Podcasts about Turandot

Joshua Conyers is an Assistant Professor of Voice at the Eastman School of Music at the University of Rochester, and a Grammy-nominated Baritone who is known for his captivating performances and recognized as one of the leading dramatic voices of today. He has performed with The Metropolitan Opera, Seattle Opera, Washington National Opera, Lyric Opera of Chicago, English National Opera, New York Philharmonic, National Symphony Orchestra, Carnegie Hall, and many others. His recordings include the Grammy-nominated “X: The Life and Times of Malcolm X” his debut solo album is “A Miracle in Legacy.” He says it tells his story of his “being born into the crucible of poverty, haunted by the specter of addiction and abuse.” He says “yet, amid the shadows, I found my guiding light in the melodies of classical music.” SONG 1: “I’ll Make Love to You” by Boyz II Men from their Album II released in 1994. https://youtu.be/USR_0iImpcM?si=VDXE1s_O2toNwRkJ SONG 2: “Nessun Dorma” by Giacomo Puccini from the opera Turandot...performed here by Franco Corelli from the 1958 film of Turandot.https://youtu.be/fWokel5YxM8?si=_D9UEH6jKbz1Bo2G SONG 3: “Cleanin’ Out My Closet” by Eminem off his 2002 album The Eminem Show. https://youtu.be/4t2ETI2Lrjg?si=pgmx0aGLs4Tag6HASee omnystudio.com/listener for privacy information.

Jubilujúci operný spevák, sólista Opery Slovenského národného divadla - Jozef Benci. Absolvoval Konzervatórium a Vysokú školu múzických umení v Bratislave, je to žiak legendárneho operného speváka Sergeja Kopčáka. Hosťoval aj v pražskom Národnom divadle, v budapeštianskej Národnej opere, či v poľskom Krakowe. Vystupuje so Slovenskou i Českou filharmóniou. K jeho najvýraznejším rolám patrí Vodník v Dvořákovej Rusalke, Ferrando vo Verdiho Trubadúrovi, Sarastro v Mozartovej Čarovnej flaute alebo Mefisto v Gounodovej opere Faust, Veľký inkvizítor a Kráľ Filip vo Verdiho opere Don Carlos, Timur v Pucciniho opere Turandot, Boris Godunov v rovnomennej opere Modesta Petroviča Musorgského, Collin v Pucciniho Bohéme alebo Lucifer v Dvořákovej opere Čert a Káča. Spolupracoval aj s Editou Gruberovou. Pochádza z Kremnice, žije v Bratislave, je otcom dvoch dcér, manželka je klaviristka. Hrá šach, dokonca aj závodne, sleduje futbalové a hokejové dianie a rád pracuje okolo domu (príklad mu je jeho starý otec, ktorý bol veľmi zručný). | Hosť: Jozef Benci (sólista Opery Slovenského národného divadla). | Moderuje: Kata Martinková. | Tolkšou Nočná pyramída pripravuje Slovenský rozhlas, Rádio Slovensko, SRo1.

El compositor Franco Alfano va fer-se c

Premiering at HotDocs '25, AI WEIWEI'S TURANDOT follows the legendary artist as he seeks to bring the classic opera into the 21st Century. Directed by Maxim Dereviakno, the film is a testament to the power of art and the way that old content can speak to the modern era. In this 1on1, Derevianko speaks to us about reviving ancient stories and the magic of Ai Weiwei.

REFERÊNCIASJordan Peterson, We who wrestle with God.Ária “Nessun dorma”, da ópera Turandot.

Neste vídeo Gonzalo Córdoba fala sobre as perspectivas técnicas, estéticas e educacionais da iluminação na Argentina. Gonzalo Córdoba é iluminador, cenógrafo, diretor, artista visual, professor e pesquisador. Em produções de ópera, criou a iluminação para Ariadne auf Naxos, Così fan tutte, Candide, Tri Sestri, O Cônsul para Ruben Szuchmacher, O Estupro de Lucrécia, Wozzeck, A Flauta Mágica, O Morcego, Madama Butterfly para Horacio Pigozzi, O Traviata, Italiana em Argel, Serse para Pablo Maritano, cenografia e luzes para Leonor Manso em Lucia de Lammermoor e Tosca, para María Jaunarena em A Flauta Mágica, Outra Volta do Parafuso, Medea, Conde Ory e para Ana D'Anna em El barbero de Sevilla, Bohéme, Rigoletto, Hoffman's Tales, Turandot. Com André Heller Lopez iluminou Don Pasquale, Lucia de Lammermoor, Manon Lescaut, Merry Widow, Faust, Cosi fan tutte e As Bodas de Fígaro.Como diretor: "Proyecto Appia" para Enclaves no CETC, "El Límite de Schiller", iluminação da Puente de la Boca, Linha Azul do metrô de Buenos Aires. Mude a encenação de Emma Bovary e Maní con chocolate 2 com Ana Bovo, bem como "los Persas" de Ésquilo e "La Inhumana" com Alejandra Radano. Dirigiu Marta Roca em "Palabras Cuerdas". Escreveu dois ensaios sobre iluminação cênica "La Trampa de Goethe" e "La Iluminación Escénica", editados por El Rojas.Foi comtemplado com o Prémio Teatros do Mundo por "El Experimento Damanthal" e ACE 2005 por "Las Troyanas" e "Enrique IV"; Meu Deus". Ganhou os prêmios Teatros del Mundo em 2013 e o Maria Guerrero 2014 por Querido Ibsen, Soy Nora, Love Love e Cabaña Suiza, o Prêmio Trinidad Guevara 2015 por "La nueva autoridad" e em 2016 o Prêmio Trinidad Guevara por "Desonrado". Prêmio "Hugo" por Love Musik, 2017 Florencio Sánchez por "Todas as coisas do mundo" e Prêmio KONEX 2011.Atualmente trabalha como Professor na Universidade Nacional das Artes na disciplina de Projeto II, em História da Iluminação Cênica na carreira de design de iluminação de espetáculos, e em Teatro Musical. É membro da Associação ADEA de Designers Cênicos da Argentina.@‌gonzaloemicordova | SITE: gonzalocordova.com.ar

