Podcasts about Schoolly D

The discography of Schoolly D is one of the most diverse and lengthy that we've ever covered on DITD. Where he begins providing the seeds of what eventually becomes known as "Gangsta Rap", he then goes through a more pro-Black phase in the 90s and nowadays operates as a relative experimentalist for somebody whose debut came out in 1985.TIMESTAMPS:Weekly Music Roundup - (1:15)Ben:Benny the Butcher - ExcelsiorYung Lean - JonatanJPEGMAFIA x Flume - We Live in a SocietyCharlie:Jericho Jackson - I Am HimAntsLive - Carpe Diem1999 WRITE THE FUTURE & The Pharcyde - TimelessRyder - RYDERHOODAlex Isley - WHENKatalyst - SpeakeasyVinocio - TostadosNejma Nefertiti - Jayne Wayne The JuggernautMychelle - Good DayWretch 32 - HOME?Topic Intro/Ben's Research House - (14:40)Schoolly D - (23:50)Saturday Night! – The Album - (30:37)Smoke Some Kill - (33:20)Am I Black Enough for You? - (35:41)How a Black Man Feels - (40:39)Welcome to America - (44:45)Reservoir Dog - (50:22)International Supersport - (53:41)Cause Schoolly D Is Crazy - (57:27) Lighter Note - (1:04:22) Thanks for listening. Below are the Social accounts for all parties involved.Music - "Pizza And Video Games" by Bonus Points (Thanks to Chillhop Music for the right to use)HHBTN (Twitter & IG) - @HipHopNumbers5E (Twitter & IG) - @The5thElementUKChillHop (Twitter) - @ChillhopdotcomBonus Points (Twitter) - @BonusPoints92Other Podcasts Under The 5EPN:"What's Good?" W/ Charlie TaylorIn Search of SauceBlack Women Watch...5EPN RadioThe Beauty Of Independence

This is part 2 of our 1988 Tribute and we've teamed up with Get On Down to giveaway some goodies from '88 like vinyl from Run-D.M.C., Kid 'N Play, Too $hort and even a dope-ass Slick Rick action figure.  We're hitting you with 2 jam-packed mixes featuring classics from EPMD, LL Cool J, Queen Latifah, Geto Boys, MC Shy D, Masters of Ceremony, Original Concept, N.W.A., Jungle Brothers, 2 Live Crew, De La Soul, Stetsasonic, Biz Markie, Sir-Mix-A-Lot, Schoolly D and Tuff Crew. Get ready for another incredible TIP episode to put on the shelf. Enjoy! All of our episodes are available for free download @⁠⁠⁠ takeitpersonalradio.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠www.patreon.com/TakeItPersonal⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠ ⁠https://takeitpersonalradio-shop.fourthwall.com/⁠⁠  (enter promo code "GOLDENERA" for 15% off) 

Full tracklist at www.maggysrooftopaerial.commagz fm / musik you haven't heard yet.connect: www.maggysrooftopaerial.com

On today's show is Garrett Dutton, better known to you and me as G. Love and his band G. Love and Special Sauce.G. Love appeared on my radar in the early 90's when I was just getting into playing in bands. Originally from Philadelphia, but breaking out of the Boston music scene, Special Sauce's debut album was pretty massive in my world. It mixed blues, soul, rap and hip hop in an organic way that no one else was doing. Garrett was influenced by everyone from John Hammond to Lightning hopkins and Muddy Waters, The Beatles to the Beastie Boys and Schoolly D and he's one of the few people that can convincingly meld those influences into cohesive music. He got into playing guitar at a really young age, learning Beatles tunes, and eventually found his way to Bob Dylan, which led to playing harmonica, which led to John Hammond, who opened the musical floodgates for him.He moved to Boston in the early 90's and started playing around Cambridge with his band that included Jimmy Jazz on bass, and Jeffrey Clemens on drums, who made up the perfect rhythm section for the music they were making. The band came to be known as G. Love and Special Sauce, and their debut album, just called “G. Love and Special Sauce” which came out in 1994 is a killer. I saw them a few times around them and they put on an amazing show. Their latest album, produced by Luther Dickinson, is called “Philadelphia Mississippi” and came out in '22. Lately, Special Sauce has been doing some shows commemorating 30 years since their debut album came out.Garrett and I had a great conversation, and I'm thrilled that he found his way back to his hotel that day! You can get all the latest info and upcoming tour dates over at www.philadelphonic.com - Enjoy my conversation with G. Love!This season is brought to you by our sponsors Larivée Guitars and Fishman AmplificationYou can join our Patreon here to get all episodes ad-free, as well as access to all early episodesThe show's website can be found at www.makersandshakerspodcast.com Get ad-free episodes and access to all early episodes by subscribing to Patreon. Hosted on Acast. See acast.com/privacy for more information.

It's quite rare for us to be able to talk to a true pioneer in the rap game, especially one so vital and engaged as the legendary Schoolly D. We were able to get some time with the literal father of gangster rap to talk about his self-drawn album art, his influence on the genre, his work in TV, his diet, and so much more. DBRP hosts David Ma, Nate LeBlanc and Demone Carter have been longtime fans of Schoolly's work and have referenced his seminal tracks (and the Edan song "Schoolly D Knew The Time") many times throughout our few hundred episodes, so it was surreal to actually speak with him. He was full of energy, unsurprisingly ribald, and a deep well of knowledge on the fundamentals of rap. Overall, a great interview. In the intro segment we discuss tattoo etiquette, commitment phobia, the infantilization of NBA coaches, and the terror of the wrestling unit in middle school P.E. class. Our theme song was produced by Cutso and rapped by DEM ONE (Demone's rap guise) Dad Bod Rap Pod is a proud member of the Stony Island Audio network

In this episode we welcome the legendary Penelope Spheeris and invite her to talk us through her extraordinary life and brilliant career. Barney wastes little time in asking the Louisiana-born filmmaker about the shocking traumas of her childhood and teenage years. We hear about her alcoholic mother's multiple marriages and the family's move to Southern California that led to Penelope putting herself through film school before graduating from UCLA. Along with the Saturday Night Live shorts she made with actor/comic Albert Brooks, Penelope talks about the pioneering Rock 'n' Reel production company that made '70s videos for everyone from Funkadelic to Fleetwood Mac. We also learn about her conversion to punk rock via Brendan Mullen's Masque club, where she shot SoCal hardcore bands like X, Fear, the Germs and Black Flag, the footage winding up in 1981's thrilling Decline of Western Civilization. From the first Decline we jump forward seven years to Decline II — and to a discussion of the '80s glam-metal scene that exploded on West Hollywood's Sunset Strip via bands such as W.A.S.P. and Poison. In addition we hear clips from Mat Snow's 1989 audio interview with all-girl quartet Vixen, sparking a discussion of rampant misogyny on the big-hair metal scene. With Decline II: The Metal Years being our guest's de facto passport to directing 1992's enormo-grossing Wayne's World, we ask Spheeris to recall her not-altogether- felicitous experience of working on the hit Saturday Night Live spinoff with Mike Myers and Dana Carvey. We also consider how the week's featured writer "Metal Mike" Saunders bridged the gulf between metal and punk, tracing his maverick career from a 1971 Creem review of Sir Lord Baltimore's Kingdom Come to the 1978 formation of SoCal hardcore band Angry Samoans. After Mark offers quotes from recently-added library pieces about electro-pop duo Erasure, rapper Schoolly D and, yes, Penelope Spheeris, Jasper closes out the episode with remarks on articles about El Paso's At the Drive-In and David Bowie. Many thanks to special guest Penelope Spheeris. Visit her website at penelopespheeris.com. Pieces discussed: The Decline of Western Civilization, Penelope Spheeris: The "Mad Surgeon" of Film, Vixen audio, Sir Lord Baltimore, A Brief Survey of the State of Metal Music Today, Metal Mike Saunders, Angry Samoans, Annie Nightingale, Erasure, Penelope Spheeris interviewed by Richard Harrington, Schoolly D, At the Drive-In and David Bowie.

This week's episode is a review from Philly rapper Schoolly D and his self-titled debut album released in 1985. Schoolly D is considered the first gangster rapper, influencing everyone from Ice T, Eazy-E, N.W.A. to many more, especially rappers from the west coast with his hit P.S.K. ‘What Does It Mean'?. https://instagram.com/str8_the_clippa?igshid=MzMyNGUyNmU2YQ== https://www.facebook.com/profile.php?id=100086006336425&mibextid=LQQJ4d

The Hip-Hop Digest Weekly Pick Hits 01.Schoolly D – P.S.K. (‘What Does It Mean’?)02.DJ Jazzy Jeff & The Fresh Prince – A Touch of Jazz03.Cazal Boys – Snatchin’ Cazals04.Doctor Funnkenstein – Scratchin’ To The Funk05.Lady B – To the Beat … Continue reading →

Don't worry about the stormy weather or the roadblocks in our way: Santigold is here! Join Damian as he sits down with the Philly music legend to discuss mental health and punk. From meeting Chuck Treece at a school dance, to her journey into punk with Stiffed, Schoolly D is hardcore,lessons learned from touring with Bad Brains, people loving watching the rise & fall and so much more: DON'T MISS THIS ONE! Also, don't miss Santigolds' awesome new "Spirituals" album. Available everywhere, now. Head to santigold.com for more! Thank you to Creem Magazine for sponsoring this podcast! Head to Creem.com for subscriptions, the incredible archive and more fun! Use the promo code: TURNEDOUTAPUNK for 15% off subscriptions and fanclub memberships

so who amongst us has not been up until 5am contemplating how very different Abel Ferrera's “Bad Lieutenant” would've felt had Schoolly D sampled Tony Joe White instead of Jimmy Page.  Or if Harvey Keitel had been listening to Rosko on WKTU instead of Chris Russo on WFAN.  I mean, we'll never know for sure but there's no harm in staying up all night thinking about it, recording a show meant to address these issues and then losing track of time while taping and never getting around to mentioning the subject.

Last week's death of Takeoff from the Migos marks more than 60 Rap artists who have been lost to gun violence. The latest episode of AFH's What's The Headline examines the history and evolution of violence in Rap music. The conversation, which draws from actual statistics, also looks at why 1987 - 1993 marks a turning point in the musical content and imagery that is very much still driving the consumption of Rap music. 0:00-2:00 intro - More than 60 rappers have died from gun violence 2:01 - 6:10 - AFH's coverage of Migos and our personal relationships to the music 6:11 - 9:30 - There is a history and evolution of violence in Rap music. This is not preaching, but analysis and commentary from two Hip-Hop Heads 9:31 - 12:30 - Rap music has always possessed the power to influence in many ways 12:31 - 17:30 - Violence is one of the ways that Rap music can influence. Trick-Trick makes the point that music can put a spell on the listener 17:31 - 21:40 - There was a time in recorded Rap music where violence themes were barely existent 21:41 - 25:50 - Boogie Down Productions, Schoolly D, Ice-T, and N.W.A. changed things substantially, especially by 1987 25:51 - 29:30 - Shortly after BDP releases “9MM Goes Bang,” Scott La Rock is killed. It is also their most-streamed song on Spotify 29:31 - 36:30 - N.W.A.'s Straight Outta Compton began a time when violence in Rap music went from being the exception to the norm. That coincides with the crack epidemic 36:31 - 40:00 - The Geto Boys' “Mind Of A Lunatic” took violence in Rap music to that other level 40:01 - 45:50 - N.W.A. raises the stakes again with Efil4zaggin and that album goes to #1 on the pop charts 45:50 - 47:59 This trend continues with Dr. Dre's The Chronic, a critically-acclaimed, commercially successful, radio-embraced albums 48:00 - 49:50 In a five-year span Rap music has gone from barely cursing to glorifying violence and misogyny 49:51 - 53:10 - Art imitates life with Snoop Dogg, the death of Philip Woldemariam, and Murder Was The Case 53:11 - 58:30 - The mid-‘90s emergence of Horrorcore and a whole movement built are violence and death 58:31 - 1:01:40 - The movement continues, into Tupac, Drill music, and beyond. People are addressing real violence in the music 1:01:41 - 1:09:00 - Some powerful statistics about murders in America, and the relationship those figures have to what is happening in the lyrics 1:09:01 - 1:16:00 - A history of anti-violence Rap songs involving KRS-One and H.E.A.L., We're All In The Same Gang, Heather B, Organized Konfusion, Black Star, Gang Starr, Kendrick Lamar, Main Source, and more 1:16:00 - 1:19:00 - Beyond Rap music, there is an increasing prominence of violence in film, television, and video games 1:19:00 - 1:21:00 - Some powerful statistics about the murder rates and gun homicides of Black Americans versus white Americans 1:21:01 - 1:29:00 - What is the role that we, as Heads, and AFH play in this carnage? 1:29:00 - 1:33:00 - What role do record labels and digital streaming platforms play in this? 1:33:01 - 1:36:10 - Is art really imitating life for some Rap artists? 1:36:11 - 1:40:20 - What can society do to be better with our appetite for destruction? 1:40:21 - Song of the weeks from Heather B and Ab-Soul featuring Zacari

HeavyBeats HeavyHitters is our chance to hand the decks over to amazing talent that exists within our industry. This month we introduce AchillesThis Australian brings a unique energy to the scene, electric, sharp and cutting though dancefloors. Achilles has been on our radar for the last 12 months and we love the brightness of his music coupled with his HEAVY kicks! One of the hottest rising stars in the dance music world right now, Achilles has already received support from David Guetta, Tiësto, Armin van Buuren, Afrojack, Timmy Trumpet, Don Diablo, Showtek, W&W, Robin Schulz, MORTEN, Dada Life, Morgan Page, Andrew Rayel, Bassjackers, Blasterjaxx & many more.Take a listen into the future. This is Achilles. Message us if you like what you hear @HeavyBeats and Follow us. Get ready for the HEAVY BEATS! 01 - Achilles, Andrew A - Break The Rules [DANCING DEAD]02 - Achilles, Nanoviola - Hope [REVEALED]03 - Achilles - Keep On Dreaming [SPINNIN' NEXT]04 - Achilles, Lister, Jessie Lee Thetford - As The Rush Comes [CLUBWRK]05 - Achilles - Junology [CRASH & SMILE]06 - David Guetta, MORTEN vs. Schoolly D vs. Etta James - Bombardment vs. Gucci vs. Something's Got A Hold On Me (Achilles Mashup)07 - Achilles, Lister - Sic Mundus [REACHING ALTITUDE]08 - Achilles - The Rhythm [RAVEUP]09 - Achilles - After The Beep [REVEALED]10 - Achilles, MatricK - Control [REACHING ALTITUDE]11 - Achilles - Reaching For The Moon [DEN HAKU]12 - Khalid, 6LACK, Ty Dolla $ign - OTW (Achilles Remix)13 - Armin van Buuren, Tempo Giusto - Mr. Navigator (ID Remix)14 - Justus, Achilles - Touch Me [SPINNIN']15 - Lister, Achilles - Just A Dream [REVEALED]16 - MaRLo, Achilles - Nothing Is Left [REACHING ALTITUDE]17 - Alesso, Sentinel vs. Ian van Dahl - Only You vs. Castles In The Sky (Achilles Mashup)

