POPULARITY
5 episodes with dj red alert
2 episodes with dj red alert
2 episodes with dj red alert
2 episodes with dj red alert
2 episodes with dj red alert
2 episodes with dj red alert
2 episodes with dj red alert
On this flashback of Take It Personal, we're hitting you with a combined remastered version of episodes 29 & 30, our Native Tongues Tribute. This 12+ hour episode features music from the most important, and influential hip-hop collective we've ever seen. With the help and hustle of both DJ Red Alert and Chris Lighty, the Native Tongues were a force to be reckoned with. The Jungle Brothers paved the way for groups like De La Soul, A Tribe Called Quest and Black Sheep. Prior to The Flava Unit, Queen Latifah was this crew's Den mother. Along with her protege Monie Love, they were both instrumental in helping the female movement in hip-hop. The Native Tongues provided plenty of classic albums, countless anthems and produced more offspring than Joe Jackson. The Natives helped jumpstart the careers of Busta Rhymes, Chi-Ali, Mos Def, J Dilla and have influenced artists such as Brand Nubian, K.M.D., Common, The Beatnuts, Bush Babees, The Roots, Slum Village, Little Brother, Kanye West, Black Star, Pharrell, Hieroglyphics, The Pharcyde, J5, Kedrick Lamar, Pusha T, Andre 3000 and even Nas. They've influenced everyone! The Native Tongue brand was strong despite some internal conflict, growing pains and different career paths. They left an everlasting impression on hip-hop. It's our privilege to present to you our Native Tongues Tribute! www.takeitpersonalradio.com www.patreon.com/TakeItPersonal
On this flashback of Take It Personal, we're hitting you with a combined remastered version of episodes 29 & 30, our Native Tongues Tribute. This 12+ hour episode features music from the most important, and influential hip-hop collective we've ever seen. With the help and hustle of both DJ Red Alert and Chris Lighty, the Native Tongues were a force to be reckoned with. The Jungle Brothers paved the way for groups like De La Soul, A Tribe Called Quest and Black Sheep. Prior to The Flava Unit, Queen Latifah was this crew's Den mother. Along with her protege Monie Love, they were both instrumental in helping the female movement in hip-hop. The Native Tongues provided plenty of classic albums, countless anthems and produced more offspring than Joe Jackson. The Natives helped jumpstart the careers of Busta Rhymes, Chi-Ali, Mos Def, J Dilla and have influenced artists such as Brand Nubian, K.M.D., Common, The Beatnuts, Bush Babees, The Roots, Slum Village, Little Brother, Kanye West, Black Star, Pharrell, Hieroglyphics, The Pharcyde, J5, Kedrick Lamar, Pusha T, Andre 3000 and even Nas. They've influenced everyone! The Native Tongue brand was strong despite some internal conflict, growing pains and different career paths. They left an everlasting impression on hip-hop. It's our privilege to present to you our Native Tongues Tribute! www.takeitpersonalradio.com www.patreon.com/TakeItPersonal
By late 1988, hip hop was more popular than ever. But a tragedy at a concert fueled a different narrative: that rap music was dangerous. Enter Slick Rick, an artist well-aware of the power of storytelling. Featured voices: Slick Rick, MC Lyte, and DJ Red Alert. Listen to Class of 88 wherever you get your podcasts, or you can binge the entire series ad-free on the Amazon Music, Audible, or Wondery App.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
In the US, hip hop reigns as the genre that influences every aspect of our culture. From fashion to film, the dominance of this prolific sound can be traced back to one year - 1988.From Public Enemy to The Fresh Prince, these twelve months gave rise to the superstars and styles that still resonate in songs released today. Through the unique perspective and personal experiences of Will Smith, Class of '88 reveals the milestone moments, albums and artists that inspired a sonic evolution and secured 1988 as hip hop's most important year. Rich with archival material, new interviews with hip hop's biggest stars, and personal recollections from Will himself, Class of '88 delivers fresh untold stories from the year that hip hop overcame the forces that were hell bent on blocking its rise.This series features interviews and stories from the revolutionary Artists that impacted that year and many more afterwards, including: Queen Latifah, Jazzy Jeff, DMC, Salt-N-Pepa, Chuck D, Fab Five Freddy, Rakim, Slick Rick, DJ Red Alert, and Rick Rubin.Listen to Class of '88 wherever you get your podcasts. You can binge the entire series early and ad-free with Wondery+.Listen to Class of ‘88: Wondery.fm/Class88See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
In the US, hip hop reigns as the genre that influences every aspect of our culture. From fashion to film, the dominance of this prolific sound can be traced back to one year - 1988.From Public Enemy to The Fresh Prince, these twelve months gave rise to the superstars and styles that still resonate in songs released today. Through the unique perspective and personal experiences of Will Smith, Class of '88 reveals the milestone moments, albums and artists that inspired a sonic evolution and secured 1988 as hip hop's most important year. Rich with archival material, new interviews with hip hop's biggest stars, and personal recollections from Will himself, Class of '88 delivers fresh untold stories from the year that hip hop overcame the forces that were hell bent on blocking its rise.This series features interviews and stories from the revolutionary Artists that impacted that year and many more afterwards, including: Queen Latifah, Jazzy Jeff, DMC, Salt-N-Pepa, Chuck D, Fab Five Freddy, Rakim, Slick Rick, DJ Red Alert, and Rick Rubin.Listen to Class of '88 wherever you get your podcasts. You can binge the entire series early and ad-free with Wondery+.Listen to Class of ‘88: Wondery.fm/Class88See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
In the US, hip hop reigns as the genre that influences every aspect of our culture. From fashion to film, the dominance of this prolific sound can be traced back to one year - 1988.From Public Enemy to The Fresh Prince, these twelve months gave rise to the superstars and styles that still resonate in songs released today. Through the unique perspective and personal experiences of Will Smith, Class of '88 reveals the milestone moments, albums and artists that inspired a sonic evolution and secured 1988 as hip hop's most important year. Rich with archival material, new interviews with hip hop's biggest stars, and personal recollections from Will himself, Class of '88 delivers fresh untold stories from the year that hip hop overcame the forces that were hell bent on blocking its rise.This series features interviews and stories from the revolutionary Artists that impacted that year and many more afterwards, including: Queen Latifah, Jazzy Jeff, DMC, Salt-N-Pepa, Chuck D, Fab Five Freddy, Rakim, Slick Rick, DJ Red Alert, and Rick Rubin.Listen to Class of '88 wherever you get your podcasts. You can binge the entire series early and ad-free with Wondery+.Listen to Class of ‘88: Wondery.fm/Class88See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
In the US, hip hop reigns as the genre that influences every aspect of our culture. From fashion to film, the dominance of this prolific sound can be traced back to one year - 1988.From Public Enemy to The Fresh Prince, these twelve months gave rise to the superstars and styles that still resonate in songs released today. Through the unique perspective and personal experiences of Will Smith, Class of '88 reveals the milestone moments, albums and artists that inspired a sonic evolution and secured 1988 as hip hop's most important year. Rich with archival material, new interviews with hip hop's biggest stars, and personal recollections from Will himself, Class of '88 delivers fresh untold stories from the year that hip hop overcame the forces that were hell bent on blocking its rise.This series features interviews and stories from the revolutionary Artists that impacted that year and many more afterwards, including: Queen Latifah, Jazzy Jeff, DMC, Salt-N-Pepa, Chuck D, Fab Five Freddy, Rakim, Slick Rick, DJ Red Alert, and Rick Rubin.Listen to Class of '88 wherever you get your podcasts. You can binge the entire series early and ad-free with Wondery+.Listen to Class of ‘88: Wondery.fm/Class88See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
In the US, hip hop reigns as the genre that influences every aspect of our culture. From fashion to film, the dominance of this prolific sound can be traced back to one year - 1988.From Public Enemy to The Fresh Prince, these twelve months gave rise to the superstars and styles that still resonate in songs released today. Through the unique perspective and personal experiences of Will Smith, Class of '88 reveals the milestone moments, albums and artists that inspired a sonic evolution and secured 1988 as hip hop's most important year. Rich with archival material, new interviews with hip hop's biggest stars, and personal recollections from Will himself, Class of '88 delivers fresh untold stories from the year that hip hop overcame the forces that were hell bent on blocking its rise.This series features interviews and stories from the revolutionary Artists that impacted that year and many more afterwards, including: Queen Latifah, Jazzy Jeff, DMC, Salt-N-Pepa, Chuck D, Fab Five Freddy, Rakim, Slick Rick, DJ Red Alert, and Rick Rubin.Listen to Class of '88 wherever you get your podcasts. You can binge the entire series early and ad-free with Wondery+.Listen to Class of ‘88: Wondery.fm/Class88See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
In the US, hip hop reigns as the genre that influences every aspect of our culture. From fashion to film, the dominance of this prolific sound can be traced back to one year - 1988.From Public Enemy to The Fresh Prince, these twelve months gave rise to the superstars and styles that still resonate in songs released today. Through the unique perspective and personal experiences of Will Smith, Class of '88 reveals the milestone moments, albums and artists that inspired a sonic evolution and secured 1988 as hip hop's most important year. Rich with archival material, new interviews with hip hop's biggest stars, and personal recollections from Will himself, Class of '88 delivers fresh untold stories from the year that hip hop overcame the forces that were hell bent on blocking its rise.This series features interviews and stories from the revolutionary Artists that impacted that year and many more afterwards, including: Queen Latifah, Jazzy Jeff, DMC, Salt-N-Pepa, Chuck D, Fab Five Freddy, Rakim, Slick Rick, DJ Red Alert, and Rick Rubin.Listen to Class of '88 wherever you get your podcasts. You can binge the entire series early and ad-free with Wondery+.Listen to Class of ‘88: Wondery.fm/Class88See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
