Podcasts about Zulu Nation

Dan Corder is joined by Sipho Sithole, a South African scholar, author, and cultural expert with a PhD in Anthropology from Wits University – to unpack whether the Zulu parade in New Orleans, United States, was a true misrepresentation of the Zulu culture.See omnystudio.com/listener for privacy information.

Cáel' as the new Amazon Teen IdolBy FinalStand. Listen to the Podcast at Explicit Novels."I've missed you too," Aya bumped foreheads with me. I was 'a Son of the White Stallion' who 'ran with the herds of Epona'. I was so proud of her. She had woven together a Magyar myth with an Amazon naming convention. Epona, the Celtic Horse Goddess and Aya's matron divinity, was worshiped with the sacrifice of foals, Amazons offered up fillies (female baby horsies) whose spirits ran with the Goddess in the Spirit World.When the pre-Christian Magyars went to war, they sacrificed a white stallion to entreat their deities to grant them victory. No one was about to slit my throat, or cut my heart out. I was made sacred, a spirit stud in Epona's vast herd of mares. How freakishly accurate."I love you for your brains, you know that, don't you?" I whispered to Aya."Yes. You are saving up your other love for Mommy," she kinda/sorta teased me. Out of the semi-circle of children, three stood out. More accurately, they were dwarfed by their companions. I took the group's indecision as an offer to advance."Hi," I addressed the smallest three members of the audience. "Are you the Fatal Squirts?""They are not allowed that name," Sophia interceded. "No Amazon child deserves an acknowledgement before their trial." I half-turned and nodded her way."(Cough, cough). "Excuse me, please." If she spoke Phoenician, I was boned for being obviously disrespectful of her authority and would have to take whatever punishment Sophia felt I deserved.Otherwise, I was getting away with binding 'leads to death' to 'blood-death wound' in that ancient and highly extinct tongue: 'fatal, squirts' indeed. Her hand fell on my shoulder."I have heard you laugh at death," Sophia remarked. If I was on Zoosk, all you would have to do was type in 'Preference: Amazon Male Who Dares Talk Back', and there was my smiling mug, all alone, staring back at you."Before I confess to anything, do you consider that an asset, or liability," I grinned."I withhold judgment," was her reply."I don't mean to 'laugh at death'. It is because all the other choices suck and, perhaps I've been called stubborn, bull-headed and 'not having even a passing acquaintance with common sense' a time, or two," I shrugged with my lovely burden curled around my left arm."No names, our tradition and my command," Sophia laid down the law. Sigh. I put Aya down. She didn't cause me a hint of trouble because she knew my heart. I unbuckled and handed her my two guns (my Glock-22, and 38). I motioned one of the mini-Amazons forward. She shuffled up to Aya's side and received my two tomahawks.Not only was no one leaving, the rest of the camp started coming down to see what was about to transpire. In my short stint at Havenstone, I had developed a reputation as an exciting fun-guy/irrepressible troublemaker."I feel your decision is founded on misinformation, or your rendering to be unjust," I told Sophia."Explain," Sophia requested.I hadn't disarmed for my sake, or hers. I gave up my weapons to affirm my desire to talk. I placed myself at my sister's mercy, thus expressing my trust in her. Amazons are not savages, just violently inclined.Later, Pamela would remind me that my behavior was precisely what Isharans were supposed to do, seek peace."Aya has taken a position as intern with Executive Services at Havenstone," I explained. "She held my position and served effectively for four days with good work reviews from the head of the department herself," I added."She has served in a caste, been assigned duties by members of that caste, performed errands and accomplished all that was asked of her. Doesn't that create an allowance for Aya, as she has been considered for a caste?" I was fishing for an excuse based on my instincts for these people."She has never been selected, chosen and been anointed to a caste, so her preliminary experience does not qualify," Sophia said after a few seconds of introspection. "Next?""She has charged forth into battle on my behest." The archery range."You were not an acknowledged member of the Host when that happened. Next?""She's tried to kill me," I tossed out there."What?" many exclaimed."No!" Aya gasped."When did this occur?" Sophia's eyes twinkled."At the archery range. She shot at me twice," I responded."She was practicing," was the counter. "Next?""Not next," I smiled. "I didn't have permission from anyone to step beyond the shooting line.In doing so, I accepted all calls to combat. Both Leona and Aya shot at me. Aya shot twice and came close once. Leona only hit me after I gave myself up to protect three Amazon children."Pause."Okay. Aya has served in combat, no matter how one-sided, " Sophia began."I was armed for part of the fight," I interrupted hurriedly. Aya's first arrow."Accepted. You were a viable combatant before that as witnessed by other Amazons in earlier encounters. She and another Amazon shot at you without any other claiming traditional ownership of you," Sophia nodded. The Leader had given me a 'bye' on my intern status."Aya may bear an honorific," Sophia loudly proclaimed her change in course. To Amazons, screwing up was a distant third to not owning up to what you did and not learning from your mistakes. Besides, I could tell Sophia was warming up to me, as a male and an Amazon."My war band?" Aya chirped."You do not have a war band, Aya Epona, but whatever name you use among yourselves is not a matter I will concern myself with," Sophia stated firmly. "Fifty days, Cáel." That was the end of it. Sophia turned and began walking uphill, conflict successfully resolved.The Fatal Squirts had emerged with a semi-official status, I had emerged without a new series of wounds and I had wrangled forth a small down payment for all the love and loyalty Aya had showered on me."Best Daddy in the World!" Aya shouted. "Mamitu! Mamitu!" Destiny.Amazons weren't huge believers in luck. They put their faith in training, planning, experience and diligence. For them, victory was a matter of destiny. Let the sloppy, treacherous Greeks invoke 'Nike', Victory, or 'Tyche', Luck for tossing them a positive outcome in battle. My side weren't thankful for the win they deserved.They acknowledged Mamitu had, through foresight, prepared the Host for what had to be done. For Aya, it was destiny that had put me in her path; she and her sisters trained for the hostage scenario multiple times, so she was a logical choice for my training. She had been training with the bow when I was giving her the inner strength and confidence to hit the target.Training, not mutual good fortune, put her at the range to make that shot. Whatever part luck played, that bolt that had saved my life and paved the way for Aya's rise to leadership had been a part of her training as well. Amazons didn't deny luck, nor did the put any trust in it."Hi, so who are the rest of you?" I addressed the Fatal Squirts while rearming."I am Mosa Oya," the tomahawk holder identified herself."I am, " the third member got out before we were propelled back into that 'never too distant' No-Man's Land. A girl, a stranger in her early teens, came up and shoved Aya hard."You are nothing special," the older girl growled at my buddy. My 'daughter' barely avoided sprawling in the dust.The intensity was palatable. Aya had no chance of beating this girl. Not only did her opponent have every physical advantage, she had three buddies as well, correction: two buddies and a twin sister. Amazons built lifetime bonds around these foursomes. Aya and company backed down, despite her obvious shame. She had just won an honorific as a child, unheard of before this. It was Amazon tactical thinking, not fear, that ruled Aya's mind. I was so proud of her."What's your name?" I inquired congenially of the newcomer. She flashed me a look of anger laced with teenage hormones, then turned and stormed away, actually, she only started to storm away. Her behavior had played right into my hands. I was an adult. She wasn't a full-fledged member of the Host, nor was she a child anymore. I had asked her a question and she had been disrespectful to me. Her bad. Still, I doubted anyone expected my leg