Podcasts about Evil Dead

In the epic conclusion to 2025's MONSTER MAYHEM, the gang discuss some horror comedy movies with Evil Dead 2 and Return of the Living Dead! Our last episode discussing a few Evil Dead movies - https://www.galaxyoffilm.com/shows/episode/1f7a8a60/ep122-evil-dead-rise-and-evil-dead-2013 Watch Acts of Violence, our newest horror film, right here - https://www.youtube.com/watch?v=cTOgt0qXt4E&t=5s You can support our newest production by checking out our Gofundme campaign - https://www.gofundme.com/f/GOFsummerfilmfund You can find more of our podcast as well as the rest of our content on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠GalaxyOfFilm.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ You can follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bluesky⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@GalaxyOfFilm and subscribe to our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube channel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Galaxy Of Film⁠⁠⁠⁠⁠⁠!⁠⁠⁠   Follow our guest stars! Shannon - @Shannonacts on Instagram   Episode 250 of the Galaxy Of Film podcast Season 4 Episode 10

After contributing to The Pod and the Pendulum's 300th episode on the 25 best horror films of the 21st century, we decided to run through our individual lists for listeners.How did we each approach the task? (hint: thank god for Letterboxd) Which film(s) appear on both lists? And what movies will top our individual lists?! Don't scroll if you don't wanna know!Joe's Top 25 Horror Films of the Century (Ranked)The Invitation (2015)Knife + Heart (2018)Hereditary (2018)Train To Busan (2016)Relic (2020)Saint Maud (2019)The Descent (2005)The Perfection (2018)Inside/A L'Interieur (2007)Raw (2016)Better Watch Out (2016)Under The Skin (2013)Black Swan (2010)Let The Right One In (2007)Stoker (2013)Femme (2023)Annihilation (2018)Blink Twice (2024)The Skin I Live In (2011)The Strangers (2008)The Invisible Man (2020)Hostel Part 2 (2007)Ginger Snaps (2000)The Substance (2024)Midnight (2022)----------Trace's Top 25 Horror Films of the Century (Ranked)The Substance (2024)The Descent (2005)The Den (2013) - Listen to our guest spot on TGIFHereditary (2018)The Invitation (2015)Martyrs (2008)The Perfection (2018)The Texas Chainsaw Massacre (2003)It Follows (2014)The Outwaters (2022)Drag Me To Hell (2009)Grindhouse (2007)Trick 'r Treat (2007)Insidious (2011)The Witch (2018)The Cabin In The Woods (2011)Bug (2006)The Mist (2007)Evil Dead (2013)Green Room (2008)[Rec]² (2009)Doctor Sleep (2019)Don't Breathe (2016)Detention (2011)Zombeavers (2014) Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This week we celebrate Halloween by throwing Wally's 16-year-old son into the wild, chainsaw-swinging, one-liner-spouting madness that is Army of Darkness! Will he think Ash Williams is the original cringe lord? Or will the boomstick win him over and prove that practical effects, skeleton armies, and Sam Raimi chaos still slap in 2025? We grew up calling this peak cinema… now it's time to find out if Gen-Z agrees. If you love cult classics, horror comedy, and watching teens roast our nostalgia, smash that like, drop a comment, and subscribe!

Send us a textA collection of Devil's Night-themed videotapes unleashes a series of twisted, blood-soaked tales, turning the Trick or Treat Radio hosts into a struggle for survival of their cinematic sanity. On Episode 692 of Trick or Treat Radio we discuss the latest installment in the V/H/S franchise with V/H/S/Halloween! We also discuss the anatomy of a good horror anthology entry, fear shame a very specific demographic, and react to the Shelby Oaks trailer. So grab a can of Diet Phantasma, pick out a single non-phallic candy bar, do the thorazine shuffle, and strap on for the world's most dangerous podcast!Stuff we talk about: Putting on weight, Jason Milhouse Voorhees, Camp Crystal Lake, Peloton, GGTMC Flick Pick of the Month, Outside the Cinema, Thorazine Shuffle, The Return of the Evil Dead, Q, Trick or Treats, Return of the Living Dead 3, The Nightmare Before Christmas, Necronomicon, Terror Firmer, The House on Haunted Hill, Saw, Frankenstein's Bloody Nightmare, The Zombie Diaries, Terrifier, All Hallow's Eve, Gothika, The Hills Run Red, It, See No Evil 2, Tucker and Dale Versus Evil, Pandorum, Alien Resurrection, Beetlejuice, Winona Ryder, Open House, Hack-o-Lantern, Jaws, Richard Dreyfus, Demon Under Glass, Fear the Walking Dead, Ghosts and Goblins, Mike Flanagan, The Chayn Gang, Ween, Chris Fleming, snacks at Trader Joe's, Metallica, Testament, Chuck Billy, fear shaming, people afraid of the HBO Feature Presentation intro, V/H/S/Halloween, Falcor, overly lactatious, Anna Zlokovic, Bryan M. Ferguson, Hellblazer, Sandman, Paco Plaza, REC, Lidsville, Casper Kelly, Charles Nelson Reilly, chloroform, Michelle Pitt-Norman, R.H. Norman, Rick Baker, Summer School, Damien Leone, House of Dynamite, Guillermo del Toro's Frankenstein, Kowakian Monkey Lizards, dia de los muertos, Ghosts and Goblets, Cosmic Transition, and Shiny Deadly Chaos.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show

The massacre was in Texas, so I pulled out the chainsaw!!! Yessir, it's time to check back in with Leatherface and this... comedy?!? Yeah, if the poster didn't give it away, this sequel pulls an Evil Dead 2 style move and just gets goofy. Cameron joins us very late into the episode and has us laughing at old video games. Episode Link - https://tinyurl.com/5yz5h3z5 Support the show on Patreon - https://www.patreon.com/c/homevideohustle More Movie Reviews on LetterBoxd - https://letterboxd.com/hvhpodcast/ Watch Us On YouTube - https://www.youtube.com/channel/UCfN67zqLBcbJNJw1cHI0Hlw Get HVH Merch - https://www.teepublic.com/user/hvhpodcast Learn more about your ad choices. Visit megaphone.fm/adchoices

Happy Halloween!Evil Dead II was not the sequel to The Evil Dead that Sam Raimi intended. With a bigger budget, and more experience, he essentially remade the first film with a comedic twist. Released in 1987, Evil Dead II became the perfect bridge between horror and comedy.Ash Williams transforms from every man survivor to wisecracking action hero. Campbell's physical comedy is next-level; the guy gets beaten up by his own possessed hand. His performance became so iconic, it launched an entire franchise and Ash as a cult hero. Practical effects, makeup, and prosthetics created some truly memorable (and gross) moments.Evil Dead II helped define the horror-comedy genre and influenced countless filmmakers. It became a cult classic that's still celebrated decades later, leading to Army of Darkness and eventually the Ash vs Evil Dead TV series. Bruce Campbell and Sam Raimi became legends in genre filmmaking.Evil Dead II proved you could be terrifying and hilarious at the same time. It's a masterclass in creative filmmaking on a budget, and proof that sometimes the best sequels are the ones that aren't afraid to reinvent themselves.Groovy.I would love to hear your thoughts on Evil Dead II !Verbal Diorama is now an award-winning podcast! Best Movie Podcast in the inaugural Ear Worthy Independent Podcast Awards and was nominated for the Earworm Award at the 2025 Golden Lobes.CONTACT.... Twitter @verbaldiorama Instagram @verbaldiorama Facebook @verbaldiorama Letterboxd @verbaldiorama Email verbaldiorama [at] gmail [dot] com Website verbaldiorama.comSUPPORT VERBAL DIORAMA....Give this podcast a five-star Rate & Review Join the Patreon | Send a Tip ABOUT VERBAL DIORAMAVerbal Diorama is hosted, produced, edited, researched, recorded and marketed by me, Em | This podcast is hosted by Captivate, try it yourself for free. Theme Music: Verbal Diorama Theme Song. Music by Chloe Enticott - Compositions by Chloe. Lyrics by Chloe Enticott (and me!) Production by Ellis Powell-Bevan of Ewenique StudioPatrons: Simon, Laurel, Derek, Cat, Andy, Mike, Luke, Michael, Scott, Brendan, Ian, Lisa, Sam, Jack, Stuart, Nicholas, Zo, Kev, Heather, Danny, Stu, Brett, Philip M, Xenos, Sean, Ryno, Philip K, Adam, Elaine, Kyle,Aaron and ConnerThis podcast uses the following third-party services for analysis: Podscribe - https://podscribe.com/privacyOP3 - https://op3.dev/privacy

Happy Halloween from Chuck and Dale

This episode we tack the Starz television show Ash vs Evil Dead. Along the way we discuss our preferences for tricked out hursts, the trouble with tribbles and we round it out with a game of Kevin Bacon or Jon Bon Jovi. Much fun is had. Happy Halloween everyone!! Follow us on social media and don't forget to like, subscribe and rate us on your pod catcher of choice!! Instagram discord X Dave's Instagram A'riel projectgenxpod@gmail.com

We talk about 1991 Hong Kong horror action film: Holy Virgin vs. The Evil Dead. 