In the US, hip hop reigns as the genre that influences every aspect of our culture. From fashion to film, the dominance of this prolific sound can be traced back to one year - 1988.From Public Enemy to The Fresh Prince, these twelve months gave rise to the superstars and styles that still resonate in songs released today. Through the unique perspective and personal experiences of Will Smith, Class of '88 reveals the milestone moments, albums and artists that inspired a sonic evolution and secured 1988 as hip hop's most important year. Rich with archival material, new interviews with hip hop's biggest stars, and personal recollections from Will himself, Class of '88 delivers fresh untold stories from the year that hip hop overcame the forces that were hell bent on blocking its rise.This series features interviews and stories from the revolutionary Artists that impacted that year and many more afterwards, including: Queen Latifah, Jazzy Jeff, DMC, Salt-N-Pepa, Chuck D, Fab Five Freddy, Rakim, Slick Rick, DJ Red Alert, and Rick Rubin.Listen to Class of '88 wherever you get your podcasts. You can binge the entire series early and ad-free with Wondery+.Listen to Class of ‘88: Wondery.fm/Class88See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
In the US, hip hop reigns as the genre that influences every aspect of our culture. From fashion to film, the dominance of this prolific sound can be traced back to one year - 1988.From Public Enemy to The Fresh Prince, these twelve months gave rise to the superstars and styles that still resonate in songs released today. Through the unique perspective and personal experiences of Will Smith, Class of '88 reveals the milestone moments, albums and artists that inspired a sonic evolution and secured 1988 as hip hop's most important year. Rich with archival material, new interviews with hip hop's biggest stars, and personal recollections from Will himself, Class of '88 delivers fresh untold stories from the year that hip hop overcame the forces that were hell bent on blocking its rise.This series features interviews and stories from the revolutionary Artists that impacted that year and many more afterwards, including: Queen Latifah, Jazzy Jeff, DMC, Salt-N-Pepa, Chuck D, Fab Five Freddy, Rakim, Slick Rick, DJ Red Alert, and Rick Rubin.Listen to Class of '88 wherever you get your podcasts. You can binge the entire series early and ad-free with Wondery+.Listen to Class of ‘88: Wondery.fm/Class88See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
In the US, hip hop reigns as the genre that influences every aspect of our culture. From fashion to film, the dominance of this prolific sound can be traced back to one year - 1988. From Public Enemy to The Fresh Prince, these twelve months gave rise to the superstars and styles that still resonate in songs released today. Through the unique perspective and personal experiences of Will Smith, Class of '88 reveals the milestone moments, albums and artists that inspired a sonic evolution and secured 1988 as hip hop's most important year. Rich with archival material, new interviews with hip hop's biggest stars, and personal recollections from Will himself, Class of '88 delivers fresh untold stories from the year that hip hop overcame the forces that were hell bent on blocking its rise. This series features interviews and stories from the revolutionary Artists that impacted that year and many more afterwards, including: Queen Latifah, Jazzy Jeff, DMC, Salt-N- Pepa, Chuck D, Fab Five Freddy, Rakim, Slick Rick, DJ Red Alert, and Rick Rubin. Follow Class of ‘88 on the Wondery App or wherever you get your podcasts. You can binge all episodes of Class of ‘88 early and ad-free right now by joining Wondery+ in the Wondery App or on Apple Podcasts. Listen now: http://wondery.fm/C88_HTT
In the US, hip hop reigns as the genre that influences every aspect of our culture. From fashion to film, the dominance of this prolific sound can be traced back to one year - 1988. From Public Enemy to The Fresh Prince, these twelve months gave rise to the superstars and styles that still resonate in songs released today. Through the unique perspective and personal experiences of Will Smith, Class of '88 reveals the milestone moments, albums and artists that inspired a sonic evolution and secured 1988 as hip hop's most important year. Rich with archival material, new interviews with hip hop's biggest stars, and personal recollections from Will himself, Class of '88 delivers fresh untold stories from the year that hip hop overcame the forces that were hell bent on blocking its rise. This series features interviews and stories from the revolutionary Artists that impacted that year and many more afterwards, including: Queen Latifah, Jazzy Jeff, DMC, Salt-N-Pepa, Chuck D, Fab Five Freddy, Rakim, Slick Rick, DJ Red Alert, and Rick Rubin. Follow Class of ‘88 on the Wondery App or wherever you get your podcasts. You can binge all episodes of Class of ‘88 early and ad-free right now by joining Wondery+ in the Wondery App or on Apple Podcasts. Listen now: Wondery.fm/C88_GJP
In the US, hip hop reigns as the genre that influences every aspect of our culture. From fashion to film, the dominance of this prolific sound can be traced back to one year - 1988. From Public Enemy to The Fresh Prince, these twelve months gave rise to the superstars and styles that still resonate in songs released today. Through the unique perspective and personal experiences of Will Smith, Class of '88 reveals the milestone moments, albums and artists that inspired a sonic evolution and secured 1988 as hip hop's most important year. Rich with archival material, new interviews with hip hop's biggest stars, and personal recollections from Will himself, Class of '88 delivers fresh untold stories from the year that hip hop overcame the forces that were hell bent on blocking its rise. This series features interviews and stories from the revolutionary Artists that impacted that year and many more afterwards, including: Queen Latifah, Jazzy Jeff, DMC, Salt-N-Pepa, Chuck D, Fab Five Freddy, Rakim, Slick Rick, DJ Red Alert, and Rick Rubin. Follow Class of ‘88 on the Wondery App or wherever you get your podcasts. You can binge all episodes of Class of ‘88 early and ad-free right now by joining Wondery+ in the Wondery App or on Apple Podcasts. Listen now: http://wondery.fm/C88_DI
In the US, hip hop reigns as the genre that influences every aspect of our culture. From fashion to film, the dominance of this prolific sound can be traced back to one year - 1988. From Public Enemy to The Fresh Prince, these twelve months gave rise to the superstars and styles that still resonate in songs released today. Through the unique perspective and personal experiences of Will Smith, Class of '88 reveals the milestone moments, albums and artists that inspired a sonic evolution and secured 1988 as hip hop's most important year. Rich with archival material, new interviews with hip hop's biggest stars, and personal recollections from Will himself, Class of '88 delivers fresh untold stories from the year that hip hop overcame the forces that were hell bent on blocking its rise. This series features interviews and stories from the revolutionary Artists that impacted that year and many more afterwards, including: Queen Latifah, Jazzy Jeff, DMC, Salt-N-Pepa, Chuck D, Fab Five Freddy, Rakim, Slick Rick, DJ Red Alert, and Rick Rubin. Follow Class of ‘88 on the Wondery App or wherever you get your podcasts. You can binge all episodes of Class of ‘88 early and ad-free right now by joining Wondery+ in the Wondery App or on Apple Podcasts. Listen now: http://wondery.fm/C88_DI
In the US, hip hop reigns as the genre that influences every aspect of our culture. From fashion to film, the dominance of this prolific sound can be traced back to one year - 1988. From Public Enemy to The Fresh Prince, these twelve months gave rise to the superstars and styles that still resonate in songs released today. Through the unique perspective and personal experiences of Will Smith, Class of '88 reveals the milestone moments, albums and artists that inspired a sonic evolution and secured 1988 as hip hop's most important year. Rich with archival material, new interviews with hip hop's biggest stars, and personal recollections from Will himself, Class of '88 delivers fresh untold stories from the year that hip hop overcame the forces that were hell bent on blocking its rise. This series features interviews and stories from the revolutionary Artists that impacted that year and many more afterwards, including: Queen Latifah, Jazzy Jeff, DMC, Salt-N- Pepa, Chuck D, Fab Five Freddy, Rakim, Slick Rick, DJ Red Alert, and Rick Rubin. Follow Class of ‘88 on the Wondery App or wherever you get your podcasts. You can binge all episodes of Class of ‘88 early and ad-free right now by joining Wondery+ in the Wondery App or on Apple Podcasts. Listen now: Wondery.fm/C88_ADS
Hip hop started as a DJ-led medium. But with the rise of rappers like Rakim and Queen Latifah, MC's were moving to center stage. Featured voices: Queen Latifah, Rakim, and DJ Red Alert.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
In the US, hip hop reigns as the genre that influences every aspect of our culture. From fashion to film, the dominance of this prolific sound can be traced back to one year - 1988.From Public Enemy to The Fresh Prince, these twelve months gave rise to the superstars and styles that still resonate in songs released today. Through the unique perspective and personal experiences of Will Smith, Class of '88 reveals the milestone moments, albums and artists that inspired a sonic evolution and secured 1988 as hip hop's most important year. Rich with archival material, new interviews with hip hop's biggest stars, and personal recollections from Will himself, Class of '88 delivers fresh untold stories from the year that hip hop overcame the forces that were hell bent on blocking its rise.This series features interviews and stories from the revolutionary Artists that impacted that year and many more afterwards, including: Queen Latifah, Jazzy Jeff, DMC, Salt-N-Pepa, Chuck D, Fab Five Freddy, Rakim, Slick Rick, DJ Red Alert, and Rick Rubin.Listen to Class of '88 wherever you get your podcasts. You can binge the entire series early and ad-free with Wondery+.Listen to Class of ‘88: Wondery.fm/Class88See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The guys sit with the legendary DJ Red Alert as he reflects on the evolution of DJ technology, gives us insights into Red Alert's experience managing the Native Tongues while simultaneously holding it down as a Radio DJ, his thoughts on the rise of shock jocks like Wendy Williams, and more!! ➤FUEL UP ON YOUTUBE: www.youtube.com/bagfueltv ➤FUEL UP ON INSTAGRAM: www.instagram.com/bagfuel/ ➤FOLLOW ES$O: www.instagram.com/essowrld/ ➤FOLLOW HYNAKEN: www.instagram.com/hynaken/
For this episode, I sat down with the Jazzcat himself, LeRoy Downs, to talk about all things jazz. Born and raised in LA, listening to KDAY, it wasn't until he saw artists like Roy Hargrove and Terence Blanchard that he was pulled into the music that changed his trajectory. Traveling back in time, he took a deep dive into the history of the music and its founders. We talk about the dues he paid on his journey to becoming a radio host, and how seeing DJ Red Alert at Hot 97 showed him how seriously he needed to take his craft. He shares how he creates his playlist, meeting listener expectations while giving airtime to lesser known, but no less important, musicians. Lastly, we discuss his connection and collaboration with trumpeter Chief aTunde Adjuah and his contribution to the culture.https://www.kcrw.com/music/shows/leroy-downs
