Podcast appearances and mentions of Sarah McLachlan

The Music That Made WE volume 5 continues with Miss Brawling Beauty of Utah and Nevada. She's chosen 10 songs that make up her story, with a soundtrack that includes Sarah McLachlan, Heart, Ella Fitzgerald, and more. + Stick around for Viktor's hidden bonus track.   Brawling's links: https://www.instagram.com/thebrawlingbeauty & https://linktr.ee/missbrawlingbeauty   The Music That Made WE is a creation of WEBurlesque Podcast Network, produced by Viktor Devonne. For the extended VIDEO version of this presentation, please visit our Patreon.com — all episodes of this series are available under the $1 threshold. that's patreon dot com slash we burlesque   [Copyright Disclaimer Under Section 107 of the Copyright Act in 1976; Allowance is made for “Fair Use” for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. All rights and credit go directly to its rightful owners. No copyright infringement intended.] 

ILLENIUM drops new music from Diplo, NGHTMRE, Kai Wachi, ISOKNOCK, Mary Droppinz, RAY VOLPE and more!Don't forget to rate & review on all of your favorite podcast apps! Post your comments on twitter @ILLENIUM #PHOENIXRADIOTracklist:Dom Dolla ft. Nathan Nicholson - No Room For A Saint 00:00Delerium, Sarah McLachlan & John Summit - Silence (John Summit Remix) 03:54Angrybaby - PUT IT DOWN (Jkyl & Hyde Remix) 08:21Ray Volpe - PAYBACK 11:37Perry Wayne & JiLLi - Say It To Me 15:31WINK - proxy 18:16RIOT - Hurricane 21:46ISOKNOCK, ISOxo & Knock2 ft. Araya & Sur Back - BLIND (RAVE MIX) 25:12Seven Lions, Wooli & VARGEN - Sunshine 28:24ILLENIUM ft. HAYLA - In My Arms 31:48Diplo ft. Artemas - BRAIN 34:14pluko & Aloboi - TOO LOUD 37:14Kai Wachi & Aaron Richards - Hold Onto Me 39:46ARMNHMR ft. Liv Miraldi - Keep U Safe 42:57Said The Sky ft. Jessica Baio - How To Say Goodbye 46:08Alison Wonderland - Get Started (Mary Droppinz Remix) 48:53NGHTMRE, Flowdan & Sully - Up Top 52:10Netsky & Andromedik - Out of Body (Blooom Remix) 54:03REAPER, AC13, Hedara - FACE2FACE 57:01

This week on the podcast, we're busting out the Sarah McLachlan – because we're watching the Power Rangers SPD episode "Abandoned"! Who brought The Evil back from Hell? How do you make a sun shield? And have you learned Bonetti's Defense? The answers to these questions (and more!) await, on this episode of the Ranger Danger SPD podcast!

**Morlando In The Mix Replay On traxfm.org. This Week Morlando Features Future House,Club Classics, Nu Disco ,Exclusive Remixes From Levi Heron, ABSOLUTE x Bimini, Daniel Distinkt, Amelie Jat, Kings of Tomorrow - Finally (Adra Deep Disco Remix), Will.I.Am ft. Justin Bieber - thatPOWER (BruceK Remix), The Weeknd, Usher - Yeah (Jesus Fernandez Afro Remix) & More The Here's One We Made Earlier Sessions With Dannii Minogue - Perfection (Dancing DJs Clubmix) The Who Sampled Who Sessions With Usher ft. Pitbull - DJ Got Us Fallin' In Love (Diego Druck Remix) The Rewind Sessions With Black Box, Delerium Feat. Sarah McLachlan, Eric Prydz, Junior Jack - Plus The Brilliant Morlando In The Mix Section #originalpirates #housemusic #futurehouse #remix #clubanthems #nudiscohouse #bigroomhouse #funkyhouse #nudisco Morlando In The Mix - Every Friday From 10PM UK Time Listen Live Here Via The Trax FM Player: chat.traxfm.org/player/index.html Mixcloud LIVE :mixcloud.com/live/traxfm Free Trax FM Android App: play.google.com/store/apps/det...mradio.ba.a6bcb The Trax FM Facebook Page : https://www.facebook.com/profile.php?id=100092342916738 Trax FM Live On Hear This: hearthis.at/k8bdngt4/live Tunerr: tunerr.co/radio/Trax-FM Radio Garden: Trax FM Link: http://radio.garden/listen/trax-fm/IEnsCj55 OnLine Radio Box: onlineradiobox.com/uk/trax/?cs...cs=uk.traxRadio Radio Deck: radiodeck.com/radio/5a09e2de87...7e3370db06d44dc Radio.Net: traxfmlondon.radio.net Stream Radio : streema.com/radios/Trax_FM..The_Originals Live Online Radio: liveonlineradio.net/english/tr...ax-fm-103-3.htm**

Marlaena Moore discusses Because You Love Everything, leaving Edmonton for Montreal, being tall among the smaller, playing bass in a garage rock band, why imposter syndrome can be a form of narcissism, working with “Monty” Munro and Chris Dadge, Chad VanGaalen's way of life, loving Sarah McLachlan and Annie Lennox, being at peace with death, the Cherish This Tour with Land of Talk, working on new songs, other future plans, and much more!EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO MONTHLY $6 USD PATREON SUPPORTERS. This one is fine, but please subscribe now on Patreon so you never miss full episodes. Thanks!Thanks to Blackbyrd Myoozik, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online. Support vish on Patreon!Related episodes/links:Ep. #810: Markus FloatsEp. #808: Land of TalkEp. #709: Kelly McMichaelEp. #602: Chad VanGaalenEp. #555: Land of TalkEp. #410: Chad VanGaalenEp. #377: Land of TalkEp. #: 188: Chad VanGaalen on doing Stupid Human Tricks on David LettermanSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

In this episode of Recall, we revisit Jann's conversation with the one and only Sarah McLachlan from November 2020. They discuss first concerts, Sarah's fitness routine (including paddle boarding and hiking), and the success of Lilith Fair which she credits for funding her music school. And let's not forget, that time Jann and Sarah got into a *small* brawl on national television.  More About Sarah McLaughlan: https://www.sarahmclachlan.com/ https://www.sarahschoolofmusic.com/ Leave us a voicenote! https://jannardenpod.com/voicemail/ Get access to bonus content and more on Patreon: https://patreon.com/JannArdenPod Order ONLYJANNS Merch: https://cutloosemerch.ca/collections/jann-arden Connect with us: www.jannardenpod.com www.instagram.com/jannardenpod www.facebook.com/jannardenpod Learn more about your ad choices. Visit megaphone.fm/adchoices

Zelenskyy's Sarah McLachlan Moment, You Can be a Black Christian Republican & That's Why They Call It, "Madness" (hour 4) full Ryan Wrecker fills in for Marc Cox with Kim to cover several political and social issues, beginning with fraud and waste in government programs. The hosts discuss the indictment of Cortney Merritts, husband of Cori Bush, for alleged PPP loan fraud. They question whether his wife knew about the fraudulent activities and speculate on the broader issue of government mismanagement. They argue that fraud during the pandemic should be prosecuted aggressively to deter future abuse. The conversation shifts to U.S. involvement in Ukraine, with discussions about a deal concerning rare earth minerals. The hosts acknowledge Ukraine's value to the global economy but question the long-term financial commitment of the U.S. They highlight Zelensky's recent plea for European financial support, jokingly comparing it to fundraising commercials asking for donations to help struggling animals. There is also a heated discussion about Elon Musk's influence in government oversight. Some Democrats have expressed frustration over Musk's role in exposing financial waste, which the hosts argue is a sign that political leaders fear transparency. They note that attacks on Musk often seem more personal than policy-driven, reflecting the polarized nature of modern politics. Finally, the episode covers cultural tensions, including rural vs. urban divides in American politics. Democratic strategist James Carville's remarks about rural voters being "fat, lazy, and stupid" spark controversy. The hosts argue that such elitist attitudes are why Democrats struggle to win over working-class Americans. The episode ends on a lighter note with a lottery drawing and discussions about sports, including the Blues' victory and March Madness upsets. 1955 Fri, 21 Mar 2025 14:44:56 +0000 W65mDDiwxWyXQoP204C3LOQIAj0l9AZV college basketball,march madness,united states,donald trump,news,trump,ncaa tournament,ukraine,cori bush,ryan wrecker,kim st onge,marccoxmorningshow,politics,news commentary The Marc Cox Morning Show college basketball,march madness,united states,donald trump,news,trump,ncaa tournament,ukraine,cori bush,ryan wrecker,kim st onge,marccoxmorningshow,politics,news commentary Zelenskyy's Sarah McLachlan Moment, You Can be a Black Christian Republican & That's Why They Call It, "Madness" (hour 4) The Marc Cox Morning Show is your home for no-nonsense conversation. Marc Cox is a political junkie and recovering journalist who has spent decades reporting on the biggest news of the day. Now he gets to talk about it. 2024 © 2021 Audacy, Inc. News Politics News Commentary False

In this first episode of Season 6 of Getting Lit With Linda, the host – Linda Morra – begins with a few important announcements: GLWL is now being supported by the Canada Council for the Arts! With that support, we have a "special" season that we're calling GETTING LIT GOES GLOBAL. It means we are emphasizing books or topics that take on international proportions or have international repercussions.Getting Lit With Linda will now also feature an annual prize – more of that in future episodes. And we have a new team on board, featuring Maia Harris (Associate Producer), James Healey (Sound Producer), Aki Barabadi (Marketing Consultant), and Raphael Krux (Music).Linda begins her discussion with a consideration of Martha Nussbaum's Anger and Forgiveness, to mull over what to do with our anger (and specifically feminist anger, 21:00). Her guest, Andrea Warner points the way in her fresh and accessible book, We Oughta Know. Warner tells us what we should know, but don't – that is, she tells us about how much the women she is examining – Celine Dion, Shania Twain, Alanis Morissette, and Sarah McLachlan -- did to work past gendered biases in the music industry to achieve international fame. Warner reminds us that we need to understand and confront not just misogyny (18:00), and the male gaze (19:00), but also internalized misogyny (16:20), and that we ought to know is how to develop solidarity and love for all of us. And, even when we mess up, we need to remember we are all works in progress (16:40).Andrea Warner has her own podcast, Pop This!, and has published other books, including The Time of My Life, and Rise Up and Sing: Power, Protest, and Activism in Music. We also speak about the following:Sabrina Carpenter's Christmas special, A Nonsense Christmas Lisa Whittington Hill's Girls Interrupted: How Pop Culture is Failing Women (Vehicule Press) and gender inequality in music representation (15:00)Miss Piggy's anger (22.50)Celine Dion's VERY AWESOME CANARY YELLOW POWER SUIT Hosted on Acast. See acast.com/privacy for more information.

