Podcasts about afrika islam

There are few people who have contributed as much to hip-hop culture and received as little recognition as our guest this week, Breakbeat Lou. He was born in the Bronx, steeped in hip-hop culture from the moment it was created, and eventually went on to develop a record series called Octopus Breaks. That series morphed into the mighty Ultimate Breaks & Beats, a hugely formative series for DJs, Producers, and listeners to familiarize themselves with the canonical breaks, or open drum parts, on which hip-hop is built. Lou has some great memories to share, including stories about the legend Scott La Roc, Afrika Islam's role in break record history, and more recent tales about touring with Sous of Mischief. For true fans of hip-hop culture, this interview is not to be missed. In the intro segment, DBRP hosts Demone Carter and Nate LeBlanc (David Ma is on assignment this week) discuss breakbeats and break culture. As an MC, Demone has been tracking down and trying to unlock the secrets of the breaks for decades. LeBlanc has an extensive record collection that includes some of the holy grail break records, though he is conflicted about hoarding them when perhaps they could be better used by someone who actually, you know, makes beats. DBRP is mixed by Taylor Weng. DBRP has a theme song produced by Cutso and rapped by our very own DEM ONE. DBRP guests are booked by David Ma. DBRP is produced by Demone Carter. Most if not all of the puns on the show are provided by Nate LeBlanc. We are down with Stony Island Audio, the finest hip-hop podcast network in all the land.

Many people, especially in the time before the internet, depended on the radio to hear new music, or any music for that matter, for the most part. For me, growing up on military bases, specifically in Germany most of my childhood, radio wasn't an option unless I wanted to hear Top 40. Once I heard Hip Hop, and my vow to "find everything that sounds like this", I heavily relied on trading and dubbing tapes with fellow music lovers and enthusiasts, and the most prized possessions of the 80s...tapes of New York Radio. There's a list of amazing, impacting, pioneering, and influential shows/DJs that come to mind, such as; Mr. Magic, Marley, Zulu Beats with Afrika Islam, The World Famous Supreme Team Show, Kool DJ Red Alert, Chuck Chillout, Awesome Two, Vandy C and Bill Blast, Awesome 2, and so on. This episode details those days, the passion and struggle to track down the latest tapes, and meeting all sorts of challenges along the way. And, eventually focuses on the radio station tapes that I most often got my hands on; WBLS and 98.7 Kiss FM, two rival New York stations. I also touch on a few other key radio shows that I was able to get tapes of or hear live, in the 80s, including Lady B and Mimi Brown in Philly, Electrifying Mojo, The Wizard a.k.a Jeff Mills, WKKC in Galesburg, and WNUR in Chicago. Follow all of Kevin's work here: https://linktr.ee/kevinbeacham21 Follow Stony Island Audio here: https://www.instagram.com/stonyislandpods/?hl=en

Jesse Foerster sagt von sich selber, er habe das Gefühl, schon drei Leben gelebt zu haben. Wenn man seinen Lebenslauf überfliegt, ist man geneigt, diesen Ausspruch nickend zu bestätigen.Jesse war in den 80ern einmal einer der besten Breakdancer Deutschlands und ist mit seinen Tanzkünsten auf Tournee gegangen. In den 90ern wurde er Bestandteil der Frankfurter DJ Szene und gründete das Label Overdose, mit dem er auch international Gold und Platin gewann. Im Studio gestaltete er unter anderem mit Afrika Islam, Nina Hagen und Vanessa Mae Musik, die viele von uns kennen. Er hat die Geburt von Hip-Hop und Techno miterlebt und wie die technologische Entwicklung von der Schallplatte, zur CD über MP3 bis zu den Streamingdiensten ging. Schon Mitte der 90er Jahre begann er das Internet im Kontext virtuelles Büro zu nutzen und erlebte hautnah, wie das Netz sich wandelte.Später, ab 2009 bis heute, hat er im journalistischen Bereich Fuß gefasst und mit der Frankfurter Rundschau, dem Spiegel und mit dem Axel Springer Verlag zusammengearbeitet.Ja, das ist Stoff für mindestens drei Leben..Jesse im Netzinstagram.com/jessefoerster (Fotos)facebook.com/jesse.foerster (Leben)twitter.com/jessefoerster (Politik & Leben)https://www.discogs.com/de/artist/623364-Jesse-B-Foerster Jesses Großvaterhttps://de.wikipedia.org/wiki/Willy_Rudolf_Foerster

Yes, you read that right. The legends ICE-T & Afrika Islam have joined the show! We discuss their careers making music, making music for Film/TV specifically, and their new venture with Extreme Music. Sit back and have a listen!

