Podcasts about kool herc

Aquest episodi especial de Crema d'Estrelles està dedicat íntegrament a la secció "2 Graus de Separació", amb dues excepcions: un petit homenatge a Angie Stone, que es podria considerar la secció "Absències", i "Una de Frank Zappa", que avui encaixa perfectament amb la temàtica del programa. Explorarem la immensa influència de Good Times de Chic en la història de la música, teixint connexions entre estils i dècades a través de més de vint cançons. Des del rock fins als orígens del hip-hop, descobrirem com aquest clàssic té vinculacions curioses i ha deixat empremta en la trajectòria de molts artistes. Ens acompanyaran noms com Mickey & Sylvia, The Sequence, Queen, Blondie, Kool and The Gang, Jamiroquai, Grandmaster Flash, Kool Herc, Sugarhill Gang, Fatback Band, Perucho Conde, Shirley and Company, i molts més. També remarcarem la contribució de figures essencials com Angie Stone i destacarem el paper clau de dues dones sovint oblidades en els inicis del hip-hop: Cindy Campbell i Sylvia Robinson. A més, ens submergirem en el fenomen dels "mixes", escoltant el primer disc de mescles publicat de la història. I per tancar aquest viatge sonor, Frank Zappa ens oferirà la seva visió única i irreverent. Un episodi imprescindible per entendre com una sola cançó pot transformar la història de la música! Jordi Via, Terrassa, 26 de març de 2025 Pòdcasts amics: Via Miranda: https://go.ivoox.com/sq/2494621 The Sound Of Music: https://go.ivoox.com/sq/1788620 Sinfonautas: https://go.ivoox.com/sq/1317188 Marcianos Que Nos Tocan Las Guitarras: https://go.ivoox.com/sq/707397 Subterranea: https://go.ivoox.com/sq/17710 Entremixtando: https://go.ivoox.com/sq/1247719 La Capsa De Ritmes: https://go.ivoox.com/sq/1363038 Nostalgia: https://go.ivoox.com/sq/2574733

As hip-hop turns 50, its influence on music, culture, and education continues to grow exponentially. In a world shaped by AI, digital interconnectivity, and rapid cultural shifts, the role of arts and culture in education is more important than ever. Hip-hop is at the front of this evolution with its roots in urban storytelling and entrepreneurship. Now, a new chapter in its history is being written with the upcoming opening of The Hip Hop Museum, spearheaded by Rocky Bucano, one of the genre's pioneers.How will this museum preserve and celebrate hip-hop's lasting impact?On this first episode of a two-part series on DisruptED, host Ron Stefanski sits down with Rocky Bucano, Founder and CEO of The Hip Hop Museum. They discuss Bucano's beginnings in the Bronx, his groundbreaking role in the music industry, and his mission to preserve hip-hop's legacy for future generations.Bucano's journey: From a Bronx teenager fascinated by DJing to co-founding the influential Strong City Records, shaping the careers of future stars.Hip-hop's adaptability: The genre's unique ability to blend elements from jazz, rock, and R&B has helped it endure and evolve as a major cultural force.The Hip Hop Museum: Set to open in 2025, the museum will document and celebrate hip-hop's history, culture, and global impact, ensuring its preservation for future generationsRocky Bucano is a Bronx native, legendary music executive, and hip-hop pioneer. He co-founded Strong City Records in the 1980s, where he helped launch the careers of several influential artists. Bucano has worked with cultural icons like DJ Jazzy Jay, Grandmaster Flash, and Kool Herc. His latest project is The Hip Hop Museum, set to open in 2025.

Hip-Hop Legend Kool HercUsage: CC0 1.0 UniversalAnd Permission to use by BronxNetOwned by: BronxNet Televisionhttps://archive.org/details/Hip-hopLegendKoolHercComing up next: DJ Herc a Jamaican American DJ who is credited with being one of the founders of hip-hop music in the Bronx, New York City in 1973. Nicknamed the father of hip-hop DJ Kool Herc began playing hard funk records of the sort typified by James Brown. HipHop legend Kool Herc joins Bob Lee to share more about the mark he has left on the hip-hop industry coming up next.

Hip-hop, a genre and culture that originated in the South Bronx in the 1970s, has evolved into a global phenomenon with a profound impact on music, art, fashion, and society. Emerging from the socio-economic struggles of African American and Latino communities, hip-hop was born as a form of creative expression and a means of addressing social issues. Over the years, it has grown into a multi-billion dollar industry, shaping popular culture and influencing generations across the globe. The Birth of Hip-Hop: 1970s – Birth of the Four Elements: Pioneering Artists and Visionaries: Kool Herc (DJ Kool Herc): Credited with hosting the first hip-hop party in 1973, Herc's DJing techniques laid the groundwork for turntablism. Grandmaster Flash and the Furious Five: Known for their socially conscious lyrics, their song “The Message” (1982) addressed urban issues, becoming a pivotal moment in hip-hop. Afrika Bambaataa: A key figure in hip-hop's early years, Bambaataa helped shape the genre and promoted peace and unity through hip-hop culture. Run-DMC: In the 1980s, they elevated hip-hop's mainstream appeal, blending rap with rock elements and creating iconic tracks like “Walk This Way.” Public Enemy: Known for politically charged lyrics, Public Enemy's “It Takes a Nation of Millions to Hold Us Back” (1988) is a landmark album in hip-hop. N.W.A: The group, especially with their controversial album “Straight Outta Compton” (1988), brought West Coast hip-hop to the forefront. Crucial Moments in Hip-Hop History: 1973: Kool Herc's first hip-hop party in the Bronx. 1979: The Sugarhill Gang releases “Rapper's Delight,” one of the first commercially successful rap singles. 1984: Hip-hop's first commercial success, Run-DMC's self-titled album. 1988: N.W.A's “Straight Outta Compton” and Public Enemy's “It Takes a Nation of Millions to Hold Us Back” released, influencing political and social commentary in hip-hop. 1990s: The Golden Era of Hip-Hop, marked by diverse styles, iconic albums, and global recognition. 1996: Tupac Shakur and The Notorious B.I.G.'s deaths, marking a tragic turn in hip-hop history. 2000s-Present: Hip-hop becomes a dominant force in global music, with artists like Jay-Z, Eminem, Kanye West, and Drake achieving international acclaim. Hip-Hop's Global Impact: Economic Power: The hip-hop industry generates billions of dollars annually through music sales, concerts, merchandise, and endorsements. Cultural Influence: Hip-hop has shaped fashion, language, and artistic expression worldwide, becoming a powerful force in mainstream culture. Social Commentary: From addressing racial inequality to critiquing societal issues, hip-hop serves as a platform for artists to voice their perspectives and advocate for change. Diversity and Evolution: Hip-hop has diversified into various sub-genres (trap, drill, conscious rap), reflecting its ability to adapt and evolve with changing times. Globalization: Hip-hop has transcended cultural boundaries, with artists from diverse backgrounds contributing to the genre's growth and global appeal. Conclusion: From its humble origins in the Bronx to its current status as a global cultural force, hip-hop's journey is a testament to its resilience, creativity, and ability to connect with people on a profound level. It has not only provided a voice for marginalized communities but has also become a dynamic and influential art form that continues to shape the world in countless ways. SOCIAL MEDIA PROVOCATEUR | CARTOONIST | BLOGGER |

Flash hade förfinat sin revolutionerande konst i mitten av 70-talet. Allt som han en gång drömde om att bli som graffitimålare eller breakdansare hade han nu blivit som DJ. En större-än-livet-självt figur som drev danspubliken till extas. Full av självförtroende lämnade Flash discoscenen, och koncentrerade sig istället på att hålla ställningarna i södra Bronx. Men ett element saknades. Lyssna på alla avsnitt i Sveriges Radio Play. Grandmaster Flash behövde någon som kunde hålla igång publiken medan han dekonstruerade populärmusiken vid stålhjulen. På både det artistiska och personliga planet stod han nu inför sina största utmaningar. Den andra och sista delen med Grandmaster Flash är sagan om hiphopens födelse. Medverkar gör också Kool Herc, Afrika Bambaataa, Grand Wizzard Theodore, Melle Mel, Raheim, Sugarhill Gang, Bill Curtis i Fatback Band, DJ Qbert med flera.

