POPULARITY
O convidado do programa Pânico dessa segunda-feira (11) é Thiago Arancam. Dono de uma voz poderosa, o brasileiro Thiago Arancam é considerado um dos maiores tenores da atualidade. Ele se apresentou nos principais teatros do mundo, em mais de 40 países. Destaque para o Alla Scala (Milão), Ópera de Roma (Itália), Ópera Nacional de Washington (EUA), Ópera Estadual de Viena (Áustria), Deutsche Ópera de Berlim (Alemanha), Bolshoi (Moscou), além de inúmeras produções no Japão, Emirados Árabes, Malásia, Canadá, Espanha, França, Polônia, Letônia, Mônaco e Reino Unido. Foram mais de 700 apresentações ao redor do mundo. No Brasil, em 2011, subiu ao palco do Theatro Municipal do Rio de Janeiro com a montagem da ópera “Tosca”, de Puccini, no papel do pintor Mario Cavaradossi, amante de Floria Tosca. Em 2014, no Theatro Municipal de São Paulo, encenou a Ópera Carmen de Bizet. Na Europa, conheceu Plácido Domingo, com quem gravou “Cyrano de Bergerac”, na São Francisco Opera (USA); “Madame Butterfly”, em Washington e “Carmen”, na Los Angeles Opera. Trabalhou com grandes regentes de orquestra, entre eles: Daniel Harding em vários concertos com a Swedish Radio Symphony Orchestra; Christian Thielemann em “Dresden” na Manon Lescaut, Pier Giorgio Morandi na ópera “Tosca” em Las Palmas e Estocolmo; o brasileiro Silvio Barbato com a Orquestra Camerata Brasil em Brasília, João Carlos Martins, Plácido Domingo, Julius Rudel, Lorin Maazel, Nicola Luisotti, Patrik Fournellier, Renato Palumbo, Corrado Rovaris, entre outros. De volta ao Brasil em 2017, Thiago Arancam reencontrou suas raízes, lançou o álbum “Bela Primavera”, que deu origem ao espetáculo que rodou o país e emocionou o público. Em 2018, gravou o CD “This is Thiago Arancam” (2018); em 2019, “Thiago Arancam (Ao Vivo)”. Os três trabalhos trazem as influências do mundo lírico e aproximam o tenor da Música Popular Brasileira, além da força e da emoção da voz do artista, considerado um dos principais tenores da atualidade. Em paralelo ao trabalho com as turnês e lançamento dos novos álbuns, o cantor seguiu com as apresentações em diferentes países, entre eles Rússia, Lituânia, Estados Unidos e Austrália, com as óperas Madame Butterfly, Manon Lescaut, Turandot, Tosca e Carmen. E também lançou clipes e disponibilizou o conteúdo da turnê Bela Primavera em seu canal oficial no YouTube. Com fôlego gigante, Thiago Arancam protagonizou a versão brasileira de “O Fantasma da Ópera”, musical já visto por mais de 140 milhões de pessoas em todo o mundo. No Brasil, ficou em cartaz no Teatro Renault, em São Paulo, de agosto de 2018 até dezembro de 2019. Arancam realizou 360 apresentações, sendo sua maior marca de execução em uma mesma obra. Durante a pandemia 2020/2021 Thiago realizou mais de 20 shows ao vivo por streaming e transmissões pela televisão, totalizando mais de 10 milhões de visualizações em audiência. Como comentarista, o programa traz Mônica Salgado. Jornalista, criadora de conteúdo multiplataforma, consultora e palestrante.
