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"Statistically you're more likely to die in a hospital than anywhere else."The Horror Bulls descend into The Void (2016), a blood-soaked love letter to 80s cosmic horror packed with cult robes, hospital nightmares, and practical effects that melt your brain. We unpack the Lovecraftian ambition, the Carpenter vibes, and whether the story matches the monstrous spectacle.
"This place is aching for a video! "The Horror Bulls set sail with Friday the 13th Part VIII: Jason Takes Manhattan (1989), the entry that famously promises NYC mayhem and mostly delivers cruise-ship carnage. We break down the bait-and-switch setting, rooftop boxing glory, toxic waste nonsense, and why this movie somehow remains endlessly watchable despite itself.
"Put me closer to the window."The Horror Bulls check back into the Bates Motel for Psycho III (1986), Anthony Perkins' nastier, hornier, bloodier sequel that drags Norman kicking and screaming into the slasher era. We talk sleaze, religious trauma, punk aesthetics, and why this entry feels more Maniac than Hitchcock.
"Billy's silly!"The Horror Bulls step into Session 9 (2001), Brad Anderson's icy, echo-filled descent into mental collapse set inside the very real Danvers State Hospital. We unpack the dread-by-design atmosphere, the tape recordings from hell, and why this movie crawls under your skin instead of jumping out at you.
"You're just a little pregnant."The Horror Bulls cradle A Nightmare on Elm Street 5: The Dream Child (1989), a gothic swing for the fences where Freddy weaponizes pregnancy, comic books, and grief. We dissect the dream logic, the beautiful production design, and why this one feels more Hellraiser than Elm Street.
"Got Milk?"The Horror Bulls take a bite out of The Gingerdead Man (2005), a flour-dusted, low-budget oddity where Gary Busey plays a reanimated killer cookie. We break down the doughy dialogue, baking puns, wrestling subplots, and whether this Full Moon flick is a cult gem or a half-baked mess.
"I would really hate to be your scrotum right about now."The Horror Bulls unravel Abruptio (2024), the grotesque, years-in-the-making puppet horror nightmare that turns paranoia, puppetry, and social commentary into one of the weirdest horror rides in recent memory. We talk neck bombs, melting faces, lonely office workers, and whether this is art, absurdity, or both.
"Can't a girl get laid around here without being burned at the stake?"The Horror Bulls step behind the velvet rope for Waxwork (1988), a chaotic horror-fantasy ride through cursed exhibits, melting faces, werewolves, Dracula, and more. It's part monster mash, part time loop, part fever dream — and all 80s. We dive into the tone, effects, and why this underseen cult flick deserves a spot in the horror hall of fame.
"How many people did he kill last year?!"The Horror Bulls return to Haddonfield for Halloween 5: The Revenge of Michael Myers (1989), where Michael's mask is loose, Loomis is losing it, and Jamie Lloyd is having psychic seizures. We break down the wild tone swings, weird edits, and the early signs of the Thorn cult timeline that would soon explode into full chaos.
"Fire doesn't cleanse, it blackens!"The Horror Bulls descend into the fog with Silent Hill (2006), Christophe Gans' stylish, surreal adaptation of the classic horror video game. From pyramid-headed executioners to melting cultists, we explore whether this nightmare town offers substance or just smog.
"Let's go shopping!"The Horror Bulls chew into Dawn of the Dead (1978), George A. Romero's gore-soaked sequel that takes aim at consumer culture and unleashes chaos inside a Pennsylvania shopping mall. We're talking biker gangs, exploding heads, flyboy freakouts, and the blueprint for modern zombie horror.
"Sodas, I'm buyin'!"The Horror Bulls take a chainsaw to Maximum Overdrive (1986), King's only directorial outing — a sweaty, screeching, rock-and-roll horror meltdown where machines rise, trucks circle endlessly, and nothing makes sense. Is it trash, treasure, or something in between?
"They mostly come at night… mostly."The Horror Bulls lock and load for Aliens (1986), James Cameron's bombastic, gunmetal follow-up to Alien. We dig into Ripley's evolution, space jarheads, corporate weasels, acid blood, and why this might be the greatest genre sequel of all time.
“Can you fly, sucker?”The Horror Bulls dig into Tremors (1990), the dusty, gory, worm-infested B-movie classic that gave us underground terror and Kevin Bacon in cowboy boots. Is it just a goofy monster romp — or a masterclass in tone and pacing?
“It's just meat.”The Horror Bulls sink their teeth into Bring Her Back (2025), the new resurrection horror from the minds behind Talk to Me. From themes of grief and guilt to moments of sheer brutality — does it deliver the scares or just chew the scenery?
"Get her Leather!"Join the Horror Bulls for 1994's Texas Chainsaw Massacre: The Next Generation.Support the showPumpkin Demon by WinnieTheMoog.Link: https://filmmusic.io/song/6866-pumpkin-demonLicense: https://filmmusic.io/standard-license