Podcasts about modotti

durée : 00:55:56 - Autant en emporte l'Histoire - par : Stéphanie DUNCAN - D'une beauté originale, brune aux yeux noirs mélancoliques, Tina Modotti, fille d'ouvriers italiens qui connut l'usine à douze ans avant de conquérir le Nouveau Monde, fait partie de ces femmes des années 1920 qui nous fascinent pour leur liberté sexuelle, leur engagement artistique et politique.

Tina Modotti, -bohaterka wykładu w Szkole Bardzo Wieczorowej profesorki Anny Adamus Matuszyńskiej była włoską fotografką, aktorką teatralna i filmową oraz działaczką polityczną.    Emigrowała wraz z rodziną z Włoch do Stanów Zjednoczonych i tam najpierw ciężko pracowała, a później ucząc się fotografii stała się jedną z najlepszych fotograficzek początku wieku dwudziestego.  Jej życie osobiste również było nadzwyczaj interesujące. Uczyła się fotografowania od największych sław, ale też bardzo szybko w tych fotografach - swoich nauczycielach, zakochiwała się. Czuła przez całe życie na ludzką biedę i ludzkie nieszczęście. Tina Modotti była  kobietą piękną, inteligentną i przez całe swoje życie niezależną.O niej to właśnie z profesorką Anną Adamaus Matuszyńską rozmawia Marek Mierzwiak.

durée : 00:59:07 - Entendez-vous l'éco ? - par : Tiphaine de Rocquigny, Aliette Hovine - En quoi les photographies de Tina Modotti dénoncent-elles les conditions de vie des défavorisés et les inégalités sociales et économiques dans le Mexique du début du XXe siècle ? - invités : Gérard de Cortanze Écrivain, essayiste, traducteur, critique littéraire; Eugénia Palieraki Maîtresse de conférences en histoire et civilisation de l'Amérique latine à Cergy Paris Université

“Tina Modotti” L'oeil de la révolutionau Jeu de Paume, Parisdu 13 février au 12 mai 2024Interview de Isabel Tejeda, commissaire de l'exposition,par Anne-Frédérique Fer, à Paris, le 12 février 2024, durée 23'05,© FranceFineArt.(avec l'aimable traduction de Pascale Fougère)https://francefineart.com/2024/02/14/3514_tina-modotti_jeu-de-paume/Communiqué de presse Commissariat :Isabel Tejeda Martín, commissaire indépendante, professeure à la Faculté de Beaux Arts de l'Université de Murcie en Espagne spécialisée en art.Assistée d'Eva M. Vives Jiménez.Le Jeu de Paume rend hommage à Tina Modotti (1896-1942) à travers une grande exposition, la plus importante jamais consacrée à Paris à cette photographe et activiste politique d'origine italienne.Le parcours exceptionnel de Tina Modotti n'a jamais cessé de fasciner : essentiellement produite entre 1923 et 1930, son oeuvre frappe par son caractère fulgurant. C'est au sein du Mexique postrévolutionnaire que se forgent tant sa conscience politique que le style particulier, à la fois sensible et critique, avec lequel elle saisit sur le vif les mouvements sociaux et les inégalités sans jamais négliger l'aspect esthétique de la photographie.L'exposition rassemble près de 240 tirages mais aussi des documents d'archives et revues d'époque issus de prêts de musées internationaux et de collections privées. L'exposition retrace la carrière unique de cette photographe et militante révolutionnaire, amie et interlocutrice de peintres tels Diego Rivera et Frida Kahlo.« Je ne cherche pas à produire de l'art mais des photographies honnêtes, sans avoir recours à des truquages ou à des artifices, alors que la majorité des photographes continuent à rechercher des effets artistiques ou à imiter d'autres expressions plastiques. Cela donne un produit hybride, qui ne nous permet pas de distinguer dans l'œuvre sa caractéristique la plus significative : sa qualité photographique. » Tina Modotti, Sobre la fotografía [Sur la photographie], in Mexican Folkways, vol. 5, no 4, oct.-déc. 1929Tina Modotti a passé la majeure partie de son existence au coeur de la tourmente. Sa vie a été marquée par certains des événements historiques mondiaux les plus importants des années 1920 et 1930, qu'elle a personnellement vécus, parfois en première ligne. Elle émigre aux États-Unis dès l'âge de 16 ans. A San Francisco, elle trouve un emploi de couturière avant d'être employée comme mannequin pour un prestigieux magasin de mode, pour finalement se lancer pleinement dans le cinéma en 1918. À Los Angeles, en 1921, elle fait la rencontre d'Edward Weston : elle devient d'abord le modèle du photographe, puis son amante. En 1923, ils s'installent au Mexique, où le couple ouvre son studio : débute alors officiellement la carrière photographique de Tina Modotti.Son travail artistique se développe au contact de la société intellectuelle et artistique mexicaine mais aussi du Parti communiste mexicain. Ses images fortes en font l'instigatrice du photojournalisme dans le pays. Sur le plan créatif, elle a trouvé sa place dans la bataille opposant le formalisme et l'art engagé en tant que reflet et composante de la réalité sociale, un débat crucial pendant ces années où le monde a radicalement changé. Longtemps étudiée à travers le seul prisme de l'influence d'Edward Weston, l'œuvre photographique de Modotti se détache enfin, dans sa singularité. C'est à l'étude de Tina Modotti en tant que photographe qu'invite donc cette exposition chronologique et thématique conçue en cinq parties.[...] Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

