Podcasts about lakm

Welcome back to Busy Kids Love Music! In today's episode, we're celebrating the blossoming beauty of spring with classical music inspired by flowers! This episode is the perfect follow-up to our April Showers adventure, and it's all about music that captures the feeling of blooming gardens, delicate petals, and peaceful springtime scenes.

Mumbai and New Delhi take turns to host Lakmé Fashion Week, and this season it's the former that will be exploding with creative runways and high-craft fever, starting next week.To get you in the mood, we're bringing you an Indian mini-series of the Wardrobe Crisis podcast, starting with this delightful conversation with stylist Daniel Franklin.Daniel styled five shows last season, and has seven on the go this time, and we can't think of anyone better to contextualise India's new gen talent explosion. So yes, expect to learn the new names-to-know and what makes them tick. But Daniel studied fashion history before breaking into magazines, and this is a far-ranging discussion that gallops through the myth of the Silk Route to the truth of the colonial hangover, via a tour of India's unparalleled craft heritage. Enjoy!More info at thewardrobecrisis.comTell us what you think? Find Clare on Instagram @mrspressGot recommendations? Hit us up!And please share these podcasts.THANK YOU. Hosted on Acast. See acast.com/privacy for more information.

Parlem d'Òpera 583: "Anem a descobrir (XXXVIII): Lakmé"

In today's episode of The BarberShop with Shantanu, Shantanu Deshpande (CEO and Founder, Bombay Shaving Company) sits down for a conversation with Sukhleen Aneja (Ex CEO, Good Glamm Brands, Ex- HUL, L'Oreal). We discuss Sukhleen's varied and rich career trajectory, her takeaways, insights, and learnings over the years.

durée : 00:58:50 - En mémoire de Jodie Devos - par : Aurélie Moreau - La très talentueuse jeune soprano nous a quittés dimanche. La Reine de la nuit, Lakmé, Olympia entre autres héroïnes d'Offenbach, ont perdu leur voix virtuose et sensible, ainsi qu'Yniold (Pélléas et Mélisande à ses débuts à l'Opéra de Paris, 2017).

1. J.S. Bach - Goldberg Variations, Duo Synaphè, Aria i 10, 11, 12 wariacja. 2. A. Vivaldi - Concerto G-dur na dwie Mandoliny, Mauro Squillante, Davide Rebuffa. 3. Spring Can Realy Hang You Up The Most - Ron Carter, Houston Person. 4. W.A. Mozart - Przybywaj, piękna wiosno - Marek i Wacek. 5. Lily Was Here - Dave Steward , Candy Dufler. 6. Leo Delibes - Flower Duet z opery Lakmè, Dame Joan Sutherland, Jane Berbie. 7. W A.Mozart - Sinfonia concertante Es-dur KV 364 cz.2 Andante, Midori, Nobuko Imai. 8. St. Luis Blues - Duke Elington, Johnny Hodges, Harry "Sweets" Edison z płyty Back to Back.

On this episode of Westside Stories, Anil Chopra, former CEO and MD of Lakmé, who now consults with Trent, tells the story of how the Tata Group built Lakmé which went on to become the foundation of Trent and Westside's exclusive beauty brand - Studio West. Anil talks about how the legacy that JRD Tata and Mrs Simone Tata created lives on in the Indian beauty industry even today.   Shop the look here: www.westside.com Follow Westside here: https://www.instagram.com/westsidestores   CREDITS: Guest: Anil Chopra Executive Producer: Umashan Naidoo Creative Director: Liana Deboo Created by Westside   This is a Maed in India production. Head of Production: Mae Mariyam Thomas Project Manager: Shaun Fanthome Head of Audio Production: Kartik Kulkarni Sound Editor & Mix Engineer (Audio Episode): Lakshman Parsuram Mix Engineer (Video Episode): Ishaan Devasthali Senior Producer: Ruchi Sawardekar Director and Video Editor: Jishnu Guha Recorded at The Indian Audio Company

Composiciones con cualidades narrativas, que nos cuentan historias únicas. De Lang Lang y la magia de Debussy, a Julian Lage y su música "íntima en el tono y amplia en la intención". Un jazz-gospel-blues-rural, que continuamos con las evocadoras composiciones de otros guitarristas, como Salinas, Amaia Miranda o Carlos Coronado.I. En bateau (Andantino) + II. Cortège (Moderato)+ III. Menuet (Moderato) Petite Suite (Debussy)VII. In paradisum Réquiem, Op. 48 (Fauré, Arr. Naoumoff para piano)Lakmé: Flower Duet (Léo Delibes, Arr. Naoumoff para piano) Lang Lang Saint-SaënsSuite del Tiempo Ausente: IV. Cristalino       Horacio Salinas Fragments of a dream: John C. Williams, Paco Peña, Inti-IllimaniHymnal + Serenade + As It Were + Speak to me      Julian Lage Speak to meEpitafio de Seikilos + Mientras viva brillas+ Será mejor       Amaia Miranda Mientras vivas brillaTema de amor + Ànima Carlos Coronado Flamenco MediterráneoEscuchar audio