DJ Jazzy Jeff's live mix sessions on Twitch, Facebook Live, Instagram, etc. Philly royalty at it's finest. Please follow him at: https://www.twitch.tv/djjazzyjeff
Hip Hop great Psycho Les from the legendary group The Beatnuts joined the Vancouver, Canada podcast “I Only Touch Greatness” this past week to talk his career, once again this hip hop episodes was co-hosted by Kanas City, Missouri's Prince Allen @Royaltyrules816. The interview starts off talking about his childhood growing up in Queens, New York and when he first started recording music, and how he first me his Beatnuts partner JuJu. Psycho Les then tells a story about how the group name became The Beatnuts, when it started as The Beatkings, until a trip to Africa, and how Dj Red Alert put the world onto The Beatnuts name. Psycho Les then goes on the tell a story about what it was like being around Big Pun, and the pranks he would play. He then talks about the story of when he first met The Notorious B.I.G. but it was right before biggies house got raided by the feds. Psycho Les also tells stories about how his beat was copied by “Trashmasters” meaning Trackmasters, we assumed. Says they copied his beat and used it for the Jennifer Lopez song Jenny From The Block. You can watch the full interview here: https://youtu.be/645cmkL39Dg
I started a Radio Career in 1990 at the 1st Black Gospel radio Station on WMBM on South Beach Miami until 1993. We on to work from 1993 to 2003 at the 1st Black FM radio station called StarForce 99 nowadays called 99Jamz served as Production Director for 10 years we were the number 1 soul station in the USA for a decade Owned by Jerry Rushin presently purchased by Cox. I also in 2003 went to work for the 1st Black Gospel station in Atlanta WYZE. In the South region I work for over 30 television and radio stations in my 20 years of broadcasting including Power hits 97.5 in Junction City Kansas, and 96.3 of Manhattan Kansas Broadcasting. I learn to use reel to reels on 1/4 inch tape to using Digital Mackie recording equipment. I have emceed Gospel shows with Cedella Booker the mother of Bob Marley before her passing in 2008. I hosted Gospel shows in church with the mother of Luther Vandross Mary Vandross. I knew Earl Simmons and many hip hop artist personally. I started the very 1st hip hop radio show in Miami Florida which included the Luke Show with Luther Campbell of the 2 Live Crew. Working with DJ Khaled to DJ Red Alert and many others.creating radio commercials is my talent I worked with Alicia Keys on a few occasions with Pepsi. I have created commercials with CBS of New York and worked with Attorney Janet Reno from 90 to 1993 on her very own radio show. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
On episode (60) of The Inphamus Hour, the legend himself "Dj Red Alert" stops by! We talk the history of hip hop, his 45 years and counting in radio. His thoughts on the progression of hip hop and more! Listen to Da Inphamus Amadeuz Thursdays at Noon & 3p EST on Shade 45! Follow on IG https://www.instagram.com/dainphamusamadeuz Watch visuals of The Inphamus Hour Thursdays at 9p EST on Boom Bap Nation! Subscribe to The Inphamus Hour: https://www.smarturl.it/theinphamushour Hosted By Da Inphamus Amadeuz & Tone Viera
Michael Turner I started a Radio Career in 1990 at the 1st Black Gospel radio Station on WMBM on South Beach Miami until 1993. We on to work from 1993 to 2003 at the 1st Black FM radio station called StarForce 99 nowadays called 99Jamz served as Production Director for 10 years we were the number 1 soul station in the USA for a decade Owned by Jerry Rushin presently purchased by Cox. I also in 2003 went to work for the 1st Black Gospel station in Atlanta WYZE. In the South region I work for over 30 television and radio stations in my 20 years of broadcasting including Power hits 97.5 in Junction City Kansas, and 96.3 of Manhattan Kansas Broadcasting. I learn to use reel to reels on 1/4 inch tape to using Digital Mackie recording equipment. I have emceed Gospel shows with Cedella Booker the mother of Bob Marley before her passing in 2008. I hosted Gospel shows in church with the mother of Luther Vandross Mary Vandross. I knew Earl Simmons and many hip hop artist personally. I started the very 1st hip hop radio show in Miami Florida which included the Luke Show with Luther Campbell of the 2 Live Crew. Working with DJ Khaled to DJ Red Alert and many others.creating radio commercials is my talent I worked with Alicia Keys on a few occasions with Pepsi. I have created commercials with CBS of New York and worked with Attorney Janet Reno from 90 to 1993 on her very own radio show. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
N.O.R.E. & DJ EFN are the Drink Champs. In this episode we chop it up with the legendary KOOL DJ RED ALERT!
The Billboard Charting Hip Hop Emcee & Entertainment Attorney Feat. Tracey Lee Esq, In this episode Durell is joined by hip-hop artist and entertainment attorney Tracey Lee Esq. Durell and Tracey begin the episode sharing how they got connected via New Skool Rules. Durell and Tracey talk about the importance of being global and that hip-hop emcees who are real street with their lyrics are able to have a platform like New Skool Rules that gives an opportunity and a platform to be seen and heard from all around the world. Durell shares that he's always been told that most entertainment attorneys are former disgruntled artists but what makes Tracey different is that he still makes great music. Tracey shares that most indie artists are underrepresented because they are forced to be their own record label and play all the roles that come along with pursuing a career in music. Tracey and Durell talk about indie creatives who actually need the structure of a record label, but even with the help of a label artists need to have a strong working knowledge of how the music business works. Durell shares that he doesn't look at the indie creatives that he personally manages as his clients but more as family. Tracey shares that he was first introduced to music by his mother listening to Gospel music. Tracey says that his mother also listened to a lot of R&B which he really enjoyed and then he started playing drums in church. He shares that he remembers trying to direct the choir around the age of 3, and eventually the pastor brought him to the front and had them both directing. Tracey says that's when the bug to have all eyes on him really began. He said the first time he heard “Rappers Delight” is when he really began to develop a love for hip-hop. He shares that Melle Mel is the first emcee that introduced him to lyrical rap, which he connected to because of what he was seeing in his neighborhood as a young kid. He then heard T La Rock and fell in love with his descriptive wordplay and LL Cool J who brought the energy and swagger to hip-hop. Tracey knew after these experiences that he wanted to pursue rap in a real way. He shares that he would send demos to record companies trying to get a record deal all the way up through high school. He shares that he graduated from high school and although he loved music he had another passion which was sports. He decided on Howard University because he wanted to study mass communications and become a color commentator.Tracey shares that he only lasted in mass communications for one semester and then he eventually met Deric “D-Dot” Angelettie & Ron Lawrence. They both were heavy into music and found out that Tracey had a talent in rap and eventually brought the passion back for music. He shares that even though he ultimately graduated and got his degree he was fully back in the pursuit of trying to get a record deal. He shares that the great thing about going to Howard University was that there were so many great connections made that ultimately helped to set the table for what was to come. Tracey talks about getting a taste of the indie music hustle when he and a couple of his friends from college started an indie record label and cut a maxi single and that's where he learned about the different layers of the music business. Tracey shares that he inked his first record deal with Mark Pitts & his record label Bystorm Entertainment. The record deal was for about 5 albums. Durell and Tracey talk about what it means to get an advance from a record label as well as how royalties are paid out. Tracey talks about what it means to have to recoup the initial advance and why many artists never do so because of the large amount of debt that is accrued to the label. Tracey shares that his debut album “Many Facez” was released in 1997. Durell asked Tracey about the album making process back then and what that process was like. He shares that after he recorded the single “The Theme (It's Party Time)”and went to work it in New York it was a bit rough because being from Philadelphia he didn't run in the most common circles and the fact that he was able to get a verse and cosign from Biggie there were some that didn't like that too much. He said the single didn't really pop until DJ Red Alert started playing the single and it caught some legs. The label wanted to capitalize and so because Tracey had a lot of quality songs that were on his original demo, the label took quite a bit of those and put his album together. The album was titled “Many Facez '' because a lot of the songs represented the different types of moods Tracey would be in when making the songs. Tracey shares about his experiences working with hip hop icons Busta Rhymes and Kanye West. He says that Kanye is the same type of person he is now back then. Durell and Tracey talk about him not ever getting the opportunity to go overseas when he had his record deal and even today finding that he has fans in a few different countries overseas. He shares that he is looking forward to getting the opportunity to be able to do some tour dates in those territories and touch those people. Tracey and Durell end the episode talking about why he decided to pivot and go to law school to become an entertainment attorney. Tracey shared the first trigger on why he decided to go to law school was his bad experiences in the music business. He talks about when he first signed his deal he didn't hire an entertainment attorney, instead opting to hire a corporate attorney who had no experience in the nuances of the entertainment business. He shares that the second trigger in why he decided to become an attorney is the fact that when he first moved to New York to work on his album, he lost his contract and called his attorney and never heard from him. The final trigger was when he went back to the label after hiring a new lawyer and in his original contract where he was supposed to receive a $10,000 check from his publishing portion of his agreement and the label went back and changed the numbers and when he got the new contract it stated that he was supposed to now only get $1. He talks about being down to his last $7 going to church and putting it into the collection plate and then a couple weeks later getting a call letting him know that Universal had a check for him but didn't have an address to send it. He shares that he received a check for $7,000 and then a week later another check for $57,000. He knew then he wanted to be a light for artists who had found themselves in a similar situation to him and he could speak to the artistic side as well, having had success in his own right. Tracey shares that he passed the bar exam and has been a practicing licensed attorney since 2007. He has been able to help many artists coming up as well as some artists who have had very long and established careers such as Kelly Rowland, Solange Knowles and Eric Roberson and Algebra Blessett in the indie music community. Tracey shares that he has also spent time as an educator at Coppin State University where he taught classes on music business. He shares that his passion now is really to educate and if he were to have a real job that would be it especially because he does it naturally. Tracey also shares that he's a part of several industry associations and Durell asks about the diversity when it comes to his colleagues. He shares that when it comes to his home state of Washington D.C. he has seen a lot of diversity.For more information on Tracey Lee, please visit his website:https://www.traceyleemusic.com/
