Podcast appearances and mentions of mark linett

PART 2 with Mark Linett Calling old Hollywood has returned and this week's guest is Mark Linett. Read all about this episode here : https://katlively.substack.com/p/love-and-mercy-an-interview-with Follow on social media platforms, and keep support the efforts to keep history alive. https://linktr.ee/katclassic

Calling old Hollywood has returned and this week's guest is Mark Linett. Read all about this episode here : https://katlively.substack.com/p/love-and-mercy-an-interview-with Follow on social media platforms, and keep support the efforts to keep history alive. https://linktr.ee/katclassic

This "Paltrocast" features interviews with for KING + COUNTRY co-founders Joel Smallbone and Luke Smallbone and GRAMMY Award-winning producer and engineer Mark Linett. Theme song by Steve Schiltz.

On today's episode, we focus on the Beach Boys' Sounds Of Summer box set with Mark Linett and Alan Boyd. Sounds Of Summer is a greatest hits compilation containing many brand new mixes, including a few first-ever stereo mixes. We will discuss their approach for remixing classic Beach Boys songs, and get into the AI extraction technology used to stem out previously mono-only mixes.   This podcast is produced out of Coupe Studios by Music Maker Publications   For more, visit recordingmag.com

The Beach Boys are one of those bands that absolutely everyone in America knows about, regardless of background.  On the surface, it seems silly.  A bunch of boys singing about surfing and going to the beach?  As it turns out, if you have a strong enough talent behind it, you can basically sing about anything and become legendary.  And let's not forget the people on the other side of the glass, like Mark and Alan who were responsible for mastering albums such as Sounds of Summer, recently remastered on the 17th.  If you want to remember the past or discover them for yourselves, there's no better place to start than a collection of their very best. thebeachboys.lnk.to/SoundsOfSummer See omnystudio.com/listener for privacy information.

On this episode of Analog Smile, Sherry speaks with Mark Linett. Mark is a record producer and audio engineer who is best known for his remixing and remastering of the Beach Boys' catalog. Since 1988, he has been the engineer for Brian Wilson's recordings. He has also worked with Red Hot Chili Peppers, Jane's Addiction, Los Lobos, Rickie Lee Jones and Randy Newman. As part of a planned year-long celebration of The Beach Boys' 60th anniversary, Capitol Records/UMe are to release a newly remastered and massively expanded edition of the group's greatest hits collection Sounds Of Summer: The Very Best of The Beach Boys. Sherry and Mark chat about The Beach Boys, his career, and much more!

Hello Friends! We've got an extra special episode of the show today, digging into all of the new mixes presented on the recently released Expanded Edition of The Beach Boys' huge selling compilation Sounds of Summer, newly remixed by Mark Linett. With 28 9not the listed 24) tracks to look into, we'll be breaking down each of these mix by mix, in the order they appear on the compilation, starting with the earliest mix offered, and working through a summary of all subsequent mono, stereo, single mixes and remixes, culminating in the new 2021 mix of the track, and breaking down exactly what makes these new mixes unique. We'll also be correcting some mislabelling of mixes here, to give you a proper breakdown of exactly what you're getting. From first-time stereo mixes of tracks like 'I Get Around' that emulate the original mono mixes extremely closely, to later remixes of 70s tracks such as 'Let Us Go On This Way' that radically change the soundscape, let us see what's on offer here, and help you decide if these new mixes will become your new sounds of summer.   Happy Listening,   Frederick   Support the show and get hours of extra content at: https://www.patreon.com/backtomono   Email the show at: backtomonoradio@gmail.com   Listen to companion podcast Back to Mono: https://www.mixcloud.com/backtomonoradio/playlists/back-to-mono-complete/   Find me on Instagram @hypnoticfred   Join the Facebook Community here: https://www.facebook.com/groups/backtomono

This episode is with Grammy award winners, Mark Linett and Alan Boyd, who are part of the team that is releasing the new Beach Boys remastered compilation: "The Sounds of Summer: The Very Best of the Beach Boys"! It features 80 remastered tracks and is available in two formats: 3 CD set or 6 vinyl LP set. The release date is June 17, 2022 - just in time for summer. Mark & Alan have been working with the Beach Boys archives for over 30 years and they come to us with many great stories about the box set and working with Brian Wilson and the band. 