Guys get kicked out of a karaoke bar for singing Sarah McLachlan. Plus, a gamer breaks a world record. Are you okay with this? See omnystudio.com/listener for privacy information.

From MPR News, Art Hounds are members of the Minnesota arts community who look beyond their own work to highlight what's exciting in local art. Their recommendations are lightly edited from the audio heard in the player above. Want to be an Art Hound? Submit here.Generations of sewingDaniela Bianchini is a Minneapolis mosaic artist who is originally from Argentina. She's drawn toward an exhibit at CLUES' Latino Art Gallery in St. Paul that celebrates the art of sewing as it is passed through generations of women. The exhibit, by Columbian-Minnesotan artist Adriana Gordillo and Nena's Atelier, is titled “Connective Thread.” It opens Friday, March 14 and runs through May 14. There is a Cafecito de Hermanas (Coffee with Sisters) on Saturday, March 15 from 9 a.m. to noon that offers a time for workshops, resources, music and community connection. Register here.  Daniela says: I feel very related to it. We all in Latin America grew up seeing our grandmas and our mothers sewing. I've seen a couple of images that the artists have been posting in their social media: collages of different compositions of fabric and flowers and needles, and things that you see that represent the art of sewing. The community will be able to write something: their emotions, or their feelings about the exhibition, and some sort of petals that will then be sewed together and put in a dress.— Daniela BianchiniCelebrating Latinos on BroadwayAnne Sawyer, executive director of Art Start in St. Paul, is looking forward to seeing Teatro Del Pueblo's “Voces Latinas: A Broadway Musical Revue.” Directed by Mark Valdez of Mixed Blood Theatre with musical direction by Brenda Varga, “Voces Latinas” celebrates Latino artists' contributions to Broadway through the years. Shows are at Park Square Theatre in St. Paul, beginning Friday, March 14 and continuing Saturday, March 15 at 7:30 and Sunday, March 16 at 2 p.m. Anne says: If you love musicals, this production promises to be so much fun. Teatro del Pueblo's performers will sing a curated, eclectic collection of songs that is a take on the Latino experience on Broadway. There are some older, really iconic numbers made famous by the likes of Chita Rivera, such as “A Boy Like That” from “West Side Story” and “Bye, Bye Birdie's” “An English Teacher.” But there's also pieces like Selena's "Amor Prohibido” and the “Hamilton” song “Dear Theodosia,” which was sung on Broadway by Lin-Manuel Miranda and Leslie Odom Jr. What is so engaging about this production is the range of musical styles and how they encompass so many themes, societal differences and passionate love, pride in one's mother country, family and the struggle to survive. It's a show that will take you on a real roller coaster of emotion.— Anne SawyerLilith Fair lives on Laura Hotvet loves the cover band Pandora's Other Box, and she's excited for their upcoming concert, which feels tailor-made for Women's Month. “The Legacy of Lilith Fair” celebrates the female musicians who took part in Lilith Fair in the late 1990s, and the artists who have followed in their footsteps. The concert takes place at the Women's Club of Minneapolis on Saturday, March 15 at 7:30 p.m. Laura says: Pandora's Other Box is one of the most energetic and fun-to-listen-to, fun-to-dance-to, talented pop rock cover bands in the Twin Cities. The show features songs from [Lilith Fair concert tour] founder Sarah McLachlan, along with Paula Cole, Sheryl Crow, The Chicks, Bonnie Raitt, Tracy Chapman, Pat Benatar, Indigo Girls and more. The second act will journey through the 25 years that followed, and this will be showcasing more current artists who benefited from the bravery of the original female pioneers in the Lilith era, such as Brandi Carlile, Taylor Swift, Beyonce, Carrie Underwood, Paramore and more.— Laura Hotvet

The Buddies popped open a bottle of Appalachian moonshine and dove into Demon Copperhead by Barbara Kingsolver. If you enjoy listening to a light-hearted comedic book podcast navigate a relentless parade of poverty, addiction, and child abuse while desperately trying to keep things light, this episode is for you! The Buddies got to discussing the benefits of rural living, stereotypes, and what Sarah McLachlan, Nas, and Kendrick Lamar have in common with this book. So join us for the most uncomfortable ‘funny' book club discussion this side of Appalachia! Intro/Book Report (0:00-3:11)Stock Up/Down (3:12-40:22)Favorite Scene/Character (40:23-43:53)Love/Hate (43:54-51:00)Conclusion (51:01-54:30) NEXT BOOK: Dungeon Crawler Carl by Matt Dinniman

Czabe catches up with old friend and Hedy Lamarr fanatic PAUL CHARCHIAN to discuss his waning enthusiasm for "camper life" plus the results of his 17th Annual "Whiskey Weekend." He also met a billionaire who is a card trick musician. Davante Adams has been cut. The market for WR's continues to crater. Why Sam Darnold blew his shot at $100M in Minnesota. Jimmy and Jerry are basically the same age, but you wouldn't know it now, would ya? And Czabe's Sarah McLachlan plea for two men to help save CzabeVegas. MORE . . .Our Sponsors:* Check out CoinFlip and use my code CZABE for a great deal: https://coinflip.tech* Check out Hims: https://hims.com/CZABE* Check out Indeed: https://indeed.com/CZABE* Check out NordVPN: https://nordvpn.com/czabecastAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Reid has been let go by the network, so we have a special Sarah Mclachlan tribute for her. See omnystudio.com/listener for privacy information.

You know what that means... bring out Sarah McLachlan! See omnystudio.com/listener for privacy information.

National kazoo day, Entertainment from 1983. Largest snowflake ever, the Challenger Disaster, guy stung by the most bees and lived. Todays birthdays - John Banner, Alan Alda, Sarah Mclachlan, Joey Fatone, Nick Carter, Elijah Wood, Will Poulter, Ariel Winter. Cicily Tyson died.Intro - Pour some sugar on me - Def Leppard    http://defleppard.com/The kazoo song - RoctopusDown under - Men at workTalk to me - Mickey GilleyWe are the world - USA for AfricaBirthdays - In da club - 50 Cent     http://50cent.com/Mash TV themeSweet surrender - Sarah McLachlinBye bye bye - NSYNCEverybody - Backstreet BoysModern Family TV themeExit - Its not love - Dokken    https://www.dokken.net/

"The Forbes Report": What is Blue Monday?  This is VANCOLOUR host Mo Amir asks Fiona Forbes, who turns to local celebrities Seth Rogen, Ryan Reynolds, Michael Bublé, Pamela Anderson, and Sarah McLachlan for inspiration to turn your Blue Monday into Blue FUNday.Recorded: January 13, 2025

Send us a textWelcome to Guess the Year! This is an interactive, competitive podcast series where you will be able to play along and compete against your fellow listeners. Here is how the scoring works:10 points: Get the year dead on!7 points: 1-2 years off4 points: 3-5 years off1 point: 6-10 years offGuesses can be emailed to drandrewmay@gmail.com or texted using the link at the top of the show notes (please leave your name).I will read your scores out before the next episode, along with the scores of your fellow listeners! Please email your guesses to Andrew no later than 12pm EST on the day the next episode posts if you want them read out on the episode (e.g., if an episode releases on Monday, then I need your guesses by 12pm EST on Wednesday; if an episode releases on Friday, then I need your guesses by 12 pm EST on Monday). Note: If you don't get your scores in on time, they will still be added to the overall scores I am keeping. So they will count for the final scores - in other words, you can catch up if you get behind, you just won't have your scores read out on the released episode. All I need is your guesses (e.g., Song 1 - 19xx, Song 2 - 20xx, Song 3 - 19xx, etc.). Please be honest with your guesses! Best of luck!!The answers to today's ten songs can be found below. If you are playing along, don't scroll down until you have made your guesses. .....Have you made your guesses yet? If so, you can scroll down and look at the answers......Okay, answers coming. Don't peek if you haven't made your guesses yet!.....Intro song: Over My Head (Cable Car) by The Fray (2005)Outro song: The Star Spangled Banner (Live) by Whitney Houston (1997)Song 1: Ice Cream (Freedom Sessions) by Sarah McLachlan (1994)Song 2: Eliza by Summers Baker (2022)Song 3: Heaven is a Place on Earth by Belinda Carlisle (1987)Song 4: Broken Hearted Savior by Big Head Todd & the Monsters (1993)Song 5: I'd Rather Go Blind by Etta James (1967)Song 6: Love by Newcomers Home (2005)Song 7: Don't Let Go (Love) by En Vogue (1996)Song 8: Weight of the World by The Samples (1994)Song 9: You've Ruined Me Now by Norah Jones (2009)Song 10: Rocky Mountain High by John Denver (1972)