Fiddler and folk musician Eliza Carthy and choral conductor Tim Rhys-Evans join Cerys Matthews and Jeffrey Boakye as they add the next five tracks. Starting at a famous masked ball in Vienna, they then head for the Genoa docks, rounding off with a cheeky Soca hip-thrusting classic. In the penultimate episode of the current series, recorder player and baroque flautist Heidi Fardell demonstrates some of her collection of early instruments.Producer Jerome Weatherald Presented, with music direction, by Cerys Matthews and Jeffrey BoakyeThe five tracks in this week's playlist:'Ach, ich darf nicht hin zu dir!' From Die Fledermaus by Johann Strauss II La Partenza (The Parting) by Trallaleri of Genoa Gagliarda by Giorgio Mainerio How High The Moon by Ella Fitzgerald Dollar Wine by Colin Lucas Other music in this episode:Hotel California by The Eagles The Flower Duet from the opera Lakmé by Léo Delibes Eye of the Tiger by Survivor Battalia a 10 by Heinrich Ignaz Franz Biber Die Katz (The Cat) by Heinrich Ignaz Franz Biber Mack the Knife by Kurt Weill and Bertolt Brecht, sung by Ella Fitzgerald

durée : 00:04:23 - Classic & Co - par : Anna Sigalevitch - Classic&Co, avec Anna Sigalevitch. L'opéra "Lakmé" de Léo Delibes se joue jusqu'au 28 novembre à l'Opera national du Rhin, dans une nouvelle production déjà vue à l'Opera Comique, avec Laurent Pelly à la mise en scène et notamment Sabine Devieilhe dans le rôle titre,...

Get ready to dive into the world of captivating voices in this episode of Voice Over Par Charcha! We're thrilled to introduce our guest, Nimisha Sirohi, a seasoned Voice Artist & ActorEver been enchanted by a voice that just pulls you into a story? That's the magic Nimisha brings to her work. She's a pro freelance voice artist with over 12 years of experience, and she knows how to make words come alive with her voice.Her talent spans a wide range of projects, from ads and promos to audio dramas and audiobooks. Whether it's a warm and gentle tone, an authoritative voice, something sensual, or just a friendly chat, she's got it all covered.Nimisha's journey in the world of voice acting began 12 years ago, and since then, she has dedicated herself to mastering the art of vocal performance like no other. Her impressive portfolio includes renowned Indian and International brands such as Johnson & Johnson, Big Boss Trailer, G20 Logo Launch, Tata Capital, Alembic Pharmaceuticals, Asian Paints, Evara, Sunfeast, Taj Mahal Tea, Mitsubishi Electric, Maruti Nexa, Bournvita, Sprite, L'Oréal, Garnier, Lakmé, CORD USA, Haier, Surf Excel, and many more.Not only is she an award-winning voice artist, having won the India Voice Fest award for three years in a row (2020, 2021, and 2022), but she's also sharing her knowledge through workshops and courses on voice acting and communication in Mumbai and Chandigarh.If you're on the lookout for a voice artist for your project or if you're curious about the world of voice acting, Nimisha Sirohi is your go-to expert. For Voice Over projects & Training related queries, You can connect with her at nimishasirohi@gmail.com, contact number - (+91) 9833188599or Her Instagram Handle Don't miss this episode where Nimisha shares her passion and experiences in the voice industry. Subscribe, like, and hit the notification bell to stay tuned for this fantastic conversation!

Hausse du nombre de cargos et d'avions de fret entre Shanghai et les pays des BRICS;Le commerce entre la Chine et l'Afrique connaît une croissance régulière de janvier à juillet;La Chine enregistre 701 millions de voyages ferroviaires depuis juillet;Les bénéfices de Tencent ont bondi de 41 % au deuxième trimestre;La Chine élargit l'assurance médicale pour rendre les médicaments contre les maladies rares plus abordables;Le Parc national de Sanjiangyuan publie un plan directeur pour une protection complète;Fin de la percée du plus long tunnel autoroutier à bouclier de Chine;L'opéra Lakmé sera présenté à Beijing;Vague de festivals de la bière dans plusieurs villes de Chine

Hlasujte za podcast Dejiny v súťaži Podcast roka na www.podcastroka2023.sk „Nebeská, ty si tak zářící. Co abych tě taky pověsil mezi ti andělé a všechnu tú krásu.“ Tieto nežné a zároveň mrazivé slová zamestnanca krematória Karla Kopfrkingla svojej manželke Márii, alias Lakmé, sú dnes už dobre známou filmovou klasikou Spalovača mŕtvol. Jeho literárna predloha od Ladislava Fuksa je nemenej znepokojivým ponorom do ľudskej psychiky, ktorú postupne ovládne fixná idea či fanatické presvedčenie o vlastnom poslaní „spasiť svet“. Ten, kto má rád a dobre pozná tento československý psychologický horor z roku 1968, sa zaiste aspoň raz zamyslel nad tibetským motívom, ktorý prestupuje celý film i Fuksovu novelu. Odkiaľ sa berie a prečo ho autor použil? Podrobnejší rozbor diela by nás zaiste odkázal do ešte mrazivejších hlbín ľudskej duše, k utopickým predstavám o nedotknutom raji niekde na streche sveta za pásom neprestupných hôr. Tibet, tak ako iné vzdialené a nedostupné končiny sveta, vzbudzoval v západných cestovateľoch obrazotvornosť, často i tú najbláznivejšiu, ktorá sa napokon pretvorila do celej rady ezoterických a ideologických učení. Tibetom sa inšpirovali blázni najrôznejšieho druhu, vrátane nacistických „vizionárov“ a znepokojivo pripomínajú spodné myšlienkové prúdy a teórie, ktorými sa hemží aj dnešný alternatívny internetový svet. Jaro Valent z Historickej revue sa rozprával s literárnym historikom Pavlom Matejovičom. – Podporte podcasty denníka SME kúpou prémiového predplatného a užívajte si podcasty bez reklamy na webe SME.sk alebo v mobilnej aplikácii SME.sk. Prémiové predplatné si kúpite na ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠predplatne.sme.sk/podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ _ Ak máte pre nás spätnú väzbu, odkaz alebo nápad, napíšte nám na ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠jaroslav.valent@petitpress.sk⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ - Všetky podcasty denníka SME nájdete na ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠sme.sk/podcasty⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ – Odoberajte aj denný newsletter ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠SME.sk⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ s najdôležitejšími správami na ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠sme.sk/suhrnsme⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ – Ďakujeme, že počúvate podcast Dejiny.

durée : 01:28:25 - Totalement cloche ! (3/5) : Cloches françaises - par : François-Xavier Szymczak - Mon village au clocher, aux maisons sages » chantait Charles Trenet dans Douce France. Les cloches résonnent depuis Marin Marais dans la musique française, grâce à Berlioz, Ravel ou Debussy. Cloches ou même clochettes avec Lakmé de Leo Delibes !