Dans l'histoire mongole, peu de figures féminines sont aussi fascinantes que Khutulun. Cette princesse guerrière du XIIIe siècle, nièce de Kubilai Khan et fille du puissant Kaidu Khan, était célèbre pour sa bravoure, son talent exceptionnel au combat et surtout… son exigence unique en matière de mariage : pour obtenir sa main, un prétendant devait la vaincre à la lutte.Une guerrière hors du communKhutulun n'était pas une princesse ordinaire. Née vers 1260 dans un empire mongol en pleine expansion, elle grandit dans un contexte où les femmes aristocrates avaient un rôle actif dans la société et parfois même dans la guerre. Fille préférée de Kaidu Khan, un chef influent de la lignée de Gengis Khan, elle reçut un entraînement militaire rigoureux et s'illustra très jeune par sa force physique et ses talents de stratège.Lors des batailles, Khutulun était redoutable : on raconte qu'elle se jetait dans la mêlée, capturant elle-même ses ennemis. Sa réputation de guerrière surpassait celle de nombreux hommes de son époque. Mais c'est surtout par sa maîtrise de la lutte mongole, un sport traditionnel, qu'elle marqua l'histoire.Un défi unique pour les prétendantsSelon les récits, Khutulun refusait de se marier, malgré les pressions de sa famille et des chefs mongols. Mais pour apaiser les attentes, elle posa une condition radicale : elle n'épouserait que celui qui réussirait à la vaincre à la lutte. Chaque prétendant devait miser 100 chevaux avant de l'affronter ; s'il perdait, elle conservait les bêtes.Aucun homme ne parvenant à la battre, Khutulun accumula des milliers de chevaux, constituant ainsi un troupeau impressionnant. Cette exigence ne relevait pas seulement d'un caprice, mais d'une affirmation de son indépendance et de sa supériorité physique, dans une société où la force déterminait souvent le pouvoir.Une fin mystérieuseFace aux rumeurs grandissantes et aux intrigues politiques, Khutulun aurait fini par se marier, mais pas par défaite. Certains récits disent qu'elle choisit un guerrier de son camp, d'autres qu'elle mourut au combat.Son histoire inspira Marco Polo, qui la mentionna dans ses écrits, et plus tard des œuvres modernes, notamment en tant que source d'inspiration pour la princesse Turandot dans l'opéra de Puccini. Khutulun demeure aujourd'hui une figure emblématique de la puissance féminine dans l'histoire mongole. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

(00:57) Giacomo Puccini ist vor der Vollendung seiner Oper «Turandot» gestorben. Am Theater Basel ist sie mal mit einem Schluss zu sehen. Ob das funktioniert? Weitere Themen: (05:21) Portrait der Zürcher Violinistin Sophie Branson. (09:44) «Skype» ist bald Geschichte – Ein Nachruf. (12:45) Stück «Halluzinationen» am Schauspielhaus Zürich über Künstliche Intelligenz will zu viel. (17:10) Elfte Ausgabe von Erfolgsausstellung «Blumen für die Kunst» im Aargauer Kunsthaus enthält auch kritische Töne.

Yesterday was the 100th birthday of the sublime Canadian singer, Lois Marshall (29 January 1925 – 19 February 1997). I was sorry to see that there were very apparently few acknowledgements of this momentous occasion. Three years ago, in a Countermelody series on Great Canadian Singers, Lois Marshall was my first subject. If you haven't heard of her (which is entirely possible, given the vagaries of posthumous fame and reputation), you are in for an enormous treat. Possessed of a rare musical scrupulousness, an interpretive honestly, directness, and integrity, as well as a finely-honed dramatic sensibility, Lois Marshall, in a better world, would have graced the world's operatic stages. Alas, she was stricken with polio as a child, and though she managed to gain the ability to walk, staged opera was a genre which she only rarely attempted. Yet she worked with the world's greatest conductors, among them Toscanini, Stokowski, and Beecham, and was a recitalist celebrated the world over. This episode offers an extended yet partial glimpse of the range and variety of her artistry, and includes recordings of arias by both Purcell and Puccini (the title role of Turandot!), Bach and Beethoven, as well as a dazzling array of recital repertoire from Debussy to folk song arrangements. Fellow Canadians Maureen Forrester and Glenn Gould are also featured. I wanted very much to present a brand-new Lois Marshall episode in hono(u)r of her centennial, and I promise you that is in the works, but in the meantime, I listened early this morning to the first Lois Marshall tribute I posted and I have decided to republish it today as I continue to prepare the brand-new episode. Some of today's material, in particular an excerpt from Oskar Morawetz's From the Diary of Anne Frank, which Lois Marshall premiered in 1970, serves as a grim reminder of the United States' further descent into madness and inhumanity, especially since the inauguration of King Ubu. Through the darkness, however, the glorious voice and humanity of Lois Marshall provide us with an ideal example of our better selves. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

[@6 min] Alright, this week…in advance of "The Puccini Heroines," an all-Puccini arias concert at Lyric Opera of Chicago, Sondra Radvanovsky takes a Free Throw on the singing the role of Turandot. Compared to Norma and Aida, you may be surprised to hear that it's one of her easiest roles. [@18 min] And then…in Listener Mailbag, we have field reports on all the vocal activity at Carnegie Hall including Song Studio, Friend of the Show Ying Fang with the Orchestra of St Luke's, and Friend of the Show Ryan Speedo Green in recital with pianist Adam Nielsen. [@27 min] Plus, in the ‘Two Minute Drill'…there *is* good news for 2025. Soprano Lise Davidsen has announced she is having twins! And if they are fraternal twins who inherit their mom's voice, maybe in 2055 we will have a future dream team Sieglinde and Siegmund! GET YOUR VOICE HEARD operaboxscore.com facebook.com/obschi1 bsky @operaboxscore

Meditação do Pe. Pedro Willemsens. REFERÊNCIAS Heróis em missão - o caminho para uma vida significativa, Donald Miller. OUTRAS CITAÇÕES O retorno do Rei, J. R. R. Tolkien. O homem de Vila Tevere, Pilar Urbano. Ária Nessun dorma, da Ópera Turandot.