Today Laura and Kevin chat with Matt Strippelhoff, the leader behind Red Hawk, to explore the evolving world of software development and the role innovation plays in shaping the industry. Matt shares his excitement about current trends in software development and explains how these advancements are influencing Red Hawk's approach to building applications. Matt explains how Red Hawk leverages AI tools like code copilots to streamline the development process, while emphasizing the importance of maintaining a "human in the loop" approach. He also addresses the concerns surrounding AI replacing jobs, asserting that AI should enhance, not diminish, the role of development teams. However, he stresses that companies should only invest in AI if they can clearly articulate its value to their business. The discussion takes a lively turn as the group delves into the topic of AI chatbot companions. Laura sparks a spirited debate by asking whether chatting with an AI bot could be considered cheating. Kevin and Matt argue that it is, while Laura counters with a humorous take, adding that falling in love with an AI companion might make someone a “loser.” The conversation also touches on the challenges of using AI in recruitment, with Laura recounting a bizarre hiring experience involving a candidate who turned out to be a group of people. Matt offers valuable advice for non-technical founders looking to build software companies, outlining common mistakes they make and providing practical tips to avoid them. He also looks ahead to Red Hawk's future, discussing the company's innovative model of bundling software development and engineering into managed services. Matt also shares stories from his 15 years with his rock band, Grace in Gravity, including the time they opened for Sarah McLachlan. Laura playfully suggests starting a new band called “The Tripods,” but Matt remains focused on his commitment to Red Hawk, which he describes as his all-in plan with no backup. There is also a discussion on the pros and cons of remote work versus in-office teams, sparking a debate on building a workforce for the future. With a mix of expert insights, practical advice, and entertaining anecdotes, this episode offers something for everyone—from tech enthusiasts and business leaders to those curious about the intersection of AI and human creativity.During his career, Matt Strippelhoff has curated an extensive portfolio in traditional and interactive media. Leading the development of web applications, mobile applications, e-commerce websites and specialized interactive marketing programs, he shapes Red Hawk's technological landscape.In 2022, The Circuit awarded Matt the Visionary Leader Award for his groundbreaking approach to software development. Recognized for reimagining the process, Matt's bold leadership catalyzes growth and success. His visionary business model bundles software development and technical support services for a fixed monthly fee, offering financial predictability and operational stability for their mid-market clientele.At Red Hawk, Matt's vision, disrupting traditional models, has led to explosive growth, multi-year recurring revenue contracts and greater than 95% customer retention. Matt earned a BFA in communication design from the Art Academy of Cincinnati in 1993.The majority of Red Hawk's work today falls into three categories: workflow automation, sales enablement and systems integration. Red Hawk also serves as the outsourced innovation team for several clients, collaborating closely with client IT and marketing teams. From feasibility studies to fully featured applications, Red Hawk focuses on delivering measurable value with every initiative.

Join us as eTown celebrates the season with a compilation show of holiday music gathered from our archives. It features artists such as: The Blind Boys of Alabama, Sarah McLachlan, Dan Fogelberg, Tim O'Brien, The Indigo Girls, and more!  That's all this week on eTown!  Visit our Youtube Channel to see artist interviews, live recordings, studio sessions, and more! Be a part of the audience at our next recording: https://www.etown.org/etown-hall/all-events/ Your support helps us bring concerts, tapings and conversations to audiences while fostering connection through music, ideas and community. If you'd like to support eTown's mission to educate, entertain and inspire a diverse audience through music and conversation, please consider a donation: https://www.etown.org/get-involved/donate-orig/.   

So, the U.S. President-to-be threatened to annex us. Not cool. On this week's TLDR, we look at the stats and ask how our home and native land stacks up against our neighbor to the south. And, we turn the tables and consider which U.S. state(s) could make a nice addition to Canada's ten provinces. Finally, we get grilled, as Stacey Grenrock-Woods, the creative genius behind the TLDR newsletter's FOMO index, quizzes the team on the last twelve months of news.This episode was hosted by Devin Friedman, business reporter Sarah Rieger and former hedgefunder Matthew Karasz. Follow us on other platforms, or subscribe to our weekly newsletter: linkin.bio/tldrThe TLDR Podcast is offered by Wealthsimple Media Inc. and is for informational purposes only. The content in the TLDR Podcast is not investment advice, a recommendation to buy or sell assets or securities, and does not represent the views of Wealthsimple Financial Corp or any of its other subsidiaries or affiliates. Wealthsimple Media Inc. does not endorse any third-party views referenced in this content. More information at wealthsimple.com/tldr.