Unge Joseph Saddler vill skapa en symfoni av allt som får hans blod att rusa. Runtomkring honom i södra Bronx ser han ett vilt vidgande av stil. Ett vackert krig mellan graffitimålare och b-boys. Lyssna på alla avsnitt i Sveriges Radio Play. Den rastlöse tonåringen med kritfärgade fingertoppar tar energin från fester och dansgolv i besittning. Han reser genom tid och rum med hjälp av ett par stålhjul, och uppfinner quickmixtekniken ur en otålig väntan på favoritpartiet – trumbreaket. Gör något som tidigare var förbjudet för en DJ. Trycker fingrarna mot vinylen, och förvandlar skivspelaren till ett instrument, viktigare än något annat enskilt instrument. Världen blir inte sig lik. Den första av två delar med Grandmaster Flash är sagan om hiphopens födelse. Medverkar gör också Kool Herc, Afrika Bambaataa, Grandwizzard Theodore, Melle Mel, Rahiem, Kidd Creole, Barry White, Bill Curtis i Fatback Band, Sugarhill Gang, U-Roy med flera.

Raised in Queanbeyan, Country NSW, Hau Latukefu is a world removed from hip hop's ground zero in New York City. But like his Tongan heritage, he's fully immersed in the culture and works hard to find his own hip hop voice. As one half of Koolism, Hau is a card-carrying pioneer in the local scene. And when Koolism is nominated for an ARIA award, Hau comes face to face with another pioneer, the legendary Bronx DJ Kool Herc. Will Hau get the nod of approval from the father of hip hop?

WE'RE BACK! After a week off for Dragon Con (which Alan and Rob were attending), the Modern Musicology team is back with a new episode celebrating the 50th anniversary of the birth of HIP-HOP! 50 years ago, Cindy Campbell threw a party in the rec room of her family's Bronx apartment building at 1520 Sedgwick Avenue and charged admission (.25 for ladies, 50 for fellas) to raise money to buy back-to-school clothes, and she asked her older brother Clive (later known as Kool Herc) to DJ. Using two turntables and a stack of classic soul and funk records, he and his buddy Coke la Rock shouted out spontaneous rhymes over the instrumental breaks. And with that, a new phenomenon was born.  We talk about our own journeys with rap and hip-hop, our first exposures to it, some of the standout acts that we love, favorite albums, and a lot more.  Want to share your favorite hip-hop artist, album, song, or moment? We'd love to hear about it! Drop us a line at modernmusicology1@gmail.com or leave a comment wherever you find our episode and let us know! And don't forget to rate us on your favorite podcast app!  Find us on Facebook: https://www.facebook.com/ModernMusicology Check us out on Instagram: https://www.instagram.com/modernmusicologypodcast/ Follow us on Twitter: https://twitter.com/ModrnMusicology Subscribe to our YouTube Channel: https://www.youtube.com/channel/UCk-MlcGy5u3fK1j4bVty1Kw Modern Musicology is part of the ESO Podcast Network. https://esonetwork.com/ Find more about us: Rob Levy: https://kdhx.org/shows/show/juxtaposition Stephanie Seymour: www.therearebirds.com  R. Alan Siler: www.kozmiccreative.com  Anthony Williams: https://watchers4d.podbean.com/ 

"Let me say it again, and say it with feeling..." -  Jay Dee A big episode this month - both in importance and in number of tracks - as we celebrate the 50th anniversary of the 1973 Kool Herc party at 1520 Sedgwick Ave, Bronx, NY, that arguably sparked Hip-Hop! The format is slightly different from the usual, and the episode is centred around three records which have been sampled, references, and homaged throughout Hip-Hop history - echoing through time. The influences manifest differently as they encounter each artist, so even within the set of tracks that have a common root, there are wide variations of style, subject, and sound. I think you'll enjoy the hour I've put together for you! Twitch : @airadam13 IG: @airadam Twitter : @airadam13

In which The Curmudgeons give the origins of hip-hop a serious treatment and contemplate the magical melding of time, place and resources that makes its early history so compelling. The pioneers of the genre stared down the destruction and impoverishment of the South Bronx with the swagger of kings, organically spinning celebration, and positivity, out of their circumstances. They also channeled the competitiveness of the streets into hip-hop's four "elements" -- DJing, MCing, breakdancing and graffiti -- ensuring there was as much sport as there was funk. Hip-hop became the ultimate DIY creation as a result.    Check out a book we reference during this episode, Jeff Chang's wonderful "Can;t Stop Won't Stop: A History of the Hip-Hop Generation": https://www.thriftbooks.com/w/cant-stop-wont-stop-a-history-of-the-hip-hop-generation_jeff-chang_dj-kool-herc/257047/?resultid=d57d3cbc-a003-438a-8356-465f82400ec6#isbn=B00A2LU264   Here's a handy navigation for the episode.   (0:54 - 6:20) - Arturo sets the parameters for our discussion   (7:40 - 20:18) - The Parallel Universe, in which we review new music from PJ Harvey and Yard Act   (21:17 - 1:04:59) - Chris, with Arturo's considerable input, discusses four aspects of the hip-hop origin story that make it so unique; plus, we discuss hip-hop "elements" in detail   (1:06:24 - 1:45:48) - We discuss the influence four hip-hop pioneers -- Kool Herc, Afrika Bambaataa, Grandmaster Flash, Grandmaster Caz -- and marvel at the story of "Rapper's Delight," hip-hop's first hit single.    Join our Curmudgeonly Community today! facebook.com/groups/curmudgeonrock   Hosted on Podbean! curmudgeonrock.podbean.com   Subscribe to our show on these platforms: https://podcasts.apple.com/us/podcast/the-curmudgeon-rock-report/id1551808911   https://open.spotify.com/show/4q7bHKIROH98o0vJbXLamB?si=5ffbdc04d6d44ecb   https://podcasts.google.com/feed/aHR0cHM6Ly9hbmNob3IuZm0vcy80M