Yes, you read that right. The legends ICE-T & Afrika Islam have joined the show! We discuss their careers making music, making music for Film/TV specifically, and their new venture with Extreme Music. Sit back and have a listen!

AFRIKA ISLAM TALKS ICE T, ZULU BEATS, BREAKIN 2, MICHAEL JACKSON, MR. X, EDM, HIP HOP HISTORY & MORE. THE DJ PODCAST VINYL ESQUIRE INTERVIEWS DJ AFRIKA ISLAM! AVAILABLE NOW! DOWNLOAD THE APP OR LOG ON TO WWW.VINYLESQUIRE.COM @VINYLESQUIRE @THEORIGINALRIP @DJAFRIKAISLAM (MR. X)

Legendary music makers Ice-T and Afrika Islam join us on the show today to talk about their recent partnership with ExtremeMusic.com, how to evolve in music over time, and how Ice mixes acting with making music. Our hardest episode yet!Follow us on social mediaInstagram (@lets_get_into_it)Twitter (@LetsGetInto_Ent)A Jam Street Media Production. See acast.com/privacy for privacy and opt-out information.

Skipper and Ray review Breakin’ 2: Electric Boogaloo (1984), featuring a fluffy kitty who gets to meet the Shabba-Doo and Boogaloo Shrimp in person! Dancers Adolfo Quinones, Michael Chambers, Lucinda Dickey, and many, many more! Music from Michael Linn, Ollie & Jerry, Ice-T, Chris The Glove, Afrika Islam, Rags & Riches, Fire Fox, and sooo many more! Transcript bit.ly/CFPtranscript-Breakin2 Get exclusive bonus content by supporting Skipper & Ray at pod.fan/catsonfilmpodOur videos have captions & illustrations to help you follow along with each episode!https://youtu.be/eOjE60he6l0Cats on Film Pod is voiced and produced by Ray Ilyn, with music by The DōsMan, and additional sounds from FreeSound.org. FREE full episodes & more at www.catsonfilmpod.comInstagram @CatsOnFilmPodTwitter @CatsOnFilmPod

https://boosty.to/freaqradio/posts/ca7d1ffe-a4f3-4bb4-8d46-942b02368dc7?share=post_link https://boosty.to/freaqradio/posts/15d42f53-e9c5-4100-85b6-7a63bf3ee373?share=post_link Пионер Хип-Хопа DJ Lord Yoda X из команды Crash Crew снова в деле. Он выпустил EP, новый спич с офишал видео прислал буквально несколько минут назад. Новые рэперы и так называемые Хипхоперы не знают историю и не хотят знать. Будь осторожен с теми, кто называет себя лидерами. Много Хип-Хоп школ, но путь в Мекку один через Любовь. Самозванцы приписывают себе чужое и говорят, что наш Хип-Хоп умер 20 лет назад. Как бы ни так. Нашему Хип-Хопу больше 40. Делай отчет от 12 ноября 1974 года. Наш Хип-Хоп жив пока живут в сердцах наших легендарные имена DJ Red Alert, Afrika Zambu & The Soulsonic Force, Afrika Islam & Funk Machine, Afrika Issac, Disco King Mario & The Chuck City Crew, DJ Nicky Dee, DJ Ronie Ron, DJ Desie, Cosmic Force, DJ Kenny Ken, Mean Gene, Grand Wizzard Theodore & The Fanstastic Romantic MC's, DJ Breakout, DJ Baron & The Funky Four Plus 1 More, Tex DJ Hollywood, Grand Mixer D.S.T & The Infinity Rappers, Love Squidd & The Devastating 4, DJ Charlie Chase,DJ Tony Tone & The Cold Crush Brothers, DJ Casanova Fly, Sponnie G & The Trecherous 3, Dougie Fresh &28 the Get Fresh Krew, Easy LG, DJ Superman, DJ Sinbad, Queen Kenya, Jazzy 5, DJSmokey & the Smoke a Trons, DJ Supreme, DJ Darryl C & the Crash Crew, DJ Coke LA Rock, Timmy Smalls, DJ Cool Clyde, DJ Lightening Lance, MC Lil Sha Rock, Dr. Rock & The Force MC's, DJ White Flash, Disco Whiz, DJ Whiz Kid, Wanda Dee, Clark Kent, Kool Klye The Starchild, Solo Sounds, Kool DJ AJ, Kurtis Blow, Deadly Sin Crew, Force 5 MC's, Disco 4, Mean Machine, Disco Twins, T-Ski Valley, Ultimate 4 MC's, Fearless 4, DJ Crazy Eddie, Sequence, Bambaataa, DJ Hollywood, The Hypnotizing 5 MC's, Lil Theodore, DJ Jimmy Jaz, Donald Dee, Disco Bee, DJ Sisco, DJ Kevy Kev Rockwell, PT Disco, Collins Brothers, Double Trouble, Rob the Gold, Rammelizee, DJ Ruddy Tee, CD3, Death Committe, Spyder D, Supreme Team, Fantastic 3, Awesome 4. https://t.me/freakradio/707 https://t.me/back2real/73