I'd write more here, but I've got places to be. Becky, Jeremy, and I are going to engage in some holiday festivities. We have a couple gingerbread houses to make and a tree to trim. And no nog to speak of. Really, that's all you get by way of show notes this time as a result, deal with it. Send your complaints to podcast@searls.co and they will be read on air. Some bullet points below the fold: My 90-minute, outdated guide to setting up a Mac Aaron's puns, ranked Jim Carrey is 62 and can't even retire I bought my 8 year old a switch and didn't realize how much games cost Teen creates memecoin, dumps it, earns $50,000 Startup will brick $800 emotional support robot for kids without refunds Install the Mozi app (manifesto here | app here) Vision Pro getting PSVR2 controllers The 2024 Game Awards news roundup Intergalactic: The Heretic Prophet looks badass, but is it too inclusive for The Gamers? We don't talk about Luigi An invisible desktop app for cheating on technical interviews (HN comments) Sora is out, but it's not good yet Indiana Jones and the Great Circle is out, and it is good yet Emudeck is so great it shouldn't be legal, and some people probably think it isn't Pikmin Stay tuned to my YouTube channel for upcoming LIVE streams Transcript: [00:00:00] Thank you. [00:00:29] Good morning, internet. [00:00:32] I started speaking before I realized, as an asynchronous audio production, it's actually pretty unlikely that it's the morning where you are. [00:00:43] Although, if it is the morning, coincidentally, please feel free to be creeped out, check over your shoulder. [00:00:51] Today was, I woke up with Vim and Vigor this morning, super excited to take on the day, thinking maybe I've got what it takes to record an audio production today. [00:01:07] And then we have an elderly coffee pot. [00:01:11] I don't want to completely put the blame on it because we were using it wrong for several years. [00:01:24] And it's a long story that I will shorten to say, any piece of consumer electronics or appliances in America, the half-life keeps decreasing. [00:01:37] And so when I say elderly coffee pot, I mean that we bought this coffee pot post-COVID. [00:01:42] And it's already feeling like, oh, we should probably get a new coffee pot, huh? [00:01:45] What happens is, from time to time, heat will build up in the grounds dingus. [00:01:55] I'm just realizing now that I'm like, you know, I'm not a coffee engineer. [00:01:58] Some of you are. [00:02:00] But, you know, of course, we all know that the dingus is connected to the water spigot, which is above the craft. [00:02:09] And what happens, as far as I can tell, is once in a while, you get all that hot water and grounds swirling around. [00:02:20] And if it clogs at all, like if it doesn't release just so, the whole little undercarriage, again, this is a technical term, just stay with me. [00:02:30] And we'll pop forward like three millimeters, which is just enough for the water to kind of miss its target on the craft and then spray all who's he what's it's, as well as for the spigot to start just kind of like splurring, you know, this water coffee slurry everywhere. [00:02:49] And so I went after, you know, but then you still get the triumphant ding dong sound that the coffee is ready. [00:02:56] So I walked over to the coffee expecting like, yes, it's the best, best way to start my day or whatever. [00:03:06] Pull out the coffee. [00:03:07] And the pot is too light. [00:03:10] And I had a familiarity of like what that means. [00:03:13] It means like there is water somewhere. [00:03:17] And it's not in this pot. [00:03:19] And so it's just like, you know, this big, big machine we actually have we've put because of our Mr. [00:03:26] Coffee's, you know, elderly onset incontinence. [00:03:33] We have we have put the entire coffee pot on a tray, like a rimmed silicone tray that you would use for like, I guess, a dog feeding bowl, right? [00:03:45] A dog, you know, messily eats food and slaps water around and stuff. [00:03:49] And you don't want it all over your hardwood. [00:03:50] Like you'd put this underneath that and it would catch some of the water. [00:03:53] So we I spent the first 30 minutes of my waking life today getting my hopes up that I was going to have coffee, followed by, you know, painstakingly carrying this entire cradle of of of coffee pot full of hot brown liquid. [00:04:10] That would stay in all of my clothes and, you know, get on the cabinets and stuff with a silicone underbelly thing. [00:04:18] And just kind of like, you know, we've got one of those big we're very fortunate to have one of those big farmers, farmer house, farmhouse. [00:04:25] I never know what to call it. [00:04:27] Steel, basically a double wide sink. [00:04:30] So what's nice about a double wide sink is that if you've got a problem in your kitchen and you're only a few steps away, whether it's the coffee pot part of the kitchen or the fridge or the freezer or the God forbid, the range or the oven, you can just sort of strategically hurl whatever it is you're holding just about into the into the sink. [00:04:51] And then once it hits the sink, it's, you know, the the the potential damage is limited. [00:04:57] So I gently hurled my coffee apparatus. [00:05:02] Is that the plural of apparatus? [00:05:04] One wonders into the into the into the sink and then spent the next 20 minutes, you know, scrubbing them and all to make another pot. [00:05:13] And Becky, of course, walks down the minute that the second pot is about to be finished. [00:05:18] And I'm like, I've already seen some shit and I'm going to go record a podcast now. [00:05:22] And that swallow you just heard was me having a sip of coffee that was not disgusting, but not great. [00:05:31] But I'll take it over where I was an hour ago. [00:05:39] Thank you for for subscribing as a as a true believer in breaking change. [00:05:47] We're coming up on one year now. [00:05:49] It's hard to believe that it's already been a year, not because this has been a lot of work or a big accomplishment, but just because the the the agony of existence seems to accelerate as you get older. [00:06:03] It's one of the few kindnesses in life and so as we whipsaw around the sun yet again, we're about to do that. [00:06:11] This is the 26th edition version 26 of the podcast. [00:06:17] I've got two names here to release titles and I haven't picked one yet. [00:06:22] So as a special. [00:06:24] Nearing the end of the year treat. [00:06:29] I'm going to pitch them both to you now, right? [00:06:31] So so we're in this together. [00:06:33] I like to think this is a highly collaborative one person show. [00:06:37] Version 26 rich nanotexture. [00:06:42] And that's a nod to the MacBook Pro has a nanotexture anti-glare screen coding option. [00:06:52] It's a reference to the rich Corinthian leather that was actually it's a Chrysler reference. [00:06:58] It's a made up thing. [00:06:59] There is no such thing as Corinthian leather, but like that's what they called their their seating. [00:07:03] And Steve Jobs referenced that as being the inspiration for I think it was the iPad calendar app. [00:07:13] With the rich Corinthian leather up at the top during the era of skeuomorphic designs back in 2010, 2009, maybe I can't remember exactly when they I think it's 2010 when he had his famous actually leather chair demonstration of the iPad. [00:07:28] Maybe the reason that that stood out to me was the car reference because it is it is an upsell. [00:07:34] The nanotexture $150 if you want to have a don't call it matte finish. [00:07:41] The other one, so that's option one, rich nanotexture. [00:07:46] And I didn't love it because I couldn't get texture. [00:07:49] I couldn't get the same Corinthian, right? [00:07:53] Like you want that bite, the multisyllabic bite that adds the extra, you know, the gravitas of a luxury good. [00:08:04] Yeah, texture just didn't have it for me. [00:08:06] But then if you change that word, it doesn't make sense. [00:08:08] So I mean, the other option two that came to mind version 26 don't don't by the way, don't think I'm going to edit this in post and fix it. [00:08:19] I will not. [00:08:20] I will ultimately land on one of these and that will be the title that you saw on your podcast player. [00:08:25] Or maybe some third thing will come to mind and then this conversation will be moot. [00:08:29] I do not think of this collaborative exercise. [00:08:32] Just imagine it's a it's a it's a quantum collaboration. [00:08:37] So by observing it, that's you actually took part. [00:08:41] You opened your podcast player and then the yeah, the entangled, you know, bits just they coalesced around one of these two names or some third name. [00:08:58] It's all just statistics version 26 Luigi's Mansion, which is a nod to two things at once. [00:09:05] I'm going to talk a little bit about GameCube, but also I'll probably not escape mentioning Luigi Manjoni Manjoni man. [00:09:15] You know, I haven't been watching the news. [00:09:17] I don't know how to pronounce his name, but it looks enough like mansion that I was like, oh, man. [00:09:21] I bet you there's a Nintendo PR guy whose day just got fucking ruined by the fella who is a overnight folk hero. [00:09:30] More attractive than most assassins, I would say. [00:09:35] Great hair. [00:09:36] Good skin. [00:09:37] Apparently, skincare Reddit is all about this fella who murdered in cold blood the CEO of UnitedHealthcare. [00:09:45] If you haven't caught the news, if you're even less online than I am. [00:09:51] And yeah, so I'm trying to decide. [00:09:53] I think Luigi's Mansion is probably going to win. [00:09:56] It's more timely. [00:09:57] It's the first time the name Luigi has come up in the last year. [00:10:00] And I may have mentioned nanotexture before when discussing Apple's very compromised studio display. [00:10:11] So I'm leaning Luigi's Mansion, but, you know, don't tempt me. [00:10:15] I might switch. [00:10:18] I'm going to just keep drinking coffee because I got to power through this. [00:10:21] Let's talk about some life stuff. [00:10:24] I so when we last talked that way back in the heady days of version 25, I had just gotten off a plane from Japan. [00:10:34] I was still a little bit jet lagged. [00:10:36] I recorded later in the evening. [00:10:38] I was tired. [00:10:39] You know, I was still overcoming. [00:10:41] I listened to the episode, realized I was overcoming a cold. [00:10:44] You know, then Becky shortly thereafter, after recording, she developed a pretty bad cough. [00:10:51] And so we've both been sleeping relatively poorly. [00:10:53] And I can't complain about this cough because her having a cough for four nights is nothing like me snoring on and off for over a year. [00:11:02] And I think the fact that her cough is consistent is actually a kindness compared to the sporadic nature of my snoring, where it's like I might go a week without it. [00:11:11] And then all of a sudden there's like, bam. [00:11:14] So she doesn't, you know, it's like sneaks up on her and that's not fair. [00:11:17] So so she's got a cough and I haven't been sleeping particularly well. [00:11:20] Maybe that's it. [00:11:22] I also, you know, I wanted to dry out because I was living on shoe highs, you