focusing in the visual and performing arts.Marilyn Horne is an American mezzo-soprano and music pedagogue.Matthew Epstein is a prominent artistic advisor and artist manager within the opera community.Der Rosenkavalier is a frequently performed comic opera by German composer Richard Strauss.A pants role (or trouser role) is a character which is performed by a woman in traditionally masculine clothing. Some examples of these roles include Cherubino from W.A. Mozart’s The Marriage of Figaro and Count Ottavio from Richard Strauss’s Der Rosenkavalier.Dorabella is a principle soprano role from W.A. Mozart’s comic opera Così fan tutte.Marnie is an opera by contemporary American composer Nico Muhly based on Winston Graham’s 1961 novel by the same name. Notably, Alfred Hitchcock directed a film adaptation of the same novel. Leonard performed the title role in the U.S. premiere of the operatic adaptation at the Metropolitan Opera in 2018.Coal Mountain is an opera by contemporary American composer Jennifer Higdon surrounding the American Civil War.The Fach system is a method of categorizing singers’ voices into specific “types.” Not all musicians agree with every aspect of the system, however it is a commonly used tool for understanding the range, weight, and color of a singer’s voice.Rosina is a principle soprano role in Gioachino Rossini’s comic opera The Barber of Seville. Leonard will perform this role in Cincinnati Opera’s 2021 Summer Festival.Edith Bers was a member of the voice faculty at The Julliard School.White Fragility is a book by Robin DiAngelo about systemic racism in the United States.Trevor Noah is a South African comedian and political commentator known for being the current host of the satirical The Daily Show.The Hardy Boys is a series of mystery novels for children written under the name Franklin W. Dixon.Schitt’s Creek is an acclaimed Canadian television sitcom.
This is a program of classic American songs. The traditional “Shenandoah,” Steven Foster’s “Jeanie with the Light Brown Hair,” the spiritual “Deep River,” “Summertime” from Porgy and Bess, and others. Singers include Eileen Farrell, the Norman Luboff Choir and Marilyn Horne. The post From The American Songbook appeared first on WFMT.
durée : 00:17:36 - Disques de légende du mardi 19 mai 2020 - Une version pionnière ! Le chef italien Claudio Scimone et son ensemble I Solisti Veneti enregistrent en 1977 la première intégrale de l'opéra "Orlando furioso" d'Antonio Vivaldi, avec un casting vocal prestigieux : Victoria de Los Angeles, Marilyn Horne et Lucia Valentini-Terrani.
In this series of podcasts, Seattle Opera Dramaturg Jonathan Dean gives listeners a taste of nine different types of traditional opera. Bel Canto Melodrama refers to for serious Italian opera from the first part of the nineteenth century—when opera singing was about dazzling trapeze acts, and opera plots tended toward the wild, far-fetched, and grotesque. Inspired by their newfound obsession with Shakespeare, Europe’s Romantic generation created some of opera’s most enduringly popular works, including Verdi’s Rigoletto and Bellini’s Norma. Musical examples on the podcast drawn from Seattle Opera recordings of Rigoletto: from 1995, conducted by Phil Kelsey and starring Harolyn Blackwell; and from 2019, conducted by Carlo Montanaro and starring Giuseppe Altomare and Yongzhao Yu: and Seattle Opera Normas, both conducted by Edoardo Mueller, from 2003 starring Sally Wolf; and from 1994 starring Jane Eaglen. Also, Verdi’s Il trovatore conducted by Tullio Serafin (Deutsche Gramophon, 1962); and Rossini’s L’assedio di Corinto, Marilyn Horne conducted by Henry Lewis (Decca, 1973). Stay tuned for another podcast introducing another kind of opera next week!
Fem memòria a Perpinyà amb Gineta Bernard, més coneguda com a Gineta Verdaguer, el cognom del seu marit: l’escriptor i professor Pere Verdaguer. Ella va néixer a Prada, on va coneixer Pau Casals i Pompeu Fabra que s’hi havien refugiat. Amb ella parlem del Conflent dels anys 30 i 40, del seu recorregut com a artista gràfica i professora així com de la vida al costat de Pere Verdaguer. Tot ben amanit amb la seua sel·lecció musical, composada per cançons de Nabuco, Montserrat Caballé i Marilyn Horne, Claude Lelouch, Frank Sinatra i Morricone. Una emissió de Berenguer Ballester.