The Billboard Charting Hip Hop Emcee & Entertainment Attorney Feat. Tracey Lee Esq, In this episode Durell is joined by hip-hop artist and entertainment attorney Tracey Lee Esq. Durell and Tracey begin the episode sharing how they got connected via New Skool Rules. Durell and Tracey talk about the importance of being global and that hip-hop emcees who are real street with their lyrics are able to have a platform like New Skool Rules that gives an opportunity and a platform to be seen and heard from all around the world. Durell shares that he's always been told that most entertainment attorneys are former disgruntled artists but what makes Tracey different is that he still makes great music. Tracey shares that most indie artists are underrepresented because they are forced to be their own record label and play all the roles that come along with pursuing a career in music. Tracey and Durell talk about indie creatives who actually need the structure of a record label, but even with the help of a label artists need to have a strong working knowledge of how the music business works. Durell shares that he doesn't look at the indie creatives that he personally manages as his clients but more as family. Tracey shares that he was first introduced to music by his mother listening to Gospel music. Tracey says that his mother also listened to a lot of R&B which he really enjoyed and then he started playing drums in church. He shares that he remembers trying to direct the choir around the age of 3, and eventually the pastor brought him to the front and had them both directing. Tracey says that's when the bug to have all eyes on him really began. He said the first time he heard “Rappers Delight” is when he really began to develop a love for hip-hop. He shares that Melle Mel is the first emcee that introduced him to lyrical rap, which he connected to because of what he was seeing in his neighborhood as a young kid. He then heard T La Rock and fell in love with his descriptive wordplay and LL Cool J who brought the energy and swagger to hip-hop. Tracey knew after these experiences that he wanted to pursue rap in a real way. He shares that he would send demos to record companies trying to get a record deal all the way up through high school. He shares that he graduated from high school and although he loved music he had another passion which was sports. He decided on Howard University because he wanted to study mass communications and become a color commentator.Tracey shares that he only lasted in mass communications for one semester and then he eventually met Deric “D-Dot” Angelettie & Ron Lawrence. They both were heavy into music and found out that Tracey had a talent in rap and eventually brought the passion back for music. He shares that even though he ultimately graduated and got his degree he was fully back in the pursuit of trying to get a record deal. He shares that the great thing about going to Howard University was that there were so many great connections made that ultimately helped to set the table for what was to come. Tracey talks about getting a taste of the indie music hustle when he and a couple of his friends from college started an indie record label and cut a maxi single and that's where he learned about the different layers of the music business. Tracey shares that he inked his first record deal with Mark Pitts & his record label Bystorm Entertainment. The record deal was for about 5 albums. Durell and Tracey talk about what it means to get an advance from a record label as well as how royalties are paid out. Tracey talks about what it means to have to recoup the initial advance and why many artists never do so because of the large amount of debt that is accrued to the label. Tracey shares that his debut album “Many Facez” was released in 1997. Durell asked Tracey about the album making process back then and what that process was like. He shares that after he recorded the single “The Theme (It's Party Time)”and went to work it in New York it was a bit rough because being from Philadelphia he didn't run in the most common circles and the fact that he was able to get a verse and cosign from Biggie there were some that didn't like that too much. He said the single didn't really pop until DJ Red Alert started playing the single and it caught some legs. The label wanted to capitalize and so because Tracey had a lot of quality songs that were on his original demo, the label took quite a bit of those and put his album together. The album was titled “Many Facez '' because a lot of the songs represented the different types of moods Tracey would be in when making the songs. Tracey shares about his experiences working with hip hop icons Busta Rhymes and Kanye West. He says that Kanye is the same type of person he is now back then. Durell and Tracey talk about him not ever getting the opportunity to go overseas when he had his record deal and even today finding that he has fans in a few different countries overseas. He shares that he is looking forward to getting the opportunity to be able to do some tour dates in those territories and touch those people. Tracey and Durell end the episode talking about why he decided to pivot and go to law school to become an entertainment attorney. Tracey shared the first trigger on why he decided to go to law school was his bad experiences in the music business. He talks about when he first signed his deal he didn't hire an entertainment attorney, instead opting to hire a corporate attorney who had no experience in the nuances of the entertainment business. He shares that the second trigger in why he decided to become an attorney is the fact that when he first moved to New York to work on his album, he lost his contract and called his attorney and never heard from him. The final trigger was when he went back to the label after hiring a new lawyer and in his original contract where he was supposed to receive a $10,000 check from his publishing portion of his agreement and the label went back and changed the numbers and when he got the new contract it stated that he was supposed to now only get $1. He talks about being down to his last $7 going to church and putting it into the collection plate and then a couple weeks later getting a call letting him know that Universal had a check for him but didn't have an address to send it. He shares that he received a check for $7,000 and then a week later another check for $57,000. He knew then he wanted to be a light for artists who had found themselves in a similar situation to him and he could speak to the artistic side as well, having had success in his own right. Tracey shares that he passed the bar exam and has been a practicing licensed attorney since 2007. He has been able to help many artists coming up as well as some artists who have had very long and established careers such as Kelly Rowland, Solange Knowles and Eric Roberson and Algebra Blessett in the indie music community. Tracey shares that he has also spent time as an educator at Coppin State University where he taught classes on music business. He shares that his passion now is really to educate and if he were to have a real job that would be it especially because he does it naturally. Tracey also shares that he's a part of several industry associations and Durell asks about the diversity when it comes to his colleagues. He shares that when it comes to his home state of Washington D.C. he has seen a lot of diversity.For more information on Tracey Lee, please visit his website:https://www.traceyleemusic.com/
**It's The Pacman Show Replay On www.traxfm.org. This Week The Pacman Gave Us Dance/Hindi/Hip Hop/R&B/Boogie Classics From Asha Bhosle's "Dum Mara Dum (Trax FM Imperial Rework)", Vaughan Mason, Mantronix, DJ Red Alert, Panjabi MC, Rochelle, Roberta Gilliam, Alexander O'Neal, Father MC, Lisa Lisa & Cult Jam Multi Mix, G Force, Breakwater, Booker T & The MG's & More. Catch The Pacman Live Every Monday From 9:00 PM UK Time #traxfm #tThePacman #DoinItToYa #Soul #Funk #Hindi #Bollywood #Reggae #HipHop #R&B #Boogie #DanceClassics Listen Here: www.traxfm.org Mixcloud LIVE :mixcloud.com/live/traxfm Free Trax FM Android App: https://play.google.com/store/apps/details?id=net.traxfmradio.ba.a6bcb The Trax FM Facebook Page : https://www.facebook.com/original103.3/ Trax FM Live On Hear This: https://hearthis.at/k8bdngt4/live/ Tunerr: http://tunerr.co/radio/Trax-FM Tune In Radio : https://tunein.com/radio/Trax-FM-s225176/ OnLine Radio Box: http://onlineradiobox.com/uk/trax/?cs=uk.traxRadio Radio Deck: http://www.radiodeck.com/radio/5a09e2de87e3370db06d44dc Radio.Net: http://traxfmlondon.radio.net/ Stream Radio : http://streema.com/radios/Trax_FM..The_Originals Live Online Radio: http://www.liveonlineradio.net/english/trax-fm-103-3.htm**
Welcome to the the Feb 2021 Timeless show, and this month its another RAVE SPECIAL! We've got massive tunes from back in the day, plus a couple of new oldskool gems too, plus our special guest this month is Ian Bland from Dream Frequency talking about the glory days of rave. We've got tunes this month from artists including The Prodigy, Love Decade, N-Joi and DJ Red Alert & Mike Slammer. As always, you can get in touch with us with your shouts, tune ideas and suggestions of featured artists at info@tunnelclubmusic.com, or message us via Facebook https://www.facebook.com/tunnelclubmusic/ Enjoy the show! Graeme & Steve / Tunnel Club (PS - all our show track lists are here: https://tunnelclubmusic.com/tc2/timeless-radio-show-track-listings/)
In this episode of People's Party, Talib Kweli and co-host Jasmin Leigh sit down British-born rapper, actress, radio personality, and fully-fledged member of the Native Tongues collective -- Monie Love. The conversation with Monie evolves into a wide-ranging discussion starting with her childhood, growing up in London, and being heavily influenced by her father's Jamaican heritage. She goes on to give her unique perspective on the current anti-immigration sentiments being spread by groups like ADOS, she tells the story of how she came to be part of the Native Tongues collective at the age of 16, and outlines that organic induction being based on "vibes". Monie also goes on to illustrate the importance of DJ Red Alert, him being the conduit for so many of the greats that are now house-hold names, including herself, and they explore the evolution of Chris Lightly, from security detail for Red Alert to Violator Records executive.