sweep.The bully hit the ground hard, no rolling with the blow for her. My foot smashing down on her diaphragm drove the fight right out of her. I wasn't done. The twin rushed in, my thunderbolt left sent her flying back from whence she came. Amazons despise child abuse as cruel and socially cancerous, yet no one else was rushing in to stop me.Even her other two friends were obeying both basic Amazon battle philosophy and conduct. Two young teens versus me was stupid, and I wasn't alone. I had four Squirts plus two other women close by who saw nothing wrong with a cooperative pummeling. I lifted my foot a centimeter from the girl's chest."Let's try this again," I spoke softly. "I am Cáel Ishara. You have disparaged my house by putting your back to me after I, an adult, politely addressed you. In fifteen seconds your sin will pass beyond your ability to address and your actions will be viewed as your family's unwarranted insult. My sisters will seek vengeance against your sisters with the added advantage that your sisters won't know what's going on. Now, what's your name?"See, I could have gone straight to Step Two, the House on House vengeance. Me kicking her ass was merciful because after five, or six members of her house were jumped, one at a time by three, or four, of mine, those ladies were going to be truly curious why their youngster had been so fucking rude in front of so many fucking Amazons to the HEAD of a fucking First House.'Honorific' Aya still had no status except that of a child. Dumb Bunny was passed her 12th year test, so she was of her House, thus the insult. Despite my 'fantasy' assumption of the role of grunt, everyone knew that Cáel Cabbage-head was Cáel Ishara, Head of House Ishara. I was the only accepted male Amazon in existence, the only possessor of a 'five o'clock shadow' in camp, I was armed and I was so armed while walking among their children.She could not have possibly mistaken me for another. Her eyes showed that truism too. Her wrathful 'how dare that male!' morphed into 'oh fuck, my older sisters are going to be tossed down stairwells, jacked up in parking garages and they were going to be caught totally flat-footed when it happens, and it is all my (the girl's) fault'.In theory, Saint Marie could deny my feud (we were at war), or warn the girl's house of my request, but why would she? The crime couldn't have been more obvious and the Amazons were way past making harmful shit up about me."Zarana, Zarana of House Inara," she gasped.I switched foot placement, pivoted, reached down to arm-clasp my left with her left and ended with me pulling her effortlessly to a standing position."A pleasure to meet you Zarana Inara. I am Cáel Ishara, but you may call me Cáel if you wish," I gave her my award winning smile. "No one will ever doubt your courage in my presence," I added.'Lead with the left jab, then catch them with the right hook'. As true in interpersonal relationships as in boxing. I had beaten her handily seconds ago and now I was applauding her bravery. Again, I wasn't a Head of House calling attention to her virtue, but I was."Your sister shares your warrior's heart.""I, I, I don't know what came over me, " she started to give me a respectful head-nod. I hooked a finger under her chin to stop her."Are you going to reconsider your approach for dealing with a male Amazon, Zarana of Inara?" I bridged the awkward moment. Bing! I had turned a humiliation into a learning moment."Yes," she smiled at me. "Yes Cáel Ish, Cáel.""I swear by the All-Mighty, if I find this one crawling into your sleeping bag, I'm going to be very disappointed in you," Delilah ambushed me. Wa-ha?"Oh, come on!" I protested. "She's thirteen.""Fourteen," the other twin, bleeding lip and all, puffed herself up."Not helping, " I looked at the twin."Vaski," she supplied. What?"Vaski? Really? That was Grandmother's name, it is Magyar-Finnish," I wondered."We are almost related," she conjured the improbable out of the impossible."No you are not, young lady," Delilah serpentined her way to the front of the crowd. "You are not family now and you can't attempt to be for four more years.""Who would you be?" Zarana challenged Delilah. Man, those two kids were spunky."An honored guest," Priya provided. "I hope another lesson in manners will not be necessary.""I'll do my best," I volunteered. Priya had been addressing the twins; not me. Taking the hit was a bit of comedy to diffuse the moment."Some of you need to eat," a camp counselor stated. Another crisis down and the sky wasn't even dark yet."Cáel!" and here we went again. Thank you, Ishara, it was Europa, the strange one, meaning the one I understood the most.(Night and Day)This place kept getting more and more wonderful. There was one safe road that rolled out of the camp's front gate (there was no wall, the gate was ceremonial) and disappeared off toward the closest state road. Scheduled trips were made to the closest blip on the census data where they bought stuff (irrelevant) and were 'seen' by the locals (the important thing).If anyone investigated, there was a legitimate summer camp 'out there'. The counselors weren't friendly, but they worked with 'troubled' kids, so keeping the small talk to a minimum was excusable. Sure, they only saw women, usually the same ones each trip during a given summer. The camp held nearly a thousand people, so the all-female thing was dismissed as a quirk.That was the second layer of deception. We had already learned that the first layer was the idea of a camp for girls in the foster care system. The third layer was all the visible 'props'. This went beyond the typical craft centers, juvenile obstacle courses, and a dozen other distractions. (The only 'real' one was the stables. Amazons loved riding horses and being assigned to tend to their care was a high honor.)Thirty meters inside the gate was a bridged gulch. After dark, the bridge supports were removed turning a clear shot into the center of camp into a waiting death trap. If there was any doubt, the gulch, so comforting and protective, was a blast zone as well, designation: The Barbecue Pit. I couldn't find it, but I was sure there was an altar somewhere to the matron goddess for this summer camp, the Goddess Paranoia.The sleeping quarters for everyone? More props. Campers would go in, mill around for ten minutes, then curl up on their bed, the ones that warmed up to 98 degrees in the shape of human bodies. Then the campers went down the shafts beneath their bunks and dutifully shuffled along the one meter high underground tunnels to their mesa-based domiciles. Again, once in the cliff-side barracks, they had two chimneys, a tunnel back to the dorm building and a cleverly designed, nearly invisible front exit to choose from.Pamela took it in stride, Delilah was a bit peeved by the 'excessive' security. Virginia, we'd already dragged her through her dorm tunnel to her cave to sleep it off. For me, the tunnel's dimensions made it a tight fit. Amazons can be pretty strong, but they don't have shoulders as wide as mine, nor are they normally over a meter/eight (six feet for us Yankees).I would have complained, except I had a sneaking suspicion that Pamela had a trowel to give me so I could 'widen up' a twenty to forty meter stretch of tunnel the moment I opened my mouth. As the last portion of the instructional tour, we were directed to get our grub before it was gone because the sadistic chefs loved to watch the eight year old workhouse orphans fight over who got to lick the pot instead of starving.Not really. The victuals were actually very good. I had hopes of more bonding time with my Epona ladies, yet no sooner had I cleaned my tin plate and dinnerware, I found someone else who craved my attention, Sophia. She was hot for my touch and by that I meant she wanted to punch and kick me around for a bit, all in the name of fun."Since you are my guest, I will let you choose our weapons," Sophia decided."I choose hyperbole," I gracefully flowed from sitting with one leg down and the other bent to standing."Specify.""Caber tossing with real Sequoia. I'll wait for the ladies of Girl Scout Troop 666 to go get some, they have to be authentic; no substitutes accepted," I explained."That's not hyperbole," Sophia snorted. "Hyperbole would be, 'I want to use the biggest spears ever used by Amazons, or Goddesses'.""My hyperbole wasn't the caber tossing, it was us 'waiting' for a set of circumstances we both knew wouldn't happen," I countered. Sophia nodded.