50 years after its birth, hip-hop has become an integral part of mainstream American culture. With its roots in the voices of marginalized communities, hip-hop is reflected in everything from a rapping Pillsbury Dough Boy to dialogue in movies to speeches on the floor of Congress. "Hip-hop is a culture. It's a far-reaching culture. It's the most dominant youth culture on the planet," said Dart Adams, Boston-based writer and hip-hop expert. "It incorporates DJing, b-boying — or 'breaking,' as it's commonly called — emceeing is one aspect, and of course, you know, there's graffiti art. And all these aspects of the culture come together to form hip-hop. But people's idea of hip-hop is usually relegated just to rap music." What started as Kool Herc's innovative DJ party groove in 1973 was amplified by new masters of ceremonies, or MCs, spinning and scratching at house and street parties. The new music genre quickly established its signature turntablism, breakbeat deejaying, and scat-style rhyming lyrics. Hip-hop artists would go on to express their tears and triumphs in their songs — they often spoke to political and social oppression. "Hip hop was the way we spread the word. It was the way we let people know that we were in solidarity across time and space," Dawn-Elissa Fischer, co-founder of the Hip Hop Archive and Research Institute at Harvard University, told Under the Radar. "I was actually in a rural area of the United States, the Ozarks in southern Missouri, at the time where there were a lot of various types of lynchings and police killings and other horrible, racist things happening that weren't being covered in the news. And so, to hear 'Public Enemy No. 1' ... and 'Fight The Power' and to see the video, the visual of the parade of people gathered; I felt protected and inspired." In the '90s, America became the hip-hop nation. And in the ensuing years, hip-hop became the biggest and most influential global music genre in the world. "The hip hop of the '90s really captured the spectrum of Blackness. You go from 'Fight the Power' to 'Juicy,' which is the celebration of the comeuppance, not just of Biggie himself, but of his community who he is able to put on, but also Black people and hip-hop in particular," said Danielle Scott, professor at Berklee College of Music. "And then he says, 'You never thought that hip hop would take it this far.' Now hip-hop is in Harvard. Hip-hop is in Brown [University]. Hip-hop is no longer relegated to the pre-filming of the Grammys, it's on the Grammys' stages. It's in country music. It's all around the world. ... I think what Biggie said in that moment, just in that one little line, was prophetic, you know, in terms of how far hip-hop was going to take it." GUESTS Dart Adams, Boston-based writer and hip-hop expert Danielle Scott, hip-hop MC and professor at Berklee College of Music Dawn-Elissa Fischer, associate director and co-founder of the Hip Hop Archive and Research Institute at Harvard University

Heute wollen wir uns anschauen, wie das Genre, das sich aus dem Underground entwickelt hat, so langsam in die Filmwelt eingeflossen ist und damit wiederum die Entwicklung des Sounds beeinflusst hat. (superfly.fm)

(Airdate 8/1/23) Touré is a writer, music journalist, cultural critic, podcaster, and television commentator. He was a co-host of the TV show The Cycle on MSNBC, and has been a contributor to CNN, BET and MTV2. He is the author of six books including Who's Afraid of Post Blackness - What It Means to Be Black Now. His latest podcast entitled Star Stories drops today and is available on The Grio or wherever you get your podcasts. www.toure.com www.thegrio.com

It's HIP HOP WEEK! We are celebrating the birth of hip hop (August 11, 1973). On this episode, we take a moment to honor the man who created hip hop...DJ Kool Herc.  thank you, Kool Herc... Tune in! AUDIO https://linktr.ee/12kyle YOUTUBE  https://youtu.be/CgOqw-vuaYc

HAPPY BIRTHDAY HIP HOP. Am 11.08.1973, also heute vor 50 Jahren, entstand der Grundstein für Hip Hop. Ich feier das ein wenig, indem ich mal wieder in Erinnerung an die Anfangszeit schwelge. Dazu das Battle Meidi vs. Lyrico. Viel Spaß! #liebefürhiphop E-mail: bangarangdave7@gmail.com Linktree: https://linktr.ee/BangarangDave Facebook: https://www.facebook.com/BangarangDave/ Twitter: https://twitter.com/Bangarang_Dave Instagram: https://www.instagram.com/bangarangdave/ Soundcloud: https://soundcloud.com/bangarang-dave Bandcamp: https://bangarangdave.bandcamp.com/ iTunes: https://itunes.apple.com/de/podcast/liebe-f%C3%BCr-hip-hop-der-rapcast/id1451051500?mt=2 Spotify: https://open.spotify.com/show/0QLSjr8nkPAJAZnEx6nH76 Hip Hop Evolution auf Netflix https://www.netflix.com/title/80141782 Backspin Stammtisch zum 50. Geburtstag https://allesbackspin.podigee.io/1195-stammtisch Meidi vs. Lyrico https://youtu.be/BHIV5gY0aLs

50 Years Of Hip-Hop erzählt die faszinierende Geschichte dieses einzigartigen Musikstils, der sich über fünf Jahrzehnte hinweg entwickelt hat. Von den bescheidenen Anfängen in den Straßen bis hin zu einer globalen kulturellen Kraft hat Hip-Hop einen unverkennbaren impact auf die Welt gehabt. (superfly.fm)

This week we have a huge show that focuses on the first hour being a mix of classic house and future classics!Nothing is ever really planned on Sounds From Within, it cant! It must come from within, so the tracks flow from one record to the next..That being said we kicked off with a classic track from 1989 and it flowed for the next hour, bridging the gaps along the house music's journey.The second hour sees us dipping into the birth place of Hip Hop and celebrating Sedgewick Ave in the Bronx where Kool Herc would have played his blend of Disco and Funk Breaks.We end the show with some Classic Hip Hop and a huge nod to Brooklyn.Tune into new broadcasts of Sounds From Within, LIVE, Wednesday from 4- 6 PM EST / 9 - 11 PM GMTFor more info visit: https://thefaceradio.com/sounds-from-within///Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

Technical producer Kevin Earleybird Earley is our guest host for this episode of Revealing Voices. He interviews fellow creative and long time friend Substantial. Prince George's County, Maryland-born MC, producer, artist, and educator, Substantial, debuted in 2000 collaborating with the late Japanese producer Nujabes, who later worked on the popular show Samurai Champloo. Legendary rapper and activist, Chuck D of Public Enemy referred to Substantial as “One of the great MCs of our time.” His soulful and introspective brand of Hip Hop music has received critical acclaim from Ebony.com, The Source Magazine, HipHopDX, DJBooth.net, and Okayplayer.com. His music videos have appeared on MTV, VH1, and BET. Substantial has performed in nearly 20 countries and has collaborated with artists such as Kool Herc, L Universe better known as Verbal (M-Flo), Oddisee, and more. Substantial has licensed music to major brands such as Ford Motor Company, Bentley Motors, and UBER and also had his music featured in films and television shows such as Kevin Hart's Laugh at My Pain, Kill Me 3 Times starring Simon Pegg, Daytime Emmy nominated show Tough Love and it's spin-off series Pillow Talk. Substantial has appeared in the documentaries, Freestyle: The Art of Rhyme and Give Back. He has also written and performed original songs for games such as PUBG Mobile, Mobile Legends Bang Bang, Arknights, Tree of Savior, and Renaine. Substantial is also a two-time Hollywood Music in Media Award nominee. Earleybird and Substantial discuss taking a leap of faith, challenges for mental healthcare in minority communities, and the inspiration of music and the creative process.