A la fin du XIXe siècle, sur la scène de l'Opéra-Comique, la cantatrice Marie van Zandt apporte avec elle tout l'exotisme du Far West. Mais, si elle peut monter haut, il lui arrive de descendre bas…  Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.

durée : 00:05:39 - Classic & Co - par : Anna Sigalevitch - La production est dirigée par Raphael Pichon avec son ensemble Pygmalion, avec une distribution réunissant notamment Sabine Devieilhe, Stéphane Degout, Ambroisine Bré et Frédéric Antoun…

durée : 00:25:09 - Lakmé de Léo Delibes, mais où va la jeune Hindoue ? - par : Anne-Charlotte Rémond - Dans cet épisode de Musicopolis, Anne-Charlotte Rémond nous raconte l'histoire de Lakmé, un opéra en trois actes de Léo Delibes (1836-1891) - réalisé par : Claire Lagarde

AKA This is How Connor Has Sex AKA Peak Bangable Cast AKA The Bums and the Lights AKA I Don't Think He's Scared of His Penis AKA Arse Me No Questions, I'll Tell You No Lies AKA The Bernard Cribbins Memorial Ep In episode 51 of ANOTHER TIME, MACLEOD!, Robs Daniel (Twitter: @rob_a_daniel) and Wallis (@robertmwallis) are joined once again by the inimitable Sarah Johnson (@strappinglass) to discuss Highlander's none-so-80s sex scene (1:34:06-1:36:26). Topics of discussion include immortality tests, impossible skylines, Lakmé's Flower Duet, the maximum number of thrusts, sex sirens of classic cinema, an unlikely memorial for a British national treasure, and something about butts. From Cribbins being cuddly to Bacall being sexy, you won't find another podcast like this one (for better or worse)!

Synopsis A number of the quintessentially “French” operas are set in other lands. Bizet's “Carmen” is set in Spain and Gounod's ”Faust” is in Germany, to cite just two examples. But Spain and Germany were familiar next-door neighbors for 19th century Frenchmen, and in that colonizing age, Parisian audiences also enjoyed traveling to much more exotic corners, all the while safely ensconced in their plush balcony seats, of course. One of the grandest of French grand operas, Meyerbeer's “L'Africaine,” has as its eponymous heroine the African Queen of an imaginary East Indian isle, with none other than European Vasco da Gama as her love interest. Another famous French opera set in the mysterious East had its premiere performance on today's date in 1883, at the Opéra-Comique in Paris. This was “Lakmé” by Leo Delibes. In this one, the title heroine is an East Indian priestess of Brahma whose taboo love for an English Colonial officer leads to tragedy and death—but not before lots of gorgeous singing. The popular “Flower Duet” from “Lakmé” achieved a particularly late 20th-century brand of fame when it was used as the soundtrack to a British Airways TV commercial. Music Played in Today's Program Léo Delibes (1836 - 1891) — Flower Duet, from Lakmé (BBC Concert Orchestra; Barry Wordsworth, cond.) London 473 371 Léo Delibes — Flower Duet, from Lakmé (Natalie Dessay and Delphine Haidan, sopranos; Toulouse Capitole Orchestra; Michel Plasson, cond.) EMI 67830

A la fin du XIXe siècle, sur la scène de l'Opéra-Comique, la cantatrice Marie van Zandt apporte avec elle tout l'exotisme du Far West. Mais, si elle peut monter haut, il lui arrive de descendre bas…Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.

Ayako Ohtake, a Sydney-based Japanese soprano singer, hosts biweekly music segment called VIVA! Opera for SBS Japanese. - このシリーズ初登場となるフランス語のオペラ。イタリア語やドイツ語とは違う魅力があります。

Duetten ur Pärlfiskarna, Fångarnas kör, Lascia ch'io pianga alla är de operahits som är större än själva operan de figurerar i. Med andra ord: operavärldens One-hit wonders! Varför blir vissa operalåtar mer kända än operan? Och kan det till och med bli för mycket av det goda när man spelar hitsen efter varandra? Det försöker producenten och programledaren Britta Svanholm Maniette reda ut med side-kicken Sam Jakobsson, P2-medarbetare med operaansvar i kanalen. Med på plats med live-genomgångar av operahandlingarna är också Per Feltzin.Följande operahits diskuteras i podden:Duetten ur Pärlfiskarna av Georges BizetFångarnas kör ur Nebukadnessar/Nabucco av Giuseppe VerdiBlomsterduetten ur Lakmé av Leo DelibesLascia ch'io pianga ur Rinaldo av Georg Friedrich HändelOmbra mai fu ur Xerxes av Georg Friedrich Händel

Duetten ur Pärlfiskarna, Fångarnas kör, Lascia ch'io pianga alla är de operahits som är större än själva operan de figurerar i. Med andra ord: operavärldens One-hit wonders! Varför blir vissa operalåtar mer kända än operan? Och kan det till och med bli för mycket av det goda när man spelar hitsen efter varandra? Det försöker producenten och programledaren Britta Svanholm Maniette reda ut med side-kicken Sam Jakobsson, P2-medarbetare med operaansvar i kanalen. Med på plats med live-genomgångar av operahandlingarna är också Per Feltzin.Följande operahits diskuteras i podden:Duetten ur Pärlfiskarna av Georges BizetFångarnas kör ur Nebukadnessar/Nabucco av Giuseppe VerdiBlomsterduetten ur Lakmé av Leo DelibesLascia ch'io pianga ur Rinaldo av Georg Friedrich HändelOmbra mai fu ur Xerxes av Georg Friedrich Händel