know, canned cocktails in Japan for way too long. [00:11:30] Just drinking, you know, five whole dollars of alcohol every day, which is an irresponsible amount of alcohol. [00:11:36] It turns out. [00:11:40] Yeah, that's one nice thing about living in Orlando and theme park Orlando is that the average price of a cocktail here is seriously $20. [00:11:49] I think it is. [00:11:51] I am delighted and surprised when I find a cocktail under $20. [00:11:55] That's any good. [00:11:55] In fact, the four seasons right around the corner, their lobby bar has a some of the best bartenders in the state of Florida. [00:12:05] Like they went all kinds of awards. [00:12:06] And so when you say a lobby bar, you think it sucks. [00:12:09] But it's actually it's like it's a it's a restaurant with a room if you're ever around and they still do a happy hour with like $4. [00:12:18] It was $4 beers. [00:12:19] I think they finally increased to $5 beers draft beer. [00:12:23] And it's all craft. [00:12:25] You know, it's all fancy people stuff. [00:12:27] And they do it's I think it's $10 margaritas, French 75s, and they got some other happy hour cocktail. [00:12:37] It was highballs for a while. [00:12:39] Whiskey highballs was like probably centauri toki or something. [00:12:43] I gotta say like that $10 margarita. [00:12:47] They'll throw some jalapeno in there if you want some tahini rim, you know, they do it up. [00:12:52] They do it well. [00:12:54] But that might be the cheapest cocktail I've had in all of Orlando is at the Four Seasons. [00:13:01] Famous for that TikTok meme of the Four Seasons baby, if you're a TikTok person. [00:13:06] Anyway, all that all all this drinking talk back to the point. [00:13:11] I've been not drinking for a week. [00:13:12] And I, you know, I'm back to tracking my nutrients every day. [00:13:17] The things that I consume and adding up all of the protein and carbohydrate and realizing [00:13:21] if you don't drink, it's actually really easy to blow past one's protein goals. [00:13:25] And so I had one day where I had like 240 grams of protein, which is [00:13:28] enough protein that you'll feel it the next morning if you're not used to it. [00:13:34] And I still was losing weight. [00:13:38] I lost like five or six pounds in the last week. [00:13:43] And to the point where it was like, you know, I was feeling a little lightheaded, [00:13:47] a little bit woozy because I wasn't drinking enough is the takeaway. [00:13:52] So so thank God we got to go to a Christmas party last night. [00:13:57] It was it was great Gatsby themed. [00:13:58] And I dressed up like a man who wanted to do the bare minimum to not get made fun of at the party. [00:14:05] So I had some some suspenders on instead of a belt, which was the first time I ever put on suspenders. [00:14:13] They were not period appropriate suspenders simply because they had the, you know, the [00:14:18] little class B dues instead of how they had some other system for I don't I don't fucking know. [00:14:25] Like I, I had chat GPT basically helped me through this. [00:14:28] And it's like, hey, you want these kinds of suspenders? [00:14:30] I'm like, that sounds like an ordeal. [00:14:31] How about I just get some universal one size fits all fit and clip them in? [00:14:36] I also had a clip on bow tie. [00:14:37] So that worked. [00:14:39] When you think clip on bow tie, I guess I'd never used one before, but like it, I always [00:14:45] assumed it would just be like, you know, like a barrette clip that would go in front of the [00:14:49] front button and look silly for that reason. [00:14:51] And maybe that's how they used to be. [00:14:53] But it seems these days, if you want to spend $3 on a fancy clip on bow tie with a nice texturing, [00:14:58] I'll say, uh, it's just pre it's a pre tied bow with a still wraps around your neck. [00:15:04] It's just, it has a class mechanism, which seems smart to me, right? [00:15:08] I don't know what. [00:15:09] Look, if you're really into men's fashion, uh, there's this weird intersection or this tension [00:15:19] between I'm a manly man who, who ties my own shoes and, you know, kills my own dinner and [00:15:25] stuff. [00:15:25] And I, I, for fuck's sake, tie my own bow tie from scratch every day. [00:15:29] Right? [00:15:29] Like there's a toxically masculine approach to bow ties, but at the same time, it is such [00:15:35] a foofy accoutrement. [00:15:37] It's like an ascot, um, that the idea of like a manly man, like a man trying to demonstrate [00:15:43] his manliness by the fact that he doesn't use a clip on bow tie, uh, came to mind yesterday [00:15:50] when I was, uh, struggling even with the clasping kind. [00:15:54] I was like, man, I wish I could just get this to anyway. [00:15:58] Um, I had a vest at a gray vest. [00:16:03] This is all brand new territory for me. [00:16:05] Uh, yeah, I, I've, I've leaned pretty hard into the t-shirt and shorts and or jeans life [00:16:10] for so long. [00:16:12] Uh, the, the fella in front of us when we, when we were checking in, cause they took little [00:16:16] photos of you, uh, all of the women had the same exact flapper dress from Amazon, you know, [00:16:22] with the, the, the, the hairband thing with the, you know, fake, the polyester peacock tail. [00:16:28] Becky's looked the best. [00:16:29] I'm not gonna, I'm not even lying. [00:16:32] Uh, uh, her dress actually fit. [00:16:35] He had some, uh, very ill fitting flapper costumes that these women couldn't even move in. [00:16:40] Um, it was interesting. [00:16:42] Uh, but the, the fella in front of us at check-in was wearing a, a, a full blown, you know, tuxedo [00:16:48] get up that he brought from home. [00:16:50] And he was talking about, Oh yeah, well he's got two of them and his wife, you know, ribbed [00:16:54] him a little bit that he could only fit in one. [00:16:55] I was like, man, owning a tuxedo, that's nuts. [00:16:58] Like, and then it like turns out he's like got all these suits and these fancy clothes and [00:17:02] he's an older gentleman. [00:17:05] Uh, but my entire career only the first few years did I have to think about what I was [00:17:10] wearing and, and it never really got beyond pleated, you know, khakis and a starched shirt. [00:17:18] And, and I had, I had to wear a suit maybe on two sales calls. [00:17:22] Um, and they were always the sales calls that were just, uh, there were certain sales demos [00:17:30] when I was a, a, a baby consultant, these really complex bids. [00:17:39] I remember we were at cook County once, uh, uh, the, the county that wraps Chicago and it [00:17:44] has a lot of functions and facilities that operate at the county level. [00:17:48] So, but of course we're in Chicago in some, you know, uh, dystopian office building. [00:17:54] That's very Gothic, I should say. [00:17:57] And the, the solution that we were selling was a response to a bid around some kind of [00:18:05] document, electronic document ingestion and, and, and routing solution. [00:18:09] And so what, what that meant was it was like a 12 person team. [00:18:14] It was a big project working on this pitch. [00:18:18] And most of the work and most of the money came from the software side at the end of the [00:18:23] process. [00:18:23] It's like, you're going to get IBM file net and you're going to get all these different, [00:18:26] uh, enterprise tools. [00:18:28] And we're going to integrate, uh, with all your systems and, and build these custom integrations [00:18:32] that you've asked for here and here and here. [00:18:33] But the, the, the hard part is the human logistics of how do you get all of their paper documents [00:18:41] into the system. [00:18:42] Uh, and that was my job was I had to get paper and then scan it, uh, with a production, big [00:18:50] Kodak funkin fucking scanner. [00:18:52] Uh, and then use, what was it? [00:18:54] Kofax capture or something like a, like an OCR tool of the era. [00:18:59] And the thing about it is that scanning is not, was not ever a science and neither is [00:19:07] OCR, the OCR stuff and OCR stands for optical character recognition. [00:19:10] So you'd have a form and you'd write on the form, like, you know, uh, uh, uh, uh, some, [00:19:15] some demo address and name and all this. [00:19:19] I spent. [00:19:22] So like the people doing the software, like they, they could just like click a button and [00:19:26] like, they could even just use fakery, right? [00:19:29] Like, Oh, the API is not really there, but I'll always return this particular, like, let's [00:19:33] call it an XML soap message. [00:19:34] And so the, the software guys clocked in, clocked out, got back to their billable work. [00:19:39] I, because the stakes were so high in this particular, uh, and I'm here right now explaining [00:19:46] all of this nonsense because I had to wear a suit and that was also really bad, but I [00:19:51] was in Chicago late at night with a group of like, at that point it was like 9 PM and it [00:19:54] was just me and two partners. [00:19:56] Cause the partners had a sickness called avoid family, stay at work. [00:20:02] And, uh, I, I was just running over and over and over again where I'd like, you know, [00:20:09] I'd take the paper, I'd put it through the scanner and it would get 90% of the OCR stuff [00:20:13] done, or I'd get it perfect. [00:20:15] And it would scan everything just right, which would result in the downstream, you know, after [00:20:21] the capture, like all of my integrations, like would route it to the right thing. [00:20:24] So that like, it was basically a game of mousetrap or dominoes where like my task was both [00:20:29] the most important to being able to demonstrate, but also the most error prone, but also the [00:20:37] least, uh, financially like, um, valuable to, to our services company. [00:20:42] And so I had no support, uh, on top of that, they, the, our fucking it people pushed out some [00:20:49] kind of, um, you know, involuntary security update security and bunny quotes that, that [00:20:57] slowed my system down dramatically in the course of just like a day. [00:21:01] And I had, I had no way to test for this. [00:21:04] So I remember I was up at like 11 PM at that point, trying to make this work consistently [00:21:10] and realizing that the only way to get it to run it all required me to, um, install a virtual [00:21:16] machine, put windows in the virtual machine, install all this software inside that virtual [00:21:22] machine, and then run it there because only in the black box of an encrypted virtual machine [00:21:27] image or, uh, you know, a virtual machine, like disc image, could I evade all of the accountant [00:21:33] bullshit that was trying to track and encrypt and, and, and muck with files and flight and [00:21:38] so forth. [00:21:39] And so it was only around like probably one 30 or two that I got to bed and our, our demo [00:21:46] was like at seven in the morning and I had to wear a suit. [00:21:47] So if you ever wonder, Hey, why is Justin always just in a, a t-shirt and shorts? [00:21:54] Uh, I would say childhood trauma, fuck suits. [00:21:59] The only, the only time I associate like nice clothes, you know, having a lot of [00:22:03] having to dress up is church shit. [00:22:05] I didn't want to