For Devil's Night, we are releasing the OG Evil Dead. This is totally a childhood trauma movie, and one of us may be over it, while one of us is definitely not. Besides the multiple eye close-ups, the filming techniques hit, and here is where we disagree--the makeup is unsettling. We may not agree with every aspect of this movie, but there are 2 things we 100% do: Scott sucks and we totally would have survived this movie! Rate! Review! Follow! Check out our website toasttoromcoms.com Email us at toasttoromcoms@gmail.com Follow us on Instagram @toastyhorror

Michael Cassidy, sales arborist at Davey's West Columbus office, shares his list of scary movies featuring spooky trees, eerie forests and creepy plants just in time for Halloween. In this episode we cover: Doug's favorite horror movie (1:22)Doug and Michael's Halloween traditions (2:40)Scary movies with scary trees and plants  Pumpkinhead (4:34)The Wicker Man (5:01)Ernest Scares Stupid (6:02)Blair Witch Project (7:26)Invasion of the Body Snatchers (8:13)The Texas Chainsaw Massacre (11:39)Color Out of Space (12:06)Moonstruck (12:38)Midsommar (13:14)Jumanji (14:02)Predator (15:01)Alien (15:44)Wrong Turn (16:41)The Watchers (17:02)The Evil Dead series (17:35)Gaia (19:57)The Wizard of Oz (20:27)To find your local Davey office, check out our find a local office page to search by zip code.To learn more about scary trees and plants, read Davey's blog, Zombie Trees: What You Need to Know. Connect with Davey Tree on social media:Twitter: @DaveyTreeFacebook: @DaveyTreeInstagram: @daveytreeYouTube: The Davey Tree Expert CompanyLinkedIn: The Davey Tree Expert Company Connect with Doug Oster at www.dougoster.com. Have topics you'd like us to cover on the podcast? Email us at podcasts@davey.com. We want to hear from you!Click here to send Talking Trees Fan Mail!

On the twenty-ninth night of our #31DaysToHalloween the Mister joins me in reviewing EVIL DEAD 2 (1987), from director Sam Raimi, the film has a screenplay by Sam Raimi and Scott Spiegel.  Continuing his gruesome ordeal, Ash Williams (Bruce Campbell) is left alone and trapped at a remote cabin after his terrifying encounter with the evil forces unleashed by the Necronomicon Ex-Mortis.  He spends a horrific night battling the demonic entity, which possesses his own hand and drives him to the brink of insanity with surreal, slapstick violence.  When a small group arrives at the cabin with the missing pages of the Book of the Dead, Ash must overcome his madness and embrace his role as a Deadite-slaying champion.  The film clocks in at 1 h and 24 m, is rated R and we caught it on HBO Max but you can find it on Prime Video to buy/rent. Please note there are SPOILERS in this review.#EvilDead2 #SamRaimi #ScottSpiegel #BruceCampbell #Ash #SarahBerry #Annie #DanHicks #Jake #KassieWesley #BobbyJoe #DeniseBixler #Linda #TedRaimi #PossessedHenrietta #RichardDomeier #Ed #JohnPeaks #ProfessorKnowby #LouHancock #Henrietta #B-Horror #DarkComedy #Farce #FolkHorror #Slapstick #SplatterHorror #SupernaturalHorror #ZombieHorror #Comedy #Horror #Thriller  @HBOMax  @PrimeVideo  #31DaysToHalloween #SpookySeason #Day29 #FridayFamilyFilmNight And in #SpookySeason don't forget to use your powers for good - support our friend KT as she raises funds for the good folks at St. Jude's - any little bit helps and is whole heartedly appreciated by the families who rely on St. Jude's @stjudehttps://fundraising.stjude.org/goto/thewolfmansOpening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library

Vinnie gets a chance to talk about one of his favorite shows because Mrs. Cunningham from ‘Happy Days' is 97 years old. Who are the ultimate scream queens of the horror movie genre? Taco Tuesday with no front teeth proves difficult. Some guy claims today will be the day aliens make contact with their UFO. Tales of a Haunted House. The scariest house is one that sells above asking price for all cash. Vinnie's wondering why everything has to happen in one week. Sarah's got what's new on TV this week. South Park is dropping its Halloween episode on Friday this week. A new Dr. Seuss book is on the way. Who is the greatest horror villain of each decade? Are peanut allergies new? The science behind avoiding them is! Bad Advice is BACK! An angry cat is scaring away this listener's boyfriends. What should she do?! Email us for Bad Advice: badadvice973@gmail.com. Sarah reveals a secret about herself that shocks Bob. NOT the band! A Florida man was arrested after smashing 80 pumpkins at a Target in the middle of the night. The definitive definition of Broadway. Where did your paycheck go? Booger candy! The Bay is alive with the sound of music. Evil Dead in Concert is here for a dose of thrash metal. The induction ceremony of Rock & Roll Hall of Fame is star studded - Chappell Roan was just added! An 80-year old woman was found dead on Lizard Island after being left behind by her cruise ship. A “men diagram” is offending Vinnie, but Sarah and Bob support it. Plus, it's always crazy to learn how much people pay for memorabilia!

The Bay is alive with the sound of music. Evil Dead in concert is here for a dose of thrash metal. The induction ceremony of Rock & Roll Hall of Fame is star studded - Chappell Roan was just added! An 80-year old woman was found dead on Lizard Island after being left behind by her cruise ship. A “men diagram” is offending Vinnie, but Sarah and Bob support it. Plus, it's always crazy to learn how much people pay for memorabilia!

The PYBD girls dive into Evil Dead 2 like it's a demonic "Beauty and the Beast"

Title: The Evil Dead [Wikipedia] [IMDb] Director: Sam Raimi Producer: Robert G. Tapert Writer: Sam Raimi Stars: Bruce Campbell, Ellen Sandweiss, Richard DeManincor, Betsy Baker, Theresa Tilly Release date(s): October 15, 1981 (Redford Theatre) April 15, 1983 (US) PROMO: Anime Talk! (@AnimeTalk12) SPECIAL GUESTS: Robbie Sherman, Conversations with Robbie Sherman (@convoswrob.bsky.social) The Vern, Cinema Recall (@cinema_recall) SHOWNOTES: Continuing our spooky season, we found the perfect pairing to our Season Premiere on Peter Jackson's Dead Alive: Sam Raimi's 1981 feature directorial debut and indie supernatural horror film, The Evil Dead! This is Collateral Cinema's first venture into the Evil Dead franchise, and the importance of the original movie on independent filmmaking and the horror genre as a whole cannot be understated. So join Ash (Chancellor, not Williams), Beau, and guests Robbie Sherman (Conversations with Robbie Sherman) and The Vern (Cinema Recall), as we dive into this seminal exploitative film, and stay tuned for our Halloween Special on Halloween: The Curse of Michael Myers, as well as more horror content! Conversations with Robbie Sherman is available on Spotify, Apple Podcasts, or wherever you get your podcasts! You can also follow him on Bluesky! Cinema Recall is available on Apple Podcasts, Spotify, and Goodpods! You can also follow them on Bluesky, Threads, Facebook, Instagram, or Twitter, and check their official website at cinemarecall.net! (Collateral Cinema is a Collateral Media Podcast. Intro song is a license-free beat from Purple Planet Music. All music and movie clips are owned by their respective creators and are used for educational purposes only. Please don't sue us; we're poor!)

On an international edition of The Catered Quiz, Doug Tilley joins the show from Canada to answer questions about the movie The Evil Dead and the actor Eric Roberts. We also talk about Dick Miller, George Kennedy and Larry Cohen. Doug's podcasting empire with Liam O'Donnell can be enjoyed at www.cinemasmorgasbord.com

It's the Halloween Edition of Gridiron Gurus! Terry and VT rise from the football graveyard to break down all the chaos from Week 8 — shocking upsets, fantasy horror stories, and the teams haunting their fans the most. Then, they look ahead with bold (and possibly cursed) Week 9 predictions. But beware… the biggest scare of all? Terry forgot his Evil Dead 2 hat. Despite the missing mojo, the Gurus still bring plenty of tricks, treats, and terrifyingly good takes from across the NFL. It's spooky season on the gridiron — and nobody's safe.

Chris and Luke are joined by the boys from The MCU's Bleeding Edge to discuss Fede Alvarez's 2013 remake of The Evil Dead. Is it a worthy remake? Listen to find out!