We're excited to have G. Love of G. Love and Special Sauce on the show, chatting with Amy Wright about his latest studio album, an album heavy on collaboration with some of Delta Blues and hip-hop's most well-respected artists, Philadelphia Mississippi. Joined by players like Christone Kingfish Ingram, Jontavious Willis, Alvin Youngblood Hart, Chuck Treece, Schoolly D, and many more, Philadelphia Mississippi is an important record for G. love, as it connects his hometown of Philadelphia, PA, down to the heart of the Delta Blues, a sound he's been voraciously obsessed with since he was a kid. We're excited to have him on the show today to chat about the album and learn more about his life, growing up in Philadelphia, and so much more.Part of Pantheon Podcasts   

Considéré à juste titre comme le père du Gangsta Rap Schoolly D est tout simplement le premier  à avoir rappé la rue de manière aussi crue et réelle.  Si aujourd'hui parler de vente de drogue, de flingue et de banditisme parait une figure de style quasi imposée dans le rap, il faut rendre a césar ce qui appartient à  Schoolly D.  C'est ce que nous proposent Bachir & SLurg durant une heure de mix autour de cet artiste majeur et polyvalent (Dj,  Rappeur, producteur, dessinateur)Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Ced Gee stops by Unique Access with Soren Baker to discuss his belief that Scott La Rock was assassinated. The Ultramagnetic MC's member also tells Soren Baker that he shouldn't have produced Tim Dog's LP. The Bronx rapper-producer also says it is his fault for not getting “Criminal Minded" production credit & that Ultramagnetic MC's passed on a Def Jam Recordings deal. Ced Gee also details Schoolly D being an anomaly, how Salt-N-Pepa's success cost Ultramagnetic MC's, why he hates “Funk Your Head Up” & that the “Saga Of Dandy, The Devil & Day” needed to be done. Please like, subscribe, and share Unique Access with Soren Baker, part of the Pantheon Media podcast network. Also pick up Soren Baker's books at www.amazon.com/author/sorenbaker and watch his interviews at www.youtube.com/uniqueaccessent.

Ced Gee stops by Unique Access with Soren Baker to discuss his belief that Scott La Rock was assassinated. The Ultramagnetic MC's member also tells Soren Baker that he shouldn't have produced Tim Dog's LP. The Bronx rapper-producer also says it is his fault for not getting “Criminal Minded" production credit & that Ultramagnetic MC's passed on a Def Jam Recordings deal. Ced Gee also details Schoolly D being an anomaly, how Salt-N-Pepa's success cost Ultramagnetic MC's, why he hates “Funk Your Head Up” & that the “Saga Of Dandy, The Devil & Day” needed to be done. Please like, subscribe, and share Unique Access with Soren Baker, part of the Pantheon Media podcast network. Also pick up Soren Baker's books at www.amazon.com/author/sorenbaker and watch his interviews at www.youtube.com/uniqueaccessent.

We had the pleasure of interviewing G. Love over Zoom video.South of Market Street, south of the Liberty Bell, south of the Walt Whitman Bridge and Pat's and Geno's lies an entirely different Philadelphia: Philadelphia, Mississippi. On the surface, these two Phillies couldn't be any less alike—one, a bustling East Coast metropolis, the other, a small town a thousand miles away in the Deep South—but for G. Love, the connections were undeniable. Produced by North Mississippi All-Stars' Luther Dickinson, Philadelphia Mississippi brings together both sides of G. Love's eclectic career, mixing old school Hill Country and Delta Blues with new school hip-hop and funk to forge a sound that's both wildly innovative and deeply reverent all at once. The songs are loose and spontaneous here, often penned on the fly in improvisatory fits of inspiration, and the performances are similarly freewheeling, bringing together a slew of special guests from blues torchbearers like Alvin Youngblood Hart and Christone “Kingfish” Ingram to rap icons like Schoolly D and Speech from Arrested Development. It would have been easy for G. Love to play it safe coming off his GRAMMY-nominated 2020 release, The Juice, but Philadelphia Mississippi is perhaps his most adventurous, ambitious collection to date, tossing all the rules out the window as it experiments with form and function in an ecstatic celebration of music's power to connect across genres and generations. G. Love's upcoming album Philadelphia Mississippi will be available as a limited edition NFT. After purchasing the initial "Origin" NFT, token holders will be airdropped a second NFT which unlocks both a downloadable and streaming version of the new record, as well as a 180-gram vinyl. A limited number of token holders will be randomly selected to win special edition vinyl pressings, ticket bundles, and more. We want to hear from you! Please email Tera@BringinitBackwards.com.www.BringinitBackwards.com#podcast #interview #bringinbackpod #GLove #GLoveandSpecialSauce #PhiladelphiaMississippi #TheJuice #NFT #NewMusic #zoom Listen & Subscribe to BiB https://www.bringinitbackwards.com/follow/ Follow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpod

Nate is back with an all new episode and fights through a damaged voice to interview Andy Hurwitz (3:53)! And and Nate talk about growing up, his father's music room, meeting Jonathan Shecter & becoming obsessed with hip hop, going to law school and realizing he could work as a music lawyer, finding a mentor in Brad Rubens, working with Pearl Jam in their battle with Ticketmaster, how Eddie Vedder gave him the idea to leave law and solely work in music, the Big Valentine's Day Pitch and getting hired at the Knitting Factory, releasing DJ Logic's album and starting Ropeadope Records, King Britt and the Sister Gertrude Morgan Experience, the Ropeadope ethos, the ever changing ways we consume music, Napster, the origins of 30 Amp Circuit, the revitalized Philly Scene, the virtual Love From Philly livestream during COVID lockdown, G. Love creating a theme song for the fest, the upcoming Love From Philly live fest, Schoolly D., and Questlove. All before going through the Jawntlet!! 30 Amp Circuit website Love From Philly website --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/ytmj/message Support this podcast: https://anchor.fm/ytmj/support

Nina en Nina spraken af met Erwin en Michael van Demonfuzz in de prachtige winkel in Rotterdam. Omringd door duizenden en duizenden platen hebben we een gesprek over onder andere 35 jaar vriendschap, naar de bibliotheek voor platen en verhuisdozen vol met vinyl vanuit Amerika. Ga er lekker voor zitten en race na het luisteren van deze aflevering naar Demonfuzz, fysiek of digitaal! Deze muziek hoorde je in de aflevering: Demon Fuzz - Past Present And Future (van het album "Afreaka!" uit 1970) Queen - Love of my Life (van het album "A Night at the Opera" uit 1975) Stevie V feat Nazlyn - Dirty Cash (Money Talks) (Todd Terry Club Mix) uit 1989. The Mighty - Ayala Red (van het album "Wild Safari: Afro Tropical Disco Odyssey" uit 2021) The Lyman Woodard Organization - Saturday Night Special (van het album "Saturday Night Special" uit 1975) Public Enemy - You're Gonna Get Yours (van het album "Yo! Bum Rush The Show" uit 1987) Schoolly D - Put Your Fila's On (van het album " Schoolly D" uit 1985) The Stone Roses - I Am The Resurrection (van het album "The Stone Roses" uit 1989) Robert Palmer - Best of Both Worlds (van het album "Double Fun" uit 1978) Donald Fagen - I.G.Y. (What a Beautiful World) (van het album "The Nightfly" uit 1982) Kid Creole and the Coconuts - Stool Pigeon (van het album "Tropical Gangsters" uit 1982) Meer info over onze gasten vind je hier: Demonfuzz Instagram Demonfuzz op Discogs The Grand Groove @ Operator Radio Erwin / DJ Git Hyper op Instagram Michael / Ultimate Breaks op Instagram Handige links: Vriend van de Show - Via Vriend van de Show kun je ons steunen met een donatie, spraakberichten achterlaten, en als Vriend van de show heb je toegang tot oude bonusafleveringen. De Platencast op Instagram

For nearly 30 years, G. Love (Garrett Dutton) has moved fluidly between the blues, hip-hop and alternative worlds. His last album, The Juice, received a Grammy nomination for Best Contemporary Blues Album. His latest single, “Love from Philly” pairs him with Philadelphia rap legend Schoolly D and Chuck Treece. The track is part of the upcoming album Philadelphia Mississippi, due out June 24. G. Love (on dad duty!) talks to Jordan and Demi about the new album, staying creative, and venturing into the NFT space.

The Hip-Hop Digest Weekly Pick Hits 01.Shabaam Sahdeeq & Nick Wiz – Thunderin02.Mattic & Parental – Lost Exit Door03.Pete Flux & Parental – Daily Dose (feat. Debonair P)04.Poldoore – Hourglass (feat. ASM)05.Schoolly D – Gangster Boogie Albums of the Week … Continue reading →

Ice-T stops by Unique Access Ent. with Soren Baker to discuss whether or not Tupac should be considered a gangster rapper. The rap pioneer also tells Soren Baker why New York artists didn't want to be labeled gangster rappers, what Ice Cube told him about “The Boyz-N-The Hood,” and Los Angeles rap's three family trees. Elsewhere, Ice-T discusses the Beastie Boys and Schoolly D inspiring “6 In The Mornin'" and not sending people to prison with his music. Pick up Soren Baker's books at amazon.com/author/sorenbaker and watch his interviews at youtube.com/uniqueaccessent. Please like, subscribe, and share Unique Access Ent. with Soren Baker, part of the Pantheon Media podcast network.

Ice-T stops by Unique Access Ent. with Soren Baker to discuss whether or not Tupac should be considered a gangster rapper. The rap pioneer also tells Soren Baker why New York artists didn't want to be labeled gangster rappers, what Ice Cube told him about “The Boyz-N-The Hood,” and Los Angeles rap's three family trees. Elsewhere, Ice-T discusses the Beastie Boys and Schoolly D inspiring “6 In The Mornin'" and not sending people to prison with his music. Pick up Soren Baker's books at amazon.com/author/sorenbaker and watch his interviews at youtube.com/uniqueaccessent. Please like, subscribe, and share Unique Access Ent. with Soren Baker, part of the Pantheon Media podcast network.

On this episode Santos speaks with Philadelphia based Hip-Hop artist King Shampz. Santos asks King Shampz about everything from his musical influences, his  origins, the impact of West Philadelphia on street culture, music, and more. King Shampz and Santos discuss the impact of other iconic acts from Philly such as Beanie Siegal, Black Thought, the Rocafella State Property era, the legacy of Schoolly D, the true origins of Gangsta rap, and more. Follow Santos on Social Media. Instagram: @santosthreadsshopTikTok: @santosthreadsshopVideo Podcast YouTube: The Santos Says Podcast For Business Inquiries or Collaborations:Email: santosthreads@gmail.com Visit santos-threads.com for the latest merch!Follow King Shampz music streaming on Spotify and Apple Music. Follow King Shampz on Social Media. Instagram: @King_Shampz Twitter: @King_ShampzFollow King Shampz and Dead Wrong music on SoundCloud : https://m.soundcloud.com/dead-wrong-recordsSupport this podcast at — https://redcircle.com/the-santos-says-podcast/donations