Sandra J. Evers-Manly grew up in California and resides in Washington, DC. She is a sought-after speaker in the areas of diversity and inclusion, corporate responsibility, ethics and images in the media. As a fervent philanthropist, Evers-Manly has lived her life purposefully with open eyes and an open heart ready and willing to make a difference in the lives of others. Her passion for making a positive and real impact on behalf of otherwise under-recognized projects and causes by channeling her efforts and resources has been both inspiring and lasting. Whatever it is, she finds a way, and makes it happen. Sandra has an especially strong commitment to working with and encouraging young people to thrive and excel - getting them excited about education, especially science, technology, engineering, and mathematics; while bringing attention to the impact of serious community issues like gang violence. Sandra also shares an equal and enduring passion for the arts – giving opportunity to talented up-and-comers, celebrating the unsung heroes and she-roes of music and film, and keeping art appreciation alive and thriving in schools. Ms. Evers-Manly has been nationally recognized by numerous organizations for her boundless commitment and positive impact on education, the arts, community-building, and the advancement of diversity in the corporate world and in film. Her efforts and influence in these areas have been a continued focus throughout her professional career and across her many entrepreneurial, cause-related and philanthropic endeavors. Most recently, Sandra was selected by the University of Southern California (USC) Alumni Association as one of a small group of 2019 86th Annual USC Alumni Awards honorees. Past recipients of this prestigious award, which recognizes the professional achievements and outstanding university and community service displayed by a select group of noteworthy Trojans, includes Apollo 11 astronaut Neil Armstrong ’70, world-renowned architect Frank O. Gehry ’54, opera great Marilyn Horne ’53, and Academy Award-winning filmmakers Robert Zemeckis ’73 and Ryan Coogler ‘11. Sandra has taken the story-telling she has often shared with others about how she was raised by her mother's favorite words using the letter "L", and turned it into a new, non-fiction book for parents, educators and others. “Raised Up by Mrs. Manly & Her Ls” recounts the daily lessons that helped shaped how she lives today. Inspired by her mother’s teachings, she herself has adopted her own single-word lessons using her favorite letter "C" - Character, Compassion, Conviction, Care, Commitment, Certain, Complete and Cherish.
Episode 9: Janet Williams Interview Part II: Serendipity @ Merola. In this episode, Janet relives her early career experiences, including time that both she and Daniel spent at the Merola Opera Program of the San Francisco Opera. She describes the continuing influence and tutelage of Camilla Williams; tells about her study in Paris with the great Régine Crespin, the mentorship of Marilyn Horne, and the inspiration of Harolyn Blackwell and Kathleen Battle; and elucidates how she was hired for a two-year Festvertrag at the Berliner Staatsoper and how, 27 years later, she still calls Berlin home. The episode is peppered throughout with musical examples. Countermelody is a new podcast devoted to the glories of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great classical and opera singers of the past and present with the help of guests from the classical music field: singers, conductors, composers, coaches, agents, and voice teachers. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the interaction between singers of all stripes, their instruments, and the connection they make to the words they sing. Please also visit the Countermelody website for updates, additional content, and to pledge your support. www.countermelodypodcast.com
Jessye Norman is an American opera singer and recitalist.Susanna is from Huntsville, Alabama where she attended Randolph School. She received Bachelor of Music and Master of Music degrees from the Juilliard School. After completing her master's degree in 2004, she became a member of Santa Fe Opera's Apprentice Program for Singers.The Metropolitan OperaMadame Butterfly is an opera by Giacomo Puccini.Leave It to Beaver is a late 1950s black-and-white American television sitcom about an inquisitive and often naïve boy.Susanna originally wanted to attend the following higher education institutions: Northwestern University, Vanderbilt University, Samford University, and Furman University.The New York City Opera (NYCO) is an American opera company located in Manhattan in New York City. The company has been active from 1943 through 2013 (when it filed for bankruptcy), and again since 2016 when it was revived.New York Philharmonic Orchestra(NYPO) or New York Philharmonic-Symphony Orchestra, is an orchestra based in New York City.Carnegie