Mit "Nessun dorma" enthält diese Oper Puccinis wohl größten Hit. Doch die Geschichte von der eiskalten Prinzessin und ihren lebensgefährlichen Rätselfragen ist keine leichte Kost: Unter der Oberfläche lauern die Abgründe. Mit seiner letzten Oper suchte der Komponist Anschluss an die Moderne und hinterließ ein geniales Fragment. Von Michael Lohse.

PUCCINI: Turandot, Ópera en tres actos (Acto III) (44.01). J. Sutherland (sop.), L. Pavarotti (ten.), M. Caballé (sop.), N. Ghiaurov (baj.). P. Pears (sop.), Coro John Aldis, Coro de Niños del Colegio de Wandsworth, Orq. Fil. de Londres. Dir.: Z. Mehta.Escuchar audio

PUCCINI: Turandot, Ópera en tres actos (Acto II) (42.27). J. Sutherland (sop.), L. Pavarotti (ten.), M. Caballé (sop.), N. Ghiaurov (baj.). P. Pears (sop.), Coro John Aldis, Coro de Niños del Colegio de Wandsworth, Orq. Fil. de Londres. Dir.: Z. Mehta.Escuchar audio

PUCCINI: Turandot, Ópera en tres actos (Acto I) (33.16). J. Sutherland (sop.), L. Pavarotti (ten.), M. Caballé (sop.), N. Ghiaurov (baj.). P. Pears (sop.), Coro John Aldis, Coro de Niños del Colegio de Wandsworth, Orq. Fil. de Londres. Dir.: Z. Mehta.Escuchar audio

While I was growing up, Gilda Cruz-Romo was a fixture on the stage of the Metropolitan Opera. At the time, I did not fully appreciate her, as I thought of her as a second-string singer on the roster. I saw her once on the Met tour as Desdemona opposite Jon Vickers, but for reasons none too flattering to me, I undervalued her. In recent years, however, I have completely revised my opinion, and now think that Gilda Cruz-Romo was both the most significant Mexican soprano ever to appear on the world's stages, but also simply one of the finest lirico-spinto sopranos of the twentieth centuries. Fortunately there are many people that agree with me, including some devoted fans who have posted an extraordinary number of live recordings of the artist on YouTube and elsewhere. And this is especially helpful because, incredibly, Cruz-Romo never made any commercial recordings. This episode fully explores the career and repertoire of our subject for today, and includes performances of the soprano in her core Verdi and Puccini repertoire (including such surprises as Odabella, Lady Macbeth, and Turandot!), as well as less expected forays into Mozart and bel canto. Throughout her virtues shine forth: a plangently beautiful voice with a particularly radiant top wedded to an incredibly secure technique, which afforded her enormous flexibility and coloratura facility. Added to this, and paramount to her artistry, is a dedication to her craft and to music which sweeps all before it and raises her work into the realm of the sublime. I think of this episode (the last completely new episode I'll be putting out this season) as a pre-birthday tribute, as the diva turns 85 years old on February 12, 2025. Other singers heard on the episode are tenors Carlo Bergonzi, Colenton Freeman, and John Alexander, and baritone Matteo Manuguerra; among the conductors are Zubin Mehta, Nicola Rescigno, Riccardo Muti, Peter Maag, and Julius Rudel. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

Humanities West and the Italian Cultural Institute celebrate the life and art of Giacomo Puccini (December 22, 1858 to November 29, 1924) on the 100th anniversary of his death. His operas La Bohème, Tosca, Madama Butterfly and Turandot are among the most beloved and most often-recorded operas of all time. His arias are famous for both their emotional resonance and their melodic beauty—even among millions who have never listened to a complete opera. Puccini was born into a centuries-old family of Italian composers, and he began his successful career just as Verdi was completing his, quickly inheriting Verdi's renown as the greatest living composer of Italian opera. We have brought the internationally praised scholar and musicologist Gabriele Dotto from Italy to share the stage with San Francisco Opera's favorite Kip Cranna to tell some of the stories behind the composition of Puccini's heavenly arias. Giacomo Puccini and the Impact of Early 20th Century Media Gabriele Dotto will trace the rapid rise of sound recordings and film as competitors for opera theaters and the traditional business of music publishers. Puccini and his publisher, Casa Ricordi, demonstrated an extraordinary combination of artistic creation and commercial activity, using new and efficient strategies to market Casa Ricordi's opera repertoire to a globally expanding audience and “branding” Puccini as the publishing house's most iconic composer. Puccini Before Fame: The Composer in His Youth Clifford (Kip) Cranna will discuss Puccini's boyhood experiences, his musical training and his operatic influences. Cranna will demonstrate that some of the music Puccini wrote as a student was eventually recycled in his later operas. He will also concentrate on Puccini's first two operas, the rarely performed Le Villi and Edgar, which were composed before his first big hit Manon Lescaut—the beginning of his enduring fame and operatic stardom. OrganizerGeorge Hammond   A Humanities Member-led Forum program. Forums at the Club are organized and run by volunteer programmers who are members of The Commonwealth Club, and they cover a diverse range of topics. Learn more about our Forums. In association with Humanities West and the Italian Cultural Institute Learn more about your ad choices. Visit megaphone.fm/adchoices

Ob stoletnici Puccinijeve smrti na mariborskem odru njegova zadnja opera Turandot.V središču bodo trije dogodki, povezani s sodobno glasbo – prvi koncert iz cikla Sodobne orkestrske skladbe Slovenske filharmonije, drugi koncert iz cikla Carpe artem in festival Forum nove glasbe 2024. Vokal bo v ospredju v drugem sklopu oddaje. V Mariboru so prejšnji teden slavnostno praznovali 100. obletnico Puccinijeve smrti z njegovo opero Turandot, v Ljubljani pa so izvedli tretji koncert iz Pretežno vokalnega cikla Slovenske filharmonije. Za konec še reportaža s koncerta, na katerem je zvenel gregorijanski koral v zanimivem prepletu Koralnega zbora akademije za glasbo in Jazz tria.

