Podcasts about big mamma thornton

Southern-born guitarist / Grammy® Nominated composer-vocalist Kat Dyson made her way between Montreal, New York City, and Minneapolis to the City of Angels on a musical journey that led her to share her talents with world-renowned artists such as Cyndi Lauper, Prince, Sheila E, Nona Hendryx, Divinty Roxx, Natalie Cole, Ivan Neville, Donny Osmond, rap artist T.I., Seal, Joi, George Clinton and the P-Funk AllStars, Musique Soulchild, Phoebe Snow, Res, Montreal Jubilation Gospel Choir, The Winans, Mary Mary, Yolanda Adams, Big Mamma Thornton, Ben E. King, Bo Diddley, Odetta, Mick Jagger, Sarah McLachlan, Buddy Guy, BB King, Chaka Khan, T.I., Carlos Santana, Sting, Stevie Wonder.She is currently touring internationally with Zucchero and Cyndi Lauper. During the pandemic, she also became a member of an All Star touring funk band led by NIKKI GLASPIE (Nth Power) featuring NIGEL HALL (Lettuce), SHAUN MARTIN (Snarky Puppy) and SPUT SEARIGHT & DOMINQUE XAVIER (Ghostnote, Toto) and MATT LAPHAM (RC3) called KAMANI.Recent Highlights:In June 2016, she participated in the BET Prince Tribute performance with Sheila E.In the May 2017 edition of GUITAR PLAYER magazine, she made the 50 Sensational Female Guitarist List and her music is included in the compilation CD “SHE ROCKS, VOL. 1” on Steve Vai's label FAVORITE NATIONS.In August 2018, she was a part of TOSHI REAGON's special all-female superband (POWERJAM) for AFROPUNK featuring a special appearance from ANGELA DAVIS and NONA HENDRYX.And in 2020, she appeared at THE GRAMMYS with USHER and SHEILA E. and as a part of the house band for the CBS SPECIAL “LET'S GO CRAZY – THE GRAMMY SALUTE TO PRINCE”.She continues to record with an expanding roster of international artists while continually composing music for films, documentaries, and various media.Kat has an EP of originals entitled “COLOUR KOMMENTARY”.She is a member of 3 all-female Jazz/R&B bands: JAZZ IN PINK , HIT LIKE A GIRL, and ROCKSUGAH (house band for the SheRock Awards event at the NAMM show).She is also the current musical director for Jessica Care Moore's blockbuster production BLACK WOMEN ROCK.____________________Rock and Roll Hall of Famer Prince featured the "Upper Room with Joe Kelley and Gi Dussault" on his official website www.npgmusicclub.com. This is the first radio show to have ever received that honor. "Musicians Reveal with Joe Kelley" has been on the radio airwaves since 1982. Joe Kelley and Gi Dussault co-host the show and are well-respected in the music business as creative air personalities and supporters of independent musicians . Our web site is located at www.musiciansreveal.com . The show features creative music in funk, R&B, jazz, blues, rock, hip-hop, latin, and gospel. In addition, Joe Kelley has interviewed renowned musicians such as Victor Wooten, Sheila E. , Foley, Robin Duhe, Jef Lee Johnson, Jellybean Johnson, Monte Moir, Rhonda Smith, Bernie Worrell, Cyndi Lauper, Michael Bland, Larry Graham, Chris Frantz and Tina Weymouth, Steve Smith, St. Paul Peterson, JD Blair, Tori Ruffin, Kat Dyson, Eric Person, actor Jeff Daniels, Junior Giscombe, John Scofield, EC Scott, John Blackwell, Mystic Bowie, and many others.

O programa de hoje foi dedicado a Big Mamma Thornton e Howlin Wolf.