Technical producer Kevin Earleybird Earley is our guest host for this episode of Revealing Voices. He interviews fellow creative and long time friend Substantial. Prince George's County, Maryland-born MC, producer, artist, and educator, Substantial, debuted in 2000 collaborating with the late Japanese producer Nujabes, who later worked on the popular show Samurai Champloo. Legendary rapper and activist, Chuck D of Public Enemy referred to Substantial as “One of the great MCs of our time.” His soulful and introspective brand of Hip Hop music has received critical acclaim from Ebony.com, The Source Magazine, HipHopDX, DJBooth.net, and Okayplayer.com. His music videos have appeared on MTV, VH1, and BET. Substantial has performed in nearly 20 countries and has collaborated with artists such as Kool Herc, L Universe better known as Verbal (M-Flo), Oddisee, and more. Substantial has licensed music to major brands such as Ford Motor Company, Bentley Motors, and UBER and also had his music featured in films and television shows such as Kevin Hart's Laugh at My Pain, Kill Me 3 Times starring Simon Pegg, Daytime Emmy nominated show Tough Love and it's spin-off series Pillow Talk. Substantial has appeared in the documentaries, Freestyle: The Art of Rhyme and Give Back. He has also written and performed original songs for games such as PUBG Mobile, Mobile Legends Bang Bang, Arknights, Tree of Savior, and Renaine. Substantial is also a two-time Hollywood Music in Media Award nominee. Earleybird and Substantial discuss taking a leap of faith, challenges for mental healthcare in minority communities, and the inspiration of music and the creative process.

Ouvre grand tes oreilles ! Dans ce nouvel épisode du podcast pour les enfants “Qui a inventé ?”, Julien te raconte comment la culture hip-hop est née aux États-Unis… ! L'invention du hip-hop… Dans les années 1970, un vent de révolte souffle sur le Bronx, un quartier défavorisé de New York aux États-Unis. Des centaines de milliers d'habitants y vivent dans la pauvreté, la violence. La plupart sont noirs (on dit afro-américains). Les jeunes se sentent rejetés. Ils ont le sentiment de ne pas être écoutés par les responsables politiques.  Cindy Campbell est une jeune fille du Bronx. Elle voudrait bien s'acheter des vêtements à la mode, mais elle n'a pas d'argent. Alors elle organise une grande fête payante (on appelle ces fêtes de quartier les “block parties”).  Une fête qui va changer l'histoire de la musique  Ce soir du 11 août 1973, il y a du monde au 1520 Sedgwick avenue. La fête est organisée dans une salle commune de l'immeuble, mais Cindy Campbell a installé une sono mobile dans la rue pour diffuser la musique, comme cela se fait en Jamaïque le pays d'origine de sa famille. Cette fête va changer l'histoire de la musique !  Clive Campbell, le frère de Cindy, s'occupe de passer les disques. Il sait s'y prendre pour faire danser la foule. Dans le quartier, tout le monde l'appelle Kool Herc… parce qu'il est cool, grand et fort comme Hercule. Ce soir-là, il se met à enchaîner les disques vinyle sur une double platine.  C'est quoi un vinyle, une platine ?  À l'époque, la musique ne s'écoute pas sur un ordinateur ou un téléphone. Elle est gravée sur des disques en vinyle, une sorte de plastique. Pour écouter les morceaux, il faut une platine : un appareil sur lequel le disque tourne, avec un mécanisme qui permet de traduire en son ce qui est gravé sur le vinyle. Dans les fêtes, celui qui passe les disques, est appelé le “DJ”. Il prend parfois le micro pour animer la soirée.  C'est ce que fait Cool Herc ce soir-là, mais il a l'idée d'utiliser une double platine – un disque à gauche, un autre à droite. Et il commence à s'amuser avec les différents morceaux. Plutôt que de passer les grands tubes de l'époque, il ne joue que les “breaks” (les passages sans parole). Il les enchaîne, passe d'un morceau à l'autre… Il a aussi l'idée d'utiliser deux disques identiques pour jouer un “break” à l'infini.  Hip-hop : rap, breakdance et graffitis !  Cette block party marque le début du mouvement hip-hop. Partout dans le Bronx, on commence à voir des DJ, comme Kool Herc, animer des soirées, jouer les “breaks” des morceaux. Ils sont souvent accompagnés d'un “MC” (un maître de cérémonie). C'est quelqu'un au micro, qui rappe : les MC racontent la vie dans le Bronx, parlent de ce qui concerne les noirs américains défavorisés. Entre discours, poésie et chant : c'est ça, le rap !  Lors de ces fêtes d'un nouveau genre, certains inventent des pas de danse, des gestes nouveaux, à même le sol, des figures sur le dos, sur la tête… On appelle ça le “breakdance”.   Dans le quartier, d'autres se mettent à inscrire les noms des DJ ou des rappeurs sur les murs, on parle de graffitis. La culture hip-hop se diffuse dans tout le Bronx puis dans les autres quartiers de New York avant de se faire connaître aux États-Unis et dans le monde entier. 

This show is made possible by you!  To become a sustaining member go to LauraFlanders.org/donate  Thank you for your continued support!In this episode, we celebrate the 50th anniversary of hip hop and explore its impact on the world with special guests Rosa Clemente, an award-winning organizer, journalist, and historian, and Chuck D, leader and co-founder of the legendary group Public Enemy. We discuss the origins of hip hop in the Bronx, its influence on politics, activism, music, art, dance, and fashion, and how it has changed the world. We delve into the urgent need to address the growing issue of violence in black neighborhoods during the 1980s, the importance of cultural media in connecting people, and the power of information in shaping the future. Join us as we reflect on hip hop's 50th anniversary and consider the potential lessons to be learned from the culture and its influence on movements like Black Lives Matter. Don't miss this engaging and insightful conversation!“‘How [Hip Hop] changed the world?' That's the tunnels and the roads that came out of the art form. How it got filled with the content to be able to make somebody think differently is the story of the execution and the elocution of rappers, DJs, break dancers, graffiti artists and activists.” - Chuck D“Women continue to be erased, trans people continue [to be erased], LGBTQ people continue to be erased . . . Hip hop is critiqued solely as the place where these things happen. No, they're happening from the White House all over the world.”  - Rosa ClementeGuests:Rosa Clemente: Independent Journalist & 2008 Green Party VP CandidateChuck D: Hip Hop Pioneer, Activist & Co-Founder, Public Enemy  Full Show Notes are located HERE.  They include related episodes, articles, and more to dive deeper.Music In the Middle:   Public Enemy's “Bring in the Noise” performed by Brown-Out, from their album Fear of a Brown Planet, released on Fat Beats Records. Additional music included 'Steppin' by Podington Bear. Chapters:(0:00:03) - Fight the Power(0:14:58) - Exploring Hip Hop and Social Change Chapter Summaries:(0:00:03) - Fight the Power (15 Minutes)In this episode, we explore the impact of hip hop on the world as it celebrates its 50th anniversary, with guests Rosa Clemente, an award-winning organizer, journalist, and historian, and Chuck D, leader and co-founder of the legendary group Public Enemy. We discuss the origins of hip hop in the Bronx, its influence on politics, activism, music, art, dance, and fashion, and how it has changed the world. (0:14:58) - Exploring Hip Hop and Social Change (14 Minutes)In this discussion, we delve into the urgent need to address the growing issue of violence in black neighborhoods during the 1980s, as well as the role of hip hop in raising awareness and sparking change. The conversation also touches on the importance of cultural media in connecting people and the power of information in shaping the future. As we reflect on hip hop's 50th anniversary, we consider the potential lessons to be learned from the culture and its influence on movements like Black Lives Matter. Shownotes created by https://podium.page 

Welcome back, season four, episode three of Hip Hop Hisotyr by Drew Curry. This week we are back with the third of the four pillars of this beautiful art form. This week we are talking about B-Boying or B-Girling a.k.a. Breaking or Break Dancing. There are many terms to speak about the art of breaking, but be careful what you call it around those practitioners who started the art. It all started with Kool Herc playing the breaks for the breakers to dance to. Playing the breaks allowed for a bigger platform with the same tempo for the breakers to dance for even longer without having to catch a new beat or rhythm. While the dances may have originated before breaking was ever thought of, those dances and those breaks became a beautiful marriage and sprouted what would become the most well known and liked genre in the history of the world. Those humble beginnings would spark something that has undoubtedly spread across the world. So thank you for the breaks and the breakers who started this whole thing in motion. Thank you. And thank you for listening to this episode of hip hop history. Please like, subscribe and leave a review where possible. Thank you and have a great day.