Join us as we open the Necronomicon and dive deep into the grooviest horror classic of them all — The Evil Dead 1981In this week's Nerdy Up North Podcast, we're heading to that creepy cabin in the woods where Ash Williams played by the legendary Bruce Campbell faced off against Deadites, demonic possession, and gallons of fake blood. All crafted by a young Sam Raimi on a shoestring budget

The trees are out to get us on this week's episode! We talk a whole lot of Sam Raimi, Mike just saw One Battle After Another so some more Leonardo DiCaprio talk, and the greatest movie best friends of all time

I guess we could see this coming, as we close out our “Directors in Short Pants” series with Sam Raimi's first work, “The Evil Dead”: Mike and I have been transformed into a pair of eldritch horrors from beyond time and space. Dang it, this is REALLY inconvenient right now. As far as I can … Continue reading "Episode 357 – The Evil Dead (1981)"

With an Evil Dead-esque approach and a battery of comedy performers swinging for the fences, Destroy All Neighbors hit a sweet spot for me. Read more at: https://scottsself-indulgentmovieblog.blogspot.com/.

Gregory and Justin prepare for their home show - Winnipeg Comiccon - by going through their new stock and welcoming some surprise guests to the podcast.Pick up Gregory's new book Blood Letters, wherever books are sold: https://www.amazon.ca/Blood-Letters-Ariel-Gordon/dp/1773371436Transition clips are from The Evil Dead (1981) - https://youtu.be/coGH4OaR9hc?si=O4IYtTKMD65cMvTQFollow the gang online:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/gmbchomichuk/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/chasingartwork/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.tiktok.com/@danwatchesmovies⁠GMB Chomichuk's online store: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.gmbchomichuk.ca⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Chasing Artwork's online store: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.chasingartwork.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Production: Dan VadeboncoeurTitles: Jesse Hamel & Nick Smalley

¡Vótame en los Premios iVoox 2025! Nos acercamos a la increíble Army of Darkness (El ejército de las tinieblas), la tercera parte de Evil Dead. Lo vamos a pasar en grande con su argumento y diversas historias. ¿Te vienes con nosotros a por el Necronomicón aunque no sepamos bien la tercera palabra? Con Mario Padilla y Luis Martínez Vallés Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

The next installment of the Imperial '80s series is sure to be one for the ages. Evil Dead 2. Bruce Campbell. Chainsaw arm. Sawed off Shotgun. Necronomicon. Sina Rahmani from the East is a Podcast. What more could you want? We can't talk about this film without discussing settler colonialism, zionism, & orientalism (and therefore imperialism)! As always to support our show, please become an Imperial 80s patron, where you get first access to bonus episodes and support both Mtume and J's work on this series. We do hope to have the time to record a bonus episode for this one with Sina as well. Watch the video edition on our MAKC's YouTube channel Consider supporting the show www.patreon.com/east_podcast

Before director Sam Raimi achieved major box office success with the original Spider-Man trilogy, he was primarily recognized as the cult filmmaker behind The Evil Dead series. In 1981, Raimi and star Bruce Campbell created The Evil Dead, offering their humorous and irreverent take on horror, featuring Ash—a clumsy fool—being terrorized by ghouls in a cabin surrounded by woods. The film's success led to this 80s flick, which serves as a pseudo-sequel and remake, blending the grotesque style of the first film with slapstick comedy that echoes Raimi's fondness for The Three Stooges.Join us at the creeky old cabin, turn on the reel-to-reel recorder, and strap on the chainsaw as Tim Williams and guest co-hosts Nicholas Pepin and Laramy Wells discuss “Evil Dead 2” from 1987 on this episode of the 80s Flick Flashback podcast!Here are some additional behind-the-scenes trivia we were unable to cover in this episode:Ash's chainsaw appears to switch hands in one scene. This is because Sam Raimi decided Ash should walk the opposite way across the room in that scene, so he flipped the negative.The poster for the movie shows a close-up of a skeleton with eyes. This creature is not seen anywhere in the movie, but a similar enemy does show up in the sequel, "Army of Darkness".Sources:Wikipedia, IMDBhttps://www.mentalfloss.com/entertainment/movies/evil-dead-2-dead-by-dawn-movie-factsSome sections were composed by ChatGPTWe'd love to hear your thoughts on our podcast! You can share your feedback with us via email or social media.Website - https://www.80sflickflashback.com/TeePublic Store - https://www.teepublic.com/user/eighties-flick-flashbackBuy Me A Coffee - https://buymeacoffee.com/80sflickfbFacebook - https://www.facebook.com/80sflickflashbackpodcastInstagram - https://www.instagram.com/80sflickflashback/TikTok - https://www.tiktok.com/@80sflickflashbackEmail - Info@80sFlickFlashback.com

From what I have read online, it looks like this movie is tons of fun. From watching the preview, It's like Poultrygeist meets The Thing with a touch of Evil Dead thrown in for good measure. However, I also get the feeling that the audience will have sympathy for the victims because of the on-screen chemistry. I had the opportunity to sit down with Jada and get to know more about her character, the movie, the special effects, the puppeteering, and much more. Seeing how that I misconstrued the release, I feel like a very bad host for not being able to watch the movie. But, as soon as the interview was over, I ran to my living room and started watching the movie and believe me, I was not disappointed. The actors in this movie are phenomenal! Everyone delivered their roles flawlessly and I am super excited to see two of my favorite actors in the same movie: Spooky Madison and Aaron Prager – these two will forever be in my Independent Horror Movie Hall of Fame. With that being said, this delightful treat of a movie is now streaming on Amazon. What are you waiting for? Watch it now!

PLAY OR NAY?

Before 20-year-old Sam Raimi could make The Evil Dead, he had to convince investors that three friends from Michigan could pull off a horror masterpiece. Enter "Within the Woods," a short film that became the ultimate pitch; screened across Detroit until enough people bought in. The result? An initial $85,000 and a one-way ticket to a freezing, abandoned cabin in Tennessee with no heat, no plumbing, and 12 weeks of pure filmmaking chaos.Bruce Campbell's on-screen suffering was real—those bruises, cuts, and exhausted reactions weren't acting. The crew ended up living in the dilapidated cabin, inventing techniques and visual effects out of creativity and desperation. It was the epitome of low budget, inexperienced but passionate filmmaking.The Evil Dead could have easily disappeared into low budget horror movie obscurity, though. They struggled to find domestic distribution until Stephen King saw it at Cannes and called it "the most ferociously original film of the year." That single endorsement transformed everything.When it was released in the UK, it became the best selling VHS of the year in 1983. It was subsequently banned as the "number one video nasty" in the UK, and called too extreme for mainstream distribution. Thanks, Mary Whitehouse.The Evil Dead rewrote the rules. It proved indie horror could be artful, that gore could be kinetic poetry, and that a cabin in the woods could become the most terrifying place on Earth. It showed a generation of filmmakers that you don't need studio money to make something revolutionary; you just need vision, determination, and friends willing to suffer for the cause.I would love to hear your thoughts on The Evil Dead (1981) !Verbal Diorama is now an award-winning podcast! Best Movie Podcast in the inaugural Ear Worthy Independent Podcast Awards and was nominated for the Earworm Award at the 2025 Golden Lobes.CONTACT.... Twitter @verbaldiorama Instagram @verbaldiorama Facebook @verbaldiorama Letterboxd @verbaldiorama Email verbaldiorama [at] gmail [dot] com Website verbaldiorama.comSUPPORT VERBAL DIORAMA....Give this podcast a five-star Rate & Review Join the Patreon | Send a Tip ABOUT VERBAL DIORAMAVerbal Diorama is hosted, produced, edited, researched, recorded and marketed by me, Em | This podcast is hosted by Captivate, try it yourself for free. Theme Music: Verbal Diorama Theme Song. Music by Chloe Enticott - Compositions by Chloe. Lyrics by Chloe Enticott (and me!) Production by Ellis Powell-Bevan of Ewenique StudioPatrons: Simon, Laurel, Derek, Cat, Andy, Mike, Luke, Michael, Scott, Brendan, Ian, Lisa, Sam, Jack, Stuart, Nicholas, Zo, Kev, Heather, Danny,

This week we talk about No Kings, the new White House Ballroom, inflation, Marvel Rivals PvE, Battlefield 6, Ghost of Yotei, 10 games to get to know me, Air Bud, Evil Dead, movie re-releases, King of the Hill, Jiu Jitsu Kaisen, Star Wars Visions, Studio Trigger, Michael Jai White, and more! Come follow us: http://www.beenhadproductions.squarespace.com/bthanbti SoundCloud: https://soundcloud.com/bthanbtiI Facebook: https://www.facebook.com/BthanBTI/ Twitch: https://www.twitch.tv/bthanbti Twitter: @BthanBTI iTunes: https://itun.es/i6SJ6Pw YouTube: https://www.youtube.com/c/BlackerThanBlackTimesInfinity Rescue + Residence https://www.rescueresidence.org/ Donate: https://www.givebutter.com/R_R_Champions