For the eleventh episode of There Is No Planet Earth Stories, I'm joined by guest DJ Odi, representing stories from New York. We discuss a range of topics including his formative NYC clubbing experiences at parties/venues: Mars, Tracks/Kilimanjaro, Wild Pitch, and Roger S - Ego Trip @ Octagon. Additionally we discuss his first time going to Storm Rave, as well as his first time DJ'ing at NASA, and much more.Odi (Digital Konfusion, Konkrete Jungle) Bronx-born Carlos “Odi” Castillo is not only one of the most highly-respected DJs in the stateside jungle scene, but in great part responsible for its stylistic evolution in NYC. He got his big break after high school, when promoting for the famous mid-90's NASA rave parties grew into a steady DJing slot. Back then, the 90's electronica wave was called “breaks” or “techno,” until Odi and some childhood friends who shared a lifestyle, culture and musical interest began pumping out electronic records with their own signature twist. Having grown up on 125th street in Harlem, Odi began to introduce the hip hop elements that helped create and push the jungle sound. It has been the defining style of NYC and the east coast in general since 1997, when the DigitalKonfusion crew formed their own eponymous record label and began spinning at NYC's most dedicated weekly jungle party: Konkrete Jungle. Being taken inby the new born JUNGLE SKY Imprint, as well as being the jungle/DnB buyer at Satellite records gave Odi the chance to stay ahead of the curve withpromos on the regs, leading to a position as an import buyer at Nemesis music Distribution. Eventually Odi caught the ears of TC IZLAM, the international spokesman for the respected Hip Hop society Zulu Nation. He was initiated in 2003, making him the first junglist to enter the organization. Touring regularly Odi and the Digital Konfusion Crew have remained prolific ever since, Dj'ing across the nation and producing for multiple other artists. Odi's home base is now in the Cincinnati area where he exists under the thumb of his cats Edward and Nola.Support the show

Send us a textMeg dives deep into the early days of Hip Hop and how the Blackout of 1977 propelled the movement. Jessica pays tribute to Judith Jamison, groundbreaking muse and successor as director of Alvin Ailey American Dance Theater.Please check out our website, follow us on Instagram, on Facebook, and...WRITE US A REVIEW HEREWe'd LOVE to hear from you! Let us know if you have any ideas for stories HEREThank you for listening!Love,Meg and Jessica

Especial Histórias da Chic Show - 50 anos | O pesquisador e ativista King Nino Brown (Zulu Nation Brasil) fala sobre o histórico show da cantora norte-americana Betty Wright ("No Pain, No Gain"), produzido pela Chic Show no antigo Ginásio do Palmeiras (SP), em 1988.

Extrait : « … Au fil des ans, l'organisation perd de sa superbe, son code d'honneur s'avérant peu en phase avec les réalités de la vie où « paix, unité, amour et fun » est vite supplanté par « drogues dures, rivalités, argent bling-bling et femmes objet ». En France, introduite par DJ Dee Nasty, Zulu Queen Malika et Sydney, le futur présentateur de l'émission HIP HOP sur TF1, la Zulu Nation s'essouffle vite, en raison du rapprochement de la maison mère avec la Nation of Islam de Louis Farrakhan, et l'interdiction de boire de l'alcool. Interdire le chablis, t'imagines le drame … »Pour commenter les épisodes, tu peux le faire sur ton appli de podcasts habituelle, c'est toujours bon pour l'audience. Mais également sur le site web dédié, il y a une section Le Bar, ouverte 24/24, pour causer du podcast ou de musique en général, je t'y attends avec impatience. Enfin, si tu souhaites me soumettre une chanson, c'est aussi sur le site web que ça se passe. Pour soutenir Good Morning Music et Gros Naze :1. Abonne-toi2. Laisse-moi un avis et 5 étoiles sur Apple Podcasts, ou Spotify et Podcast Addict3. Partage ton épisode préféré à 3 personnes autour de toi. Ou 3.000 si tu connais plein de monde. Good Morning Music Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Lord Chelmsford, looking to redeem himself from his failed first invasion,  crosses into Zululand in force for a second attempt. Pressure on Chelmsford mounts as Field Marshal Garnet Wolseley races to South Africa to assume full command. Cetshwayo sues for peace but assembles his army for one last showdown at the capital city of UlundiJoin Chris and Jason as they conclude their look at the rise and fall of the Zulu nation.Follow us on our Facebook page or on X (formerly Twitter)You can reach out to us by email:  fromheretohistory@gmail.comOnce again, here is a possible reading list on the Zulus and the Anglo-Zulu War:The Washing of the Spears by Donald MorrisAnatomy of the Zulu Army by Ian KnightThe Zulus at War by Adrian Greaves & Xolani MkhizeBrave Men's Blood by Ian KnightIn the Shadow of Isandlwana by John LabandWho's Who in the Zulu War Vols I & II by Adrian Greaves and Ian KnightThis article by DP O'Connor is an interesting take on Sir Bartle FrereRunning the Gauntlet by George MossopSend us a Text Message.

In this episode on the Zulu nation, we discuss Cetshwayo's violent march to the Zulu throne, his cozying up to the British as a bulwark against the Boers, and then the inexplicable events that thrust his people into a war with England. As the English columns  invade Zululand, a story of victory and defeat unfolds, with heroism and tragedy on both sides of the conflict.  Follow us on our Facebook page or on X (formerly Twitter) You can reach out to us by email:  fromheretohistory@gmail.comThese are great places to start reading on the Zulu War:The Washing of the Spears by Donald MorrisAnatomy of the Zulu Army by Ian KnightThe Zulus at War by Adrian Greaves & Xolani MkhizeBrave Men's Blood by Ian KnightIn the Shadow of Isandlwana by John LabandWho's Who in the Zulu War Vols I & II by Adrian Greaves and Ian KnightThis article by DP O'Connor is an interesting take on Sir Bartle Frere

Originaire du Queens, le jeune Q-Tip a grandi au son des disques de jazz de son père. La passion pour la musique coule dans les veines de la famille, notamment lorsque sa sœur lui fait découvrir le monde du rap, de la culture hip-hop et des valeurs de la Zulu Nation. Épaulé par son voisin et ami Phife, Q-Tip plonge pleinement dans ce mouvement impulsé par l'incontournable groupe RUN DMC.Dans les années 80, Q-Tip est un jeune artiste avide qui absorbe tout ce qui l'entoure. Son horizon s'élargit lorsqu'il poursuit des études de commerce à Manhattan, où il croise la route de son futur DJ, ainsi que celle des Jungle Brothers, qui l'initient à l'enregistrement de ses premières rimes sur l'album "Straight out the Jungle". Parallèlement, Q-Tip, Ali Shaheed Muhammad et Phife Dawg forment le groupe A Tribe Called Quest, dont Q-Tip devient naturellement le leader, et enregistrent des démos qui trouveront leur place sur leur premier album "People's Instinctive Travels And The Paths Of Rhythm".  Q-Tip se distingue par sa voix et son flow uniques, mais il démontre également son génie de la production, comme en témoigne le deuxième album d'A Tribe Called Quest, "The Low End Theory", devenu un monument de la musique. La piste 6 de cet album contient un chef-d'œuvre le posse cut, "Scenario", dont le maxi fête aujourd'hui son anniversaire. Pour honorer ce joyau, SLurg & Bachir vous  proposent une heure de mix SL1200 spécial Q-Tip en exclusivité sur Grunt Radio.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