Playlist Chamberlin Rhythmate Two Times The Trauma, “Freak Show” from I Fell In Love With An Ocean (2006 Starfly). There is an original Chamberlin Rhythmate at Roth Händle Studios in Stockholm, plus some other precious vintage equipment used in the making of the first album by Two Times The Trauma. Double Bass, Vocals, Magnus Eugensson; Drums, Percussion, Optigan, Mellotron, Tin Whistle, Turntables, Chamberlin Rhythmate, Mattias Olsson; Electric Guitar, Eric Fallope; Mellotron, Orchestron, Tobias Ljungkvist; Tuba, Fredrik Wennström; Vocals, Cecilia Åhlfeldt; Vocals, Acoustic Guitar, Mattias Eriksson; Xylophone, Daniel Kåse. Recorded at Roth Händle Studios 3 & 4, Stockholm. Mellotron bee tape set used with kind permission from Gaby Stenberg. Yamaha GX-1 used with kind permission from Benny Andersson. Orchestron French Horn disc on 'In Your Eyes' used thanks to Zac Rae. All Optigan, Mellotron and Chamberlin Rhythmate service and maintenance was performed way beyond the call of duty by Markus Resch. Wurlitizer Side Man and Swingin' Rhythm LCD Sound System, “Somebody's Calling Me” from This Is Happening (2010 Parlophone). Somebody's Calling Me; Finger Snaps Snaps, Matt Thornley; Finger Snaps Snaps, Synthesizer Casio MT-68, Wurlitzer Sideman, EMS VCS3 Putney, Korg Poly Ensemble, Bass, Piano Acoustic, Keyboards Roland System 100, Vocals, James Murphy; Mixed By, DS; Trombone, Jason Disu; Written-By, J. Murphy. Glenn Derringer, “The Girl From Ipanema” from Wurlitzer Swingin' Rhythm (1968 Wurlitzer). Glenn Derringer at the Wurlitzer electronic organ, demonstrating the Wurlitzer Electronic Swingin' Rhythm attachment with an unspecified Wurlitzer electronic organ. Each track on this demonstration disc explains the Swingin' Rhythm settings that were used. For “The Girl From Ipanema,” the settings were: “Moderate Bossa Nova. The Swingin' Rhythm was set at Latin, tempo control set to 1 o'clock.” What more can I say? Dick Hyman, “Strobo” from the single Strobo/Lay, Lady, Lay (1969 Command). Dick told me about this track, which was one of his Moog experiments that didn't make it onto his two albums around this time. Normally, he produced his Moog tracks with the help of synthesizer programmer Walter Sear. But in the case of this single, he did all the programming. For “Strobo,” he used a drum machine. It sounds like a Swingin' Rhythm. Jean-Pierre Sabar, “Fool on the Hill” from Super-Danse/Les Orgues Électroniques De Jean Pierre Sabar (1969 Sava). French LP of instrumental cover versions of popular music, all played on the Wurlitzer 4300 electronic organ with integrated Multi-Matic Percussion unit and Swingin' Rhythm, which was also sold as a standalone drum machine. In this case, I'm having a little trouble telling the difference between the drum machine and what sometimes sounds like a drum set with bass and toms. The settings on the organ indicate that the pedals can be used to play “drum” and “cymbal” sounds, and the Swingin' Rhythm unit had buttons for drum, brush, snare, block, and cymbal. Still, I can't account for the tambourine sound but so much of this rhythm section sounds like a drum machine repeating sounds robotically that I must assume that this is a combination of live drummer and drum machine. Jerry Styner And Larry Brown, “Dock of the Bay” from Orbit III (1971 Beverly Hills). Album produced to showcase the sounds of the Wurlitzer Orbit III organ, the “orbit” portion being a a third, two-octave keyboard that was a monophonic synthesizer. The instrument was equipped with the latest Wurlitzer rhythm machine built in. On this track, you not only hear sounds of a drum machine that sounds similar to the Wurlitzer Swingin' Rhythm machine introduced in 1969. Although the liner notes suggest that all of the sounds were created using the organ, there appears to be a regular human drummer playing along (probably percussionist and co-producer Larry Brown). I say this because there is a hit hat heard throughout and although Swingin' Rhythm had setting for a Snare, Brush and Cymbal sounds, as fills for the rhythm settings, they really did not reproduce the hit hat sound that is heard here. That and the miscellaneous drum fills added throughout sound more “played” than mechanized. Anyway, that's my take after examining this recording as compared to the actual sounds of the Swingin' Rhythm unit. Thomas Organ Byron Melcher, “Spanish Flea” from The Entertainers (1966 Thomas Organ Co.). Thomas Organ was one of the leading makers of electronic organs for the home. On this track, you can hear the Playmate rhythm component, a drum machine with 15 preset rhythms. The Thomas organ drum machine, circa mid-1960s. Thomas Organ was another maker of electronic organs for the home market. By 1966 they had created the Playmate rhythm component, a drum machine with 15 preset rhythms and a standalone device called the Band Box that had 10 preset rhythms. These were often sold as part of their Color-Glo line of transistorized organs. Color-Glo helped amateur musicians by lighting up the keys for preprogrammed melodies and chords to guide them along. Lowrey Organ Johnny Kemm “Taboo” from Latin Days (1970 Concert Recording). This album was created using the Lowrey Theater Console Deluxe organ model H25R-2 equipped with the built-in Automatic Rhythm drum machine feature. Not Sure Which Drum Machine Robin Gibb, “Mother and Jack” from the single Saved by the Bell/Mother and Jack (1969 Polydor). There was brief period in 1969 when the Brothers Gibb, otherwise known as the Bee Gees, had a sibling riff and Robin went off on his own to record some solo projects while Barry and Maurice completed a two-man Bee Gee album called Cucumber Castle. Perhaps because he was working along, Robin used a drum machine to mark time while recording various tracks and in the case of a few songs, he kept the mechanical rhythm as part of the finished recording. This might be the earliest purposeful use of a drum machine on a pop hit. I include it hear because it is probably a Swingin' Rhythm, although it might also be a Seeburg Select-A-Rhythm, also available at the time. Bruce Haack “Saint Basil” from The Electronic Record For Children (1969 Dimension 5). Tape composition, drum machine, and synthesis by Bruce Haack; Directed by P. Pandel; Performer, The Children Of Holy Trinity Cathedral School. Bruce used an unidentified drum machine on this album of children's music. Roland (Various) Michael Iceberg, “Mexican Hat Dance” from Does It Live: 100th Week At Walt Disney World (1977 Hihomusic). This album was only sold to tourists as a souvenir at Walt Disney World during the Michael Iceberg residency as a performer at Tomorrowland Terrace during the late 70's through the late 80's. Unknown drum machine, but likely a Roland Rhythm TR-55. Miha Kralj, “Apokalipsa” from Andromeda (1980 PGP). Yugoslavian record from synthesist Miha Kralj features a Roland CompuRhythm CR-78. Composer, producer, Synthesizer, Vocoder, Sequencer, Drum Machine, Effects, Miha Kralj. Gary Numan, “Slowcar To China” from Dance (1981 Atco). Bass , Mick Karn; Percussion, Gary Numan, Tim Steggles; Polymoog, Prophet 5, Roland JP 4, CP30, Claptrap, Electronic Drums Roland CR78, Gary Numan; Viola, Chris Payne. The Noyes Brothers, “Byte to Beat” from Sheep From Goats (1980 Object Music). Synthesizer and electronic drums, Solamar. The Noyes Brothers had two members, Steve Miro and Steve Solamar. They were from the UK and Solamar seems to be the only artist on this track and uses an non-specific Roland drum machine. This track is taken from a double LP, the only record I know of for the Noyes Brothers. Comateens, “Ghosts” from Comateens (1981 Cachalot Records). Here is a group who's unofficial fourth member was a Roland Compu-Rhythm CR-78. The inner notes for the album featured profiles of all of the artists, including Lyn Byrd on synthesizers and vocals, Oliver North on guitar and vocals, Nic North on bass, and vocals and the Roland machine, which was described as having a square black head, no body, with red, blue, and yellow buttons. In addition, the notes state that the Roland drum machine was born in Japan and existed as 3,468 separate pieces before assembled and called upon to serve with the Comateens. Joël Fajerman, “Espace – Oiseaux” from Azimuts (1981 PSA). French record by Fajerman featuring a Roland TR 808 Rhythm composer, and instruments such as the Multimoog, Prophet 5, Korg polyphonic 3100, Clavinet D6, ARP sequencer, Oberheim module. SPK (System Planning Korporation), “Emanation Machine R. Gie 1916” from Information Overload Unit (1981 Side Effects). Australian industrial sounds released in the UK. Guitar, Bass, Tape, Vocals, Mike Wilkins; Synthesizer, Roland Drum Programming, Effects, Vocals, Graeme Revell; Synthesizer, Effects, Dominic Guerin. Rüdiger Lorenz, “Out of the Past” from Invisible Voices (1983 Syncord). This late pharmacist/synthesist from Germany played all the instruments on this album, including Korg Polysix, Formant Synthesizer, Roland Vocoder VC 10, Roland TR-808 Rhythm Composer, Moog Sample & Hold, MXR Stereo Chorus, Electro-Harmonix Flanger, PPG Sequencer, Elektor Ringmodulator, and Pearl Vorg Echo-Orbit. Other analog drum machines Bob Hacker, “Careless Hands” from One Man Opry: Bob Hacker Plays The Yamaha Electone D (1980 Yamaha). This album, produced by Yamaha, features some of the wacky analog synth effects it could produce as well as its built-in drum machine. This was a spinet style organ, a small upright keyboard with pedals for the home market. Arthur Brown and Kingdom Come, “Time Captives” from Journey (1973 Polydor). Brown used Bentley drum machine to provide drums on this track. The Bentley was actually a UK version of the Roland TR-77 which was the very first product Roland released under they own name. In the US this same unit was sold by Hammond as the Auto-Vari 64. The unit has 5 faders for Volume, Tempo, Cymbal/HH/Maracas, Guiro, Snare, Bass Drum. The TR-77 has 6 faders for Tempo, Fade Time, Volume, Bass D, Snare D, Guiro & Hi-Hat/Cymbal/Maracas. Bass, Percussion, Vocals, Phil Shutt; Bentley Rhythm Ace, Vocals, Arthur Brown; Electric Guitar, Vocals – Andy Dalby; Mellotron, Synthesizer [Arp 2600, Vcs3], Piano, Theremin, Percussion, Vocals, Victor Peraino. Kraftwerk, “Radioactivity” from Kraftwerk – Radio-Activity (1975 Capitol).Electronics, Florian Schneider, Ralf Hütter; Lyrics by Emil Schult, Florian Schneider, Ralf Hütter; music by Florian Schneider, Ralf Hütter; Electronic Percussion Karl Bartos, Wolfgang Flür; Vocals, Florian Schneider, Ralf Hütter. Schoolly D, “P.S.K.-What Does It Mean? (instrumental version)” from‎ P.S.K.-What Does It Mean? / Gucci Time (1986 Schooly D Records). A remix of this track that features only the drum sounds of the The Roland TR-909 Rhythm Composer. This drum machine was one of the first Roland instruments to be equipped with MIDI, and was the first analog/digital hybrid machine, combining analog circuits for its drums with digital samples for its cymbal and hi-hat sounds. You can hear how Schooly D isolated the cymbals and drums on this track. Pixie Ninja, “Leng Plateau” from Colours Out Of Space (2020 Apollon Records). Another recording using the Chamberlin Rhythmate in the Roth Händle Studio in Stockholm. Roth Händle studios is run by producer and musician Mattias Olsson who collects, restores, and offers vintage musical gear for use by visiting bands. There is so much to listen to here with Pixie Ninja's hard-driving and somewhat deranged mix of vintage, cranky electronic instruments and modern guitars and synthesizers. You can hear the Chamberlin Rhythmmate in this track, a Bandmaster Powerhouse Drum Machine (the one that used 8-track tapes), and an Electro-Harmonix DRM-16 Drum Machine. Godin Shifter 4 Bass, Korg Krome 61, Korg Volca Keys, Korg Monotribe, Nord Lead A1, Glockenspiel, Polar Circle Bells, Kalimba, Marius Leirånes; Drums, Percussion, Mother Modular System, Mellotron M400, Philicorda Organ, Chamberlin Rhythmate, Fender Rhodes, Hohner Clavinet, Blind Typemachine, EMS VCS3, Casio PT-88, Roland JV-8080, Roland SH-101, Electro-Harmonix DRM-16 Drum Machine, Moog Taurus, Korg MS-10, Optigan, Roland VP-330+, Bandmaster Powerhouse Drum Machine, E-Bow (Bass Gizmotron), Jenco Celeste, Grand Piano, Mattias Olsson; Fender Stratocaster, Gretsch G5320T, TC Electronic AEON Infinite Sustainer, Korg Krome 61, Korg microKORG, Nord Lead A1, Arturia Microbrute, Stylophone 350s, Glockenspiel, Jostein Haugen; Rickenbacker 12 String Electric Guitar, Fender Rhodes, Philicorda Organ, Mellotron M400, Hampus Nordgren-Hemlin. Background Sounds Opening: Negativland, “Side 1, Track 3” from Negativland (1980 Seeland). An unidentified drum box is heard throughout this track. It sounds a lot like the Wurlitzer Swingin' Rhythm. Recorded Dec. 1979-April 1980. This privately release album had a hand-made sleeve made of cut-and-paste artwork assembled with xerox, wallpaper, black construction paper, and magazine photos. Beneath these pasted portions, the cover itself is spray painted and stenciled with parts of the band name, as well as hand-numbered. Synthesizer, edited by, voice, tape, David Wills; Tape, Electronics, drum machine rhythms, Booper (an electronic oscillator), Clarinet, Organ, Viola, Loops, Guitar, Mark Hosler, Richard Lyons. Description of previous way of producing drum sounds: George Wright, “Happy Talk” from Goes South Pacific (1958 HiFi Records). George Wright on the Mighty Wurlitzer theater organ, an electronic organ popular in the 1950s. Introductory dialog: Johnny Kemm “I Say a Little Prayer” from Latin Days (1970 Concert Recording). This album was created using the Lowrey Theater Console Deluxe organ model H25R-2 equipped with the built-in Automatic Rhythm drum machine feature. Description of Chamberlin Rhythmate: Audio track demo of the  Chamberlin Rhythmate  from the YouTube video posted by instrument collector Dan Hicks (aka Peahix), a collector in California. Description of Wurlitzer Side Man: Audio track demo of the Wurlitzer Side Man from the YouTube video posted by instrument collector Dan Hicks (aka Peahix), a collector in California. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. For additional notes, please see my blog Noise and Notations.  

Quand on pense «gangs» on pense The Wire ou Gangs of New York. Le monde des gangs semble indissociable de l'Amérique, essaimant dans les films, les livres et la culture populaire.Ces gangs dont l'histoire est intimement liée à celle des états unis et du monde latino-américain sont régulièrement cités pour leurs crimes, proxénétisme, braquages, trafics de drogue, meurtres. Parmi les nombreux gangs agissant à New York, celui des Netas,l'Assosiation. a une histoire particulière. Il a été fondé au début des années 1980 dans une prison portoricaine autour d'un chef charismatique, Carlos Torres Irriarte, aussi connu sous le nom de La Sombra, l'Ombre. A son assassinat en 1981, le gang s'étend aux Etats Unis mais aussi à Porto Rico et à Barcelone. L'anthropologue Martin Lamotte s'est rapproché de plusieurs membres de ce gang à New York au tournant des années 2010. Il découvre les différents cultes et rituels secrets qui animent le gang au quotidien. Un jour de printemps 2012, lors d'un déménagement, Martin Lamotte ouvre un tiroir.Extraits sonores Frankie Cutlass, Puerto RicoFat Joe, FlowJoeJust Ice, Gangster Style RapSyko, Ten CuidadoTego Calderon, AbayardeChinx Drugz ft. French Montana, I'm A Coke Boy3 min 08, Capone-N-Noreaga, T.O.N.Y. (Top Of New York)4 min 11, King Ace D'general, King Side5 min 41, Fat Joe, Terror Squadians7 min 05, Immortal technique, Dance with the Devil8 min 54, Calle 13 – La Crema11 min 02, #OccupyWallStreet12 min 27, Grito14 min 58, Ghetto Brothers, Power Fuerza16 min 33, Daddy Yankee, Dura18 min 07, Tego Calderon, Abayarde20 min 06, Schoolly D, Gangster Boogie21 min 02, Syko, Ten Cuidado22 min 25, Brian campos, Somos Los Ñetas24 min 21, Asociación Pro Derechos Del Confinado Ñeta Quito – Ecuador25 min 26, Los netas del ecuador26 min 48, Conférence de Carlos « La Sombra » Torres Iriarte en la Escuela de Derecho de la Universidad de Puerto Rico, Recinto de Río Piedras, hablandosobre el sistema penal de Puerto Rico. Grabado por Gache Franco. 3 de oct de 197428 min 54, Tego Calderon, Yo Tengo Un AngelConsultation publique en ligne sur le site du CREM. Provenance : Archives sonores CNRS/Musée de l'Homme gérées par le Centre de Recherche en Ethnomusicologie (LESC UMR 7186, CNRS/Université Paris Nanterre) avec le soutien du ministère de la Culture et de la Communication.CréditsSecrets de Terrain est une coproduction de la revue d'anthropologie et sciences humaines Terrain, et le média The Conversation France.Conception et animation : Cléa Chakraverty (The Conversation France)Mixage et montage : Vanessa Tubiana-Brun (CNRS-Nanterre / MSH Mondes)Illustration : Adrià FruitósRemerciements : Roberte Hamayon. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Watch the episode HERE Chris Schwartz is the founder of Ruffhouse Records. At various points, the label included The Fugees, Ms. Lauryn Hill, Wyclef Jean, Cypress Hill, Nas, Kriss Kross, DMX, Kool Keith, and Schoolly D. Ruffhouse sold more than 120 million records worldwide, generating over a billion dollars in sales and a multitude of Grammy Awards. Chris has been the recipient of many awards celebrating his success while earning 250 gold and platinum records. Helping Schooly D birth an entire genre, gangster rap, and perhaps, more importantly, taking the first DIY rap artist to retail success will prove to be his most influential contribution to a culture he's lived for. In the show, we discuss Ruffhouse, Schooly D's burgeoning art career, Chris's fascinating basis for his next book Rebels & Poets, his new venture Ruff Nation, signing the first Asian hip-hop group, how rapping emerged as the top element of the 5 that comprise hip-hop, & a lot more. www.ruffnation.com Follow Chris @schwartz_music on IG Order Ruffhouse: From the Streets of Philly to the Top of the '90s Hip-Hop Charts Book by Chris Schwartz HERE (Physical or eBook)