THAT BEDROOM SCENE!! Terrifier 2 Full Movie Reaction Watch Along: ⁠  / thereelrejects  ⁠ Go to ⁠https://www.HelloFresh.com/REJECTS10FM⁠ now to Get 10 Free Meals + a Free Item per box for Life with active subscription! Grab The New TARAfier Tee & Halloween Sweater: ⁠https://www.rejectnationshop.com/⁠ Terrifier (2016) Reaction ⁠   • Holy Crap...TERRIFIER (2016) IS FREAKIN' N...  ⁠ Terrifier 2 Reaction, Recap, Commentary, Analysis, & Spoiler Review! John Humphrey, Tara Erickson & Aaron Alexander dive into Damien Leone's TERRIFIER 2 — the viral horror sensation that shocked audiences with its extreme gore, practical effects, and the terrifying return of Art the Clown (played by David Howard Thornton). Starring Lauren LaVera (Sienna Shaw), Elliott Fullam (Jonathan), and Felissa Rose (Sleepaway Camp) in terrifying cameo roles, this cult slasher pushes boundaries with the infamous bedroom kill scene, comic book dream sequence, resurrection opening, and Terrifier clown café massacre. We discuss why Terrifier 2 became a word-of-mouth phenomenon during Halloween season, how Lauren LaVera became a new horror icon, the rebirth of indie practical horror. We theorize on Art's origin, pale girl mystery, supernatural resurrection, religious symbolism, connection to Terrifier 1, and speculate on the rumored Terrifier cinematic universe. Featuring iconic horror references to Halloween, Friday the 13th, Evil Dead, X, Saw, Smile, and The Conjuring. Join us as we react to the most brutal kills, shocking twists, legendary final battle, and why TERRIFIER 2 may be the goriest movie in modern horror history! Follow Aaron On Instagram: ⁠https://www.instagram.com/therealaaronalexander/?hl=en⁠ Follow Tara Erickson: Youtube:⁠ https://www.youtube.com/@TaraErickson⁠ Instagram: ⁠ https://www.instagram.com/taraerickson/⁠ Twitter: ⁠ https://twitter.com/thetaraerickson⁠ Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. ⁠https://creativecommons.org/licenses/...⁠ Support The Channel By Getting Some REEL REJECTS Apparel! ⁠https://www.rejectnationshop.com/⁠ Follow Us On Socials:  Instagram: ⁠https://www.instagram.com/reelrejects/⁠  Tik-Tok: ⁠https://www.tiktok.com/@reelrejects?lang=en⁠ Twitter: ⁠https://x.com/reelrejects⁠ Facebook: ⁠https://www.facebook.com/TheReelRejects/⁠ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. ⁠https://creativecommons.org/licenses/by/4.0/⁠ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. ⁠https://creativecommons.org/licenses/...⁠ POWERED BY @GFUEL Visit⁠ https://gfuel.ly/3wD5Ygo⁠ and use code REJECTNATION for 20% off select tubs!! Head Editor:⁠ https://www.instagram.com/praperhq/?hl=en⁠ Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license.⁠ https://creativecommons.org/licenses/by/4.0/⁠ Ask Us A QUESTION On CAMEO:⁠ https://www.cameo.com/thereelrejects⁠ Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  ⁠https://www.facebook.com/TheReelRejects/⁠ INSTAGRAM: ⁠ https://www.instagram.com/reelrejects/⁠ TWITTER:  ⁠https://twitter.com/thereelrejects⁠ Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  ⁠https://www.instagram.com/thegregalba/⁠ TWITTER:  ⁠https://twitter.com/thegregalba⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

THAT BEDROOM SCENE!! Terrifier 2 Full Movie Reaction Watch Along:   / thereelrejects   Go to https://www.HelloFresh.com/REJECTS10FM now to Get 10 Free Meals + a Free Item per box for Life with active subscription! Grab The New TARAfier Tee & Halloween Sweater: https://www.rejectnationshop.com/ Terrifier (2016) Reaction    • Holy Crap...TERRIFIER (2016) IS FREAKIN' N...   Terrifier 2 Reaction, Recap, Commentary, Analysis, & Spoiler Review! John Humphrey, Tara Erickson & Aaron Alexander dive into Damien Leone's TERRIFIER 2 — the viral horror sensation that shocked audiences with its extreme gore, practical effects, and the terrifying return of Art the Clown (played by David Howard Thornton). Starring Lauren LaVera (Sienna Shaw), Elliott Fullam (Jonathan), and Felissa Rose (Sleepaway Camp) in terrifying cameo roles, this cult slasher pushes boundaries with the infamous bedroom kill scene, comic book dream sequence, resurrection opening, and Terrifier clown café massacre. We discuss why Terrifier 2 became a word-of-mouth phenomenon during Halloween season, how Lauren LaVera became a new horror icon, the rebirth of indie practical horror. We theorize on Art's origin, pale girl mystery, supernatural resurrection, religious symbolism, connection to Terrifier 1, and speculate on the rumored Terrifier cinematic universe. Featuring iconic horror references to Halloween, Friday the 13th, Evil Dead, X, Saw, Smile, and The Conjuring. Join us as we react to the most brutal kills, shocking twists, legendary final battle, and why TERRIFIER 2 may be the goriest movie in modern horror history! Follow Aaron On Instagram: https://www.instagram.com/therealaaronalexander/?hl=en Follow Tara Erickson: Youtube: https://www.youtube.com/@TaraErickson Instagram:  https://www.instagram.com/taraerickson/ Twitter:  https://twitter.com/thetaraerickson Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

Just in time for the spooky season, we're reaching deep into the furthest, darkest reaches of the Bullseye archives for this conversation with Bruce Campbell. The cult movie actor starred in Sam Raimi's "Evil Dead" – an absolute horror classic. When we talked to Bruce in 2011 he spoke with our correspondent Jordan Morris about the DIY aesthetic of his projects, obsessive fans, and how he came to make cult horror movies.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

From my lips, to your ears – don't eat McDonalds hamburgers. Under any circumstances. I'm falling out of love with movies as I get older. (Are you?) One complaint after another, and I submit to you a reason the movie industry and movie culture is in a state of stagnation for a reason no one else is considering; a lack of visionary PRODUCERS. Roofman, the movie. My 2,500 cents on Mr. Scorsese, the documentary. Big shake up at Studio A.

Go behind the scenes with Dana DeLorenzo of Ash vs Evil Dead and hear some stories! Hear more about Ash wield his trusty boomstick and battle the evil dead. Featuring stars like Lucy Lawless, this tv series was a wild ride! Buckle up! Ghost Beaters for life! Check out our merch store! https://suns-and-shadows.myspreadshop.com/ TWITTER ► / sunsandshadows FACEBOOK ► / sunsandshadows INSTAGRAM ► / sunsandshadowscast DISCORD ► https://discord.gg/nUwJRmquwX CRTICILESS ► SunsAndShadows YOUTUBE: ► / @sunsandshadowscast.

Send us a text In this episode, Thomas and Erin Lilley Smith ("Demon Squad") join the podcast. They bring along the movie Fright Night. Marty and Clif give Thomas and Erin the movie Darkman to watch.  The crew dives deep into Sam Raimi's Darkman (1990) — a chaotic, comic-book revenge tale starring Liam Neeson — and Tom Holland's Fright Night (1985), the ultimate 80s blend of vampires, special effects, and teenage paranoia. Along the way, they talk about MST3K, Raimi's early directing style, 90s superhero weirdness, and why Darkman feels like the missing link between Evil Dead and Spider-Man.  #TalkingPondo #Darkman #FrightNight #SamRaimi #HorrorPodcast #MST3K #MovieReview #CultCinema #EvilDead #LiamNeeson #ChrisSarandon #HorrorMovies #FilmDiscussion #Podcast Support the showFind our films here: The Love Song of William H Shaw Revenge of Zoe Writing Fren-ZeeMaking Pondo on Facebookhttps://www.facebook.com/profile.php?id=100087139659233X (formerly Twitter):@MakingPondoInstagram:https://www.instagram.com/makingpondo/Making Pondo on Letterboxd:Season Onehttps://letterboxd.com/marty_ketola/list/talking-pondo/Season Twohttps://letterboxd.com/marty_ketola/list/talking-pondo-season-2/Season Threehttps://letterboxd.com/marty_ketola/list/talking-pondo-season-3/ Theme Song "The Rain" by Russ PacePhotos by Geoffrey Notkin