durée : 01:20:17 - Les Nuits de France Culture - par : Albane Penaranda - En 1995, à l'occasion de l'exposition des photos de Tina Modotti à la Fnac rue de Rennes à Paris, et de celles, à l'Hôtel de Sully, d'Edward Weston qui fut son compagnon, France Culture tente de percer l'énigme d'une petite ouvrière italienne, devenue une des photographes les plus cotées au monde.

La puntata di oggi: come si misura una fotografia? In occasione di un progetto fotografico collettivo al quale sto lavorando mi sono accorto di quanta confusione ci fosse sull'opportunità di misurare una foto, salvandola. Così, in questa puntata, ho cercato di riassumere quello che la prassi e la collaborazione con altri fotografi e interlocutori mi ha insegnato, sperando che vi sia utile.Poi, prosegue la rubrica Quei Bravi Fotografi, oggi vi parlo di Tina Modotti, una fotografa italiana vissuta a cavallo fra il 19o e il 20o secolo con una vita fatta di pensiero libero e impegno politico che si rispecchia nelle sue foto. Trovate i suoi riferimenti più in basso. Aspetto le vostre domande e i vostri feedback. Buona luce a tutti!******************************************* I MIEI LINK: Cliccate qui per sostenere con un piccolo contributo volontario le spese del podcast: https://www.patreon.com/user?u=15429568 Email: andreageymet@gmail.com (da usare anche per un contributo con PayPal) Adobe Portfolio: https://andreageymet.myportfolio.compeopleofindia.myportfolio.comInstagram del podcast: https://www.instagram.com/passione_fotografia_podcast/ Le mie foto dei viaggi: https://instagram.com/andreageymet?igshid=MzRlODBiNWFlZA== I miei ritratti: https://www.instagram.com/andreageymet_ph/ Il gruppo Telegram: https://t.me/passionefotografiapodcast*******************************************IL SITO DOVE LEGGERE LE RECENSIONI DELL'ATTREZZATURA: https://www.juzaphoto.com******************************************* Il mio fornitore di fiducia: https://www.solodigitali.com******************************************* QUEI BRAVI FOTOGRAFI Tina Modottihttps://it.wikipedia.org/wiki/Tina_Modottihttp://www.comitatotinamodotti.it/tina.htmhttps://www.instagram.com/timodotti/