1. DJ Nut Nut - The Dream 2. Dubologist - The Curse 3. Shaker X - Mash Up De Dance 4. Scotpotential - Rebirth 5. White Noize [Feat. Judy Hayward] - Smile On A Dog 6. Pressure Posse - Dreamer 7. DJ Fallout - Storm Warning 8. D.B.D. - Jungle '07 9. Lewis & Lamb - So Lonely 10. Dubologist - Coming From Behind 11. Mix Factory - Runnin 12. The Cartell - Smells Like Lithium 13. ScottPotential - Something's Gotta Hold' 14. Rosencrantz, Phillistine & Jake - Just Walk 15. Optical Haze - Wonderful Experience 16. Undercover Movement - Aceed Rydims 17. Citadel Of Kaos - Urbanity 18. Multicore - True Techno Gangster 19. JJC - Let Your Body Go 20. Addiction - Jump 21. Citadel Of Kaos - Alpha 22. DJ Ivan - Devil Worship 23. Ecology - Take Me Higher 24. In The Jungle - DJ KP 25. Holdtight - Holdtight 26. Rave Scene 94 - Hackney Hardcore 27. Ronnie's Revenge - Citidel Of Kaos 28. M D Emm - Get Down 95 29. Future Primitive - Lift Me Up 30. DJ Vibes - Obsession 31. DJ Red Alert & Mike Slammer - In Effect (Sy & Unknown Remix) 32. V.I.P. Crew - Special Request 33. Mad Dog - My God 34. Dub Rush - Silence
142 THE TURNING TABLES EPISODESegment 1 - MofoHariNas One Mic IntroIntroductoriesInstrumental:Souls of Mischief - 93 Til Infinity (LP Instrumental)Segment 2 - AsanteAsante - DiagonalAsante - She Gon Let Me DownInstrumentals:Milkbone - Keep It RealMichael Jackson - This Is ItMichael Jackson - Rock With YouStevie Wonder - Superstition45 King - RooftopSegment 3 Part 1 - FyvieHoneydrippers - Impeach The President James Brown - Funky DrummerMelvin Bliss - Synthetic SubstitutionThe Winstons - Amen BrotherSkull Snaps - It's A New DayIncredible Bongo Band - ApacheInstrumentals:Big Daddy Kane - Set It OffCraig Mack - Flava In Ya EarSegment 3 Part 2Joe Tex - Papa Was TooLafayette Afro Rock Band - HihacheBilly Squire - The Big BeatThe Soul Searchers - Ashley's RoachclipNatural Elements - Turning Tables (Dedicated to DJs)Instrumentals:Rakim - I Know You Got Soul (Drums)Run DMC - Jam-Master JayMannie Fresh - Real BigSegment 4 Part 1 - Nya Thryce News Kool Moe Dee - Knowledge Is KingInstrumental:Mobb Deep - Survival Of The FittestSegment 4 Part 2 - Nya Thryce NewsLauryn Hill - Everything Is EverythingInstrumental: Wu-Tang Clan - TriumphSegment 4 Part 3 - Nya Thryce NewsPuff Daddy ft Biggie & Busta Rhymes - VictoryInstrumentals:The Alchemist - The EssenceDa Beatminerz - Strange SensationsJ Dilla - LifeSegment 5 - MofoHari/Classics/New ReleasesHeavy D & The Boyz - Somebody For Me Grandmaster Flash & The Furious Five - The Message Rockwelz ft John Jigg$/Statik Selektah - Classy Dons DokBrass & DJ Ace the Cut Lieutenant - One Take Jeru The Damaja - PowerL.E.O. - Wildstyles ft 40-40 Big Bob ft Chuck Burns - Pandemic Chuck Platinum - The Sermon Shabaam Sahdeeq/Nick Wiz - Thunderin Big D/Easy Mo Bee - Reach Out LEX ft Debonair P/Torchbaras - Lo Down MoDaze - Grapplin Hook Skyzoo - Eyes Wide Shut OUTROInstrumentals:Wyze Intellect - Another World Heavy D & The Boyz - Now That We Found LoveNas - Nas Is LikeChrismorale - ZulemaSalute to DJ Kool Herc, Jazzy Jeff, Cool V, Funkmaster Flex, Jam Master Jay, Dr Dre, Grand Wizzard Theodore, Tony Touch, DJ Kay Slay, DJ Qbert, DJ Screw, DJ Whoo Kid, Roc Raida, DJ Premier, Grandmaster Flash, DJ Red Alert, Jazzy Joyce, Flowers, Green Lantern, Mr Magic, Marley Marl, Ron G, Mister Cee, Brucie B, DJ Chuck Chillout, DJ Babu, Pete Rock, DJ Hollywood, Cash Money, Terminator X, Spinderella, Statik Selektah, DJ Johnny Juice and SO many more!
142 THE TURNING TABLES EPISODE Segment 1 - MofoHari Nas One Mic Intro Introductories Instrumental: Souls of Mischief - 93 Til Infinity (LP Instrumental) Segment 2 - Asante Asante - Diagonal Asante - She Gon Let Me Down Instrumentals: Milkbone - Keep It Real Michael Jackson - This Is It Michael Jackson - Rock With You Stevie Wonder - Superstition 45 King - Rooftop Segment 3 Part 1 - Fyvie Honeydrippers - Impeach The President James Brown - Funky Drummer Melvin Bliss - Synthetic Substitution The Winstons - Amen Brother Skull Snaps - It's A New Day Incredible Bongo Band - Apache Instrumentals: Big Daddy Kane - Set It Off Craig Mack - Flava In Ya Ear Segment 3 Part 2 Joe Tex - Papa Was Too Lafayette Afro Rock Band - Hihache Billy Squire - The Big Beat The Soul Searchers - Ashley's Roachclip Natural Elements - Turning Tables (Dedicated to DJs) Instrumentals: Rakim - I Know You Got Soul (Drums) Run DMC - Jam-Master Jay Mannie Fresh - Real Big Segment 4 Part 1 - Nya Thryce News Kool Moe Dee - Knowledge Is King Instrumental: Mobb Deep - Survival Of The Fittest Segment 4 Part 2 - Nya Thryce News Lauryn Hill - Everything Is Everything Instrumental: Wu-Tang Clan - Triumph Segment 4 Part 3 - Nya Thryce News Puff Daddy ft Biggie & Busta Rhymes - Victory Instrumentals: The Alchemist - The Essence Da Beatminerz - Strange Sensations J Dilla - Life Segment 5 - MofoHari/Classics/New Releases Heavy D & The Boyz - Somebody For Me Grandmaster Flash & The Furious Five - The Message Rockwelz ft John Jigg$/Statik Selektah - Classy Dons DokBrass & DJ Ace the Cut Lieutenant - One Take Jeru The Damaja - Power L.E.O. - Wildstyles ft 40-40 Big Bob ft Chuck Burns - Pandemic Chuck Platinum - The Sermon Shabaam Sahdeeq/Nick Wiz - Thunderin Big D/Easy Mo Bee - Reach Out LEX ft Debonair P/Torchbaras - Lo Down MoDaze - Grapplin Hook Skyzoo - Eyes Wide Shut OUTRO Instrumentals: Wyze Intellect - Another World Heavy D & The Boyz - Now That We Found Love Nas - Nas Is Like Chrismorale - Zulema Salute to DJ Kool Herc, Jazzy Jeff, Cool V, Funkmaster Flex, Jam Master Jay, Dr Dre, Grand Wizzard Theodore, Tony Touch, DJ Kay Slay, DJ Qbert, DJ Screw, DJ Whoo Kid, Roc Raida, DJ Premier, Grandmaster Flash, DJ Red Alert, Jazzy Joyce, Flowers, Green Lantern, Mr Magic, Marley Marl, Ron G, Mister Cee, Brucie B, DJ Chuck Chillout, DJ Babu, Pete Rock, DJ Hollywood, Cash Money, Terminator X, Spinderella, Statik Selektah, DJ Johnny Juice and SO many more!
https://boosty.to/freaqradio/posts/ca7d1ffe-a4f3-4bb4-8d46-942b02368dc7?share=post_link https://boosty.to/freaqradio/posts/15d42f53-e9c5-4100-85b6-7a63bf3ee373?share=post_link Пионер Хип-Хопа DJ Lord Yoda X из команды Crash Crew снова в деле. Он выпустил EP, новый спич с офишал видео прислал буквально несколько минут назад. Новые рэперы и так называемые Хипхоперы не знают историю и не хотят знать. Будь осторожен с теми, кто называет себя лидерами. Много Хип-Хоп школ, но путь в Мекку один через Любовь. Самозванцы приписывают себе чужое и говорят, что наш Хип-Хоп умер 20 лет назад. Как бы ни так. Нашему Хип-Хопу больше 40. Делай отчет от 12 ноября 1974 года. Наш Хип-Хоп жив пока живут в сердцах наших легендарные имена DJ Red Alert, Afrika Zambu & The Soulsonic Force, Afrika Islam & Funk Machine, Afrika Issac, Disco King Mario & The Chuck City Crew, DJ Nicky Dee, DJ Ronie Ron, DJ Desie, Cosmic Force, DJ Kenny Ken, Mean Gene, Grand Wizzard Theodore & The Fanstastic Romantic MC's, DJ Breakout, DJ Baron & The Funky Four Plus 1 More, Tex DJ Hollywood, Grand Mixer D.S.T & The Infinity Rappers, Love Squidd & The Devastating 4, DJ Charlie Chase,DJ Tony Tone & The Cold Crush Brothers, DJ Casanova Fly, Sponnie G & The Trecherous 3, Dougie Fresh &28 the Get Fresh Krew, Easy LG, DJ Superman, DJ Sinbad, Queen Kenya, Jazzy 5, DJSmokey & the Smoke a Trons, DJ Supreme, DJ Darryl C & the Crash Crew, DJ Coke LA Rock, Timmy Smalls, DJ Cool Clyde, DJ Lightening Lance, MC Lil Sha Rock, Dr. Rock & The Force MC's, DJ White Flash, Disco Whiz, DJ Whiz Kid, Wanda Dee, Clark Kent, Kool Klye The Starchild, Solo Sounds, Kool DJ AJ, Kurtis Blow, Deadly Sin Crew, Force 5 MC's, Disco 4, Mean Machine, Disco Twins, T-Ski Valley, Ultimate 4 MC's, Fearless 4, DJ Crazy Eddie, Sequence, Bambaataa, DJ Hollywood, The Hypnotizing 5 MC's, Lil Theodore, DJ Jimmy Jaz, Donald Dee, Disco Bee, DJ Sisco, DJ Kevy Kev Rockwell, PT Disco, Collins Brothers, Double Trouble, Rob the Gold, Rammelizee, DJ Ruddy Tee, CD3, Death Committe, Spyder D, Supreme Team, Fantastic 3, Awesome 4. https://t.me/freakradio/707 https://t.me/back2real/73
In this episode, JusAire and Tat Wza ask: Would Bobby Brown's label have allowed him on Twitter? Would he still have a career if there was Twitter? Would a beef start with Boyz II Men on Twitter? With candid quotes from Too $hort, DJ Red Alert and Large Professor
BANG! @southernvangard #radio Ep230! Coming off what will go down as the most significant release week of 2019, at least as far this rap shit goes, your guys Doe & Meeks couldn’t be happier. A BRAND SPANKING NEW GANG STARR ALBUM THAT’S AN INSTANT CLASSIC?! Yeah we don’t EVER say that - but we’re saying it now. “ONE OF THE BEST YET “ is out now…MAN. Throw in the new Westside Gunn, the Brother Ali & Evidence surprise album and all the other goodness that dropped last week - folks will be talking about last week in years to come. You can hear those joints and more, including a WORLD EXCLUSIVE from SMOOVTH & ROYALZ in this weeks Ep230 mix. On THURSDAY - you’ll get our IN-STUDIO interview session with the one and only SAUCE HEIST! Say what?! Sauce was in the A and came through Dirty Blanket Studios aka The Bourbon Room and dropped JEWELS. You can hear a preview of the interview at the end of the mix, the full drops on Thursday! GANG STAR FOREVER, REST IN PEACE GURU and remember it’s ALWAYS that #SmithsonianGrade #TwiceAWeek #ThriceAWeek #WeAreTheGard // southernvangard.com // @southernvangard on #applepodcasts #stitcherradio #soundcloud #mixcloud #youtube // #hiphop #rap #undergroundhiphop #boombap #DJ #mixshow #interview #podcast #ATL #WORLDWIDE #RIPCOMBATJACK Recorded live November 3, 2019 @ Dirty Blanket Studios, Marietta, GA southernvangard.com @southernvangard on #applepodcasts #soundcloud #youtube #spotifypodcast #googlepodcasts #stitcherradio #mixcloud #SmithsonianGrade #TwiceAWeek #WeAreTheGard twitter/IG: @southernvangard @jondoeatl @cappuccinomeeks Talk Break Inst. - "Style" - Tone Spliff "Kennedy Fried" - Sauce Heist & Spanish Ran ft. Jesus Heist "Field Shooters" - Sauce Heist & Spanish Ran "Wickeds" - Sauce Heist ft. Hus the Kingpin "Coke Brothers" - Elcamino & Bozack Morris ft. Flee Lord "The Hustle" - Mooch & Raticus ft. Rim Da Villian & Kil Ripkin "High Noon" - Madhattan (prod. Ice Rocks) Talk Break Inst. - "For Every Shell" - Tone Spliff "From A Distance" - Gang Starr ft. Jeru The Damaja "Man Down" - Shabaam Sahdeeq & J57 ft. J-Hood & DV Alias Khryst (prod. J57) "Supa Star" - Rome Streetz & Daniel Son (prod. 38 Spesh) "Sharp" - Jason Famous Beats ft. Tito Fuerte "Kabrina" - Squeegie O (prod. P Souloist) "Sophisticated" - Langston Hughes III ft. DJ Red Alert & Choyce "Name" - Homeboy Sandman Talk Break Inst. - "24 K" - Tone Spliff "Red" - Brother Ali ft. Evidence (prod. Evidence) "Evil Competitors" - Tha God Fahim & M Stacks "Gondek" - Westside Gunn prod. August Fanon "Business Hours" - SmooVth x Royalz ** WORLD EXCLUSIVE ** Talk Break Inst. - "Magma" - Tone Spliff Interview Snippets - Sauce Heist
The Boys talk about when and where Hip Hop started with the one and only " DJ Red Alert". From the parties in the Bronx, to the Zulu Nation. Biggs, Cholly and Red was there in the beginning; and their still on the scene. You don't want to miss this episode.