“Baby, if you serve the Blues, the Blues will serve you.” - B.B. King, to Kat DysonMike & Oteil welcome Kat Dyson, a guitar player and vocalist with an impressive resume after a lifetime of playing with legends, perhaps best known for her time performing and recording alongside Prince, as a member of the New Power Generation. Kat talks about landing her spot touring with Cyndi Lauper, working with Prince, and playing with a laundry list of Jazz greats during her time as a young woman in Montreal. She also shares her story of meeting B.B. King, him handing her Lucille, his guitar, and offering sage advice. Southern-born guitarist/vocalist Kat Dyson relocated to Los Angeles from Montreal via Minneapolis where she was a featured guitarist & vocalist with Prince as a member of the New Power Generation. Her contributions to this musical alliance can be heard on the following recordings: Emancipation, The Truth and Newpowersoul. Along the way, she has performed with renowned artists including Cyndi Lauper, Natalie Cole, Ivan Neville, Donny Osmond, rap artist T.I., Seal, Sheila E and C.O.E.D., Joi, George Clinton and the P-Funk AllStars, Musique Soulchild, Phoebe Snow, Res, The Winans, Mary Mary, Yolanda Adams, Big Mamma Thornton, Ben E. King, Bo Diddley, Odetta, Montreal Jubilation Gospel Choir, Celine Dion, Roch Voisine and many others.This podcast is available on Apple Podcasts, Spotify, or wherever you get your podcasts. Please leave us a rating or review on iTunes!Comes A Time is brought to you by Osiris Media. Hosted and Produced by Oteil Burbridge and Mike Finoia. Executive Producers are Christina Collins, RJ Bee and Kirsten Cluthe. Production, Editing and Mixing by Eric Limarenko and Matt Dwyer. Theme music by Oteil Burbridge. To discover more podcasts that connect you more deeply to the music you love, check out osirispod.com--------Save 10% on soothing throat spray for singers and talkers at Clyor.com with the promo code TIME See acast.com/privacy for privacy and opt-out information.

“Baby, if you serve the Blues, the Blues will serve you.” - B.B. King, to Kat DysonMike & Oteil welcome Kat Dyson, a guitar player and vocalist with an impressive resume after a lifetime of playing with legends, perhaps best known for her time performing and recording alongside Prince, as a member of the New Power Generation. Kat talks about landing her spot touring with Cyndi Lauper, working with Prince, and playing with a laundry list of Jazz greats during her time as a young woman in Montreal. She also shares her story of meeting B.B. King, him handing her Lucille, his guitar, and offering sage advice. Southern-born guitarist/vocalist Kat Dyson relocated to Los Angeles from Montreal via Minneapolis where she was a featured guitarist & vocalist with Prince as a member of the New Power Generation. Her contributions to this musical alliance can be heard on the following recordings: Emancipation, The Truth and Newpowersoul. Along the way, she has performed with renowned artists including Cyndi Lauper, Natalie Cole, Ivan Neville, Donny Osmond, rap artist T.I., Seal, Sheila E and C.O.E.D., Joi, George Clinton and the P-Funk AllStars, Musique Soulchild, Phoebe Snow, Res, The Winans, Mary Mary, Yolanda Adams, Big Mamma Thornton, Ben E. King, Bo Diddley, Odetta, Montreal Jubilation Gospel Choir, Celine Dion, Roch Voisine and many others.This podcast is available on Apple Podcasts, Spotify, or wherever you get your podcasts. Please leave us a rating or review on iTunes!Comes A Time is brought to you by Osiris Media. Hosted and Produced by Oteil Burbridge and Mike Finoia. Executive Producers are Christina Collins, RJ Bee and Kirsten Cluthe. Production, Editing and Mixing by Eric Limarenko and Matt Dwyer. Theme music by Oteil Burbridge. To discover more podcasts that connect you more deeply to the music you love, check out osirispod.com--------Save 10% on soothing throat spray for singers and talkers at Clyor.com with the promo code TIME See acast.com/privacy for privacy and opt-out information.