In episode 84 of The Great Women Artists Podcast, Katy Hessel interviews the esteemed writer Patricia Albers on TINA MODOTTI! Tina Modotti (1896–1942) was a trailblazer. Born in Italy, she found herself at the centre of Hollywood in the 1920s, the post-Revolution era of Mexico, in the midst of Communism with the Muralists, the latter of which she captured through raw images, using her camera - her tool - to engage with political and social issues. Nothing short of a revolutionary, Modotti documented the spirit of era. Her own life was never far from drama. Raised in Italy, in1913 she migrated to the US to join her father. Adored for her striking looks, she soon began work as a model, then an actor, starring ina string of Hollywood silent films.  Taking up photography, in 1923she moved to Mexico City to join the cultural avant-garde and experimented with intimate, hazy studies of close-up wilted flowers and light-filled architectural environments – some of the earliest examples of abstraction in photography.  As the 1920s progressed, and her involvement in the Communist movement deepened (officially joining the party in 1927), Modotti turned her lens towards social documentary, photographing empathetic, yet I think triumphant, portraits of locals and labourers, and took her camera to anti-fascist, leftist rallies (with friends Frida Kahlo andDiego Rivera).  However, following the assassination of her then-lover, the Cubist revolutionary Julio Antonio Mella, she was forced to leave Mexico and abandon photography entirely. Fleeing Mexico for WeimarBerlin, Soviet Russia and then Spain, in 1939 she returned to MexicoCity, but died three years later in the back of a taxi... Some still question the cause of her death, viewing it with suspicion due to her ardently leftist politics!!!!  ONE OF THE GREATEST STORIES IN ART HISTORY! ENJOY! Patricia is the author of Shadows, Fire, Snow: The Life of Tina Modotti and curator of the formerly travelling exhibition, Tina Modotti and the Mexican Renaissance, a show and a book focussing on one of the greatest photographers of the early twentieth century: Tina Modotti. F ollow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Nada Smiljanic Research assistant: Viva Ruggi Artwork by @thisisaliceskinner Music by Ben Wetherfield https://www.thegreatwomenartists.com/

"Recap Modotti" by Fugazi https://fugazi.bandcamp.com/track/recap-modotti Early live version of "Recap," Philadelphia 5/3/97 https://youtu.be/HCGAHG8h-J0?t=2487 Tina Modotti https://en.wikipedia.org/wiki/Tina_Modotti Antonia Tricarico http://www.antoniatricarico.com/ Email the podcast: fugaziAtoZ@gmail.com Donate to the podcast: https://tips.pinecast.com/jar/the-alphabetical-fugazi

Tina Modotti ha saputo “dare immagine” ai suoi ideali e al suo impegno politico. Nonostante abbia esercitato la sua arte per pochi anni, Tina Modotti è universalmente riconosciuta come una delle più importanti fotografe di sempre.

Oggi parliamo di Tina Modotti, una fotografa, attivista e attrice italiana. È considerata una delle più grandi fotografe del '900. Alcune sue opere sono conservate nei più importanti musei del mondo, come l'International Museum of Photography and Film at George Eastman House di New York e la Library of Congress a Washington. Le 3 parole sono: fabbrica, paesaggio e rivale.☕ Supporta Oggi Parliamo: www.patreon.com/oggiparliamo

Our series dedicated to the Italian-Australian community in the 19th and 20th century remembers in this episode father Modotti, who was sent to Victoria to assist Italian migrants shortly before the beginning of WW2. - Continuiamo il nostro viaggio alla riscoperta di figure storicamente importanti della comunità italo-australiana rievocando il contributo di un gesuita, inviato in Victoria per assistere gli immigrati italiani poco prima dello scoppio della Seconda Guerra Mondiale.

Tina Modotti e Gerda Taro `Due donne due fotografe due paladine dell’ indipenza.In occasione della Giornata Internazionale delle donne questo podcast vuole rendere tributo al coraggio di queste due fotografe , raccontare le loro storie e ispirare tutte le donne che amano la bellissima arte della fotografia.

Tina Modotti e Gerda Taro `Due donne due fotografe due paladine dell’ indipenza.In occasione della Giornata Internazionale delle donne questo podcast vuole rendere tributo al coraggio di queste due fotografe , raccontare le loro storie e ispirare tutte le donne che amano la bellissima arte della fotografia.