Watch the episode HERE Chris Schwartz is the founder of Ruffhouse Records. At various points, the label included The Fugees, Ms. Lauryn Hill, Wyclef Jean, Cypress Hill, Nas, Kriss Kross, DMX, Kool Keith, and Schoolly D. Ruffhouse sold more than 120 million records worldwide, generating over a billion dollars in sales and a multitude of Grammy Awards. Chris has been the recipient of many awards celebrating his success while earning 250 gold and platinum records. Helping Schooly D birth an entire genre, gangster rap, and perhaps, more importantly, taking the first DIY rap artist to retail success will prove to be his most influential contribution to a culture he's lived for. In the show, we discuss Ruffhouse, Schooly D's burgeoning art career, Chris's fascinating basis for his next book Rebels & Poets, his new venture Ruff Nation, signing the first Asian hip-hop group, how rapping emerged as the top element of the 5 that comprise hip-hop, & a lot more. www.ruffnationent.com Follow Chris @schwartz_music on IG Order Ruffhouse: From the Streets of Philly to the Top of the '90s Hip-Hop Charts Book by Chris Schwartz HERE (Physical or eBook)

Watch the episode HERE Chris Schwartz is the founder of Ruffhouse Records. At various points, the label included The Fugees, Ms. Lauryn Hill, Wyclef Jean, Cypress Hill, Nas, Kriss Kross, DMX, Kool Keith, and Schoolly D. Ruffhouse sold more than 120 million records worldwide, generating over a billion dollars in sales and a multitude of Grammy Awards. Chris has been the recipient of many awards celebrating his success while earning 250 gold and platinum records. Helping Schooly D birth an entire genre, gangster rap, and perhaps, more importantly, taking the first DIY rap artist to retail success will prove to be his most influential contribution to a culture he's lived for. In the show, we discuss Ruffhouse, Schooly D's burgeoning art career, Chris's fascinating basis for his next book Rebels & Poets, his new venture Ruff Nation, signing the first Asian hip-hop group, how rapping emerged as the top element of the 5 that comprise hip-hop, & a lot more. www.ruffnation.com Follow Chris @schwartz_music on IG Order Ruffhouse: From the Streets of Philly to the Top of the '90s Hip-Hop Charts Book by Chris Schwartz HERE (Physical or eBook)

Today show is spotlighting Schoolly D and I will be playing a variety of his classic hits and the Featured song is gucci time ,Follow the Birdman show page on Facebook and Tap the links to hear the show. HAPPY BIRTHDAY SCHOOLLY D

Did you ever wonder why monkeys live and play high up in the trees? Well, I'ma tell ya why. Ya see, King Lion was minding his own business when the monkey decided he wanted to be king of the jungle. So Monkey did something very rude, very crude, and with a bad attitude!Signifying Monkey, is an African and American folktale classic that was sung way back in the day by the cool Cab Callaway, outstanding Oscar Brown Jr., King of rock n' roll, Chuck Berry, wild Willie Dixon, rock n' roller, Sam the Sham, and also can be heard in a Schoolly D rap and in the movies, House Party and Knightriders.Signifying Monkey originated from the trickster figure of African Yoruba mythology, Esu Elegbara. Signifying Monkey is once again documented for a new generation by Aunti Oni in our story village. "So ya betta not monkey with me, yeah!" Do you think the monkey deserved his fate? Let me know at AuntiOni@aol.comMusic (C) Monkey Dance by T. MorriMixed & Edited by DJ King CanalVisit Aunti here: www.AuntiOni.funIf you love "Signifying Monkey" show you care and share it with family & friends everywhere. Thanks! Support Aunti Oni Story Village & donate. Thanks! See acast.com/privacy for privacy and opt-out information.

Todays show im spotlighting Schoolly D and I will be playing a variety of his classic songs and the Featured song is ( Gucci Time ) and Follow the Birdman show page on Facebook and Tap the links to hear the show and Happy Tuesday from the Birdman show.

SUPPORT ME ON PATREON WATCH MUSIC is not a GENRE VIDEOS and MORE I'm from Philly. Born there, lived there a little, grew up near there & was there every week for decades. It's in my blood in more ways than one. But that pales in comparison to my dad's experience. He was born there, lived there 30 years, and visited family there every week for many MORE decades. Why does this matter? Because place matters. Not just for family but for culture too. And that very much includes music. Now that I've spent over 20 years in NYC, I can tell you there's one big difference in the two cities: pressure. Both cities are a crossroads of cultures. Both have tons of options & influences & sounds. But whereas NYC is one giant pressure cooker, constantly testing you, Philly lets you breathe, doesn't ask you to be any more than you are. It's why so many stage shows & musicians have historically gone there first to get into fighting shape. You NEED to be in fighting shape to thrive in NYC. Philly doesn't just let you live, it encourages it. In NYC you can do whatever you want too, but you're on your own until you can prove you're worth the trouble. This is why Philly music fans, venues & radio are so much better, so much easier to find your place in and be supported. It's also why Philly music is way more of a mix of styles than NYC music. In NYC, you have every imaginable style of music, but they're segregated into silos that rarely mix in any significant way. And they're way more self-conscious about it all. In Philly, every kind of music talks to every other kind just because, and the results are new amalgams that couldn't have been born anywhere else. Does that make Philly the greatest music city in the US? Probably not. There are too many worthy competitors – New Orleans, Memphis, Chicago, etc. But it does put Philly WELL in the top 5, and I'd say even the top 3. G. Love & Special Sauce are a great example of the Philly amalgam. Led by Garrett Dutton, they mix hip-hop, funk, psychedelica, folk, blues, soul & alt rock in a way only a Philly band could do. There are so many other examples of this kind of mixing through the decades. The Philadelphia Sound itself – funk-soul-dance mixed with lush orchestral strings & percussive horns. Think Hall & Oates – folk roots turned to funk-soul-pop-rock. Lil Uzi Vert – lo-fi emo rap rock. Below is a very incomplete list of other well-known artists from the Philly area. Note the variety of styles, both among and within the artists: The Four Aces, Danny & the Juniors, Frankie Avalon/Fabian/Bobby Rydell/Chubby Checker/Nicky DeMatteo, McCoy Tyner, Todd Rundgren & Nazz, Jim Croce, Hall & Oates, Gamble & Huff/McFadden & Whitehead/The Stylistics/Harold Melvin & the Blue Notes/Teddy Pendergrass/Sister Sledge/The Delfonics, Patti LaBelle, Joan Jett, Robert Hazard & the Heroes, The Hooters, Cinderella/Britny Fox, Pretty Poison, The Dead Milkmen, Live, Ween, Schoolly D, DJ Jazzy Jeff & Fresh Prince, Boyz II Men, The Roots, Jill Scott, G. Love & Special Sauce, Ape Café, Nick DeMatteo & REC, Huffamoose, Disco Biscuits, Circa Survive, Low Cut Connie, Eve, Chiddy Bang, Meek Mill, Lil Uzi Vert, Tierra Whack. Every single thing I have ever done has Philly in it somewhere. Here's the most complete playlist to date of my solo & band work: The Semi-Complete Nick DeMatteo - Spotify playlist Do you have any ties to Philly music? Do you know G. Love? What other areas of the country are as fertile a ground for music mixing as Philly? Discuss dammit! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/nick-dematteo/support

Say hi to Len:  Twitter and IG Say hi to Jon: Facebook About Len: Len May brings more than 25 years of cannabis and genomics experience to Endocanna Health as the CEO & Co-Founder. A pioneer in the medical cannabis industry, May has been instrumental in shaping the current legislation and culture. He has held past positions as President of the Cannabis Action Network and Board Member and Lifetime Member of California Cannabis Association. May is the current chair of the CBDIA science board and is a stakeholder in some of the industry’s most iconic brands. 

From one musician / pro skater to another, this week's guest on Life In The Stocks is Chuck Treece. Chuck was the first African American skateboarder to appear on the cover of Thrasher magazine. He's an OG. He's also a multi-instrumentalist, songwriter & musician. And he's collaborated with countless artists over the years, from last week's podcast guest Tommy Guerrero to Schoolly D, The Roots to Billy Joel, and Pearl Jam to the Bad Brains. And he has his own band McRad. We discuss his extensive and varied musical career here. We also talk skateboarding, street culture, hardcore, hip-hop and racism.also proud to announce that Life In The Stocks has a new sponsor: Radical Clothing UK. Be sure to follow them on Facebook & Instagram (@radicalclothinguk). And check out their website: www.radicalclothinguk.comThe brand aims to fuse a love of music, skateboarding, surfing & snowboarding, and the fashion & lifestyle that comes with these subcultures, with a commitment to raising awareness of mental health & wellbeing. I couldn't be more proud to be the official ambassador for this radical clothing company, and I look forward to working and collaborating on lots of exciting and worthwhile projects with them down the line.Follow Matt Stocks on Facebook / Twitter / Instagram: @mattstocksdjCheck out the Life In The Stocks Patreon page, support this podcast, and get all kinds of extras in return, from bonus podcasts & DJ mixes to archive print interviews & radio shows.www.patreon.com/lifeinthestocksMatt's first book, 'Life In The Stocks: Veracious Conversations with Musicians & Creatives (Vol. 01)' is also out NOW and is available via Amazon, Waterstones, Blackwell's & Rare Bird Publishing.https://rarebirdlit.com/life-in-the-stocks-veracious-conversations-with-musicians-creatives/ See acast.com/privacy for privacy and opt-out information.

Max Ochester is the owner of Brewerytown Beats, a record shop in Philadelphia. But Max has also used the shop and his Philly connections to preserve the city's rich music history. From reissuing previously unheard jazz and soul recordings to organizing efforts to save local institutions such as Sigma Sound Studios and the Coltrane House, Max has put in some work and has mesmerizing stories about it all. He gives us a behind the scenes look at last year's Sotheby's hip-hop auction and a report from Schoolly D himself on his groundbreaking self-titled debut album.

CD download here: https://www.mediafire.com/file/h02b2s50qs4vk9a/TWO_DECADES_OF_DEDICATION_the_mixtape_2000_-_2020_-_DJ_INSANE.rar/file DJ INSANE https://linktr.ee/DJ_INSANE Tracklist: 00:00 INTRO 01:57 WARMING UP 39:13 COOLING DOWN 45:52 COME AGAIN 54:45 GODSPEED 01:12:15 CLUB NIGHT FOR PROMOTIONAL USE ONLY THE PAST: (origin of the name "DJ INSANE") He discovered his talent for music at a very young age. The musical journey began by obtaining a acoustic guitar and being taught by his Spanish teacher Domenico Di Lella at the Koorenhuis in The Hague. He taught him the basic skills of classical music such as reading and writing musical notes, the scale & chords. After 1 year of lessons, he and some friends from the music school started a heavy metal band called GUARDIAN. After many practice sessions in rehearsal rooms with his new electric guitar, he slowly developed his own unique style. His passion for music developed enormously when he looked up to guitarists such as The Edge (U2), Les Claypool (Primus), Jimi Hendrix, David Gilmore (Pink Floyd).Gradually he also became interested in Hip Hop & Dancehall which he heard through friends from school. Artists like Public Enemy, N.W.A 2live Crew, Schoolly D, De La Soul, Mantronix, Above the Law, Supercat, Yellowman, Cutty Ranks, Eek-a-Mouse and many others of the time. He mainly paid attention to the beats and the way of Scratching. When he heard a mixtape from MC Schoolly D and his DJ Code Money (USA), he was sold. He heard rough electronic beats with very sharp scratch techniques and decided he wanted to do that too. With his saved pocket money he bought 2 turntables and a small mixing console. He got an old amplifier and speakers from his uncle and a box full of old records & singles with all kinds of genres of music. From the eighties disco and italo to motown, soul, old school bollywood & funk.He began to experiment with all kinds of styles whatever he could get out of the box. By mixing various beats and scratching various sounds, he gradually developed his own style of mixing. He recorded his recording sessions on a cassette and let his friends hear it. His friends told him, "The way you mix the beats and sounds is not normal, it's kind of insane (INSANE) ...!" From that day on, DJ INSANE was born. Known for his insane way of mixing (THE "INSANE" WAY OF MIXING).His passion for playing "live" instruments still existed and he gradually bought a Synthesizer to be able to work out his melodies, Drum Computers to make his own beats, An Atari S1 Digital Sampler to record and edit his own sounds and an Atari ST with Cubase Basic Software to control it all. Slowly learned how to compose and remix his own music by means of sequences.He kept a so-called "bedroom D.J." for about 5 years before he really turned out to the world . In those 5 years he has managed to develop himself into a full-fledged DJ. This was mainly about the DJ techniques, the choice of records, the DJ skills and the creation of his own unique style of mixing. . His influences were very varied at the time, hence his broad musical knowledge.When house music slowly made its entrance from Chicago and Detroit to the Netherlands during the 90s, DJ INSANE was very interested in this movement and began to study this genre and develop it for himself so that he could experiment with various music genres.