Hall is a concert venue located in Manhattan in New York City.Operalia, The World Opera Competition is an annual international competition for young opera singers. Founded in 1993 by Plácido Domingo, the competition has helped launch the careers of several important artists.The Music Academy of the West is a summer music conservatory located in Montecito, California. Participation is merit-based and tuition free.Marilyn Horne is an American mezzo-soprano opera singer.Matthew Epstein is the Director of Vocal Divisions at Columbia Artists Management, Inc.Cynthia Hoffmann is a member of the voice faculties of Manhattan School of Music, where she also teaches a class in Vocal Performance, and of the Juilliard School, where she served as Chair from 1995 to 2006.Matthew A. Horner is the Executive Vice President - Global Head of Vocal for IMG Artists, New York.Lyric Opera of Chicago Young Artists ProgramCountess Rosina Almaviva is a character in The Marriage of Figaro, an opera buffa composed in 1786 by Wolfgang Amadeus Mozart.Birdie is a character in Regina, an opera by Marc Blitzstein.Musetta is a character in La bohème, an opera by Giacomo Puccini.Fiordiligi is a character in Così fan tutte an opera by Mozart.Agrippina is a character in an opera of the same name by George Frideric Handel.Don Giovanni is an opera by Mozart. Donna Anna, Don Giovanni’s daughter, and Donna Elvira, a lady of Burgos abandoned by Don Giovanni, are characters in the opera.Arabella and Der Rosenkavalier are comic operas by Richard StraussDaphne is a one-act opera by Richard Strauss.Opera Theatre of Saint Louis (OTSL) is an American summer opera festival held in St. Louis, Missouri.Kaija Saariaho is a Finnish composer based in Paris, France.Renée Fleming is an American soprano, known for performances in opera, concerts, recordings, theater, film, and at major public occasions.Julian Bream is an English virtuoso classical guitarist and lutenist. One of the most distinguished classical guitarists of the 20th century, he played a significant role in improving the public perception of the classical guitar as a respectable instrument.Natalie Dessay is a French singer and actress who had a highly acclaimed career as an operatic coloratura soprano before leaving the opera stage on 15 October 2013. She is married to the bass-baritone Laurent Naouri.Violetta is a character in the opera La traviata by Giuseppe Verdi.Cleopatra is a character in the opera Antony and Cleopatra, an opera by American composer Samuel Barber.We Are All Completely Beside Ourselves is a 2013 novel by the American writer Karen Joy Fowler.Fresh Air is a podcast hosted by Terry Gross, the show features intimate conversations with today's biggest luminaries.White Lies is an NPR podcast. More information can be found here.The Eagle OTR and Salazar are restaurants in Cincinnati.Dolly Parton is an American singer, songwriter, multi-instrumentalist, record producer, actress, author, businesswoman, and humanitarian, known primarily for her work in country music.
Jay says “Happy Independence Day” with a buffet of American music, starting with “The Banjo” and ending with “America the Beautiful.” In between, you will have many melodies, many voices, all adding up to America. Have a great one. Track listing for this show: Gottschalk, “The Banjo,” Ivan Davis “Camptown Races,” Marilyn Horne et al. […]Join the conversation and comment on this podcast episode: https://ricochet.com/podcast/music-for-a-while/america/.Now become a Ricochet member for only $5.00 a month! Join and see what you’ve been missing: https://ricochet.com/membership/.Subscribe to Music For a While in Apple Podcasts (and leave a 5-star review, please!), or by RSS feed. For all our podcasts in one place, subscribe to the Ricochet Audio Network Superfeed in Apple Podcasts or by RSS feed.
En este episodio le contamos a los niños quién fue Rossini, cómo fue su vida, y escuchamos algunas de sus obras más famosas. Lo que vas a escuchar en este episodio: 00:33 El Barbero de Sevilla - Obertura 01:24 L’Italiana in Algeri - Obertura 03:39 La Cambiale di Matrimonio - Obertura 07:11 La Danza - Luciano Pavarotti 09:45 El Barbero de Sevilla - Obertura 11:14 Guillermo Tell - Obertura 12:39 La Cenerentola, “Non più mesta”. - Cecilia Bartoli 14:59 Tancredi, “Di tanti palpiti”. - Marilyn Horne 17:47 Duetto buffo di due gatti. Montserrat Caballé y Montserrat Martí. Síguenos en: Facebook, Twitter, Instagram y Pinterest. Si te gusta el episodio, califícalo en tu app favorita (Podcasts iTunes, iVoox) o puedes dejar tu review. :) No te pierdas ningún episodio. Súscríbete al newsletter en allegromagico.com/suscribirme.
Reconeguda per les seves interpretacions de les
With The Cher Show on Broadway, we look at some of the great divas of the musical theater, opera, and pop worlds: Streisand, LuPone, Audra, Judy, Diana Ross, Marilyn Horne, Renee Fleming and Cher herself--all crowding the spotlight.