Duetten ur Pärlfiskarna, Fångarnas kör, Lascia ch'io pianga alla är de operahits som är större än själva operan de figurerar i. Med andra ord: operavärldens One-hit wonders! Lyssna på alla avsnitt i Sveriges Radio Play. Varför blir vissa operalåtar mer kända än operan? Och kan det till och med bli för mycket av det goda när man spelar hitsen efter varandra? Det försöker producenten och programledaren Britta Svanholm Maniette reda ut med side-kicken Sam Jakobsson, P2-medarbetare med operaansvar i kanalen. Med på plats med live-genomgångar av operahandlingarna är också Per Feltzin.Följande operahits diskuteras i podden:Duetten ur Pärlfiskarna av Georges BizetFångarnas kör ur Nebukadnessar/Nabucco av Giuseppe VerdiBlomsterduetten ur Lakmé av Leo DelibesLascia ch'io pianga ur Rinaldo av Georg Friedrich HändelOmbra mai fu ur Xerxes av Georg Friedrich Händel

Good Morning Monaco Tuesday, November 2, 2021 published by NEWS.MC Subscribe to our daily email newsletter Graff heist exposes top client details A team of hackers based in Russia has published details of a number of high-rolling clients of the UK-based jewellery company, with a threat of much more damage to come if a ransom isn't paid. Short life expectancy for Ni-box The eye catching Ni-box building may not be standing long as plans to demolish it are being thought through by the architect Emmanuel Deverini and the developer Patrice Pastor. Hindu activist urgest OMC to drop Lakmé A Hindu activist is urging Opera Monte-Carlo (OMC) to withdraw the Lakmé opera, scheduled for December 09 and 11, 2022, which he says seriously trivialises Hindu religious and other traditions. No new cases on November 1 No new cases of coronavirus were reported among Monaco residents on Monday, November 1... ASM put on lacklustre performance in Brittany After a winning home performance against Montpellier last weekend (2-0), the Monaco team put on a poor show against Brest on the last day of October. Walter's Sparky no longer 'with us' Sparky the Wonder Dog has gone to that great dog park in the sky, a reader tells us... Copyright © 2020 NEWS SARL. All rights reserved. North East West South (NEWS) SARL. RCI: 20S08518 - NIS: 6312Z21974 --- Send in a voice message: https://anchor.fm/monacodailynews/message

In today's Big Story we're going to look at the increasing incidents of animal-human conflict in the face of a controversial hunt order for a 13-year-old tiger in Tamil Nadu.For Food for thought, we discuss China's plans to silence its 'dancing grannies'—the giant groups of middle-aged and older women who gather in public spaces and dance to loud music. We look at how this reflects a generational gap in the country and also at who gets to stake claim over public spaces.What are we Roasting?1) Dave Chapelle's transphobia2) A conspiracy theory about the Sputnik V vaccineWhat are we Toasting?1) UK accepts Covishield2) A little bit of Lakmé's historyCheck out more athttps://splainer.in/Find us on social media:Instagram | Twitter | FacebookYou can listen to this show and other awesome shows on the IVM Podcasts app on Android: https://ivm.today/android or iOS: https://ivm.today/ios, or any other podcast app.You can check out our website at https://shows.ivmpodcasts.com/featured

Musicality is so much more than dynamics. It is truly our own self-expression, our individuality revealed through our music. In our role as interpreters of music written by others, we often limit ourselves to following the indications the composer has written on the page. But with so many more tools and options for bringing creativity to our music, why should we stop at dynamics? In this episode, I will reveal three ways in which you can make your music - any piece of music - more musically expressive. You will discover: Why you need to focus on “dimensions” instead of “dynamics.” How to practice playing more expressively whether you're an expert or a beginner. How adding more expression to your music may be the key to solving some of those trouble spots in a piece. Plus, I think you'll learn how to do the most creative and interesting practice you've ever done! Links to things I think you might be interested in that were mentioned in the podcast episode: The arrangement of the Flower Duet from Lakmé is in the Harp Mastery shop. “Your Five Day Plan to Better Musical Awareness” blog post The Harpist's Playbook, with over 75 practice techniques, including an entire arsenal of ways to practice expression. Harpmastery.com

Synopsis In 1967, the Beatles released a song about “a girl with kaleidoscope eyes,” but on today’s date in 1870, it was “a girl with enamel eyes” that was the subject of a ballet that debuted on today’s date at the Paris Opéra. The ballet’s full title was “Coppelia, or the Girl with Enamel Eyes,” and its story-line was based on a fantastic tale by the German Romantic writer E.T.A. Hoffmann, dealing with the mad toymaker Dr. Coppelius, and his uncannily lifelike doll Coppélia, and the complications the beautiful doll causes in the love-life of a small Polish village. The music was provided by a 30-something French composer named Leo Delibes. “Coppelia” was a great success, much to Delibes’ relief. He had been juggling several jobs in Paris, but the new ballet’s financial success allowed him to concentrate on composing as his main career from then on. Delibes followed up on the success of “Coppelia” with another ballet, “Sylvia,” in 1876, and, in 1883, his opera “Lakmé” premiered at the Opéra-Comique. Along with the famous ballets of Tchaikovsky, Delibes’ “Coppelia” is now regarded as the culmination of the 19th century Romantic ballet. Music Played in Today's Program Leo Delibes (1836 –1891) Coppelia Lyons Opera Orchestra; Kent Nagano, cond. Erato 91730