By Walt HickeyWelcome to the Numlock Sunday edition.This week, I spoke to Alyssa Rosenberg, Sunny Bunch and Peter Suderman, the three panelists of the outstanding film podcast Across the Movie Aisle. I really enjoy the show and have been a longtime fan of their individual work.I think that they're a group with genuinely diverse opinions but who have a lot of love for cinema and as a result have some of the most deeply interesting conversations about the art form of any show I listen to. The show just split off from The Bulwark's network and is striking it out independently. Do check them out!This interview has been condensed and edited. Hey, Across the Movie Aisle. Thank you so much for coming on Numlock. I really appreciate it.Absolutely.Thank you for having us.Yes, this is the first three-on-one conversation that I've ever done here, so we're gonna have to juggle a bit. Either way, I am just such a fan of the show. I really, really enjoyed it, subscribed to the Bulwark for it when I heard that you guys were going independent. I was really excited to see what was motivating that, what opportunities you were seeing out there. It's just such a really fun program, and I think it's so unique in the space.Before we get into talking about the movies, do you wanna talk a little bit about where this show came from, where it started, then what you would say your perspective on the film industry is?Sonny: Sure.Alyssa: Who wants to tell the story?Sonny: The origin of the show was back in 2019. I started working for an independent film studio that's based in Dallas, where I live now. I moved here for the job. The pitch was, “it's like Fangoria,” but for action movies and thrillers and heist movies, that sort of thing. And one of the things I wanted to do when we came over was a little podcast network. We were gonna have some shows, some storytelling things, et cetera. And one of the things I had wanted to do for a while (and hadn't really had an outlet for) was a show I had envisioned as like Crossfire or McLaughlin Group or something like that, but by way of movies.So Across the Movie Aisle — I've always shorthanded it as Siskel and Ebert meets Left Right Center. And the idea here is that I am a conservative. I don't know how other people would describe me, but I still think of myself as a center-right person. Alyssa is the center-left person.Peter: Would you even say that you are a neoconservative?Sonny: Well, I'm a neoconservative with libertarian tendencies, which is a funny thing.Peter: “You work at the Weekly Standard,” is a good way to think about your politics? And they basically haven't changed since you worked at The Weekly Standard. Is that fair? That's the long and the short of it.Sonny: Then Peter is whatever Peter is. I'll let him define himself. But the idea here was you have three people with differing political views talking about movies and other stories about movies. The show has two segments. The first is called Controversies and Nontroversies. The second is a review. And the Controversies and Nontroversies segment was initially thought of as we tackle some dumb internet outrage of the day and decide if it's really worth being mad about.And that evolved into something slightly different, right? Right, guys? I feel like it's now more about the business of Hollywood.Alyssa: Yes, exactly. But I think it's worth noting that our story actually starts way before 2019. The three of us were all critics in some respect or other. I was over at ThinkProgress running their culture and sports verticals. Sonny, were you at the Weekly Standard when we started or were you at the Free Beacon then?Sonny: I think I was at the Washington Free Beacon when we met. So it must've been 2012 or 13.Alyssa: The three of us were going to screenings every week and somehow just gravitated towards each other. We would sit together. We were the people who were hanging out and hashing things out together after the screening ended. When I moved to the Washington Post, I ended up bringing Sonny over as a contributor to the blog that I was working on there. They were invited to my wedding. We were authentically contentiously friends years before we started the podcast.I think that's been a little bit of the special sauce for us, right? We are capable of having conversations that are somewhat harder to have elsewhere because (even before we started working together) there were five, six years of trust built up in in-person conversations and discussions over beers at the really terrible bar near the former AMC in Friendship Heights. Nobody is here on this podcast to blow each other up. But it's also not like “We're friends for the camera!”I think the show has always been like both a reflection of our dynamic. It's also the way that we hang out every week, even though Sonny lives in Dallas, and Peter lives in Boston some of the time. So for me, it's like my night out.I mean, as a listener, I really find the appeal to be exactly that. I think that having different perspectives on something as universal as film makes the show super compelling to listen to, even if I don't always necessarily agree with the perspective on it. What makes movies just so good to view from multiple different angles? There are lowercase “c” conservative films, there are lowercase “l” liberal films, that stuff. How do you guys find approaching the current state of the film industry from these different points of view?Peter: Alyssa talked about how our story goes back even before 2019, when the podcast started. And just for people who may not be familiar with the dynamic of Washington that all of us came up in in our 20s, Alyssa was working for ThinkProgress, which was the journalism arm of the Center for American Progress, which is this leading democratic or democratic affiliated think tank. Sonny was working for the Weekly Standard and then for the Washington Free Beacon, these feisty, conservative journalistic outlets.I actually started writing movie reviews for National Review for a couple of years. When I moved over full-time to Reason Magazine, which is where I've been for more than 15 years now, and also to the Washington Times, which is someplace that both Sonny and I wrote for. It's a conservative-leaning paper that has undergone many transformations. If you live in Washington, your social circle and your conversations and your life are so frequently segmented by politics.What we liked about being friends with each other and seeing movies with each other was that we saw that it didn't have to be the case. Movies and art and pop culture, even disagreements about them, were ways that we could come together and maybe not even agree, but like learn about each other. We're really good friends, but we also like each other's minds. This is something that is really important and drew us all together. I have learned a lot about movies from Sonny. I have learned about culture from Alyssa. I don't know if they've learned anything from me. Maybe they've been annoyed about how I'm fine with A.I.Having those perspectives, it's not just that it's like, “Oh, that's nice that you're a little different.” This is a learning opportunity for all of us. It also makes the act of watching movies together much richer. When you're watching the movie, if you're watching it next to Alyssa, I know what she's thinking. Maybe not what I'm thinking, but it's like having another set of eyes. If you're a critic, if you're somebody who likes movies, if you are somebody who likes movies for the social aspect of them, seeing them with somebody else and talking about them afterwards just makes it so much more enjoyable. The fact that we then get to have that conversation in public for an audience that seems to enjoy this is really rewarding.Alyssa: I have a very hard time with certain kinds of violence in movies. But I can sit in a theater with Peter, and he can tell me when I need to cover my eyes, but also when I'm gonna be okay when it's over. And he's always right, right? And that's the thing that we get.Peter: But also when we see the Taylor Swift movie, I show up, and Alyssa has friendship bracelets for us. Everybody's bringing something to the party here.Alyssa: Peter, you joked about whether or not we've gotten anything from you. And I actually think that in some ways, I'm the one of us whose politics and aesthetics have changed most as a result of doing the show with both of you. I came up in an era of lefty cultural criticism when there were real incentives for tearing things apart. And I think I, in some ways early in my career, helped advance a fairly doctrinaire vision of what political conversations about art should be. And I have some regrets about some of the things that I wrote and some non-regrets too. I did a lot of work at that point in my career that I liked a lot.But one of the things I've come to believe in my conversation with these guys is that art is at its most politically powerful not when it affirms an agenda or a worldview that is defined by a political movement, but it is at its most powerful and interesting when it creates space for conversations that are not possible in conventional political formats and political venues. I think the unpredictability of movies and the inability to shove movies neatly into a partisan schema is where their power comes from.It is not in being subordinate to an agenda, but in opening the space for new possibilities. And I think that having a space to come to that conclusion made me a better critic and a better person. Maybe less employable as someone who writes about this stuff full-time in a predictable way. But I really enjoy seeing the world through the lenses that Peter and Sonny helped me apply to all of this.Peter: And just to underline that really quickly, a little bit more. One of the things that brings all of us together is that we are all three people who moved to Washington to work in political journalism, to work in discourse about politics. We have very strongly held beliefs. At the same time, I think all three of us come to movies, to art and to culture thinking, “You know what, you can make good art. You can make a great movie that maybe I find doesn't in any way align with my beliefs, right?” It has nothing to do with my political world or is even critical of my political worldview, but it's still a great movie.And this is a thing that you see very rarely in Washington and political discussions of art and film, but also in criticism. You have so much criticism that is out there, especially in the movie criticism world, that is just straightforwardly, politically determined. I don't think that that is the best way to approach art and to live a life that is about art because. Of course, it engages with politics. And of course you have to talk about that. And of course, you have to deal with that, but it's not just politics. If what you want from a movie is for it to be an op-ed, then what you want isn't a movie, it's an op-ed.I think that's really interesting. And actually, let's dive into that real quick. We'll go around the horn, perhaps. Peter, you brought it up. What is an example of a film or a piece of media that maybe either subverts or goes upstream compared to your personal politics that you nevertheless enjoyed? Or you, nevertheless, in spite of where you were coming from on that, really tended to like?Peter: So we all had mixed reactions to Paul Anderson's, P.T. Anderson's One Battle After Another, which is quite a political film, just came out. All of us thought that on a micro level, scene by scene, as a piece of filmmaking, it's genius. But on a macro level, its big ideas are kind of a mess. I go back to another Paul Anderson film from the aughts, There Will Be Blood, which is fairly critical of capitalism and of the capitalist tendencies that are deeply rooted in America. And it's not just a polemic, just an op-ed. It's not something that you can sum up in a tweet. It is quite a complex film in so many ways. And I'm a capitalist. I am a libertarian. I am a markets guy. And it is, I love that movie.Sonny and I frequently have arguments over whether There Will Be Blood is the first or second best movie of the last 25 years or so. Sonny thinks it's maybe the best. I think it's the second best. This is a movie that I think offers a deep critique of my ideology and my political worldview. But it is so profound on an artistic character narrative, just deep engagement level. I could talk about it for a long time. It's a movie I really love that doesn't support what I believe about politics in the world.Yeah, Sonny, how about you?Sonny: Bernardo Bertolucci's The Last Emperor is commie agitprop, but it's also very good. It's one of those movies where the lesson of the movie is literally “The elite overclass needs to be taught how to pee correctly in a bucket, so as not to annoy the normals.” But it's a beautiful movie, including the bucket. You don't have to agree with a film's politics to recognize that it is a great movie. It certainly doesn't hurt. I flipped through my rankings, and a lot of it does line up.But another one is JFK. Oliver Stone's JFK is a movie that is nonsense as history. If you look at it as a history text, you are reading the film wrong. What it excels at and the way that it is great is that it's the absolute perfect distillation of sitting next to an insane conspiracy theorist and hearing them ramble. The way that Oliver Stone edits together all of these disparate ideas — the way he edits is like hearing a conspiracy theorist talk.The way a conspiracy theorist talks is that they overwhelm you with information. They will just throw out random things and be like, “And this is connected to this, and this is connected to this.” And you are not able to actually judge these things because you have no idea really what they're talking about. You're not steeped in this stuff like they are, but it all sounds right. And all of a sudden, yeah, I believe that the military industrial complex murdered JFK at the behest of a fascist homosexual conspiracy, which is just another amusing little element to JFK by Oliver Stone.Those would be two examples, I would say.I love that. Alyssa, how about you?Alyssa: I would say Dirty Harry. I did a huge project about 10 years ago on depictions of the police in pop culture. And the ways in which law enforcement, as an industry, has actually really shaped their depictions on film. And look, I don't think the police always get everything right. And I think that shooting people is not a viable solution to a crime, especially without a trial. But God damn, does Clint Eastwood make like a sweater and a blazer and a real big gun look awesome, right?Sonny: Those are things that look awesome. Of course, they look awesome on Clint Eastwood.Alyssa: Of course, they look awesome, but they look especially awesome on Clint Eastwood. And they look even more awesome when he's shooting a crazed hippie who has commandeered a busSonny: Full of children.Alyssa: Yes, a bus full of children. The evil hippie deserves to get shot, and Clint Eastwood is the man to set things right. The thing about aesthetics is that they can get you to set aside your politics momentarily in a theoretical way. But I also think that good movies can get you access to spaces and mindsets that you might not have access to otherwise.When you asked that question, the movie that I immediately thought of, not necessarily of challenging my politics, but like bringing me a place I can't go, is Alex Garland's Warfare from earlier this year. It is one of the best movies I've seen this year. And also a movie about (both as a social and cultural environment) an all-male combat unit in the US military and a situation (the war in Iraq) that I have no access to. I cannot go there. My being in the space would fundamentally transform the space. And that opening sequence with this platoon watching this music video in a weird, sexualized group bonding ritual, I just found fascinating and