“Baby, if you serve the Blues, the Blues will serve you.” - B.B. King, to Kat Dyson Mike & Oteil welcome Kat Dyson, a guitar player and vocalist with an impressive resume after a lifetime of playing with legends, perhaps best known for her time performing and recording alongside Prince, as a member of the New Power Generation. Kat talks about landing her spot touring with Cyndi Lauper, working with Prince, and playing with a laundry list of Jazz greats during her time as a young woman in Montreal. She also shares her story of meeting B.B. King, him handing her Lucille, his guitar, and offering sage advice.  Southern-born guitarist/vocalist Kat Dyson relocated to Los Angeles from Montreal via Minneapolis where she was a featured guitarist & vocalist with Prince as a member of the New Power Generation. Her contributions to this musical alliance can be heard on the following recordings: Emancipation, The Truth and Newpowersoul. Along the way, she has performed with renowned artists including Cyndi Lauper, Natalie Cole, Ivan Neville, Donny Osmond, rap artist T.I., Seal, Sheila E and C.O.E.D., Joi, George Clinton and the P-Funk AllStars, Musique Soulchild, Phoebe Snow, Res, The Winans, Mary Mary, Yolanda Adams, Big Mamma Thornton, Ben E. King, Bo Diddley,  Odetta, Montreal Jubilation Gospel Choir, Celine Dion, Roch Voisine and many others. This podcast is available on Apple Podcasts, Spotify, or wherever you get your podcasts. Please leave us a rating or review on iTunes! Comes A Time is brought to you by Osiris Media. Hosted and Produced by Oteil Burbridge and Mike Finoia. Executive Producers are Christina Collins, RJ Bee and Kirsten Cluthe. Production, Editing and Mixing by Eric Limarenko and Matt Dwyer. Theme music by Oteil Burbridge. To discover more podcasts that connect you more deeply to the music you love, check out osirispod.com -------- Save 10% on soothing throat spray for singers and talkers at Clyor.com with the promo code TIME Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices

Stories of how Kat got the gig with Prince, Cyndi Lauper, George Clinton, Buddy Guy, Mick Jagger, Big Mamma Thornton, Odetta, Carlos Santana, Stevie Wonder, and she’s also played with BB King, Chaka Khan, Dave Stewart, Sheila E, Keb Mo’, Jeff Healey, Donny Osmond, Zucchero and more Kat was raised by her dad and he had such a tremendous influence on her in so many ways, and she candidly discusses this... Kat’s obsession with cartoons, the bittersweet story of the best thing that ever happened to her, what drives her, and loads more... Support this Show: http://www.everyonelovesguitar.com/support  Subscribe https://www.everyonelovesguitar.com/subscribe/  Facebook: https://www.facebook.com/EveryoneLovesGuitar/ Instagram: https://www.instagram.com/everyonelovesguitar/ 

BIG MAMA THORNTON

BIG MAMA THORNTON

BIG MAMA THORNTON

OOOoohhhh WEEE oooooh I look just like Buddy Holly, oh-oh and you're...Big Mamma Thornton? In this episode we are joined by genderfluid visual artist and musician Victoria (@starstarparty) of the Magic Folk DnD podcast (@magicfolkpod) to talk about the movers and the pelvis-shakers of Rock and Roll history. Big Mamma Thornton vs Robert Plant vs Buddy Holly! Join us, won't you? Show notes at historicallyhot.com/episodes/rockandroll

Nuestro Cronovisor nos lleva a 1520. Junto a Fernando de Magallanes conoceremos cómo fue el proyecto de la corona de Castilla para circunnavegar por primera vez la Tierra. Además nos adentramos en el mundo de las Mil y una noches y las antiguas crónicas persas de la mano del historiador y diplomático León Rodríguez Zahar, autor de "Memorias del último califa de Bagdad". Noemí sabugal, periodista y escritora, nos adentra en la figura de la carismática Big Mamma Thornton, toda una leyenda del blues, ayudándose de su novela "Una chica sin suerte". Y acabamos nuestro programa hablando de "Imperiofobia y leyenda negra", último trabajo de investigación de Elvira Roca Barea.

Stories of how Kat got the gig with Prince, Cyndi Lauper, George Clinton, Buddy Guy, Mick Jagger, Big Mamma Thornton, Odetta, Carlos Santana, Stevie Wonder, and she’s also played with BB King, Chaka Khan, Dave Stewart, Sheila E, Keb Mo’, Jeff Healey, Donny Osmond, Zucchero and more... Kat was raised by her dad and he had such a tremendous influence on her in so many ways, and she candidly discusses this... Kat’s obsession with cartoons, the bittersweet story of the best thing that ever happened to her, what drives her, and loads more... Subscribe https://www.EveryoneLovesGuitar.com Facebook: https://www.facebook.com/EveryoneLovesGuitar/ Instagram: https://www.instagram.com/everyonelovesguitar/ Twitter: https://twitter.com/ELovesGuitar