El último programa de la serie "Cuéntame un musical" lo dedicamos al musical "El rey y yo", aprovechando su paso por Londres este verano de 2018 de la producción estrenada el 2015 en el Lincoln Center de New York, dirigido por Barlet Sher que se alzó con nueve nominaciones a los premios Tony, de los que ganó cuatro incluidos el de mejor revival, mejor vestuario y mejor actriz protagonista en un musical para Kelly O'Hara que interpretó a Anna Leonowens y dándole la réplica tuvo como rey nada menos que a Ken Watanabe. Para ilustrar este podcast nos serviremos de varias grabaciones tratando de dar cabida a la versión más completa incluyendo temas cortados antes de llegar a Broadway, si bien fundamentalmente tendremos la versión grabada en estudio por Julie Andrews, Ben Kingsley, Lea Salonga, Peabo Bryson, Roger Moore, Martin Sheen y Marilyn Horne, aunque también estarán presentes Yul Brynner, Elaine Paige o Kelli O'Hara en algunos temas. Con este podcast cerramos el año 2018 con Rodgers y Hammerstein, con los mismos compositores con que lo abrimos y espero seguir contando con vuestro apoyo. Adjunto la lista de tiempos y canciones que están incorporadas en el podcats 00h 00'00" Presentación 00h 03'58" Cabecera 00h 04'52" Introducción 00h 05'59" Overture 00h 13'16" I whistle a happy tune 00h 16'50" Welcome to Bangkok 00h 19'22" My Lord and Master 00h 22'10" The march of the siamese children 00h 26'00" Anna unpacks 00h 28'20" Hello young lovers 00h 31'45" Home, sweet home 00h 33'31" A puzzlement 00h 37'07" The Royal Bangkok Academy 00h 39'25" Getting to know you 00h 45'08" So big a world 00h 46'47" Garden scene 00h 49'10" We kiss in a shadow 00h 54'30" A puzzlement (Reprise) 00h 56'38" Shall I tell you what I think of you? 01h 02'18" Something wonderful 01h 07'36" Temple scene 01h 10'36" Western people funny 01h 13'14" Banquet scene 01h 16'16" I have dreamed 01h 21'29" The small house of Uncle Thomas 01h 35'22" Song of the king 01h 37'07" Shall we dance? 01h 41'40" Finale Ultimo 1h 51'33" Curiosidades y anécdotas 1h 59'18" Waiting 2h 02'00" Versiones y despedida
El último programa de la serie "Cuéntame un musical" lo dedicamos al musical "El rey y yo", aprovechando su paso por Londres este verano de 2018 de la producción estrenada el 2015 en el Lincoln Center de New York, dirigido por Barlet Sher que se alzó con nueve nominaciones a los premios Tony, de los que ganó cuatro incluidos el de mejor revival, mejor vestuario y mejor actriz protagonista en un musical para Kelly O'Hara que interpretó a Anna Leonowens y dándole la réplica tuvo como rey nada menos que a Ken Watanabe. Para ilustrar este podcast nos serviremos de varias grabaciones tratando de dar cabida a la versión más completa incluyendo temas cortados antes de llegar a Broadway, si bien fundamentalmente tendremos la versión grabada en estudio por Julie Andrews, Ben Kingsley, Lea Salonga, Peabo Bryson, Roger Moore, Martin Sheen y Marilyn Horne, aunque también estarán presentes Yul Brynner, Elaine Paige o Kelli O'Hara en algunos temas. Con este podcast cerramos el año 2018 con Rodgers y Hammerstein, con los mismos compositores con que lo abrimos y espero seguir contando con vuestro apoyo. Adjunto la lista de tiempos y canciones que están incorporadas en el podcats 00h 00'00" Presentación 00h 03'58" Cabecera 00h 04'52" Introducción 00h 05'59" Overture 00h 13'16" I whistle a happy tune 00h 16'50" Welcome to Bangkok 00h 19'22" My Lord and Master 00h 22'10" The march of the siamese children 00h 26'00" Anna unpacks 00h 28'20" Hello young lovers 00h 31'45" Home, sweet home 00h 33'31" A puzzlement 00h 37'07" The Royal Bangkok Academy 00h 39'25" Getting to know you 00h 45'08" So big a world 00h 46'47" Garden scene 00h 49'10" We kiss in a shadow 00h 54'30" A puzzlement (Reprise) 00h 56'38" Shall I tell you what I think of you? 01h 02'18" Something wonderful 01h 07'36" Temple scene 01h 10'36" Western people funny 01h 13'14" Banquet scene 01h 16'16" I have dreamed 01h 21'29" The small house of Uncle Thomas 01h 35'22" Song of the king 01h 37'07" Shall we dance? 01h 41'40" Finale Ultimo 1h 51'33" Curiosidades y anécdotas 1h 59'18" Waiting 2h 02'00" Versiones y despedida