The Zulu nation as we remember it was forged in a world of upheaval under the leadership of the intelligent, dynamic, and ruthless king Shaka Kasenzangakhona. Shaped by the tumultuous events known as the Mfecane, Shaka imposed and maintained a new order on his world by the force of his will, his innovative military tactics, and his brutal efficiency.  After he was brought down by the assassin's spears, he was followed on the Zulu throne in succession by two half brothers. Their reigns would collide in what many Zulus today  remember as the moment the nation's soul began to break.Join us in this episode for a fascinating journey through the reigns of these three Zulu kings.Don't forget to like and subscribe! And leave us a review if you feel so inclined.You can follow our Facebook page to keep in touch and comment on the episode. We posted a selected reading list with part 1 of this series but here it is again for convenience: The Washing of the Spears by Donald MorrisAnatomy of the Zulu Army by Ian KnightThe Zulus at War by Adrian Greaves & Xolani MkhizeBrave Men's Blood by Ian KnightIn the Shadow of Isandlwana by John Laband

We took a holiday hiatus but we're back with the first in a 3-part series on the most dominant tribal nation in 18th-century South Africa: The Zulus. In this episode, we range from their Bantu origins to the emergence of Shaka and his military innovations. We will briefly meet The Boers as they race across the frontier from Cape Town on a collision course with the Zulus, then settle down to a tour of Zulu war rituals and tactics.Give our page a like on Facebook If you're interested in further reading on the topic, here are some great suggestions. It is far from an exhaustive list but we think any of them are a good place to start. The Washing of the Spears by Donald MorrisAnatomy of the Zulu Army by Ian KnightThe Zulus at War by Adrian Greaves & Xolani MkhizeBrave Men's Blood by Ian KnightIn the Shadow of Isandlwana by John Laband

HAPPY BIRTHDAY HIP HOP. Am 11.08.1973, also heute vor 50 Jahren, entstand der Grundstein für Hip Hop. Ich feier das ein wenig, indem ich mal wieder in Erinnerung an die Anfangszeit schwelge. Dazu das Battle Meidi vs. Lyrico. Viel Spaß! #liebefürhiphop E-mail: bangarangdave7@gmail.com Linktree: https://linktr.ee/BangarangDave Facebook: https://www.facebook.com/BangarangDave/ Twitter: https://twitter.com/Bangarang_Dave Instagram: https://www.instagram.com/bangarangdave/ Soundcloud: https://soundcloud.com/bangarang-dave Bandcamp: https://bangarangdave.bandcamp.com/ iTunes: https://itunes.apple.com/de/podcast/liebe-f%C3%BCr-hip-hop-der-rapcast/id1451051500?mt=2 Spotify: https://open.spotify.com/show/0QLSjr8nkPAJAZnEx6nH76 Hip Hop Evolution auf Netflix https://www.netflix.com/title/80141782 Backspin Stammtisch zum 50. Geburtstag https://allesbackspin.podigee.io/1195-stammtisch Meidi vs. Lyrico https://youtu.be/BHIV5gY0aLs

À l'occasion de l'exposition « Basquiat Soundtracks » à la Philharmonie de Paris, Vladimir Cagnolari nous propose une balade dans les oreilles du peintre et musicien américain Jean-Michel Basquiat. Nos invités : Vincent Bessières, co-commissaire de l'expo ; Maripol, styliste et Chassol, musicien.  ⇒ Basquiat Soundtracks à La Philharmonie de Paris.La Philharmonie de Paris organise la première exposition consacrée à la relation puissante de Jean-Michel Basquiat à la musique. Donnant à entendre autant qu'à voir, Basquiat Soundtracks s'offre comme la bande-son héroïque, multiple et foisonnante d'une œuvre fulgurante, pour laquelle la musique se révèle une clé d'interprétation essentielle, de Beethoven à Madonna, du zydeco à John Cage, de Louis Armstrong à la Zulu Nation.Les improvisations visionnaires de Charlie Parker ou le feu enlevé des airs de la Callas, les chants des bluesmen ou ceux des griots, les symphonies de Beethoven, le Boléro de Ravel et tant d'autres musiques encore forment la toile de fond sonore de la pratique picturale de Jean-Michel Basquiat. Ceux qui, d'ailleurs, sont venus dans son atelier se souviennent que le peintre travaillait toujours en écoutant de la musique. Basquiat a en effet vécu, peint, dansé, inventé et transgressé à une époque où New York connaissait l'une des périodes les plus créatives de son histoire musicale, avec la naissance de nouveaux sons urbains comme la no wave, la new wave et le hip-hop. L'artiste a fait même une brève carrière de musicien au sein du groupe très expérimental Gray, fondé en 1979 avec Michael Holman. Comment lire ou comprendre la prégnance de cet art dans son imaginaire ? Qu'est-ce que la musique dans l'œil du peintre Basquiat ? Et peut-on « entendre » ses œuvres ? Le projet Basquiat Soundtracks marque un moment important de notre programmation et de la vie de notre institution. D'une part, en considération de la nature inédite du sujet. Pour la première fois, l'œuvre de Basquiat est donnée à entendre autant qu'à voir. Et pour cause : ses peintures trouvent bien souvent dans la musique de son temps ses principes structurants, comme le dévoilent les commissaires de l'exposition, Mary-Dailey Desmarais, Vincent Bessières et Dieter Buchhart, au terme de trois années de recherches. D'autre part, l'ambition de ce projet est d'expérimenter par et avec la musique une nouvelle manière d'exposer Basquiat et de traduire visuellement l'imaginaire sonore de ses œuvres. La réflexion inspirante engagée avec l'ingénieur du son Nicolas Becker fut à ce titre décisive. Ce projet nous importe également parce qu'il scelle la troisième collaboration de la Philharmonie de Paris avec un partenaire de choix, le Musée des Beaux-Arts de Montréal. Après We Want Miles (2009) et Marc Chagall, le triomphe de la musique (2016), cette nouvelle exposition, pensée ensemble, pousse toujours plus loin l'expérimentation des potentiels visuels de la musique et, réciproquement, de la musicalité du geste pictural. Enfin, la Philharmonie de Paris, East side, et la Fondation Louis Vuitton, West side, se réjouissent de développer une collaboration inédite construite sur la complémentarité de leur programmation dédiée à l'œuvre de Jean-Michel Basquiat. Tandis que, West side, sera présenté le travail à quatre mains de Basquiat et Andy Warhol, l'œuvre du peintre sera exposée et dévoilée, East Side, dans sa dimension proprement musicale. Now's the Time…Basquiat Soundtracks est la première exposition consacrée au rôle de la musique dans l'art de Jean-Michel Basquiat (1960-1988), artiste parmi les plus fascinants du XXe siècle. Né à Brooklyn, de père haïtien et de mère portoricaine, Basquiat a baigné dans l'effervescence musicale de New York à la charnière des années 1980, marquée par l'émergence de nouvelles formes urbaines telles que la no wave et le hip-hop. Puissante et audacieuse, son expressivité s'est développée en prise avec ce paysage sonore, donnant naissance à une œuvre qui doit aussi bien à l'art de la rue qu'à la tradition occidentale, questionnant les conventions esthétiques et révélant une sensibilité tout à la fois critique et poétique. Grand amateur de musique, Basquiat possédait, dit-on, une collection de plus de 3 000 disques allant du classique au rock en passant par le zydeco, la soul, le reggae, le hip-hop, l'opéra, le blues et le jazz. Dans son atelier, plusieurs sources sonores pouvaient coexister simultanément. Cependant, la musique est loin d'avoir seulement formé une trame sonore à sa vie et à sa pratique. Commençant par une évocation, riche d'archives, des scènes musicales fréquentées par l'artiste à New York dans les années 1970 et 1980, l'exposition met en lumière ses expériences en tant que musicien et producteur de disque. Explorant en détail son imaginaire sonore, elle examine les nombreuses références qui parsèment son travail, révélant combien la musique a informé ses représentations et influencé ses processus de composition. La façon dont Basquiat l'a inscrite dans ses œuvres témoigne, en outre, de son intérêt profond pour l'héritage de la diaspora africaine et de sa conscience aiguë des enjeux politiques liés aux questions raciales aux États-Unis. La musique apparaît ainsi comme une célébration de la créativité artistique noire tout en pointant les complexités et les cruautés de l'histoire. Elle offre une clé d'interprétation à une œuvre qui, dans son auto-invention, est parvenue à intégrer le beat d'une époque, le blues d'un peuple, le geste du sampling et les symphonies épiques d'une modernité mouvementée. (Rediffusion) Playlist- US3 Cantaloop voir le clip - West Side Story America voir le clip - Gray Drum Mode lien audio - Brian Eno & David Byrne America is Waiting voir le clip - Madonna Everybody voir le clip - Blondie Rapture- K-Rob, Rammellzee & Basquiat Beat Bop lien audio- Louis Armstrong King of the Zulus- Chassol joue Basquiat, voir le clip.Pour aller plus loinLien du podcast « Basquiat, un ticket pour l'Afrique » par Vladimir Cagnolari.