Episode 25 - March 2019 (Hosted by Fracus & Darwin) The busy start to 2019 continues off the back of the release of 'Hardcore Heaven 4', Fracus & Darwin return with an eclectic mix of upfront Hardcore music from around the globe. Check out the HU store: www.hardcoreunderground.co.uk 'Share' / 'Repost' and 'Like' now, then download or stream! The Hardcore Underground Show is now available as a podcast. You can subscribe via iTunes or directly via RSS at the following URLs: iTunes: https://itunes.apple.com/gb/podcast/hardcore-underground/id1295064442 ACast: www.acast.com/hardcoreunderground Contact Us / Send Music: www.hardcoreunderground.co.uk www.facebook.com/HULtdOfficial Twitter: @ FracusAndDarwin (Ignore the gap after the @, that's just so it doesn't tag a non-existent SC page) Track List: 01. Al Storm Feat. Katherine Wood - Far Away (Future Breakz) 02. Gaz Fracus - Make Up Your Mind (Future Breakz) 03. Scott Brown & Cat Knight - All About You (Fracus & Darwin Remix) (Evolution) 04. Technikore & Weaver Feat. Lokka Vox - Find You Now (One Seventy) 05. Al Storm & Euphony Feat. Lailia - Life In the Air (247 Hardcore) 06. Fickle Friends - Swim (Jakazid Bootleg) 07. Vinylgroover - Time (Al Storm Remix) 08. DJ Brisk - Airhead (Fracus & Darwin Remix) (Kniteforce) 09. Mike Reverie X Dot Max - You Take Me 10. Alex Kidd - High On You (HU) 11. Rob IYF X Laggy - Hide Away (247 Hardcore) 12. Alaguan - Anything (HPTG Music) 13. Al Storm & Euphony Feat. Danielle - Breathe (Fracus & Darwin Remix) 14. DJ Red Alert & Mike Slammer - In Effect (Fracus & Darwin Remix) 15. Entity - These Are The Best Days (HU) 16. Fracus & Darwin Vs. Michael Mansion - My Star (HU)
Welcome to the brand new Kontrast radio. A monthly radio show diving into the world of hard dance music. Anything hard goes! Tracklist 1. Alex Kidd - Give it up (Druck Records) 2. Dimatik Ft. Mike Rivera - Hard Soul (Cinematik) 3. Cut Up - Into the Jungle 4. Devine Inspiration - The Way (Eufeion & Konekshon Bootleg) 5. Danny BPM - Bass Louder (Harsh Records) 6. Kutski - Got the feeling (Foolish Records) 7. Zombie Nation - Kernkraft400 (Alex Prospect X Jakka-B Flip) 8. Press Play - Bassline (Lowded Recordings) 9, Spyro & Limit - Bacchanal 10. Jakka-B & Alex Prospect - Nemesis 11. Dougal x Mike Reverie - Supercharged (Electric Fox) 12. Jekyll - Back & Forth 13. Steppa K (Ryan Kore Remix) 14. Defekt & OLY - Ayla 15. Summa Jae - If Ever (One Seventy) 16. Outforce - Light it up 17. 4B X Teez - Whistle (Riko & Defekt 170 flip) 18. Technikore ft. Vicky Fee - Stay Forever (One Seventy) 19. DJ Red Alert & Mike Slammer - In Effect (Fracus & Darwin Remix) (Hardcore Underground) 20. M-Project - Hardcore Maniac Follow Jakka-B https://twitter.com/Jakka_B https://www.facebook.com/djjakkab/
BANG! @southernvangard #radio presents the PF Cuttin interview session! We stayed another week Brooklyn after talking to Kenny Dope last week, and sit down with the one and only PF Cuttin. PF & O.C. of D.I.T.C. dropped a new album this week called Opium - a searing 9 cut project that was born of out the ashes of a tragedy - the tragic passing of PF's best friend, the one and only Sean Price. PF breaks down the genesis of the project, his favorite sleeper cuts and what he has around the corner for us next. We also go back a few years to PF's production mentors such as Professor X, Daddy-O & Bobby Simmons of Stetsasonic, including an INSANE story on how Daddy-O snuck him into the Latin Quarters and he witnessed DJ Red Alert play “It's A Demo” 35 times in a row - let's just say the night didn't end well for folks that checked their coats. As you might imagine, there's a lot more inside, so cop Opium NOW, then press play on this here interview and thank the heavens above it's always that #smithsoniangrade #twiceaweek #WeAreTheGard // southernvangard.com // @southernvangard on #applepodcasts #stitcherradio #soundcloud #mixcloud #youtube // #hiphop #rap #undergroundhiphop #boombap #DJ #mix #interview #podcast #ATL #WORLDWIDE #RIPCOMBATJACKRecorded live October 21, 2018 @ Dirty Blanket Studios, Marietta, GAsouthernvangard.com@southernvangard on #applepodcasts #stitcherradio #soundcloud #mixcloud #youtube #smithsoniangrade #twiceaweek #WeAreTheGardtwitter/IG: @jondoeatl @southernvangard @cappuccinomeeks
BANG! @southernvangard #radio presents the PF Cuttin interview session! We stayed another week Brooklyn after talking to Kenny Dope last week, and sit down with the one and only PF Cuttin. PF & O.C. of D.I.T.C. dropped a new album this week called Opium - a searing 9 cut project that was born of out the ashes of a tragedy - the tragic passing of PF’s best friend, the one and only Sean Price. PF breaks down the genesis of the project, his favorite sleeper cuts and what he has around the corner for us next. We also go back a few years to PF’s production mentors such as Professor X, Daddy-O & Bobby Simmons of Stetsasonic, including an INSANE story on how Daddy-O snuck him into the Latin Quarters and he witnessed DJ Red Alert play “It’s A Demo” 35 times in a row - let’s just say the night didn’t end well for folks that checked their coats. As you might imagine, there’s a lot more inside, so cop Opium NOW, then press play on this here interview and thank the heavens above it’s always that #smithsoniangrade #twiceaweek #WeAreTheGard // southernvangard.com // @southernvangard on #applepodcasts #stitcherradio #soundcloud #mixcloud #youtube // #hiphop #rap #undergroundhiphop #boombap #DJ #mix #interview #podcast #ATL #WORLDWIDE #RIPCOMBATJACK Recorded live October 21, 2018 @ Dirty Blanket Studios, Marietta, GA southernvangard.com @southernvangard on #applepodcasts #stitcherradio #soundcloud #mixcloud #youtube #smithsoniangrade #twiceaweek #WeAreTheGard twitter/IG: @jondoeatl @southernvangard @cappuccinomeeks
http://www.djcraigdalzell.com 1. Lazy DJ / Volume 1 (Craig Dalzell Bootleg) 2. Rise & Shine / Fire 3. Sunshine Productions / Symphony In September 4. Undercover Elephant / You're Gonna Be Right 5. Sunshine Productions / Above The Clouds (V&W Remix) 6. Awesome 3 / Don't Go (Naughty Naughty Mix) 7. Question Mark / Numero Uno 8. Edit V / Sensation (DJ Vibes & Wishdokta Remix) 9. Ravers Choice / Ravers Choice 2 (Keep Rushin') 10. Liquid Crystal / You Got Me 11. Liquid / Sweet Harmony (Naughty Naughty Mix) 12. Yolk / Music 4 Da People (4 The Floor Remix) 13. DJ Red Alert & Mike Slammer / Bad Boy 14. Kaos / Definition Of Love 15. DJ Demo / The Power Of Love 16. Fat Controller ft. Pamela Fernadez / In Complete Darkness (Craig Dalzell Bootleg) 17. Bass Selective / Blow Out Pt.2 18. Highlife feat. Jenka / Is This Happiness 19. Undercover Elephant / E-Dam 20. E'Voke / Runaway (Jimmy J & Cru-L-T Remix) 21. Slipmatt / SMD 3A 22. Chemical Vacation / Real Style 23. Edit V / Pumper 24. Happy Tunes / The Anthem 25. Citadel Of Kaos / Ronnies Revenge 26. Happy Tunes / Rushing On Pink Champagne 55mins @ 155bpm *GET THIS MIX & MORE ON CD OR USB HERE* https://www.facebook.com/pg/djcraigdalzellpage/shop/?rt=19
During our 2-part, 13 hour Native Tongues tribute, Mike G. of the Jungle Brothers stopped by to share stories about DJ Red Alert, Chris Lighty, Hip-House, the whole Native collective and even sheds light on a possible NT reunion.