oddly touching in a way that I think is interesting to watch, especially if you're steeped in left-leaning critiques of traditional masculinity in all-male spaces.And I found that movie, despite how harrowing it was, kind of beautiful and tender to watch in a way. And I just felt very grateful for it.Awesome. Yeah, again, I really appreciate how much thought goes into viewing not only movies as cultural entities, but also their space in politics, but also how the culture can overwhelm that. I really think that you guys have such fun takes on this. I wanna back out a little bit and talk a little bit about this year and this moment. I think one thing I really enjoy about your show is that it's obvious how much you guys really enjoy going to the movies, enjoy consuming this stuff. I know that there's a lot of fairly understandable doom and gloom sometimes around the movie industry, around the exhibition industry. A lot of that, I think, comes from some of the more industry side of things and infects the viewing public's view.I'll just throw it to you. What is a trend or something going on these days within movies or Hollywood that you actually think is a good thing, that you're actually enjoying? Or a transitional moment that you think could be fun? I guess, Sunny, I'll start off with you. I don't know.Sonny: That's a hard question to answer because everything is bad right now.Alyssa: To be clear, this is Sonny's default position about all eras and all things. All things.Peter: He's a cheerful man.Sonny: All things, really. No, everything is bad. But if I were looking at a few green shoots, I like the rise of the draft house style theater, a combination of dining, bar, movie space. I know some people have issues with the waiters scurrying back and forth. And it's not my real cup of tea either, but that's all right. You mentioned this question right before we started taping. I was trying to sketch something out, so I didn't have nothing.But I do think the rise of the boutique Blu-ray and 4K UHD retailers has been a good thing. I don't know that it's enough to save physical media in the film context, but the rise of your Vinegar Syndromes. Criterion, of course, is the longest player in this space, and they've been doing it since the days of Laserdisc. They're very good at what they do, and they have a great catalog.But even smaller places, like your Vinegar Syndromes or your Shout Factory and your Scream Factory. The studios themselves are getting into it. Lionsgate has their Lionsgate limited thing that they do, which is just sucking money out of my pockets. A24 has also been good in this space. I like the idea that there is a small but committed cadre of collectors out there. And it's not just ownership for the sake of ownership. It's not the high fidelity, “the things you own matter. So you should show them off so everybody can see them and see how cool you are” kind of thing. There are actual quality differences to having a disc as opposed to a streaming service, which always come in at lower bit rates, and they look and sound worse.But this is so niche. Very few people who collect this stuff (Blu-rays, 4Ks, et cetera) really understand how niche they are.If you look at the monthly pie chart of sales of discs every month, it's still 50 percent DVD, 20 percent to 25 percent Blu-ray, and then 25 percent to 30 percent 4K, depending on what's out at any given time. But 50 percent of discs are still being bought by people browsing Walmart shelves, like “Ooh, I'll watch this new movie for $5. Sure, why not?”Yeah, having something for the sickos is always something viable, right? Peter, I'll throw it to you.Peter: So, on this podcast, I have probably been the biggest MCU, Marvel Movie Universe booster. What I think is a good thing that is happening right now is that the MCU is in a decline, or at least a reset period. It's not overwhelming Hollywood in the way that it was throughout the 2010s. It's hurting theaters and exhibition because those movies are not performing the way they used to, and that's a downside for real.But what it is doing is creating a space for young filmmakers and for young acting talent to rise up without having to immediately be sucked into the MCU or something comparable, like the DC movies that were trying to start up and never really got going. Now they've rebooted the DC universe with the James Gunn Superman film. But, it really felt like in the 2010s, anyone who was in their 20s or 30s and was a really promising actor or a really promising director was gonna make one or two movies. And then they were gonna get sucked into the Marvel or maybe the Star Wars machine, one of these big franchise things.It wasn't like even 25 years ago when Sam Raimi was making Spider-Man films, and they were very distinctly Sam Raimi films. I mean, you watch the Dr. Octopus POV sequence in Spider-Man 2, and it's the same thing he was doing in Evil Dead, except he had $150 million to make that movie, right?These weren't even altruistic superhero films. They were just being brought in to lend their names a small amount of flavor to whatever it was they were doing. And now, in an era in which the MCU is not gone, but is diminished, a lot of acting talent and a lot of directing talent are going to be free to spend that formative period of third, fourth, fifth, sixth movies to make the things that they wanna make and to experiment.Like I said, this does have downsides. This is not great for theatrical exhibitors who are suffering right now because there are fewer movies and because the big movies are not as big. But in that space, you get the opportunity to try new things. And I love seeing new things, and I love watching new talent develop.That is cool. I like that. Alyssa?Alyssa: I'm glad you said that, Peter, because what I was gonna say is I am delighted to see some of the directors who did time in the MCU or other franchises coming back and making original movies. Obviously, Sinners is one of the big success stories of the year. It's also a success story because Ryan Coogler is not only making franchise movies.I saw Seeing Fruitvale, which turned Fruitvale Station, at the Sundance Film Festival. It was like a seminal moment for me early in my career as a critic. I was like, “Holy God, this guy is great.” Even though I like what he did with the Rocky movies and I like the first Black Panther, I just felt this sense of profound regret for him getting diverted from telling these original stories. I'm really excited for Chloe Zhao's Hamnet. I expect to be emotionally incapacitated by that movie. Honestly, it is great for people who love movies that Immortals was just such a disaster.Peter: Eternals.Sonny: Eternals, that's how good it is we can't even remember the title.Alyssa: Yes, Destin Daniel Cretton is working on a Shang-Chi sequel, but he is also collaborating with Ryan Coogler on a project that I think is drawn from their childhoods.Sonny: He's directing a new Spider-Man movie right now.Alyssa: But there's other stuff coming. There's the possibility of life outside franchises. And, I'm excited to see what some of these folks do when they're not in front of a green screen and when they're telling stories about actual human beings. I am excited to just see more movies like Weapons, like Materialists, coming from younger directors who are still figuring things out, but have interesting things to say. And this year, at least, appears to be able to do okay at the box office.I love that. People are recovering from their exile in Atlanta and have a chance to make some cool movies. You guys have been so generous with your time. I do want to just finish on one last note: where do you assess Hollywood's position within the world to be?Obviously, in the States, they've had a lot of pressure from things like TikTok coming from below, things like the federal government coming from above. But even internationally and geopolitically, you've seen international players start to compete with Hollywood at the Oscars. For instance, in Best Animated Film last year, as well as some big markets shutting down for them, like China is not really doing anything. From a political perspective, where do you assess the state of Hollywood right now?Peter: From a political perspective, I think Hollywood is going to start producing movies that read less overtly liberal, less conventionally left-leaning. I think we're already seeing some of that. I don't mean that Hollywood is suddenly going to be MAGA, that it's suddenly gonna be like reading Buckley's National Review or anything like that. I just mean that at the margins, you're gonna see more movies that don't toe the line in the way that you saw movies before. There was a moment, especially right before and right after the pandemic, where it really felt like too many movies were towing a very predictable left-of-center political line. And it was obvious and there was no nuance to it.Again, I do not oppose movies that may have a different worldview than mine, but it felt like they were running scared in a lot of cases. I mean, in sports, if your team is behind, that's the time when you try new stuff. You don't use the same strategy if you are losing. Hollywood's losing right now. They're losing economically and they're losing as a cultural force. While that's in some ways not great for the art form, that is going to be good for experimentation. And that's gonna be formal and craft experimentation. That's going to be talent. We're going to see new and interesting people. And that's also going to be ideas both for stories and for politics and ideology.Sonny: A big question is what happens with the retrenchment of the global box office? Because I do think, for a long time, you could count on basically two-thirds of the box office of a major Hollywood release coming overseas and one-third coming domestically. And those numbers have, in some cases, inverted. It's closer to 50/50 for more of them. It's not universally true. F1 did more business overseas than domestically, which you might expect for something that's based on F1 racing. But the big question is what happens if the rest of the world is like, “We're not that interested in the big Hollywood blockbuster stuff that we have been eating up for the last 15 or 20 years”?This goes hand in hand with Alyssa's point about originals. That's probably a good thing, honestly. It's probably a good thing to get away from the theory of the movie industry being like, “We need to make things that appeal despite language barriers.” Language matters; words matter. And tailoring your words to the correct audience matters. American movie studio should tailor their stuff to American audiences.Alyssa: And also getting away from the idea of appealing to the Chinese censors who controlled which American movies got access to Chinese markets, which was not the same thing as appealing to Chinese audiences. But yeah, I totally agree.My father-in-law works in the foreign exchange industry, and he said something that I've been thinking about a lot. They're just seeing real declines in people who want to come here or feel comfortable coming here. Until July, I was the letters editor at The Washington Post, and it was astonishing to me just how much rage Canadians were feeling towards the United States. I don't know that these will translate into a rejection of American movies. American culture exports have been unbelievably strong for a long time.But I do see an opening for Korean pop culture, which has already been very popular abroad. I think there's a real chance that we will see a rejection of American culture in some ways. And, it will take Hollywood a while to respond to that. It always lags a little bit. But I do think it would be very interesting to see what more aggressively American movies look like. And I think that could take many forms.But scale is in many ways the enemy of interestingness. If there is not and opportunity to turn everything into a two billion dollar movie because you sell it overseas, what stories do you tell? What actors do you put on screen? What voices do you elevate? And I think the answers to those questions could be really interesting.Peter: I agree with all of this in the sense that I think it will be good for the art form, like I have been saying. But there's a cost to this that all of us should recognize. When budgets get smaller and the market shrinks, that is going to be bad for people who work in the industry. And in particular, it's going to be rough for the below-the-line talent, the people whose names you see at the end credits — when these credits now scroll for 10 minutes after a Marvel movie because they have employed hundreds, maybe even a thousand people.And there was a story in The Wall Street Journal just this summer. You mentioned the time in Atlanta about how Marvel has moved most of its production out of Atlanta. There are people there who had built lives, bought houses, had earned pretty good middle-class incomes, but weren't superstars by any means. Now they don't know what to do because they thought they were living in Hollywood East, and suddenly, Hollywood East doesn't exist anymore.We may be in a position where Hollywood West, as we have long know it, L.A., the film center, also doesn't exist anymore, at least or at least as much smaller, much less important and much less central to filmmaking than it has been for the last nearly 100 years. And again, as a critic, I like the new stuff. I often like the smaller stuff. I'm an American; I want movies made for me. But also, these are people with jobs and livelihoods, and it is going to be hard for them in many cases.Sonny: Oh, I'm glad to see the A.I. King over here take the side of the little guy who's losing out on his on his livelihood.Peter: I think A.I. is going to help the little guy. Small creators are going to have a leg up because of it.Sonny: Sure.All right. Well, I love some of those thoughts, love some of those lessons. Publicly traded companies are famously risk-taking, so we're going to be fine, definitely. Either way, I really do love the show. I really, really enjoy it. I think it's one of the best discussion shows, chat shows about any movie podcast out there. It is really, really fun. It is very cool to see you guys go independent.I just want to throw it to you a little bit. What is your pitch? What is the show? Where can they find it? What's the best way to support it? And where can they find you all?Sonny: The show's a lot like this, like what you just listened to.Alyssa: Peter has developed this catchphrase when Sonny asked him how he's doing to kick off the show, and he always says that he's excited to be talking about movies with friends. We want to be your movie friends. You should come hang out with us. Hopefully, we will be going live a little bit more, maybe meeting up in person some. I will hopefully be doing some writing for our sub stack, if you have missed my blatherings about movies and movie trends.But yeah, come hang out with us every week. We're fun.Sonny: Movieaisle.substack.com. That's where you should go. You should I'm I'm I'm sure I'm sure there will be a link to it or something. Movieaisle.substack.com is where it lives now. We'll have a proper URL at some point.Terrific. And wherever you get your podcasts?Sonny: And wherever you get your podcasts!That's great. Peter, Alyssa, Sonny, thank you so much. This is really, really fun. Again, I really dig the show so much. I'm very, very happy for you guys being able to spring out independent. So really, thanks for coming on.Edited by Crystal WangIf you have anything you'd like to see in this Sunday special, shoot me an email. Comment below! Thanks for reading, and thanks so much for supporting Numlock.Thank you so much for becoming a paid subscriber! Send links to me on Twitter at @WaltHickey or email me with numbers, tips or feedback at walt@numlock.news. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.numlock.com/subscribe