Andrés Amorós cierra el ciclo dedicado a Puccini con Trittico (una colección de tres óperas) y Turandot.

Kitsch oder Kult? Kolportage oder Kunst? Wie auch immer: Giacomo Puccinis "La Boheme", "Tosca" und "Turandot" ziehen bis heute die Menschen in die Opernhäuser der Welt. Puccini war Weltstar, Schwermütiger, Auto- und Techniknarr, eine vielseitige, oft widersprüchliche, immer aber faszinierende Figur. Von Christian Schuler

durée : 00:19:29 - Disques de légende du lundi 25 novembre 2024 - A l'occasion du centenaire de la mort du compositeur Giacomo Puccini, ce vendredi 29 novembre, nous débutons une semaine spéciale : Un automne Puccini. Aujourd'hui, Turandot par Zubin Mehta.

Christopher Tin is an award-winning and genre-bending classical composer whose work has been featured in a variety of settings and media, from august concert halls to the world of video games. His orchestral piece “Baba Yetu,” which Christopher originally composed for the game “Civilization IV,” was the first ever musical work written for a video game to win a Grammy Award. It has since become a staple in choral and orchestral venues. He received his second Grammy for his debut album, “Calling All Dawns,” a multilingual song cycle. Christopher has been as adventurous in his producing as he has been in his composing. He turned to Kickstarter to help him create his subsequent two albums, “To Shiver the Sky” and “The Lost Birds,” both of which explored ecological themes. Through his crowdfunding, he not only raised all the funds necessary to pull off both expensive projects but also deepened his relationship with his many ardent fans while making new ones, bringing them along on intimate tours through his entire creative and production process. “The Lost Birds,” which features the acclaimed British vocal ensemble VOCES8, was nominated for a 2023 Grammy and has been performed all over the world. This past spring at the Kennedy Center, the Washington National Opera premiered Puccini's unfinished masterpiece “Turandot” with a new ending composed by Christopher and written by Susan Soo He Stanton. The production and its new ending was a hit with critics and audiences alike.In this interview, Christopher reveals how after decades of experimentation and success he's finally stopped worrying whether his work was too popular to please the classical-music establishment, and he explains how he's cultivated a legion of fans who encourage him to take ever bigger risks.https://christophertin.com/

O convidado do programa Pânico dessa segunda-feira (11) é Thiago Arancam. Dono de uma voz poderosa, o brasileiro Thiago Arancam é considerado um dos maiores tenores da atualidade. Ele se apresentou nos principais teatros do mundo, em mais de 40 países. Destaque para o Alla Scala (Milão), Ópera de Roma (Itália), Ópera Nacional de Washington (EUA), Ópera Estadual de Viena (Áustria), Deutsche Ópera de Berlim (Alemanha), Bolshoi (Moscou), além de inúmeras produções no Japão, Emirados Árabes, Malásia, Canadá, Espanha, França, Polônia, Letônia, Mônaco e Reino Unido. Foram mais de 700 apresentações ao redor do mundo. No Brasil, em 2011, subiu ao palco do Theatro Municipal do Rio de Janeiro com a montagem da ópera “Tosca”, de Puccini, no papel do pintor Mario Cavaradossi, amante de Floria Tosca. Em 2014, no Theatro Municipal de São Paulo, encenou a Ópera Carmen de Bizet. Na Europa, conheceu Plácido Domingo, com quem gravou “Cyrano de Bergerac”, na São Francisco Opera (USA); “Madame Butterfly”, em Washington e “Carmen”, na Los Angeles Opera. Trabalhou com grandes regentes de orquestra, entre eles: Daniel Harding em vários concertos com a Swedish Radio Symphony Orchestra; Christian Thielemann em “Dresden” na Manon Lescaut, Pier Giorgio Morandi na ópera “Tosca” em Las Palmas e Estocolmo; o brasileiro Silvio Barbato com a Orquestra Camerata Brasil em Brasília, João Carlos Martins, Plácido Domingo, Julius Rudel, Lorin Maazel, Nicola Luisotti, Patrik Fournellier, Renato Palumbo, Corrado Rovaris, entre outros. De volta ao Brasil em 2017, Thiago Arancam reencontrou suas raízes, lançou o álbum “Bela Primavera”, que deu origem ao espetáculo que rodou o país e emocionou o público. Em 2018, gravou o CD “This is Thiago Arancam” (2018); em 2019, “Thiago Arancam (Ao Vivo)”. Os três trabalhos trazem as influências do mundo lírico e aproximam o tenor da Música Popular Brasileira, além da força e da emoção da voz do artista, considerado um dos principais tenores da atualidade. Em paralelo ao trabalho com as turnês e lançamento dos novos álbuns, o cantor seguiu com as apresentações em diferentes países, entre eles Rússia, Lituânia, Estados Unidos e Austrália, com as óperas Madame Butterfly, Manon Lescaut, Turandot, Tosca e Carmen. E também lançou clipes e disponibilizou o conteúdo da turnê Bela Primavera em seu canal oficial no YouTube. Com fôlego gigante, Thiago Arancam protagonizou a versão brasileira de “O Fantasma da Ópera”, musical já visto por mais de 140 milhões de pessoas em todo o mundo. No Brasil, ficou em cartaz no Teatro Renault, em São Paulo, de agosto de 2018 até dezembro de 2019. Arancam realizou 360 apresentações, sendo sua maior marca de execução em uma mesma obra. Durante a pandemia 2020/2021 Thiago realizou mais de 20 shows ao vivo por streaming e transmissões pela televisão, totalizando mais de 10 milhões de visualizações em audiência. Como comentarista, o programa traz Mônica Salgado. Jornalista, criadora de conteúdo multiplataforma, consultora e palestrante.