Of Course we have to speak to the pioneers to find out the real. In this episode Soul Sonic Mr. Biggs and Cholly Rock have a conversation with the one and only, world renowned "DJ Afrika Islam" one the original members of the Zulu Dj's. He is also known as the bridge between East coast and West coast Hip Hop. Listen in as the crew speak about the history of Hip Hop and where Hip Hop is today . This episode also features "Boom Box" Jose' one of the first Mix tape Kings and one of the Latin Brothers to help make Hip Hop what it is today.

In this Podcast the Artist Ras Martin from Berlin Germany, talks about his Music and his Journey to do Music into a Profi Way and his Teaming up with some great Legends and Writers of Music History from Scratch like Aston Barrett formerly known as a Architect of the whole Reggae Genre and Bassist-Musical Director of Bob Marley And The Wailers, Afrika Islam, Ice-T, Capleton and so on...........

Presented by SoundCloud, DJ Times connects with music legends Ice-T & Afrika Islam, who discuss their trail-blazing past and their immediate future, which includes their new label, Electronic Beat Empire. This episode of the DJ Times Podcast can be found on iTunes and SoundCloud. Don't forget to download the Apple Podcast App and subscribe and have every episode automatically downloaded. Find DJ Times on the web at the following locations: DJ Times Web: DJTimes.com Twitter : @djtimesmag Instagram: @djtimesmag Facebook: facebook.com/DJTimesMag Youtube: youtube.com/user/djtimesmag

Ice -T - Colors (Marc Hype & Petko Turner Edit) Marc Is Here > https://soundcloud.com/marchype Ice-T started out with other West Coast hip-hop pioneers such as Kid Frost, DJ Flash, and Egyptian Lover with Electro recordings. Later on, he changed his style and was the first West Coast MC to be accepted by the East Coast. “6 ’N The Mornin’” is sometimes seen as the track that triggered the whole gangsta movement, which was produced by the Unknown DJ, who produced electro funk tracks before and went on to produce Compton's Most Wanted. The song was inspired by Schoolly D's "PSK" and became the inspiration for Eazy E and N.W.A.'s "Boyz N The Hood." Ice-T’s raw style captured the ears of Sire Records founder Seymour Stein, who signed him to a multi-album countract, and then went on to work with Afrika Islam, the man behind the beats on his debut album, 1987’s Rhyme Pays; 1988’s Power; and 1989’s The Iceberg/Freedom of Speech...Just Watch What You Say. As the title of this third album suggests, Ice-T was from the start not merely a gangsta MC—although he was one of the driving forces behind the new style—but also used hip-hop music as a platform for social and political activism; Seymour Stein called him “the Bob Dylan of hip-hop.” On “Freedom of Speech,” Ice attacked Tipper Gore for introducing the Parental Advisory sticker. In 1991, Ice T's fourth album, O.G. Original Gangster, was released, which included rhymes about child abuse and drunk driving as well as the theme song from the movie “New Jack City” by Mario Van Peebles, the movie that launched Ice's career as an actor. The same year, Ice formed the heavy metal band Body Count. Its debut self-titled album contained a song called “Cop Killer,” which led to a giant controversy over song lyrics. This escalated to the point where death threats were sent to Sire/Warner Bros executives, and Time Warner stockholders threatened to pull out of the company. Sire/Warner Bros., however, defended Ice all the way. This eventually caused the album to be re-issued with “Cop Killer” removed, and the title track from “The Iceberg” was added to the album as a replacement. He answered the controversy by saying the song was written in character, and that "if you believe that I'm a cop killer, you believe David Bowie is an astronaut." Indeed, Ice-T has portrayed police officers many times in his acting career. 1993’s Home Invasion, a politically-oriented album that featured a new female MC named Grip and Ice T's longtime DJ Evil E as an MC himself. Sire/Warner Bros. had issued the first single from the album—and even assigned a catalog number to the album—but Ice parted company with Sire because of the controversial album artwork before it was released formally. Rhyme $yndicate/Priority/EMI Records released the album with the intended artwork intact. On 1997’s VI—Return of the Real, Ice returned to his gangsta roots. 1999’s 7th Deadly Sin was one of the first records to be distributed via mp3 before appearing in record stores and continued in this vein. In 2000, Ice-T teamed up with East Coast hip-hop pioneer Kool Keith from Ultramagnetic MCs to form the Analog Brothers, widely considered an artistically successful experiment. The same year also brought Ice-T's Greatest Hits: The Evidence. More recently, Ice-T formed a new group called SMG (Sex, Money, and Gunz) with East Coast gangster MCs Smoothe Da Hustler and Trigga da Gambla. Ice-T has written and performed songs for many movie soundtracks including "Big Gun" for “Tank Girl” as well as title tracks for “Colors,” “Dick Tracy,” “New Jack City,” “Ricochet,” and “Trespass” (He starred in all of them, save for “Dick Tracy” and “Colors.”). He teamed up with the pioneering Latino MC Kid Frost to perform "Tears of a Mother" for the film “No Mothers Crying, No Babies Dying.”