James & Beth Riley recently chatted with record producer, audio engineer (and wearer of more hats) Mark Linett!  Join in the conversation to hear about Mark's amazing music biz journey, artists he's worked with, upcoming projects of The Beach Boys (including the always tough question...favorite album by them) and so much more!  The newly remastered 80 track version of The Beach Boys' "Sounds Of Summer" releases June 17th so we were excited to hear about his involvement on this and other releases.  Tune in for all the fun (fun, fun)!

Inside The M&B Remote Audio Truck NEWS Amazon is getting into live programming How loudspeaker DSP has changed the audio world GUEST 3 time Grammy-winning engineer Mark Linett Find out more about Mark and the Horizon remote audio truck at MandBaudio.com Mark previously appeared on Podcast #135 My guest this week is 3 time Grammy-winning engineer Mark Linett. Mark and his partner Bob Wartinbee have operated their remote audio truck as the West Coast branch of Music Mix Mobil, but will now continue as a new independent company, M&B Audio. For the last 11 years, M&B's 40' state of the art mobile audio truck 'Horizon' has recorded numerous iconic events, including the Grammy Awards, The Oscars, MTV's VMA's, ten years at the CMA's, the iHeartRadio Music Awards and Festivals. They've also done projects for a wide range of artists including Coldplay, The Eagles, Stevie Wonder, U2, Motley Crew, Linkin Park, Miley Cyrus, and Sean Mendez, to name a few.  During the interview, we spoke about how live recording has changed over the years, the workflow of award shows, his conversion to digital audio, and much more. var podscribeEmbedVars = { epGuid: 'https://bobbyoinnercircle.com/?p=2962', rssUrl: 'https://bobbyoinnercircle.com/feed/podcast/', backgroundColor: 'white', font: undefined, fontColor: undefined, speakerFontColor: undefined, height: '600px', showEditButton: false, showSpeakers: true, showTimestamps: true };

Chapters00:00 - Introduction00:30 - Mark's studio06:29 - Beginning work with the Beach Boys08:09 - Making the early Beach Boys records12:17 - Making stereo from mono16:00 - Copyright releases18:49 - The tapes we have, and those we don't...22:44 - Good Vibrations - remixing without all the tapes24:56 - AudioSourceREMark Linett BiogGrammy award winner Mark Linett began his career creating psychedelic lighting shows while in college and went on to run his own PA hire company, Nightshade and Dark. In the early 70s he spent a couple of years in L.A. working at a range of studios, including Artist Recording, Paramount and Mystic, before returning to New York, where he worked for Ed Chalpin. Mark's big break came when he was asked to fill in for the sound engineer on a Frank Zappa tour, which led to a further two years of work touring Frank Zappa, ELO, Earth Wind & Fire and Journey.Returning to studio work in L.A., Mark was able to build some good connections at Amigo Studios, working with Paul Simon, Rickie Lee Jones, Michael McDonald and Eric Clapton. When Amigo closed, Mark went freelance, working out of his own home studio which he named Your Place Or Mine. While Mark has worked with artists such as the Red Hot Chili Peppers, his most well-known collaboration is with Brian Wilson of the Beach Boys. He has spent two decades remixing their back catalogue and working on previously unreleased material. The Smile Sessions won a Grammy Award for Best Historical Album.

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Episode 21 — Mark Linett discusses Sunshine Tomorrow 2 and Live Sunshine David Beard and Mark Linett discuss and breakdown the new digital collections from The Beach Boys. [Airdate: 2017] Visit ESQuarterly.com to learn more about Endless Summer Quarterly magazine.