Geechie Dan is the Host of “The Planet of the Tapes” on LL Cool J's Rock the Bells Radio on Sirius XM. Growing up in Hollis, Queens in the early 80s, Geechie Dan found inspiration in influential Hip-Hop figures like Run DMC and LL Cool J. This motivated him to collect audio recordings of Hip-Hop parties and park jams in the NYC Tri-State area. In 1983, he began his journey as an emcee and became a member of the renowned Hip-Hop organization ZULUNATION, which he remains a part of today. A rap confrontation with LL Cool J in 1984 led to a battle, resulting in Geechie Dan's first loss. Later that year, he joined Spectrum City, a Hip-Hop radio crew based in Long Island, consisting of notable figures such as Hank and Keith Shocklee, Chuck D (of Public Enemy), and Flavor Flav. Despite receiving a record deal offer in 1986 for his song "Let's Dance," he declined due to his involvement with the Jehovah Witnesses, as his mother and the organization discouraged his pursuit of a rap career.In 1990, Geechie Dan won a rap contest organized by Black Cat Productions in New Orleans, which led to recording a rap for a local R&B singing group and an opportunity to record at Paisley Park Studios, famously associated with the iconic musician Prince. In 2008, he published a book called "The Kingdom Hall No More," discussing his 16-year involvement with the Jehovah Witnesses. His involvement in the Hip-Hop scene continued as he hosted "The Geechie Dan Hip-Hop Tape" show, starting with the first season in 2015 on Hilltop Radio with DJ Shawn, followed by the second season in 2016 on FLOempire Radio in NYC with DJ Kool K Gee. In 2017, his third season commenced on DS Network in the Bronx with DJ Kid Flash.Connect with Geechie Dan:Instragram:      https://www.instagram.com/geechiedanofficial Facebook:       https://www.facebook.com/geechie.dan.14Twitter:            https://www.twitter.com/geechiedan100 Learn more about Aikan Acts Performing Arts Program:1:1 Consultation: https://aikanacts.samcart.com/referral/DX3F5RaN/MH1wfhyxifJCjViWAdult Acting Class:   https://aikanacts.samcart.com/referral/bCPjNd8W/MH1wfhyxifJCjViWPre-Teen Acting Class: https://aikanacts.samcart.com/referral/1Cm4Oikm/MH1wfhyxifJCjViWTeen Acting Class: https://aikanacts.samcart.com/referral/LwdY4MsF/MH1wfhyxifJCjViWGet a GreenLight Debit Card for Your Children:https://share.greenlight.com/96453721Register for Free Online Financial Literacy Courses:https://maliksfirstjob.banzai.org/wellness/collections/teaching-kids-financesPurchase Malik's First Job: Financial Principles for Teens:www.maliksfirstjob.comFollow Malik's First Job on Social Media:Facebook:       https://www.facebook.com/maliksfirstjobInstagram:       https://www.instagram.com/maliksfirstjobTwitter:            https://www.twitter.com/maliksfirstjob

GUEST PASSION SHOW WITH A LOT OF SHIT TALKING SO COME ON IN AND ENJOY THE SHOW!!!!!!

Misuzulu ka Zwelithini was officially crowned King of the Zulu Nation in October after the death of his father. King Zwelithini died of Covid complications after ruling for fifty years. It has set off a royal feud as members of the large Zulu royal family contest King Misuzulu's right to the throne. Succession to the Zulu throne has been beset by violence for over a century. This time, the battle is in the courtroom. In this week's Inquiry we ask, who is the true Zulu King? Presenter: Audrey Brown Producer: Louise Clarke-Rowbotham Editor: Tara McDermott Technical Producer: Craig Boardman Production Coordinator: Brenda Brown (Zulu King Misuzulu KaZwelithini at his coronation ceremony in Durban, South Africa. Credit: Darren Stewart/Getty Images)

In dieser Folge Love'n'Hate gibt es ein kleines thematisches Special. Denn Niko, Dan, Base und Emma hat die Diskussion um das Geburtsjahr von Hip-Hop aus der vorletzten Runde nicht losgelassen, also haben sie sich zwei Gäste eingeladen um nochmal darüber zu sprechen. Zusammen mit Falk Schacht und Roger Rekless unterhalten sie sich darüber, ob es denn bei der Diskussion wirklich jemanden gibt, der Recht hat und wie wichtig es überhaupt ist, einen festen Tag für den Geburtstag zu haben. Welche Rolle Latinos in der Hip-Hop Geschichte gespielt haben, warum es wichtig ist, sich damit zu beschäftigen, wo Hip-Hop herkommt und was das ganze mit kultureller Aneignung zu tun hat, erfahrt ihr im Podcast. Viel Spaß beim Anhören, Peace!

In this episode I speak with Production Designer Neil Patel. Neil is currently shooting Showtime's “Shaka: King of the Zulu Nation” in South Africa and promoting the new series “Pretty Little Liars: Original Sin” on HBO Max. Neil came off of designing AppleTV+ ‘s 19th century spin on Emily Dickinson's life story called “Dickinson” to take on “PLL” during covid. We talk about the locations and the builds of “PLL” and how his intriguing design becomes another charter in this horror series. We also talk about the influence of his background in theater design on dozens of Broadway, West End plays, and Operas that have lead him into designing for TV and film.

Jaïd Seddak aka King Jaïd est né en 1962 à Mostaganem en Algérie.  C'est un athlète hors pair dans le sports de combat dans plusieurs disciplines. En effet, il est multiple champion du monde en Boxe Thaï, Kick Boxing et Full Contact. Avant de fonder son école de Boxe, il a entraîné de grands acteurs comme Jean-Claude Van Damme, Mickey Rourke et côtoyé Johnny Depp.  Outre sa carrière sportive, il a participé aux débuts de la mouvance Hip-Hop en France dans les années 80. Il fut l'un des ambassadeurs en France de la Zulu Nation. Plus récemment, il a organisé la soirée « La vie en Rose ». Une soirée caritative qui combine rap et stand-up. L'objectif étant de  des fonds pour la recherche contre le Cancer du Sein. 