Wrapping up the final installment of our Native Tongues Tribute, we bring you 7+ chock-full hours of classics, current jawns, remixes and even more collaborative efforts. Because a 7 hour show isn't ideal for streaming sites, we decided to turn Episode 30 into an A side and B side. This should also help eliminate the anxiety of having to sit through an episode 7+ hours long too. Special guest Mike G. of the Jungle Brothers stops by to share stories about DJ Red Alert, Chris Lighty's OCD, the ultimate hip-house classic, touring the UK and Mike even sheds light on a possible NT reunion. We damn near cover everything imaginable our 2-part 13+ hour Native Tongue Tribute. On part 2, we've included progression mixes for both De La and Tribe. We dig deeper in the Black Sheep and J. Beez catalog. We've got gems from Queen Latifah, Chi-Ali with the help of The Beatnuts and we even delve in to the solo work of Phife Dawg, Dres and Q-Tip. www.takeitpersonalradio.com www.patreon.com/TakeItPersonal Follow us on Instagram @takeitpersonalradio
During our 2-part, 13 hour Native Tongues tribute, Mike G. of the Jungle Brothers stopped by to share stories about DJ Red Alert, Chris Lighty, Hip-House, the whole Native collective and even sheds light on a possible NT reunion.
Wrapping up the final installment of our Native Tongues Tribute, we bring you 7+ chock-full hours of classics, current jawns, remixes and even more collaborative efforts. Because a 7 hour show isn't ideal for streaming sites, we decided to turn Episode 30 into an A side and B side. This should also help eliminate the anxiety of having to sit through an episode 7+ hours long too. Special guest Mike G. of the Jungle Brothers stops by to share stories about DJ Red Alert, Chris Lighty’s OCD, the ultimate hip-house classic, touring the UK and Mike even sheds light on a possible NT reunion. We damn near cover everything imaginable our 2-part 13+ hour Native Tongue Tribute. On part 2, we've included progression mixes for both De La and Tribe. We dig deeper in the Black Sheep and J. Beez catalog. We’ve got gems from Queen Latifah, Chi-Ali with the help of The Beatnuts and we even delve in to the solo work of Phife Dawg, Dres and Q-Tip. Episode 30 has 121 tracks (210 total in the tribute), including a fresh DJ 360 remix for your listening pleasure. This episode should help cap off your summer and hopefully most of you will finish listening to this tribute by Labor Day. Take it in slowly or run through it like Emmitt Smith. Remember, we love adding little nuances, crazy samples, funny sound bites and little Easter eggs throughout our episodes, so listen and enjoy the sounds of Take It Personal. From all of us, we thank you for your continued support!
Wrapping up the final installment of our Native Tongues Tribute, we bring you 7+ chock-full hours of classics, current jawns, remixes and even more collaborative efforts. Because a 7 hour show isn't ideal for streaming sites, we decided to turn Episode 30 into an A side and B side. This should also help eliminate the anxiety of having to sit through an episode 7+ hours long too. Special guest Mike G. of the Jungle Brothers stops by to share stories about DJ Red Alert, Chris Lighty’s OCD, the ultimate hip-house classic, touring the UK and Mike even sheds light on a possible NT reunion. We damn near cover everything imaginable our 2-part 13+ hour Native Tongue Tribute. On part 2, we've included progression mixes for both De La and Tribe. We dig deeper in the Black Sheep and J. Beez catalog. We’ve got gems from Queen Latifah, Chi-Ali with the help of The Beatnuts and we even delve in to the solo work of Phife Dawg, Dres and Q-Tip. Episode 30 has 121 tracks (210 total in the tribute), including a fresh DJ 360 remix for your listening pleasure. This episode should help cap off your summer and hopefully most of you will finish listening to this tribute by Labor Day. Take it in slowly or run through it like Emmitt Smith. Remember, we love adding little nuances, crazy samples, funny sound bites and little Easter eggs throughout our episodes, so listen and enjoy the sounds of Take It Personal. From all of us, we thank you for your continued support!
I've got a couple stories to tell today that all tie back to one concept: Attitude is contagious, and when you're trying to improve yourself, you've GOT to protect yours. Protect your positivity. Protect your self. Also, I love Hip-Hop. Not the new stuff as much as the music of my youth. You'll hear that. Shout out to Antonio Neves, the speaker whose name I couldn't remember. -Coach Be Moore https://EatingForAbs.com #CoachBeDaily #EatingForAbs #Wellness KRS-One, Rahzel, DJ Scratch, DJ Red Alert, Whodini, Puffy, SOBs... Thank you.
Bassland Show @ DFM (13.06.2018) - Гостевой, Happy Hardcore микс от проекта Ant To Be ______________________________________________________ #BasslandShow@djprofit на DFM (Москва) каждую среду с 0 до 1 ночи Подписывайтесь на эфиры: itunes: https://itunes.apple.com/ru/podcast/bassland-show/id1128353377?mt=2 android: https://basslandshow.podster.fm 01. Static Substance - Ghetto People [Impact Records, 1993] 02. Not Found - It's Not Enough [General Records, 1994] 03. Jimmy-J & Cru-L-T feat. J.D.S. - Ool Lortnoc (Ant To Be Remix) [Kniteforce Records/Remix Records, 2016] 04. Fat Controller - In Complete Darkness [Uphoria Records, 1993] 05. Seduction - Everybody [Impact Records, 1994] 06. Ant To Be - Rush'N'Spin [Knitebreed Records, 2018] 07. TNO Project - Sliding Into Purgatory [Kniteforce Digital, 2018] 08. Jimmy J & Cru-L-T - Take Me Away (Slipmatt Remix) [Kniteforce Records/Remix Records, 1994] 09. J.D.S. feat. Corelle – Higher Love [Stompin Choonz, 1995] 10. DJ Force & Evolution - High On Life [Kniteforce Records, 1994] 11. Alex Jungle - Believe In It [Kniteforce Records, 2017] 12. DJ Red Alert & Mike Slammer - In Effect [Slammin' Vinyl, 1993] 13. Trigger Happy - Untitled (Volume 2 B1) [Trigger Happy, 2018] 14. Shadowplay - Calling Me [Kniteforce Records, 2018] 15. Future Primitive - Lift Me Up (Slammin' Vinyl Remix) [Kniteforce Records/Remix Records, 1994] 16. Ant To Be - Special Request [forthcoming Kniteforce Records, 2018] 17. Nicky Allen - All The Time [Kniteforce Records, 2017] 18. Alk-E-D - Shine On Me [Kniteforce Records, 1994] 19. Gothika Shade - Enter The Dancehall [Kniteforce Records, 2018] 20. Unknown Artist - D.I.Y. In Da Movement [Unsigned Dubplate, 2018] https://vk.com/djprofit https://t.me/profit_live https://www.instagram.com/profit_dj https://www.facebook.com/profitdj https://www.youtube.com/user/profitabledj #dfm #bassland #basslandshow #drumandbass #dnb #edm #djprofit #futurebeats #radioshow #bassmusic
Show: Heat Rocks Guests: Cut Chemist "Say go DJ, cause that's my DJ..." - Weezy Cut Chemist is nice with the wax, nice with the loops, nice on the decks. A central figure in West Coast hip hop (Jurassic 5, Ozomotli) and the art of turntablism, both he and his record collection are legendary. While he joined us to talk about British funk pioneer Cymande's 1972 self-titled debut, our conversation covered a myriad of topics including Cut's journey as a crate digger, a record he may or may not have pilfered in 1987, the influence of Chuck Chillout and DJ Red Alert on his development as a DJ, Cymande's seamless genre-fusing and the band's relationship to hip-hop. Needless to say, we went in. About Cut Chemist: https://www.billboard.com/articles/columns/hip-hop/8225523/cut-chemist-i... About Cut's latest album, Die Cut https://daily.bandcamp.com/2018/03/13/cut-chemist-die-cut-interview/ Oliver's Rolling Stone interview with Cymande: http://rol.st/1U3YpYS Cymande website: http://www.cymandeofficial.com Show Tracklist (all songs from Cymande unless indicated otherwise): "One More" Cut Chemist: The Audience's Listening "The Garden" Harlem Underground Band: Harlem Underground Band "Smokin' Cheeba Cheeba" "Bra" "The Message" "Dove" DJ Chuck Chillout: clip from 98.7 Kiss FM show from 1986 Clip from the 1983 film "Wild Style" Red Hot Chili Peppers: Blood Sugar Sex Magik "Give It Away" "Getting it Back" "The Message" Assagai: Assagai "Telephone Girl" "Dove" "Listen" "Getting it Back" "Zion I" "Rickshaw" Hielo Ardiente: El Original Ritmo Ardiente "Mensaje" The Meters: The Meters "Cissy Strut" "Rastafarian Folk Song" The Fugees: The Score "The Score" De La Soul: 3 Feet High and Rising "Change in Speak" The Doors: L.A. Woman "Riders on the Storm" Tune-Yards: Nikki Nack "Water Fountain" Alice in Chains: Facelift "Man in the Box" Cymande: Second Time Round "Bird" Kaidi Tathem: Feed the Cat "Armz R Deh" If you're not already subscribed to Heat Rocks in Apple Podcasts, do it here!