Meet the Composer with Nadia Sirota – Q2 Music's podcast about the musical creative process – returns for its third season on Monday, March 6. Pre-game for the new season with a week of clips from the original WNYC radio program. Meet the Composer is available on iTunes or wherever you get your podcasts. We conclude the week-long ramp-up to our next and third season with an interview with the legendary, charismatic Leonard Bernstein. Though mostly known for his work as a composer (West Side Story) and conductor (New York Philharmonic), Leonard Bernstein was also a consummate evangelist for classical music. This conversation focuses on Bernstein's efforts as a music educator and the role that education played for host Tim Page in his music criticism. Hear a piece of music you loved? Discover it here! 0:05—Aaron Copland: Appalachian Spring | Listen | Buy 0:49—Leonard Bernstein: Overture from Candide | Listen | Buy1:13—Leonard Bernstein: "Maria," from West Side Story, feat. Jose Carreras | Listen | Buy 2:33—Gioachino Rossini: Overture from William Tell | Listen | Buy2:49—Leonard Bernstein: Symphonic Dances from West Side Story | Listen | Buy 3:44—Leonard Bernstein: Serenade after Plato's "Symposium" | Listen | Buy 6:11—Leonard Bernstein: Suite from Candide | Listen | Buy 7:16—Leonard Bernstein: Symphonic Suite from On the Waterfront | Listen | Buy 9:12—Leonard Bernstein: Symphony No. 2, "The Age of Anxiety" | Listen | Buy 10:37—Leonard Bernstein: Symphony No. 2, "The Age of Anxiety" | Listen | Buy
L'Italiana in Algeri may seem like a classic battle of the sexes story set in North Africa, but it's really all about Italy. At least that's one way to look at it. On this episode of He Sang/She Sang, author Fred Plotkin, soprano Ying Fang and mezzo-soprano Rihab Chaieb discuss the politics, patriotism and musical brilliance of Rossini's escape-story masterpiece. Fred Plotkin's YouTube pick (Marilyn Horne, Pablo Montarsolo, Myra Merritt, Douglas Ahlstedt, Spiro Malas) Merrin Lazyan's YouTube pick (Anna Goryachova, Alex Esposito, Yijie Shi, Mario Cassi) This episode features excerpts from the following album: Rossini: L'Italiana in Algeri (Erato, 1981)— Marilyn Horne, mezzo-soprano; Samuel Ramey, bass; Kathleen Battle, soprano; Clara Foti, mezzo-soprano; Nicola Zaccaria, bass; Ernesto Palacio, tenor; Domenico Trimarchi, baritone; I Solisti Veneti conducted by Claudio Scimone
Amy and Jason are rolling in with the first official episode that has a format. In this first episode, they discuss interpretations of "White Bird" by It's a Beautiful Day and "Pretty Hurts" by Beyonce. The week's news rears its ugly head and Amy goes on a wee rant about her feelings about it but the hosts end up tying it into the songs they chose to present to each other. Cookies were made so it all ends on high buttery note of satisfaction. Music clips: The IT Crowd theme "Bird in a Gilded Cage" from Virginia O'Brien "Stayin' Alive" from The BeeGees "White Bird" from It's a Beautiful Day "Bird in a Gilded Cage" from Harry Anthony "Pretty Hurts" from Beyonce "C is for Cookie" sung by Marilyn Horne
It's a bonus episode in our series introducing you to opera in Germany! George's guest is Kirsten Harms, the former Intendantin of the Deutsche Oper Berlin. She’s now a freelance stage director in Germany. You’ll get her take on Berlin’s opera scene and an inside look at her tenure at the Deutsche Oper, as well as her opinion on opera in America... Later, George is joined by Roy Rallo, an American director based in San Francisco, who also is connected to the opera scene in Berlin. His candid opinions about the business of opera will surprise you... Then, George tells you why six weeks isn’t enough time to rehearse an opera, while in his field report from Chicago, Oliver tells you why you better have your poop together if you're going to sing in Marilyn Horne's masterclass, plus Monday Evening Quarterback reviews productions of 'Parsifal' and 'Salome'...
This week Eric brings us music from artists that you may not expect. We will feature recordings by Mario Del Monaco, Birgit Nilsson, Marilyn Horne, and Dietrich Fischer-Dieskau.
1 Lauritz.Melchior Walkure "Walse" (get a stopwatch) 2. Mario Filippeschi PIRA!!!! 3. Renata Scotto Luisa Miller aria 4. Vera Galupe-Borszkh In questa reggia (Ira Siff -better than most Turandots) 5. Piero Cappuccilli Attila Cab...B FLAT!!! 6. Joseph Schmidt Ma Parri 7. Diana Soviero Mefistofele aria 8.Christine Goerke "Come scoglio" (Cosi) 9. Sergei Lemeshev May Night Aria 10. Georges Thill Saffo aria 11.Maria Caniglia "Pace" 12. Marilyn Horne "Or la tromba" 13. Joseph Rogatchevsky Oberon aria 14. Antonio Cortis PIRA 15. Lucine Amara, Richard Tucker,Martial Singher Hoffmnn Trio 16. Meta Seinemeyer Liebestod (great singer,died at 33)
Our first live show, from sunny Santa Barbara... The Met union struggles continue but with some light at the end of the tunnel...Germany saves the day once again with opera jobs...Tamar Iveri plans gay bash to make up for her previous gay bash...Is opera racist? (probably). This week in Oliver's Corner, not even Marilyn Horne can get him off of his script about Act 2 of Carmen. Plus Guess Who Died? This week features Michael, The OC, Jenny Rivera, Will Ferguson...and MARYLIN HORNE!