Summer's done, and now we're hurtling toward the darkest, coldest days of the year. So forgive us if we aren't feeling ourselves. It's as if an evil force has taken over our souls. ... Could this be what it feels like to be possessed? In the spirit of the season, this episode of "How We Heard It" explores the phenomenon of possession as portrayed in the movies. Your hosts - veteran entertainment journalists and horror-movie aficionados Wayne Bledsoe and Chuck Campbell - compare notes on one of the most lucrative subgenres in the film industry. (John Baker's along for the ride, too, though he doesn't like scary movies.) There are the old-school priest-and-holy-water possession movies popularized by "The Exorcist" franchise (well, at least the first and third installments), and subsequently everything from the "Conjuring/Annabelle/Nun" world to solo shots like "Late Night with the Devil," "Jennifer's Body" and "Immaculate." Then there are location-oriented hauntings and possessions, from "The Amityville Horror" and "The Shining" to "Evil Dead" and "Paranormal Activity." And, of course, curse-oriented movies like "The Ring," "The Grudge" and "Drag Me to Hell." And who can forget that creepy boy from "The Omen"? We've all felt like that kid from time to time.

Send us a textA vain smoker, his goodest boy, a vulgar guru of horror, and a producer end up at a mutant freak farm run by a weirdo scientist and get transformed into even more weird looking versions of themselves! On Episode 690 of Trick or Treat Radio we discuss the horror film Traumatika from director Pierre Tsigaridis! As an extra added bonus we have a discussion/love fest for the 4K remaster of the 1993 cult classic film Freaked from directors Tom Stern and Alex Winter! We also pay tribute to the legend of artist Drew Struzan, talk about the definition of a basement jack, and react to the trailer for Keeper the upcoming film from Osgood Perkins! This episode is dedicated to the memory of Ravenshadow's sidekick Ollie! So grab a can of delicious macaroons, do not let out an ages old demon after being lectured about not doing so, and strap on for the world's most dangerous podcast!Stuff we talk about: RIP Ollie, Marty Jannetty, Deepthroat, Evil Dead, Edison's Frankenstein, Hellraiser: Hellseeker, The Final Cut, Fear of the Dark, Return of the Living Dead Necropolis, Blood Guardian, House of Forbidden Secrets, Terrifier, Three From Hell, Mermaid Down, The Mortuary Collection, Stay Out of the Fucking Attic, Bailey Madison, RL Stine, Terminator, David Caruso, Britney Sparkles, Way of the Vampire, Code Red, The Horde, The Sandman, Flight 666, Amityville Harvest, Scream 2, Jekyll, Tanya Roberts, The Beastmaster, Basement Jack, The Fly, Zodiac, Damien: The Omen II, Child's Play, The Phantom from Hollywood, The Castle of the Living Dead, Mother of Tears, Queen Kong, Son of Kong, Arabian Sweat Goggins, Night Gallery, Rod Serling, RIP Diane Keaton, Godfather, RIP to the legend Drew Struzan, Keeper, Guillermo del Toro, Osgood Perkins, Damien Leone, Traumatika, Pierre Tsigaridis, Sean Whalen, Ferris Bueller TV Show, Charlie Schlatter, Parker Lewis Can't Lose, Ami Dolenz, Rebekah Kennedy, Emily Goss, AJ Bowen, Snapchat Horror, Brooke Shields, Keanu Reeves, Alex Winter, The Idiot Box, UHF, Larry Bud Melman, Screaming Mad George, PCU, Jeremy Piven, John de Lancie, Lancelot Link: Secret Chimp, Freakz, Umbrella Entertainment, Albert Pyun, Arcade, Charles Band, David S. Goyer, Megan Ward, Bob Villa, Paul Lind, true cinematic bliss, Zygrot 24, The Jerk, Flinstones pushing cigarettes, Pawsitive Dog Role Models, The Goz and Gog Connection, and Benny Hill Inspired Seppuku!Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show