A cura di Paolo PellegriniGiacomo Puccini: TurandotTurandot, Birgit NilssonLiù, Mirella FreniCalaf, Franco CorelliTimur, Bonaldo GiaiottiAltoum, Mariano CarusoPing, Theodor UppmanPong, Charles AnthonyPang, Robert NagyUn Mandarino, Robert GoodloeIl Principe di Persia, David MilnesCoro e Orchestra del Metropolitan Opera House, New YorkZubin Mehta, direttoreLive Recording, Dec. 3, 1966

Artist: Happy Paul (Russia) Name: 2 NOVEMBER / ANGELS BALL / MOSCOW / TURANDOT PALACE Genre: Electronic Release Date: 29.10.2024 Exclusive: Deep House Moscow Ежегодный БАЛ АНГЕЛОВ в роскошном дворце Турандот на Тверском бульваре — манифест света, красоты, добра, вдохновения, в пику мрачному и чуждому Хэллоуину. Билеты и полная информация по ссылке: event.timepad.ru/event/3047260/?utm_.. Вас ждет наше любимое, флагманское, эстетически-музыкальное событие во дворце Турандот — квинтэссенция света, музыки, красоты и высоких вибраций. КОГДА: 2 ноября / суббота / с 19.00 до 2.00 ГДЕ: Дворец Турандот, Тверской бульвар, дом 26с3 Happy Paul: www.facebook.com/djhappypaul Soundcloud: @happy-paul Instagram: www.instagram.com/happypaulmusic LUXURY UNDERGROUND SYSTEM: www.facebook.com/LuxuryUndergroundSystem Soundcloud: @luxuryundergroundsystem Instagram: www.instagram.com/luxuryundergroundsystem CONTACT (DHM): Telegram ‒ t.me/sash_msk Follow us: www.facebook.com/deephousemsk/ www.instagram.com/deephousemoscow/ vk.com/deephousemsk/

En este episodio de La Teoría de la Mente, nos sumergimos en una de las óperas más fascinantes de todos los tiempos: Turandot de Giacomo Puccini, y reflexionamos sobre temas universales como el orgullo, las pruebas que imponemos a los demás y la disonancia cognitiva. Primero, hablaremos sobre cómo el orgullo puede convertirse en una armadura emocional que nos protege del dolor, pero que también nos aísla del amor y las conexiones genuinas. Inspirados en la figura de la princesa Turandot, exploraremos las razones detrás de esta actitud y cómo podemos reconocer este comportamiento en nuestras propias vidas. Luego, reflexionaremos sobre la tendencia a poner pruebas a los demás para validar su amor o merecimiento. A través de ejemplos como los pretendientes de Turandot, analizaremos por qué nos cuesta confiar y cómo esta necesidad de control solo genera ansiedad, frustración y relaciones poco saludables. Finalmente, abordaremos el concepto de disonancia cognitiva, explicando cómo nuestras creencias y acciones muchas veces entran en conflicto, y cómo esto puede bloquear nuestro crecimiento personal. Compartiremos estrategias prácticas para enfrentar estos conflictos internos y aprender a aceptar tanto nuestras imperfecciones como las de los demás. Acompáñanos en este episodio lleno de lecciones poderosas sobre el orgullo, el amor y la autenticidad. ¡No te lo pierdas! ✨ 25 palabras clave: Turandot, Giacomo Puccini, Nessun Dorma, disonancia cognitiva, orgullo, relaciones, pruebas, ansiedad, autoconocimiento, vulnerabilidad, confianza, control, amor, sacrificio, ópera, Calaf, Liù, enigmas, crecimiento personal, autoaceptación, Groucho Marx, Cervantes, Rostand, Salinger, Pasternak. Hashtags: #Turandot #Ópera #NessunDorma #CrecimientoPersonal #Autoexploración #TeoríaDeLaMente Enlaces útiles : Nuestra escuela de ansiedad: www.escuelaansiedad.com Nuestro nuevo libro: www.elmapadelaansiedad.com Visita nuestra página web: http://www.amadag.com Facebook: https://www.facebook.com/Asociacion.Agorafobia/ Instagram: https://www.instagram.com/amadag.psico/ YouTube Amadag TV: https://www.youtube.com/channel/UC22fPGPhEhgiXCM7PGl68rw

La culminaci

«Schnurri der Nation wünscht sich Sound of Silence» - Beni Thurnheer liefert gleich selbst die Schlagzeile für die Sendung.Schlagfertig war er schon immer - musste es sein. Als Kind war er einer der kleinsten, und da er sich nicht mit den Fäusten wehren konnte, tat er es mit Worten. Sprechen war seit jeher seine Leidenschaft, und dank seines geschliffenen Mundwerks bekam er gleich nach dem Jusstudium eine Stelle als Sportreporter - zuerst beim Radio, später beim Fernsehen. Erfolgreiche TV-Shows wie «Tellstar» oder «Benissimo» waren später ganz auf ihn als Moderator zugeschnitten. Beni Thurnheer hat zudem mehrere Bücher geschrieben, u.a. «Der Sportreporter und die Philosophen». In Musik für einen Gast bei Eva Oertle spricht Beni Thurnheer über sein Leben im Rampenlicht, seine Ordnungsliebe und darüber, warum er gerne Ranglisten führt. Er erklärt auch sein Interesse für die Philosophie und die Philosophen. Und wir erfahren, warum ihm Songs wie «Get off of my cloud» von den Rolling Stones oder Bonnie Tylors «Total eclipse of the heart» viel bedeuten. Die Musiktitel - The Rolling Stones – Get Off My Cloud - Bonnie Tyler - Total Eclipse Of The Heart - Simon & Garfunkel - The Sound of Silence - Luciano Pavarotti - Nessun Dorma aus Turandot von Giacomo Puccini London Philharmonic Orchestra / John Alldis Choir / Metha Zubin - Queen - Bohemian Rhapsody Erstsendung: 19. März 2023

En aquest programa fem un rep

Festeggiamo il centenario della morte del Maestro Giacomo Puccini, con la sua ultima, struggente opera: TURANDOT, in scena quest'anno in molti teatri lirici. 3 atti e 5 quadri avvincenti con musica indimenticabile e più storie concatenate struggenti. Ricorda che il bello dell'opera lirica è proprio quella di godere della musica e delle parole con consapevolezza. Perciò spero che questa pillola di opera lirica ti sia gradita e ti aiuti a godere al 100% la magnifica e crudele storia della principessa che di gel è vestita!