Christian speaks with producers Mark Linett and Alan Boyd about their new, first-ever stereo mix of The Beach Boys’ 1967 Wild Honey album and the debut of 54 sought-after 1967 rarities, 50 years after they were put to tape. The Beach Boys have personally overseen the creative process for a new 2CD and digital collection, '1967 – Sunshine Tomorrow', to be released on June 30 by Capitol/UMe. 1967 – Sunshine Tomorrow features previously unreleased highlights including The Beach Boys’ shelved “live” album, Lei’d in Hawaii, studio recordings from the Wild Honey and Smiley Smile album sessions, and several standout concert recordings spanning 1967 to 1970.  '1967 – Sunshine Tomorrow' dives into a fascinating and frenetic chapter in The Beach Boys’ long, groundbreaking creative arc, exploring the band’s dynamic year in the studio and on tour. The Beach Boys’ final studio session for the shelved SMiLE album took place on May 18th, 1967, with Smiley Smile album sessions booked at Brian Wilson’s new home studio from June 3rd through the end of July. The band’s 12th and 13th studio albums were released exactly three months apart to cap the year’s studio efforts: Smiley Smile on September 18th followed by Wild Honey on December 18th. Please subscribe, rate and review and head over to Patreon to help support our network of rock based podcasts.  

            NEWS Buy-on a Motley Crue tour for $1 million, sue them for $30 million Samsung buys Harmon International, and Avid in trouble with investors GUEST Grammy winning engineer Mark Linett

            NEWS Buy-on a Motley Crue tour for $1 million, sue them for $30 million Samsung buys Harmon International, and Avid in trouble with investors GUEST Grammy winning engineer Mark Linett The post Episode #135 – Bad Tour Buy-On, Harmon Acquired, Avid In Trouble Again, And Engineer Mark Linett appeared first on Bobby Owsinski's Inner Circle Podcast.

Episode Four — Mark Linett Engineer Mark Linett discusses Brian Wilson, The Beach Boys, and Pet Sounds. [Airdate: 2016] Visit ESQuarterly.com to learn more about Endless Summer Quarterly magazine.

FeedBack w. Wes Nyle. EP30 .Simply New Music (Nude Beach/Explorers Club). 10.28.12As music continues to drown my every waking moment I have noticed a trend in new bands that gives me hope for a brighter future: Simplicity.I use the term “Simplicity” synonymously with “Roots” and for me roots are early 90’s rock. I define this because I know that others around me are still wandering through the desert looking for a band that sounds like Bango Tango, Def Leppard or Ratt, and I make no apologies in saying that I am done with trying to understand what 80’s hair metal had to offer their generation. Even though I was born in the eighties I didn’t raise myself on that style of music for what has now become a drawn out reason. I don’t feel that there will ever be a time when Quiet Riot will try to be emulated again. There is less nostalgia in bands that harness an attitude of tits and booze over a message, or playing an instrument as wasted as possible over stepping up for an oppressed people. And I won’t support a lead singer with hair teased up further than a Judd sister. There is not nostalgia but this concept is dripping with novelty.But this podcast isn’t about bashing 80’s hair metal bands. It’s more about how I felt as I started hearing bands consisting of members that were near my age starting to understand what normal music means to a generation. How genuine art work can show what that generation stands for. And most of the time a message is more genuinely sent simply.A group out of New York is gaining critic attention for what is being called their second LP titled II. But from what I can tell it’s Nude Beach’s re-released earlier EP. If I close my eyes I am taken back to my smoke filled efficiency apartment enjoying what was my first taste of independence. Chuck Betz, Ryan Niadeau, and Jimmy Shelton power through 10 tracks that sound original yet familiar. Like a band you heard on a compilation or a stalker’s mix tape but never followed up on.While the majority of critics can’t help but compare the sound of Nude Beach to “Top Petty meets Bruce Springsteen”, to me the simplicity and warmth of the trio’s sound has the feel of what Indie rock always wanted to be. Like early Strokes (Also from NY), the Presidents of the United States of America, or Face to Face. Really the only aspect of this band that lends them to the 60’s and the 70’s is an album with 10 tracks. A move that the band admits was done strategically with the idea of and A side and a B side in mind.While the subject of new nostalgia is on my mind let me bring up the South Carolinian sextet The Explorers Club a band I was awakened to by David Wild of Huffington Post and a regular on the Adam Carolla podcast. There is no doubt that sometime in late 2007 I heard these guys on an episode of The O.C. a show that I’m not ashamed to admit I watched every episode of when I was living in a one bedroom apartment with four other dudes.The Explorers Club released their 2nd full length Grand Hotel earlier this year and in a way it feels good not knowing about a band until you have something to catch up on. Both albums remind me of taking extended road trips with my dad in his baby blue 64 1/2 Mustang Convertible. I listened to the entire Beach Boys collection through cheap foam head phones with the biggest chromed out Sony cassette player ever to be created. The likeness of this band to the Beach Boys, can be traced back to the producer Mark Linett, who worked with the band on their teaser EP’s for Grand Hotel. Mark has worked with the Beach Boys and Brian Wilson, and also digitally re-masterd Pet Sounds for it’s rerelease some years back.I feel like as time progresses this younger generation is being led to an auto-tuned, dubb stepped, electronic version of what 80’s cock rock used to be. Like they may be frightened by a song with an understanding or enlightening message. Hearing Mumford & Sons and Modest Mouse on an younger persons Pandora station recently gave me hope that youth still wants more than songs about “Boats and Hoes”. I do want to say that I believe there is a place in the world for fun music, but it doesn’t keep me from celebrating the Isaac Brocks, Zack De La Rochas, Chris Cornells, and Fat Mikes that made me want to write, and listen to music. And more than being a music snob I want to express my admiration for new bands that embrace classic techniques, garnished with modern subtext.Tracks Heard In This Podcast: The Explorers Club – Grand Hotel Ratt – Way Cool Jr. Nude Beach – Walkin’ Down My Street Nude Beach – Looser in the Game The Explorers Club – Lost My Head The Explorers Club – Forever NoFx – Eat the Meek