go to. [00:22:06] And usually it's like the worst church shit. [00:22:09] Like there's some cool church shit out there, you know, youth group where everyone's a horny, [00:22:14] right. [00:22:15] And singing pop songs to try to get people in. [00:22:17] That's as church shit goes, that's above average. [00:22:21] But when you're talking about like, Hey, you know, this aunt you've never heard of died and [00:22:27] we got to go all the way to goddamn Dearborn to sit in a Catholic mass, that's going to [00:22:32] be in Latin. [00:22:33] And they're going to, you know, one of those, you know, you should feel bad for him because [00:22:39] he's abused. [00:22:39] But one of the altar boys, he's going to be waving that little like incense thingy, [00:22:43] the jigger back and forth and back and forth like a metronome. [00:22:46] And, uh, you're going to get all this soot in your face, all of that, you know, frankincense [00:22:51] and myrrh and whatever the fuck they burn. [00:22:52] And, uh, yeah, then they're going to play some songs, but they're not going to be songs you [00:22:57] want to hear. [00:22:57] And you're going to be uncomfortable because I bought you this suit at JC Penny when you [00:23:01] were like nine and you're 12, you're 12 now, and you've gained a lot of weight, but [00:23:06] here we are. [00:23:07] And then you got to go and, you know, like, don't worry because after the service, there's [00:23:12] a big meal, but it's mostly just going to be, you know, styrofoam plates and plastic forks [00:23:16] and, uh, cold rubbery chicken. [00:23:19] And then a whole lot of family members who want to pinch your cheeks, uh, had an aunt that [00:23:24] always wanted to, um, put on a bunch of red lipstick and kiss me and leave kiss marks. [00:23:30] And she thought that was adorable and everyone else thought it was funny. [00:23:33] And for whatever reason, I wasn't a fan, uh, that's the kind of, uh, yeah, so anyway, moving [00:23:45] right along the, uh, the, the other than having to dress up, the, the Christmas party was really [00:23:50] nice because it had an all you can drink martini bar. [00:23:52] So that, that helped that took the edge off a little bit since I hadn't been drinking for [00:23:57] the previous week. [00:23:57] Uh, and it was, you know, uh, they, they had a great bartender, the, the, I assume that [00:24:07] that people drank gin martinis back in the day of Gatsby, but it seemed to be a vodka forward [00:24:12] martini bar, which I appreciated. [00:24:15] Uh, as I get older and my taste buds start dying, uh, I found myself going from dry martinis [00:24:23] to martinis with an olive to martinis with two olives to me asking for like a little bit of [00:24:30] olive juice and then drinking the martini and realizing that wasn't quite enough olive juice. [00:24:34] So that's just disgusting, but, um, it's where, uh, it's one of the signs of age, I guess. [00:24:43] Uh, so the martini bar was good. [00:24:46] Uh, they also had an aged old fashion that they'd made, you know, homemade, um, with like nutmeg [00:24:51] and cinnamon in there. [00:24:52] That was impressive. [00:24:53] Uh, so yeah, had a, had a big old Christmas party last night, had a couple of drinks, uh, [00:25:00] and, and, uh, because of the contrast, whenever I go, you know, go a week without any alcohol [00:25:06] and then I have some alcohol and then I wake up the next morning and I'm like, oh yes, I [00:25:11] know what people mean now that alcohol is poison. [00:25:13] And it's a mildly poisonous thing because I feel mildly poisoned. [00:25:19] Um, and, and I just usually feel that most days until I forget about it. [00:25:23] So it's a data point, uh, to think about, uh, uh, I, I, I had a good, good run for, [00:25:30] for a while there, just cause like when you live in a fucking theme park and there's nowadays [00:25:34] alcohol everywhere that I go and every outing, I had a good run for a few months. [00:25:40] Um, not last year, the year before where I just didn't drink at home as a rule to myself. [00:25:46] I was like, you know, I'm not going to pour any liquor for myself at home unless I'm entertaining [00:25:49] guests. [00:25:50] And, uh, even then go easy on it because I I'm, I'm, I'm going to just the background radiation [00:25:56] of existence in when you live in a bunch of resorts. [00:25:59] Uh, I'll, I'll get, I'll get, I'll get plenty of alcohol subcutaneously. [00:26:05] Um, a contact tie. [00:26:07] So maybe I'll, maybe I'll try that again. [00:26:10] I don't know. [00:26:11] It's the stuff you think about in mid December when you're just inundated with specialty food [00:26:17] and drink options, uh, do other life stuff that isn't alcohol or religion or clothing [00:26:27] related. [00:26:28] Oh, uh, uh, I've been on a quest to not necessarily save a bunch of money, not necessarily. [00:26:35] Uh, I was going to say, uh, tighten my belt, but, uh, I don't know what the suspender equivalent [00:26:43] is because I did not wear a belt last night. [00:26:45] I just wore suspenders. [00:26:46] Uh, I've been interested in, in not budgeting either. [00:26:52] Just, I think awareness. [00:26:54] Like I want, I know that a lot of money flies through my pockets every month in the form of, [00:27:01] um, SAS software subscriptions and streaming services. [00:27:05] I mentioned this last, uh, last go round that I was recommending, Hey, let's say, go take a [00:27:11] look at like our unused streaming subscriptions of those. [00:27:14] Uh, yesterday I did cancel max. [00:27:16] Cause I realized that, uh, if I'm not watching a lot of news, I'm not going to watch John Oliver [00:27:20] and, and they frankly, a lot of HBO's prestige shows haven't been besides they cut a Sesame [00:27:28] street and it just so happened that I canceled that day. [00:27:31] So maybe there's a, some data engineer at HBO who's like, Oh man, people are canceling because [00:27:37] we got rid of Sesame street. [00:27:38] Uh, that would be good. [00:27:40] That would be good for America to get that feedback. [00:27:43] Uh, yeah. [00:27:44] I just want awareness of like, where's the money going and in what proportion and does that sound [00:27:50] right to me? [00:27:50] Uh, and I've, there are software tools for this. [00:27:53] Uh, they are all compromised in some way. [00:27:57] For example, we just, uh, we'd used lunch money in the past, which is a cool app. [00:28:02] And it has the kind of, you know, basic integrations you would expect. [00:28:06] I don't know if it uses plaid or whatever behind the covers, but like you, you connect your, your, [00:28:11] your checking accounts, your credit card accounts. [00:28:14] It lists all your transactions is very, um, customizable in terms of rules that you can [00:28:21] set. [00:28:21] It has an API. [00:28:22] Jen is a solo co-founder and she seems really, really competent and lovely and responsive, [00:28:27] which are all great things. [00:28:29] But the UI is a little clunky for me. [00:28:32] I don't like how it handled URLs. [00:28:33] It was like, once you got all the transactions in there and, and set up, it didn't feel informative [00:28:41] because there wasn't like a good reporting or graphs that just kind of at a glance would [00:28:45] tell you, this is where your money's going. [00:28:46] At least for me. [00:28:47] Uh, additionally, like it, it can't do the Apple card. [00:28:51] That's the, that's become the crux for a lot of these services is that, um, Apple card [00:28:55] only added support for reading. [00:28:59] Uh, well now you can read, uh, uh, so I, Apple added away on iOS and specifically iPhone [00:29:07] OS to read, uh, transactions from Apple card, Apple savings and Apple cash. [00:29:14] And this was like nine months ago, if that, but copilot, uh, money is one of two apps maybe [00:29:22] that supports this. [00:29:23] And so if you, if you have, we have, we each have an Apple card and we use it for kind of [00:29:29] our silly stuff whenever we're, you know, using a tap to pay. [00:29:33] So, so if, if you want to track transactions and you don't want to manually export CSVs [00:29:40] from your wife's phone every 30 days, which is the process that I'd fallen into with, with [00:29:44] lunch money, then you, you basically have copilot money. [00:29:50] And then there's another one, maybe Monarch, uh, the copilot money. [00:29:53] People are always talking about this other app called Monarch. [00:29:55] I haven't checked it out. [00:29:55] I don't know if that's why they like it or if it's just the other one that's being developed [00:29:59] right now in this post mint apocalypse, as we all grapple with the fact that mint was [00:30:04] always bad, uh, but people got into it and I don't copilot money is like nice, but like [00:30:11] it, like, for example, like if I'm, uh, if I buy a, uh, if I put $10, the equivalent of [00:30:19] $10, so 1000 yen on my Starbucks card in Japan, which is totally separate because of course it [00:30:25] is there's two Starbucks cards. [00:30:27] There's the one in Japan and then the one in the rest of the world. [00:30:30] So you open the Japanese only app, you put a thousand yen on it. [00:30:33] Uh, you pay for that with Apple pay. [00:30:36] So which goes to my Apple card and copilot money will read that transaction. [00:30:40] But if you read like the text in the merchant description, it's literally like [00:30:44] staba day and it's like all no spaces. [00:30:47] It's just like 40 characters in a row to, and if you really squint, you can kind of see [00:30:52] Starbucks, Japan, um, you know, app store payment, which is, you know, like I want to [00:31:00] change that to Starbucks, Japan, and then set up a rule to just like always change that. [00:31:05] So I don't have to like memorize these random ass merchant names. [00:31:08] Uh, apparently like after, after two hours of setting up copilot money yesterday, I realized [00:31:13] that there's like both no way to set up that kind of rule. [00:31:16] The only rule that it supports is categorization of, of spending fine, but then if you set [00:31:22] up a rule and you don't like it, there's no way to edit the rules cause there's no UI for [00:31:25] rule editing. [00:31:26] And so then, you know, where do you go, but read it and you're like, okay, well there's [00:31:30] a subreddit. [00:31:30] And then like, what's half the post in the subreddit? [00:31:32] It's about, Oh, of course it's a bunch of dads who are like, I can't see my rules and I have [00:31:36] to contact support. [00:31:37] And it's been nine months. [00:31:38] And I was like, Oh God. [00:31:39] So that's, uh, if anyone's got any great budgeting software that supports Apple card, you let me [00:31:46] know. [00:31:47] Uh, and also isn't a part-time job. [00:31:50] I'm not gonna, I'm not gonna spend all day on this. [00:31:52] I'm not, I'm not gonna, I'm gonna check in on this, uh, the four times a year that I, that [00:31:58] I wake up in a cold sweat wondering, Oh my God, how many subscriptions do I have? [00:32:02] Which is, uh, I, I really missed my calling by not being a dad, I guess. [00:32:07] But it did land me on looking at rocket money. [00:32:11] Uh, so, so, so there was an app called true bill that marketed heavily with like a lot of [00:32:19] other DTC apps where the pitch was, we will negotiate your bills for you. [00:32:26] And by bills, I think that one of the reasons why this, this, this business probably struggled [00:32:31] is that there's really only two that they could reasonably negotiate on your behalf. [00:32:37] You know, you, you imagine they've got a call center or they've got people who've, who [00:32:40] are trained, who have scripts that they follow, who, who will doggedly keep calling back until [00:32:44] they get what, you know, the discount, the, just the steps that you would have to go through [00:32:48] if you wanted to call Comcast or Verizon, they, they, they, they can basically could basically [00:32:57] only really negotiate your ISP and your cell phone carrier. [00:33:01] Cause those are the two sort of, you know, that are, that are transactional enough that [00:33:08] are regionalized or nationalized enough that they, that they could train on. [00:33:11] And then of course, like they, they're the ones that like get you in with a teaser rate and [00:33:15] then gradually turn up the heat over the course of a couple of years. [00:33:19] Well, Quicken Loans bought, they rebranded as rocket and then rocket fill in the blank [00:33:26] with other products. [00:33:26] And they bought true bill around the same time. [00:33:29] And I, my understanding from a distance is that true bill, uh, uh, that became rocket money [00:33:36] in order to be an entree into other rocket star services. [00:33:41] So like you, you now, when you install rocket money, it's still got the negotiation thing. [00:33:46] Cause that's what they market it on, but you have to slog through so much like, no, I'm actually [00:33:52] all set with credit and, and, and, and debt repayment services. [00:33:57] And I'm, I'm already all set with financial advisors and retirement goals. [00:34:00] I just get me to the, to the thing where I can pay you 35% of whatever you save me on [00:34:06] my ISP bill. [00:34:07] And so of course, you know, like I, I, I signed up for the first time, went through the app [00:34:12] onboarding. [00:34:13] I was not impressed with the bugginess of the app, but I was able to soldier on through [00:34:19] it. [00:34:19] And where I landed was I was, uh, following its little setup wizard for first. [00:34:27] Spectrum, which is my internet provider. [00:34:28] And I was, I'd initially paid a hundred dollars when I moved here in 2021, uh, a month for, [00:34:36] for one gig down, call it 30 megabits per second up. [00:34:40] And I can't get a, another ISP here. [00:34:43] They had an exclusive agreement. [00:34:44] They're building neighborhoods bullshit. [00:34:47] Uh, and I, I, so I can't get higher upstream and that really gets in my crawl. [00:34:53] Nevertheless, they have increased prices about $15 a year. [00:34:59] Each time I'm here to the point now where I think my monthly, you know, debit is like $150, [00:35:05] $145 and you fill it out and you give them your pin number. [00:35:11] You got this customer pin that like, you know, is secures your account. [00:35:14] I'm like, eh, all right, well, that's four digits, you know? [00:35:17] And besides I'm already on like this one dead simple plan. [00:35:20] It's just their normal plan. [00:35:22] And it's, you know, like I'm paying top dollar for it. [00:35:26] So what's the worst that they could do if they, if somebody else were to call and change [00:35:30] my plan up, you know, like it, it wouldn't cause that much lasting damage. [00:35:34] Cause it's not like I'm on some teaser rate. [00:35:36] It's not like I've got a great deal as it is. [00:35:38] So I let them do it. [00:35:39] And three days later, I had low expectations, right? [00:35:42] Cause you go on Reddit, speaking of Reddit, you go on and you, you search other people's [00:35:46] experiences and people will say, oh yeah, well like the, you know, I, some of them are [00:35:52] pretty hyperbolic. [00:35:53] It's like, you know, like they, they changed my plan to this and now I'm stuck with this, [00:35:57] you know, TV subscription for the next four years. [00:35:59] And then they charged me a thousand dollars in imagined savings that never materialized. [00:36:03] I'm like, shit. [00:36:04] All right. [00:36:04] Well, that's, that's not good. [00:36:06] But I, I gave them a shot. [00:36:08] They came back three days later and they said, congratulations. [00:36:12] We saved you $859. [00:36:14] I was like, what the, excuse me over the next 12 months. [00:36:18] And it turned out that they got me from $142, $145 down to 70 flat. [00:36:25] You multiply that by 12 and then indeed comes out to eight something. [00:36:28] And I was like, damn. [00:36:29] All right. [00:36:30] And so I've been, I've been looking for the other shoe to drop like ever since, like something [00:36:36] is fishy here. [00:36:37] Like I, they didn't sign me up for other services. [00:36:39] I did receive, I'm looking over at it now. [00:36:43] I did receive a relatively large box that has a, you know, one of those wifi modem router [00:36:50] combo units in it. [00:36:51] That was partly like apparently part of the deal. [00:36:54] I don't know if they canceled my service and then in one fell swoop also signed me up for [00:36:58] service. [00:36:58] But now I've got this gigantic fucking wifi thing that wouldn't even fit in my patch box [00:37:02] if I wanted it, which I don't. [00:37:04] So I'm, I'm, I'm currently in this ether of like, well, if my modem that I rent is still [00:37:11] going to work, I rent for $0. [00:37:14] It's one nice thing about spectrum. [00:37:15] If my modem that I rent is still going to work, uh, maybe I can just keep this wifi thing in [00:37:20] the box and not call anyone. [00:37:22] And maybe everything will keep working and I'll pay the $70 a month, or maybe I should send [00:37:27] the other one back, but then that might trigger some other thing. [00:37:30] Right. [00:37:30] I, so look like, do I recommend the service? [00:37:36] I don't really, I don't, we'll see. [00:37:38] Right. [00:37:39] Like call me in a year. [00:37:40] I should set a reminder. [00:37:41] Oh, I'm sure if something bad happens, I'll, I'll be right on the airwaves screaming about [00:37:47] it. [00:37:47] Like I, like I do, but even after this experience, saving me a lot of money, like what I trust [00:37:53] them with my T-Mobile account, right. [00:37:54] Where I have been grandfathered in on what was called the one choice plus plan in 2014 [00:38:01] or whatever. [00:38:02] And it's genuine, honest to God, unlimited data without any real throttling. [00:38:08] As far as I can tell, until you get to some absurdly high number where you can watch your [00:38:12] videos in HD on your, you know, like, like it's, it's, it's a good one. [00:38:16] It's better than their magenta crap. [00:38:18] Um, and a lower price than their magenta max thing. [00:38:21] Well, we got three lines. [00:38:22] You got, you know, the watches and I would love to pay less for that, but I just don't [00:38:27] try like you, you, you fill out the rocket money form, uh, with the, uh, the, the, it wants [00:38:34] your T-Mobile, like login information. [00:38:36] And that's, that was a bridge too far for me. [00:38:40] I got there and I was like, you know, I could just imagine this going poorly. [00:38:44] You know, these plans are so complicated and feels like even when I call T-Mobile and I [00:38:48] ask, Hey, how's the weather? [00:38:49] Like they click a button and it fucks up my shit for two weeks. [00:38:52] So I'm, I'm, I'm good. [00:38:55] I can probably afford a cell phone bill. [00:38:57] Uh, I just, I just would prefer not to have to pay it. [00:39:01] Only one other life item in the last week, I was given a special opportunity. [00:39:11] Um, I've talked about massages a couple of times on this program and the, uh, I mentioned, [00:39:15] uh, the one I went, uh, the one I had most recently in a previous episode, I, I, I was, I was wrapping [00:39:29] up my massage with a human like you do. [00:39:31] And the human said, have you, have you tried our robot massage? [00:39:36] And, uh, I didn't know how to take that. [00:39:38] And I said, I, I've heard of it. [00:39:41] I know Becky tried it. [00:39:43] If you check Becky's, um, Becky Graham, you'll see, uh, there's a video of her, uh, getting [00:39:48] felt up by a robot. [00:39:50] Uh, I forget the name of the company, but it's, it's, uh, it's like a robot that tries to simulate [00:39:59] the experience of a human massaging you. [00:40:02] So it's, uh, you're on a bed, you're face down. [00:40:06] It's, uh, got arms that kind of go back and forth, uh, on a track and they, they push and [00:40:13] whatnot. [00:40:13] And it kind of reminds me of the white birthing robot from star Wars episode three at the end [00:40:21] when, when Luke and Leah are being born, it does everything short of make the cooing [00:40:26] sounds to get the babies to calm down. [00:40:28] You know, like I, you do have a tablet and you can, you can pick out these pre-baked Spotify [00:40:34] playlists while it's pushing on you. [00:40:36] Anyway, all that to say, I signed up, um, mostly cause it was free. [00:40:41] So I had a 30 minute trial and, uh, the fact is trying to imitate humans was really interesting [00:40:49] to me because I had just spent a month in Japan, uh, getting, uh, what'd you call it? [00:40:54] Uh, massage chairs, our hotel chain that we stay at has always has massage chairs and even [00:41:01] bad massage chairs in Japan are pretty intense. [00:41:03] Uh, uh, but, but good ones are just like, you know, you go in there and it's just like, [00:41:09] I'm sure there's been, you've probably seen a horror movie image, right? [00:41:13] Where it's like, you sit in a chair and then like 25 hands grab all the parts of your body [00:41:18] simultaneously and that is meant to be horrific. [00:41:20] But if those hands, if there was some nice music playing and it was illuminated and those [00:41:25] hands were massaging you simultaneously all over your body, maybe it would be pretty, pretty [00:41:29] great. [00:41:29] And so that's what a Japanese massage chair is like. [00:41:33] Cause they, they don't have this arbitrary conceit that a massage must happen in a format [00:41:39] that resembles how it would happen if a single human on a bed surface was rubbing your tiddly [00:41:45] bits, which is what this robot is. [00:41:49] Right. [00:41:49] And so it's trying to think of another analog, right? [00:41:55] Like where we, we kind of retain the artifice of the way that it used to be before we automated [00:42:00] it. [00:42:00] And, and in some, sometimes we do that to keep people being comfortable like that rich [00:42:05] Corinthian leather. [00:42:06] It's like, we wanted to look like a traditional calendar. [00:42:08] So people know what they're looking at instead of just a bunch of boxes. [00:42:11] It's like, Oh yeah, this looks like a placemat style calendar that I would have had on my desk. [00:42:15] And then eventually that ages out. [00:42:16] And the younger people are like, I've never seen a calendar on a desk, even though my dad [00:42:20] grew up with one, you know? [00:42:24] So maybe that's