Tina Modotti was born Assunta Adelaide Luigia Modotti Mondini in 1896. At the age of 16, she moved from her native Italy to the United States with her father. Modotti soon developed an interest in performing arts and appeared in several plays, operas and silent movies while living in San Francisco. Five years later, she moved to Los Angeles to pursue a career in film. Modotti became known for playing the femme fatale and in 1920 landed the staring role in The Tiger’s Coat. Tina showed an interest in photography from an early age. Her uncle Pietro Modotti ran a photography studio in Italy and later her father ran a similar studio in San Fransisco. After moving to Los Angeles with her boyfriend Robo Richey, Tina soon became friends with Edward Weston. Weston became a mentor and inspiration for Modotti’s development as a fine art photographer an by 1921 she was modeling for Weston and the two soon began an affair. Modotti’s boyfriend, Robo went to Mexico in December of 1921. Unaware of Tina’s affair with Weston, he took a portfolio of Weston’s work hoping to work out an exhibition in Mexico. While Tina was on her way to Mexico to join him, she found that he had died 2 days before her arrival of smallpox. The following year, Tina mounted a two week exhibition of Robo’s and Weston’s work at the National Academy of Fine Arts in Mexico City. Weston moved to Mexico the following year leaving behind his wife and 3 of 4 children. Tina set up and managed Edward’s studio in return for his mentoring her as a photographer. Weston was taken by Mexican culture and was inspired by local folk art and landscape. Modotti was more interested in people and the Modernest aesthetic. She soon found a community of cultural and political avant-gardists who she became closely associated with including Frida Kahlo and Diego Rivera. As her photography skills began to mature, Modotti’s work included lyrical images of peasants and workers and experiments with architectural interiors, flowers and urban landscapes. Mexican photographer Manuel Alvarez Bravo notes 2 distinctions in Modotti’s work being both “romantic” and “revolutionary”. The romantic aspects of her work undoubtedly influenced by Weston and the revolutionary from her growing interest in politics. In 1926, Weston signed a contract with writer Anita Brenner to photograph her book on Mexican folk art. Modotti and Weston were joined by Edward’s son Brett. The job was quite large requiring over 400 8×10 negatives and prints. Brett was brought up to speed at a breakneck pace and learned how to make prints while traveling through Mexico in search of lesser known native art. The project took months and by the end, Edward’s relationship with Tina was over. At the end of the project, Edward and Brett returned permanently to California. Modotti continued her works as a photographer and in 1929 did her first one-woman retrospective exhibition at the National Library which was advertised as the “First Revolutionary Photographic Exhibition In Mexico”. By this time, Tina had been a member of the Mexican Communist Party for several years and her work was very politically focused. In 1929, Modotti’s close friend Julio Antonia Mella was assassinated presumably by agents of the Cuban government. Soon there was an assassination attempt on Mexican President Pascual Ortiz Rubio and Modotti was questioned about both crimes. In 1930, she was expelled from Mexico as the result of an anti-communist and anti-imagrant press campaign. Modotti evaded police through Rotterdam, Berlin and Switzerland before making her way back to Italy to join the anti-fascist resistance before proceeding to Moscow in 1931. After this move to Russia no photographs survive and it is presumed that Moditti never photographed again. During the rise of the Spanish Civil War, Modotti left Moscow for Spain. Following the collapse of the Republican movement, she returned to Mexico under a false identity. Two years later, Modotti died under somewhat suspicious circumstances though the official autopsy indicated heart failure. She was 46. ine art photographer an by 1921 she was modeling for Weston and the two soon began an affair. MoMA Collection :: http://www.moma.org/collection/artist.php?artist_id=4039 Philadelphia Museum of Art Collections :: http://www.philamuseum.org/collections/results.html?searchTxt=modotti&keySearch=+Search+&searchNameID=&searchClassID=&searchOrigin=&searchDeptID=&accessionID=&page=1

Tina Modotti (1896 – 1942) was an Italian photographer who was most active in Mexico between 1923 and 1930. Known for her romantic and business relationship with Edward Weston and her friendships with Diego Rivera, Frieda Kahlo and other Mexican artists, Modotti was also a political activist during the Mexican Revolution and beyond. Links for … Continue reading History of Photography Podcast 7 : Tina Modotti →

In this episode: Taren Sterry has been performing her one woman show, 180 DAYS, as a tool to help raise awareness and volunteers for the Visiting Nurse Service of New York. Here she tells us how that all came to be! In the wake of air travel's recent headaches, Alex Lyras' show, THE COMMON AIR, certainly feels timely. Alex and director Robert McCaskill stop by to discuss the show. Actors Alysia Reiner and Jack Gwaltney tell us about MODOTTI, and discuss the period and history that inspired the show. Clubbed Thumb launches it's three-show summer "festival" with DOT, and Playwright Kate E. Ryan and composer Mike Iveson tell us about the show and the producing organization. More from Planet Connections Festivity, this time, with the "sequel" to a Midsummer Night's Dream, THE THYME OF THE SEASON, and playwright Duncan Pflaster and co-conceiver/actor Clara Barton Green tell us about it. UNCLE SHELBY'S WUNDERPANTRY OF POSSIBILITIES will also grace the stages at Planet Connections Festivity, and writers Dan Moyer, Ben Forster and Producer Nathaniel Kent discuss their hunt for a vanished theme park.