Have you ever encountered a singer that no one has apparently heard of, yet once you have discovered them, you feel compelled to introduce them to practically everyone you know? I've had this experience more than a few times over the past five years of producing weekly Countermelody episodes, and today I bring you another such singer: friends, meet Hana Janků, the Czech soprano who lived from 25 October 1950 to 28 April 1995. Her voice is one of steely brilliance that she can taper down to the slightest whisper of a pianissimo. As important as her extraordinary voice was her profoundly-felt and deeply-etched characterizations of all the roles she assumed. As a young music lover, Hana's aims were modest, but thanks to a voice teacher who recognized her gift, she moved from the chorus to a member of the ensemble at the Brno Opera before she was 20. Five years later in Bratislava, she first performed the role with which she would be most closely associated: Puccini's Turandot. Two short years later, after an arduous audition process, she sang the role at La Scala and became a star overnight. Her large repertoire also encompassed roles such Tosca, Gioconda, and Lady Macbeth, French and Russian operas as well as Mozart and Wagner roles, with a large smattering of roles by Czech composers as well, in particular Smetana and Dvořák. Because of political unrest, she made the difficult decision to leave her native Czechoslovakia, performing instead throughout the world, including stints in the ensembles at the Deutsche Oper am Rhein in Düsseldorf and the Deutsche Oper Berlin. Ill health forced her to leave the opera stage prematurely, and she died of cancer in Vienna before she turned 55. Janků left very few commercial recordings, but I have been plumbing the internet for rare live recordings spanning her entire career, encompassing not only her legendary Italian roles, but also roles by Mozart, Gounod, and Othmar Schoeck, as well as a smattering of Czech repertoire. It is an honor to present to you the woman whom Birgit Nilsson dubbed the finest Turandot of her era and who was, as we shall hear, so much more as well! Vocal guest stars include Franco Corelli, Giorgio Merighi, Cornell MacNeil, Roland Hermann, William Holley, and Naděžda Kniplová. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford.  

In this episode, Connects-affiliated scholar Dr. Tiffany Kuo, sits down with Turandot cast member Julius Ahn and Stanford University professor Dr. Gordon H. Chang to contextualize Turandot in this pre-recorded post-show conversation.

From games like 'Civilisation VI', films such as 'Crazy Rich Asians', and albums including 'The Lost Birds', Christopher Tin's body of work is as inspiring as it is expansive. Today we are joined by the composer himself, who spoke to us about the creative process behind some of his most iconic pieces of music including 'Baba Yetu', and his new take on completing Puccini's 'Turandot'.

Artist: Dr Parnassus (Berlin, Germany) Name: Live@Electric Sound Garden / Turandot Palace [Special for DHM] Genre: Downtempo / Electronic Release Date: 30.05.2024 Exclusive: Deep House Moscow Dr Parnassus: linktr.ee/DrParnassus LUXURY UNDERGROUND SYSTEM: www.facebook.com/LuxuryUndergroundSystem Soundcloud: @luxuryundergroundsystem Instagram: www.instagram.com/luxuryundergroundsystem SpiritOn: www.facebook.com/spiritonmoscow Instagram: www.instagram.com/SPIRITON.SOUND CONTACT (DHM): Email — deephousemoscow@hotmail.com Follow us: www.facebook.com/deephousemsk/ www.instagram.com/deephousemoscow/ vk.com/deephousemsk/

This week, host June Thomas talks to Francesca Zambello, artistic director of the Washington National Opera. In the interview, Francesca discusses the process of creating a brand new ending for Puccini's unfinished final opera Turandot, from recruiting a composer and librettist to deciding on the visual language of the show. She also talks about her early career working overseas, the wide range of productions at the National Opera, and the kinds of shows that attract new opera fans.  After the interview, June and co-host Ronald Young Jr. talk about the ethics of changing or updating an artist's work after their death.   In the exclusive Slate Plus segment, June asks Francesca if there are any other operas that she'd like to update or re-frame.  Send your questions about creativity and any other feedback to working@slate.com or give us a call at (304) 933-9675. Podcast production by Cameron Drews. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows—you'll also be supporting the work we do here on Working. Sign up now at slate.com/workingplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, host June Thomas talks to Francesca Zambello, artistic director of the Washington National Opera. In the interview, Francesca discusses the process of creating a brand new ending for Puccini's unfinished final opera Turandot, from recruiting a composer and librettist to deciding on the visual language of the show. She also talks about her early career working overseas, the wide range of productions at the National Opera, and the kinds of shows that attract new opera fans.  After the interview, June and co-host Ronald Young Jr. talk about the ethics of changing or updating an artist's work after their death.   In the exclusive Slate Plus segment, June asks Francesca if there are any other operas that she'd like to update or re-frame.  Send your questions about creativity and any other feedback to working@slate.com or give us a call at (304) 933-9675. Podcast production by Cameron Drews. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows—you'll also be supporting the work we do here on Working. Sign up now at slate.com/workingplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, host June Thomas talks to Francesca Zambello, artistic director of the Washington National Opera. In the interview, Francesca discusses the process of creating a brand new ending for Puccini's unfinished final opera Turandot, from recruiting a composer and librettist to deciding on the visual language of the show. She also talks about her early career working overseas, the wide range of productions at the National Opera, and the kinds of shows that attract new opera fans.  After the interview, June and co-host Ronald Young Jr. talk about the ethics of changing or updating an artist's work after their death.   In the exclusive Slate Plus segment, June asks Francesca if there are any other operas that she'd like to update or re-frame.  Send your questions about creativity and any other feedback to working@slate.com or give us a call at (304) 933-9675. Podcast production by Cameron Drews. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows—you'll also be supporting the work we do here on Working. Sign up now at slate.com/workingplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, host June Thomas talks to Francesca Zambello, artistic director of the Washington National Opera. In the interview, Francesca discusses the process of creating a brand new ending for Puccini's unfinished final opera Turandot, from recruiting a composer and librettist to deciding on the visual language of the show. She also talks about her early career working overseas, the wide range of productions at the National Opera, and the kinds of shows that attract new opera fans.  After the interview, June and co-host Ronald Young Jr. talk about the ethics of changing or updating an artist's work after their death.   In the exclusive Slate Plus segment, June asks Francesca if there are any other operas that she'd like to update or re-frame.  Send your questions about creativity and any other feedback to working@slate.com or give us a call at (304) 933-9675. Podcast production by Cameron Drews. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows—you'll also be supporting the work we do here on Working. Sign up now at slate.com/workingplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, host June Thomas talks to Francesca Zambello, artistic director of the Washington National Opera. In the interview, Francesca discusses the process of creating a brand new ending for Puccini's unfinished final opera Turandot, from recruiting a composer and librettist to deciding on the visual language of the show. She also talks about her early career working overseas, the wide range of productions at the National Opera, and the kinds of shows that attract new opera fans.  After the interview, June and co-host Ronald Young Jr. talk about the ethics of changing or updating an artist's work after their death.   In the exclusive Slate Plus segment, June asks Francesca if there are any other operas that she'd like to update or re-frame.  Send your questions about creativity and any other feedback to working@slate.com or give us a call at (304) 933-9675. Podcast production by Cameron Drews. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows—you'll also be supporting the work we do here on Working. Sign up now at slate.com/workingplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, LA Opera Legacy Ambassador, Kennedy-Rue McCullough, reads the synopsis for Turandot. Playing May 18-June 8, tickets are available now at LAOpera.org.