Let the Record Show – the crate-dug interview series in which musicians, DJs, rappers, and producers discuss their favorite songs of all time as the tracks spin on vinyl – continues with its “Socially Distant Series” of video-conference episodes. Episode 49 features indie-rap-sensation-turned-funky-drummer J-Zone. With the release of the fifth Du-Rites album A Funky Bad Time coming on November 13th, J-Zone joins hosts Mike Pizzo and Warren Peace to dig through some of his favorite tracks. Early 90s hip-hop deep cuts from Ice Cube, Terminator X, Schoolly D and Tim Dog show the clear influence seen in J’s early rap solo recordings on Old Maid Entertainment, while a selection of refined rare grooves from Kool & The Gang, Slave, and Jack DeJohnette exemplify his love for drumming as a part of The Du-Rites. In each case, oddball pressings and vinyl rarities are showcased for each song. J-Zone’s appearance on Let the Record Show marks the 49th episode in the series and the fourteenth episode of Season 4. Guests on previous episodes this season have included Cut Copy, Blu & Exile, Sofi Tukker, The Free Nationals, R.A. The Rugged Man, RJD2, Little Brother, Cam O’bi, Dudley Perkins, YehMe2, Rittz, SNAILS and Malik.

Robbie Gordon 2017, Willie Nelson 2001, Jimmy Smith 1974, Afrika Bambaataa & the Soulsonic Force 1986, Joey Scarbury 1981,Bay Area Arts Collective (B.A.A,C.) 1999, Newcleus 1984, Jazzy Jay 1984, Rockers Revenge 1984, Schoolly D 1984&1986, Grandmaster Flash & Melle Mel 1983, Shinehead 1988, Ice T 1988, Son of Bazerk 1991, Rob Base and DJ EZ Rock 1988, DJ Jazzy Jeff & the Fresh Prince 1988, The GOATs 1992, Salt-N-Pepa 1986, Kool Mo Dee 1989,  Big Daddy Kane 1988, Tenor Saw 1985, KRS-One 1993, B-52s 1979, Ghostbusters 1984, Steve Miller Band 1981, Men Without Hats 1982, Wall of Voodoo 1982, Soft Cell 1981,  Thomas Dolby 1982, Herbie Hancock 1983, The Go-Go's 1981, Bob Dylan & The Heartbreakers 1986, Neneh Cherry 1988, Stevie Wonder & Malcolm-Jamal Warner 1986, Genesis 1986, Yes 1983, Pink Floyd 1967, Herbie Hancock 1973, Richard Strauss 1896(2001~1968), Dire Straits 1985, Joan Jett & The Blackhearts 1981, The Go Go's 1981, R.E.M. 1991, A Tribe Called Quest 1991, Digable Planets 1993, The Roots 1995&6, Marvin Gaye 1968, Poor Righteous Teachers 1991, Beastie Boys 1992,  David Bowie 1971, James Brown 1972, Ram Dass 1971,  A Tribe Called Quest 1998, De La Soul 1989, Lisa Lee 1980, Maria Sabina 1957, Groupo Naidy 2005, Vicente Fernandez 1998,84&72, Fat Boys 1984, Doug E. Fresh & Slick Rick 1985, Fat Boys 1985, Rahzel 2000, P.R.T. 1990, Dazed and Confused 1993, Hieroglyphics 1998, Princes of Babylon 2000, Phish 2003(1994@the Mann for i), Animus 1999, K Floor 1999, Fathead 1998, Souls of Mischief 1999, The Goats 1992, P.O.B. 2000, Public Enemy 1990, Jasper and the Prodigal Suns 1995, Bob Marley & the Wailers 1976, We Are The World 1985     "Because I can swim in the Immense    Because I can swim in All forms   Because I am the launch Woman  Because I am the Sacred Opposum Because I am the Lord OpposumI am the woman book that is beneath the water,I am the woman of the populous town,I am the shepherdess who is beneath the water,I am the woman who shepherds the immense,I am a shepherdess and I come with my shepherd,Because everything has its Originand I come going from place to place from the Origin..."~Maria Sabina

Incredible Bongo Band was the brain child of prolific film and record producer Michael Viner, put together in 1972 to supplement the soundtrack to the virtually anonymous B-Movie film The Thing With Two Heads. They went from a loose studio collective to an instrumental pop covers consortium, interpreting classics of the day in their own inimitable percussion-heavy fashion. Viner recorded 'The Incredible Bongo Band' at MGM studios during down time assembling line-ups from whoever was available at the time. Apache, originally made famous by The Shadows, is simply legendary in the worlds of dance music and hip hop. One of the most sampled tracks of all time it has been used by Nas, Beastie Boys, Moby, Kanye West, Sugarhill Gang, Jay-Z, Aphex Twin, DJ Shadow, Goldie, Double Dee & Steinski, Faith Evans, Ultramagnetic MC’s, Leaders Of The New School, UNKLE, IBM Nation and DJ Spinna, The Bizzie Boyz, Schoolly D, LL Cool J, 2 Live Crew, 4 Hero, Godfather Don, Diamond D, Luke Vibert, Sway & King Tech, Rebel MC, to name a few... Apache was a staple for the likes of Kool Herc and Grandmaster Flash as they invented the art of DJing at the Bronx block parties of the ‘70s. Over the years it has become a hip hop and breakers anthem and is revered as the break of all original breaks, with the rhythms of this LP even helping to coin the term 'breakbeat'

Still counting down the Top 50 Hip Hop story rhymes of the Golden Era We are at number 40 and MC Schoolly D's "Saturday Night" Listen. Download. Comment. Share #EHHStory @TweetRhymesLife IG: EncyclopediaHipHop Support this podcast

Pour cette dernière de la saison, nous vous emmenons à Philadelphie, scène qui a souvent été considérée comme une simple antenne de New York, mais qui est pourtant bien plus que ça ! Nous vous présentons dans cette émission Lady B, la première rappeuse de l’histoire, Schoolly D, qui a déblayé le terrain pour les californiens de NWA ou encore le fameux Fresh Prince aka Will Smith et son acolyte DJ Jazzy Jeff, qui ont apporté leur pierre dans la grande histoire du rap dans les années 80 et placé Philly sur la carte des US. À partir des années 90, ce sont surtout les Roots, plus grand live-band de l’histoire du rap, porté par le batteur ?uestlove et le rappeur Black Thought, qui ont porté le flambeau de Philadelphie. Nous abordons ensuite le collectif State Property qui vient apporter le côté plus street avec des rappeurs tels que Beanie Sigel et Freeway, associés au label Roc-A-Fella de Jay-Z. Depuis le début des années 2010, 2 artistes sont sortis du lot, dans des registres bien différents : Meek Mill d’abord, porte étendard du label Maybach Music de l’ineffable Rick Ross, puis Lil Uzi Vert, qu’on peut considérer comme la synthèse de beaucoup de courants actuels. À défaut d’une identité claire, la scène de Philadelphie propose un cocktail unique et présente un visage à multiple facettes qu’on a pris plaisir à vous décrire au long de l’émission.

Pour cette dernière de la saison, nous vous emmenons à Philadelphie, scène qui a souvent été considérée comme une simple antenne de New York, mais qui est pourtant bien plus que ça ! Nous vous présentons dans cette émission Lady B, la première rappeuse de l’histoire, Schoolly D, qui a [...] Cet article DR#18 – Philly : From the cradle to the cream est apparu en premier sur Deeply Rooted.

Pour cette dernière de la saison, nous vous emmenons à Philadelphie, scène qui a souvent été considérée comme une simple antenne de New York, mais qui est pourtant bien plus que ça ! Nous vous présentons dans cette émission Lady B, la première rappeuse de l'histoire, Schoolly D, qui a [...]

MVO Uncensored Podcast Rundown: - Who is the greatest femcee of all time? - Doja Cat hates being black - Female Producers on the rise - Versus Busta vs Snoop who you got? -Busta Appreciation Time (Well Earned) - The Lox says they are the goat group and not too many groups can challenge them with that 20 bag - Black thought names his 10 greatest rappers Rakim, Chuck D, Kool G Rap, KRS-One, Big Daddy Kane, The D.O.C., Run-DMC’s Rev Run, Schoolly D, Three Time Dope’s EST and LL Cool J. - MVO BARbershop Talk --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Ron & Clive discuss the great bard, but fear not, childish knob gags prevail. MMW theme by Mike Powell Musical break: Air on a G String by Big In Albania Musical outro: Signifying Rapper by Schoolly D.

Episode 59 is a homage to 80s hip-hop. This show plays like your favorite mixtape, as we selected classic album cuts and anthems from the old school, as well as the Golden Era. We reminisce over all things 80s, including movies and our embarrassing choice of apparel. DJ 360 hits you with mixes featuring Run-DMC, Schoolly D, Ultramagnetic MC's, MC Lyte, Big Daddy Kane, Public Enemy, Stezo, Steady B, Just-Ice, The D.O.C., Tuff Crew, Eric B. & Rakim, Stetsasonic, BDP, Jungle Brothers, Gang Starr, Ice-T, T-La Rock & EPMD to name a few. The crew debates some of our favorite movies like Goonies, The Breakfast Club, Back To The Future, Coming To America, Die Hard and Stand By Me. But most importantly, we celebrate the 80s in true Take It Personal fashion. Take It Personal x T.R.O.Y. Blog give you the ultimate throwback to the 80s. Be sure to follow us on Instagram @takeitpersonalradio for all the latest updates, giveaways and exclusives! www.takeitpersonalradio.com www.patreon.com/TakeItPersonal

Episode 59 is a homage to 80s hip-hop. This show plays like your favorite mixtape, as we selected classic album cuts and anthems from the old school, as well as the Golden Era. We reminisce over all things 80s, including movies and our embarrassing choice of apparel. DJ 360 hits you with mixes featuring Run-DMC, Schoolly D, Ultramagnetic MC’s, MC Lyte, Big Daddy Kane, Public Enemy, Stezo, Steady B, Just-Ice, The D.O.C., Tuff Crew, Eric B. & Rakim, Stetsasonic, BDP, Jungle Brothers, Gang Starr, Ice-T, T-La Rock & EPMD to name a few. The crew debates some of our favorite movies like Goonies, The Breakfast Club, Back To The Future, Coming To America, Die Hard and Stand By Me. But most importantly, we celebrate the 80s in true Take It Personal fashion. Take It Personal x T.R.O.Y. Blog give you the ultimate throwback to the 80s. Be sure to follow us on Instagram @takeitpersonalradio for all the latest updates, giveaways and exclusives! www.takeitpersonalradio.com www.patreon.com/TakeItPersonal

On this week’s broadcast, Whutz The Word Podcast sits down with the one and only “Gangsta Rap” originator Philly’s very own, Schoolly D. In our introspective one-on-one, Schoolly discusses his early beginnings - 1981 to be precise - and ultimately relocating from Atlanta back to Philadelphia where he literally marched to his own drum. We further dive into the contrast of how rap was when it first started versus where it is now today, and how the dynamic of a little bit of knowledge could go a very long way; guiding the stellar pathway to both a lengthy and successful career. We later touch on his reluctance in signing with Jive Records, the sound advice he has for up’n’coming artists, as well as forthcoming future endeavors and much, much more in this exclusive session with the whole legend himself, Schoolly D.

Approximately the first 34 minutes are about Chris, his book, Ruffhouse Records, and old school hip hop from Schoolly D to the Fugees. The second half of the interview we dive into music business advice for artist. Chris’s Book: Ruffhouse: From the Streets of Philly to the Top of the '90s Hip-Hop Charts Mentioned Book: The History of Gangster Rap: From Schoolly D to Kendrick Lamar Songs mentioned: Coolin in Cali (audio) - 7A3 https://www.youtube.com/watch?v=lmBIW-XRs7c The Piper (Video) - Cheeba https://www.youtube.com/watch?v=u-OEmg0bi7I Typical American (Video ) - The Goats https://www.youtube.com/watch?v=N_F2FDpU1mM Mentioned Stories:: Chris swiping Schoolly D’s phone number from a rolodex Schoolly D and Chris become neighbors The Goats received more fan mail over a 15 year period than all the other Ruffhouse label mates combined. You can be dropped by the Amercian branch of a label and still have huge success overseas. Wyclef Jean taking off all his clothes and performing in his boxers during an office audition. Music Business advice for artist: In the era of mumble rap, does great song writing still matter? If you aren’t creating your own market, you’re just following. The greatest way to perfect the craft of songwriting (or anything really) is to network with other songwriters. Don’t torture people you want to connect with by spamming them with your music. His label never got a demo in the mail and signed that artist. The secret is YOUR NETWORK! Less is more. Don’t send a demo with 14 or 18 songs. No one has time for that. Send 2 bangers. Make sure you send a photo or video with the demo. You have to sell the label before you every sell to the general public. Major distributors are looking for 20 to 30 million hits on streaming/social media/YouTube. Get Online to Get Offline. The entertainment business is a relationship business. We are a singles driven music culture. Singles not albums. The missing element of A&R. Man artist haven’t developed live show skills in this era. Touring companies are creating small venues in order to develop artist. Put together a focus group! Matthew Knowles holds a grudge. Will AI put beatmakers, producers, and musicians out of work? Chris online: Instagram.com/ruffnationrecordsoffiicial Side bars into a story about Chuck D sitting outside of Schoolly D’s house for two hours! Who is coming out on RUFFNATION: --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/nocapbranding/message

Alison talks about Thanksgiving turkey trauma, while Amanda recalls producing a Jewish storytelling event at Clermont Lounge, a Southern strip club featuring Schoolly D as a storyteller. Sis & Tell, a weekly award-winning podcast recently featured on Forbes, is hosted by sisters Alison Goldstein Lebovitz from PBS' The A List and comedian Amanda Goldstein Marks.