In the world of DJing, Grandmaster Flash is considered one of the pioneers and most influential figures, known for his innovative techniques and use of turntables. Other influential DJs include Afrika Bambaataa, Kool Herc, Frankie Knuckles, and David Guetta.As for musical genres, the list of influential musicians is endless, but some of the most iconic and groundbreaking figures include Elvis Presley, The Beatles, Michael Jackson, Bob Dylan, Jimi Hendrix, Madonna, Prince, Beyoncé, and Kendrick Lamar. Each of these artists has left an indelible mark on music and has inspired countless others to pursue their own unique sound and style.Support this podcast at — https://redcircle.com/we-create-the-vibes-podcast/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Flash hade förfinat sin revolutionerande konst i mitten av 70-talet. Allt som han en gång drömde om att bli som graffitimålare eller breakdansare hade han nu blivit som DJ. En större-än-livet-självt figur som drev danspubliken till extas. Full av självförtroende lämnade Flash discoscenen, och koncentrerade sig istället på att hålla ställningarna i södra Bronx. Men ett element saknades. Grandmaster Flash behövde någon som kunde hålla igång publiken medan han dekonstruerade populärmusiken vid stålhjulen. På både det artistiska och personliga planet stod han nu inför sina största utmaningar. Den andra och sista delen med Grandmaster Flash är sagan om hiphopens födelse. Medverkar gör också Kool Herc, Afrika Bambaataa, Grand Wizzard Theodore, Melle Mel, Raheim, Sugarhill Gang, Bill Curtis i Fatback Band, DJ Qbert med flera.

Unge Joseph Saddler vill skapa en symfoni av allt som får hans blod att rusa. Runtomkring honom i södra Bronx ser han ett vilt vidgande av stil. Ett vackert krig mellan graffitimålare och b-boys. Den rastlöse tonåringen med kritfärgade fingertoppar tar energin från fester och dansgolv i besittning. Han reser genom tid och rum med hjälp av ett par stålhjul, och uppfinner quickmixtekniken ur en otålig väntan på favoritpartiet trumbreaket. Gör något som tidigare var förbjudet för en DJ. Trycker fingrarna mot vinylen, och förvandlar skivspelaren till ett instrument, viktigare än något annat enskilt instrument. Världen blir inte sig lik. Den första av två delar med Grandmaster Flash är sagan om hiphopens födelse. Medverkar gör också Kool Herc, Afrika Bambaataa, Grandwizzard Theodore, Melle Mel, Rahiem, Kidd Creole, Barry White, Bill Curtis i Fatback Band, Sugarhill Gang, U-Roy med flera.

Эйо, в эфире подкаст «Hippie-Hippie-Hop», и это четвёртый выпуск! Эпизод открывает серию выпусков, которая будет посвящена истории культуры, её формированию, ключевым событиям и главным действующим лицам. Сегодня я расскажу вам про предпосылки к рождению, «святую» троицу в лице Kool Herc, Grandmaster Flesh и Afrika Bambaataa, а также про построение и развитие хип-хоп культуры в её первую эпоху. Тайм-коды: 00:00 — Вступление 00:43 — История хип-хоп культуры: начало 06:34 — Периодизация 09:12 — Сеяние семян, закладка фундамента хип-хоп культуры 10:25 — Радио Нью-Йорка: Фрэнки Крокер — первый радиоведущий-рэпер 16:41 — Социально-политическая поэзия Нью-Йорка: группа The Last Poets и поэт-песенник Гил Скотт-Херон 20:39 — Ночная клубная жизнь Нью-Йорка: DJ Hollywood — первый диско-диджей-рэпер 38:48 — Радио, социально-политическая поэзия, ночная клубная жизнь: собираем всё воедино 43:04 — Рождение хип-хопа 44:45 — Kool Herc: сведение брейков. Техника под названием «Карусель» 52:12 — Grandmaster Flash: научный подход к сведению брейков. Теория диджеинга 57:26 — Afrika Bambaataa: выстраивание комьюнити. Universal Zulu Nation 01:04:14 — Kool Herc, Grandmaster Flash, Afrika Bambaataa: в чём их заслуга? 01:06:28 — По понятиям: термин «хип-хоп», его 4 элемента 01:07:29 — Диджеинг 01:09:09 — Эмсиинг 01:11:53 — Брейкинг 01:13:37 — Граффити 01:15:46 — Пятый элемент: что это, и существует ли он вообще? 01:17:25 — Лица первой эпохи хип-хопа 01:30:13 — Первые хип-хоп-бизнесмены 01:31:59 — Рынок виниловых пластинок 01:35:39 — «Disco Fever»: первый дом для бибоев и хип-хопа 01:42:43 — Хип-хоп-промоутеры 01:45:02 — Mr.Magic и «Disco Showcase»: хип-хоп проникает на радио 01:48:29 — Заключение Примечание: в период с 64:20 и по 66:45 присутствуют артефакты в моём голосе. Причина неизвестна. Прошу прощения, что вышло такое недоразумение.

Fab 5 Freddy leads us on a journey back to where it all started for the founding fathers of hip hop music. Beginning with the popular rhythmical stylings of the 1960's and 70's soul, funk and disco, we'll learn how the impact of that music and those times in New York City inspired hip hop's early DJ architects, like Grand Master Flash, Grand Master Caz, Grand Wizard Theodore, Grand Mixer DXT and Kool Herc spark a musical revolution still raging globally today.  See omnystudio.com/listener for privacy information.

durée : 01:00:33 - Dirty Swift : Dirty Mix - Cette année on fête les 50 ans du Hip-Hop, ça sera le 11 août exactement (ou c'est très précis) que Kool Herc lors d'une soirée à créé ce mouvement en inventant ce qui allait devenir le passe-passe sur des breaks de chansons Soul et Funk... Deuxième épisode de cette série: les années 90, l'age d'or!