[@ 2 min] FOS Francesca Zambello and composer Christopher Tin recently changed the ending of "Turandot" at the Kennedy Center. We're taking a page from their book to see what problematic productions might also be in need of a refreshed finale... [@ 20 min] And then... PJ files two ecstatic field reports from the Met: one is a rock concert and the other is all about the Boy... [@ 24 min] Plus, in the ‘Two Minute Drill'… stories about Beethoven's hair and Yannick Nézet-Séguin's heart... GET YOUR VOICE HEARD operaboxscore.com facebook.com/obschi1 @operaboxscore IG operaboxscore

In this episode, Richard Seaver Music Director James Conlon walks us through the history, the plot and, of course, the music of Turandot by Puccini. Don't miss this thrilling masterpiece, tickets are on sale now at LAOpera.org.

Sir Antonio Pappano is one of the world's most acclaimed conductors. He started work at the age of ten as an accompanist for his father, who worked as a singing teacher. After leading orchestras in Brussels and Oslo, Pappano was appointed as musical director of the Royal Opera House in 2002. Stepping down after 22 years leading Covent Garden, he has joined the London Symphony Orchestra as chief conductor. Antonio Pappano was knighted in 2012 and conducted the orchestra at the coronation of King Charles III in 2023. An award winning recording artist, he has conducted on over 70 live and studio albums.Antonio Pappano tells John Wilson about his upbringing in a central London council flat, the son of Italian immigrants, and his love of music from an early age. He recalls the significance of receiving his grade 5 piano examination result by post, "a lightbulb moment” in which he realised what he wanted to do with his life. He also describes his parents' grief after the death of his baby sister, which led to the Pappano family moving to Connecticut, where Antonio continued his musical tuition under a local piano teacher called Norma Verrilli and composer Arnold Franchetti. His professional career was nurtured by conductor and pianist Daniel Barenboim who employed Pappano as his assistant for six years, a period in which he learned the art of conducting. He also looks back at his 22 years leading the Royal Opera at Covent Garden and talks candidly of his concerns about the funding and championing of opera in the UK.Producer: Edwina PitmanMusic and archive:Puccini, Turandot, Act 1 Ah! per l'ultima volta! Liszt, Consolations S.172 for piano no.3 in D flat major; Lento placid Monteverdi, Dolci miei sospiri Gershwin, The Man I love Prokofiev, Symphony No.1 in D Major, Op.25 for two pianos Mozart, Piano Concerto No. 20 in D Minor, K. 466 I. Allegro Wagner, Das Rheingold, Act 1, Rheingold, Rheingold! Wagner, Tristan und Isolde, WWV 90, Act 3 Scene 2 O diese Sonne! Götterdämmerung, Act 3 Siegfrieds Trauermarsch Following Pappano, BBC Radio 4, September 2017 Puccini, La_Boheme, Act 1, Che gelida manina Strauss, Ariadne auf Naxos, Opera Handel, Zadok the Priest, HWV 258 Mozart, Le Nozze di Figaro, Act 3 Sull'aria che soave zeffiretto Vaughan Williams, Fantasia_on_a_Theme_by_Thomas_Tallis Ades, Three-piece Suite from Powder Her Face - Suite No.1

The super-woke Metropolitan Opera warns its audience that Puccini's classic opera, Turandot, is “rife with stereotypes” and “cultural appropriations.” Thanks for listening to the Daily Dennis Prager Podcast. To hear the entire three hours of my radio show as a podcast, commercial-free every single day, become a member of Pragertopia. You'll also get access to 15 years' worth of archives, as well as daily show prep. Subscribe today at Pragertopia dot com.See omnystudio.com/listener for privacy information.