Vanakam friends this EPISODE is all about india's first cosmetic brand LAKME in tamil, hope you like this. Lakmé is an Indian cosmetics brand which is owned by Hindustan Unilever. Having Kareena Kapoor and Chamma as the ambassador, it ranked at number 1 among the cosmetics brands in India. Lakme started as a 100% subsidiary of Tata Oil Mills (Tomco). It was named after the French opera Lakmé, which itself is the French form of devi Lakshmi (the Hindu goddess of wealth) who is renowned for her beauty. It was started in 1952 famously, because then Prime Minister Jawaharlal Nehru was concerned that Indian women were spending precious foreign exchange on beauty products and personally requested JRD Tata to manufacture them in India. Simone Tata joined the company as director and went on to become the chairperson.In 1996, Tata sold off their stakes in Lakmé Lever to HUL, for Rs 200 Crore (45 million US$). In the Brand Trust Report 2012, Lakme was ranked 104th among India's most trusted brands and following year it was ranked 71st on the list. In 2014, Lakme was ranked 36th among India's most trusted brands according to the Brand Trust Report 2014.[7] The company is the title sponsor for Lakme Fashion Week (LFW) a bi-annual fashion event which takes place in Mumbai. FREE AUDIO BOOK TELEGRAM LINK::::::::::::: https://t.me/s/real4amtamilmotivation listen our PODCAST ANCHOR ::::::::::::::: https://anchor.fm/4am-tamil-motivation SPOTIFY ::::::::::::::: https://open.spotify.com/show/3Ygl2zr4lNBUQU7Hsk64Et GAANA :::::::::::::: https://gaana.com/season/4am-tamil-motivation-season-1 JIOSAAVN :::::::::::::::https://www.jiosaavn.com/shows/4am-tamil-motivation/1/XzBwrvyyqWw_

durée : 00:14:10 - Disques de légende du vendredi 02 avril 2021 - En 1997, la soprano Natalie Dessay enregistre avec l'Orchestre national du Capitole et son chef Michel Plasson l'opéra "Lakmé" de Léo Delibes, pour le label EMI.

durée : 01:58:02 - Invitée : Natalie Dessay - par : Lionel Esparza - Nous avons le plaisir de recevoir la chanteuse Natalie Dessay à l'occasion de la parution de deux coffrets chez Erato, et en particulier "The Opera Singer" qui réunit l'intégralité de ses enregistrements en 33 CD et 19 DVD. Et à 16h, on écoute sa version légendaire de "Lakmé" de Léo Delibes... - réalisé par : Antoine Courtin

durée : 00:37:08 - Natalie Dessay, soprano (5/5) - Célèbre autant pour sa voix aérienne que pour ses talents d'actrice, Natalie Dessay a conquis l’opéra en incarnant des personnages, et traçant leurs destins. Un coffret retrace tous ses plus grands rôles à l’opéra, de Lakmé à Manon, de la Reine de la nuit à Lucia...

durée : 00:25:28 - Natalie Dessay, soprano (4/5) - Célèbre autant pour sa voix aérienne que pour ses talents d'actrice, Natalie Dessay a conquis l’opéra en incarnant des personnages, et traçant leurs destins. Un coffret retrace tous ses plus grands rôles à l’opéra, de Lakmé à Manon, de la Reine de la nuit à Lucia...

durée : 00:29:23 - Natalie Dessay, soprano (3/5) - Célèbre autant pour sa voix aérienne que pour ses talents d'actrice, Natalie Dessay a conquis l’opéra en incarnant des personnages, et traçant leurs destins. Un coffret retrace tous ses plus grands rôles à l’opéra, de Lakmé à Manon, de la Reine de la nuit à Lucia...

durée : 00:25:34 - Natalie Dessay, soprano (2/5) - Célèbre autant pour sa voix aérienne que pour ses talents d'actrice, Natalie Dessay a conquis l’opéra en incarnant des personnages, et traçant leurs destins. Un coffret retrace tous ses plus grands rôles à l’opéra, de Lakmé à Manon, de la Reine de la nuit à Lucia...

durée : 00:26:55 - Natalie Dessay, soprano (1/5) - Célèbre autant pour sa voix aérienne que pour ses talents d'actrice, Natalie Dessay a conquis l’opéra en incarnant des personnages, et traçant leurs destins. Un coffret retrace tous ses plus grands rôles à l’opéra, de Lakmé à Manon, de la Reine de la nuit à Lucia...

Kalm met Klassiek is jouw dagelijkse dosis klassieke ontspanning. Het is maandag 1 maart 2021, en de maand maart kan maar een ding betekenen: de lente is in aantocht! Vandaag begint de meteorologische lente en over 20 dagen de astronomische lente. Hoog tijd voor een portie ontspanning bij fijne muziek over het nieuwe seizoen. Deze week staat in het teken van flora: we verwarmen ons aan muzikale bloemen! Met om te beginnen eentje die natuurlijk niet te missen is: het prachtige 'Bloemenduet' uit Delibes' opera '‘Lakmé'.

En Expresiones Culturales Marjolein y Enrique nos deleitan con la interpretación en flauta traversa de el dueto de las flores de Lakmé. ¡Gracias por escuchar y compartir!. @marjoleindesmet / @fidecoahuila --- Send in a voice message: https://anchor.fm/carlos-foulkes/message

Viswa Subbaraman will make his Seattle Opera debut next spring conducting FLIGHT. This young American conductor discussed Lakmé, and the operatic tradition of “exoticism”—European artworks using images of non-European places and cultures—with Seattle Opera General Director Christina Scheppelmann for an intermission feature on a Seattle Opera Mornings on KING FM broadcast.

