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Baja desempleo en México Museo Dolores Olmedo reabre tras seis años cerradoAstronautas chinos regresan tras 210 días en el espacioMás información en nuestro podcast #grc
Rob Has a Podcast | Survivor / Big Brother / Amazing Race - RHAP
Survivor 50 Finale Exit Interviews Today, Rob Cesternino brings you a jam-packed round of exit interviews with the final five players. From Los Angeles, Rob sits down for candid, revealing conversations with winner Aubry Bracco, Jonathan Young, Joe Hunter, Rizo Velovic, and Tiffany Nicole Ervin, capturing the raw emotions and untold stories behind the biggest moves and blindsides of the season. Survivor 50's aftermath is on full display as players reflect on hard-fought challenges, breakdowns in alliances, and what it really takes to win when the game constantly evolves. Rob opens the special exit interview episode talking with newly crowned winner Aubry Bracco, who shares her journey of coming in as an underdog at the merge and how stepping back allowed her to “see the whole zoo.” Aubry reveals the impact of early setbacks, her fresh perspective in this new era, and the calculated decision to play her idol early—dismantling threats and getting back under the radar. Jonathan Young unpacks the heartbreak of coming so close, the challenges of not being seen as an underdog, and how perception shapes every tribal council. Joe Hunter discusses his surprising positivity after loss, his complicated relationship with Rick Devens, and why trust will always define his Survivor journey. Rizo reflects on being a polarizing superfan who found himself on the bottom—then clawed into the voting bloc that almost changed everything. Tiffany Nicole Ervin offers a behind-the-scenes look at the original Kalo chaos, the hidden strategies lost in the edit, and why social bonds made her a hard name to write down. Key moments from Survivor 50's finale include: – Aubry Bracco on leveraging fringe status at the merge for a long-term strategic advantage – Jonathan Young discussing why Survivor's new era rewards underdogs and how he tried to shift his image – Joe Hunter revealing the emotional journey from defeat to gratitude and the lessons learned playing with and against Rick Devens – Rizo detailing the “dead man walking” days and how perception can shape your fate—win or lose – Tiffany Nicole Ervin sharing why Kahlo tribe dynamics shaped the season, and what viewers didn't see As these finalists recount pivotal moves—idol plays, shifting alliances, fire-making wins, and the fallout from fractured tribes—Rob presses for the answers fans crave. What would have happened if a few challenge results flipped? How did hidden bonds and social gameplay drive votes we never saw coming? Tune in to this Survivor 50 exit interview special for a backstage pass to the emotional highs and tough choices that defined an epic season—plus hints at who might return for another shot at the game! Chapters: 0:00 Survivor 50 Finale Aftermath Begins 0:09 Rob Previews Exit Interviews Lineup 3:46 Aubry Bracco Reflects on Her Win 5:06 Aubry's Strategy Versus Old Seasons 6:10 Merge Spot Gives Aubry Perspective 8:34 Aubry's Idol Play and Reputation 10:58 Aubry-Genevieve Rift Explained 12:10 Aubry and Cirie's Secret Alliance 13:36 Ozzy Blindside – Who Gets Credit 15:34 Aubry Prepped for Endgame Challenges 17:10 Aubry on Returning to Survivor 18:28 Jonathan Young Processes Runner-Up Finish 22:19 Jonathan on Survivor's Modern Underdog 28:28 Jonathan Asks Rob for Survivor Advice 30:23 Joe Hunter Embraces Survivor Positivity 36:58 Joe and Rizo's Hidden Alliance 45:10 Rizo Recaps Survivor 50 Emotions To order Rob’s book, The Tribe and I Have Spoken, visit www.robhasabook.com Never miss a minute of RHAP's extensive Survivor coverage! LISTEN: Subscribe to the Survivor podcast feed WATCH: Watch and subscribe to the podcast on YouTube SUPPORT: Become a RHAP Patron for bonus content, access to Facebook and Discord groups plus more great perks!
Survivor 50 Finale Exit Interviews Today, Rob Cesternino brings you a jam-packed round of exit interviews with the final five players. From Los Angeles, Rob sits down for candid, revealing conversations with winner Aubry Bracco, Jonathan Young, Joe Hunter, Rizo Velovic, and Tiffany Nicole Ervin, capturing the raw emotions and untold stories behind the biggest moves and blindsides of the season. Survivor 50's aftermath is on full display as players reflect on hard-fought challenges, breakdowns in alliances, and what it really takes to win when the game constantly evolves. Rob opens the special exit interview episode talking with newly crowned winner Aubry Bracco, who shares her journey of coming in as an underdog at the merge and how stepping back allowed her to “see the whole zoo.” Aubry reveals the impact of early setbacks, her fresh perspective in this new era, and the calculated decision to play her idol early—dismantling threats and getting back under the radar. Jonathan Young unpacks the heartbreak of coming so close, the challenges of not being seen as an underdog, and how perception shapes every tribal council. Joe Hunter discusses his surprising positivity after loss, his complicated relationship with Rick Devens, and why trust will always define his Survivor journey. Rizo reflects on being a polarizing superfan who found himself on the bottom—then clawed into the voting bloc that almost changed everything. Tiffany Nicole Ervin offers a behind-the-scenes look at the original Kalo chaos, the hidden strategies lost in the edit, and why social bonds made her a hard name to write down. Key moments from Survivor 50's finale include: – Aubry Bracco on leveraging fringe status at the merge for a long-term strategic advantage – Jonathan Young discussing why Survivor's new era rewards underdogs and how he tried to shift his image – Joe Hunter revealing the emotional journey from defeat to gratitude and the lessons learned playing with and against Rick Devens – Rizo detailing the “dead man walking” days and how perception can shape your fate—win or lose – Tiffany Nicole Ervin sharing why Kahlo tribe dynamics shaped the season, and what viewers didn't see As these finalists recount pivotal moves—idol plays, shifting alliances, fire-making wins, and the fallout from fractured tribes—Rob presses for the answers fans crave. What would have happened if a few challenge results flipped? How did hidden bonds and social gameplay drive votes we never saw coming? Tune in to this Survivor 50 exit interview special for a backstage pass to the emotional highs and tough choices that defined an epic season—plus hints at who might return for another shot at the game! Chapters: 0:00 Survivor 50 Finale Aftermath Begins 0:09 Rob Previews Exit Interviews Lineup 3:46 Aubry Bracco Reflects on Her Win 5:06 Aubry's Strategy Versus Old Seasons 6:10 Merge Spot Gives Aubry Perspective 8:34 Aubry's Idol Play and Reputation 10:58 Aubry-Genevieve Rift Explained 12:10 Aubry and Cirie's Secret Alliance 13:36 Ozzy Blindside – Who Gets Credit 15:34 Aubry Prepped for Endgame Challenges 17:10 Aubry on Returning to Survivor 18:28 Jonathan Young Processes Runner-Up Finish 22:19 Jonathan on Survivor's Modern Underdog 28:28 Jonathan Asks Rob for Survivor Advice 30:23 Joe Hunter Embraces Survivor Positivity 36:58 Joe and Rizo's Hidden Alliance 45:10 Rizo Recaps Survivor 50 Emotions To order Rob’s book, The Tribe and I Have Spoken, visit www.robhasabook.com Never miss a minute of RHAP's extensive Survivor coverage! LISTEN: Subscribe to the Survivor podcast feed WATCH: Watch and subscribe to the podcast on YouTube SUPPORT: Become a RHAP Patron for bonus content, access to Facebook and Discord groups plus more great perks!
Frida Kahlo's short life came to a tragic and painful end. She painted until her dying day and her legend has grown ever since. Joining us again for the conclusion of this series, our friend Amy!Sources:Herrera, Hayden, and Frida Kahlo. Frida Kahlo. New York, N.Y., Rizzoli, 1992.Kahlo, Frida. The Letters of Frida Kahlo. Chronicle Books (CA), 1995.
Jossan har fått en hel del feedback från tidigare avsnitt och ställd mot feedback backar vi, som det heter i visan. Hur gick det egentligen på Kringlans riskutbildning, varför har Jossan blivit glömsk och vad gör egentligen agenturen Kahlo för sina HippHipp-pengar? Avslutningsvis blir det stort bensinstation-bonanza! För en podd med högre kvalité – lyssna på Cruel Town på underproduktion.se/crueltown
Welcome to House Party Radio. Your favourite house originals and remixes in a 30 minute mix. -Tracklist- 1. Kanye West & Big Sean - Mercy (5HOURS Remix) 2. Biscits ft Mikii - Gossip 3. Tony Amatore, Peppe Salerno, Luis Rodriguez - Whos That Girl 4. Glass Animals - Heatwaves (Martial Simon Remix) 5. AFROJACK & Lucas & Steve - Control 6. Dean Turnley - Actin Tough (BARTS Remix) 7. Lee Rose - Insane in The Brain 8. BOLO THE DJ & Espii - LOCA LOCA 9. Chris Lorenzo & Kah-Lo vs Discip - Pull Up In This Bih (Smassh 2026 Edit) 10. Cardi B, KREAM - Bodak Yellow (Deville 2026 Techno Edit) 11. Fallon (IE) - No Panties 12. DaBaby - POP DAT THANG (Denero Remix) 13. Blur vs CID - Song 2 (JD Live Loaded Gun Edit) 14. David Guetta vs Thomas Gold - Titanium (JD Live Afterhours Edit) 15. FISHER - Losing It (CHALANT & DEDRO Remix) 16. will.i.am ft Britney Spears - Scream & Shout (Cake Walk Remix) 17. Loud Luxury & Sadboi - OUT LATE. 18. Bountyhunter vs Dimitri Vegas & Junkie Kid - Woops (BRANDON Remix) 19. Gordo & Reinier Zonneveld - Loco Loco (Plastik Funk & Esox Edit) 20. Rae Sremmund vs Tujamo & RELOVA - No Type (Smassh 2026 Aha Edit) 21. Tyga vs Jake Silva - Rack City (JD Live Bass House Edit) 22. Bad Bunny - NUEVAYoL (Jerre Remix) 23. HUGEL & SOLTO vs The Chemical Brothers - Jamaican (Bam Bam) (Double & Jonny Venturi Do It Again Edit) 24. Jack U, Justin Bieber - Where Are U Now (Deville 2026 Tech House Edit)
In part 2, Frida Kahlo and Diego Rivera begin their tempestuous relationship and Frida paints some of her most iconic works. Joining us again is our special guest, Amy!Sources:Herrera, Hayden, and Frida Kahlo. Frida Kahlo. New York, N.Y., Rizzoli, 1992.Kahlo, Frida. The Letters of Frida Kahlo. Chronicle Books (CA), 1995.
Frida Kahlo is now the most famous painter that Mexico has ever produced and has since become a legend in the art world for painting some of the most recognizable, beautiful, and often disturbing images in the art lexicon. This episode will examine her early life and the catastrophic event that would influence her entire life and art going forward.Special guest, artist Amy Ashton! Look for her work at @straycatseattle on instagram and on Etsy!Sources:Herrera, Hayden, and Frida Kahlo. Frida Kahlo. New York, N.Y., Rizzoli, 1992.Kahlo, Frida. The Letters of Frida Kahlo. Chronicle Books (CA), 1995.
durée : 00:03:29 - Le 18/20 : un jour dans le monde - par : Guillaume Auda - Au Mexique, l'annonce du départ à l'étranger de plusieurs œuvres majeures de Frida Kahlo suscite une vive polémique. Le monde de l'art, mais aussi une partie de l'opinion publique, dénonce l'exil d'un patrimoine considéré comme national. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France
durée : 00:03:29 - InterNational - par : Guillaume Auda - Au Mexique, l'annonce du départ à l'étranger de plusieurs œuvres majeures de Frida Kahlo suscite une vive polémique. Le monde de l'art, mais aussi une partie de l'opinion publique, dénonce l'exil d'un patrimoine considéré comme national. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France
durée : 00:03:29 - Sous les radars - par : Guillaume Auda - Au Mexique, l'annonce du départ à l'étranger de plusieurs œuvres majeures de Frida Kahlo suscite une vive polémique. Le monde de l'art, mais aussi une partie de l'opinion publique, dénonce l'exil d'un patrimoine considéré comme national. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France
This Spring, renowned Mexican artists Frida Kahlo and Diego Rivera are being celebrated by the Museum of Modern Art in a dual exhibition. 'Frida and Diego: The Last Dream,' looks at how Kahlo and Rivera represented a shift in the development of Mexican identity, art, and culture in the early 20th century. The show is presented in conjunction with the Metropolitan Opera, which is presenting 'El Último Sueño de Frida y Diego,' an opera debuting this Spring that explores the relationship between Rivera and Kahlo through a fictional narrative. MoMA worked with the opera's set designer Jon Bausor to create unique setting for the art on view. Bausor discusses the process for designing this exhibit alongside Beverly Adams, MoMA curator of Latin American Art. 'Frida and Diego: The Last Dream' is on view through September 12. Photo by Robert Gerhardt via MoMA
Episode 52 of Lip Biter Sounds finds FLOYD WEST22 pushing deeper into the night — a set built for crowded dancefloors, late-hour energy, and the kind of tension that keeps bodies moving until the lights come up. From the hypnotic pull of OMRI. & Vintage Culture's “I Need It” to the rolling momentum of Wakyin's “Ride The Train,” Floyd eases listeners into a groove where house, techno, and future-rave textures collide. As the mix unfolds, the pressure rises. Bart Skils & Weska's Drumcode heater “For The Music” injects pure warehouse energy before sliding into the swagger of Chris Lorenzo & Kah-Lo's “In This Bih'.” The journey moves effortlessly between worlds — Latin-tinged rhythms, gritty tech-house basslines, and melodic late-night moments — with cuts like MORTEN & Prophecy's “Suelta” and Mind Against & Anakim's “Late at Night” pulling the atmosphere into darker, more hypnotic territory. By the time the set reaches its closing stretch, the emotion surfaces. Pretty Pink & Lauren Mia's “Your Eyes” leaves the room glowing — a final melodic breath after a ride through the underground. Seventeen tracks. Multiple shades of the dancefloor. One continuous pulse. This is Lip Biter Sounds #52 with FLOYD WEST22. Where the underground breathes — and the rhythm makes you bite your lip.
Episode No. 749 features curator Mari Carmen Ramírez and Isabelle Frances McGuire. Ramírez is the curator of "Frida: The Making of an Icon" at the Museum of Fine Arts, Houston. The exhibition reveals how Frida Kahlo went from virtually unknown to mainstream audiences at the time of her death in 1954 to becoming famed as both an artist and as a kind of celebrity icon. Among the factors it identifies are North American geopolitics, the role of culture in the promotion of nationhood, tourism, and international trade, and more. "Frida" features more than 30 works by Kahlo and 120 more by five generations of artists she inspired. It is on view at the MFAH through May 17. A fascinating catalogue was published by the MFAH in association with Yale University Press. Amazon and Bookshop offer it for about $60. McGuire is included in the 2026 biennial exhibition at the Whitney Museum of American Art, New York. The show was curated by Marcela Guerrero and Drew Sawyer with Beatriz Cifuentes and Carina Martinez. It's on view through August 23. This segment was taped when McGuire was included in the Museum of Contemporary Art Chicago's "Descending the Staircase" exhibition in 2024. McGuire is a Chicago-based artist whose work considers the body and how our understanding of it can be filtered by video games, film, animatronics, and other technologies. The 2024 MCA Chicago exhibition marked her first inclusion in a museum exhibition; since then McGuire has shown at Artist's Space, New York, and at the Renaissance Society, Chicago. For images see Episode No. 648. Instagram: Isabelle Frances McGuire, Tyler Green.
Thirty years after her death, Frida Kahlo went from relative obscurity to one of the most famous female artists on the planet. Now, her image has been used on everything from watches, scented candles, clothes, sanitary pads, and even Barbie dolls. But how did the communist icon become the face of a million dollar enterprise? At the centre of the story is a Kahlo family divided. Should her image reflect her artistic treasures or a global brand?Our listener survey is live - find it here.This podcast was brought to you thanks to the support of readers of The Times and The Sunday Times. Subscribe today: http://thetimes.com/thestoryGuest: Blanca Schofield, assistant culture and books editor for both The Times and The Sunday Times.Host: Rosie Wright.Producer: Dave Creasey.We want to hear from you - email: thestory@thetimes.comRead more: Artist — or brand? How Frida Kahlo's family lost controlPhoto: FridaMoji/Getty Images.This podcast was brought to you thanks to subscribers of The Times and The Sunday Times. To enjoy unlimited digital access to all our journalism subscribe here. Hosted on Acast. See acast.com/privacy for more information.
On Wednesday's show: We discuss the latest developments in politics in our weekly roundup.Also this hour: We learn about a new initiative from the University of Houston-Downtown, which will guarantee admission for HISD graduates with a GPA of 2.5 or higher.And we preview a concert on Friday featuring the string quartet Brooklyn Rider, performing a work that explores the complex relationship between Mexican painters Frida Kahlo and Diego Rivera. It's in conjunction with an exhibit about Kahlo on display now at the Museum of Fine Arts, Houston.Watch
El rector de la UNAM, Leonardo Lomelí Vanegas, llama a estudiantes de bachillerato a solicitar ayuda emocional si lo requierenAir Canada suspende su servicio a Cuba debido a la escasez continua de combustible de aviación en la islaSe requieren donadores de sangre para Ricardo Marcelo Ruiz Suárez, quien se encuentra internado en el Hospital General de Ecatepec “Dr. José María Rodríguez”
Ademola Falomo did not arrive suddenly. He arrived steadily. From music to photography to filmmaking, his path was shaped by curiosity and instinct, not shortcuts. Born in Nigeria and trained across continents, he brings business sense and artistic hunger into the same frame. In this episode of Visual Intonation Podcast, Ademola talks about finding cinematography by refusing to choose between sound and image, and how a borrowed camera turned a light bulb moment into a life's work.Before the spotlight found artists like Tems, Ademola was already there, working alongside the pioneers of Nigeria's alté movement. He helped shape a visual language for Santi, DRB Lasgidi, Boj, and others when the culture was still forming its spine. He recalls the chance moment that led to directing Santi's “Gangsta Fear,” a moment that opened doors and defined a generation of work. The conversation explores why timing matters, why overexposure can dull impact, and why Ademola has often chosen alignment over money.The episode moves into craft. Ademola breaks down how he approaches a music video, how branding guides every creative choice, and why he listens to a song obsessively before touching a camera. He reflects on key projects like Kah-Lo's “Fake ID” and his Paris Fashion Week film, shot during the pandemic and rooted in celebrating Black culture on a global stage. Practical wisdom flows freely, from technical discipline to lessons learned from mentors and collaborators.At the heart of the conversation is purpose. Through Family.inc, Ademola is building a home for indie filmmakers, offering tools, access, and belief to those starting with nothing but a phone and an idea. He speaks about impact, legacy, and his desire to support the next wave of African storytellers. This is not just an episode about success. It is about patience, positioning, and the quiet work that makes lasting images possible.Ademola FalomoSource: Instagramademola falomo (@ademolafalomo) • Instagram photos and videoshttps://vimeo.com/ademolafalomo02Source: Xademola falomo (@ademolafalomo) / Posts / X - TwitterSource: IMDbAdemola Falomo - IMDbSupport the showVisual Intonation Website: https://www.visualintonations.com/Visual Intonation Instagram: https://www.instagram.com/visualintonation/Vante Gregory's Website: vantegregory.comVante Gregory's Instagram: https://www.instagram.com/directedbyvante/ To support me on Patreon (thank you): patreon.com/visualintonations Tiktok: www.tiktok.com/@visualintonation Tiktok: www.tiktok.com/@directedbyvante
Episode Notes Full descrptions from the Library of Congress “The Tramp and the Dog” (1896) "The Tramp and the Dog," a silent film from Chicago's Selig Polyscope Company, is considered director William Selig's most popular early work. Filmed in Rogers Park, it is recognized as the first commercial film made in Chicago. Previously a lost film, it was rediscovered in 2021 at the National Library of Norway. The film depicts a tramp who attempts to steal a pie from a backyard windowsill, only to be met by a broom-wielding housewife and her dog, who foils the crime. The film is one of the first known as “pants humor,” where a character loses (or almost loses) his pants during an altercation. This scene inspired future comedy gags showing drifters and tramps losing their pants to dogs chasing them. “The Oath of the Sword” (1914) A three-reel silent drama, "The Oath of the Sword" depicts the tragic story of two young lovers separated by an ocean. Masao follows his ambitions, studying abroad at the University of California, Berkeley, while Hisa remains in Japan, caring for her ill father. This earliest known Asian American film production featured Japanese actors playing Japanese characters and was produced by the Los Angeles-based Japanese American Film Company. Made at a time when Hollywood studios were not yet the dominant storytellers of the American film industry, "The Oath of the Sword" highlights the significance of early independent film productions created by and for Asian American communities. James Card, the founding curator at the George Eastman Museum, acquired “The Oath of the Sword” in 1963. The museum made a black and white photochemical preservation in 1980. In 2023, a new preservation reproducing the original tinting was done in collaboration with the Japanese American National Museum, and the film has since become widely admired. “The Maid of McMillan” (1916)Known to be the first student film on record, this whimsical, silent romance film was shot on campus in 1916 by students in the Thyrsus Dramatic Club at Washington University in St. Louis, Missouri. Club members Donald Stewart (Class of 1917) and George D. Bartlett (Class of 1920) wrote the screenplay. The original nitrate print of “The Maid of McMillan” was rediscovered in 1982, and two 16mm prints were made; the original nitrate was likely destroyed at this time. In 2021, with funding from the National Film Preservation Foundation, one of those 16mm prints was scanned at 4k and reprinted onto 35mm helping to secure the film's survival and legacy. “The Lady” (1925)When “The Lady” debuted in theaters in 1925, the silent film era had hit its stride, and this movie represents a powerhouse of artists at their peak. Director Frank Borzage was a well-established expert in drawing out intense expressions of deep emotion and longing in his actors. He did just that with the film's lead actress, Norma Talmadge, also at the height of her career, both in front of and behind the camera. Talmadge produced “The Lady” through her production company and commissioned one of the most prolific screenwriters, Frances Marion, to deliver a heartfelt story of a woman seeking to find the son she had to give up, to protect him from his evil grandfather. “The Lady” was restored by the Library of Congress in 2022. “Sparrows” (1926)As a silent actress, producer and key founder in the creation of the American film industry, Mary Pickford's performance in “Sparrows” represents her ability to master the genre she helped nourish: sentimental melodramas full of adventure and thrills, with dashes of comedy and heartfelt endings. Pickford plays Molly, the eldest orphan held within the swampy squalor of the Deep South, who moves heaven and earth to save the other orphan children from a Dickensian world of forced labor. The film takes some departures from the visual styles found in Pickford's other films, invoking an unusual tone of despair while deploying camera angles and lighting akin to German Expressionist cinema. “Sparrows” was preserved by the Library of Congress in collaboration with the Mary Pickford Company in 2020. “Ten Nights in a Barroom” (1926) Featuring an all-Black cast, “Ten Nights in a Barroom” was produced in 1926 by the Colored Players Film Corporation of Philadelphia and is the earliest of only two surviving films made by the company. This silent film is based on the stage melodrama adapted from the 1854 novel “Ten Nights in a Bar-Room and What I Saw There” by Timothy Shay Arthur. Released in 2015 by Kino Lorber as part of the five-disc set “Pioneers of African-American Cinema,” the compilation was produced by the Library of Congress, in association with the British Film Institute, George Eastman Museum, Museum of Modern Art, National Archives, Smithsonian's National Museum of African American History and Culture, Southern Methodist University and the UCLA Film & Television Archive. Preserved by George Eastman Museum. “White Christmas” (1954) While the chart-topping song "White Christmas" was first performed by Bing Crosby for the 1942 film "Holiday Inn," its composer, Irving Berlin, was later inspired to center the song in the 1954 musical "White Christmas." Crosby, along with Danny Kaye, Rosemary Clooney, Vera-Ellen Rohe and director Michael Curtiz, embedded "White Christmas" in American popular culture as a best-selling single and the top-grossing film of 1954, as well as regular holiday viewing throughout the decades. The story of two World War II veterans-turned-entertainers and a singing sister act preparing a show for a retired general, the film and its grand musical numbers were captured in VistaVision, a widescreen process developed by Paramount Pictures and first used for "White Christmas." “High Society” (1956) Often referred to as the last great musical of the Golden Age of Hollywood, “High Society” features an all-star cast including Bing Crosby, Grace Kelly, Frank Sinatra and Louis Armstrong (and his band), along with a memorable score of Cole Porter classics. Set in Newport, Rhode Island, the film showcases the Newport Jazz Festival (established in 1954) and features a remarkable version of Cole Porter's “Now You Has Jazz.” It includes the first big-screen duet by Frank Sinatra and Bing Crosby, singing “Well, Did You Evah?” This was Grace Kelly's last movie before she retired from acting and married the Prince of Monaco; she wore her Cartier engagement ring while filming. “Brooklyn Bridge” (1981) With “Brooklyn Bridge,” Ken Burns introduced himself to the American public, telling the story of the New York landmark's construction. As with later subjects like the Civil War, jazz and baseball, Burns connects the building of the Brooklyn Bridge to American identity, values and aspirations. Released theatrically and nominated for an Academy Award for Best Documentary Feature, “Brooklyn Bridge” marked the beginning of Burns' influential career in public media*.* More than just a filmmaker, Burns has become a trusted public historian. His storytelling presents facts, but maybe more importantly, invites reflection on what America is, where it's been, and where it's going. His influence is felt not only in classrooms and through public broadcasting, but across generations who see history as something alive and relevant. “Say Amen, Somebody” (1982)George Nierenberg's documentary is a celebration of the historical significance and spiritual power of gospel music. With inspirational music, joyful songs and brilliant singers, the movie focuses on the men and women who pioneered gospel music and strengthened its connections to African American community and religious life. Prior to production, Nierenberg, who is white, spent over a year in African American churches and communities, gaining the trust of the performers. Restored by the Smithsonian's National Museum of African American History and Culture in 2020, the film features archival footage, photographs, stirring performances and reflections from the father of gospel Thomas A. Dorsey and its matron Mother Willie Mae Ford Smith. Nierenberg shows the struggles and sacrifices it takes to make a living in gospel, including criticism endured by women who sought to pursue careers as professional gospel singers while raising their families. “The Thing” (1982)Moody, stark, often funny and always chilling, this science fiction horror classic follows Antarctic scientists who uncover a long-dormant, malevolent extraterrestrial presence. “The Thing” revolutionized horror special effects and offers a brutally honest portrait of the results of paranoia and exhaustion when the unknown becomes inescapable. “The Thing” deftly adapts John W. Campbell's 1938 novella “Who Goes There?” and influenced “Stranger Things” and “Reservoir Dogs.” It remains a tense, thrilling and profoundly unsettling work of cinema. “The Big Chill” (1983)Lawrence Kasdan's best picture-nominated “The Big Chill” offers an intimate portrait of friends reunited after the suicide of one of their own and features actors who defined cinema in the 1980s – Glenn Close, William Hurt, Jo Beth Williams, Kevin Kline, Jeff Goldblum and Meg Tilly. This powerful ensemble portrays American stereotypes of the time – the yuppie, the drug dealer, the TV star – and deftly humanizes them. Through humor, tenderness, honesty and an amazing soundtrack, it shows formerly idealistic Americans making and dealing with the constant compromises of adulthood, while buoying one another with uncompromising love and friendship. “The Karate Kid” (1984)An intimate story about family and friendship, “The Karate Kid” also succeeds as a hero's journey, a sports movie and a teen movie – a feel-good movie, but not without grit. The film offers clearly defined villains, romance and seemingly unachievable goals, but also an elegant character-driven drama that is relatable and touching. A father who has lost his son meets the displaced son of a single mother and teaches him about finding balance and avoiding the pitfalls of violence and revenge. Race and class issues are presented honestly and are dealt with reasonably. Our hero practices a lot, gets frustrated, gets hurt, but still succeeds. It's as American as they come, and it's a classic. “Glory” (1989)“Glory,” described by Leonard Maltin as “one of the finest historical dramas ever made,” portrays a historical account of the 54th Regiment, a unit of African American soldiers who fought for the North in the Civil War. Authorized by the Emancipation Proclamation of 1863, the regiment consisted of an all-Black troop commanded by white officers. Matthew Broderick plays the young colonel who trains the troop, and Denzel Washington (in an Academy Award-winning performance) is among an impressive cast that includes Morgan Freeman, Cary Elwes and Andre Braugher. American Civil War historian James M. McPherson said the film "accomplishes a remarkable feat in sensitizing a lot of today's Black students to the role that their ancestors played in the Civil War in winning their own freedom.” “Philadelphia” (1993) “Philadelphia” stars Tom Hanks in one of the first mainstream studio movies to confront the HIV/AIDS crisis. In the film, law partner Andrew Beckett (Hanks) is fired from his firm when they discover that he is gay and has AIDS. He hires personal attorney Joe Miller (Denzel Washington) to help him with litigation against his former employer. Director Jonathan Demme is quoted as saying, “The film is not necessarily just about AIDS, but rather everyone in this country is entitled to justice.” The film won two Oscars: one for Hanks and the other for Bruce Springsteen's original song, “The Streets of Philadelphia.” Through the song's mainstream radio and MTV airplay, it brought the film and its conversation around the HIV/AIDS pandemic to a wider audience. “Before Sunrise” (1995) Richard Linklater has explored a wide range of narrative storytelling styles while consistently capturing ordinary, everyday American life. However, his innovative use of time as a defining and recurring cinematic tool has become one of his most significant accomplishments. As the first film in his “Before” trilogy – three films, each shot nine years apart – “Before Sunrise” unfolds as one of cinema's most sustained explorations of love and the passage of time, highlighting the human experience through chance encounters and conversation. With his critically acclaimed 12-year production of the film “Boyhood” (2014) and a new 20-year planned production underway, his unique use of the medium of film to demonstrate time passing demonstrates an unprecedented investment in actors and narrative storytelling. “Clueless” (1995) A satire, comedy and loose Jane Austen literary adaptation dressed in teen movie designer clothing, “Clueless,” directed by Amy Heckerling, rewards both the casual and hyper-analytical viewer. It's impossible to miss its peak-1990s colorful, high-energy, soundtrack-focused on-screen dynamism, and repeated viewings reveal its unpretentiously presented and extraordinarily layered and biting social commentary about class, privilege and power structures. Heckerling and the incredible cast never talk down to the audience, creating main characters that viewers root for, despite the obvious digs at the ultrarich. The film centers on Cher (Alicia Silverstone) as a well-intentioned, fashion-obsessed high school student who is convinced she has life figured out. In the age of MTV, the film's popularity launched Paul Rudd's career and Silverstone's iconic-1990s status. The soundtrack, curated by Karyn Rachtman, helped solidify the film as a time capsule of clothing, music, dialogue and teenage life. “The Truman Show” (1998)Before social media and reality television, there was “The Truman Show.” Jim Carrey breaks from his usual comedic roles to star in this dramatic film about a man who, unbeknownst to him, is living his life on a soundstage filmed for a popular reality show. Adopted at birth by the television studio, Truman Burbank (Carrey) grew up in the (fictitious) town of Seahaven Island with his family and friends playing roles (paid actors). Cameras are all over the soundstage and follow his activities 24/7. Almost 30 years since its release, the film continues to be a study in sociology, philosophy and psychology, and has inspired university classes on media influence, the human condition and reality television. “Frida” (2002)Salma Hayek produced and starred in this biopic of Frida Kahlo, adapted from the book “Frida: A Biography of Frida Kahlo” by Hayden Herrera. The film explores Kahlo's rise as an artist in Mexico City and the impact disability and chronic pain from an accident as a young adult had on her life and work. The film centers around her tumultuous and passionate relationships, most significantly with her husband, painter Diego Rivera (Alfred Molina). Directed by Julie Taymor, the film was nominated for six Academy Awards, including Best Actress. It won awards for Best Makeup and Best Original Score for Elliot Goldenthal, who also won a Golden Globe in the same category. “The Hours” (2002)Director Stephen Daldry's “The Hours” weaves the novel “Mrs. Dalloway” into three women's stories of loneliness, depression and suicide. Virginia Woolf, played by Nicole Kidman (who won an Oscar and a Golden Globe for her performance), is working on the novel while struggling with what is now known as bipolar disorder. Laura, played by Julianne Moore (nominated for Best Actress in a Supporting Role), is unfulfilled in her life as a 1950s housewife and mother. Clarissa (played by Meryl Streep) is – like Mrs. Dalloway – planning a party, but for her close friend who is dying of AIDS. The film is based on Michael Cunningham's Pulitzer Prize-winning novel. It earned nine Academy Award nominations, including Best Picture, and won a Golden Globe for Best Picture. “The Incredibles” (2004) With an all-star cast and memorable soundtrack, this Academy Award-winning Pixar hit uses thrilling action sequences to tell the story of a family trying to live normal lives while hiding their superpowers. For the first time, Pixar hired an outside director, Brad Bird, who drew inspiration from spy films and comic books from the 1960s. The animation team developed a new design element to capture realistic human anatomy, hair, skin and clothing, which Pixar struggled with in early films like “Toy Story.” The film spawned merchandise, video games, Lego sets and more. The sequel, “Incredibles 2,” was also a huge hit, and together, both films generated almost $2 billion at the box office. “The Wrecking Crew” (2008) “The Wrecking Crew” is a documentary that showcases a group of Los Angeles studio musicians who played on many hit songs and albums of the 1960s and early 1970s, including “California Dreamin',” “The Beat Goes On,” “You've Lost That Lovin' Feeling” and “These Boots Are Made for Walkin'.” Through interviews, music, footage and his own narration, director Denny Tedesco reveals how the Wrecking Crew members – including his father, guitarist Tommy Tedesco – were the unsung heroes of some of America's most famous songs. Production for the film began in 1996, and the film was completed in 2008. Due to the high cost of song licenses, the official release was delayed until 2015, when a successful Kickstarter campaign raised over $300,000 to pay for the music rights. “Inception” (2010) Writer and director Christopher Nolan once again challenges audiences with multiple interconnected narrative layers while delivering thrilling action sequences and stunning visual effects. “Inception” asks the question, “Can you alter a person's thoughts by manipulating their dreams?” Taking almost 10 years to write, the film was praised for its aesthetic significance and Nolan's ability to create scenes using cameras rather than computer-generated imagery. A metaphysical heist film with an emotional core driven by grief and guilt, “Inception” offers a meditation on how dreams influence identity, and it resonates deeply in an age of digital simulation, blurred realities and uncertainty. The film earned $830 million at the box office and won four Academy Awards. “The Loving Story” (2011)Nancy Buirski's acclaimed documentary gives an in-depth and deeply personal look at the true story of Richard Loving (a white man) and Mildred Loving (a Black and Native American woman), who were forbidden by law to marry in the state of Virginia in the 1960s. Their Supreme Court case, Loving vs. Virginia, was one of the most significant in history, and paved the way for future multiracial couples to marry. The movie captures the immense challenges the Lovings faced to keep their family and marriage together, through a combination of 16mm footage, personal photographs, accounts from their lawyers and family members, and audio from the Supreme Court oral arguments. “The Grand Budapest Hotel” (2014)“The Grand Budapest Hotel” stands as one of Wes Anderson's most successful films and demonstrates his own brand of unique craftsmanship, resulting in a visually striking and emotionally resonant story. As one of the most stylistically distinctive American filmmakers of the last half-century, Anderson uses historically accurate color and architecture to paint scenes to elicit nostalgia and longing from audiences, while at the same time weaving in political and social upheaval into the film. The film is an example of Anderson as a unique artist who uses whimsy, melancholy, innovative storytelling and a great deal of historical research, which is on display in this visually rich gem of a movie. Find out more at https://registry-a-podcast.pinecast.co
In this episode of the David Watson Podcast, I'm joined by Barbara Muhika, a former professor and novelist, for a deep conversation about the life, image, and legacy of Mexican film icon Dolores del Río (often called “Lola”). Barbara explains how she first became fascinated with Lola through her research while writing a novel about Frida Kahlo, and why del Río stood out as a striking contrast to Kahlo's bold, shocking public persona. We explore Lola's elegance, discipline, resilience, and the obstacles she faced moving between Mexico and Hollywood during a period shaped by silent films, the arrival of “talkies,” studio marketing, and changing political attitudes in America. We also discuss how Hollywood attempted to “rebrand” del Río for US audiences, the realities of the era's anti-miscegenation attitudes on screen, and how del Río navigated identity, roles, and opportunity as the industry changed. Barbara shares how del Río's career evolved as audiences became more xenophobic in the lead-up to war, and why returning to Mexico ultimately opened a new chapter during the Golden Age of Mexican cinema, including work connected to films that helped put Mexican cinema on the international map. One of the most powerful parts of this episode is a lesser-known side of del Río: her philanthropic work to improve childcare for working women in Mexico's theatre and film communities, and how that effort helped create a real system of early-years care rather than simple “holding centres.” We also talk about Barbara's wider writing life, from academia and teaching Spanish theatre to her work supporting US student veterans, and how themes of war, loss, and the unseen “carnage at home” shape her books. Guest: Barbara Muhika Website: barbaramujica.com Books mentioned include: Miss Del Rio, Freda, Sister Teresa, I Am Venus, and more (available on Amazon). Chapters / timestamps 0:00 Intro 0:46 Why Barbara can talk for hours about Dolores del Río 1:32 Del Río vs Frida Kahlo: two very different public personas 4:06 Early marriage, loss, and resilience 6:40 The move to Hollywood and early stardom 8:01 The “Latin lover” era and Hollywood image-making 10:19 Race, studios, and how del Río was marketed 13:49 Talkies and why del Río survived the transition 15:46 Xenophobia, war years, and career decline 19:11 Return to Mexico and the Golden Age of Mexican cinema 23:06 Del Río's childcare legacy and philanthropy 27:10 Writing the novel: why Barbara invented a narrator 36:04 Barbara's writing background and academic career 41:03 Veterans work, women in war, and the stories not shown on film 46:39 Where to find Barbara's books and website 48:07 The time machine question (India, Istanbul, Iraq, and audiobooks) 50:57 Closing thoughts
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♫ Jude Brown, Jehan - Seasons Of Groove♫ Rhythmic SA, Dav Risen - Hallelujah♫ Soulidan, Rufro Nicole, Nyathi - You Are My Inner Soul ♫ Sterling Ensemble, Stige - Want To See You Moving♫ Foremost Poets, Jonny Dangerous - Beside Myself♫ Joe Ventura - Soul Roots♫ Dj Romain, Snap Crackle Pop♫ Rhemi, Illana Lorraine - Feel Me♫ Jean Pierre Mausa - Asi Asi♫ Trimtone - Can't Free My Mind♫ Akeem Raphael, Tiny Blue - Do It Again♫ Kinda - Temptation♫ Col Lawton - Pegate A Mi♫ Mick Jerone, Duck Romero - Day Off♫ Kenny Dope, Raheem DeVaughan, Rhymefest - Final Call♫ Rhythmic SA - Never Would Have♫ Rocco Romodaal - Somebody♫ 3three3 - Psalms♫ Nick Harver, Suzzane Palmer - Stand Up♫ Louie Vega, Funki Cadets - In Search Of Peace Of Mind♫ Post Cap Era - Let Love Shie♫ Nexus 21 - Real Love♫ Mattei & Omich - Groove 909♫ N.W.N. - Always♫ James Bradshaw - Live Without Me♫ Kiko, Kah-Lo, Braazy, Bauuer - Take Your Vibes & Go♫ Nathan G - Origins♫ Natalie Cole - Tell Me all About It (Scorpion Jazz Live Edit)
Early winter weather has us pondering an alternate definition of “slush pile,” albeit the mucky, grey residue remaining after a city snowfall. Our Slush Pile is far more fresh, but still a wintry mix as we discuss the short story “Catherine of the Exvangelical Deconstruction” by Candice Kelsey. You might want to jump down the page and read or listen to it in full first, as there are spoilers in our discussion! The story is set on the day of the Women's March, following 2017's Inauguration Day, but only references those events in the most glancing of ways. Instead the protagonist glances away to an array of distractions: Duolingo, a Frida Kahlo biography, a bat documentary, European architecture, banjo music, a stolen corpse flower, daydreaming, and actual dreaming. In the withholding of the protagonist's interiority, Sam sees a connection to Rachel Cusk's Outline, while Jason is reminded of early Bret Easton Ellis. The editors discuss how fiction might evoke the internet's fractioning of our attention, by recreating the fractioning or reflecting it? We'd like to offer congratulations to Sam whose debut book of short stories, “Uncertain Times,” just won the Washington Writers Publishing House Fiction Prize. As always, thanks for listening! At the table: Dagne Forrest, Samantha Neugebauer, Jason Schneiderman, Kathleen Volk Miller, Lisa Zerkle, and Lilllie Volpe (Sound Engineer) Listen to the story “Catherine of the Exvangelical Deconstruction” read in its entirety by Dagne Forrest (separate from podcast reading) (Bio): Candice M. Kelsey (she/her) is a bi-coastal writer and educator. Her work has received Pushcart and Best-of-the-Net nominations, and she is the author of eight books. Candice reads for The Los Angeles Review and The Weight Journal; she also serves as a 2025 AWP Poetry Mentor. Her next poetry collection, Another Place Altogether, releases December 1st with Kelsay Books. (Website): https://www.candicemkelseypoet.com/ (Instagram): @Feed_Me_Poetry Catherine of the Exvangelical Deconstruction Catherine's thumb hovers over Duolingo's question, her mind dim from doom scrolling, chest dead as TikTok. The green owl stares. She swears its beak is twitching. “Got 5 minutes?” She swipes Duo, that nosy bastard, and his taunting French flag icon away. “Non.” The apartment is dim, the air too still. Days feel hollow and unhinged, as if she's Edmond Dantès tossed off the cliff of Chatêau d'If, a brief and misplaced shell weighted to the depths of the sea. So much for learning a language to calm the nerves. Frida Kahlo's face stares from the page of a book she hasn't finished reading. “I should just return this already.” There are days she commits to her syllabus of self-education and days she resents it. Kahlo's eyes pierce her, and giving up feels like large-scale feminist betrayal—how she has shelved the artist, her wounds, tragic love, and all. But even sisterhood is too much this January 21st, and of all people, Kahlo would understand. Catherine opens her laptop and starts a documentary about bats instead. Chiroptera. A biologist with kind eyes speaks of their hand-like bones, the elastin and collagenous fiber wings. The chaos of nature is its own magic realism. She learns bats are vulnerable like the rest of us. Climate disruption and habitat loss. Plus white nose syndrome and the old standby, persecution by ignorant humans who set their caves aflame. In the documentary, there is a bat with the liquid amber eyes of a prophet. Maybe that's what this world has had too much of, she begins to consider. Mid-deconstruction of decades in the white, evangelical cesspit of high control patriarchy, Catherine sees the world as one big field day full of stupid ego-competitions like cosmic tug-a-wars. And prophets were some of the top offenders. King Zedekiah, for one, had the prophet Jeremiah lowered into a well by rope, intending he sink into the mud and suffocate. All because he warned the people of their emptiness. Her mind wanders to Prague, to art, to something far away that might fill her own cistern life. “Maybe next summer,” she whispers. “Charles Bridge, St. Vitus.” The rhythm of bluegrass hums through the speakers, enough to anchor her here, in this room, in this thin sliver of a world she cannot escape. “That could be the problem; I need to learn Czech. No, fuck Duo.” J'apprendrai le français. J'irai à Prague. Je verrai les vieux bâtiments. But then, something strange. The banjo's pluck feels different, deeper, its twang splitting the air. She Googles the history of Bluegrass, and the words tumble from the page, layering like the weight of a corpse settling into the silt off the coast of Marseille. The banjo isn't Appalachian in origin but rather West African—specifically from the Senegalese and Gambian people, their fingers strumming the akonting, a skin drum-like instrument that whispered of exile, of worlds ripped apart. American slavers steeped in the bitter twisting of scripture trafficked them across the Middle Passage, yet in the cruel silence of the cotton fields, they turned their pain into music. How are we not talking about this in every history class in every school in every state of this nation? The akonting, an enslaved man's lament, was the seed of a gourd that would bloom into the sounds of flatpicking Southerners. Still, the banjo plays on in Catherine's apartment. A much more tolerable sound than Duolingo's dong-ding ta-dong. But she can't quite cleanse her mind of the French lessons, of Lily and Oscar. Il y a toujours plus. Her voice is barely a whisper, trying to reassure herself. There must be more. A recurring dream, soft and gleaming like a pearl—her hands moving over cool clams, shucking them on a beach house in Rhode Island. It's a faint memory, but no less ever present. Aunt Norma and Uncle Francis' beach cottage and the closest thing to a Hyannis Port Kennedy afternoon of cousins frolicking about by the edge of a long dock lured back by the steam of fritters. But this time, Ocean Vuong stands beside her. He's talking about the monkey, Hartford, the tremors of the world. And the banjo has morphed into Puccini's La Bohème, which laces through the rhythm of Vuong's syntax like a golden libretto. They notice a figure outside the window, a shadow in the sand—the new neighbor? He's strange. A horticulturist, they say. Catherine hasn't met him, but there are rumors. “Did he really steal it?” Vuong asks. She practices her French—it's a dream after all—asks “Le cadavre fleuri?” They move to whispers, like a star's breath in night air. Rumor stands that in the middle of California's Eaton fire, the flower went missing from the Huntington Museum in Pasadena. The Titan Arum, bloated and bizarre in its beauty and stench, just vanished. Fran at the liquor store says the new neighbor, gloves always pressed to the earth, took it. At night, she hears him in the garden, talking to the roots. She imagines his voice, murmuring something incomprehensible to the moonlight. Like that's where the truth lies—beneath the soil, between the cracks of broken promises, smelling faintly of rot. She recalls the history she once read, so distant, so impossibly rotten. During WWI, when the Nazis swept through Prague, they forced Jewish scholars to scour their archives. They wanted to preserve the so-called “best” of the Jews—manuscripts, texts, holy materials—for their future banjo-twisted Museum of an Extinct Race. She shudders. The music, the wild joy of the banjo, now seems infected with something ancient and spoiled. The act of collecting, of preserving, feels obscene. What do you keep? What do you discard? Whom do you destroy? She wakes from the dream, her phone still alive with French conjugations. The bluegrass hums, but it's heavier, like a rope lowering her into Narragansett Bay. The neighbor's house is dark. But she thinks she can see him, a silhouette against the trees, standing still as a warning. Everything is falling apart at the seams, and she is both a part of it and apart from it. Like each church she left, each youth group and AWANA or Vacation Bible School where she tried to volunteer, to love on the kids, to be the good follower she was tasked with being. She leans her forehead against the cool glass of the window, closing her eyes. The ache is there, the same ache that never quite leaves. It's sharp, it's bitter, it's whole. The small, steady thrum beneath it all. Il y a toujours plus. Maybe tomorrow she will satisfy Duo. Maybe next fall she will dance down a cobbled street in Prague. Find five minutes to feel human. Perhaps she will be whole enough, tall as St. Vitus Cathedral, to face whatever is left of this America. She closes her eyes to Puccini's Mimi singing Il y a toujours plus and dueling banjos while her neighbor secretly drags a heavy, tarp-covered object across his yard under the flutter of Eastern small-footed bats out for their midnight mosquito snack. A scene only Frida Kahlo could paint.
Una pintura famosa de la artista mexicana Frida Kahlo se acaba de vender por $54.7 millones, . La pintura, llamada “El sueño (La cama)” de 1940, muestra a Kahlo durmiendo en una cama
durée : 01:00:56 - Toute une vie - par : Jérôme Sandlarz - Transgressive et libre, la célèbre peintre mexicaine a fait de sa vie le cœur de son œuvre. Un personnage mythique qui continue d'inspirer 70 ans après sa disparition. - réalisation : Angélique Tibau - invités : Gérard de Cortanze Écrivain, essayiste, traducteur, critique littéraire; Circe Henestrosa Commissaire de l'exposition "Frida Kahlo, au-delà des apparences" au Palais Galliera (Paris, 15.09.2022 - 05.03.2023) et curatrice de mode; Élodie Vaudry Historienne de l'art, spécialiste de l'Amérique latine contemporaine; Jules Falquet Professeure de philosophie à Paris VIII Saint-Denis, spécialiste des mouvements sociaux anticapitalistes en Amérique latine et des questions de genre
durée : 00:02:31 - Regarde le monde - La toile de Frida Kahlo qui met en émoi le marché de l'art s'intitule « Le Rêve ». Peinte en 1940, il s'agit d'un autoportrait (comme souvent avec Frida Kahlo) et c'est bouleversant (comme souvent avec Frida Kahlo). Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
durée : 00:02:31 - Regarde le monde - La toile de Frida Kahlo qui met en émoi le marché de l'art s'intitule « Le Rêve ». Peinte en 1940, il s'agit d'un autoportrait (comme souvent avec Frida Kahlo) et c'est bouleversant (comme souvent avec Frida Kahlo). Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
Episode 6 of the XZMPT Radio Show, featuring brand new funky and groovy house and tech-house music - some brand new tracks, some big heaters and all-round vibe! ⚡️Like the Show? Click the [Repost] ↻ button so more people can hear it!
Bayerische Fahnder haben in Deutschland und Nachbarstaaten mutmaßlich gefälschte Kunstwerke im Millionenwert sichergestellt. Nach Angaben des bayerischen LKA handelt es sich um Fälschungen weltberühmter Künstler wie Picasso, Rubens oder Rembrandt. Mehrere Verdächtige seien vorläufig festgenommen worden, aber mittlerweile wieder auf freiem Fuß. Von der LKA-Pressekonferenz berichtet BR-Polizeireporter Henning Pfeifer. / 20 Jahre MEWO Kunsthalle Memmingen: Anlässlich dieses Jubiläums soll gefeiert und nach vorn geschaut werden mit einer Ausstellung, die es in sich hat! Heute Abend ist Eröffnung, Doris Bimmer war vorab dort. / "Love Chant": Neues Album der "Lemonheads". Neben Bands wie Nirvana oder Soundgarden waren sie einer der wichtigsten Vertreter des Neunziger-Jahre-Gitarrensounds. Wie sie heute klingen? Malte Borgmann weiß mehr. / Moderation: Julian Ignatowitsch
A new play by acclaimed theatre artist and author Carmen Aguirre opened Oct 16 at The Cultch. Fire Never Dies was inspired by the life of Italian photographer Tina Modotti. Modotti was brought up in poverty in Italy, crossed the Atlantic to the U.S. in 1913 when she was in her teens, and then moved to Mexico City where she became part of the thriving art scene that included Frida Kahlo and Diego Rivera. Along the way, Modotti made a name for herself with her arresting photographs of the working class and Mexican Indigenous culture. Carmen Aguirre joins me today to talk about the play.
Bobbin Headcast 221 - By Husky – 16/10/2025Follow us on the social links belowwww.facebook.com/bobbinheadmusicwww.soundcloud.com/bobbinheadmusicwww.twitter.com/bobbinheadmusicwww.instagram.com/bobbinheadmusicTrack listing1. Nora En Pure – Come With Me (Satin Jackets Remix) – Enormous Tunes2. Husky & Akeem Raphael – Get It Down – Bobbin Head Music3. Jarred Gallo – The Funk – Salted Music4. Shabi – Mellow Scene – Groove Culture5. Zo!, Erro & Phonte – We Are On The Move (Joey Negro Remix) – Z Records 6. Seamus Haji Feat Mike Dunn – Fire – Big Love 7. Kolai Krew – Take It Back (Oldschool Vibe) - Thaisoul8. Husky & Akeem Raphael – Regular Man – Bobbin Head Music9. Sebb Junior – Body Language – La Vie D'Artiste Music10. Makèz & Life Of Planets – BE REAL – No Art 11. Francesco Capodaglio, Robbie Groove & Alex Ferrarini – Something Good – Fool's Paradise 12. Husky – Breathe (Extended) – Bobbin Head Music13. Ferreck Dawn – Serious - Toolroom14. DJ Dove – Lonely No More – Toolroom 15. Kito, Kah-Lo, Brazy & Baauer – Take Your Vibes & Go (Dam Swindle Remix) – Mad Decent 16. CHANEY – Hold On Me – Kookoo Records 17. Sonny Fodera, D.O.D. & Poppy Baskcomp – Think About Us – Solotoko 18. Earth n Days – Gotta Keep On – There Was Jack 19. CHANEY – Need Your Loving – Kookoo Records
In this conversation, Victoria Ho tell us about her a journey into food and wellness, and how that sense of purpose drove her to launch her new Ayurvedic cooking system brand, Khalo. She discusses the interconnectedness of food, health, and personal growth, and how cooking serves as a form of self-care. Victoria highlights the challenges of building a brand in the CPG landscape and how she's bringing what she's learned as a CPG consultant, through Sherpa CPG, into building her own brand. Through Kahlo, she aims to make Ayurveda accessible and create a community that fosters connection and belonging. She talks about the value of community she's found through organizations like Specialty Food Association and :Included CPG, and emphasizes the need for equity in supporting conscious brands. The discussion also highlights the significance of kindness and empathy in creating a better world.Takeaways:Victoria Ho emphasizes the importance of storytelling in her ventures.Food serves as a universal language that connects humanity.Cooking is a form of self-care and personal expression.The journey of wellness is ongoing and requires conscious choices.Kahlo aims to make Ayurveda accessible and approachable.Building a brand involves creating a community of trust and belonging.The food industry has a responsibility to guide consumers towards healthier choices.Disconnection in the food system impacts health and wellness.Consumer trust is crucial in navigating food choices.The process of building a brand is filled with challenges and learning opportunities. Launching a product in 2025 requires a different financial approach.A company's success relies on its people.Conscious leadership involves walking alongside customers.Equity is essential for supporting conscious brands.Kindness is fundamental to a better world.Sound bites:"Food is the story of humanity. It's also the story of the planet.”“Cooking and the kitchen have always been my happy place."“A company is made up of people. And if you don't have the right people in that company, no matter how great your processes or systems or anything else are, that company is going to struggle.”“Khalo in Hindi, loosely translates to come eat.”“Don't get lost in the sauce. Find yourself through the sauce.”“When I finished my last round of chemotherapy I had to relearn how to eat. I didn't know what hunger was anymore. My body was so confused. My gut was destroyed.”“I've probably been on more than, I don't know, 500 production runs in my life.”“I felt like I finally found my people when I went to my first Fancy Food show.”“People wanna make healthy choices, but don't know where to start.”“There's also so many insane brands in our community at :Included CPG that like impressed me every single day with how they're balancing heritage flavor and really helpful ingredients.”Links:Victoria Ho on LinkedIn - https://www.linkedin.com/in/victoriajho/Khalo - https://www.khaloworld.com/Khalo on LinkedIn - https://www.linkedin.com/company/khalokitchen/Khalo on Instagram - https://www.instagram.com/khalokitchen/Sherpa CPG - https://www.sherpacpg.com/Sherpa CPG on LinkedIn - https://www.linkedin.com/company/sherpacpg/:Included CPG - https://www.includedcpg.com/:Included CPG on LinkedIn - https://www.linkedin.com/company/included-cpg/Specialty Food Association - https://www.specialtyfood.com/Specialty Food Association on LinkedIn - https://www.linkedin.com/company/specialty-food-association/…Brands for a Better World Episode Archive - http://brandsforabetterworld.com/Brands for a Better World on LinkedIn - https://www.linkedin.com/company/brand-for-a-better-world/Modern Species - https://modernspecies.com/Modern Species on LinkedIn - https://www.linkedin.com/company/modern-species/Gage Mitchell on LinkedIn - https://www.linkedin.com/in/gagemitchell/…Print Magazine Design Podcasts - https://www.printmag.com/categories/printcast/…Heritage Radio Network - https://heritageradionetwork.org/Heritage Radio Network on LinkedIn - https://www.linkedin.com/company/heritage-radio-network/posts/Heritage Radio Network on Facebook - https://www.facebook.com/HeritageRadioNetworkHeritage Radio Network on X - https://x.com/Heritage_RadioHeritage Radio Network on Instagram - https://www.instagram.com/heritage_radio/Heritage Radio Network on Youtube - https://www.youtube.com/@heritage_radioChapters:03:00 Introduction to Victoria Ho and Her Ventures05:56 The Journey of Creating Impact through Food08:36 Food as a Connection to Self and Others11:23 The Role of Food in Wellness and Belonging14:15 Reconnecting with Cooking as a Ritual17:32 The Disconnection in the Food System20:21 Consumer Trust and the Food Industry's Responsibility23:24 Navigating Choices in a Processed Food World26:13 Kahlo: A New Brand with Purpose29:07 The Philosophy Behind Kahlo and Ayurveda35:29 Making Ayurveda Accessible36:52 Personal Journey of Healing39:14 Building a Company with Love41:59 The Role of Cooking in Wellness45:20 Effort and Convenience in Wellness50:32 Navigating Challenges in CPG53:51 Lessons in Leadership and Team Dynamics01:07:29 Community Engagement and the Specialty Food Association01:16:22 Defining Fancy in Food Culture01:19:41 Empowerment and Community in Specialty Food01:21:16 Creating Equity for Conscious Brands01:26:03 Amplifying Voices in the Specialty Food Industry01:30:46 The Role of Purpose in CPG01:35:23 Favorite Brands and Innovations01:42:04 Highlighting Unsung Heroes in CPG01:48:03 The Essence of a Better WorldSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
*This is the Free Content version of my interview with Dr. Mariano Villalba. To access the full interview, please consider becoming a paid Patreon member; alternatively, this episode is also available for a one-time purchase here on Patreon (under 'Shop' tab). www.patreon.com/RejectedReligion My guest this month is Dr. Mariano Villalba. Mariano is a postdoctoral fellow in Spirituality and the Arts, in collaboration with the Giorgio Cini Foundation in Venice, the History of Hermetic Philosophy and Related Currents at the University of Amsterdam, and the Warburg Institute at the University of London.Mariano specializes in esotericism in Colonial America, contemporary Latin America, and early modern Spain. He completed a joint PhD in religious studies at the University of Lausanne and the French l'École Pratique des Hautes Études- Paris Sciences & Letters University.Mariano serves as the editor in chief of Melancolia, an annual journal dedicated to the study of esotericism in Latin America. His methodology combines a global history perspective on Colonial America with a decolonial approach, intersecting themes of race, gender, and imperialism to analyze modern occultism in Latin America. His new research project will focus on “Occult Movements and Mexican Mural Art: What Role Did Occult Movements Play in Mexican Mural Art During the Interwar Period?”In this episode, Mariano and I explore his groundbreaking research into the overlooked women of the Mexican muralist movement. Building on his earlier work, Mariano dives into the rich, complex history of Mexican muralism—an artistic revolution born from post-revolutionary ideals and dominated by the towering figures of “Los Tres Grandes.”But beyond the celebrated murals of Rivera, Orozco, and Siqueiros lies a hidden narrative: the women artists whose contributions were marginalized or erased. Mariano introduces us to several of these remarkable figures, focusing in particular on María Izquierdo and Sofía Bassi. He shares insights into their lives, artistic themes, and the esoteric influences that shaped their work, while unpacking why their legacies remain in the shadows compared to contemporaries like Frida Kahlo and Leonora Carrington.This episode is a compelling journey into art history, gender politics, and the mystical dimensions of creativity. Dr. Villalba also discusses the goals of his current project and how listeners can engage with the research on his online platform.An editing correction: Just a note to correct a mistake made during the interview: In the discussion about Frieda Kahlo's parents (a German father and a Mexican mother), Mariano mistakenly states that (María) Izquierdo was the daughter instead of Kahlo. There was a slight mix-up here as Mariano was comparing Frieda Kahlo and María Izquierdo. So please be aware of this when listening.PROGRAM NOTESMariano Villalba | Center for the Study of World ReligionsOccult Mexican art | Explore the Occult in Mexican visual artAbout Gender & Visual Arts | Discover Women's Insight — Occult Mexican artAbout Esotericism & Muralism | Explore Mexican Art — Occult Mexican artMuralism and Mexican Identity: Rediscovering the Esoteric Visions of Post-Revolution Female Artists: Q&A with Mariano Villalba | Center for the Study of World ReligionsOccult Movements and Mexican Mural Art | Center for the Study of World ReligionsThe Visionary World of Sofía Bassi | Center for the Study of World ReligionsFundación | Sofia BassiEsotericism, Gender, and the Legacy of a Mexican Artist | Center for the Study of World ReligionsMariano Villalba - Harvard University Music and Editing: Daniel P. SheaEnd Production: Stephanie Shea
#HerkeseSanat #FridaKahlo
The Music That Made WE volume 5 continues with Vena Kahlo from the PNW. She's chosen 10 songs that make up her story, with a soundtrack that includes Streetlight Manifesto, Noah Gunderson, Jon Bellion, and more. + Stick around for Viktor's hidden bonus track. more Vena: https://www.instagram.com/venakahlo & http://venakahlo.com/ & https://www.facebook.com/venakahloburlesque/ The Music That Made WE is a creation of WEBurlesque Podcast Network, produced by Viktor Devonne. For the extended VIDEO version of this presentation, please visit our Patreon.com — all episodes of this series are available under the $1 threshold. that's patreon dot com slash we burlesque [Copyright Disclaimer Under Section 107 of the Copyright Act in 1976; Allowance is made for “Fair Use” for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. All rights and credit go directly to its rightful owners. No copyright infringement intended.]
The Music That Made WE volume 5 continues with Vena Kahlo from the PNW. She's chosen 10 songs that make up her story, with a soundtrack that includes We Were Promised Jet Packs, Bad Bunny, Hidden Citizens, and more. + Stick around for Viktor's hidden bonus track. more Vena: https://www.instagram.com/venakahlo & http://venakahlo.com/ & https://www.facebook.com/venakahloburlesque/ The Music That Made WE is a creation of WEBurlesque Podcast Network, produced by Viktor Devonne. For the extended VIDEO version of this presentation, please visit our Patreon.com — all episodes of this series are available under the $1 threshold. that's patreon dot com slash we burlesque [Copyright Disclaimer Under Section 107 of the Copyright Act in 1976; Allowance is made for “Fair Use” for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. All rights and credit go directly to its rightful owners. No copyright infringement intended.]
In this episode, we explore the timeless Stoic lesson that true freedom lies in accepting what we can't control—echoed powerfully in the life and art of Frida Kahlo.Drawing parallels between Epictetus's teachings and Kahlo's indomitable spirit, we see how even when life confines our bodies, our will can still soar.
Grupo Salinas enfrenta 32 juicios por adeudos fiscales por más de 74 mmp ¡No te lo pierdas! Exposición “Vestir la eternidad. Frida vista por Guillermo Kahlo” Más información en nuestro podcast
Bold, raw, and deeply personal, Frida Kahlo's art continues to challenge and inspire. This Sunday, we'll consider how Kahlo's unflinching self-expression and embrace of pain as part of the creative process call us to authenticity, resilience, and radical love of self. This is part of our . Join us this July for a moving exploration of creativity, courage, and the human spirit in our annual summer sermon series, “Artists Who Inspire.” Each Sunday, we will reflect on the life, legacy, and artistry of a cultural icon whose work continues to shape the world. Through music, visual art, storytelling, and performance, these artists help illuminate timeless spiritual truths and speak to the heart of what it means to be fully human. First Unitarian Church of Dallas is devoted to genuine inclusion, depth and joy, reason and spirit. We have been a voice of progressive religion in Dallas since 1899, working toward a more just and compassionate world in all of what we do. We hope that when you come here your life is made more whole through experiences of love and service, spiritual growth, and an open exploration of the divine. Learn more at https://dallasuu.org/ New sermon every week. Subscribe here: https://tinyurl.com/1stchurchyoutubesubscribe Follow us on Instagram: https://www.instagram.com/1stuchurch/ Follow us on Facebook: https://www.facebook.com/1stUChurch Watch the livestream on Sundays at 9:30am, 11am, & 7pm CST: https://dallasuu.org/live/ Œ
Celebrating his first #1 on the U.S. dance chart AND his first time playing solo at Coachella, Austin Millz joined us for the first time on America's Dance 30! He shared how "Hot & Mysterious" was born w Kah-Lo, how long ago they started working on it, and how many Vs there were of the song before its final release. He also talked about his prep for his set at Coachella!We also got to know Austin better w #FinkysFirsts!!Find out about:if music was the first thing he wanted to get into growing upif 'Austin Millz' was his first choice for an artist project namehis first time performing for a crowdthe first time he found out he was playing Coachellathe first time hearing one of his songs on the radiothe first dance song that made him fall in love w EDMthe first rooftop video he recordedFollow: @AmericasDance30 on all socials!Count down the biggest dance songs in the country every week with Brian Fink on America's Dance 30; listen on stations around the world!
Frida Kahlo, the legendary Mexican painter, is celebrated not only for her vivid and emotionally raw self-portraits but also as a timeless icon of disability pride and resilience. From childhood polio to a catastrophic bus accident at 18, Kahlo endured lifelong physical pain and countless surgeries—yet she transformed that suffering into some of the most powerful artwork of the 20th century. In this episode, we explore how Frida used her chronic pain and disability as fuel for creativity, boldly redefining what beauty, identity, and strength look like. Her unapologetic self-expression and refusal to conform to societal expectations continue to inspire people around the globe—especially those living with disabilities. Join us as we celebrate the life, art, and lasting impact of Frida Kahlo—an artist whose legacy proves that pain does not limit power, and disability does not diminish vision.
Det har hänt massor i Jonatans liv, men det berättar han inte om. K har blivit grundlurad, riktigt förnedrad. I programmet får ni höra om det svenska hatet mot oliktänkande, vad Bengt Ohlsson får Jonatan att känna och vad som är det stora felet med anti-woke. Få ut mer av livet, kom in i värmen: underproduktion.se Biljetter till En modern gentleman med K. Svensson i Malmö och Jönköping finns på Kahlo.se
The Art Institute's Frida Kahlo's Month in Paris: A Friendship with Mary Reynolds explores a pivotal moment in Kahlo's career. Reset sits down with Caitlin Haskell, Gary C. and Frances Comer senior curator of Modern and Contemporary Art, one of the curators behind the exhibition to learn more about the two artists' friendship and their connection to the surrealist art movement. This exhibition will be open now until Sunday, July 13, 2025. Tickets are an additional $5 in addison to a general admission. For a full archive of Reset interviews, head over to wbez.org/reset.
I love learning from fellow writers about their inspiration, style, brilliant insights, and so much more. Author and professor, Chuck Rosenthal joins me to discuss: writing about his personal trauma history in a memoir his insights on learning from what's around you and what you read his wisdom on telling your story and discovering your characters the importance of keeping your mind alive and so much more! Welcome to The Healing Place Podcast! I am your host, Teri Wellbrock. You can listen in on Pandora, iTunes, Blubrry, Spotify, iHeartRadio, Stitcher, Deezer, Google Podcasts, Amazon Music, and more, or directly on my website at www.teriwellbrock.com/podcasts/. You can also catch our insightful interview on YouTube. Bio: Chuck Rosenthal Chuck Rosenthal was born in Erie, Pennsylvania. He attended Allegheny College, Bowling Green State University, SUNY Buffalo, and the University of California, Davis, where he earned several advanced degrees in English, Sociological Theory and philosophy. He earned a Ph.D. in English and American literature with emphasis in creative writing and narrative theory from the University of Utah. Rosenthal is the author of fourteen novels: the Loop Trilogy: Loop's Progress, Experiments with Life and Deaf, and Loop's End; Elena of the Stars; Avatar Angel, the Last Novel of Jack Kerouac; My Mistress Humanity; The Heart of Mars; Coyote O'Donohughe's History of Texas; Ten Thousand Heavens; The Legend of La Diosa; You Can Fly, a Sequel to the Peter Pan Tales; The Hammer the Sickle and the Heart, Trotsky and Kahlo in Mexico; and Let's Face the Music and Dance a hybrid novel. He has published a memoir, Never Let Me Go, and a travel book, Are We Not There Yet? Travels in Nepal, North India, and Bhutan (Magic Journalism), as well as a second book of Magic Journalism, West of Eden: A Life in 21st Century Los Angeles. Rosenthal published two books of experimental poetry, Tomorrow you'll Be One of Us (sci-fi poems with Gil Wronsky and Gronk, illustrator) and The Shortest Farewells Are the Best (noir poems, also with Gail Wronsky). They also wrote and directed the sci-fi play, People of Earth, This Is Your Last Warning, performed at the Craft and Folk Art Museum in Los Angeles. Rosenthal has written a book of animal philosophy, How the Animals Around You Think, the Semiotics of Animal Cognition. He's published in numerous journals, and read and lectured at universities and on television and radio throughout the U.S. as well as in Mexico, Argentina, India and England. Website: https://chuckrosenthal.com/ Teri's #1 book as a new-release in the Aging Parents category: https://a.co/d/5m1j2Kr Teri's audiobooks: https://www.audible.com/search?searchNarrator=Teri+Wellbrock&ref=a_pd_The-Be_c1_narrator_1&pf_rd_p=df6bf89c-ab0c-4323-993a-2a046c7399f9&pf_rd_r=B7A6GV5QNZFF621RXWP4&pageLoadId=lXhpwTs0D4YwhCM8&creativeId=16015ba4-2e2d-4ae3-93c5-e937781a25cd Teri's monthly newsletter: https://us18.campaign-archive.com/?u=8265f971343b0f411b871aba1&id=1352bd63df Teri's book launch team: https://www.facebook.com/groups/unicornshadows AMAZON AFFILIATE Teri Wellbrock and Unicorn Shadows are a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to Amazon.com. In other words, I make commission off of purchases made using any affiliate links on my site.
Avec le mini mix de news de l'ami Melvin Schlemer !Gwen Mcrae - 90% Of Me IsYouBlasé - | Need It (From You) (feat. Cola Boyy)Raydio - Betcha Can't Love Me Just OnceSoo Joo - Take It OffPrince - Strange Relationship (1987 Shep Pettibone Club Mix)Michi - Michi, Knxwledge - SnoobieTinashe - Red FlagsAtmosfear - Xtra SpecialBamao Yendé - internazionalé_320Barclay Crenshaw - Do My Ting (feat. Flowdan & Stush)Smino ft. Thundercat & reggie - Hoe-nounsFrançois X - Got Me Overnightbicep - CHROMA 008 TANGZMarie Davidson - DemolitionMean Bacharach - 15 Minutes (feat. Seven Davis Jr.)Darkside - SncSuprême NTM - Ma Benz (feat. Lord Kossity)UTO - Secret ThingsTentendo & PPJ - PaqueraMad Rey - luv dub mixJames White and the Blacks - Contort Yourself (August Darnell remix)Kid Creole & The Coconuts - I'm A Wonderful Thing, BabyMiX de Melvin Schlemer Vv Pete, UTILITY, Formation Boyz - WASSAKormak, Benni Ola - Lil FreakDJ Swisha & OSSX - THERE WILL BE SIGNSKito, brazy, Kah-Lo, Baauer - take your vibes and go (Chloe Robinson & DJ ADHD Remix)Villager - DogmaJeshi - BAD PARTS ARE MY FAVOURITEX CLUB. - Frankie KnucklesKendrick Lamar ft. AzChike - Peekaboo
Alison plays new music from SIDEPIECE, Dabow, Acyan, Zerb, Disco Lines, WHIPPED CREAM and more!Don't forget to rate & review on all of your favorite podcast apps! Post your comments on twitter @awonderland #RADIOWONDERLANDTracklist:Radio Wonderland OpenerZerb x Ty Dolla $ign - Location (ft. Wiz Khalifa)Dabow - DementiaMatt Sassari, SIDEPIECE - ElektroOddKidOut, 7KY - WONDERAsake, Travis Scott - Active (PLUS2 Remix)Petit Biscuit, Surf Mesa, JP Saxe - Without YouDisco Lines - Wide Open (ft. NoMe)Nostalgix - Power (ft. Bipolar Sunshine)WHIPPED CREAM, BKAYE - Real 4 Me VIPChampion, Skrillex, Four Tet, NAISHA - Talk To Me (Axel Boy 140 Edit)Don Toliver - New Drop (HOLLY Remix)Kito - Take Your Vibes and Go (ft. Kah-Lo, Brazy, Baauer) (Taiki Nulight Remix)Morgan Seatree - Say My Name (ft. Florence + The Machine)Dabow - DEATHAcyan, JPKy - DUSTCharli XCX, Billie Eilish - Guess (UKG Remix by Juni)RemK - Ain't No JokeBishu - Do or Die (ft. PROP) (Tails Remix)RL Grime, What So Not - Tell Me (DROPWIZZ x Buzz Junior Remix)Runnit - Hear Me SaySabrina Carpenter - Please Please Please (WHALES Remix)GloRilla - TGIF (Dabow Flip)Glass Animals - Wonderful Nothing (Mura's Do Ya Thing Tiger Mix)
1. Zeds Dead - Heartbeat ft. Minke 2. Bad Computer - Undefined 3. Charli XCX, Billie Eilish - Guess (UKG Remix by Juni) 4. Ternion Sound - Gunfinger Music (The Glitch Mob Remix) 5. Bishu - DO OR DIE (feat. PROP) (Tails Remix) 6 Ahadadream, Champion, Logan_olm - Big Boy Tracks 7. Zeds Dead - One Three Nine ft. Scrufizzer (XOTIX Flip) 8. Taiki Nulight, Hamdi - Patterns 9. RemK - Ain't No Joke 10. Feed Me - One Click Headshot (Arya & Alexis B Remix) 11. Zeds Dead ft. Twin Shadow & D'Angelo Lacy - Lost You x No Deals (Edit) 12. BIICLA ft. Modeness - Deeper (Zeds Dead x Funkin Matt Remix) [Eternal Flip] 13. WHIPPED CREAM & BKAYE - Real 4 Me VIP 14. Champion, Skrillex, Four Tet, NAISHA - Talk To Me (Axel Boy 140 Edit) 15. Dabow - Anabolics 16. Kito ft. Kah-Lo, Brazy & Baauer - Take Your Vibes and Go (Taiki Nulight Remix) 17. Morgan Seatree ft. Florence + The Machine - Say My Name 18. DNMO & SOLAH - Find Peace 19. MONTELL2099, Sam Bruno - GO! (ShockOne Remix) 20. SUAHN, ET Finger - RinseN'Repeat 21. goddard. & Brodie - Merry Go Round 22. Zeds Dead - Sweet Memories
Alison plays new music from SIDEPIECE, Dabow, Acyan, Zerb, Disco Lines, WHIPPED CREAM and more!Don't forget to rate & review on all of your favorite podcast apps! Post your comments on twitter @awonderland #RADIOWONDERLANDTracklist:RADIO WONDERLAND OPENERZerb x Ty Dolla $ign - Location (ft. Wiz Khalifa)Matt Sassari, SIDEPIECE - ElektroOddKidOut, 7KY - WONDERAsake, Travis Scott - Active (PLUS2 Remix)Petit Biscuit, Surf Mesa, JP Saxe - Without YouDisco Lines - Wide Open (ft. NoMe)Nostalgix - Power (ft. Bipolar Sunshine)WHIPPED CREAM, BKAYE - Real 4 Me VIPChampion, Skrillex, Four Tet, NAISHA - Talk To Me (Axel Boy 140 Edit)Don Toliver - New Drop (HOLLY Remix)Kito - Take Your Vibes and Go (ft. Kah-Lo, Brazy, Baauer) (Taiki Nulight Remix)Morgan Seatree - Say My Name (ft. Florence + The Machine)Dabow - DEATHAcyan, JPKy - DUSTCharli XCX, Billie Eilish - Guess (UKG Remix by Juni)RemK - Ain't No JokeBishu - Do Or Die (ft. PROP) (Tails Remix)RL Grime, What So Not - Tell Me (DROPWIZZ x Buzz Junior Remix)Runnit - Hear Me SaySabrina Carpenter - Please Please Please (WHALES Remix)GloRilla - TGIF (Dabow Flip)Dabow - DementiaGlass Animals - Wonderful Nothing (Mura's Do Ya Thing Tiger Mix)
Vena Kahlo and Viktor Devonne chat on the pod about Seattle burlesque, coming off of productive feedback at Burlycon's peer review, heavy burlesque, Frida Kahlo, hispanic and latino diaspora and multiculturalism, queer identity, and how the E Salvador civil war inspired her most personal act yet. This chat was recorded on December 6, 2024. Silver Tusk Awards 2025 voting round 2 voting ends December 3rd at 12:01am pt. To support the Tusks, you can throw dollars at viktordevonne on cashapp and venmo; and weburlesque@gmail.com at paypal. Also we have a gofundme set up: https://gofund.me/96d666c8 Give love to the folks… Vena on IG: https://www.instagram.com/venakahlo/?hl=en more Vena: https://venakahlo.com/ More Viktor: http://www.instagram.com/viktordevonne More WEBurlesque: http://www.instagram.com/weburlesque FOOTCLOTHES! Get 10% off your order with the code VIKTORDEVONNE at FOOTCLOTHES.COM
Welcome back to Queens Podcast. Today Katy and Nathan are joined by our friends from Right Answers Mostly who are going to tell us about the extraordinary life of artist, Frida Kahlo. We're discussing her tumultuous journey through physical and emotional pain, her bold and unapologetic art, and her impactful (and toxic) relationships. From surviving polio and a traumatic bus accident to making groundbreaking self-portraits and becoming a feminist and political icon, this episode uncovers Kahlo's legacy as a powerful woman in history. You can find Tess & Claire on Instagram, Tiktok and Youtube. Also make sure to check out their Cleopatra episode featuring Katy of Queens podcast! Queens podcast is part of Airwave Media podcast network. Please contact advertising@airwavemedia.com if you would like to advertise on our podcast.Want more Queens? Head to our Patreon, check out our merch store and follow us on Instagram! Learn more about your ad choices. Visit megaphone.fm/adchoices
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