In this Interview, Host Ajay goes into Inspiring Conversation with Artist Sherwin XL , talking about Sherwin's Journey and Experiences as an artist , Standup Comedian, Host , Hip-hop artist & an Actor from Last 20 Years Interview moves in Following Order : ● How Sherwin Got Started ? ● How has Entertainment landscape changed over the Years? ● Hosting Joe Jackson's Hip Hop Boot Camp and Performing at Barack Obama's Campaign Headquarters ● How does he Approach different mediums of entertainment ? ● Special Moments and Memories ● About his Upcoming Movie ● About Movies Impact on People ● One thing he loves about the Entertainment Industry ● The One Common Quality in Top 1% Successful People Sherwin's Upcoming Movie : "LONG ISLAND - MASTERS OF CEREMONY, THE UNDERGROUND INNOVATORS" (FEATURING: D.J. KOOL HERC, BIZ MARKIE, ERICK SERMON (EPMD), DMC (RUN DMC) & INTRODUCING SHERWIN XL) Trailer : https://youtu.be/96ZKEVOXEj0 Sherwin XL on Facebook https://facebook.com/sherwinxl Sherwin XL on Instagram https://instagram.com/sherwinxl Sherwin XL on YouTube https://youtube.com/@sherwinxl LISTEN YOUR FAV STORIES : Romance : https://creativeaudios.in/romance Adventure : https://creativeaudios.in/season/23 Super Hero : https://creativeaudios.in/superheroes Spiritual Stories : https://creativeaudios.in/season/10 Sherlock Holmes : https://creativeaudios.in/season/7 Christmas stories : https://creativeaudios.in/season/25 Arabian Nights : https://creativeaudios.in/season/5 Freedom Fighters : https://creativeaudios.in/indianfreedomfighters Hindi Stories : https://creativeaudios.in/hindi-kahaniyaan Interviews with Global Artists : https://creativeaudios.in/season/26 Follow on Facebook page https://www.facebook.com/podcastaudios/ Follow us on Instagram https://www.instagram.com/podcastaudios/ --- Support this podcast: https://anchor.fm/creativecellsaudios.in/support

The Wall Street of Patrick Bateman was just ramping up, and rap had taken over the Bronx and Brooklyn as Jamaican-American deejays like Kool Herc were inventing and spreading the new genre. But there was another group of Jamaicans that had come to America with a different plan. As the Cold War played out in 1970's Jamaica, the two main political parties competing for the country each had a street gang they used to get the vote out in certain neighborhoods and keep the vote from getting out in others. The street gangs grew powerful and skilled in violence, but soon turned their attention from politics to getting paid. And that meant cocaine, and getting cocaine onto American streets. Rival crews like the infamous Shower Posse and the Spangler Posse set up shop all over the East Coast and then the heartland during the heydey of the crack era and soon turned their guns on each other, driving the murder rate to unprecedented heights and fighting bloody battles all over the east coast.  Learn more about your ad choices. Visit megaphone.fm/adchoices

This week I sit down with Donald D from Ice-T's Rhyme Syndicate. He talks about seeing Kool Herc perform in the park as a kid, meeting Ice-T for the 1st time, being featured on Ice-T's classic albums of the 80's & early 90's, the compilation "Rhyme Syndicate Coming Through", his solo albums "Notorious" & "Let The Horns Blow", playing Nintendo with Rakim on tour and so much more. Follow Donald D on Instagram & Twitter: @donalddbronxFollow the podcast on Instagram & Twitter: @b_boypodcastFollow us on Tik Tok: @stillabboyFind us online: www.riplak.com

Listen to the full album on Mixcloud: https://www.mixcloud.com/lorenunodos/daddy-g-dj-kicks/

From his work with Ultimate Force in the late 80s to his production on the new Open Mike Eagle single 'I'll Fight You' Diamond D has had an unparalleled run as producer/emcee. The one time Best Kept Secret was gracious enough to join hosts Nate Le Blanc and David Ma for a wide ranging conversation about his stellar career including the origin story of the mighty DITC. Stunts, Blunts, Hip Hop, Hatred, Passion, and Infidelity are all on the table in this interview.  Nate, Dave, and Demone also talk about the recent auction of Kool Herc collectables and their current non-rap listening. Dad Bod Rap Pod is part of the Stony Island Podcast network all praise due to the honorable Open Mike Eagle.  If you like the program please like, rate, and subscribe wherever you get your podcast content.  If you LOVE the podcast please consider subscribing to our Patreon!

Das Love'n'Hate Team ist zurück aus der Sommerpause! Entspannt und erholt unterhalten sich Niko, Dan, Base und Emma diese Woche ausführlich über das Tapefabrik Festival. Denn Base und Emma waren vor Ort und haben sich die größte Jam des Landes persönlich angeschaut. Außerdem geht es um Wiz Khalifa und seine Eskalation gegenüber zwei DJs. Nach einer offiziellen Entschuldigung wurde zwar der Hintergrund für den Streit ein wenig klarer, doch Wiz Khalifa ist nicht der einzige, der sich gegenüber DJs respektlos verhält. Und was wäre Love'n'Hate ohne einen Kauftipp. Diesmal allerdings ein klein wenig teurer, denn bei Christies Auktion wird unter anderem Kool Hercs Hauptsystem versteigert. Was sich Niko vielleicht aus der Sammlung ergattern möchte, warum DJs die eigentlichen Stars auf der Bühne sind und wie unsere beiden reisenden Reporter:innen das Tapefabrik Festival eigentlich so fanden, das erfahrt ihr im Podcast!

Le Hip-hop est né à New York au début des années 70 dans une ambiance de précarité et de violence. À l'époque, les gangs sévissent plus que jamais dans les ghettos, il faut trouver une solution d'apaisement d'urgence avant l'implosion. À l'origine du mouvement, il y a entre autres 3 hommes : Kool Herc, GrandMaster Flash et Afrika Bambaataa. Le Hip-hop, mouvement de paix, regroupe 4 disciplines : le Mc-ing (rap), le breakdance, le graffiti et le dj-ing. Au début des années 80 ce phénomène socio-culturel arrive en Europe et marque la France au fer rouge. Très vite la Suisse romande est à son tour touchée... Une série de Witold Langlois Épisode 5/5 : "2022" avec Silance et Jeune Hustler

Le Hip-hop est né à New York au début des années 70 dans une ambiance de précarité et de violence. À l'époque, les gangs sévissent plus que jamais dans les ghettos, il faut trouver une solution d'apaisement d'urgence avant l'implosion. À l'origine du mouvement, il y a entre autres 3 hommes : Kool Herc, GrandMaster Flash et Afrika Bambaataa. Le Hip-hop, mouvement de paix, regroupe 4 disciplines : le Mc-ing (rap), le breakdance, le graffiti et le dj-ing. Au début des années 80 ce phénomène socio-culturel arrive en Europe et marque la France au fer rouge. Très vite la Suisse romande est à son tour touchée... Une série de Witold Langlois Épisode 4/5 : "Graffiti" avec Serval

Le Hip-hop est né à New York au début des années 70 dans une ambiance de précarité et de violence. À l'époque, les gangs sévissent plus que jamais dans les ghettos, il faut trouver une solution d'apaisement d'urgence avant l'implosion. À l'origine du mouvement, il y a entre autres 3 hommes : Kool Herc, GrandMaster Flash et Afrika Bambaataa. Le Hip-hop, mouvement de paix, regroupe 4 disciplines : le Mc-ing (rap), le breakdance, le graffiti et le dj-ing. Au début des années 80 ce phénomène socio-culturel arrive en Europe et marque la France au fer rouge. Très vite la Suisse romande est à son tour touchée...Une série de Witold Langlois Épisode 3/5 : "Double Pact, Lausanne capitale du rap romand" avec Yvan et Nega