Me and Bronx River Projects bread Hasan Campbell finally rap. Part 1

In one of our most explosive and most likely controversial episodes ever, Hassan Campbell is our guest. Hassan Campbell is a social media personality who has been outspoken in the last few years speaking about the hypocrisy of hip hop culture and those who benefit off it yet push a message that is detrimental to the community which it effects. He talks about growing up in Bronx River and being around the Zulu Nation and Afrika Bambaataa. He talks about growing up in his house and watching his mom in situations and seeing that his father was absent and how it lead him to looking for a father figure in the streets. He later apologizes to the two men he killed and sent his condolences to their mothers and reflected on how Bronx and Brooklyn Drill makes fun of the dead. TRIGGER WARNING!! This episode discusses adult subject matter, including descriptions of sexual abuse of a child, and is intended for adult consumption only. Listener discretion is advised. If you have been affected by sexual violence, free, confidential support is available 24/7 through RAINN's National Sexual Assault Hotline at 800.656-4673 and online.rainn.org --- Support this podcast: https://podcasters.spotify.com/pod/show/offtherecord-djakademiks/support

In der neuen Folge BACKSPIN Love'N'Hate unterhalten sich Niko, Dan und Base darüber, dass Hip-Hop nicht nur für die junge Generation da ist, sondern für alle. Dafür sind die drei schließlich das beste Beispiel. Und auch in den USA gibt es wichtige Urgesteine, die das Gegenteil beweisen, nämlich die Mitglieder der Zulu Nation. Deren Forderung, dass der November zum offiziellen Hip-Hop History Month wird, dieses Jahr sogar umgesetzt wurde. Denn es ist wichtig, auch die Anfänge der Geschichte zu bewahren. Das macht auch die Dokumentation “We wear the crown”. In mehreren Teilen wird hier die Geschichte von deutschem Rap erzählt, mit Falk Schacht in der Rolle des Frontal-Lehrers. Doch es gibt noch eine Watch-Empfehlung, nämlich die MC Rene Dokumentation. Am Ende gibt es noch eine kleine Ankündigung von Niko, Dan und Base. Worum es dabei geht, erfahrt ihr in der neuen Folge Love'n'Hate. Peace!

Judge Joe Brown,Zulu Nation,Black Family Structure,Dmoney Lizzo and Successful Dreams Album

In this episode, Part 2 of “Crate Boys,” we hear the conclusion of the story of Afrika Bambaataa, a founding father of hip-hop who stands accused by several men of molesting them when they were teenagers.  Bambaataa remains a shadowy figure while more allegations surface, Ron “Bee-Stinger” Savage receives more threats, Dave is threatened by a top Zulu Nation official, and a Zulu Nation soldier is mysteriously murdered shortly after speaking out about the scandal. Despite the mounting evidence, the case is nearly closed forever, until a last-minute court filing by a new victim gives hope to those seeking justice. 

In this episode, Part 1 of “Crate Boys,” Dave and Casey tell the story of how one of hip-hop's founding fathers, Afrika Bambaataa, built a rap empire that changed the world and gave him god-like status, which alleged victims say he wielded to groom young boys for sex – all with the protection of his powerful legion of followers in the Zulu Nation. The story of Bambaataa, drawn from Dave's groundbreaking work on the case for VICE, is littered with corruption, sexual abuse, exploitation, violence and even murder. This episode contains graphic and vulgar language that may be disturbing. 

This week King Prince & Wes Craven discuss: their favorite albums by Wu Tang Killa Beez (Sunz of Man,Shyheim,Killarmy,etc),Sunz of Man's album catalog(and rank it),new albums from,AZ,Bizzy Bone,and Common,the passing of Michael K. Williams,the fall of the Zulu Nation,and everything current in Hip Hop culture.Tune in... --- Support this podcast: https://anchor.fm/tavon-prince-nelson/support

This week King Prince & Wes Craven discuss: their favorite albums by Wu Tang Killa Beez (Sunz of Man,Shyheim,Killarmy,etc),Sunz of Man's album catalog(and rank it),new albums from,AZ,Bizzy Bone,and Common,the passing of Michael K. Williams,the fall of the Zulu Nation,and everything current in Hip Hop culture.Tune in... --- Support this podcast: https://anchor.fm/tavon-prince-nelson/support

This week King Prince & Wes Craven discuss: their favorite albums by Wu Tang Killa Beez (Sunz of Man,Shyheim,Killarmy,etc),Sunz of Man's album catalog(and rank it),new albums from,AZ,Bizzy Bone,and Common,the passing of Michael K. Williams,the fall of the Zulu Nation,and everything current in Hip Hop culture.Tune in... --- Support this podcast: https://anchor.fm/tavon-prince-nelson/support

In this episode of By Any Means Necessary, hosts Sean Blackmon and Jacquie Luqman are joined by Dr. Margaret Flowers, Co-Founder of Popular Resistance Director of the Health Over Profit for Everyone Campaign to discuss how the US healthcare system, evictions, and the end of unemployment assistance are contributing to the surge in COVID-19 cases, the increase in COVID-19 in children likely fueled by reopening of schools, how socialist countries are handling the pandemic despite economic warfare from imperialist powers, and the legacy of Kevin Zeese.In the second segment, Sean and Jacquie are joined by Brandon, an organizer in Houston, Texas to discuss new voting restrictions in Texas that target working class voters in urban areas, the limited prospects of overturning the law, and the importance of a working class movement to combat this law and the broader trend of draconian laws targeting working and poor people emerging in many parts of the US.In the third segment, Sean and Jacquie discuss accusations of sexual abuse and child sex traffiking brought against Afrika Bambaataa and the Zulu Nation, the pervasive and longstanding rumors of Bambaata's abuse of children and its indictment of celebrity culture, the potential end of Britney Spears's conservatorship, and how capitalist society contributes to the abuse and sexualization of children by treating them as property.Later in the show, Sean and Jacquie discuss the fatalism and lethargy that dealing with capitalist crises conjures and how organizing is the way out of that, how white supremacy is driven by capitalism, and the upcoming prequel to The Sopranos.

Mon hôte du jour est un membre de la Zulu Nation, son blaze: Goodka. Il est connu pour avoir été le premier français à avoir mixé aux Etats-Unis pour une battle de breakdance filmée et commercialisée : le Mighty 4 à San Francisco. Auteur de mixtapes (les fameuses Two Three Break) ayant servis de bande-son pour les entrainements de nombreux b-boys et b-girls, il est un passeur de disques n'ayant pas volé son statut de DJ.  Autre fait d'armes et non des moindres: il fut aux débuts des années 2000 le patron d'un disquaire indépendant, largement orienté Black Music, Goodka Records, à Grenoble.  Au programme de cet épidose de J'irai digger chez vous, plus de deux heures de perquisitions discales à son domicile pour découvirir son histoire et en apprendre davantage sur l'Histoire de la culture Hip-Hop.  Maxime ECHENNE alias Le reporteur-diggeur

SHELLEE-KIM continues engaging with activist and political scientist RICARDO MAARMAN. He shares his perspective on SA's past 'state captures', Britain's capture and what it takes personally to remain an uncorrupted human in a world of corrupt leaders.Ricardo's website: https://showusthevirus.infoPresented by Shellee-Kim Gold: https://kindasound.org/shellee-kim-goldWe broadcast live every Sunday. Tune in at https://kindasound.org

An exploration into the historical, political and spiritual context of the Zulu Nation and the Zulu Monarchy in the wake of the rioting and looting that took place in Kwa-Zulu Natal in July 2021 and the importance of the alliance between the Zulu and the Muslims for the future of the province.   With Ihsan Mathe, a Lecturer in History at Dallas College in Cape Town. 