Tenor Jonathan Tetelman marks the Puccini centenary by paying homage to one of the best-loved Italian opera composers The Great Puccini includes both favorite arias and rarities, with extracts from Il Tabarro, La bohème, La fanciulla del West, La Rondine, Le villi, Madama Butterfly, Manon Lescaut, Tosca and Turandot.Track Listing:1 Donna non vidi mai [Manon Lescaut, SC 64]2 Nessun dorma [Turandot, SC 91]3 Parigi! E la citta dei desideri [La rondine, SC 83]4 Che gelida manina [La bohème, SC 67]5 O soave fanciulla [La bohème, SC 67]6 Dunque è proprio finita! [La bohème, SC 67]7 Dammi i colori! Recondita armonia [Tosca, SC 69]8 Mario Cavaradossi? ... E lucevan le stelle [Tosca, SC 69]9 Ah! Manon, mi tradisce [Manon Lescaut, SC 64]10 Che giova? ... Io so che alle sue pene [Madama Butterfly, SC 74]11 Quello che tacete [La fanciulla del West, SC 78]12 Ch'ella mi creda [La fanciulla del West, SC 78]13 O Luigi! Luigi! ... Dimmi, perché gli hai chiesto [Il tabarro, SC 85]14 Non piangere, Liu [Turandot, SC 91]15 Torna ai felici dì [Le Villi, SC 60]Help support our show by purchasing this album at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber#AppleClassical Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).
durée : 00:16:18 - Disques de légende du mercredi 07 juin 2023 - Roberto Alagna interprète Mario Cavaradossi dans Tosca de Puccini dans le film de Benoît Jacquot
durée : 01:58:38 - Relax ! du mercredi 07 juin 2023 - par : Lionel Esparza - Votre grand défi subliminal va commencer, nous jouons au Petit Poucet et souhaitons un joyeux anniversaire à Roberto Alagna. Disque de légende : Roberto Alagna interprète Mario Cavaradossi dans Tosca.
It's not easy to talk about death. We associate dying with so much suffering and loss. But for many people, the end of life is full of peaceful remembrance of the moments and relationships that have meant the most. For the leading man in Puccini's Tosca, that's the sweetness and beauty of his beloved. Caught up in the messy politics of his time, Mario Cavaradossi has been arrested, interrogated, and tortured. And then, he's sentenced to death. “E lucevan le stelle” finds Cavaradossi in his prison cell one hour before his execution. He knows his life is over, and what does he do? He gets lost in a daydream about a passionate night spent with Tosca. Host Rhiannon Giddens and her guests explore the memories and dreams that give us meaning at the end of our lives. Joseph Calleja, A.K.A. The Maltese Tenor, sees a lot of himself in Cavaradossi - they're both men of intensity and passion. He says that if the spectrum of human emotion were a harp, Puccini knew exactly the right string to pluck at just the right moment to convey the emotion the character is feeling. Carolyn Abbate teaches music at Harvard University and writes about opera, including the book A History of Opera. One of the memories that she holds most dear is of an afternoon spent in a meadow with her son when he was young. Dr. Christopher Kerr is the CEO and Chief Medical Officer at Buffalo Hospice and Palliative Care. Chris recently wrote a book called Death is But a Dream: Finding Hope and Meaning at LIfe's End, about the dreams and visions that many people experience at the end of their lives. This work was later turned into a film, which became the basis of a Netflix production and a PBS World documentary.
Secondo appuntamento con la serie 'Cantarono alla Scala' che ha come protagonista il personaggio di Mario Cavaradossi.
La mitad de las bajas argentinas en la Guerra de Malvinas fueron provocadas por una sola acción, el hundimiento del ARA General Belgrano, en la tarde del 2 de mayo de 1982. 321 soldados y 2 civiles murieron junto al buque insignia. Al mismo tiempo, gracias al profesionalismo y la experiencia en simulacros de la tripulación, la del Belgrano fue la tragedia naval con más sobrevivientes de la historia. Darío Volonté, que trabajaba en la caldera del barco, fue uno de los 770 que sobrevivió, pero ese hito culminó una de sus tantas vidas. No alcanzan los dedos de las manos para contar sus oficios y ocupaciones, tantas que recién a los 32 años comenzó a ser el tenor lírico que hoy evoca su nombre, aquel que recorrió el mundo personificando a Mario Cavaradossi, Calaf y Don Carlo.