ep 151 - Schoolly D “P.S.K. Whats does it mean?”..Un classico, questo brano dell'85 di Schoolly D, innanzitutto sveliamo che P.S.K. sta per Park Side Killas, la gang di Filadelfia al quale il rapper è affiliato. Il campionatissimo beat è prodotto con l'appena uscita (nell'84) Roland TR 909, che rende il sound decisamente inconfondibile...I brani in cui sono state campionate le batterie, sono molto numerosi, e soprattutto di generi molto diversi tra loro: da Siouxsie and the Banshees ai Prodigy, da Notiorious B.I.G a Dimitri from Paris, dai Thievery Corporation a Nice and Smooth e non solo…

ep 151 - Schoolly D “P.S.K. Whats does it mean?”..Un classico, questo brano dell’85 di Schoolly D, innanzitutto sveliamo che P.S.K. sta per Park Side Killas, la gang di Filadelfia al quale il rapper è affiliato. Il campionatissimo beat è prodotto con l’appena uscita (nell’84) Roland TR 909, che rende il sound decisamente inconfondibile...I brani in cui sono state campionate le batterie, sono molto numerosi, e soprattutto di generi molto diversi tra loro: da Siouxsie and the Banshees ai Prodigy, da Notiorious B.I.G a Dimitri from Paris, dai Thievery Corporation a Nice and Smooth e non solo…

ep 151 - Schoolly D “P.S.K. Whats does it mean?”..Un classico, questo brano dell’85 di Schoolly D, innanzitutto sveliamo che P.S.K. sta per Park Side Killas, la gang di Filadelfia al quale il rapper è affiliato. Il campionatissimo beat è prodotto con l’appena uscita (nell’84) Roland TR 909, che rende il sound decisamente inconfondibile...I brani in cui sono state campionate le batterie, sono molto numerosi, e soprattutto di generi molto diversi tra loro: da Siouxsie and the Banshees ai Prodigy, da Notiorious B.I.G a Dimitri from Paris, dai Thievery Corporation a Nice and Smooth e non solo…

This interview driven episode features Ruffhouse CEO Chris Schwartz. We discuss how Schoolly D was an intricate part in helping Ruffhouse get started. We learn about Fugees' early struggles before their monstrous success. We find out Chris passed on Arrested Development, The Roots and House of Pain. We learn how Tommy Motolla took back Nas. We talk Kool Keith, Tim Dog, Lauryn Hill, Mountain Brothers, The Goats and everything Ruffhouse-related. If you've read Chris Schwartz's book "Ruffhouse", you're going to love this episode. If you haven't, then you're really going to love this episode. Be sure to check it out: https://www.amazon.com/Ruffhouse-Streets-Philly-Top-Charts/dp/1635765994/ref=sr_1_1?crid=24I6J5S8FR5J8&keywords=ruff+house+chris+schwartz&qid=1569675017&sprefix=ruffhouse%2Caps%2C170&sr=8-1 What would a TIP episode be like without a dope mix? We got all the classics and then some for you at the break. For all things Take It Personal: www.takeitpersonalradio.com If you would like to support the show: www.patreon.com/TakeItPersonal

Episode 52 pays homage to Philly's own Ruffhouse Records. Home of Cypress Hill, Lauryn Hill, The Fugees, Tim Dog, The Goats, Kris Kross, and once, DMX and Nasty Nas! This interview driven episode features Ruffhouse CEO Chris Schwartz. We discuss how Schoolly D was an intricate part in helping Ruffhouse get started. We learn about Fugees' early struggles before their monstrous success. We find out Chris passed on Arrested Development, The Roots and House of Pain. We learn how Tommy Motolla took back Nas. We talk Kool Keith, Tim Dog, Lauryn Hill, Mountain Brothers, The Goats and everything Ruffhouse-related. If you've read Chris Schwartz's book "Ruffhouse", you're going to love this episode. If you haven't, then you're really going to love this episode. Be sure to check it out https://www.amazon.com/Ruffhouse-Streets-Philly-Top-Charts/dp/1635765994 What would a TIP episode be like without a dope mix? We got all the classics and then some for you at the break. For all things Take It Personal: www.takeitpersonalradio.com If you would like to support the show: https://www.patreon.com/TakeItPersonal

Episode 52 pays homage to Philly's own Ruffhouse Records. Home of Cypress Hill, Lauryn Hill, The Fugees, Tim Dog, The Goats, Kris Kross, and once, DMX and Nasty Nas! This interview driven episode features Ruffhouse CEO Chris Schwartz. We discuss how Schoolly D was an intricate part in helping Ruffhouse get started. We learn about Fugees' early struggles before their monstrous success. We find out Chris passed on Arrested Development, The Roots and House of Pain. We learn how Tommy Motolla took back Nas. We talk Kool Keith, Tim Dog, Lauryn Hill, Mountain Brothers, The Goats and everything Ruffhouse-related. If you've read Chris Schwartz's book "Ruffhouse", you're going to love this episode. If you haven't, then you're really going to love this episode. Be sure to check it out www.amazon.com/Ruffhouse-Streets…rts/dp/1635765994 What would a TIP episode be like without a dope mix? We got all the classics and then some for you at the break. For all things Take It Personal: www.takeitpersonalradio.com If you would like to support the show: www.patreon.com/TakeItPersonal

In this in-depth interview with Insomniac Magazine's Israel Vasquetelle, Schoolly D discusses his storied career, an upcoming album, and insight into a lifetime of uncompromised creativity that shows no sign of slowing down. There's no shortage of reasons why Schoolly D is a trailblazer. Off the top, he is indeed the undisputed creator of gangster rap. He is a rapper's rapper; influencing iconic rappers who've gone on to influence generations of rappers. He was an entrepreneur before it was cool for rappers to be businessmen. During the '80s, he was embraced by fans abroad and began to tour globally and perform with giants of punk such as The Clash. His music has been sampled a multitude of times in many genres. In the early '90s, he was recruited by acclaimed director Abel Ferrara to provide music for his films, including cult classics "King of New York" starring Christopher Walken and Laurence Fishburne and "Bad Lieutenant" starring Harvey Keitel. He also composed for Ferrara's "The Blackout" featuring Hollywood legend Dennis Hopper. For three decades, his music has continued to be licensed for film, including 2018's "White Boy Rick." He created the intro track for the hit cartoon series, Alpha Teen Hunger Force, which boasts an astonishing eleven seasons on the air. As a graphic artist, he created a one-of-a-kind visual brand with his distinctive line-art depictions of himself. As a musical force, he built a legacy that is unrivaled. He remains an irreverent and enigmatic figure, years after his genre-defining timeless and minimalistic masterpieces "Gucci-Time," "P.S.K." and "Saturday Night." 

Gangsta Rap Pioneer Schoolly D returns to the show to discuss his upcoming album which features a collaboration with Ice-T. 

He paved the way for rappers to tour Europe while managing Schoolly D and made Cypress Hill, Kris Kross, The Fugees, Wyclef Jean, and Lauryn Hill household names. He is Chris Schwartz, Co-Founder of Ruffhouse Records, which sold over one hundred million records worldwide throughout the 1990's. Chris has a new book out called, Ruffhouse:... The post Chris Schwartz: Co-Founder of Philly's Legendary Ruffhouse Records appeared first on The Philly Blunt.

Insomniac Magazine's Israel Vasquetelle interviews Ruffhouse Records co-founder, Chris Schwartz. The record exec shares stories from his time working some of Hip Hop’s most iconic artists. Schwartz played a significant role in the careers of Kriss Kross, Cypress Hill, Wyclef, Pras, and the amazing Lauryn Hill. His company released records by Kool Keith, Benie Sigel, DMX, John Forte, The Goats, Tim Dog, and countless others. Ruffhouse created huge success with globally acclaimed albums such as "The Score” by The Fugees and "The Miseducation of Lauryn Hill” among others. In all, his company is responsible for the sale of over 120 millions records globally. His roots in the genre stem back to the 1980's when he managed Hip Hop phenom Schoolly D. Schwartz discusses the release of his new must read book "Ruffhouse: From the Streets of Philly to the Top of the '90s Hip Hop Charts." Sit back and get ready to take a deep dive into the Hip Hop history on this discussion with music industry executive Chris Schwartz. 

The Ultimate Schoolly D Experience - by HipHopPhilosophy.com Radio

March 17 would have been Sean Price's 47th birthday had the MC aka Ruck lived past age 43. On February 8, 2019, P's longtime label Duck Down Music Inc. teamed with Coalmine Records and producer Small Professor for the rapper's second posthumous album, 86 Witness. Produced mostly before Price's untimely demise, the album got its title when Small Pro and executive producer Matt Diamond (no relation) realized that references to the year 1986 kept popping up in P's rhymes for the project. Sean Price was 14 in 1986. Hip-hop was about as young. Sean Price's lyrics have always had something of a cafeteria cipher feeling about them. Sometimes his words make little sense together at first ("Dikembe Mutumbo, Feliz Navidad"), perhaps a testament to their being pulled out of thin air, but the rhymes are rarely ever left unresolved, and a perfectly timed punchline can set any verse on fire ("You buy Echo to get us free like Amistad"). Those types of lines also abound 86 Witness, as do features, so the cipher vibes are even more present than usual. In celebration of the album's release, to which Sean's widow Bernadette Price gave her blessing, Tiny Mix Tapes reached out to Small Professor to compile a guest mix featuring only instrumentals from 1986. Included are a number of classic cuts such as "Peter Piper" and "Push It," as well as some more obscure selections like Anquette's "Throw the P" and Faze One's "Layin' Down a Beat." Stream Small Professor's 1986 Instro Flow below and cop 86 Witness on Bandcamp or direct from Duck Down. [00:00] Doug E. Fresh Intro [01:02] Original Concept - Knowledge Me (Instrumental) Prod. by Original Concept [02:40] Beastie Boys - Paul Revere (Instrumental) Prod. by Rick Rubin [04:30] Mantronix - Bassline (Instrumental) Prod. by Mantronix [06:22] Salt-N-Pepa - I'll Take Your Man (Instrumental) Prod. by Hurby Luv Bug [08:17] Kool G Rap - It's A Demo (Instrumental) Prod. by Marley Marl [09:37] Run DMC - Peter Piper (Instrumental) Prod. by Rick Rubin & Russell Simmons [10:58] Anquette - Throw The P (Instrumental) Prod. by David Hobbs [12:43] Faze One - Layin Down A Beat (Instrumental) Prod. by Dave Ogrin [14:44] Janet Jackson - When I Think Of You (Instrumental) Prod. by Jimmy Jam & Terry Lewis [16:40] Beastie Boys - Slow And Low (Instrumental) Prod. by Rick Rubin [18:16] Ultramagnetic MC's - Ego Trippin (Phat Bonus Beat) Prod. by Ced Gee [19:26] Schoolly D - Saturday Night (Instrumental) Prod. by Schoolly D [21:31] Biz Markie - Make The Music With Your Mouth, Biz (Instrumental) Prod. by Marley Marl [23:30] Salt-N-Pepa - Push It (Instrumental) Prod. by Hurby Azor [25:30] Just-Ice - Put That Record Back On (Instrumental) Prod. by Kurtis Mantronik [27:20] Mantronix - Listen To The Bass Of Get Stupid Fresh, Pt. 2 Prod. by Kurtis Mantronik [29:08] Fat Boys - Human Beatbox, Pt. 3

Ice -T - Colors (Marc Hype & Petko Turner Edit) Marc Is Here > https://soundcloud.com/marchype Ice-T started out with other West Coast hip-hop pioneers such as Kid Frost, DJ Flash, and Egyptian Lover with Electro recordings. Later on, he changed his style and was the first West Coast MC to be accepted by the East Coast. “6 ’N The Mornin’” is sometimes seen as the track that triggered the whole gangsta movement, which was produced by the Unknown DJ, who produced electro funk tracks before and went on to produce Compton's Most Wanted. The song was inspired by Schoolly D's "PSK" and became the inspiration for Eazy E and N.W.A.'s "Boyz N The Hood." Ice-T’s raw style captured the ears of Sire Records founder Seymour Stein, who signed him to a multi-album countract, and then went on to work with Afrika Islam, the man behind the beats on his debut album, 1987’s Rhyme Pays; 1988’s Power; and 1989’s The Iceberg/Freedom of Speech...Just Watch What You Say. As the title of this third album suggests, Ice-T was from the start not merely a gangsta MC—although he was one of the driving forces behind the new style—but also used hip-hop music as a platform for social and political activism; Seymour Stein called him “the Bob Dylan of hip-hop.” On “Freedom of Speech,” Ice attacked Tipper Gore for introducing the Parental Advisory sticker. In 1991, Ice T's fourth album, O.G. Original Gangster, was released, which included rhymes about child abuse and drunk driving as well as the theme song from the movie “New Jack City” by Mario Van Peebles, the movie that launched Ice's career as an actor. The same year, Ice formed the heavy metal band Body Count. Its debut self-titled album contained a song called “Cop Killer,” which led to a giant controversy over song lyrics. This escalated to the point where death threats were sent to Sire/Warner Bros executives, and Time Warner stockholders threatened to pull out of the company. Sire/Warner Bros., however, defended Ice all the way. This eventually caused the album to be re-issued with “Cop Killer” removed, and the title track from “The Iceberg” was added to the album as a replacement. He answered the controversy by saying the song was written in character, and that "if you believe that I'm a cop killer, you believe David Bowie is an astronaut." Indeed, Ice-T has portrayed police officers many times in his acting career. 1993’s Home Invasion, a politically-oriented album that featured a new female MC named Grip and Ice T's longtime DJ Evil E as an MC himself. Sire/Warner Bros. had issued the first single from the album—and even assigned a catalog number to the album—but Ice parted company with Sire because of the controversial album artwork before it was released formally. Rhyme $yndicate/Priority/EMI Records released the album with the intended artwork intact. On 1997’s VI—Return of the Real, Ice returned to his gangsta roots. 1999’s 7th Deadly Sin was one of the first records to be distributed via mp3 before appearing in record stores and continued in this vein. In 2000, Ice-T teamed up with East Coast hip-hop pioneer Kool Keith from Ultramagnetic MCs to form the Analog Brothers, widely considered an artistically successful experiment. The same year also brought Ice-T's Greatest Hits: The Evidence. More recently, Ice-T formed a new group called SMG (Sex, Money, and Gunz) with East Coast gangster MCs Smoothe Da Hustler and Trigga da Gambla. Ice-T has written and performed songs for many movie soundtracks including "Big Gun" for “Tank Girl” as well as title tracks for “Colors,” “Dick Tracy,” “New Jack City,” “Ricochet,” and “Trespass” (He starred in all of them, save for “Dick Tracy” and “Colors.”). He teamed up with the pioneering Latino MC Kid Frost to perform "Tears of a Mother" for the film “No Mothers Crying, No Babies Dying.”