I hope I am not inundating you too much with all these compilations, but I do think they are fun. 1. Fedora Barbieri Trovatore "Stride la vampa." 2. Daniele Barioni La Rondine aria (with nice interpolation at end.) 3. Lina Bruna Rasa Cavalleria Rusticana "Voi lo sapete" ( Insane chest!) 4. Grace Bumbry Don Carlo "Oh don fatale." 5. Maria Callas La Gioconda "Suicidio" 6. Enrico Caruso "Vesti la giubba" 7. Regine Crespin/Carlo Bergonzi Ballo in Maschera Duet 8. Gilda Cruz-Romo Attila Cabaletta 9. Giuseppe de Luca Tanhauser Evening Star (in Italiano.) 10.Bernardo de Muro Isabeau (Mascagni) aria 11.Ghena Dimitrova "Vissi d'arte" 12.Placido Domingo Tanhauser Rome Narrative 13.Nicolai Gedda/Fernando Corena Elisir Duet 14.Mario Filippeschi "Messun Dorma" (LOUD!) 15.Elina Garanca Cosi Fan Tutte" Dorabella aria 16.Leyla Gencer Adriana Lecouvreur Act 3 Phedre Narration 17.Marcello Giordani Huguenots aria 18.Thomas Hampson/Sam Ramey Duet from Verdi's "Un Giorno di Regno" 19.Susan Graham Komponist aria from Ariadne 20.Hei-Kyung Hong "Che bel sogno di Doretta" (Rondine) 21.Marilyn Horne Cabaletta from Meyerbeer's "Le Prophete" 22.Kiri Te Kanawa "Summertime"
I hope you are enjoying my compilations. I think they represent a wide variety of material. 1. Marilyn Horne Semele "Iris,hence away." (Breathtaking technique) 2. Dorothy Kirsten Mme.Butterfly Farewell 3. She can sing pop also, and very well. "Embraceable you." 4. Tiana Lemnitz Nozze di Figaro "Porgi amor" 5. Leyla Gencer Aida " O Patria Mia" 6. George London Boris Monologue (How we miss him!) 7. Germaine Lubin Tannhauser "Dich theure halle." 8. Christa Ludwig Frau act 2 finale w.Berry,Rysanek,Dalis. (My all-time favorite singer in a given role. It was something I cannot forget.) 9. Regina Resnik Andrea Chenier "La Mamma Morta" (she started as soprano.) 10.Lauritz Melchior Pagliacci "Vesti la giubba" 11.Aprile Millo Forza "Pace" 12.Joan Sutherland/Sherrill Milnes Rigoletto act three duet (WOW!!!) 13. Martha Moedl Parsifal "Ich sah das Kind." 14. Edna Moser Zauberflote "Der holle Rache." 15. Callas/Bechi Nabucco duet (a kind of singing long absent) 16. Birgit Nilsson Tosca "Vissi d'arte" 17. Rosetta Pampanini Manon Lescaut "In quelle trine morbide." (Another example of a lost art.) 18. Luciano Pavarotti NINE high C's (Guess what opera!)
From La Scala 1969,under Thomas Schippers, we present the Rossini "L'Assedio di Corinto," featuring Beverly Sills, Marilyn Horne, Justino Diaz, and Franco Bonisolli. (70 min.)
World-renowned mezzo soprano Marilyn Horne introduces pianist, conductor and master class leader James Levine.
From 1980 Aix-en-Provence under Jesus Lopez-Cobos, we bring you an example of remarkable Bel Canto singing. The cast includes Montserrat Caballe, Marilyn Horne,Samuel Ramey, and Francisco Araiza (72 min.)