They remade Evil Dead. Yay.... Follow us on social media and don't forget to like, subscribe and rate us on your pod catcher of choice!! Instagram discord X Dave's Instagram A'riel projectgenxpod@gmail.com

Grab your chainsaws, kiss your hand goodbye, and get ready to head deep into the creepiest cabin in the woods. This week on Xtra Butta, Cam & Dylan dive face-first into Sam Raimi's cult classics: The Evil Dead (1981) and Evil Dead II (1987) — the films that turned “a weekend getaway” into “a blood-soaked nightmare with questionable life choices.” We're talking: Possessed trees with bad boundaries. The Necronomicon — aka “the worst Airbnb guestbook ever.” Bruce Campbell serving main-character energy and getting beat up by his own hand like a pro wrestler. We'll break down both films' chaotic plots, their wild behind-the-scenes history, and how Raimi basically invented low-budget horror magic with a fog machine, a cabin, and pure insanity. Plus, jokes. Lots of jokes. Because if you can't laugh while being chased by demonic forces… when can you? Wanna ask us something?!? Hit us up at Xtrabutta@gmail.com or our Instagram https://instagram.com/xtrabuttapodcast?igshid=YmMyMTA2M2Y=

Title: Braindead (US: Dead Alive) [Wikipedia] [IMDb] Director: Peter Jackson Producer: Jim Booth Writers: Stephen Sinclair (screenplay/story); Fran Walsh, Peter Jackson (screenplay) Stars: Timothy Balme, Diana Peñalver, Elizabeth Moody, Ian Watkin Release date: August 13, 1992 (NZ) PROMO: Ninety For Chill: The Podcast with CatBusRuss SPECIAL GUEST: Robert Stewart, Stew World Order Productions (@SWOProductions) SHOWNOTES: On the Season 9 Premiere of Collateral Cinema, we are joined by Stew from the Stew World Order podcast to talk Peter Jackson's 1992 zombie comedy splatter film Dead Alive, a.k.a. Braindead! This cult movie may be one of the goriest in cinema, and also one of the most batshit splatter films from the filmmaker that would go on to direct the Lord of the Rings trilogy, so it's the perfect way to start the spooky season! Stay tuned for our next Spooky Month episode covering The Evil Dead (1981), as well as our Halloween Special on Halloween: The Curse of Michael Myers! Collateral Cinema is on Bluesky, Facebook, Instagram, Threads, and Twitter, and is on Goodpods, Apple Podcasts, Spotify, Podbean, Google Podcasts, YouTube, iHeart, and wherever else you get your podcasts! Also, check out Collateral Let's Play! on our YouTube channel. The Stew World Order podcast is available on Apple Podcasts, Spotify, or wherever you get your podcasts! You can also follow SWO Productions on Instagram, Facebook, or Twitter, and check their official website at swoproductions.com! Collateral Media merch is available on Dashery! Check out everything from shirts and hats, to stickers, and even tapestries, at our affiliate link now: collateralmedia.dashery.com (Collateral Cinema is a Collateral Media Podcast. Intro song is a license-free beat from Purple Planet Music. All music and movie clips are owned by their respective creators and are used for educational purposes only. Please don't sue us; we're poor!)  

This week on Forgotten Horror 7, the Mikes head into the woods with "Cabin Fever" (2001), Eli Roth's debut horror film that aimed to revive the “cabin in the woods” subgenre.Unfortunately…neither Mike Butler nor Mike Field are fans. While they can appreciate the craftsmanship: some strong visuals, solid practical effects, and moments of inspired direction, the rest of the film collapses under its own writing. The characters are grating, the plot feels forced, and the tone shifts so wildly that any tension or scares are replaced by confusion.What's most frustrating is that "Cabin Fever" clearly wants to honor classic horror setups like "The Evil Dead", "Friday the 13th", and "Texas Chainsaw Massacre", but ends up missing the point of what made those movies effective in the first place. It's a film with the heart of a love letter to horror, but the writing chops of a bad parody.So grab your bottled water and steer clear of that creek—it's time to talk about a movie that infected the genre in all the wrong ways.What's your favorite Cabin in the Woods-style horror film? And why is it "Evil Dead"? Let us know in the comments!

Halle and Alison try to dry out with a book made of flesh while ruining 2013's The Evil Dead. Learn more about your ad choices. Visit megaphone.fm/adchoices

The night crew of a grocery store are informed of the closing of the store and a killer makes sure that this is their last ever in Intruder (1989). Join Invasion of the Remake down the aisles of this cult, slasher by the creators behind Evil Dead, as we discuss this low budget horror, how we might remake it, and our own unique fantasy casting. Support independent podcasts like ours by telling your friends and family how to find us at places like Apple Podcasts, iTunes, Spotify, Google Podcasts, Stitcher, PlayerFM, Tune In Radio, PodChaser, Amazon Music, Audible, Libsyn, iHeartRadio and all the best podcast providers. Spread the love! Like, share and subscribe! You can also help out the show with a positive review and a 5-star rating over on iTunes / Apple Podcasts. We want to hear from you and your opinions will help shape the future of the show. Your ratings and reviews also help others find the show. Their "earballs" will thank you. https://invasionoftheremake.wixsite.com/podcast Follow us on BlueSky: @invasionremake.bsky.social Follow us on X/Twitter: @InvasionRemake Like and share us on Facebook, Instagram & Tik-Tok: Invasion of the Remake Email us your questions, suggestions, corrections, challenges and comments: invasionoftheremake@gmail.com Buy a cool t-shirt, hoodies, hats, and other Invasion of the Remake swag at our merchandise store!

I will die on the hill saying that the Evil Dead franchise is the strongest horror franchise on the market. Not a single entry in the five film/three season TV show is a dud. There was a lot of doubt when the Evil Dead remake came out and even more when Rise dropped, but just one viewing of either will make you fall in love with this franchise again. If, like Pete, you were a Captain Cranky-Pants about the new Evil Dead movies, but still haven't seen them, we implore you to give them a chance. As always, please watch Evil Dead Rise before you listen. We'll be here when you return.

The groovy dads are joined in the woodshed by Chef Joe Gatto to review "Evil Dead 2"Follow Dads From the Crypt! Threads: @dadsfromthecryptTikTok: Dads From The Crypt-TokInstagram: @dadsfromthecrypt Patreon: https://www.patreon.com/DadsFromTheCrypt