"...we fighting back - sorry Martin." - Erick Sermon This month marks twenty-five years (!) since the release of two monumental albums - "Midnight Marauders" by A Tribe Called Quest, and the Wu-Tang Clan's "Enter The Wu-Tang (36 Chambers)". I still remember going to buy each of these albums which have had a huge influence on me over the years, and I thought that this episode would be a good time to feature them both. We have a mix of original tracks, alternate versions, covers, and original samples, alongside plenty of other tunes to keep your head bobbing! There are still a few tickets left for Schoolly D and DJ Code Money on December 15th in Manchester - but you might want to be quick! The Mouse Outfit are playing an Xmas special at Band on the Wall on December 18th - a few advance tickets left for that one too. See Children of Zeus on tour! Twitter : @airadam13

On Episode 30 of “That’s What I’m Saying!” the Podcast, Shaun and Ny talk about the “footages” and “Instagram Documentary” on the ongoing Cardi B. and Nicki Minaj beef and Drake keeping it almost too real on LeBron James HBO series “The Shop”. (15:42) On the Woke Minute the ladies remember the life of Cherica Adams and the release of Rae Carruth, the former Carolina Panthers wide receiver who conspired in her murder as well as the idea of rehabilitation, prison reform and forgiveness. (24:26) On the Weekend D**k Report, the ladies offer advice to a listener who has cheated on his long time girlfriend. (38:53) During the “I Reminisce, I Reminisce” Minute, the ladies show love for “PSK, What Does It Mean” the 1989 single from Schoolly D. (41:15) The episode ends with the ladies showing their support for the black female owned jewelry company, Wild Moon Jewelry.

Ahhhhh... this episode is really fresh! Today we're exploring some of the earliest DJ scratching noises ever put on a recorded release.  Back in the 1980s, hip-hop DJs were just beginning to discover how a turntable (or two) could be used as a sort of musical instrument. Some examples of these early scratches landed on albums or singles... there, to be preserved for all time. • Become a Patron of The Passionate DJ Podcast, and gain access to bonus episodes! In Episode 151, David picks one track from each year in the 1980s and we explore some early turntablism together. The songs we listen to are: (1981) Grandmaster Flash - The Adventures of Grandmaster Flash on the Wheels of Steel Joseph Saddler, aka Rock & Roll Hall of Fame Inductee Grandmaster Flash, is known as one of the pioneers of turntablism. Wheels of Steel is one of the earliest examples that was ever... well, put to wax. (1982) Malcolm McLaren - Buffalo Gals One of the stranger tracks on this list, Buffalo Gals was a UK smash and also hit big in some major US cities. This early 80s pop track contains quite a bit of early turntablism. (1983) Herbie Hancock - Rockit (I mean, obviously...) This show basically couldn't have been done without including this song. D.ST, the DJ on Rockit, was only 21 years old when asked to join Herbie's band and ended up touring with them for three years. (1984) DJ Chuck Chillout - Hip Hop on Wax Vol. 1 In '96, Chuck Chillout (aka Charles Turner) was responsible for helping DMX break onto the scene by playing Get At Me, Dog on the radio... but way back in the early 80s, he put out this scratchy cut. (1985) UTFO - Leader of the Pack UTFO's DJ, Mix Master Ice, took the classic Ahhhh scratch sound to a new level... and showed what a turntable can do in the hands of a capable DJ. (1986) Schoolly D feat. DJ QS.T - Maniac (Remix) A remix from a 1986 promo record, which featured “Gangster Boogie” on the other side. Listen to how clean some of these cuts are! (1987) Sir Mix-a-Lot - Electro Scratch Born Anthony Ray, he's been producing, rapping, and DJing since '83. While primarily known for Baby Got Back, many people aren't aware that he's a pretty wicked DJ. (1988) Hijack - Doomsday of Rap This group, credited as being inventors of Britcore, put out this highly-energetic hip-hop cut which contained some very spirited scratching. (1989) Gang Starr - Words I Manifest (Remix) A remix of this classic track was the much-preferred version of DJ Premier, who himself said "When we did the original I was still not that good at making beats yet." We also have a listen to the very first DMC Championship set from 1985 by Roger Johnson, which you can also check out here. The audio clip from the very end of the episode was sourced here. Also mentioned in this episode: The 100 Greatest Songs of the Century – So Far (Rolling Stone) Support us via our Patreon Page 

We're keepin' it hood this week and are talking about King of New York from 1990, directed by Abel Ferrera and starring Christopher Walken, Laurence Fishbourne, David Caruso, Wesley Snipes and has a bomb soundtrack by Schoolly-D! Of course we talk about a bunch of other stuff too. Brent goes through the Imdb top 30 movies, Infinity War is spoiled, PJ is introduced to Float On by The Floaters, we talk of our dislike of country music, Brent makes PJ break with a joke, dummy kills are back, we talk about the squashing of the Drake and Pusha-T beef and Brent introduces a new segment to showcase black history even more on the show and more. Had alot going on and we hope you have a lot of fun listening. Follow us on Twitter, Instagram, Facebook and YouTube Music by: Trade Voorhees PROMOS - Up In Ten Club & Superiority Complex Learn more about your ad choices. Visit megaphone.fm/adchoices

Revival signe le retour d’Eminem et se révèle ironiquement l’album d’un rappeur qui n'arrive plus à prouver son talent. Plus aussi drôle, aussi acide, la rage a disparu au profit d’un pur exercice d’écriture, d’un rap très agressif, sec et technique, saccadé sans flow mélodiques, qui coule difficilement sur la prod. Facepalm sur fond de drapeau américain, la pochette résume tout le storytelling : le nouvel Eminem est un rappeur conscient. Sauf que Marshall Mathers, qui n’a jamais été un rappeur engagé sur le plan politique et qui se rêve rebelle et principal opposant à Trump, a des textes qui oscillent entre la revue d’actualité et les charges politiques convenues. Incapable de se moquer de figures sans aller sur des lieux communs, même sa tentative de ressusciter Slim Shady avec des blagues salaces échoue. Tel un ancien champion qui court après ses trophées. Podcast animé par Mehdi Maïzi avec Raphaël Da Cruz, Nicolas Pellion et Aurélien Chapuis. RÉFÉRENCES CITÉES DANS L’ÉMISSIONRevival (Eminem, 2017), 8 Mile (Curtis Hanson, 2002), Love the way you lie (Eminem ft. Rihanna, 2010), Forever (Drake, Kanye West, Lil Wayne, Eminem, 2002), Pink, Beyoncé, Ed Sheeran, Dizaster, Royce da 5’9”, Walk on water (Revival, Eminem, 2017), Renaud, Lady Gaga, 4Chan, White America (The Eminem Show ), Recovery (Eminem, 2010), The Marshall Mathers LP 2 (Eminem, 2013), Anna Nicole Smith, Encore (Eminem, 2004), Rick Rubin, Run DMC, Aerosmith, Boogie Nights (Paul Thomas Anderson, 1997), Mark Wahlberg, Cranberries, Joan Jett, 4:44 (Jay-Z, 2017), Lauren Hill, Alex da Kid, LL Cool J, Beastie Boys, ZZ Top, DJ DMD, Skylar Grey, MC Solaar, Chloraseptic (Eminem, Revival, 2017), Mr. Porter, Tech N9ne, Nas, Just Blaze, Book of Rhymes (God’s Son, Nas, 2002), Relapse (Eminem, 2009), Infinite (Eminem, 1996), Dr Dre, Jimmy Iovine, Kill you, Passionfruit (Drake, More Life, 2017), Lil Wayne, Kendrick Lamar, Playboi Carti, Spoonie Gee, Schoolly D, Cool C, Disposable Arts (Masta Ace, 2001), A Long hot Summer (Masta Ace, 2004), Tee Grizzley, Payroll Giovanni, Jaden Smith, Macklemore, Humble Beast (G Herbo, 2017), Johnny Cash, Depeche Mode, Nine Inch Nails, Reign in Blood (Slayer, 1986), Straight from the Lab (Eminem, 2003), Jah Rule. CRÉDITSEnregistré le 04 janvier 2018 au Théâtre de L’Antenne Paris (10 rue la Vacquerie, Paris 11ème). Production : Binge Audio. Direction de production : Joël Ronez. Chargée de production et d’édition : Camille Regache. Rédacteur en chef : David Carzon. Direction générale : Gabrielle Boeri-Charles. Moyens techniques : Binge Audio. Réalisation : Jules Krot. Générique : extrait de "Tyra Banks" de Nodey (Atrahasis EP) par Nodey. NoFun est une production du réseau Binge Audio www.binge.audioPOUR ASSISTER AUX ENREGISTREMENTSPour assister à notre prochain enregistrement en public à L'Antenne Paris, rendez-vous sur notre page bingeaudio.eventbrite.com See acast.com/privacy for privacy and opt-out information.

Anne Pontégnie est critique d’art et commissaire d’exposition indépendante, co-directrice du centre d’art Le Consortium (Dijon) et commissaire de la Cranford Collection à Londres. Grande exploratrice de la scène de l'art contemporain entre New-York et Los Angeles, elle nous a concocté une mixtape remplie d'influences soul et R&B américaines. Enjoy your flight !! Merci Anne ! 01. Lyn Collins : Take Me Just As I Am 02. Maxwell : Fortunate 03. Luther Vandross : Other Side Of The World 04. Frank Ocean : Nikes 05. Michael Jackson : The Lady In My Life 06. Public Enemy : Show 'Em Whatcha Got 07. A Tribe Called Quest : We The People... 08. Kendrik Lamar : Swimming Pools 09. Schoolly D : Saturday Night 10. Slick Rick : Children's Story 11. Paul Simon : Me And Julio Down By The School Yard 12. George Shearing : Aquarius 13. Peggy Lee/George Shearing : Do I Love You? 14. Ralph Stanley : Children, Go where I Send Thee

Dave Graney’s creative longevity has been sustained by his need for re-invention but also by knowing when to borrow ideas, phrases or melodic licks from others to fashion into something of his own. Caz Tran sat down with Dave Graney to hear about the influence of blues and groove, hip hop acts like Public Enemy and Schoolly D, Radio Birdman and The Pop Group and many more. However, his song choice by New York’s Television, is almost too perfect to touch.

Episode 6 is our longest one yet and for good reason. This isn't your typical Philly hip-hop show, this is the official Philly hip-hop tribute show. Chock-full of Illadelph classics, along with our special tour guides Vinnie Paz, Maylay Sparks, Baby Blak, CHOPS, Todd Wolfe and MarQ Spekt to help navigate you through the two one fifth. Unlike the ewoks, our episode VI won't disappoint. So whether you're from Philly, know of Philly or even like Philly, you can't front on our music. We're more than just cheese steaks, soft pretzels and Rocky Balboa, we're home of some of the greatest musicians ever. If you're a fan of Schoolly D, Steady B, 100x, Bahamadia, Freeway, Tuff Crew or The Roots -- we got you!

Episode 6 is our longest one yet and for good reason. This isn't your typical Philly hip-hop show, this is the official Philly hip-hop tribute show. Chock-full of Illadelph classics, along with our special tour guides Vinnie Paz, Maylay Sparks, Baby Blak, CHOPS, Todd Wolfe and MarQ Spekt to help navigate you through the two one fifth. Unlike the ewoks, our episode VI won't disappoint. So whether you're from Philly, know of Philly or even like Philly, you can't front on our music. We're more than just cheese steaks, soft pretzels and Rocky Balboa, we're home of some of the greatest musicians ever. If you're a fan of Schoolly D, Steady B, 100x, Bahamadia, Freeway, Tuff Crew or The Roots -- we got you!

Steve Cooper talk with singer/songwriter G Love. G is best known for being the leader of the band G Love and Special Sauce. He began playing guitar at age eight. He wrote his first song by the time he was in the ninth grade and began playing harmonica in a wire rack. He credits Bob Dylan and John Hammond Jr., as well as the then-contemporary "old school" hip-hop sounds of Run-DMC, the Beastie Boys, and Philadelphia's own Schoolly D, as influences. He began playing solo on the streets of Philadelphia. After one year at Skidmore College, he dropped out and relocated to Boston, working as a fundraiser for Peace Action and playing wherever and whenever he could. One of his few indoor gigs at this time was a Boston bar called The Tam O'Shanter, where he met drummer Jeffrey "The Houseman" Clemens in January 1993. Him and Clemens began working as a duo, they were joined a few months later by bassist Jim "Jimi Jazz" Prescott and became the house band on Mondays at The Plough and Stars in Cambridge, Massachusetts. He has never looked back recording albums and touring the world since then and has even written a children's book and has his own line of hot sauce. This episode sponsored by Blowfish for Hangovers. Check them out at www.forhangovers.com (Use the promo code COOPER for 20% off.)