Sexto episodio de la segunda temporada del podcast de #AsturiasPower. Entrevistamos a Paloma de Blas, Gerente adjunto de Camilo de Blas. Paloma nos habla de su formación en Oviedo, de su experiencia como universitaria en Barcelona estudiando en la Universidad Ramón Llul, de su primer trabajo como investigadora científica en el Instituto Químico de Sarriá y de su paso por dos organizaciones como Lakmè y Revlon.Paloma ha vuelto a sus orígenes de Oviedo después de formarse y trabajar en Barcelona. Dice que ha tenido suerte con los jefes con los que ha trabajado. Yo pienso, después de esta conversación, que su actitud ha sido su buena suerte. Al igual que la calidad de sus productos son una seña de identidad la historia que representan también lo es.¡Empezamos!

Today’s episode is an interview I did with Ira Siff, artistic director of La Gran Scena Opera Company di New York, alter ego of the beloved “traumatic soprano” Vera Galupe-Borszkh, lecturer for the Metropolitan Opera Guild and Weekly Commentator on the Metropolitan Opera broadcasts. My association with Ira and Gran Scena goes back more than thirty years, when he provided me with my first employment as a singer when my alter ego Daniela della Scarpone sang for two years with the renowned travesty opera company. I sat down with Ira in his East Village apartment last this past January for a wide-ranging interview in which we discuss his early days as a standee at the old Met (where some of his opera-going experiences included Maria Callas’s final Tosca performances, Renata Scotto’s 1965 debut as Madama Butterfly, and Leonie Rysanek’s wild traversals of Verdi and Wagner). He discusses his first performing experiences in the early 1970s in association with Al Carmines and others, the genesis of La Gran Scena and their development into a worldwide phenomenon, and his subsequent “legitimate” career as lecturer, stage director, vocal coach and voice teacher and commentator all stemmed from in his words, “getting in a dress and singing soprano,” which he dubs “the strangest part.” This is a free-wheeling and extremely Opera Queeny interview, peppered with Ira’s unique anecdotes and snippets from Gran Scena (and other!) performances. There is no better way to celebrate Gay Pride in isolation than to listen to this episode! Ira Siff is a native New Yorker, who grew up on the standing room line of the old Metropolitan Opera, worshiping the famous singers of the 60’s. A graduate of the Cooper Union, with a degree in Fine Arts, Mr. Siff began to study voice, and made his debut as a tenor in 1970. For the next decade, he performed roles in opera, operetta and musicals in the New York, at The New York Shakespeare Festival, Circle in the Square, Playwrights Horizons, and many other venues. Turning to cabaret, Ira created an act using vocal parody of opera, jazz, and other styles of music, gaining critical acclaim, and a loyal following. In 1981, he founded La Gran Scena Opera Co. di New York, the internationally acclaimed travesty troupe, whose gifted falsetto “divas” have spoofed opera with great affection for over two decades, in New York annually, and on tours to some of the great festivals, theatres and opera houses of the world. For the past thirty years, Mr. Siff has been a voice teacher and interpretive coach, teaching in New York, Italy, Israel, Holland and China, giving Master Classes for the Metropolitan Opera Guild, and was on the faculty of the Renata Scotto Vocal Academy. Ira was a guest teacher of bel canto technique at The Royal Conservatory in Den Haag in 2008, and then at the Dutch National Opera Academy for five seasons, and at the Amsterdam Conservatory in The Netherlands where he returned annually, and was appointed Permanent Guest Teacher. In 2000, he turned to stage directing, gaining critical acclaim for his productions of operas ranging from Tosca, Turandot, and La Fanciulla del West to Lakmé, Werther, and La Grande Duchesse de Gérolstein at venues such as Carnegie Hall, Sarasota Opera, The Caramoor Festival, and the Tanglewood Music Festival, where he directed productions of Così fan tutte, Don Giovanni, and Ariadne auf Naxos. All in all, he has directed operas for companies in New Jersey to New Zealand, with stops along the way in Puerto Rico, Lima, Peru and Utah. Singers whom he has directed include Sumi Jo, Dolora Zajick, Aprile Millo, Eglise Gutierrez, Krassimira Stoyanova, and the late Marcello Giordani. Conductors with whom he has collaborated as a stage director have included Richard Bonynge, Christoph von Dohnányi, and James Levine. He has also given master classes in bel canto and verismo for the Metropolitan Opera Guild every season since 2008 and has presented sold-out lectures for the M...

durée : 00:01:52 - Les Envies du week-end - par : Caroline Broué - La cantatrice Mady mesplé, surnommée "la Lakmé du XXe siècle" est morte le 30 mai dernier, elle laisse des enregistrements qui ravissent les oreilles / Son air des clochettes annonce un weekend de lecture exceptionnelle proposé par France Culture et consacré au plus célèbre des magiciens - réalisation : Doria Zénine

durée : 00:01:52 - Les Envies du week-end - par : Caroline Broué - La cantatrice Mady mesplé, surnommée "la Lakmé du XXe siècle" est morte le 30 mai dernier, elle laisse des enregistrements qui ravissent les oreilles / Son air des clochettes annonce un weekend de lecture exceptionnelle proposé par France Culture et consacré au plus célèbre des magiciens - réalisation : Doria Zénine

durée : 01:58:51 - Hommage à Mady Mesplé - par : Lionel Esparza - Celle qui fut une Lakmé inoubliable et bien plus encore sur les scènes de tous les continents, vient de s'éteindre à l'âge de 89 ans. Evocation d'une carrière multiple. - réalisé par : Antoine Courtin