“Marilyn Horne may be the most influential singer in American history.” – Opera News, January 2002 Great Interpreters: Marilyn Horne Broadcast “live” on Fine Music Radio on 29 February 2008. Also available on iTunes: Known for her powerful voice, … Continue reading→
Singer Richard Conrad is interviewed, and he reflects back on a career that got a big boost early on from opera superstar Joan Sutherland and her husband Richard Bonynge when they asked him to record The Age of Bel Canto with them and Marilyn Horne in 1963. During our discussion he'll talk about those days, and about Gilbert & Sullivan, Noel Coward and many other notables in the music world. Richard also tells us a joke he told to Noel Coward that made Coward fall down laughing, and he tells about a hilarious men's room encounter with none other than…Adlai Stevenson! I ask you, where else can you get this kind of programming? At the close of the episode, Andy reminds listeners to enter the drawing for a free iPod by calling 415-508-4084 and saying the secret word (found at 18 min., 20 sec. into Episode 12). Happy listening! Call the listener call-in line to leave a message for Andy and/or his audience: 415-508-4084 When you call, please say “This is [your name] and I’m on Andy’s Treasure Trove!” Listen & Subscribe to this podcast (it’s free!) via iTunes: click https://itunes.apple.com/us/podcast/andys-treasure-trove-podcast/id1109564030?mt=2 (HERE) Also on GooglePlay: click https://play.google.com/music/listen?gclid=COiv18CfvMwCFQfYfgodkycPFg&gclsrc=ds&u=0#/ps/Ib5z2gtohpbdtclqchr4l33wn7q (HERE) Keywords and links: http://www.richardconrad.net/ (Richard Conrad), Home, Sweet Home, Sir Henry Bishop, William Merrill, Joan Sutherland, Richard Bonynge, Marilyn Horne, The Age of Bel Canto, Hughes Cuenod, Angiol di Pace, Beatrice di Tenda, Daniel Pinkham, Noel Coward, Tom Lehrer, W.S. Gilbert, Arthur Sullivan, Gilbert and Sullivan, Eleanor Steber, Adlai Stevenson, Vencenzo Bellni, Angiol di Pace (from Beatrice di Tenda), The Major General’s Song, The Pirates of Penzance. Selected Discography of Richard Conrad: London Records: Baroque and Bel Canto Opera Westminster-Music Guild: Baroque Sacred Cantatas Composers Recordings: 20th-century vocal music Telefunken: Handel Opera Northeastern Records: 20th-century vocal music MMO: Porgy and Bess, Can Can, Showboat Pearl Records: Songs and Ballads by Arthur Sullivan Newport Classic: Songs of Noel Coward Naxos: Vanessa Arsis: The Cask of Amontillado by Daniel Pinkham
Tune in when Patricia interviews renowned Mezzo-Soprano, Deborah Domanski ( described by Dr. Jean Houston as An artist of the highest degree!) and creativity expert and New York Times best selling author ( How to Think Like Leonardo Da Vinci) Michael J. Gelb. A graduate of the Julliard Opera Center and winner of Marilyn Horne's National Vocal Competition Deborah has just released her first CD entitled Arias and Songs. Deborah and Michael will discuss the creative process behind this extraordinary music ( 15 tracks in 5 different languages, spanning 300 years of composition). Deborah's musical inspiration is expressed in this quote from Bach: “The aim and final end of all music should be none other than the glory of God and the refreshment of the soul.” Please join us for this positive, soul refreshing conversation.
Tune in when Patricia interviews renowned Mezzo-Soprano, Deborah Domanski ( described by Dr. Jean Houston as An artist of the highest degree!) and creativity expert and New York Times best selling author ( How to Think Like Leonardo Da Vinci) Michael J. Gelb. A graduate of the Julliard Opera Center and winner of Marilyn Horne's National Vocal Competition Deborah has just released her first CD entitled Arias and Songs. Deborah and Michael will discuss the creative process behind this extraordinary music ( 15 tracks in 5 different languages, spanning 300 years of composition). Deborah's musical inspiration is expressed in this quote from Bach: “The aim and final end of all music should be none other than the glory of God and the refreshment of the soul.” Please join us for this positive, soul refreshing conversation.
Norman Lebrecht talks to the American mezzo-soprano Marilyn Horne, tracing her career from precocious Shirley Temple sound-alike, to pirate recordings of pop songs in the 1950s, to dubbing the title role in the movie of the Oscar Hammerstein musical Carmen Jones, and finally the breakthrough to the major mezzo Bel Canto roles of Rossini, Bellini and Donizetti for which she was justly famed. She also talks about her experience of early masterclasses with the veteran singer Lotte Lehmann and how the sometimes unhappy experience of that has influenced her approach to helping young singers and teaching masterclasses in her retirement. She discusses her relationship with other musicians such as Stravinsky, Joan Sutherland and Richard Bonynge. In her frank and direct manner she also reveals to Norman Lebrecht the difficulties she had with her family when she married the black conductor Henry Lewis.
The In Tune A-Z of Opera. Today's letter is C - for Coloratura. Our guides are Sarah Lenton, Marilyn Horne and Danielle de Niese.