Hiphop Legend and Gangsta Rap Pioneer Schoolly-D joins the archive

Inspiré du funk et de la Blaxploitation, le rap de gangbangers initié par Schoolly D au milieu des 80s a rapidement explosé avec N.W.A ou encore Ice-T. Examen passionné d'un sous-genre qui fête aujourd'hui ses 30 ans, de South Bronx à Compton en passant par Paris 13 et Grigny.Animé par Mehdi Maizi avec Aurélien Chapuis (@lecaptainnemo) et Aurélien Pellion (@PureBakingSoda). Invité : Julien Tribet (@Kicket)RÉFÉRENCES CITÉES DANS L'ÉMISSION :Straight Outta Compton, N.W.A, Schoolly D, P.S.K, Hustler's Convention (Jalal Mansur Nuriddin aka Lightnin' Rod, 1973), The Last Poets, Grandmaster Flash and the Furious Five, Melle Mel, Chicago Gangsters, Ice-T, LL Cool J, Dr. Dre, The King of New York (Abel Ferrara, 1990), Christopher Walken, KRS-One, Scott La Rock, Criminal Minded (Boogie Down Productions and KRS-One, 1987), Just-Ice, Kool G Rap, Buju Banton, Yellowman, Mr. Magic, Roxanne Shanté, Marley Marl, South Bronx, D-Nice, Chris Lighty, Kool DJ Red Alert, Mantronix, Kool & Deadly (Just Ice, 1987), Black Sheep Don't Grin (Starlito, 2014), Ice Cube, Scarface, Al Pacino, L'impasse (Carlito's Way - Brian de Palma, 1993), Kerry James, Du Berceau à la Tombe (Southcide 13, 2008), Mafia Trece, Yannick, Diam's, L'album de Famille (Mafie Trece, 2000), Aelpéacha, Serge Ayoub, Antifa : Chasseurs de skin (Marc-Aurèle Vecchione, 2008), Writers : 1983 - 2003, 20 ans de graffiti à Paris (Marc-Aurèle Vecchione, 2004), Expression Direkt, Ministère AMER, Doc Gyneco, Reciprok, La Clinique, Alliance Ethnik, Ménélik, Mellowman, G-Squad, Ophélie Winter, LIM, Jo Dalton, LMC click, Code 147, Eskadron, Ruthless Records, Real Brothas (B.G. Knocc Out et Dresta, 1995), Def Jam, The Montclairs, B.G. Knocc OutPLAYLIST DE L'ÉMISSIONhttps://www.youtube.com/playlist?list=PLGt4caHD8Xatvt34yydTBvzZbdQcUOxMAhttps://open.spotify.com/user/nofunpodcast/playlist/6FELB4mpaIm74RVaT7txYvRETROUVEZ NOFUN SUR LES INTERNETS :www.soundcloud.com/nofunshowwww.facebook.com/NoFunShow www.twitter.com/NoFunShow www.dailymotion.com/nofunshow www.youtube.com/channel/UCOQc7plmG6-MlPq7-CD3T7A www.mixcloud.com/NoFunShow/ www.deezer.com/show/13867 www.stitcher.com/podcast/nofun/CRÉDITS :Enregistré le 4 février 2016 au Tank à Paris (11ème). Moyens techniques : Le Tank. Production : Joël Ronez - Iris Ollivault / TempsMachine.NET. Réalisation : Sébastien Salis. Générique : extrait de "Tyra Banks" de Nodey (Atrahasis EP) réalisé par Nodey. Image : Schoolly D (Jesse Weaver) in 1986, par David Corio. See acast.com/privacy for privacy and opt-out information.

We talk with Rich Murray, director of music videos for Alan Mann, Roxanne Shanté, Schoolly D, Kris Kross and the Spin Doctors.

My guest this week is Matt Greenfield. He recently directed Destroy Cleveland, a documentary about the Cleveland hardcore scene in the 80’s. Matt has spent years making music as MC Homeless and as Peaks, Ohio. We first met when our tours crossed paths in Pittsburgh in 2005, and I was amped to get the scoop on his whole career. He tells me about his early years playing hip-hop shows in the rust belt, and the surprise success of his debut full-length. We discuss the brutality of DIY touring, and his indefinite hiatus from the rap game. We talk about him switching gears to new forms of creativity, and the process of putting this new documentary together. The art this week is an homage to Schoolly D’s Smoke Some Kill. This episode is hosted by splicetoday.com.

Jesse "Schoolly D" Weaver is a Hip-Hop pioneer whose wide ranging career encompasses a variety of music, television, and film projects, however he is best known for being credited as the first gangsta rapper. His hits include PSK, Saturday Night, Gucci Time, King of New York Theme Song, the music from Aqua Teen Hunger Force, and more. We talk with Schoolly D about his upbringing in Philadelphia, the early Hip-Hop scene, his song creation process and studio techniques, his relationships and thoughts on artists he's influenced such as Ice-T and NWA, the influence of drugs and the sound of music, his memory of the day of the bombing of John Africa's MOVE organization in Philadelphia, making music for the film world, what is means to be Black, hanging with Uncle Luke in Miami, and so much more. Schoolly D is funny and insightful, and this is a conversation that you must not miss. This September marks the 30th anniversary of Gucci Time and PSK, in September he's dropping a new version of Gucci Time and on Black Friday he is dropping the original versions of these iconic songs.

Schoolly D is a Hip-Hop pioneer credited as being the first gangsta rapper. From the 80s to now his career is vast and varied and includes gangsta themed albums like "Schoolly D" & "Saturday Night - The Album", Afrocentic album such as "Am I Black Enough for You?" & "How a Black Man Feels", and film and television work such as "King Of New York" & "Aqua Teen Hunger Force". Our full convo with Schoolly drops next week, so stay tuned in to http://channel10podcast.com. For now check out the preview of this epic episode. Topics discussed: - Being an artist - NWA movie and his own biopic - How he and his contemporaries changed the world - Growing up in a family band - The influence on drugs in music throughout the years - Being a black man in America

Download Here: [Mac:Option+Click / PC:Right Click]   Teenage Time Killers feat. Jello Biafra – Ode To Sean Hannity (2015) Schoolly D & DJ Code Money – Same White Bitch Got You Strung Out On Cane (1988) Czarface – World Premeire feat. Large Professor (2015) Gza & Sweet Valley – Planetary Energy (2015) Public Enemy – […]

WARNING: This podcast contains explicit language! This week it's an all encompassing conversation with iconic Philly artist Schoolly D! Dan and Dan host a no-holds-barred conversation that spans the life and career of Schoolly D - from his pioneering role in hip-hop to the current state of music, we'll hear it all! Plus the guys review the new Kurt Cobain documentary and actually agree on a Song of the Week - find out what it is!

On The Library, Tim talks to veteran author and Hip Hop Historian Brian Coleman about his new book “Check the Technique: Vol 2: More Liner Notes For Hip-Hop Junkies." Brian told Tim during the interview, "I could have probably sold this to a major publisher if I had wanted to take an extra couple of months and really pitch it around and kiss people's butt and stuff like that," Coleman told Tim. "i just don't do that. And part of the reason I don't do that is because I take inspiration from people Too $hort, Schoolly D, Uncle Luke from 2 Live Crew in the way they've always been like "you know what, I want this to be undiluted. I want it to do it exactly the way I want to do it." Maybe that's offensive to some people but I'm an artist and I express myself. Listeners can decide to deal with that however they want. They can not buy it or they can buy it and get really into it." Download part 1 of the interview with Brian Coleman this Monday (12/22/14) here https://itun.es/i6g432b. Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

This week on The Library, Tim talks to Veteran author and Hip Hop Historian Brian Coleman about his new book “Check the Technique: Vol 2: More Liner Notes For Hip-Hop Junkies". In part 1 of Tim's interview Brian talks about the creation of timeless music, how he draws inspiration from artists such as: Too $hort, Schoolly D and Uncle Luke from 2 Live Crew and the story behind the Mos Def and Talib Kweli are Black Star album. Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

interview with Schoolly D from Philadelphia.  

This Show: Producer, Sound Engineer, Mixer extraordinaire Ali McGuire! We join Ali in her studio where she mixes the freshest beats in Philly! From leaving college to pursue her love of music to working with legendary arts Schoolly D, Judah Priest, and Grammy Award Winning Hip Hop Legend Big Daddy Kane Ali has made her mark! Included in the interview listen to the Whitney Peyton's song "Woopty Woo Woo" and an original track "This is Not Trap Music"

Brandi is Going to Hell will make you uncomfortable, laugh, and have other weird feelings. Host Brandi Lukas comments on pop culture, talks about sex, and interviews bands.Going to Hell September 1, 2014 Episode eight of Going to Hell was recorded LIVE at The Philadelphia Podcast Festival at Tattooed Mom on South Street in Philly. Guest-host Big Tom of JamminOldiesRadio.com joins Brandi for a rousing discussion of..well, a lot of things. The duo starts with a Quickies segment covering the latest from Brandi’s OkCupid account and discusses the irony of the co-founder of the ALS ice bucket challenge drowning. Next, Brandi and Big Tom introduce the Contentious Topics segment, where the two discuss transgender bathroom rules and a different look at the Ferguson riots. During this episode’s Sit on My Face segment, Brandi talks about exes that write songs about you. Lastly, Brandi interviews Cookie Rabinowitz for her First Date segment of Going to Hell, brought to you by The Deli Philly. Cookie talks about his genre "Four Eyed Soul," doing an animated web series with Peedi Crakk, Freeway and Schoolly D, and touring with Public Enemy. Brandi also has silly rapid-fire questions for him, where you’ll find out what kind of chair Cookie would be, if he can curl his tongue, and learn about what spatulas have to do with his reoccurring dream. Follow Brandi:http://brandiisgoingtohell.comhttps://www.instagram.com/brandilukashttps://twitter.com/brandilukashttps://www.facebook.com/brandiisgoingtohell See acast.com/privacy for privacy and opt-out information.

Finishing off 1986 in our Original Electro Series we have Electro 15 and a selection of tracks from the same year with a focus on Philadelphia and the sounds of Schoolly D, Easy Mike and Steady B. Come by and join us from 8pm GMT onhttp://www.globalfunkradio.com/2 Live Crew - Ghetto Bass Freddy B & The Mighty Mic Masters - Bed Stuy FreestyleGroove B Chill - Why MeMantronix - Music MadnessDeuces Wild - Hard Is Hard Crush Force - Me and My Levi'sElectro 15 (Side 1)Grandmaster Caz - Count Basey Steady B - Nothin' But The BassE Vette Money - E Vette's Revenge Devastating Dee - Go Brush K Rob - I'm A Homeboy (Radio Version) The Showboys - Drag Rap '86MC Chill - JealousyStevie J - I'm Cold Rockin ItJ.D Krush - Krush style Jockbox - The Skinny Boys Schoolly D - Gangster Boogie (MC, MCs) The Singing M.C. Breeze - Yodelay-Dee-HoooRude Crew - NastyLove Master Ace With Triple S Fee - DiseasesFrick & Frack - You Shouldn't Have Done It Jefferson Ink - Fight the Pipe Stan-Zoid - Coke Ain't The Real Thing Sparky D - Don't Make Me Laugh Easy Mike - It's EasyCipher Sound - Get Moved On King Rad & King Stevo - Get SmartM.C. Capers - Reality Versatile Sounds - Like This Wayne & Charlie - Party Right Ultramagnetic M.C.'s - Ego Trippin' Salt 'n' Pepa - TrampD.J. Todd 1 & Frank Cash D - Casper (The Friendly Rapper) Beastie Boys - No Sleep Till Brooklyn 7"Electro 15 (Side 2)Grandmixer DST - Rock The House In JapanHollywood Crew - Refrigerator Rock M.O. Crew - My Pangadang JW & New Arts Club - Like ThisM.C. Tony Rone & M.C. Rolly Rol - This Is Our GiftDownload Here

1.TRILOGY-GOOD TIME 2.FU2-BOOMIN' IN YA JEEP 3.SCHOOLLY D-LOOKIN' AT MY GUCCI(AGAIN) 4.GROUP THERAPY-EASTCOAST/WESTCOAST KILLAS 5.CHILLY TEE-GET OFF MINE 6.BELL BIV DeVOE-ABOVE THE RIM 7.TRE-6-TRE-0-5 8.MC LYTE-KEEP ON KEEPIN' ON 9.THE ROOTS-DISTORTION TO STATIC 10.GURU-DESTINY IS CALLING

RIP Adam Yauch (1964-2012)Kool & The Gang - Funky StuffThe Incredible Bongo Band - Last Bongo In BelgiumRahmelezee Vs K.Rob - Beat BopSchoolly D - Gucci TimeDavid Bromberg - SharonLos Angeles Negros - El Rey Y YoThe Blues Project - Flute ThingThe Moog Machine - Aquarius / Let The Sunshine InCurtis Mayfield - SuperFlyLightnin' Rod - SportWild Sugar - Bring It HereAlphonse Mouzon - Funky SnakefootDIRECT DOWNLOAD Paul's Boutique #166 : Beastie Boys Originals Pt. III (Tribute to MCA) by Paul Kersey on Mixcloud

Pioneered in the mid-1980s by rappers such as Schoolly D and Ice-T, gangsta rap was popularized in the later part of the 1980s by groups like N.W.A. After the national attention that Ice-T and N.W.A attracted in the late 1980s and early 1990s, gangsta rap became the most commercially lucrative subgenre of hip-hop.

Bobby cut his teeth in the big bad hip hop scene of Cambridge, before moving on to provide the scratches for Earthling where Geoff Barrow left off. More recently he's been vomiting mixes onto the internet at an astonishing rate, covering as many musical bases as humanely possible.   Despite having an unhealthy obsession with rappers whose names begin in “S”, Bobby is probably best known for Melancholy Flowers, the big girl's blouse of the mix world, but has also made mixes for Solid Steel, the Cactus Island label, and (mainly) his own head.   In this, his latest mix, he revisits some classic dancehall and lays it on a crispy bed of hip hop, drum 'n' bass and dubstep. And some Schoolly D.   Tracklisting: White Mice — Roots Music/Version (Basic Replay) LTJ Bukem — Danny’s Song (Good Looking) Chaka Demus — Original Kuff (Metro) Skream — Auto-Dub (Tempa) Schoolly D — Here We Go Again (Jive) Pan Sonic — Kuumuudessa (Blast First) The Specials — Concrete Jungle (2 Tone) Ed ‘Roughneck’ Robinson — Roughneck Sound/Dub (Greensleeves) Ganjah Posse — Say Listen To Me (Punani Mix) (Nervous) Goodie Mob — Cell Therapy (instrumental) (La Face) Daddy Freddy — Baba Loo (acapella) (Fashion) Hopeton Lindo — Slaughter/Dub Slaughter (Greensleeves) DJ Krust — Warhead (V) Willi Williams — Run Them A Run (Light In The Attic) Bunny General — Played By Dis Yah Sound Alone (Fashion) Cutty Ranks — Muder Sound Bwoy (Jamdown) Royal Flush — Worldwide (instrumental) (Blunt) Jahtari Riddim Force — Vigilante Dub (Jahtari) Sandoz — Monopolize and Destroy (Soul Jazz) Red Rose — Hotter Junglematical Style (Greensleeves) Iration Steppas — Wat Dem Ago Do (Dubhead) RSD — Pretty Bright Light (Punch Drunk) Styward — Dub Cowboys (Digidub) Skream — Irie (Soul Jazz) I-Roy — Run For Your Life (acapella) Rusko feat Danman — Jah Love (Tempa) Mala — Lean Forward (DMZ) 2562 — Kameleon (Tectonic) Peverelist — Roll With The Punches (Punch Drunk) Mala — Changes (Deep Medi Muzik) Phuture Assassins — Phuture Sound (Suburban Base) Omen — Aphrodite (Tectonic) Pinch feat Rudey Lee — Step 2 It (Soul Jazz) Kromestar — Quicktime (Fantastic 3)