Welcome to Beaudesert Island Discs. Our fourth episode is presented by our host, Becky Saunders and our guest is Charlotte Crosbee. You can listen to a playlist of the music for this episode on Spotify https://open.spotify.com/playlist/229xSioi6uE7qhqQrGeX69?si=63UqxaeDTWOkRDjffARZEw: The playlist for this episode is: 1. Hi-Fidelity, by The Kids from Fame 2. December, 1963 (Oh, what a night!), by Frankie Valley & The Four Seasons 3. Babylon, by David Gray 4. The Flower Duet (from Lakmé), by Delibes 5. Chandelier, by Sia Royalty-free music from bensound.com

Lakmé is an opera in three acts by Léo Delibes to a French libretto by Edmond Gondinet and Philippe Gille. The score, written from 1881–1882, was first performed on 14 April 1883 by the Opéra-Comique at the (second) Salle Favart in Paris, with stage decorations designed by Auguste Alfred Rubé and Philippe Chaperon (Act I), Eugène Louis Carpezat and (Joseph-)Antoine Lavastre (Act II), and Jean-Baptiste Lavastre (Act III). Set in British India in the mid-19th century, Lakmé is based on Théodore Pavie's story "Les babouches du Brahamane" and novel Le Mariage de Loti by Pierre Loti. The opera includes the popular Flower Duet (Sous le dôme épais) for a soprano and mezzo-soprano, performed in Act 1 by Lakmé, the daughter of a Brahmin priest, and her servant Mallika. The name Lakmé is the French rendition of Sanskrit Lakshmi, the name of the Hindu Goddess of Wealth. The opera's most famous aria is the Bell Song (L'Air des clochettes) in Act 2. In contrast to other French operas of the period, such as Bizet's The Pearl Fishers and Massenet's Le roi de Lahore. Lakmé does more than simply capture the ambience of the Orient seen through Western eyes. The subject of the opera - which has a contemporary setting - is in fact the colonialism of the British army in India, focusing on their poor attitudes towards Indian cultural systems and the Hindu religion. It was suggested by Gondinet as a vehicle for the American soprano Marie van Zandt. Dominique Beaulieu, conductor CMD Paris Philharmonic in Orlean and Chorus Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. This broadcast is also available on YouTube at: https://youtu.be/JfV8r34oFdk @khedgecock #ClassicalMusicDiscoveries #KeepClassicalMusicAlive #LaMusicaFestival #CMDGrandOperaCompanyofVenice #ClassicalMusicLivesOn #Uber

A la fin du XIXe siècle, sur la scène de l’Opéra-Comique, la cantatrice Marie van Zandt apporte avec elle tout l’exotisme du Far West. Mais, si elle peut monter haut, il lui arrive de descendre bas… Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

After our performances of Eugene Onegin in January 2020 audiences stayed to discuss the show with cast, crew, and staff. Hear highlights from those post-show Q&As. In addition to audience members, voices include those of Tomer Zvulun (Original Production Director), Stephanie Havey (Associate Director), Aleksandar Marković (Conductor), Michael Adams (Onegin), Marina Costa-Jackson (Tatyana—bonus pinch of Miriam and Ginger Costa-Jackson singing Lakmé’s Flower Duet also included!), David Leigh (Prince Gremin), Margaret Gawyrsiak (Mme. Larina), Meredith Arwady (Filipevna), and John Moore (Onegin). Christina Scheppelmann (General Director) and Jonathan Dean (Dramaturg) hosted the discussions.

durée : 01:59:00 - Relax ! du mardi 21 janvier 2020 - par : Lionel Esparza - On passe en revue les événements à ne pas rater cette semaine : les pianistes Jan Lisiecki et Alexandre Tharaud en récital, Saül de Haendel au Théâtre du Châtelet et Les Contes d'Hoffmann d'Offenbach à l'opéra Bastille. Sans oublier notre légende du disque : Mady Mesplé dans Lakmé de Léo Delibes. - réalisé par : Antoine Courtin

durée : 00:22:44 - Disques de légende du mardi 21 janvier 2020 - Mady Mesplé enregistre en décembre 1970 pour EMI cette version du célèbre opéra 'Lakmé' de Léo Delibes, avec le chef Alain Lombard et l'orchestre de l'Opéra Comique.

Flora Willson recommends recordings of Delibes's opera, Lakmé

In der letzten der sieben Folgen über das spannende Thema der Opern-Stimmfächer widmet sich die Sopranistin Eleonore Marguerre all ihren wunderbaren Kolleginnen von Soubretten wie Ännchen im Freischütz über Koloratursoprane wie Zerbinetta bis hin zu Spinto Rollen wie Madama Butterfly und dramatischen Sopranen wie Wagners Brünnhilde. Ohne Sopran gibt’s eben keine Oper, egal ob jung, leidend, jammernd oder kämpfend bis zum Untergang. denn sehr viele Titelheldinnen in Opern sind für sie geschrieben - und die Ansprüche sind gewaltig und gewaltig unterschiedlich - daher heute auch die längste der Fach-Folgen. Hier noch ein paar Beispiele zum Nachhören von französischen Koloratur-Kolleginnen. Bsp. Sabine Devieilhe mit Lakmé https://youtu.be/gMO0KFL3E58Natalie Dessay als Olympia mit einem hohen G über dem F’’’ der Königin der Nacht.. https://youtu.be/Vhc9MDQ3PwUMady Mesplé - https://youtu.be/IRK6Hx_zkI4 Perfektes Beispiel für einen dramatischen Koloratur Sopran Montserrat Caballé als Normahttps://youtu.be/tqUi1T7hYQw Mirella Fredi unvergesslich als lyrischer Sopran Mimi in La Bohèmehttps://youtu.be/yTagFD_pkNo Ein wunderbarer Spinto Soprane - Leontyne Price als Leonora /Trovatorehttps://youtu.be/_saAIrRxUP8 Und für das dramatische Stimmfach - hier Birgit Nilsson als Turandot - sensationell https://youtu.be/S-GV5t5XLjg Mehr Folgen hier oder bei https://www.eleonore-marguerre.de/

CARMEN is probably the most popular opera ever composed. Alas, this masterpiece was the final work of Georges Bizet, who died a few weeks after its dismal world premiere. Seattle Opera Dramaturg Jonathan Dean discusses Bizet’s genius and career with Assistant Conductor Phil Kelsey, who also contributes musical examples at the piano. Dean and Kelsey consider THE PEARL FISHERS, LA JOLIE FILLE DE PERTH, DJAMILEH, Bizet’s “Chanson d’Avril,” and CARMEN, plus operas by Bizet’s contemporaries, including LAKMÉ by Léo Délibes and SAMSON ET DALILAH by Camille Saint-Saëns. An extended quote from the Memoirs of Céleste Venard, aka La Mogador, is read by Ginger Costa-Jackson.