Rappers are fans too...On this week's episode of AFH's What's The Headline, we do a deep dive into the Top 5 MC lists of 30 of Hip-Hop's greatest artists. 0:00 Intro 1:10 Ice Cube said Lil Wayne is the greatest rapper of all-time (besides himself) 7:25 The significance of Top 5 MC lists in Hip-Hop 14:44 Jake's Top 5 MCs 15:37 Reggie's Top 5 MCs 17:35 The Top MCs for 30 of the greatest artists of all-time 19:08 Ice Cube's Top 5 MCs 23:40 Black Thought's Top 5 MCs 26:38 Snoop Dogg's Top 5 MCs 30:30 Scarface's Top 5 MCs 33:00 Run's Top 5 MCs 35:02 J. Cole's Top 4 MCs 36:45 Nas' Top 7 MCs and his Top 5 MCs of this generation 42:48 LL Cool J's Top 5 MCs 46:30 Pharoahe Monch's Top 5 MCs 48:43 Lupe Fiasco's Top 3 MCs 51:03 Ab-Soul's Top 5 MCs 53:48 Raekwon's Top 5 MCs (not in Wu-Tang Clan) 56:00 Action Bronson's Top 5 MCs 59:08 Vinnie Paz's Top 5 MCs 1:01:14 Kurupt's Top 5 MCs 1:03:04 The D.O.C. names the rapper he would most want to be like if he was still rapping today 1:07:12 Kendrick Lamar's Top 5 MCs 1:09:09 Jadakiss' Top 5 MCs 1:12:55 R.A. The Rugged Man's Top 5 MCs 1:18:22 Drake's Top 5 MCs 1:21:03 Bun B's Top 5 MCs 1:22:26 Immortal Technique's Top 5 MCs 1:23:49 Lil Kim's Top 10 MCs 1:25:12 Kool G Rap's Top 5 MCs 1:27:41 Rakim's Top 5 MCs and who he thinks is the most underrated MC 1:29:50 Eminem's Top 5 MCs 1:31:38 Lil Wayne's Top 5 MCs 1:33:52 JAY-Z's Top 5 MCs 1:35:55 Kool Herc's Top 5 MCs 1:38:17 Key takeaways

Le Hip-hop est né à New York au début des années 70 dans une ambiance de précarité et de violence. À l'époque, les gangs sévissent plus que jamais dans les ghettos, il faut trouver une solution d'apaisement d'urgence avant l'implosion. À l'origine du mouvement, il y a entre autres 3 hommes : Kool Herc, GrandMaster Flash et Afrika Bambaataa. Le Hip-hop, mouvement de paix, regroupe 4 disciplines : le Mc-ing (rap), le breakdance, le graffiti et le dj-ing. Au début des années 80 ce phénomène socio-culturel arrive en Europe et marque la France au fer rouge. Très vite la Suisse romande est à son tour touchée... Une série de Witold Langlois Épisode 2/5 : "La saga Unik Records" avec Patrick Duvoisin

On episode (55) of The Inphamus Hour we chop it up with the first MC / Rapper in hip hop history. We talk raps early beginnings, Kool Herc, people erasing hip from hip hop history and we finally get the answer on who's the greatest MC of all time! Listen to Da Inphamus Amadeuz Thursdays at Noon & 3p EST on Shade 45! Follow on IG https://www.instagram.com/dainphamusamadeuz Watch visuals of The Inphamus Hour Thursdays at 9p EST on Boom Bap Nation! Subscribe to The Inphamus Hour: https://www.smarturl.it/theinphamushour Hosted By Da Inphamus Amadeuz & Tone Viera

The Back to School Jam that Started it All. Hip Hop Taught Me Everything. Coming Soon. Created by Kris Hampton and Devin Dabney for Plug Tone Audio. Follow us on Instagram. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/hip-hop-taught-me-everything/message

The 1st episode of the 2nd season. Slightly new format, with some new editions of "unusual knowledge", "trivia" & a philosophical question session closer. Of course, Sophie's Choices are still on the menu. On this episode of DOD45 Tai & Adrienne chat with scratcher, dj, turntablist phenom DJ Qbert. They discuss Qbert's involvement on Dr. Octagon, Wave Twisters, Qbert's first album, Bruce Lee, Alyssa Milano, electric cars, working a job for your dad, extraterrestrial experiences and much more. Sophie's Choice questions from this episode include: Van Halen or Van Damme? Breakin' or Beat Street? Kool Keith or Kool Herc? Jazzy Jay or Jazzy Jeff? Grand Master Flash or Grand Wizard Theodore? Bruce Lee or Chuck Norris? DJ Shorkut or Cut Chemist? P-Funk or Thelonious Monk? Rob Swift or Ken Swift? Tai's shirt in this episode: Mr. Dibbs Prints of the Qbert alien octopus are available here Pertinent links from the episode: DJ Qbert official website: https://www.thudrumble.com Scratch 2001 documentary: https://www.youtube.com/watch?v=A8aMMpoSUSQ Qbert on Instagram: https://www.instagram.com/qbert Become an ArtByTai collector at https://artbytai.com/ Theme music by Nalei from her debut album "13" - https://open.spotify.com/album/0BUFr5M7SR7AgBP4eH1BUx?si=4pH9ottnQDGuL-CISl53IA --- Send in a voice message: https://podcasters.spotify.com/pod/show/artbytai/message Support this podcast: https://podcasters.spotify.com/pod/show/artbytai/support

Mornin' all...No show again this week so we're back in the crates for another "classic" episode.We're scheduling this to drop on Monday so it may or may not work.------------------------------------------It maybe a little late, but here is my tribute show to the anniversary of the birth of hip-hop (11th August 1973). First hour contains twelve classic Kool Herc records that most likely would have been played out on that now seminal night. Second hour is a freestyle on-the-fly selection of classic breaks and some later 70s stuff, all on the turntables.Try to ignore any ropey live doubles/loops and low grade mic chat - I was very 'tired'. With Steve away on hols, attempting this solo was probably a daft (but fun) idea.If you like what you hear join us live (almost) every Sunday 9pm-11pm on SheffieldLive! 93.2fm, via the TuneIn Radio App or www.sheffieldlive.orgGet in touch with requests, recommendations and guest mix inquiries! We're also available for family functions, weddings, funerals, boat launches and more.https://www.twitter.com/RadioNightTrain