On this episode of Opera for Everyone we listen to the opera Tosca by Giacomo Puccini. Tosca is an opera in three acts with an Italian libretto by Luigi Illica and Giuseppe Giacosa. It premiered in 1900 in Rome, Italy at the Teatro Costanzi. The story is based on the French-language play "La Tosca" by Victorien Sardou. It's a melodrama set in Rome in June 1800, where Napoleon's invasion of Italy threatens the Kingdom of Naples' control of the city. The drama - based on real life events - focuses on an escaped political prisoner named Cesare Angelotti, his friend the famous painter Mario Cavaradossi, and Cavaradossi's lover, the beautiful, devout and talented singer Floria Tosca. Tosca is a passionate, dynamic opera fueled by deception, murder, suicide, and love, and it features some of Puccini's best-known and loved arias.
Week Five - Getting to Know You (Better) Tenor Jonathan Burton is singing the role of Mario Cavaradossi in Tosca this summer at Central City Opera. On this episode, he shares his thoughts on what it’s like doing a role he’s done a number of times with colleagues who are new to their roles, the new idea that he and the director came up with in Act 3, whether or not Mario knows his fate at the end of the opera and how he handles that, and his favorite moments in this production. He also gives advice on how to be a good colleague onstage, and he shares how he got into opera and what keeps him going in this tough career. Have questions or want to provide feedback? Email us at podcast@centralcityopera.org. Remember to subscribe to our podcast to get the latest episodes delivered directly to your device. To hear more stories from inside Central City Opera and buy tickets to the shows, visit us at www.centralcityopera.org.
Welsh tenor Gwyn Hughes Jones has a lot to say about the tenor voice, his lirico-spinto forebears like Gigli and Martinelli, as well as the role of Mario Cavaradossi in Tosca. Enjoy this interview as we look forward to his performances, opening this weekend!
From Madama Butterfly and Turandot to La bohème's Mimi, composer giant Giacomo Puccini is famous for the grace and strength of his glorious heroines. Enter Floria Tosca, a diva with flashing eyes and a jealous heart who loves only one man – Mario Cavaradossi. When he is taken as a political prisoner, his captor, Baron Scarpia, has met his match in Cavaradossi's faithful Tosca. Featuring the breathtaking Te Deum chorus and the renowned tenor anthem E lucevan le stelle, plus one of the most famed soprano arias in all of operatic repertoire, Vissi d'arte, Puccini's beloved work has not been seen at the Opera Company of Philadelphia for over ten years.Hosted by OCP's Director of Community Programs Michael Bolton and mezzo-soprano Maren Montalbano, each edition features musical excerpts, plot synopses and background information on the operas, cast and production information, interviews with artists and producers, Academy of Music historical moments and more!
From Madama Butterfly and Turandot to La bohème’s Mimi, composer giant Giacomo Puccini is famous for the grace and strength of his glorious heroines. Enter Floria Tosca, a diva with flashing eyes and a jealous heart who loves only one man – Mario Cavaradossi. When he is taken as a political prisoner, his captor, Baron Scarpia, has met his match in Cavaradossi’s faithful Tosca. Featuring the breathtaking Te Deum chorus and the renowned tenor anthem E lucevan le stelle, plus one of the most famed soprano arias in all of operatic repertoire, Vissi d’arte, Puccini’s beloved work has not been seen at the Opera Company of Philadelphia for over ten years. Hosted by OCP's Director of Community Programs Michael Bolton and mezzo-soprano Maren Montalbano, each edition features musical excerpts, plot synopses and background information on the operas, cast and production information, interviews with artists and producers, Academy of Music historical moments and more!
Puccini's diva drama, TOSCA is at Houston Grand Opera from Jan 22 to Feb 7, 2010www.HoustonGrandOpera.org/ToscaRenowned soprano Patricia Racette makes her role debut as the passionate Floria Tosca in Puccinis timeless drama. Tenor Marcus Haddock is the painter Mario Cavaradossi, whom Tosca adores and Raymond Aceto sings the menacing Baron Scarpia who will stop at nothing to destroy the object of Toscas affections. Created especially for Houston Grand Opera, this new production by John Caird features classic sets and costumes designed by Bunny Christie in the style of nineteenth-century Rome.