Highlights from an extraordinary performance of Rossini's "Semiramide." Featured are two of the greatest exponents of Bel Canto singing, Marilyn Horne and Montserrat Caballe. Featured also are Samuel Ramey and Francisco Araiza, conducted by Jesus Lopez-Cobos (Aix-en-Provence, 1980) (72 min.)
A tribute to Marilyn Horne, one of the greatest artists of our time (and any time!). The selections are from: Pagliacci,Wozzeck, The Damnation of Faust, Die Walkure, Semiramide, Capuletti ed I Montecchi, Rinaldo, Partenope, Semele, Rosenkavalier, and other selections. (72 min.) I HAD TO UPGRADE!!!!! Your responses have been so tremendous, I needed more space, so I will send you a bill in the morning!!!!! It is my great pleasure to serve you...Love Charlie (poorer)
A comparison of Kunst(art) and Stimme (voice) sopranos.Included are the following divas: Maria Callas, Renata Tebaldi, Joan Sutherland, Martha Moedl,Kirsten Flagstad, Leonie Rysanek, Nina Stemme, Marilyn Horne,Conchita Supervia, Elena Suliotis, Maria Caniglia, Zinka Milanov,Edita Gruberova. (74 minutes)
Scenes from some of the great Rossini works as presentedon his birthday (Feb.29, born in 1792). Operas include: Barbiere di Siviglia, Cenerentola, Viaggio a Rheims,William Tell, L'Italiana in Algeri, SemiramideL'Assedio di Corinto, and Armida. Featured artists are: Marilyn Horne, Conchita Supervia, Vesselina Kasarova,Ewa Podles, Montserrat Caballe, Beverly Sills,Nicolai Gedda, Marcello Giordani, Fernando di Lucia,Norman Mittleman, Juan Diego Florez, Maria Callas, and Ruggero Raimondi. (73 minutes)
An exciting compilation of scenes from Leoncavallo's "I Pagliacci," featuring: Richard Tucker, Mario del Monaco, Franco Corelli, Helge Roswaenge, Jussi Bjoerling, Carlo Bergonzi, Licia Albanese, Diana Soviero, Marilyn Horne, Hilde Scheppan, Victoria de los Angeles, Robert Merrill, Leonard Warren, Ettore Bastianini, Frank Guarrera,Giovanni Martinelli(in photo) Manuel Lanza, andTeresa Stratas (66 min.)
Celebrating our 200th podcast, with special guests Karita Mattila, Rolando Villazon, Renee Fleming, Dorothy Kirsten, Renata Scotto, Elena Obratszova, David Daniels, Ruth Ann Swenson, Renata Tebaldi, Giuseppe diStefano, Marilyn Horne, Montserrat Caballe, Kostas Paskalis, Alain Vanzo, Krassimira Stoyanova, Marcello Giordani and Aprile Millo.
I had a problem with the narration for this podcast, so you willhave to live without the benefit of my voice for this one. I wasso thrilled at Joyce Di Donatos' fabulous rendition of the finalaria of Cenerentola at her recent recital, that I decided to doa comparison of several other mezzos in this same scene. Theyare as follows in order: Ceclia Bartoli, Olga Borodina, Ewa Podles, Maria Callas,Veselina Kasarova, Agnes Baltsa, Marilyn Horne, ConchitaSupervia, and Joyce di Donato. I sincerely hope you enjoy the podcast! (68 minutes)
The great Bellini opera "Norma" surely lends itself to performances by some of our most memorable artists. Here are some scenes which feature a number of them: Maria Callas, Montserrat Caballe, Shirley Verrett,Lauren Flanigan, Marisa Galvany, Zinka Milanov,Gina Cigna, Rita Hunter, Beverly Sills, Renata Scotto,Joan Sutherland, Leyla Gencer, Lili Lehmann,Marilyn Horne, Ebe Stignani, Gino Penno,Kurt Baum,Carlos Cossutta, Lamberto Furlan, Carlo Bergonzii, Franco Corelli, Elena Nicolai, Roberto Francesconi,AND Olive Middleton (well, nobody's POIFEKT!)
A compilation of exciting cabalettas from various operas as sung by some of the great artists of the past: Shirley Verrett, Montserrat Caballe, Virginia Zeani, Virginia Zeani, Elena Suliotis, Beverly Sills,Mado RobinGiulietta Simionato, Marilyn Horne, Christa Ludwig,Antonietta Stella, Joan Sutherland, Nicolai Gedda,Luciano Pavarotti, Alfredo Kraus, Franco Corelli,Piero Cappuccilli, Nicolai Ghiaurov,Sherrill Milnes,Carlo Bergonzi, and Richard Tucker
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