In this episode Tai draws a Turkey Vulture & a Ponycorn while in discussion with hip-hop lyricist, co-founder of Rhymesayers, Slug(Sean Daley) aka Atmosphere and turntablist/producer Mr. Dibbs (Brad Forste) This episode covers a wide spectrum of topics including Mr. Dibbs' Circuit Bent toys, their favorite record shops, Black Thought on the Jimmy Fallon show, Scribblejam & Soundset status, Murs getting hit by a Gatorade bottle on stage, Dibbs' upcoming record releases, wearing a lava lava, a debate over WKRP in Cincinnati & NightCourt, FamilyMatters & Family Ties, Dibbs' juicing to heal his liver, the word "shit" being used in the 1986 Transformers cartoon movie, Slug's brief venture into Cameo, Dibbs' serial killer art collection, Slug's affinity for Nick Cage, head & neck tattoos, a debate over who is the best Batman, Dibbs' love for the movie Training Day and his brush with death (a second time), Slug's summary of the movie Rubin & Ed, and a discussion about Ice Cube's lyric from his track Man's Best Friend "Forget about a dog fool, he'll shit in the den". Slug also tells the story of his first concert experience at First venue with UTFO and a fight breaking out. It's was a lot to try to pull off in a 45 minute discussion, and they didn't even come close, as it went on for nearly 4.5 hours, but we managed to edit it down to an hour and 45 minutes. Enjoy. Sophie's Choice questions from this episode include: Lamb of God or God Loves Ugly? Prince or Prince Paul? Blag Flag or Black Sabbath? Mos Def or Def Leppard? Blackalicious or Black Thought? Motorhead or Portishead? WKRP or Night Court? Family Ties or Family Matters? Punky Brewster or Silver Spoons? Voltron or Transformers? Diff'rent Strokes or Facts of Life? Rodney-O or Type O? Gang Starr or Mazzy Star? Megadeth or Napalm Death? Kool Herc or Kool Keith? Bikini Kill or Thrill Kill Cult? Goodie Mob or Mobb Deep? Ol' Dirty or Dirty Rotten Imbeciles? MC Shan or MC5? Suicide or Suicidal Tendencies? Dice Raw or Rah Digga? E-40 or UB40? Maxi Priest or Judas Priest? Anthrax or Axle Rose? Rancid or Sid Vicious? MC Breed or Hatebreed? Kid Frost or Kid Koala? Shaq or Brian Austin Green? Shaq or Shia Labeouf? Das EFX or NOFX? Buck 65 or Buc Fifty? Buck Rogers or Uncle Buck? Deftones or Tone Loc? Prints of the Ponycorn Two-Step & Vulture on the Edge drawings available here Tai's shirt in this episode: Quiet Riot "Metal Health" Pertinent links from the episode: Mr. Dibbs official website Rhymesayers Entertainment Mr. Dibbs interview on the Bastard Sermon Podcast Atmosphere Tai's tv show 3.2 Percent segment on Atmosphere from 2003 Theme music by Nalei from her debut album "13" --- Send in a voice message: https://podcasters.spotify.com/pod/show/artbytai/message Support this podcast: https://podcasters.spotify.com/pod/show/artbytai/support

Nate and Ryan get back to their discussion of “Last Night A DJ Saved My Life - The History of the Disc Jockey” by Bill Brewster and Frank Broughton. This week's episode focuses on the birth of hip-hop in the Bronx and the Holy Trinity: DJ Kool Herc, Grandmaster Flash and Afrika Bambaataa.Let It Roll is proud to be part of Pantheon Podcasts.

Nate and Ryan get back to their discussion of “Last Night A DJ Saved My Life - The History of the Disc Jockey” by Bill Brewster and Frank Broughton. This week's episode focuses on the birth of hip-hop in the Bronx and the Holy Trinity: DJ Kool Herc, Grandmaster Flash and Afrika Bambaataa.Let It Roll is proud to be part of Pantheon Podcasts.

My earliest influential musical memories stem back to childhood where my parents would listen to WBLS every morning while getting ready for school. Being exposed to various forms of rhythm & blues, classic soul and early hip hop growing up, had a profound influence on my musical palette. Another huge impact on my musical perception was my father's record collection that spanned so many artist genres from James Brown, Hector Lavoe to Christopher Cross. I eventually  used his music and the records I “borrowed'' from my college radio station to spin my first basement fraternity party. They asked what name to put on the flyer and I said.. Dj Derick Spaulding because I had no cool Dj name; and it stuckThe strong, driving force behind deciding to buy my own set of 1200's was a desire to record mixes with the specific records I wanted to hear and in the order I wanted them played. Learning to spin and master mixes was not easy. My friends would throw objects at me if my mixes were off-beat...LOL... Looking back, this unique lesson taught me how to effectively hold a blend for extended periods of time, which would eventually form the base of my dj style; blends over scratches.All the musical influences growing up allowed me to be a chameleon of music genres. I learned to spin and eventually fuse odd elements of music together to develop my own Dj style. Blending hip-hop with fused rock loops, mixing reggae and salsa together, while seamlessly navigating numerous  levels of house music allowed me to grab gigs all around the city favoring whatever type of music the crowds wanted me to play. I made my name as a hip-hop dj, but could step in and flip house, reggae, rock, merengue, salsa, bachata like it was my specialty. I was known as the Dj that would flip records fast, playing mostly hooks to create that crazy crowd energy all night. It worked! My club experience and collaboration list is long because I had the benefit of growing up in the golden age of hip-hip and clubs. Playing venues like Latin Quarters, Palladium, Roxies were a regular part of my Dj lineup.  I was blessed to work with so many key promotional teams around NYC and beyond that gave me access to many key venues to promote my name. I have been on the same Dj lineup with OG's like Kool Herc and Peter Parker to modern day legends like Camillo, AM and Enuff. I have earned my Dj stripes and now listen with enthusiasm and encouragement to the next generation of turntablist. 

As broadcast on August 12, 2020.  We start with a look back to the original hip-hop party thrown by Kool Herc in August of 1973 and play a couple of his favorite records to loop into breaks at the time.  We highlight a couple of tunes from The Savants of Soul then throw on some Kelly Finnigan, Bobby Oroza, and Arlo Parks for some more contemporary slow burners in part 2.  Dan Lloyd joins us in hour 2 for our AMPED feature with tunes from Black Sabbath, The Menzingers and many more.#feelthegravityTracklist:Part I & II (00:00)Aretha Franklin – Rock SteadyWeldon Irvine – We Gettin' DownThe Mighty Ryeders – Evil VibrationsThe Main Ingredient – California My WayThe Savants of Soul – DeliveranceThe Savants of Soul – Son Be StrongKelly Finnigan – FreedomBobby Oroza – Maybe Maybe MaybeGene Harris – LosalamitoslatinfunklovesongArlo Parks – SophieSkinshape – I Didn't Know (dub vers)Lionel Richie – All Night Long Part III & IV (57:06)Blink-182 – QuarantineBiffy Clyro – Weird LeisureGojira – Another WorldThe Menzingers – Strawberry MansionBad Religion – Faith Alone 2020Black Sabbath – ParanoidJohn Petrucci – Terminal VelocityInara George and Dave Grohl – Sex in CarsIron Maiden – Fear of the DarkCourtney Barnett – Just For You 

嘻哈三圣Kool Herc, Grand Master Flash and Afrika Bambaataa

SOUL OF SYDNEY 345: DJ MK1 sent us this mixtape back in 2009 as a homage to 30 years of conscious hip hop goodness. Mista Killa:'Peace, Unity, Love & Having Fun' – A Mix Tape Celebration of over 30 Years of Conscious Hip Hop Blessing Friends The current state of Hip-Hop has gotten too far away from its roots. Hip-hop has been tainted by commercialization, marketing and repetitive radio stations across the world. Come with me as I take you on a musical journey through the last 30 years of conscious Hip Hop. Starting from the 70's when Hip Hop was experimenting and breaking boundaries, Improvising and expressing itself for the sake of art, not for profit. The mixtape goes on to explore the 80's, 90's and Today. Mista Killa Presents: Peace Unity Love and Having Fun Big ups to Kool Herc, Grandmixer DST, Jeru the Damaja and Mirrah. Peace Mista Killa Listen to more at: https://soundcloud.com/mk-1/2-mista-killa-presents-peace