(2:00) TikTok Ban — Harbinger of Greater TyrannyBig bipartisan support as it passes HouseWhat is the threat to Free Speech and freedom on the internetThere's another dangerous precedent besides speechThey don't REALLY want a ban — what is it they WANT?(27:06) A Global Pandemic of "Hate Speech": Pre-Crime, Life Sentences, PoliticizedEven some leftist radicals oppose Canada's radical Online Harms Act.  Trudeau has flown his Marxist Flag in preparation for Stalinist purges"Hate", "racism" and "bullying" prevention are supposed justification for their radical brave new schools.  But a young white girl whose head is pounded in to the sidewalk by a black mob of fellow students is not going to change the schools at all.  In fact, it's what they were training students to do all alongBelgian Parliamentarian sentenced to a year in jail for "hate" jokes in a private forumMet Opera freaks out over Puccini "racial stereotypes" in Turandot, after decades of performances(49:07) Listener comments (1:18:49) West Point Rejects "Duty Honor Country"What is the Army becoming that it is incompatible with that long motto, threatened by "duty honor country"? What can we learn from Douglas MacArthur and Smedley Butler? (1:37:17) INTERVIEW Flight From the DollarLike rats jumping off a sinking ship, everyone is heading for the exits on the dollar as consumers and institutions join central banks, sending Bitcoin, Gold, Silver to new heights as 500 bank failures loom in the near future according to a Fed Reserve member and commercial real estate CEO Tony Arterburn, DavidKnight.gold, on why it's not going to stop but accelerate (2:20:25) Slouching toward Gomorrahyounger generations are being groomed into LGBT with 30% of Gen Z women identifying as LGBT — they don't want to talk about why this is happeningGenital mutilation causing suicide rates DOUBLESpanish soldiers "trans" to women for better pay and benefitsGov Pritzker's "Abortion Provider Appreciation Day" and the sexually perverse heirs of Hyatt chain. Christian jailed for 7 years by Chinese communists merely for being a Christian talks about how he made endured it — with joy(2:45:14) Joe Rogan's interviews with Riley Gaines and Ray Kurzweil expose his bizarre worldview and why he's paid the BIG bucksFind out more about the show and where you can watch it at TheDavidKnightShow.comIf you would like to support the show and our family please consider subscribing monthly here: SubscribeStar https://www.subscribestar.com/the-david-knight-showOr you can send a donation throughMail: David Knight POB 994 Kodak, TN 37764Zelle: @DavidKnightShow@protonmail.comCash App at: $davidknightshowBTC to: bc1qkuec29hkuye4xse9unh7nptvu3y9qmv24vanh7Money is only what YOU hold: Go to DavidKnight.gold for great deals on physical gold/silverFor 10% off Gerald Celente's prescient Trends Journal, go to TrendsJournal.com and enter the code KNIGHT

(2:00) TikTok Ban — Harbinger of Greater TyrannyBig bipartisan support as it passes HouseWhat is the threat to Free Speech and freedom on the internetThere's another dangerous precedent besides speechThey don't REALLY want a ban — what is it they WANT?(27:06) A Global Pandemic of "Hate Speech": Pre-Crime, Life Sentences, PoliticizedEven some leftist radicals oppose Canada's radical Online Harms Act.  Trudeau has flown his Marxist Flag in preparation for Stalinist purges"Hate", "racism" and "bullying" prevention are supposed justification for their radical brave new schools.  But a young white girl whose head is pounded in to the sidewalk by a black mob of fellow students is not going to change the schools at all.  In fact, it's what they were training students to do all alongBelgian Parliamentarian sentenced to a year in jail for "hate" jokes in a private forumMet Opera freaks out over Puccini "racial stereotypes" in Turandot, after decades of performances(49:07) Listener comments (1:18:49) West Point Rejects "Duty Honor Country"What is the Army becoming that it is incompatible with that long motto, threatened by "duty honor country"? What can we learn from Douglas MacArthur and Smedley Butler? (1:37:17) INTERVIEW Flight From the DollarLike rats jumping off a sinking ship, everyone is heading for the exits on the dollar as consumers and institutions join central banks, sending Bitcoin, Gold, Silver to new heights as 500 bank failures loom in the near future according to a Fed Reserve member and commercial real estate CEO Tony Arterburn, DavidKnight.gold, on why it's not going to stop but accelerate (2:20:25) Slouching toward Gomorrahyounger generations are being groomed into LGBT with 30% of Gen Z women identifying as LGBT — they don't want to talk about why this is happeningGenital mutilation causing suicide rates DOUBLESpanish soldiers "trans" to women for better pay and benefitsGov Pritzker's "Abortion Provider Appreciation Day" and the sexually perverse heirs of Hyatt chain. Christian jailed for 7 years by Chinese communists merely for being a Christian talks about how he made endured it — with joy(2:45:14) Joe Rogan's interviews with Riley Gaines and Ray Kurzweil expose his bizarre worldview and why he's paid the BIG bucksFind out more about the show and where you can watch it at TheDavidKnightShow.comIf you would like to support the show and our family please consider subscribing monthly here: SubscribeStar https://www.subscribestar.com/the-david-knight-showOr you can send a donation throughMail: David Knight POB 994 Kodak, TN 37764Zelle: @DavidKnightShow@protonmail.comCash App at: $davidknightshowBTC to: bc1qkuec29hkuye4xse9unh7nptvu3y9qmv24vanh7Money is only what YOU hold: Go to DavidKnight.gold for great deals on physical gold/silverFor 10% off Gerald Celente's prescient Trends Journal, go to TrendsJournal.com and enter the code KNIGHT

This week, Sara brings us the Mongolian Warrior Princess, Khutulun Khan! Her remarkable battlefield prowess was only eclipsed by her mad skills in the wrestling arena. This Princess-who-would-be-Khan (Great-great Granddaughter of Genghis Khan and cousin of Kublai Khan) wrestled & defeated hundreds of men to avoid arranged marriage. She helped her father Kaidu hold onto his massive territory, but does she inherit her father's mantle when he dies? You'll have to listen to find out! — A Broad is a woman who lives by her own rules. Broads You Should Know is the podcast about the Broads who helped shape our world! BroadsYouShouldKnow.com YT/IG/FB @BroadsYouShouldKnow & TW @BYSKpodcast — 3 Ways you can help support the podcast: Write a review on Apple Podcasts Share your favorite episode with a friend or on social Send us an email with a broad suggestion, question, or comment at BroadsYouShouldKnow@gmail.com — Broads You Should Know is hosted by Sara Gorsky. IG: @SaraGorsky Web master / site design: www.BroadsYouShouldKnow.com — Broads You Should Know is produced by Sara Gorsky & edited by Chloe Skye

Vino a promocionar la nueva temporada de su espectáculo The Silence of Sound en la ciudad de México junto a la reconocida Clown mexicana Gabriela Muñoz en marzo del 2024. También viene a hablar de su debut en El Gran Teatre del Liceu de Barcelona dirigiendo la ópera Turandot de Giacomo Puccini, que la convierte en la primera mexicana en hacerlo en ese escenario. Alondra de la Parra estará a cargo de la dirección de esta ópera durante 11 funciones. Esta temporada inició el 26 de noviembre y finaliza el próximo 11 de diciembre 2023.