I am joined by Nzuzo Khathi to discuss the current state of the Zulu monrachy and Zulu Nation, the power vacuum, the Ingonyama Trust, KwaZulu-Natal politics, the unrest and riots, Jacob Zuma, conflict within the Zulu royal family, outside forces trying to exploit the situation, and more.

Lance Taylor a.k.a Afrika Bambaataa est connu internationalement comme DJ mais il est surtout l'un des créateurs du mouvement hip-hop et le fondateur de la Zulu Nation. Surnommé "Master of Records" il est acclamé pour la diversité des styles de musique qu'il joue (soca, raggae, afro...).  Pour ce nouvel épisode il revient sur ses débuts dans le bronx, sa rencontre avec Dj Kool Herc & Grandmaster Flash, sa carrière de DJ et ses inspirations. Une interview exclusive (en anglais), essentielle pour comprendre comment tout cela a commencé.  Entourage podcast Ep. 24 Disponible sur toutes les plateformes.  

This week we took it back to the essence with wine attorney by day rapper by night John Dawson aka DJ Jahbaz. We discussed the business behind wine, growing up in the early stages of hip hop, ties with the Zulu Nation, and going from rapping to wine.

As you enter Lungelo Gumede's studio, in the heart of South Africa's coastal city of Durban, you are greeted by the smell of paint, clay and other materials. Across the room, what you see is surprising. At first glance, you are looking at Nelson Mandela, the recently departed King of the Zulu Nation, Goodwill Zwelithini and Queen Elizabeth II. As you get closer, of course, you discover they are wax figures elegantly dressed in real clothes. That's what Lungelo specialises in - life size statues of prominent global figures in politics, sports and entertainment, with a special focus on African heroes. His art is celebrated across South Africa and, at only 36, he's on a mission to create the country's first ever wax museum. Mpho Lakaje spends a week with Lungelo to discover what it takes to make a new wax figure.

Traditional Prime Minister to the Zulu Nation, Prince Mangosuthu Buthelezi says Prince Simakade Zulu is not laying claim to the Zulu throne.

  Clement Manyathela speaks to Traditional Prime Minister to the Zulu Nation and Monarch, Mangosuthu Bhuthelezi on the concerns around Zulu Monarch's will reading last Friday and allegations that King Goodwill Zwelithini's signature may have been forged. See omnystudio.com/listener for privacy information.

Traditional Prime Minister to the Zulu Nation, Prince Mangosuthu Buthelezi says the Zulu royal family has pledged its full support to the new king, Misuzulu kaZwelithini.

À Paris, les Zulus sont funkys ! Il était 1987, Afrika Bambaata, pionnier du mouvement hip-hop et charismatique leader de la mythique Zulu Nation est à Paris. La Zulu Nation, pour rappel, sera dès 1973 une alternative pacifiste aux gangs violents et armés qui sévissent alors à NYC, tournant autour des valeurs originelles du hip-hop : Love, peace, unity & havin' fun. En 1987 donc, Bambaataa passe quelques mois dans la capitale. Il troque ses baggys pour des djellabas achetées à Barbès et passe des disques vers la Bastille dans les studios de Radio Nova. Son show s’appelle “À Paris les Zulus sont Funkys “ et ça sonne comme ça. Visuel © Radio Nova See acast.com/privacy for privacy and opt-out information.

Her Majesty Queen Shiyiwe Mantfombi Dlamini-Zulu of the Zulu Nation of South Africa has passed away. Prince Mangosuthu Buthelezi announced the passing of the Regent of the Zulu Nation on Thursday evening. LeeAnne Manas has more...

The Anglo – Zulu wars, a clash between the might of the British Empire with the African Zulu Kingdom, began in 1879.In 1874, Sir Henry Bartle Frere was appointed High Commissioner for Southern Africa. His mission was to bring the various African kingdoms, tribal areas, and Boer Republics together under British rule, modelled after the policy which brought the various states within Canada together under one political and military control. He was opposed by several forces, mainly the various independent Boer states, and the Zulu Kingdom, with its vast army.In order to bring the region and its tribes together under as part of the British Empire, Frere decided to go to war with the Zulu Kingdom. Working on his own, without the backing of his government, Frere issued an ultimatum to the Zulu King Cetshwayo on 11 December 1878. The demands proved impossible to comply with, and war was declared. The British forces, led by Lord Chelmsford, invaded Zululand. Many battles ensued, including a stunning Zulu victory at Isandlwana, and the near-collapse of the garrison at Rorke's Drift. However, in the end, the British were triumphant. The Zulu Nation would no longer be independent.The podcast is under an hour, brief but informative and the history hit you are looking for.Please review! Follow us and like on socials:Twitter @bhistorypodcasthttps://www.facebook.com/pg/bhistorypodcast/about/Narrator and Author - Andrew Knight @ajknight31Producer and Composer - Harry EdmondsonResourceshttps://www.amazon.co.uk/Zulu-Wars-Brief-History-e…https://itunes.apple.com/gb/book/the-zulu-wars-a-b…https://en.wikipedia.org/wiki/Anglo-Zulu_WarArcher, Christon I.; Ferris, John R.; Herwig, Holger H.; Travers, Timothy H. E. (2008). World History of Warfare. University of Nebraska Press. ISBN 978-0-8032-1941-0.Barthorp, Michael (2002). The Zulu War: Isandhlwana to Ulundi. Weidenfeld & Nicolson. ISBN 0-304-36270-0.Bourquin, S. (1978). "The Zulu military organization and the challenge of 1879". Military History Journal. 4 (4).Brookes, Edgar H; Webb, Colin de B. (1965). A History of Natal. Brooklyn: University of Natal Press. ISBN 0-86980-579-7.Colenso, Frances E. (1880). History of the Zulu War and Its Origin. Assisted by Edward Durnford. London: Chapman & Hall.David, Saul (February 2009). "The Forgotten Battles of the Zulu War". BBC History Magazine. 10 (2). pp. 26–33.Dutton, Roy (2010). Forgotten Heroes: Zulu & Basuto Wars including Complete Medal Roll. Infodial. ISBN 978-0-9556554-4-9.French, Gerald (2014) [1939]. Lord Chelmsford and the Zulu War. London: John Lane, The Bodley Head. ISBN 978-1-4738-3510-8.Giliomee, Hermann Buhr; Mbenga, Bernard (2007). New History of South Africa. Tafelberg. ISBN 978-0-624-04359-1.Gump, James O. (1996). The Dust Rose Like Smoke: The Subjugation of the Zulu and the Sioux. Bison Books. ISBN 0-8032-7059-3.Guy, Jeff (1994). The Destruction of the Zulu Kingdom: The Civil War in Zululand, 1879–1884. University of Natal Press. ISBN 978-0-86980-892-4.Knight, Ian (1995). Brave Men's Blood: The Epic of the Zulu War, 1879. Pen & Sword Military Classics. ISBN 978-1-84415-212-4.Knight, Ian (1996). Rorke's Drift, 1879: 'pinned Like Rats in a Hole'. Osprey Publishing. ISBN 978-1-85532-506-7.Knight, Ian (2003). The Zulu War 1879. Osprey. ISBN 978-1-84176-612-6.Knight, Ian (2005). British Fortifications in Zululand 1879. Osprey. ISBN 978-1-84176-829-8.Knight, Ian; Castle, Ian (1999). British Army: Zulu War to the Boer War. Brassey's UK. ISBN 978-1-85753-284-5.Laband, John; Knight, Ian (1996). The Anglo-Zulu War. Stroud: Sutton. ISBN 0-86985-829-7.Laband, John (2009). Historical Dictionary of the Zulu Wars. Scarecrow. ISBN 978-0-8108-6300-2.Lock, Ron; Quantrill, Peter (2002). Zulu Victory: The Epic of Isandlwana and the Co

12 albums plus and millions sold. Its the 27th anniversary in the career of Fat Joe. An MC from the birthplace of Hip Hop the Bronx. In this episode host Colby Colb shares numerous interviews he's had with Joe throughout his  career. An artist who broke the mold of success in the very competitive Hip Hop industry you will learn his Backstory. As a bonus Fat Joe is an exceptional storyteller. See omnystudio.com/listener for privacy information.