DJ Red Alert is a member of the hip hop culture that is known for bringing the music to the people.He began his career as part of the Afrika Bambaataa's Zulu Nation and earned the reputation as a top notch DJ. At one point in the early 80's, Red Alert's equipment was stolen. Once he was able to get at new setup Bambaataa and other members of the Nation were moving to clubs in Manhattan. Red Alert continued to draw a following in Harlem.Red Alert channeled his energies and musical talent into two daily shows on the nations #1 radio station, New York's WQHT HOT 97.1 FM.He has received numerous awards and accolades including a special award at the first annual Rap Hall of Fame Awards show. The prestigious Lifetime Achievement Award from IMPACT music trade publication for 1998 and the 1997 Mix Show DJ of the year award from GAVIN. In addition DJ Red Alert was named one of the 50 most influential people in music by Rolling Stone magazine. Red Alert is also featured in an exhibit at the Rock and Roll Hall of Fame in Cleveland, Ohio. The only DJ of this era so honored!He has appeared in over 50 music videos.Red was reared by his maternal grandparents, who were from Antiqua. Red's love for those around-the-way basketball games led him to his high school team at DeWitt Clinton. No doubt this is where he was dubbed the nickname, “RED”; for his red hair and alert response on the court. Red later received a college basketball scholarship. During the last of his high school years, Red hung out at the Saturday night parties thrown by Kool Herc and Coke La Rock at clubs throughout the west Bronx. Red studied the style of music Kool Herc played and the way he blended the vinyl. On Fridays, Red found himself venturing downtown to check out star disco deejays, such as: Grandmaster Flash, Together Brothers, and Pete DJ Jones. It wasn't long before he was jammin' at parties on his own equipment. It was important to be up on what was happening on the New York scene, so Red was now attending legendary parties throughout the Bronx.Red caught Grandmaster Flash at the Back Door and the Dixie Club, Kool DJ A.J. at the Morehouse Center and Afrika Bambaataa at JHS 123. By this time, Red had gathered enough record selection and record spinning insight to teach his cousin DJ Jazzy Jay the basics of the art. Jazzy Jay in turn introduced Red to Bambaataa. Bambaataa taught Red about rock, reggae and new wave music. Learning about the various styles of dance oriented music, Red soon became the deejay for Bambaaata and his Zulu Nation, joining the likes of Afrika Islam, the Soul Sonic Force, Grandmixer DST and the Rock Steady Crew. Through this association, Red began to spin records downtown at such clubs as Negril and Danceteria.While deejaying at the Roxy, he met Barry Mayo, then program director of NY's WRKS 98.7 KISS FM. A man of considerable taste, Mayo hired Red to inaugurate the “Dance Mix Party.” Red remained at 98.7 KISS FM for 11 years, becoming the top DJ at the station. During his tenure at KISS, Red became the first individual to popularize dancehall music at a major radio station! Before you knew it, Red met up with producer Vincent Davis, of the Vintertainment Record label, through DJ Chuck Chillout, to produce Red's First record, “Hip Hop On Wax, Volume 2.” (Part 1 was made by DJ Chuck Chillout of the B-Boys and Part 3 was by DJ Born Supreme Allah).Another record was “He's My DJ (DJ Red Alert Goes Berserk)” which featured Sparky D on vocals and was released on NIA records produced by Spyder D.He also became a member of the Boogie Down Productions, touring the country with KRS One.Since then, Red has done super mixes for compilation albums on Next Plateau Records and Epic Records.Now a seasoned veteran as radio jock, club jock and studio man, Kool DJ Red Alert has established his place as one of the world's premier DJ's. To top it off Red Alert owns a production and management company, Red Alert Productions (RAP). The company garnered a reputation for developing and promoting new talent. RED is responsible for launching the career of such widely acclaimed acts as the Jungle Brothers, Tribe Called Quest, Black Sheep and Queen Latifah to name a few.In addition DJ Red Alert was the first to introduce numerous hit records including “Soul II Soul” by Jazzy B and “Hold On” by the group En Vogue!Red says, “You have to learn how to break a new artist on record by working it in and out with familiar records. People are scared to fall. It's OK to fall. You must learn how to fall and be strong so you can come back. A DJ is like the pied piper.”Since his break on the radio, Red Alert has had the opportunity to expand hip hop's audience as well as break the careers of Boogie Down Productions, Black Sheep, the Jungle Brothers, and A Tribe Called Quest. He has had cameos on countless albums, and has also released various compilation albums.Lately he has undergone some professional changes after leaving his radio show. Well all wait to see what he has in store for us next. 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Zulu nation celebrates its 26th anniversary this week, me and zulu nation... weíre both scorpios, nearly the same age. Bronx in 1981... what the f**k was goin on here..?!?!?A subculture that redefined world culture .. imploded in the poorest parts of New York city.. heres a lil peek into the wierd world of this scene..WHBI, NEWARK, 105.?.....Afrika Islam is known as the son of Bambaataa, not for real but he followed the legacy and he held it down on the air in Newark radio at 1 am wednesday nights.. (where this mix is from).. its rough cut from cassette tape -  eclectic unknown breaks, funk, electronic, rock music chopped together .. like a random symphony for kids of hi energy.. its almost spooky to hear just the bare essentials of what we mastered as producers today.. breakbeats, sparse vocals, or horns or guitars chopped in and out.. this is what we deal with today but back then kids just made it all live with a lot of random records they studied.Islam was a staple party dj in early 80ís in nyc.. one of the dudes to really cross over with the down town scene and still stay street and shout out all the gangs in harlem and brooklyn.. he then went on to produce most of Ice Tís first record in LA. then like most zulu dudes had to like move to germany when hip hop went crazy with puffy and stuff.. The first time I heard ìits just begunì by jimmy castor was at a warehouse in Tennessee when i was like 15. These kids would bring boomboxes and breakdance on the marble floor. It was the second wave of hip hop culture that went through the midwest mostly on  freight trains covered in spray paint, and raves... but we had as much passion as the first b boys.. just mad late- actually I think by then early nineties like Germans and Lithuanians were winning all the breakdance contests anyway.. but that whole s**t changed my life. When i heard the Jimmy castor song and saw kids dancing to it i thought it really did mean something... like the revolution was about to begin.maybe it did. I started painting on the trailors parked on the 2 lane highway by house when the were building mattress barns and new Shoneyís diners..  I know now how wack mini malls are, But white trailors, trains, mud and fences at night was like all i day dreamed about in the day besides this girl that worked at the donut shop..  so maybe I was part of a revolution?If you want to read up on ZULUDavey D pretty much broke it down herehttp://www.daveyd.com/zulunationhistory.html...its pretty mindblowing how big this s**t is and what it really means..i mean damn,to say ì if people  focused energy on creativity instead of crimeî sounds like something Nancy Reagan would say... but thats exactly what happened and it turned out to redefine the world.. I always say that i do what i do cause of bambaataa and ZULU.. but its really true.