DJ Red Alert is a member of the hip hop culture that is known for bringing the music to the people.He began his career as part of the Afrika Bambaataa's Zulu Nation and earned the reputation as a top notch DJ. At one point in the early 80's, Red Alert's equipment was stolen. Once he was able to get at new setup Bambaataa and other members of the Nation were moving to clubs in Manhattan. Red Alert continued to draw a following in Harlem.Red Alert channeled his energies and musical talent into two daily shows on the nations #1 radio station, New York's WQHT HOT 97.1 FM.He has received numerous awards and accolades including a special award at the first annual Rap Hall of Fame Awards show. The prestigious Lifetime Achievement Award from IMPACT music trade publication for 1998 and the 1997 Mix Show DJ of the year award from GAVIN. In addition DJ Red Alert was named one of the 50 most influential people in music by Rolling Stone magazine. Red Alert is also featured in an exhibit at the Rock and Roll Hall of Fame in Cleveland, Ohio. The only DJ of this era so honored!He has appeared in over 50 music videos.Red was reared by his maternal grandparents, who were from Antiqua. Red's love for those around-the-way basketball games led him to his high school team at DeWitt Clinton. No doubt this is where he was dubbed the nickname, “RED”; for his red hair and alert response on the court. Red later received a college basketball scholarship. During the last of his high school years, Red hung out at the Saturday night parties thrown by Kool Herc and Coke La Rock at clubs throughout the west Bronx. Red studied the style of music Kool Herc played and the way he blended the vinyl. On Fridays, Red found himself venturing downtown to check out star disco deejays, such as: Grandmaster Flash, Together Brothers, and Pete DJ Jones. It wasn't long before he was jammin' at parties on his own equipment. It was important to be up on what was happening on the New York scene, so Red was now attending legendary parties throughout the Bronx.Red caught Grandmaster Flash at the Back Door and the Dixie Club, Kool DJ A.J. at the Morehouse Center and Afrika Bambaataa at JHS 123. By this time, Red had gathered enough record selection and record spinning insight to teach his cousin DJ Jazzy Jay the basics of the art. Jazzy Jay in turn introduced Red to Bambaataa. Bambaataa taught Red about rock, reggae and new wave music. Learning about the various styles of dance oriented music, Red soon became the deejay for Bambaaata and his Zulu Nation, joining the likes of Afrika Islam, the Soul Sonic Force, Grandmixer DST and the Rock Steady Crew. Through this association, Red began to spin records downtown at such clubs as Negril and Danceteria.While deejaying at the Roxy, he met Barry Mayo, then program director of NY's WRKS 98.7 KISS FM. A man of considerable taste, Mayo hired Red to inaugurate the “Dance Mix Party.” Red remained at 98.7 KISS FM for 11 years, becoming the top DJ at the station. During his tenure at KISS, Red became the first individual to popularize dancehall music at a major radio station! Before you knew it, Red met up with producer Vincent Davis, of the Vintertainment Record label, through DJ Chuck Chillout, to produce Red's First record, “Hip Hop On Wax, Volume 2.” (Part 1 was made by DJ Chuck Chillout of the B-Boys and Part 3 was by DJ Born Supreme Allah).Another record was “He's My DJ (DJ Red Alert Goes Berserk)” which featured Sparky D on vocals and was released on NIA records produced by Spyder D.He also became a member of the Boogie Down Productions, touring the country with KRS One.Since then, Red has done super mixes for compilation albums on Next Plateau Records and Epic Records.Now a seasoned veteran as radio jock, club jock and studio man, Kool DJ Red Alert has established his place as one of the world's premier DJ's. To top it off Red Alert owns a production and management company, Red Alert Productions (RAP). The company garnered a reputation for developing and promoting new talent. RED is responsible for launching the career of such widely acclaimed acts as the Jungle Brothers, Tribe Called Quest, Black Sheep and Queen Latifah to name a few.In addition DJ Red Alert was the first to introduce numerous hit records including “Soul II Soul” by Jazzy B and “Hold On” by the group En Vogue!Red says, “You have to learn how to break a new artist on record by working it in and out with familiar records. People are scared to fall. It's OK to fall. You must learn how to fall and be strong so you can come back. A DJ is like the pied piper.”Since his break on the radio, Red Alert has had the opportunity to expand hip hop's audience as well as break the careers of Boogie Down Productions, Black Sheep, the Jungle Brothers, and A Tribe Called Quest. He has had cameos on countless albums, and has also released various compilation albums.Lately he has undergone some professional changes after leaving his radio show. Well all wait to see what he has in store for us next. 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SQR Podcast - The Community Podcast (Entertain - Educate - Encourage)
DJ Marlon B “Bizzy”Coming from the Upper West side of New York City, DJ Marlon B “Bizzy” has been spinning records at five star hotels and many venues over the years. Born and raised in New York City, his roots stem from his mother native from Puerto Rico and his father from the Dominican Republic. His father is a Latin percussionist playing the congas and timbales, instilling the love of music throughout their home. His father had him begin to learn to how to play the drums which helped him to learn musical patterns. Inspiration to become a DJ came for Marlon as early as age 9 when his curiosity about how the mixes on the radio went seamlessly from one to the next. He would then record DJ Red Alert, and had the chance to meet him at age 13. From here he got his turntables and his brother set him up and then continued to take him the clubs and had him go watch Red Alert in the booth because he was only 14 or 15. He then began to DJ for private events and his success continued to grow. Marlon’s mother has always been a huge supporter and inspiration as he continued to establish his DJ career. DJ Marlon B, does not just consider this a job; he takes pride in the artistry of being a true mixologist. He is one who reads the crowd, moves them in a certain direction and evokes feelings and memories to ensure a positive experience. DJ Marlon’s advice is to have fun with what you do; research music; try to expand your genre and be able to adapt to your situation. DJ Marlon’s final advice is to continue to practice, there is always something you can learn. Find him on: Soundclound: DJmarlonb or DJmarlonbizzy
Enjoy the Lethal Radio? Please click the {Repost} ↻ button! And Share! The Multi Award winning Record label Lethal Theory brings you the very best in upfront Uk Hardcore Music on the Bi Weekly Lethal Theory Radio show! This episode is brought to you by the One and only MC Obie #YeahYeahYeah plus a very special guest mix from the rising stars on TWR Mizel and Wilson Tracklist 1.Technikore & Obie - Mr Hoover 2.Weaver & AMS - Ra Ta Ta (Mob Remix) 3. Sharkey, Arkitech & Odyssey - Black Rain 4. A.B - Miami 5. Stonebank - The Pressure 6. Rampant & Obie, vs Darwin Feat Ant Johnson - Twice around the moon (Fracus & Darwin Remix) 7.Apollo - Dance With Me (Kurt Remix) 8. Kaos & Ethos - Get Fucked (Transcend & Cyrax Remix) 9. Fracus & Darwin - Join Us Now 10. Neptune - Samadhi 11. Odyssey, Obie & Macca - Black Hole 12. DJ Red Alert & Mike Slammer - Ganja Man (Chris Ross Remix) Mizel & wilson Guest mix 1. Prospect & Pinnacle - Zombie nightclub (mizel & wilson remix) 2. Mizel & Wilson - Blackout 3. Matrix & futurebound - Control (D&G edit) 4. Mizel & Wilson - Illegal rave 5. Danny Byrd - Bad boy (back again) 6. Mizel & Wilson - Outta my head 7. Dougal & Gammer - When I close my eyes (update) 8. Technikore & Mob - Fallen 9. Mizel & Wilson - get the fuck down 10. Mizel & Wilson - 14 Billion Years 11. Mk - Always (Friction remix) 12. Interface - get lo 13. Jakka B, Macks Wolf, Mizel & Wilson - Soundwave 14. Macks wolf - vampires 15. Alex Prospect & Gammer - Bad Bitch 16. Atmozfears - Release #Keepitlethal #LTR ▼ Follow Lethal Theory Website: lethaltheory.com SoundCloud: @lethal-theory-music Youtube: youtube.com/LETHALTHEORYRECORDS
Welcome to our 2nd Birthday show. Again we have decided to take you ‘Back To The Beginning'. Last year we covered 93-97 this we've gone a bit further back. Starting in 1991 and ending in 1995. We've tried to keep away from most obvious old school tracks (though some may have crept in). Please feel free to share as you see fit, oh and give us a follow on our facebook page.. www.facebook.com/dmixandevolve On with show.. Starting at the beginning, once upon a time in 1991... Openers 01// Dee Patten – Who's The Bad Man (Hard Hands) 02// Timebase Ft. Kromozone – Fireball (Boogie Times) d mix 03// Bodysnatch - Euphony (Big City) 04// Phantasy & Gemini - Ruff Beats (Liquid Wax) 05// Bubbles - We Can Ride The Boogie (Elicit) 06// Kaotic Chemistry - Illegal Subs (Moving Shadow) 07// LTJ Bukem - A Coupla of Beats (Good Looking) 08// >> LTJ Bukem – Enchanted (Good Looking) 09// Johnny Jungle - Flammable (Suburban Base) 10// DJ Solo - Darkage (Production House) 11// Foul Play - Finest Illusion (Moving Shadow) 12// Manix - Alright Wid Me (Reinforced) 13// 4hero - Journey From The Light (Reinforced) Evolve 14// Desired State - Beyond Bass (Ram) 15// Randall & Andy C - Sound Control (Ram) 16// Coolhand Flex - Wip Lash (De Underground) 17// DJ Red Alert & Mike Slammer - Don't Need Your Love (Slammin' Vinyl) 18// Uncle 22 & Navigator - 6 million Ways To Die - Choose One (Hype remix) (Ram) 19// Boogie Times Tribe - The Dark Stranger (Suburban Base) 20// The House Crew - Euphoria (Nino's Dream) (Production House) 21// M-Beat - Just A Little (Renk) 22// Rude Bwoy Monty - Out In Da Streets (Frontline) 23// A-Zone - Callin' All The People (White House) 24// Slipmatt - Breakin' Free (Awesome) 25// Aphrodite - We Enter (Heavenly Remix) (Aphrodite) 26// DJ Taktix - The Way VIP (Back 2 Basics) 27// Liftin' Spirits - Giggle N Rush (Liftin' Spirit) 28// Amazon 2 - Booyaaa! (Aphrodite) 29// P-Funk - P Funk Era (Frontline) 30// Roni Size - All Crew Big Up ('95 Lick) (V) New Track 31// Enei – Prometheus (Critical) Shout Tune 32// A-Sides & Nut-E-1 – Tonight (Bear Necessities) d mix 33// Roni Size – It's A Jazz Thing (V) 34// Sonz of a Loop da loop era - What The.. (Suburban Base) 35// Renegade - Terrorist (Grooverider remix) (Moving Shadow) 36// Renegade - Terrorist (Moving Shadow) 37// LTJ Bukem & The Peshay - 19.5 (Good Looking) 38// Studio Pressure - Presha III (Certificate 18) 39// Pulse - Stay Calm (Creative Wax) 40// Roni Size & DJ Die - Music Box (Full Circle) 41// Sponge - The Crash (Suburban Base) 42// Q Project - Champion Sound (Legend) 43// Q Project - Champion Sound (Doc Scott remix) (Legend) Closers 44// Northern Connexion – The Bounce (Back 2 Basics) 45// Nookie – Sound of Music (Foul Play remix) (Reinforced)
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