Welcome back to the Magician On Duty Podcast Series! On this week's edition, we welcome Pandhora :) Pandhora is the artistic and human symbiosis of two guitarists metamorphosed into producers who wish to bring sounds that occupied their thoughts back alive. Their music is an open sky laboratory where experimentation is the keyword. Syncopated rhythms and psychedelic melodies mix with powerful techno’s bass while strengthening by throbbing guitar riffs inspired by 70’s progressive and psychedelic music. Their productions claim to give to the audience an alternative to nowadays electronic dance music by introducing shape and lyricism to it. With Pandhora, we are travelling through time with a delighted elegance. They are always seeking for new sonorities and often invite other musicians to join them, whether they are vocalists or instrumentalists so they can create an original universe for each of their productions. Their latest EP «Divagations Cosmiques» released on french label Cepage Music is putting under the spotlights the jazzy voice of Lakmé, the former singer of Orme, a Neo-soul band from Marseille. Their new live act called «Deep Psychedelia» is a genuine condensed of all their experimentations. We are happy to welcome them to our family, and we hope you enjoy this episode as much as we do! Follow Pandhora here: @pandhora www.facebook.com/PandhoraMusic www.instagram.com/pandhoramusic tinyurl.com/PandhoraSpotify Download for free on The Artist Union

In this episode of Opera for Everyone we listen to Lakme, an opera in three acts by Léo Delibes to a French libretto by Edmond Gondinet and Philippe Gille. The score, written in 1881-2, was first performed on in 1883 by the Opéra-Comique in Paris. The story is set in British India in the mid-19th century, Lakmé is based on Théodore Pavie's story "Les babouches du Brahamane" and novel "Le Mariage de Loti" by Pierre Loti. The opera includes the popular Flower Duet (Sous le dôme épais) performed in Act 1 by Lakmé, the daughter of a Brahmin priest, and her servant Mallika. The name Lakmé is the French rendition of Sanskrit Lakshmi, the name of the Hindu Goddess of Wealth. The opera's most famous aria is the Bell Song (L'Air des clochettes) in Act 2. Like other French operas of the period, Lakmé captures the ambience of the Orient seen through Western eyes, which was periodically in vogue during the latter part of the 19th century and in line with other operatic works such as Bizet's The Pearl Fishers and Massenet's Le roi de Lahore.[3] The subject of the opera was suggested by Gondinet as a vehicle for the American soprano Marie van Zandt.

Arien aus Opern: Charles Gounod "Roméo et Juliette" | Léo Delibes "Lakmé" | Nikolai Rimskij-Korsakow "Sadko" | "Schneeflöckchen" | "Der Goldene Hahn" | Peter Tschaikowsky "Mazeppa" | Lieder von Sergej Rachmaninow, Nikolai Rimskij-Korsakow, Peter Tschaikowsky sowie russische Volkslieder | Aida Garifullina (Sopran) | ORF Radio-Symphonieorchester Wien | Leitung: Cornelius Meister

Die "Lakmé" des französischen Komponisten Léo Delibes ist eine Oper, die heute nur noch äußerst selten aufgeführt wird. Umso lobenswerter, dass François  de Carpentries das orientalisierende Werk am Landestheater Coburg auf die Bühne brachte. Der Regisseur fand genau die richtige Balance zwischen Bollywood, Kamasutra und einem UNO-Einsatz, findet Peter Jungblut.

Tannhaeuser (selc) de Wagner, H. HagegaardConcierto violín Op  61 (arreglo para piano) de Beethoven, D. Baremboim , Orq.Cámara InglesaLakmé (selc) de Delibes, N. DessayMuerte y Transfiguración de Strauss, Orq. Fco. Berlín.Escuchar audio

Lakmé, a brand of colour cosmetics in India owned by Hindustan Unilever is releasing new upscale products at premium prices in order to compete with brands such as L’Oreal Paris. These products, created to specifically target urban women who prefer premium cosmetics, are also an attempt to compensate for slow volume growth of Hindustan Unilever’s other brands such as Fair & Lovely and Clinic Plus. If these premium products are a success, Unilever may the same strategy in other areas of its portfolio such as skin care.

El Barberillo de Lavapiés.- Jota manchega. El Barbero de Sevilla.- Obertura  “Lakmé”.- Dúo de las flores (Edita Gruberova y Natela Nicoli). El anillo de hierro “Tranquilo está el cielo, serena la mar” La Legió d’honor…Preludio “Noche de habaneras”. Torrevieja “Chotís de Eliseo”. De “La Gran Vía”. Intermedio de GOYESCAS. Dirige Odón Alonso “Norma”.- Obertura

Opera Australia's Wardrobe Production Manager, Rebecca Ritchie, discusses the process for creating the costumes featured in our 2011 production of Lakmé featuring Emma Matthews as Lakmé and Aldo Di Toro as Gerald.

The "Flower Duet" (French: Duo des fleurs / Sous le dôme épais) from the Opera Lakmé by Léo Delibes (1883).Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy