Podcasts about Coat

This week, we're asking if all this self-monitoring, self-optimising and endless tracking is actually helping us — or just making us more stressed and less happy. With over half of UK adults now owning some kind of wearable, we dig into whether chasing perfect sleep scores and stress metrics is doing more harm than good. Because decades of research still shows that happiness often comes when we look outward — being kind, connected and empathetic — not by obsessing over every tiny detail of ourselves. We also break down some of the biggest health stories right now. We look at new research on magic mushrooms being used to treat depression, why the results are genuinely promising, and why it's still not a miracle fix. Then we tackle the confusion around butter, steak, cheese and heart health. Is saturated fat really as bad as we've been told, or are the headlines just muddying the waters? We unpack what actually matters — from fat swaps to overall diet patterns. Then we take on the language of “guilt-free pleasures.” Whether it's dark chocolate, low-alcohol wine or high-fibre cereals, do we really need guilt in the food conversation at all? We think it's time to change how we talk about food. We also touch on the new nursery nutrition guidelines rolling out this September to help kids build better habits early on. Recommendations: Baked strawberries! Coat in either honey, maple syrup and sugar, pop in the oven for 15-20 mins at 180 and enjoy how much flavour you get Walking! Quick and easy way to feel great and bust stress Leaving your phone downstairs at night and feel better for not having the temptation to do late-night doom scrolling Please vote for us to win the Listener's Choice award at the British Podcast Awards: ⁠https://www.britishpodcastawards.com/voting Learn more about your ad choices. Visit podcastchoices.com/adchoices

Skip the Queue is brought to you by Rubber Cheese, a digital agency that builds remarkable systems and websites for attractions that helps them increase their visitor numbers. Your host is Paul Marden.If you like what you hear, you can subscribe on iTunes, Spotify, and all the usual channels by searching Skip the Queue or visit our website SkiptheQueue.fm.If you've enjoyed this podcast, please leave us a five star review, it really helps others find us. And remember to follow us on Twitter  or Bluesky for your chance to win the books that have been mentioned in this podcast.Competition ends on 23rd July 2025. The winner will be contacted via Bluesky. Show references:  Sam Mullins, Trustee at SS Great Britainhttps://www.linkedin.com/in/sammullins/https://www.ssgreatbritain.org/ Transcriptions:  Paul Marden: What an amazing day out here. Welcome to Skip the Queue. The podcast for people working in and working with visitor attractions, I'm your host, Paul Marden, and today you join me for the last episode of the season here in a very sunny and very pleasant Bristol Dockyard. I'm here to visit the SS Great Britain and one of their trustees, Sam Mullins, who until recently, was the CEO of London Transport Museum. And I'm going to be talking to Sam about life after running a big, family friendly Museum in the centre of London, and what comes next, and I'm promising you it's not pipes and the slippers for Sam, he's been very busy with the SSGreat Britain and with other projects that we'll talk a little more about. But for now, I'm going to enjoy poodling across the harbour on boat number five awaiting arrival over at the SS Great Britain. Paul Marden: Is there much to catch in the water here?Sam Mullins: According to some research, there's about 36 different species of fish. They catch a lot of cream. They catch Roach, bullet, bass car. Big carpet there, maybe, yeah, huge carpet there. And then your European great eel is here as well, right? Yeah, massive things by the size of your leg, big heads. It's amazing. It goes to show how receipt your life is. The quality of the water is a lot better now. Paul Marden: Oh yeah, yeah, it's better than it used to be years ago. Thank you very much. All right. Cheers. Have a good day. See you later on. So without further ado, let's head inside. So where should we head? Too fast. Sam Mullins: So we start with the stern of the ship, which is the kind of classic entrance view, you know. Yeah, coming up, I do. I love the shape of this ship as you as you'll see.Paul Marden: So lovely being able to come across the water on the boat and then have this as you're welcome. It's quite a.Sam Mullins: It's a great spot. Isn't it?Paul Marden: Really impactful, isn't it? Sam Mullins:  Because the amazing thing is that it's going this way, is actually in the dry dock, which was built to build it. Paul Marden: That's amazing. Sam Mullins: So it came home. It was clearly meant to be, you know,Paul Marden:  Quite the circular story.Sam Mullins:  Yeah, yeah. Thank you. Paul Marden:  Thank you. Wow. Look at that view.Sam Mullins: So that's your classic view.Paul Marden:  So she's in a dry dock, but there's a little bit of water in there, just to give us an idea of what's going on. Sam Mullins: Well, what's actually going on in here is, preserving the world's first iron ship. So it became clear, after he'd come back from the Falklands, 1970 came back to Bristol, it became clear that the material of the ship was rusting away. And if something wasn't done, there'd be nothing left, nothing left to show. So the innovative solution is based on a little bit of science if you can reduce the relative humidity of the air around the cast iron hull of the ship to around about 20% relative humidity, corrosion stops. Rusting stops. It's in a dry dock. You glaze over the dock at kind of water line, which, as you just noticed, it gives it a really nice setting. It looks like it's floating, yeah, it also it means that you can then control the air underneath. You dry it out, you dehumidify it. Big plant that dries out the air. You keep it at 20% and you keep the ship intact. Paul Marden: It's interesting, isn't it, because you go to Mary Rose, and you go into the ship Hall, and you've got this hermetically sealed environment that you can maintain all of these beautiful Tudor wooden pieces we're outside on a baking hot day. You don't have the benefit of a hermetically sealed building, do you to keep this? Sam Mullins: I guess the outside of the ship is kind of sealed by the paint. That stops the air getting to the bit to the bare metal. We can go down into the trigger, down whilst rise up.Paul Marden:  We're wondering. Sam, yeah, why don't you introduce yourself, tell listeners a little bit about your background. How have we ended up having this conversation today.Sam Mullins: I'm Sam Mullins. I'm a historian. I decided early on that I wanted to be a historian that worked in museums and had an opportunity to kind of share my fascination with the past with museum visitors. So I worked in much Wenlock in Shropshire. I worked created a new museum in market Harbour, a community museum in Leicestershire. I was director of museums in St Albans, based on, you know, great Roman Museum at Verulamium, okay. And ended up at London Transport Museum in the 90s, and was directed there for a long time.Paul Marden: Indeed, indeed. Oh, we are inside now and heading underground.Sam Mullins: And you can hear the thrumming in the background. Is the dehumidification going on. Wow. So we're descending into thevery dry dock.Paul Marden: So we're now under water level. Yes, and the view of the ceiling with the glass roof, which above looked like a lovely little pond, it's just beautiful, isn't it?Sam Mullins: Yes, good. It sets it off both in both directions, really nicely.Paul Marden: So you've transitioned now, you've moved on from the Transport Museum. And I thought that today's episode, we could focus a little bit on what is, what's life like when you've moved on from being the director of a big, famous, influential, family friendly Museum. What comes next? Is it pipe and slippers, or are there lots of things to do? And I think it's the latter, isn't it? Sam Mullins: Yes. Well, you know, I think people retire either, you know, do nothing and play golf, or they build, you know, an interesting portfolio. I wanted to build, you know, something a bit more interesting. And, you know, Paul, there's that kind of strange feeling when you get to retire. And I was retiring from full time executive work, you kind of feel at that point that you've just cracked the job. And at that point, you know, someone gives you, you know, gives you a card and says, "Thank you very much, you've done a lovely job." Kind of, "Off you go." So having the opportunity to deploy some of that long term experience of running a successful Museum in Covent Garden for other organisations was part of that process of transition. I've been writing a book about which I'm sure we'll talk as well that's been kind of full on this year, but I was a trustee here for a number of years before I retired. I think it's really good career development for people to serve on a board to see what it's like, you know, the other side of the board. Paul Marden: I think we'll come back to that in a minute and talk a little bit about how the sausage is made. Yeah, we have to do some icebreaker questions, because I probably get you already. You're ready to start talking, but I'm gonna, I'm just gonna loosen you up a little bit, a couple of easy ones. You're sat in front of the telly, comedy or drama?Sam Mullins: It depends. Probably.Paul Marden: It's not a valid answer. Sam Mullins: Probably, probably drama.Paul Marden: Okay, if you need to talk to somebody, is it a phone call or is it a text message that you'll send?Sam Mullins:  Face to face? Okay, much better. Okay, always better. Paul Marden: Well done. You didn't accept the premise of the question there, did you? Lastly, if you're going to enter a room, would you prefer to have a personal theme tune played every time you enter the room. Or would you like a personal mascot to arrive fully suited behind you in every location you go to?Sam Mullins: I don't know what the second one means, so I go for the first one.Paul Marden: You've not seen a football mascot on watching American football or baseball?Sam Mullins: No, I try and avoid that. I like real sport. I like watching cricket. Paul Marden: They don't do that in cricket. So we are at the business end of the hull of the ship, aren't we? We're next to the propeller. Sam Mullins: We're sitting under the stern. We can still see that lovely, gilded Stern, saying, Great Britain, Bristol, and the windows and the coat of arms across the stern of the ship. Now this, of course, was the biggest ship in the world when built. So not only was it the first, first iron ship of any scale, but it was also third bigger than anything in the Royal Navy at the time. Paul Marden: They talked about that, when we were on the warrior aim the other day, that it was Brunel that was leading the way on what the pinnacle of engineering was like. It was not the Royal Navy who was convinced that it was sail that needed to lead. Sam Mullins: Yeah, Brunel had seen a much smaller, propeller driven vessel tried out, which was being toured around the country. And so they were midway through kind of design of this, when they decided it wasn't going to be a paddle steamer, which its predecessor, the world's first ocean liner, the Great Western. A was a paddle steamer that took you to New York. He decided that, and he announced to the board that he was going to make a ship that was driven by a propeller, which was the first, and this is, this is actually a replica of his patent propeller design. Paul Marden: So, this propeller was, is not the original to the show, okay?Sam Mullins: Later in its career, it had the engines taken out, and it was just a sailing ship. It had a long and interesting career. And for the time it was going to New York and back, and the time it was going to Australia and back, carrying migrants. It was a hybrid, usually. So you use the sails when it was favourable when it wasn't much wind or the wind was against. You use the use the engines. Use the steam engine.Paul Marden: Coming back into fashion again now, isn't it? Sam Mullins: Yeah, hybrid, yeah.Paul Marden: I can see holes in the hull. Was this evident when it was still in the Falklands?Sam Mullins: Yeah, it came to notice in the 60s that, you know, this world's first it was beached at Sparrow Cove in the Falkland Islands. It had lost its use as a wool warehouse, which is which it had been for 30 or 40 years. And a number of maritime historians, you and call it. It was the kind of key one realised that this, you know, extraordinary, important piece of maritime heritage would maybe not last too many war winters at Sparrow cope had a big crack down one side of the hull. It would have probably broken in half, and that would have made any kind of conservation restoration pretty well impossible as it was. It was a pretty amazing trick to put it onto a to put a barge underneath, to raise it up out of the water, and to tow it into Montevideo and then across the Atlantic, you know, 7000 miles, or whatever it is, to Avon mouth. So it's a kind of heroic story from the kind of heroic age of industrial and maritime heritage, actually.Paul Marden: It resonates for me in terms of the Mary Rose in that you've got a small group of very committed people that are looking to rescue this really valuable asset. And they find it and, you know, catch it just in time. Sam Mullins: Absolutely. That was one of the kind of eye openers for me at Mary rose last week, was just to look at the kind of sheer difficulty of doing conventional archaeology underwater for years and years. You know, is it 50,000 dives were made? Some immense number. And similarly, here, you know, lots of people kind of simply forget it, you know, it's never gonna, but a few, stuck to it, you know, formed a group, fund, raised. This is an era, of course, you know, before lottery and all that jazz. When you had to, you had to fundraise from the public to do this, and they managed to raise the money to bring it home, which, of course, is only step one. You then got to conserve this enormous lump of metal so it comes home to the dry dock in which it had been built, and that has a sort of fantastic symmetry, you know about it, which I just love. You know, the dock happened to be vacant, you know, in 1970 when the ship was taken off the pontoon at Avon mouth, just down the river and was towed up the curving Avon river to this dock. It came beneath the Clifton Suspension Bridge, which, of course, was Brunel design, but it was never built in his time. So these amazing pictures of this Hulk, in effect,  coming up the river, towed by tugs and brought into the dock here with 1000s of people you know, surrounding cheering on the sidelines, and a bit like Mary Rose in a big coverage on the BBC.Paul Marden: This is the thing. So I have a very vivid memory of the Mary Rose being lifted, and that yellow of the scaffolding is just permanently etched in my brain about sitting on the carpet in primary school when the TV was rolled out, and it was the only TV in the whole of school that, to me is it's modern history happening. I'm a Somerset boy. I've been coming to Bristol all my life. I wasn't alive when Great Britain came back here. So to me, this feels like ancient history. It's always been in Bristol, because I have no memory of it returning home. It was always just a fixture. So when we were talking the other day and you mentioned it was brought back in the 70s, didn't realise that. Didn't realise that at all. Should we move on? Because I am listening. Gently in the warmth.Sam Mullins: Let's move around this side of the as you can see, the dry dock is not entirely dry, no, but nearly.Paul Marden: So, you're trustee here at SS Great Britain. What does that mean? What do you do?Sam Mullins: Well, the board, Board of Trustees is responsible for the governance of the charity. We employ the executives, the paid team here. We work with them to develop the kind of strategy, financial plan, to deliver that strategy, and we kind of hold them as executives to account, to deliver on that.Paul Marden: It's been a period of change for you, hasn't it? Just recently, you've got a new CEO coming to the first anniversary, or just past his first anniversary. It's been in place a little while.Sam Mullins: So in the last two years, we've had a, we've recruited a new chairman, new chief executive, pretty much a whole new leadership team.One more starting next month, right? Actually, we're in July this month, so, yeah, it's been, you know, organisations are like that. They can be very, you know, static for some time, and then suddenly a kind of big turnover. And people, you know, people move.Paul Marden: So we're walking through what is a curved part of the dry dock now. So this is becoming interesting underfoot, isn't it?Sam Mullins: This is built in 1839 by the Great Western Steamship Company to build a sister ship to the Great Western which was their first vessel built for the Atlantic run to New York. As it happens, they were going to build a similar size vessel, but Brunel had other ideas, always pushing the edges one way or another as an engineer.Paul Marden: The keel is wood. Is it all wood? Or is this some sort of?Sam Mullins: No, this is just like, it's sort of sacrificial.So that you know when, if it does run up against ground or whatever, you don't actually damage the iron keel.Paul Marden: Right. Okay, so there's lots happening for the museum and the trust. You've just had a big injection of cash, haven't you, to do some interesting things. So there was a press release a couple of weeks ago, about a million pound of investment. Did you go and find that down the back of the sofa? How do you generate that kind of investment in the charity?Sam Mullins: Unusually, I think that trust that's put the bulk of that money and came came to us. I think they were looking to do something to mark their kind of, I think to mark their wind up. And so that was quite fortuitous, because, as you know at the moment, you know, fundraising is is difficult. It's tough. Paul Marden: That's the understatement of the year, isn't it?Sam Mullins: And with a new team here and the New World post COVID, less, less visitors, income harder to gain from. Pretty well, you know, all sources, it's important to keep the site kind of fresh and interesting. You know, the ship has been here since 1970 it's become, it's part of Bristol. Wherever you go in Bristol, Brunel is, you know, kind of the brand, and yet many Bristolians think they've seen all this, and don't need, you know, don't need to come back again. So keeping the site fresh, keeping the ideas moving on, are really important. So we've got the dockyard museum just on the top there, and that's the object for fundraising at the moment, and that will open in July next year as an account of the building of the ship and its importance. Paul Marden: Indeed, that's interesting. Related to that, we know that trusts, trusts and grants income really tough to get. Everybody's fighting for a diminishing pot income from Ace or from government sources is also tough to find. At the moment, we're living off of budgets that haven't changed for 10 years, if we're lucky. Yeah, for many people, finding a commercial route is the answer for their museum. And that was something that you did quite successfully, wasn't it, at the Transport Museum was to bring commercial ideas without sacrificing the integrity of the museum. Yeah. How do you do that?Sam Mullins: Well, the business of being an independent Museum, I mean, LTM is a to all sets of purposes, an independent Museum. Yes, 81% of its funding itself is self generated. Paul Marden: Is it really? Yeah, yeah. I know. I would have thought the grant that you would get from London Transport might have been bigger than that.  Sam Mullins: The grant used to be much bigger proportion, but it's got smaller and smaller. That's quite deliberate. Are, you know, the more you can stand on your own two feet, the more you can actually decide which direction you're going to take those feet in. Yeah. So there's this whole raft of museums, which, you know, across the UK, which are independently governed, who get all but nothing from central government. They might do a lottery grant. Yes, once in a while, they might get some NPO funding from Ace, but it's a tiny part, you know, of the whole. And this ship, SS Great Britain is a classic, you know, example of that. So what do you do in those circumstances? You look at your assets and you you try and monetise them. That's what we did at London Transport Museum. So the museum moved to Covent Garden in 1980 because it was a far sighted move. Michael Robbins, who was on the board at the time, recognised that they should take the museum from Scion Park, which is right on the west edge, into town where people were going to be, rather than trying to drag people out to the edge of London. So we've got that fantastic location, in effect, a high street shop. So retail works really well, you know, at Covent Garden.Paul Marden: Yeah, I know. I'm a sucker for a bit of moquette design.Sam Mullins: We all love it, which is just great. So the museum developed, you know, a lot of expertise in creating products and merchandising it. We've looked at the relationship with Transport for London, and we monetised that by looking at TFL supply chain and encouraging that supply chain to support the museum. So it is possible to get the TFL commissioner to stand up at a corporate members evening and say, you know, you all do terribly well out of our contract, we'd like you to support the museum as well, please. So the corporate membership scheme at Transport Museum is bigger than any other UK museum by value, really, 60, 65 members,. So that was, you know, that that was important, another way of looking at your assets, you know, what you've got. Sometimes you're talking about monetising relationships. Sometimes it's about, you know, stuff, assets, yeah. And then in we began to run a bit short of money in the kind of middle of the teens, and we did an experimental opening of the Aldwych disused tube station on the strand, and we're amazed at the demand for tickets.Paul Marden: Really, it was that much of a surprise for you. And we all can talk. Sam Mullins: We had been doing, we've been doing some guided tours there in a sort of, slightly in a one off kind of way, for some time. And we started to kind of think, well, look, maybe should we carry on it? Paul Marden: You've got the audience that's interested.Sam Mullins: And we've got the access through TFL which, you know, took a lot of work to to convince them we weren't going to, you know, take loads of people underground and lose them or that they jump out, you know, on the Piccadilly line in the middle of the service, or something. So hidden London is the kind of another really nice way where the museum's looked at its kind of assets and it's monetised. And I don't know what this I don't know what this year is, but I think there are now tours run at 10 different sites at different times. It's worth about half a million clear to them to the museum.Paul Marden: It's amazing, and they're such brilliant events. So they've now opened up for younger kids to go. So I took my daughter and one of her friends, and they were a little bit scared when the lights got turned off at one point, but we had a whale of a time going and learning about the history of the tube, the history of the tube during the war. It was such an interesting, accessible way to get to get them interested in stuff. It was brilliant.Sam Mullins: No, it's a great programme, and it was doing well before COVID, we went into lockdown, and within three weeks, Chris Nix and the team had started to do kind of zoom virtual tours. We all are stuck at home looking at our screens and those hidden London hangouts the audience kind of gradually built yesterday TV followed with secrets of London Underground, which did four series of. Hidden London book has sold 25,000 copies in hardback, another one to come out next year, maybe.Paul Marden: And all of this is in service of the museum. So it's almost as if you're opening the museum up to the whole of London, aren't you, and making all of that space you're you. Museum where you can do things.Sam Mullins: Yeah. And, of course, the great thing about hidden London programme is it's a bit like a theatre production. We would get access to a particular site for a month or six weeks. You'd sell the tickets, you know, like mad for that venue. And then the run came to an end, and you have to, you know, the caravan moves on, and we go to, you know, go to go to a different stations. So in a sense, often it's quite hard to get people to go to an attraction unless they've got visitors staying or whatever. But actually, if there's a time limit, you just kind of have to do it, you know.Paul Marden: Yeah, absolutely. Everybody loves a little bit of scarcity, don't they? Sam Mullins: Should we go up on the deck? Paul Marden: That sounds like fun to me.Sam Mullins: Work our way through.Paul Marden: So Hidden London was one of the angles in order to make the museum more commercially sound. What are you taking from your time at LTM and bringing to the party here at the SS Great Britain?Sam Mullins: Well, asking similar, you know, range of questions really, about what assets do we have? Which of those are, can be, can be monetised in support of the charity? Got here, Paul, so we're, we've got the same mix as lots of middle sized museums here. There's a it's a shop, paid admission, hospitality events in the evening, cafe. You know that mix, what museums then need to do is kind of go, you know, go beyond that, really, and look at their estate or their intellectual property, or the kind of experiences they can offer, and work out whether some of that is monetisable.Paul Marden: Right? And you mentioned before that Brunel is kind of, he's the mascot of Bristol. Almost, everything in Bristol focuses on Brunel. Is there an opportunity for you to collaborate with other Brunel themed sites, the bridge or?Sam Mullins: Yeah. Well, I think probably the opportunity is to collaborate with other Bristol attractions. Because Bristol needs to. Bristol's having a hard time since COVID numbers here are nowhere near what they were pre COVID So, and I think it's the same in the city, across the city. So Andrew chief executive, is talking to other people in the city about how we can share programs, share marketing, that kind of approach.Paul Marden: Making the docks a destination, you know, you've got We the Curious. Where I was this morning, having coffee with a friend and having a mooch around. Yeah, talking about science and technology, there must be things that you can cross over. This was this war. This feels like history, but it wasn't when it was built, was it? It was absolutely the cutting edge of science and technology.Sam Mullins: Absolutely, and well, almost beyond, you know, he was Brunel was pushing, pushing what could be done. It is the biggest ship. And it's hard to think of it now, because, you know, you and I can walk from one end to the other in no time. But it was the biggest ship in the world by, you know, some way, when it was launched in 1845 so this was a bit like the Great Western Railway. It was cutting edge, cutting edge at the time, as we were talking about below. It had a propeller, radical stuff. It's got the bell, too,Paul Marden: When we were on, was it Warrior that we were on last week at the AIM conference for the first. And warrior had a propeller, but it was capable of being lifted, because the Admiralty wasn't convinced that this new fangled propeller nonsense, and they thought sail was going to lead. Sam Mullins: Yeah. Well, this ship had, you could lift a you could lift a propeller, because otherwise the propeller is a drag in the water if it's not turning over. So in its earlier configurations, it was a, it was that sort of a hybrid, where you could lift the propeller out the way, right, set full sail.Paul Marden:  Right, and, yeah, it's just, it's very pleasant out here today, isn't it? Lovely breeze compared to what it's been like the last few days. Sam Mullins: Deck has just been replaced over the winter. Paul Marden:  Oh, has it really. So say, have you got the original underneathSam Mullins: The original was little long, long gone. So what we have replaced was the deck that was put on in the in the 70s when the ship came back.Paul Marden: Right? You were talking earlier on about the cafe being one of the assets. You've done quite a lot of work recently, haven't you with the team at Elior to refurbish the cafe? What's the plan around that?Sam Mullins: Yeah, we're doing a big reinvestment. You always need to keep the offer fresh anyway, but it was time to reinvest. So the idea is to use that fantastic space on the edge of the dock. It's not very far down to where the floating harbour is really well populated with kind of restaurants and bars and an offer, we're just that 200 meters further along the dock. So perhaps to create an offer here that draws people up here, whether they visit the ship, you know, or not. So it's money, it's monetising your assets. So one of the great assets is this fabulous location on the on the dockside. So with early or we're reinvesting in the restaurant, it's going to go in the auto into after some trial openings and things, Paul, you know, it's going to have an evening offer as well as a daytime offer. And then it's been designed so the lights can go down in the evening. It becomes, you know, an evening place, rather than the museum's all day cafe, yes, and the offer, and obviously in the evenings would similarly change. And I think our ambition is that you should, you should choose this as the place to go out in the evening. Really, it's a great spot. It's a lovely, warm evening. We're going to walk along the dockside. I've booked a table and in the boardwalk, which is what we're calling it. And as you pay the bill, you notice that actually, this is associated with Asus, Great Britain. So, you know, the profit from tonight goes to help the charity, rather than it's the museum cafe. So that's the,Paul Marden: That's the pitch.Sam Mullins: That's the pitch in which we're working with our catering partners, Eli, or to deliver.Paul Marden: Andrew, your CEO and Claire from Eli, or have both kindly said that I can come back in a couple of months time and have a conversation about the restaurant. And I think it would be rude to turn them down, wouldn't it?Sam Mullins: I think you should test the menu really fully.Paul Marden: I will do my best. It's a tough job that I have. Sam Mullins: Somebody has to do this work. Paul Marden: I know, talking of tough jobs, the other thing that I saw when I was looking at the website earlier on was a press release talking about six o'clock gin as being a a partnership that you're investigating, because every museum needs its own tipple, doesn't it?Sam Mullins: Absolutely And what, you know, I think it's, I think what people want when they go to an attraction is they, they also want something of the offer to be locally sourced, completely, six o'clock gym, you know, Bristol, Bristol beers. You can't always do it, but I think, I think it's where you've got the opportunity. And Bristol's a bit of a foodie centre. There's quite a lot going on here in that respect. So, yes, of course, the museum ought to be ought to be doing that too.Paul Marden: I was very kindly invited to Big Pit over in the Welsh Valleys about 8 or 12 weeks ago for the launch, relaunch of their gift shop offering. And absolutely, at the core of what they were trying to do was because it's run by Museums Wales, they found that all of their gift shops were just a bland average of what you could get at any of the museums. None of them spoke of the individual place. So if you went to big pit, the gift shop looked the same as if you were in the centre of Cardiff, whereas now when you go you see things that are naturally of Big Pit and the surrounding areas. And I think that's so important to create a gift shop which has things that is affordable to everybody, but at the same time authentic and genuinely interesting.Sam Mullins: Yeah, I'm sure that's right. And you know I'm saying for you is for me, when I when I go somewhere, you want to come away with something, don't you? Yes, you know, you're a National Trust member and you haven't had to pay anything to get in. But you think I should be supporting the cause, you know, I want to go into that shop and then I want to, I want to buy some of the plants for my garden I just seen, you know, on the estate outside. Or I want to come away with a six o'clock gin or, you know, whatever it might be, there's and I think, I think you're more likely to buy if it's something that you know has engaged you, it's part of that story that's engaged you, right, while you're here. That's why everyone buys a guidebook and reads it afterwards.Paul Marden: Yeah, it's a reminder, isn't it, the enjoyable time that you've had? Yeah, I'm enjoying myself up on the top deck. Sam Mullins:  But should we go downstairs? The bow is a great view. Oh, let's do that. I think we might. Let's just work our way down through.Paul Marden: Take a sniff. Could you travel with these smelly passengers? Oh, no, I don't think I want to smell what it's like to be a cow on board shit. Sam Mullins: Fresh milk. Just mind yourself on these companion, ways are very steep now. This is probably where I get completely lost.Paul Marden: You know what we need? We need a very good volunteer. Don't we tell a volunteer story? COVID in the kitchen. Wow. Sam Mullins: The Gabby.Paul Marden: Generous use of scent. Sam Mullins: Yeah, food laid out pretty much based on what we know was consumed on the ship. One of the great things about the ship is people kept diaries. A lot of people kept diaries, and many have survived, right? You know exactly what it was like to be in first class or in steerage down the back.Paul Marden: And so what was the ship used for? Sam Mullins: Well, it was used, it was going to be an ocean liner right from here to New York, and it was more like the Concord of its day. It was essentially first class and second class. And then it has a founders on a bay in Northern Ireland. It's rescued, fitted out again, and then the opportunity comes take people to Australia. The Gold Rush in the 1850s. Migration to Australia becomes the big kind of business opportunity for the ships. Ships new owners. So there's more people on board that used to it applies to and fro to Australia a number of times 30 odd, 40 times. And it takes, takes passengers. It takes goods. It does bring back, brings back gold from because people were there for the gold rush. They were bringing their earnings, you know, back with them. It also brings mail, and, you know, other. Kind of car goes wool was a big cargo from. Paul Marden: Say, people down and assets back up again.Sam Mullins: People both directions. Paul Marden: Okay, yeah. How long was it taking?Sam Mullins: Well, a good trip. I think it did it in 50 odd days. Bit slower was 60 odd. And the food was like this. So it was steerage. It was probably a bit more basic. Paul Marden: Yeah, yes, I can imagine. Sam Mullins: I think we might. Here's the engines. Let's do the engines well.Paul Marden: Yes. So now we're in the engine room and, oh, it's daylight lit, actually. So you're not down in the darkest of depths, but the propeller shaft and all of the mechanism is it runs full length, full height of the ship.Sam Mullins: Yeah, it runs off from here, back to the propeller that we're looking at. Okay, down there a guy's stoking the boilers, putting coal into into the boilers, 24 hour seven, when the engines are running. Paul Marden: Yes, that's going to be a tough job, isn't it? Yeah, coal is stored in particular locations. Because that was something I learned from warrior, was the importance of making sure that you had the coal taken in the correct places, so that you didn't unbalance the ship. I mean,Sam Mullins: You right. I mean loading the ship generally had to be done really carefully so, you know, sort of balanced out and so forth. Coal is tends to be pretty low down for yes, for obvious reasons.Paul Marden: So let's talk a little bit about being a trustee. We're both trustees of charities. I was talking to somebody last week who been in the sector for a number of years, mid career, interested in becoming a trustee as a career development opportunity. What's the point of being a trustee? What's the point of the trustees to the CEO, and what's the benefit to the trustees themselves? Sam Mullins: Well, let's do that in order for someone in the mid part of their career, presumably looking to assume some kind of leadership role. At some point they're going to be dealing with a board, aren't they? Yes, they might even be doing, you know, occasional reporting to a board at that at their current role, but they certainly will be if they want to be chief executive. So getting some experience on the other side of the table to feel what it's like to be a trustee dealing with chief executive. I think he's immensely useful. I always recommended it to to my gang at the Transport Museum, and they've all been on boards of one sort or another as part of their career development.Sam Mullins: For the chief executive. What's the benefit? Well, the board, I mean, very directly, hold the chief executive to account. Yes, are you doing what we asked you to do? But also the wise chief executive recruits a board that's going to be helpful in some way or another. It's not just there to catch them out. Yeah, it's it's there to bring their experience from business, from IT, from marketing, from other museums into the business of running the place. So here we've got a range of Trustees. We've been we've recruited five or six in the last couple of years qquite deliberately to we know that a diverse board is a good board, and that's diverse in the sense not just a background, but of education, retired, still, still at work, young, old, male, female, you know, you name in.Paul Marden: In all of the directionsSam Mullins:  Yeah. So a diverse board makes better decisions than one that just does group think all the time. It's, you know, it's a truism, isn't it? I think we all kind of, we all understand and understand that now and then, for the trustee, you know, for me, I particularly last couple of years, when the organization has been through huge changes, it's been really interesting to deploy my prior experience, particularly in governance, because governance is what it all comes down to in an organisation. You do learn over the course of your career to deploy that on behalf, you know, this is a great organisation, the story of Brunel and the ship and and, you know, his influence on the railways. And I travel down on the Great Western railways, yeah, the influence of Brunel is, you know, is enormous. It's a fantastic story. It's inspiring. So who wouldn't want to join? You know what in 2005 was the Museum of the year? Yes, I think we'll just go back there where we came. Otherwise, I never found my way.Paul Marden: Back through the kitchen. Sam Mullins: Back through the kitchen. It looks like stew is on the menu tonight. You've seen me at the mobile the rat.Paul Marden: And also the cat up on the shelf. He's not paying a lot of attention to the ratSam Mullins: Back on deck. Paul Marden: Wonderful. Yeah. So the other great endeavor that you've embarked on is writing, writing a book. Tell us a little bit about the book.Sam Mullins: Yeah, I've written a history of transport in London and its influence on London since 2000 since the mayoralty, elected mayoralty was, was started, you know, I was very lucky when I was running the museum where I had kind of one foot in TfL and one foot out. I knew lots of people. I was there for a long time, yes, so it was, it was easy to interview about 70 of them.Paul Marden: Right? I guess you've built trust levels, haven't you? Yeah, I don't mean that you don't look like a journalist walking in from the outside with an ax to grind. Sam Mullins: And I'm not going to kind of screw them to the Evening Standard, you know, tomorrow. So it's a book based on interviews, oral reminiscences. It's very much their story. So it's big chunks of their accounts of, you know, the big events in London. So what was it like to be in the network control room on the seventh of July, 2005 when the bombs went off? What was it like to be looking out for congestion charge the day it started? Yep. What was it like to kind of manage the Olympics?Paul Marden: You know? So you're mentioning these things. And so I was 10 years at British Airways. I was an IT project manager, but as well, I was a member of the emergency planning team. Yeah. So I got involved in the response to September the 11th. I got involved in some of the engagement around seven, seven, there's seminal moments, and I can, I can vividly remember myself being there at that time. But similarly, I can remember being there when we won the Olympics, and we were all sat in the staff canteen waiting to hear whether we'd won the Olympics, and the roar that erupted. There's so many of those things that have happened in the last 25 years where, you know, you've got, it's recent history, but it's real interesting events that have occurred that you can tell stories of.Sam Mullins: Yeah. So what I wanted to get in the book was a kind of sense of what it was like to be, really at the heart of those, those stories. And there are, you know, there are, there are people in TfL who made those big things happen? Yes, it's not a big, clumsy bureaucracy. It's a place where really innovative leadership was being exercised all the way through that 25 years. Yes, so it runs up to COVID, and what was it like when COVID struck? So the book's called Every Journey Matters, and it comes out in November.Paul Marden: Amazing, amazing. So we have, we've left the insides of the ship, and we are now under, what's this part of the ship? Sam Mullins: We're under the bow. There we go, and a bow spread that gets above our heads. So again, you've got this great, hulking, cast iron, black hull, beautifully shaped at the bow. Look the way it kind of tapers in and it tapers in and out.Paul Marden: It's a very three dimensional, isn't it? The curve is, is in every direction. Sam Mullins: Yeah,it's a great, great shape. So it's my sort of, I think it's my favourite spot. I like coming to look at this, because this is the kind of, this is the business, yeah, of the ship.Paul Marden: What have we got running along the front here? These these images in in gold.Sam Mullins: This is a figurehead with Victoria's Coat of Arms only sua Kim Ali points on top with it, with a lion and a unicorn.Paul Marden: It's a really, it's not a view that many people would have ever seen, but it is such an impressive view here looking up, yeah, very, very cool. And to stand here on the on the edge of the dry dock. Sam Mullins: Dry Docks in to our right, and the floating harbor is out to our left. Yeah.Paul Marden: And much going on on that it's busy today, isn't it? Sam Mullins: Yeah, it's good. Paul Marden: So we've done full loop, haven't we? I mean, it has been a whistle stop tour that you've taken me on, but I've loved every moment of this. We always ask our guests a difficult question. Well, for some it's a difficult question, a book recommendation, which, as we agreed over lunch, cannot be your own book. I don't think, I think it's a little unfair Sam Mullins: Or anything I've ever written before.Paul Marden: Yes, slightly self serving, but yeah.Sam Mullins: It would be, wouldn't it look the first thing that comes to mind is, I've actually been reading my way through Mick Herron's Slow Horses series, okay, which I'm a big fan of detective fiction. I love Ian Rankin's Rebus. Okay, I read through Rebus endlessly when I want something just to escape into the sloughhouse series Slow Horses is really good, and the books all have a sort of similar kind of momentum to them. Something weird happens in the first few chapters, which seems very inconsequential and. Suddenly it turns into this kind of roller coaster. Will they? Won't they? You know, ending, which is just great. So I recommend Mick Herron's series. That's that's been the best, not best, fiction I've read in a long time.Paul Marden: You know, I think there's something, there's something nice, something comforting, about reading a series of books where the way the book is structured is very similar. You can, you can sit down and you know what's going to happen, but, but there's something interesting, and it's, it's easy. Sam Mullins: It's like putting on a pair of old slippers. Oh, I'm comfortable with this. Just lead me along. You know, that's what, that's what I want. I enjoy that immensely.Paul Marden: And should we be? Should we be inviting our listeners to the first book in the series, or do they need to start once, once he's got his, got his, found his way? Sam Mullins: Well, some people would have seen the television adaptation already. Well, that will have spoilt the book for them. Gary Oldman is Jackson lamb, who's the lead character, okay, but if you haven't, or you just like a damn good read, then you start with the first one, which I think is called Sloughhouse. They're all self contained, but you can work your way through them. Paul Marden: Well, that sounds very good. So listeners, if you'd like a copy of Sam's book, not Sam's book, Sam's book recommendation, then head over to Bluesky and repost the show notice and say, I want a copy of Sam's book, and the first one of you lovely listeners that does that will get a copy sent to you by Wenalyn. Sam This has been delightful. I hope listeners have enjoyed this as much as I have. This is our first time having a @skipthequeue in real life, where we wandered around the attraction itself and hopefully narrated our way bringing this amazing attraction to life. I've really enjoyed it. I can now say that as a West Country lad, I have actually been to the SS Great Britain. Last thing to say for visitor, for listeners, we are currently midway through the Rubber Cheese Annual Survey of visitor attraction websites. Paul Marden: If you look after an attraction website and you'd like to share some information about what you do, we are gathering all of that data together to produce a report that helps people to understand what good looks like for an attraction website. This is our fourth year. Listeners that are interested, head over to RubberCheese.com/survey, and you can find out a little bit more about the survey and some of the some of the findings from the past and what we're looking for for this year. Sam, thank you so very much.Sam Mullins: Enjoyed it too. It's always good to rabbit on about what you do every day of the week, and being here and part of this really great organisation is huge privilege.Paul Marden: Thanks for listening to Skip the Queue. If you've enjoyed this podcast, please leave us a five star review. It really helps others to find us. Skip The Queue is brought to you by Rubber Cheese, a digital agency that builds remarkable systems and websites for attractions that helps them to increase their visitor numbers. You can find show notes and transcripts from this episode and more over on our website, skipthequeue fm. The 2025 Visitor Attraction Website Survey is now LIVE! Dive into groundbreaking benchmarks for the industryGain a better understanding of how to achieve the highest conversion ratesExplore the "why" behind visitor attraction site performanceLearn the impact of website optimisation and visitor engagement on conversion ratesUncover key steps to enhance user experience for greater conversionsTake the Rubber Cheese Visitor Attraction Website Survey Report

Coat checks and cityscapes in New York City; preparing for a family wedding; and reflections on wearing wigs. With Gary Coyle, Neil Hegarty, Cathy Power, John Tuomey, Julie Feeny and Lauren Green

The sheep's coat shall be stripped off the wolf's back! William Dyer, 1632-1696 Numbers 23:10, "Let me die the death of the righteous, and may my end be like theirs!" There is no living a life that is wicked, and then dying a death that is righteous. Oh, that men would but deal truly with their own souls! Many talk like a Christian, but few walk like a Christian. Many know what is to be done, but never do what is to be done. Many wear Christ's livery, but do the devil's drudgery! Many have hands as white as snow, whose hearts are as black as Hell! Many appear righteous, who are only righteous in their appearance. But such as deceive others with a false show of holiness, only deceive themselves with a false hope of happiness! Remember, sirs, that the sheep's coat shall be stripped off the wolf's back! "They come to you in sheep's clothing, but inwardly they are ferocious wolves!" Matthew 7:15 Oh sirs, that you would consider well these weighty things! Tell me, sir: What did Judas get by all his deceitful dealings? Nothing but a noose, in which his body was hanged; and a fire, in which his soul was burned!

A coat worth $10,000 is out of reach for most of us, but a Wanaka-based design label has come up with a creative way to put quality goods in front of more customers.

 We had a great time talking with KC Johns on this episode! KC told us about growing up at the Rodeo, learning guitar from her grandpa and growing into her vulnerability insongwriting!    Born in Memphis, Tennessee and raised in Hernando, Mississippi, a small town along the Tennessee-Mississippi line, KC was surrounded by music for as long as she can remember. Named after KC and the Sunshine Band and raised on the greats like Led Zeppelin, StevieNicks, and Sheryl Crow. “My mom is a championship barrel racer, and my stepdadwas a bull rider,” she recalls. Although the energy of the rodeo was intoxicating for a young KC, so was making music.   So, by 17, with her acoustic guitar, KC and her mom headed to Nashville to make her dreams of becoming a recording artist a reality. “I just took my guitar and started hitting all the clubs on Broadway asking people if I could sing on stage,” KC adds. One thing led to another, and ultimately, she landed an offer to work on Carnival Cruise Lines as a cruise ship performer.    Having discovered and honed her stage legs at such a young age, KC was featured in Dolly Parton's “Coat of Many Colors” at Dollywood. However, the recording/touring artist life was calling once again, so KC took another leap of faith. “I moved to Nashville on a whim,”she explains. “I had nowhere to stay. I just packed up all my stuff and took a chance, sleeping on friends' couches and singing on Broadway again. Before I knew it, I started meeting incredible and influential people.” She made her way up the mainstream ladder opening for artists like Luke Bryan, Chris Young, Randy Houser, Trailer Choir and Morgan Wade. KC's now playing fairs, festivals and venues around the country.   Check KC out here:  Website: KCJohns.rocks  IG: KCjohnsmusic  Facebook: KC Johns  TikTok: KCJohnsmusic  YouTube: KC Johns 

Barbara and Susy each present Chris Sertzel with case studies to discuss, and Barbara and Chris talk about their upcoming webinar, too.

What's better than the beginning of a story? The end of a story. That's right. I got you. You didn't see that coming. You couldn't possibly see that coming. Maybe you did, it is the finale episode for this story after all, we've been talking about it for a while. Maybe you did know. Maybe you knew too much. You know what they say about people who know too much. They suck. Yeah, I said it. I got you again, you fucking know-it-all. Anyways, Cannibal Siren and I are back to finish this fucking story once and for all. This one goes out to all the mentally ill both on an off this podcast. May we eternal R.I.P. And by that I mean, rest in pieces (of weed). That's the real kicker here, after all. If this narrator had just taken a dab none of this would've happened. He would've been too stoned to read that note in the first place; Chucking that shit out like the junk mail it is. Does this ending redeem itself? Kinda. No spoilers, but KINDA. Let's get into it. The Man in my Basement Takes One Step Closer Every Week(45:36) by Polterkiteshttps://www.reddit.com/r/nosleep/comments/istln5/the_man_in_my_basement_takes_one_step_closer/Support us on PATREON: https://www.patreon.com/LOTSA_PASTAAND KO-FI: https://ko-fi.com/lotsa_pastaMERCH: www.redbubble.com/people/elcapitanmuerte/portfolioYOUTUBE: www.youtube.com/channel/UCxoqIN-fkfdlmGEjWujypxwSOUNDCLOUD: www.soundcloud.com/lotsa-pasta/(But also available on all major platforms like iTunes, Spotify, Google, Amazon, etc!)FOLLOW ON FACEBOOK: www.facebook.com/LPCaptainDeathFOLLOW ON REDDIT: www.reddit.com/r/LotsaPasta/Featuring wonderful ambient music from our fam in Sweden: CryoChamber, givin' us all the ooky-spooky tunage. Follow: @cryo-chamberThank you!“Astral Alley“ is not my song. I do not claim ownership. Credit and All rights are reserved by the owners.

Get ready for a hilarious morning on Red FM Breakfast with KC! Vic shares a wild story about nearly getting taken down by airport security due to a bar of fudge. Would you go offline forever for 5 million quid? With laughs and gossip, the crew dives into the latest on David Beckham's long-awaited knighthood and the ongoing antics of Oasis, including Liam Gallagher's cheeky response to leaked comments about their fans. Stay tuned for the €1,000 Pop Quiz and Instagram's latest update that stalkers wont like . Don't miss the messing—hit subscribe now!

Today her counting stopped at number one: her father's coat. 

What if Y2K was recast in...1999?The turn of the millennium was a cultural crossroads that perfectly encapsulates millennial adolescence—an era before smartphones but after the internet changed everything. In this episode, Cory and Nick explore A24's "Y2K," a horror-comedy that asks: what if technology actually did turn against us when the clock struck midnight on December 31, 1999?The crew talks how this compact 90-minute film captures the distinct cultural essence of late '90s high school life better than most nostalgia pieces. From the tribal divisions between nu-metal kids and pop princesses to the social anxiety of navigating high school parties, "Y2K" serves as a remarkably accurate time capsule of a period that existed between Kurt Cobain's death and 9/11.Thanks for listening; If you feel like supporting us, this is where you do that!Patreon (Just a buck to show your support!)BuyMeACoffee Check out or other content/socials here. LinktreeTapbioHosts:Cory Williams (@thelionfire)Nick Growall (@nickgrowall)Co-Hosts (Season 6):Aly Dale (@alydale55)Ash Hurry (@filmexplorationah)Cass Elliott (@take5cass)Terran Sherwood (@terransherwood) Voice of the Time Machine:Kristi Rothrock (@letzshake)Editing by:Nick GrowallFeatured Music:"Quantum Recast Theme" - Cory Williams"Charmer" - Coat...

The rise of the Canadian west attracts a new type of migrant-settler from continental Europe, establishing new communities in Canada - none more consequential than that of the Ukrainian-Canadians. Become a supporter of this podcast: https://www.spreaker.com/podcast/the-nations-of-canada--4572969/support.

June 10, 2025 ~ Veronika Scott, Founder and CEO of Empowerment Plan discusses a major milestone coming up.

ABC's Mike Dobuski reports on the new upgrades coming to all Apple devices

In today's newscast, volunteers repainted the "Black Lives Matter" mural in downtown Santa Cruz. And, a state bill to limit workplace surveillance is one step closer to becoming law.

Marty, Eric, Daniel and Dave talk about recent immersive videos and their VisionOS predictions for WWDC Bono “Stories of Surrender” releasedBono's Stories of Surrender Becomes Apple's First Full-Length Immersive Documentaryhttps://www.macobserver.com/news/bonos-stories-of-surrender-becomes-apples-first-full-length-immersive-documentary/'Bono: Stories of Surrender' now streaming on Apple TV+, with an immersive Vision Pro editionhttps://9to5mac.com/2025/05/30/bono-stories-of-surrender-now-streaming-on-apple-tv/ D-Day: New Media ExperienceD-Day: The Camera Soldier Is A New Kind Of Documentary On Apple Vision Prohttps://www.uploadvr.com/d-day-the-camera-soldier-targo-apple-vision-pro/ Vision Pro Future versionsHere's what the rumors say about future generations of Apple Vision Prohttps://9to5mac.com/2025/05/31/apple-vision-pro-2-rumor-roundup/ The MacRumors Show: Last-Minute WWDC Rumors - 'iOS 26' and Games Apphttps://www.macrumors.com/2025/05/30/the-macrumors-show-last-minute-wwdc-rumors-ios-26/ More on Apple GlassesApple vs. Xreal Smart Glasses: Which One Has Me More Excited?https://www.macobserver.com/tips/round-ups/apple-vs-xreal-smart-glasses-which-one-has-me-more-excited/WWDCWWDC 2025 Likely 'Smaller-Scale' Than Past Two WWDCs, Here's Whyhttps://www.macrumors.com/2025/06/01/wwdc-2025-likely-smaller-scale/ Apple's visionOS-inspired 'Solarium' interface design coming to macos, ios, iPadoS, watchOS, and tvOShttps://macdailynews.com/2025/05/27/apples-visionos-inspired-solarium-interface-design-coming-to-macos-ios-ipados-watchos-and-tvos/ Apple will announce iOS 26 at WWDC, not iOS 19https://9to5mac.com/2025/05/28/ios-26-coming-next-month/ 6 visionOS-Inspired Design Elements Coming to iOS 26https://www.macrumors.com/2025/05/30/ios-26-visionos-inspired-design-elements/ No more iPhonesApple is already developing the iPhone replacementhttps://www.cultofmac.com/news/apple-smart-glasses-iphone-replacement Apple's visionOS-inspired 'Solarium' interface design coming to macos, ios, iPa-doS, watchOS, and tvOShttps://macdailynews.com/2025/05/27/apples-visionos-inspired-solarium-interface-design-coming-to-macos-ios-ipados-watchos-and-tvos/ ReminderFollow the live stream at YouTube.com/@VisionProfiles on Monday nights at 9 PM EST or catch the video later on Youtube or audio on any pod catcher serviceMacStockMacstockconferenceandexpo.com 50$ off with code “PODTALK50”ThePodTalk.Net 

Welcome to a new season of Holy Wild Birth, which also represents a revitalization and recommitment to this podcasting project.In this casual conversation with Brooke and Lauren, you'll hear all about what we have in store for you! One of those things is this new "genre" of episode where we offer you our "Cup of Tea" and simply jabber about things going on for us or of interest to us. In this inaugural "cup of tea" episode, we chat about:That we aren't actually drinking teaOur branding photo failsHow cool it is to have teenagersRelationship to lightBrooke's milestone birthing and Lauren's anticipated milestone birthdayDark ParksRemodeling the prenatal roomGrowing community around the podcastQuitting social mediaA way of organizing informationand more!Mentioned in this episode:Lore Wilbert social media challenge — Let's Opt Out of Social Media TogetherZettlekasten - What's a Zettelkasten?Lauren's Prenatal Room Pinterest Collage - My prenatal room | Room, Save, PrenatalStolen Focus - Stolen Focus: Why You Can't Pay Attention--and How to Think Deeply AgainLauren's glasses - VivaRays - Eco-friendly Blue light blocking glasses.Brooke's newsletter - All The Birthy ThingsPodcast about relationship to light The Lie of 9 to 5: Fixing Your Circadian Rhythm | Thaddeus OwenMighty Networks Community Rooted in Eden PMA______________Connect:• Email us to say hi: holywildbirth@gmail.com• Apply to share your birth story on the podcast: Holy Wild Birth Podcast Guest Application • Become a holy, wild birthkeeper with us in the Hearthmother JourneyFrom Lauren:• Midwifery consultations: Email rootedinedenpma@gmail.comFrom Brooke:• Courses for homebirth/freebirth mamas• NewsletterIntro and Outra Music Credit -Betty Dear By Blue Dot Sessions is licensed under a Creative Commons License.

In this week's episode, JD begins feeling like a doctor and upgrades his wardrobe to include a white medical coat. Meanwhile, Eliot discovers her new identity at the hospital. In the real world, Zach and Donald are all over the place discussing edibles, their love for Jon Favreau and Vince Vaughn, and how many bugs are legally allowed in a can of tuna.See omnystudio.com/listener for privacy information.

Hernan, Alex y Diego se reunen a analizar los partidos contra Houston por la U.S. Open Cup y el empate de vsitante en el partido en contra de Minnesota por la jornada 15 de la MLS. Ademans se discute de las palabras de Nico Estevez en conferencia de prensa y se debate acerca del presente de la temporada. Agradecimientos especiales al Chef Javi por la invitacion y las atenciones!Visita The Picnic en Barton Springs Rd y come en las food trucks: Black Bear Burgers, Habibi ATX, Have a Taco, y Coat & Thai!Un saludo especial a nuestros patrocinadores Tu Pepito ATX! Restaurante Venezolano en el norte de Austin.

Think about a favorite gift your mom or dad has given you. Joseph's father gave him a special gift. And so did God. Memory Verse -- Your heavenly Father will give good things to those who ask him. MATTHEW 7:11, ICB. God gives us good gifts because He love

Think about a favorite gift your mom or dad has given you. Joseph's father gave him a special gift. And so did God. Memory Verse -- Your heavenly Father will give good things to those who ask him. MATTHEW 7:11, ICB. God gives us good gifts because He lo

Welcome, MedTech Gurus! Imagine cutting weeks off drug manufacturing cycles, reducing compliance headaches, and mining gold from dusty SOPs. That's exactly what today's guest, Reza Farahani, founder of Katalyze AI, is doing. With a unique blend of AI brilliance and biopharma savvy, Reza is helping organizations automate the mundane and accelerate the meaningful. From unlocking insights buried in unstructured data to building a culture where innovation thrives, Reza delivers hard-won wisdom on tech adoption, investor readiness, and what it really means to solve “the right problem.” This is one episode you won't want to miss!

Follow Dan on LinkedIn at linkedin.com/in/cotterdanFollow Pat on LinkedIn athttps://www.linkedin.com/in/donald-patrick-eckler-610290824/ Predictions Sure Go Wrong: Allianz: Affirm Davis: Affirm Scifo: ReverseIN App can be found here:https://mycourts.in.gov/arguments/default.aspx?&id=2996&view=detail&yr=&when=&page=1&court=app&search=&direction=%20ASC&future=False&sort=&judge=&county=&admin=False&pageSize=20IL APP:https://www.illinoiscourts.gov/courts/appellate-court/oral-argument-audio/

A Little Coat - 05-11-25 - Pastor Michael Mullings

A Little Coat - 05-11-25 - Pastor Michael Mullings

Have you heard the urban legend about The Puffy Coat killer? Legend has it that to blend better into their surroundings, The Puffy Coat Killer bought everyone in town a puffy coat from Temu. Even Jack and Sidney are wearing fur-lined parkas this episode! As the tale goes, those that don't listen to this episode will die a gruesome death! So tune in, or BEWARE!

Go behind the scenes at Days of Our Lives in Burbank, California. Hear from actors, set designers and wardrobe as we pull back the curtain on how soaps manage to come on five days a week, every week — no reruns. Plus, we take you back to 1994, when Marlena was possessed by the devil!

If you're an avid Rosebud listener, you may remember a listener email we read out back in episode 5 of Gyles's diaries, from Harry Scoble. Harry wrote in to say that he'd left a coat in a taxi with Gyles back in 2002 and that he'd wished he had come to collect it from Gyles's house all those years ago, but had never got round to it. Gyles had then told Harriet that he thought he might still have the coat, on a clothes rail in his Jumper Room. In this episode, Harry comes to Gyles's house, and we solve the mystery once and for all. And have tea and an interesting chat in the process. This episode features Harry, Gyles, Michele Brandreth (Gyles's wife) and Harriet. And it features an extended chat between Harriet and Gyles before and after the recording of Harry looking at the coat and having tea. This is a slightly unusual episode, and a little bit more chaotic than our usual - but we hope you enjoy it! We'd love to hear about your Rosebud objects - do you have a treasured possession which sums up your life and is more precious than anything else? Email us at hello@rosebudpodcast.com and tell us - and we may feature you on the podcast. Gyles also mentions the Rosebud Live interview with Jeffrey Holland at the Sarah Thorne Theatre in Broadstairs on July 19th 2025. Please come along! Tickets will be available soon from the Sarah Thorne Theatre Learn more about your ad choices. Visit podcastchoices.com/adchoices

If you're an avid Rosebud listener, you may remember a listener email we read out back in episode 5 of Gyles's diaries, from Harry Scoble. Harry wrote in to say that he'd left a coat in a taxi with Gyles back in 2002 and that he'd wished he had come to collect it from Gyles's house all those years ago, but had never got round to it. Gyles had then told Harriet that he thought he might still have the coat, on a clothes rail in his Jumper Room. In this episode, Harry comes to Gyles's house, and we solve the mystery once and for all. And have tea and an interesting chat in the process. This episode features Harry, Gyles, Michele Brandreth (Gyles's wife) and Harriet. And it features an extended chat between Harriet and Gyles before and after the recording of Harry looking at the coat and having tea. This is a slightly unusual episode, and a little bit more chaotic than our usual - but we hope you enjoy it!We'd love to hear about your Rosebud objects - do you have a treasured possession which sums up your life and is more precious than anything else? Email us at hello@rosebudpodcast.com and tell us - and we may feature you on the podcast. Gyles also mentions the Rosebud Live interview with Jeffrey Holland at the Sarah Thorne Theatre in Broadstairs on July 19th 2025. Please come along! Tickets will be available soon from the Sarah Thorne Theatre Learn more about your ad choices. Visit podcastchoices.com/adchoices Hosted on Acast. See acast.com/privacy for more information.

  Educational Membership Group Link- https://stan.store/autumnacresminipetpigs/p/autumn-acres-educational-membership-group              In this episode of the Pet Pig Podcast, Autumn breaks down a common but often misunderstood part of pig parenting: blowing their coat.            If you've ever found clumps of pig hair around your home and worried something was wrong, this episode is for you. Autumn explains what “blowing their coat” actually means, when it typically happens, why it's a natural part of your pig's life, and what you can do to help your pig stay comfortable through the process.            She shares practical tips on brushing techniques, bathing routines (including her favorite shampoo), skin care with coconut oil, and how to boost coat health through proper diet and hydration. You'll also learn how to tell the difference between normal seasonal shedding and hair loss that might signal a health issue. Key Takeaways: • What “blowing their coat” means and when it usually happens • Tools and techniques to help your pig shed more comfortably • Bathing do's and don'ts to avoid drying out their skin • The best supplements and foods   Autumn's Links:  Website: https://www.autumnacresminipetpigs.com/ Email: https://stan.store/autumnacresminipetpigs Educational Membership Group: https://stan.store/autumnacresminipetpigs/p/autumn-acres-educational-membership-group Instagram: https://www.instagram.com/autumnacresminipetpigs/ Facebook:  HTTP://Facebook.com/autumnacresminipetpigs Free Community: https://stan.store/autumnacresminipetpigs/p/autumn-acres-free-community YouTube: https://youtube.com/channel/UCGue5Kp5AwOXkReCGPUyImA Stan Store: https://stan.store/autumnacresminipetpigs Newsletter: https://stan.store/autumnacresminipetpigs

What the heck is going on in here? I mean, we keep ending up back in this basement despite all the shit going on and there is A LOT of SHIT going on. Let's just say that this episode goes to places I never even knew possible, even considering the basement. When we're not in the basement, who know's where this is going. At least in the basement, we know where's it's going, right? WRONG. It's going places. Other places. Not basement related places. At its best, this story provides surprises. At its worst, this story provides surprises. It's a mixed bag, but no one knows where this is going, I assure you. Unreliable as ever, let's get into it. Back into the basement we go. The Man in my Basement Takes One Step Closer Every Week(23:38) by Polterkiteshttps://www.reddit.com/r/nosleep/comments/istln5/the_man_in_my_basement_takes_one_step_closer/Support us on PATREON: https://www.patreon.com/LOTSA_PASTAAND KO-FI: https://ko-fi.com/lotsa_pastaMERCH: www.redbubble.com/people/elcapitanmuerte/portfolioYOUTUBE: www.youtube.com/channel/UCxoqIN-fkfdlmGEjWujypxwSOUNDCLOUD: www.soundcloud.com/lotsa-pasta/(But also available on all major platforms like iTunes, Spotify, Google, Amazon, etc!)FOLLOW ON FACEBOOK: www.facebook.com/LPCaptainDeathFOLLOW ON REDDIT: www.reddit.com/r/LotsaPasta/Featuring wonderful ambient music from our fam in Sweden: CryoChamber, givin' us all the ooky-spooky tunage. Follow: @cryo-chamberThank you!“Astral Alley“ is not my song. I do not claim ownership. Credit and All rights are reserved by the owners.

www.TheMasonAndFriendsShow.com https://thejuunit.bandcamp.com/releases https://www.glass-flo.com Great Pipes for Sure ol factory? long ago, Pond Plans, Multi Faceted Plan, Escape Plans, Perfection, Eye Patch, Eye Issues, Golf Ball Problems, Practice, Golf Practice, Driving Simulators, Shit is Real, Games, PS5, Tire Needs. Seen that Whip, Drive Hard. Arnold's K5 Blazer, BBQ, Lebron, Too Old, Hurt Bron, NBA playoffs, bet I think, Special Smoker, all the smoke, Crab plans, Cooking in Chef Coat, the music of this episode@ https://open.spotify.com/playlist/3sHMwoQOFPRv46SeqGvfPP?si=b655ca803f114167 support the show@ www.patreon.com/MperfectEntertainment

TD's got some new swag... and he looks great. Children disappoint... that's what they do. Kat GPT saves a marriage.

What if we recasted Michael Bay's 1996 classic "The Rock?"Ash Hurry joins us once again to break down why this film stands as possibly Bay's greatest achievement and the culmination of Nicolas Cage's action movie trilogy. • Exploring the James Bond theory: Sean Connery's character John Mason is actually an older James Bond who was captured and imprisoned• Michael Bay's filmography and how "The Rock" represents his peak before the Transformers era• The anti-villain brilliance of Ed Harris's General Hummel – threatening but ultimately unwilling to follow through• Standout scenes including the shower room speech by Michael Biehn and the green smoke finale • Chemistry between Cage and Connery creates the perfect action movie pairing, similar to other great duos in film history• And of course, our fun recasting game, where we reimagine the film with modern actors (Nick), DC universe actors (Ash), and professional wrestlers (Cory).Check out our social media for more content and to join the conversation about your favorite action movie duos and scenes from The Rock. Leave us a review if you enjoyed this deep dive into 90s action cinema!Thanks for listening; If you feel like supporting us, this is where you do that!Patreon (Just a buck to show your support!)BuyMeACoffee Check out or other content/socials here. LinktreeTapbioHosts:Cory Williams (@thelionfire)Nick Growall (@nickgrowall)Co-Hosts (Season 6):Aly Dale (@alydale55)Ash Hurry (@filmexplorationah)Cass Elliott (@take5cass)Terran Sherwood (@terransherwood) Voice of the Time Machine:Kristi Rothrock (@letzshake)Editing by:Nick GrowallFeatured Music:"Quantum Recast Theme" - Cory Williams"Charmer" - Coat...

Written by AlexCome and follow more adventures on our animated TV show on Youtube!

learn 10 high-frequency expressions, including words for outerwear clothing

In this conversation, Marshall and Nick discuss various aspects of car care, focusing on the importance of understanding car wash products, optimizing detailing processes, navigating weather challenges, and the significance of hiring and training in the detailing business. They share personal experiences and practical advice for car enthusiasts and professionals alike. In this conversation, Marshall and Nick delve into the nuances of car detailing, discussing the balance between DIY methods and professional services. They explore the importance of understanding customer expectations, especially in the context of financial realities and the impact of maintenance on vehicle longevity. The discussion emphasizes the need for clear communication and relationship-building in the detailing business, particularly as economic pressures influence customer decisions.Chapters00:00 Understanding Car Wash Products and Their Ingredients03:06 Optimizing Car Detailing Processes06:06 Navigating Weather Challenges in Car Care12:03 Hiring and Training in the Detailing Business18:06 Real-Life Car Care Experiences and Advice21:22 The Art of Car Detailing: DIY vs. Professional24:11 Understanding Enzymes in Cleaning29:22 Navigating Customer Expectations35:49 The Financial Reality of Car Maintenance41:44 Building Relationships in the Detailing Business

Palm Sunday was more than a parade—it was a declaration of identity, authority, and surrender. Discover how Jesus' entry into Jerusalem reveals not just who He is, but who we are in response. TEXT: 2 Timothy 3:5, Luke 19:35–40, 2 Kings 9:6, 2 Kings 9:11–13, Zechariah 9:9, 2 Samuel 6:12–16, 2 Samuel 6:22 NOTES: Big Idea: If Jesus is Teacher, King, and Lord… Then I am a student, a subject, and a servant. His brand defines my behavior. If He's the Teacher, I'm His student. If He's the King, I'm His subject. If He's the Lord, I'm His servant. -Cloak = identity, protection, and status. -We want Jesus to wear our coat. But Palm Sunday is about laying ours down. -We're created to worship- It's not ok to allow the rocks to do our job!

Hear an interview with Amelia Hogan about her latest album on the Irish & Celtic Music Podcast #706 . Subscribe now! Amelia Hogan, The Friel Sisters, Flook, Fialla, Robert Zielinski, On The Lash, Brobdingnagian Bards, Joseph Carmichael, The Lilies of the Midwest, Austral, Hounds of Finn GET CELTIC MUSIC NEWS IN YOUR INBOX The Celtic Music Magazine is a quick and easy way to plug yourself into more great Celtic culture. Enjoy seven weekly news items for Celtic music and culture online. Subscribe now and get 34 Celtic MP3s for Free. VOTE IN THE CELTIC TOP 20 FOR 2025 This is our way of finding the best songs and artists each year. You can vote for as many songs and tunes that inspire you in each episode. Your vote helps me create this year's Best Celtic music of 2025 episode. You have just three weeks to vote this year. Vote Now! You can follow our playlist on YouTube to listen to those top voted tracks as they are added every 2 - 3 weeks. THIS WEEK IN CELTIC MUSIC 0:12 - The Friel Sisters "Sporting Nell/The Black Mare of Fanad/Lough Isle Castle (Reels)" from Northern Sky 5:05 - WELCOME 7:16 - Flook "Where There Is Light / The May Waterway / Ninety Years Young" from Sanju 13:56 - Fialla "Easter Snow" from A Rare Thing 18:26 - Robert Zielinski "Sprig of Shillelagh" from The Day Dawn 19:30 - On The Lash "Dog in the Distance" from Fireside 23:25 - INTERVIEW: INTRO 23:45 - INTERVIEW: INTRODUCING AMELIA HOGAN 28:29 - Amelia Hogan "Home By Bearna" from Burnished 31:02 - INTERVIEW: NEW ALBUM 36:58 - Amelia Hogan "Dh'eirich mi Moch Madainn Cheitein" from Burnished 40:07 - INTERVIEW: RAPID FIRE QUESTIONS 49:54 - Amelia Hogan "Rolling In The Gold" from Burnished 53:42 - THANKS 55:26 - Brobdingnagian Bards "The Irishman Who Doesn't Drink" from Another Faire to Remember 57:58 - Joseph Carmichael "First of Spring" from single 1:02:13 - The Lilies of the Midwest "The Flower of Magherally" from Cat's Ceili 1:06:18 - Austral "Woodford Nights" from Thylacine 1:13:10 - CLOSING 1:13:50 - Hounds of Finn "My Father's Coat" from Gravity Pulls 1:19:07 - CREDITS The Irish & Celtic Music Podcast was produced by Marc Gunn, The Celtfather and our Patrons on Patreon. The show was edited by Mitchell Petersen with Graphics by Miranda Nelson Designs. Visit our website to follow the show. You'll find links to all of the artists played in this episode. Todd Wiley is the editor of the Celtic Music Magazine. Subscribe to get 34 Celtic MP3s for Free. Plus, you'll get 7 weekly news items about what's happening with Celtic music and culture online. Best of all, you will connect with your Celtic heritage. Please tell one friend about this podcast. Word of mouth is the absolute best way to support any creative endeavor. Finally, remember. Climate change is real, and we can fix it. Cutting waste, saving energy, and pushing for clean power all make a difference. A cleaner, safer world benefits everyone. Talk to someone today—our children are counting on you. Promote Celtic culture through music at http://celticmusicpodcast.com/. WELCOME THE IRISH & CELTIC MUSIC PODCAST * Helping you celebrate Celtic culture through music. I am Marc Gunn. I'm a Celtic musician and host of Folk Songs & Stories. This podcast is for fans of Celtic music. We are here to build a diverse Celtic community and help the incredible artists who so generously share their music with you. If you hear music you love, please email artists to let them know you heard them on the Irish and Celtic Music Podcast. Musicians depend on your generosity to release new music. So please find a way to support them. Buy a CD, Album Pin, Shirt, Digital Download, or join their community on Patreon. You can find a link to all of the artists in the shownotes, along with show times, when you visit our website at celticmusicpodcast.com. Email follow@bestcelticmusic to learn how to subscribe to the podcast and you will get a free music - only episode. You'll also learn how to get your band played on the podcast. Bands don't need to send in music, and You will get a free eBook called Celtic Musicians Guide to Digital Music. It's 100% free. Again email follow@bestcelticmusic Happy Easter!

In Ballad of the White Horse, G.K. Chesterton describes the Virgin Mary: Her face was like an open word When brave men speak and choose, The very colours of her coat Were better than good news. Why the colors of her coat? The medievals took their dyes very seriously. This was before modern chemistry, so you had to try hard if you wanted good colors. Try hard they did; they famously used literal gold, hammered into ultrathin sheets, to make golden highlights. Blue was another tough one. You could do mediocre, half-faded blues with azurite. But if you wanted perfect blue, the color of the heavens on a clear evening, you needed ultramarine. Here is the process for getting ultramarine. First, go to Afghanistan. Keep in mind, you start in England or France or wherever. Afghanistan is four thousand miles away. Your path takes you through tall mountains, burning deserts, and several dozen Muslim countries that are still pissed about the whole Crusades thing. Still alive? After you arrive, climb 7,000 feet in the mountains of Kuran Wa Munjan until you reach the mines of Sar-i-Sang. There, in a freezing desert, the wretched of the earth work themselves to an early grave breaking apart the rocks of Badakhshan to produce a few hundred kilograms per year of blue stone - the only lapis lazuli production in the known world. Buy the stone and retrace your path through the burning deserts and vengeful Muslims until you're back in England or France or wherever. Still alive? That was the easy part. Now you need to go through a chemical extraction process that makes the Philosopher's Stone look like freshman chem lab. "The lengthy process of pulverization, sifting, and washing to produce ultramarine makes the natural pigment … roughly ten times more expensive than the stone it came from." Finally you have ultramarine! How much? I can't find good numbers, but Claude estimates that the ultramarine production of all of medieval Europe was around the order of 30 kg per year - not enough to paint a medium-sized wall. Ultramarine had to be saved for ultra-high-value applications. In practice, the medievals converged on a single use case - painting the Virgin Mary's coat. https://www.astralcodexten.com/p/the-colors-of-her-coat

Today we're finding out how concrete is made, why we get headaches, and why we can't use our coats like bird wings... We also check in with the Aquanauts, where this week, they’re finding out about water in space! Join us as we explore fascinating facts, surprising discoveries, and the wonders of science.Join Fun Kids Podcasts+: https://funkidslive.com/plusSee omnystudio.com/listener for privacy information.

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Episode 103 | Reverend Lab Coat Feat.Gee Brown by TopRopeTyler, De'Anna & J'Lynn

On this episode, we dig into the chilling tale of a seemingly innocent antique coat rack that brought an eerie presence into one family's home. What began as an ordinary trip to a local antique store quickly turned into a haunting nightmare. Judy and her family were unaware that this antique would bring with it strange, unexplained noises and an unsettling presence that no one could ignore.   Could an antique truly be haunted, carrying with it something sinister? Judy's story takes us on a suspenseful journey through psychological unease and paranormal encounters that challenge the boundaries of belief. What's real, and what's simply a product of imagination? Listen as we uncover the mystery behind the coat rack that wouldn't stay quiet.

On this episode, we dig into the chilling tale of a seemingly innocent antique coat rack that brought an eerie presence into one family's home. What began as an ordinary trip to a local antique store quickly turned into a haunting nightmare. Judy and her family were unaware that this antique would bring with it strange, unexplained noises and an unsettling presence that no one could ignore.   Could an antique truly be haunted, carrying with it something sinister? Judy's story takes us on a suspenseful journey through psychological unease and paranormal encounters that challenge the boundaries of belief. What's real, and what's simply a product of imagination? Listen as we uncover the mystery behind the coat rack that wouldn't stay quiet.

n this Clutter-Free Academy episode, Kathi Lipp teams up with her favorite clutter co-conspirator, Tonya Kubo, to address a common household nemesis: the overflowing coat closet. Perfect for those with or without a traditional coat closet, Kathi and Tonya share innovative tips and strategies to transform any space into a functional launch pad for daily success.  Listeners will discover the surprising power of matching hangers and learn how to repurpose their coat closet space with hanging bins, command hooks, and even a USB rechargeable light for those darker nooks and crannies. In addition, Kathi and Tonya delve into the emotional connections tied to clothing and how to overcome them in order to achieve a streamlined, organized coat closet.  Whether you're tackling seasonal rotations or maintaining a tidy launch pad, this episode is packed with actionable advice to help you maintain a clutter-free lifestyle all year round. Plus, be sure to check out the downloadable resource and join the conversation in our Clutter Free Academy and Clutter Free for Life communities!  Promised links and resources will be available at KathiLipp.com . 

#663 – Coat Closet Decluttering Secrets: A Step-by-Step Guide

BIG, DIFFICULT, FASCINATING QUESTIONS (THAT WE'LL HAVE TO FACE IN THE VERY NEAR FUTURE). It seems only fitting that Matt Jordan – with his genetically perfect beard – should assume command of the USS 3Q3D for a conversation that tackles the toughest bioethical questions of our not-at-all distant future. Joined as usual by Amanda Adams and Chris Mikolay, the group wastes no time discussing whether we ought to genetically enhance our children, the second and third order consequences of dramatically increasing lifespans, and whether it's a good idea to implant a computer chip in our heads to make us a whole lot smarter. The questions are as good as the drinks (and in this episode, the drinks are *chef's kiss*), and resulting conversation is so strong that it's hard to believe it wasn't held by superhumans from the future.      Drinks in this Episode: Last Word coctkail >> 3/4 ounce gin; 3/4 ounce green Chartreuse; 3/4 ounce maraschino liqueur; 3/4 ounce lime juice, freshly squeezed; Garnish: brandied cherry (optional). Add the gin, green Chartreuse, maraschino liqueur and lime juice into a shaker with ice and shake until well-chilled. Strain into a chilled coupe glass and enjoy on your spaceship to Mars.  Sakura Sunrise cocktail >> 1 ½ ounce Roku gin; ½ ounce simple syrup; ¾ ounce grapefruit juice; ½ ounce lemon juice, freshly squeezed; splash of St. Germain; 3 dashes Lavender bitters. Mix all ingredients in a cocktail shaker with ice and strain into a coupe. Enjoy it anywhere, but ideally at a fancy bar on the North Shore of Hawaii so you can humblebrag about it later during a podcast recording.  Lemon Drop cocktail >> 2 ounces vodka; 1/2 ounce triple sec; 1 ounce lemon juice, freshly squeezed; 1 ounce simple syrup. Garnish: sugar rim. Coat the rim of a cocktail glass with sugar and set aside (do this a few minutes ahead so the sugar can dry and adhere well to the glass). Add the vodka, triple sec, lemon juice and simple syrup to a shaker with ice and shake until well-chilled. Strain into the prepared glass, take a sip, and immediately declare how much you enjoyed Lemonheads as a kid.  If you've been enjoying the 3Q3D podcast, please subscribe and consider giving us a rating, a review, or sharing an episode with a friend. Follow our social sites here: Instagram:  https://www.instagram.com/3drinkspodcast/?hl=en  Facebook:  https://www.facebook.com/3Drinkspodcast  

A poor Scottish farmer, after paying his rent without obtaining a receipt, faces demands from his landlord's son to clear the debt again following the landlord's sudden death. A witch intervenes to help the farmer by seeking proof from the deceased landlord himself. Hear the tale in “It's Hell to Pay the Piper” from CBS Radio Mystery Theater!CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:02:00.000 = CBS Radio Mystery Theater, “It's Hell to Pay the Piper” (October 31, 1975) ***WD00:47:45.179 = Adventures of Ellery Queen, “Foul Tip” (July 15, 1944) ***WD01:14:53.359 = Quiet Please, “Wear the Dead Man's Coat' (February 23, 1948) ***WD01:44:27.559 = Radio City Playhouse, “King of the Moon” (September 06, 1948) ***WD02:13:18.429 = Richard Diamond, “Rene Bennet Protection Case” (October 22, 1949)02:42:51.069 = Ripley's Believe It Or Not, “Engaged Only Once” (1930) ***WD02:44:02.918 = The Saint, “Death of the Saint” (July 16, 1950) ***WD03:12:40.189 = Sam Spade, “The Dick Foley Caper” (September 26, 1948)03:41:58.209 = The Sealed Book, “Broadway, Here I Come” (June 17, 1945) ***WD04:11:43.179 = The Shadow, “Prelude to Terror” (January 29, 1939) ***WD04:36:36.569 = Sleep No More, “Over The Hill – The Man In The Black Hat” (December 05, 1956) ***WD04:59:55.105 = Show Outro(ADU) = Air Date Unknown(LQ) = Low Quality***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.Weird Darkness theme by Alibi Music Library= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.= = = = =CUSTOM WEBPAGE: https://weirddarkness.com/WDRR0348