We continue our follow up conversation with Mark Linett & Alan Boyd, co-producers of the SMiLE Sessions box set. They answer more of the questions that you submitted to Icon Fetch, including why there was no sessionography for disc one of the set, why they included Carl Wilson’s vocal on “Surf’s Up,” if they used all the pieces recorded for “Heroes and Villains,” and what’s next in the Beach Boys’ reissue program.

The Beach Boys’ SMiLE Sessions box is out now. Co-producers Mark Linett and Alan Boyd return to Icon Fetch to answer some of the questions you have – including what happened to the background vocals on “Barnyard,” what, if any, songs Brian Wilson nixed from the album, why there isn’t a stereo mix of “Good Vibrations,” and how they assembled “Heroes and Villains part two.”

We continue our exclusive coverage of the long-awaited release of the SMiLE Sessions from the Beach Boys with our interview with another co-producer of the set, Alan Boyd. He talks to us about how they decided which takes of songs to use for the “estimation” of the SMiLE LP on disc one, if it is ever possible to release a stereo mix of “Good Vibrations,” and which song he was the proudest of helping put together. He also describes what specific role he and co-producer Mark Linett had in helping piece together the SMiLE Sessions

We continue our exclusive conversation with Mark Linett, co-producer of the upcoming SMiLE Sessions box set from the Beach Boys. In this segment, he talks about the rumor that Paul McCartney contributed to the “Vega-Tables” session, why disc one’s “estimation” of the SMiLE album is presented in mono, and how they stumbled across a never-before heard demo version of Brian Wilson doing “Surf’s Up” from after the SMiLE Sessions were aborted. Mark has also agreed to return to the show after SMiLE is released.

It’s the most famous unreleased album in history – the Beach Boys’ SMiLE was supposed to come out way back in 1967, but the project fell apart amidst a cloud of drugs and self-doubt by leader Brian Wilson. Now, some 45 years later, those legendary tapes are finally seeing the light of day in the SMiLE Sessions, a five-CD boxset containing, for the first time, an estimation of the “finished” would-be album, plus several discs of session highlights, alternate takes, and demos. Mark Linett, who co-produced the monumental project along with Alan Boyd and Wilson, sits down with Icon Fetch to discuss the unique difficulties in putting this set together, how they settled on five CDs for the deluxe edition, and how this compares to the critically-acclaimed Pet Sounds Sessions box.