Africa has many heroes, both past and present. Many of those heroes have gone through a lot to be regarded as such. However, when someone tells their story it is usually not from the right perspective, or it lacks objectivity. Many of Africa's heroes have been called tagged as tyrannical, bloodthirsty, as well as being given names of what might seem as western equivalents to suit a narrative.In southern Africa, a brave nation has held their ground despite the many challenges they have had to overcome all through the legacy of a hero who sought to unite people of common heritage and ancestry.On this episode of Long Story Short, Liwa tells the story of the birth of the Zulu Nation through the efforts of an unforgettable face, Shaka Zulu.You can listen to this episode of Long Story Short on Jamit.fm You can also follow us at;http://twitter.com/jamitfmhttp://instagram.com/jamitfmhttp://facebook.com/jamitfmhttp://linkedin.com/jamitfmAnd follow Liwa at;Facebook: https://www.facebook.com/noahliwaTwitter: https://twitter.com/4EyedLiwa_?s=09Instagram: https://www.instagram.com/p/B-welfdgC2F/?igshid=6tmropdau2w5LinkedIn: https://www.linkedin.com/in/noah-banjo-98889076https://jamit.fm/shows/

Crumb builds with Dan Tres OMi, a former chapter leader of the Zulu Nation and Hip Hop Historian about 2 of the most known unknown street organizations. ✍ The SNATCHED Podcast is an “Aware” or Afro-centric or “Woke” or “Black” Consciousness podcast highlighting the content from the media re-evaluator Crumb Snatcher. The use of the word ‘Black' in reference to people is used a commonly accepted term to describe Melaninated people of some level of African and/or Afro-Indigenous / Indigenous / Aborigine / American-Aborigine / Asiatic, Afro-Asian, Moorish, Indian, Afro-Indio, Afro-Indian, Neo-Nubian, etc. descent. (i.e. No, we do not think that we are adjectives. We are not literally talking about the color of one's skin, we are not necessarily discussing a nationality or legal status at all times, and we don't believe that we are from the planet, country, or city named "Black". We do love and support the family that is adamant and strict about these distinctions while we are more fluid in the use of the terminology. Warning - Trigger Warning. You WILL disagree with the Crumb Snatcher!! The Crumb Snatcher is a parody conscious-thought personality that mixes actual facts with humor and shock-antics to demonstrate the absurdity in American and world culture. The Crumb Snatcher is a loveable politically incorrect, thought-provoking, anti-organized religion, profane, demeaning, angry yet introspective collective of poor righteous teachers. Join their antics in conscious thought and new-reality. Get SNATCHED!!!

Poppy spoke out about what happened to him as a kid and ever since he has been standing up for the rights of Children

Poppy returns to the Murder Master Music Show to stand up for the rights of children and speak out against pedophiles

Rod and Karen discuss LGBTQ News, Stacey Dash, Gorilla-gate, Zulu Nation, Lark Voorhies divorced, Taylor Swift, Drew Peterson, shooting victim, man in jail over 2 bucks, racist math quiz, English teacher gets pregnant by student, sextortionist caught, toddler shot and sword ratchetness. Twitter: @rodimusprime @SayDatAgain @TBGWT Email: theblackguywhotips@gmail.com Blog: www.theblackguywhotips.com Voice Mail: 704-557-0186 Sponsors: Site: www.LootCrate.com/tbgwt Code: tbgwt www.shadowdogproductions.com And they're on Twitter: @ShadowDogProd Album: https://itunes.apple.com/us/album/stop-being-bullied-feat.-thatcher/id1117595204 Site: www.adamandeve.com Code: TBGWT www.GetBevel.Com Code: FreeTBGWT

This is a new monthly show in which OG Mack Drama @MackDrama1017 along with BMF Publicist Necole Jenkins @Necolej72.  We will be talking with people who helped build the foundation of Hip Hop and paved the way for todays artist to shine! This week we interview the legendary Afrika Bambaataa & Soul Sonic ForceOriginal  members consit of  @MrBiggs @PowWow @TheGLOBE @DJJazzyJay who's hit records "Planet Rock", "Looking for A perfect beat", "Renegades of Funk"   are an American electro-funk and hip-hop ensemble led by Afrika Bambaataa who helped establish hip-hop in the early 1980s with songs such as "Planet Rock"  www.ZuluNation.com We start the show with a mix by Tupacs dj @DJKingAssassin ElectrikFunk Mix! www.djkingassassin.com Call in # 347-633-9588 or press 1 to talk! Top Star Hip Hop we feature music from www.topstarhiphop.com & from the artists we interview. We feature a varitey of shows from talk, music, Top 20 weekly Hits, Gospel Hip Hop, Battle Rapping, Powertalk With OG, Real House Wives of Twitter. We have it all plus Entertainment News. We are the voice of the Indy Artist and we rule the streets. We are the streets! @mackdrama1017 #OGMackDramaProduction all rights reserved

Melvyn Bragg and guests discuss the rise and fall of the Zulu Nation.At the beginning of the 19th century, the Zulus were a small pastoral community of a bare few thousand people in the eastern part of what is now South Africa. Their territory was limited to about ten square miles.But within a decade, led by their warrior king, Shaka, they had managed to carve out an empire with a population of many tens of thousands.Shaka was a skilled politician, successfully co-opting many neighbouring peoples into his kingdom as his conquests advanced its borders.He remains best known as a world-class military strategist, who deployed new weapons, and a devastatingly effective technique of encircling enemy troops.But the ground for the Zulus' breathtaking expansion was shaped in part by the destabilising advance of European settlers.It eventually brought the Zulu into confrontation both with the Afrikaners, as at the Battle of Blood River in 1838, and with the British.In the mid-19th century, the Zulu and the British achieved a sustained period of peaceful co-existence.But, especially after the discovery of diamonds began to transform the southern African economy, British priorities changed, and they began to push for a single confederation of the various provinces and colonies.Zululand's independence became an obstacle, and in 1879 the British invaded.On 22 January 1879, the Zulu were unable to overrun a tiny garrison of invaders at Rorke's Drift.Yet on the same day, at the Battle of Isandhlwana, they inflicted a shocking defeat on the well-armed forces of the British Empire - all the more impressive given that the Zulu soldiers were predominantly armed with spears.Nonetheless, the British invasion of Zululand was ultimately successful, and precipitated first annexation, then the kingdom's absorption into the province of Natal (today, KwaZulu-Natal).During their heyday and in the wake of their decline alike, the Zulu became the subject of much myth-making.To the British, the 'Black Napoleon' figure of Shaka, and the vivid image of a proud warrior race, made the Zulu an object of admiration, fear, and appalled fascination, even as the Army moved to subjugate them.And in the decades since the demise of their independent kingdom, the triumphs of the 19th century long remained an important element of the Zulus' collective self-image.With:Saul DavidProfessor of War Studies at the University of BuckinghamSaul DubowProfessor of History at the University of SussexShula MarksEmeritus Professor of History at the School of Oriental and African Studies, University of LondonProducer: Phil Tinline.