For more shows like this one, visit http://entertalkradio.com/ and Connect To All Things Music.Southern-born guitarist/vocalist Kat Dyson relocated to Los Angeles from Montreal via Minneapolis where she was a featured guitarist & vocalist with Prince as a member of the New Power Generation. Her contributions to this musical alliance can be heard on the recordings: Emancipation, The Truth and Newpowersoul.Along the way, she has performed with renowned artists including Cyndi Lauper, Natalie Cole, Ivan Neville, Donny Osmond, rap artist T.I., Seal, Sheila E.,Joi, George Clinton and the P-Funk AllStars, Musique Soulchild, Phoebe Snow, Res, The Winans, Mary Mary, Yolanda Adams, Big Mamma Thornton, Ben E. King, Bo Diddley, Odetta, Montreal Jubilation Gospel Choir, Celine Dion and many others.Her studio work includes sessions for Keb Mo’, Ziggy Marley, Sheila E., Dave Stewart, Mick Jagger, Jeff Healey, Jamaican producers Sly and Robbie, Cat Cooer of Third World and Bernie Worrell. Before joining forces with Prince, Ms. Dyson was a contributing guitarist and vocalist on the multi-platinum Cyndi Lauper greatest hits album, “12 Deadly Cyns”, along with ‘Sisters of Avalon”, ”At Last” and “The Body Acoustic. Since 1998, Ms. Dyson has also been a fixture on such talk-show house bands as The Wayne Brady Show, The Donny & Marie Show and The Magic Hour with Sheila E.She tours with Italian rock artist ZUCCHERO, and is a member of the rock trio, CHALLENGE with T.M.Stevens and Cindy Blackman-Santana. She also continues to be a go-to guitarist playing for Black Rock Coalition events such as THE BRC all female orchestra. In addition to releasing her EP ‘COLOUR KOMMENTARY, she continues composing music for television and film in Los Angeles.In the May 2017 edition of Guitar Player, she made the 50 Sensational Female Guitarist List and is included in the compilation SHE ROCKS, VOL.1 on FAVORITE NATIONS RECORDS, Steve Vai's label.https://www.instagram.com/kittykatdeezy/https://www.facebook.com/KAT-Dyson-164365916980620/http://www.katdyson.com/ 

Om klass och kön med några starka kvinnliga konstnärskap. Sapfo, Big Mamma Thornton, Diamanda Galas. All musik är inte underhållning. En del manar till eftertanke, kanske till och med till motstånd och förvirring. Musik får politisk laddning för att den ingår i ett bestämt sammanhang. Ibland blir polariseringen mellan individer och grupper särskilt tydlig just i musik. Det är vad musikmagasinet Musik & Politik handlar om. Medverkande: Carin Bartosch Edström, tonsättare och författare, Kristine Scholz, pianist.Röst: Marie Skönblom, skådespelerska Skottes Musikteater.Gästkrönikör: David Lehnberg, musiker och låtskrivare.Produktion: Mikael Strömberg / GiG SapfoFör 3000 år sedan var musik på allvar. Det var inte okey att spela vilka skalor och melodier på vilka instrument som helst. Platon , Perikles och Pindaros gick till och med ännu längre än den svenska proggen som delade in musikinstrument i borgliga och inte borgliga instrument.För 3000 år sedan var musiken avgörande. Satens ledare, väktaren, var tvungen att använda melodierna med omsorg som led i en politisk fostran. Ändrade man i lagarna kunde samhällsordningen ruckas.Längst av alla gick Sokrates som anklagades för att ha försökt omstörta hela Grekland genom några otillåtna toner. Därför måste han tömma giftbägaren.Ungefär samtidigt hittar vi en kvinnlig lyriker, Sapfo från den grekiska ön Lesbos, vars texter levererar en progressiv kärlekslyrik som berättar om det allmänmänskligt politiska jaget-svartsjukan-individen-staten.Aldrig tidigare hade förälskelse framställts så omedelbart. Det är, som någon sagt, som att bevittna själva urcellen för inlevelsens hetta och iakttagelsens kyla, nuets turbulens och språkets eftertanke.Progressiv musik när den är som hetast. Hildegard von BingenDet sätt på vilket tyskan Hildegard von Bingen uppmärksammats är rent exceptionellt.Under senare delen av 1900-talet adopterade new age-rörelsen skyddshelgonet Hildegard och såg i henne ett tecken för allt möjligt: healing, doftterapi, karma. Unga feministrörelsen i Europa fick Hildegard som idol tack vare hennes texter om medeltida "queer power".Det var hårda bud att bli nunna på 1100-talet. Redan som åttaåring skickas hon i benediktinkloster. Samtidigt får hon sin första uppenbarelse och sammanställer fyrtio år senare en tjock bok, som bland annat förutser kyrkans sekularisering. Så hon bygger ett eget kloster på Rupertsberg vid Bingen.På Hildegards tid innebar sången en ritual, som att be två gånger. Sången riktades mot den akustiska punkt i valvet där ljudet förstärks av rummet och börjar självsvänga.Tanken är att musik är hörbar agitation. Ju enklare, desto bättre.Stjärnorna, planeterna, årstiderna, månaderna, åren, allt som rör sig och kanobserveras på himlavalvet, plus allt annat, försökte Bingen göra musik av. Big Mamma ThorntonLyssna till en kraftfull röst med en självkänsla som får övrig politisk musik att vekna. Det hände att publiken beskrev Big Mamma Thornton som hotfull. Men i själva verket hade hon en av historiens lödigaste blues-rock-röster.Thornton sökte sig till trummor och munspel och lärde sig hur man spelar genom att lyssna till andra musiker. Rösten hade hon redan från födseln, präglad av gospel i ett predikanthem.Klädd i stora arbetarskjortor och byxor undertrök hela hon en politisk avsikt. Hennes snabba call-and-response-utbyten med bandet kunde starta politisk debatt från scenen och konserten fick avbrytas.En feministisk forskare som Maureen Mahon har uppmärksammat hur Thornton bidrog med en kvinnlig röst till ett stilområde som fullständigt dominerades av vita män. Där hennes starka personlighet ruskade om flera stereotyper.1948 flyttar hon till Houston. En ny typ av blues är på väg till klubbarna, utsmyckad med blåsinstrument, studsiga rytmer och wisecracking texter. Det passar Big Mama Thornton perfekt.Hound Dog" gjorde henne till stjärna. Låten handlar om klass och kön. Och om den klassresa Elvis Presley sedan lyckas göra med samma låt. Diamanda GalasHon letar sig långt utanför musikens rågångar och tar ställning för rätten att leva ut oavsett etiketter och tillhörighet.Galas är rent av skrämmande obegränsad. Det finns något i hela hennes artisteri som kräver kaos. Inte bara som en provokation utan som en spark i skrevet på vår inrutade konsensusvärld.Viskande, skrikande, gurglande, sjungande, gestaltar hon den desperation som finns i hela begreppet musik och den förnedring det innebär att behöva fly för den man är.Lite högtidligt kan man säga att rösten är hennes fingeravtryck. Plötsligt en dag inser hon att hon blivit just den här människan på grund av rösten.Samtidigt är rösten lite kuslig för den har ingen fast kropp. Men vad rösten än är, så är den ofrånkomlig och finns överallt. Utan datorer. Utan flimrande monitorer. Knappt någon elektricitet alls. Rösten är kött och blod och luft.There are no more tickets to the funeral. Mikael Strömberg om ett musikliv i (o)balans. Trots att genusläget nuförtiden beskrivs som mer gynnsamt är herrklubbarna inte färre idag. De kvinnliga förebilderna är fortfarande för få. Som Syntjuntans Lise-Lotte Norelius påpekar: Som kvinnlig tonsättare måste jag slå vakt. Så snart jag slutar i en styrelse eller annat uppdrag, tar killarna över. Mellan 2011-2015 har det kunskapats och lunchats för 8 miljoner inom Musikverkets jämställdhetsuppdrag, och det måste ändå sägas vara väl använda pengar. För det tar tid att se och analysera strukturer och maktordningar i musiksektorn, där konstmusiken ligger sämst till.Operavärlden kan till och med beskrivas som en jämställdhetens avgrund.Bara ett exempel: KVAST (föreningen Kvinnlig Anhopning av Svenska Tonsättare) visar i en enkät från 2013 att 10 av 820 spelade verk på konserthus var tonsatta av kvinnor. Ynka 6 procent av konsertmusiken efter 1950 är komponerad av kvinnor.Statistiken gör ont. Och den avtäcker på ett närmast patologiskt vis hur kulturarbetare i ledande ställning (av bägge könen) metodiskt ägnar sig åt att förneka, förskjuta, förringar och (bort)förklara.Tänk så dumt, när det bara är att följa sångaren Nino Ramsbys exempel: Musiken är en hand att hålla i.