it, right? [00:42:25] Like, like sometimes that's why we would have a robo massage that like, you know, pressures [00:42:31] and needs you, you know, kind of with just the two arms up and down in particular points, [00:42:35] sometimes at the same time, sometimes just one arm, you know, it's, it's, it's less efficient [00:42:41] is my immediate frustration. [00:42:43] Cause it's like, you could have 45 fucking arms going to town all over my body and I'd [00:42:49] get way more work done in 30 minutes. [00:42:52] Right. [00:42:52] Cause I'm just trying to min max my existence, but instead by, by, by, by imitating a human [00:42:59] massage, like nothing is really gained because I can't see it. [00:43:03] I'm facedown. [00:43:04] I'm looking at a silly tablet and watching imagery, imagery of forests and, and, and ocean waves [00:43:10] and whatnot, and I'm kind of getting a, you can look at a weird overhead view of what [00:43:14] your body is looking at, looking like right then, you know, like it scans your body and [00:43:19] then has like a little illustration of like, here's where I'm pushing you. [00:43:21] Here I go. [00:43:22] It's, it seems more to me like they designed this, you look at this unit and it's just like, [00:43:31] this has got to cost at least 15 grand. [00:43:34] This is an expensive, complicated piece of equipment. [00:43:38] It feels like a lack of imagination, uh, to, to somebody had the idea, let's take human [00:43:47] masseuses out of the equation and just make a robo masseuse thing that we could put in spas [00:43:53] when, uh, you'd actually have a better experience. [00:43:56] It would be cheaper. [00:43:57] And there's like more prior art at Panasonic or these other companies in Japan. [00:44:01] If you just made a, you know, massage chair, but that would be boring, I guess. [00:44:08] Uh, and massage chairs, like you, you hear the word massage chair right now as you're listening. [00:44:13] And if you haven't had like a real one, you know, at a Japanese Denki-yasan on the third [00:44:17] floor, where all the salary men on their way home tell their wives, oh, I got a, I got a big meeting [00:44:24] with the boss and then they go to, they go to Yamada Denki or they go to Yodabashi camera. [00:44:28] And then they just, you know, they take their briefcase and they set it down next to one of the [00:44:33] trial units of the massage chair. [00:44:34] And then they, they, they, they, they go into this little like sensory deprivation pod and [00:44:39] they get all their bits smushed simultaneously and they got a remote control and they can [00:44:45] say, just do it hard. [00:44:46] And then they can forget their worries for, for 15 minutes until, uh, one of the staff has [00:44:52] to remind them that, uh, they don't live there and that they have to go home now. [00:44:56] If you haven't had that experience, uh, you probably, when you hear a massage chair, think [00:45:02] of like those $2, you know, leather chairs that are, you know, just like our just normal [00:45:08] fucking chairs that may be vibrate, like the vibrating bed equivalent that you see at an [00:45:12] airport. [00:45:12] Um, this is not what I'm talking about. [00:45:15] So get your head out of there and, and go Google, you know, for high end Japanese massage [00:45:22] chair, and you might get some idea. [00:45:24] Uh, also I, uh, in the course of a 30 minute massage, I encountered so many fucking Android [00:45:32] tablet bugs. [00:45:33] I, I didn't, I gave them a lot of feedback cause they, this is sort of a trial that they're [00:45:37] doing. [00:45:37] They wanted to want to know how, what I thought. [00:45:40] And I gave them a lot of this perspective and feedback about like, well, you know, this [00:45:44] skeuomorphic design, yada, yada. [00:45:45] But I didn't even touch any of the software stuff. [00:45:49] Cause like there's an absolutely nothing that they're going to be able to do with that much [00:45:52] less like they won't even be able to communicate this back to the company in a way that's helpful, [00:45:55] but it was, you know, it would freeze or the display would become non-responsive. [00:46:01] One time I had the music just turn itself all the way up. [00:46:05] The, um, the, so many things about this design are meant to make you feel comfortable are [00:46:13] meant to make you feel safe. [00:46:14] Like if, if you, it moves at all, or if it detects anything is off at all, it basically [00:46:20] like will, will disengage entirely and reposition itself. [00:46:23] And then you have to actively resume the massage. [00:46:26] And then it's got to put the little flappy doos back over you. [00:46:30] Like it's really worried about people flipping out about this robot pressing up against them. [00:46:36] And it extends to, to like, you know, you pick your firmness, like light, medium firm. [00:46:41] And I clicked firm. [00:46:42] And then there, you could see there was like a little like pressure bar on the right. [00:46:47] And that even though I'd clicked the firm preset, I wasn't at a hundred percent pressure. [00:46:52] And I was like, well, that, that won't do. [00:46:54] And so I jacked it up to a hundred percent right out of the gate. [00:46:56] And the whole time, 30 minutes, like you could, uh, [00:46:59] Hmm. [00:47:01] It, I knew that a massage was happening. [00:47:05] Like I knew when contact was being made, but like, it was not a massage. [00:47:08] It was, it was somebody kind of like, like, like back rub would be generous. [00:47:14] It was like somebody like took an open palm hand and just pressed it. [00:47:18] Just, just, just an obnoxiously against different parts of my body and no firmness beyond that. [00:47:26] So you got a robo massage. [00:47:29] It's limited in what it can do. [00:47:33] Cause it's trying to imitate a human. [00:47:34] It's very worried about liability, which is why I imagine the max firmness is light pressure. [00:47:39] Uh, and it's fussy and it's buggy. [00:47:42] And of course it can only do very limited regions of the body. [00:47:45] Like if I was a massage therapist, I'd be like, Hey, sweet. [00:47:49] You know, I'm going to keep having a job longer than all these programmer juckle fucks. [00:47:52] You're going to get replaced by a Claude and open AI. [00:47:56] So I'm, I'm, I'm, I'm confident that a massage therapist is going to be a, a lucrative, you [00:48:03] know, going concern as a career for a little while programming. [00:48:08] I'm not so sure of, but most of us listening have already made our choice, whether we're [00:48:14] going to be massage therapists or programmers. [00:48:16] So we're just going to have to see how this, how this plays out. [00:48:19] All right. [00:48:20] Well, that's all, that's everything going on in my life. [00:48:23] So let's, uh, well, let's follow up on stuff that had been going on in my life and is now [00:48:30] continuing or is once again, I started to realize that there's a, there's a certain theme to this [00:48:37] show. [00:48:37] Hmm. [00:48:38] All right. [00:48:46] There's basically two major areas of follow-up today. [00:48:51] Um, but somehow the two of them take up 11 bullet points in my notes. [00:48:59] So I'll try to be expeditious. [00:49:02] The first is I bought a, uh, M4 pro MacBook pro, I guess an Apple nomenclature, a MacBook pro [00:49:13] left parentheses, 2024, right parentheses with M4 pro. [00:49:19] I think is probably maybe the 2024 is at the end. [00:49:22] Maybe they don't put the date now that they have the chip name. [00:49:25] In any case, I needed a computer that was built for Apple intelligence, which is how they also, [00:49:32] they crammed that in the fucking name. [00:49:34] Um, and like the, every subheader says Apple intelligence on it, which, you know, I mean, [00:49:40] if you're, if you're a marketing dude, it's the thing that, you know, like you gotta, every [00:49:48] year is a struggle to goose people into, to buying computers. [00:49:51] And, uh, it's been a while since they've had anything new to say that your computer can do. [00:49:56] So it makes sense, but come on. [00:49:59] It can't even make Genmoji yet. [00:50:02] Uh, just if you've, if you've downloaded it, used 18.2 iOS or iPadOS, uh, go turn on the, [00:50:13] um, you know, the AI feature, if it's available in your region and language, and then you open [00:50:19] the image playground app and you click through there and let it download all of the image [00:50:24] playground shit, uh, in particular, the image playground itself, where you can take a person [00:50:30] and a place and kind of like, you know, create sort of a, uh, a witch's brew of bad imagery [00:50:35] and then, and then have a keep swiping to the right as, as they just all look bad that I have [00:50:43] no, no need for, but Genmoji, or at least the promise of Genmoji, I like quite a lot. [00:50:49] I enjoy, you know, um, typing in little like name, like, so we were at the parks, uh, with [00:50:57] our friends last week and it was a Jollywood Knights event, which is also Gatsby themed. [00:51:06] There's a reason why ordering 1920s era costumes on Amazon in Orlando was like not an overnight. [00:51:13] It was like a two, three day leg because this, this Jollywood Knights 1920s era themed, uh, [00:51:21] ticketed event at Hollywood studios has been going on. And it was one of those nights. And so some [00:51:26] flapper lady in line, she had a purse that had a phone handle on it. And her husband, who now that [00:51:34] I think back on this was dressed very similarly to how I dressed myself last night. So something tells [00:51:39] me he was sort of a long for the ride in this, she picked up the phone handle off of her purse and [00:51:46] handed it to Becky. And then he, you could sort of see him on the phone being a bad ventriloquist [00:51:53] and talking to her on the phone. So like his cell phone was somehow communicating to the purse phone. [00:51:59] It was very, it reminded me of get smart, you know, like that spy TV show from the sixties that was on [00:52:05] Nick at night in the eighties or nineties when I would have watched it. Uh, of course it didn't [00:52:10] work. And then we were just in line and it was like, sorry, we're in line. It didn't work. And then, [00:52:14] and then of course the way that lines work, right. As you turn left, turn right. And now it's up, [00:52:18] here's the same people again. And so they're like, all right, try again. So she picks up the purse [00:52:23] phone and here's the guy talk. And she's like, yes, this is indeed a telephone. That is a purse. [00:52:28] My reaction, my contribution to this experience was to try to generate a Genmoji for the group [00:52:35] that I was with. That was like purse phone. And, uh, wouldn't you know it, uh, it struggled to like, [00:52:43] I was like purse with a phone handle on top. And it was, it gave me like one with like a, [00:52:49] like a locker combination lock instead of a rotary dial in the middle. It was all, it was not, [00:52:54] not good. And, and I think like a lot of these Genmoji, in addition to being bad and not good, [00:53:01] they are when they, there's, they have to be so detailed because usually it's people mashing up [00:53:07] different concepts. They have to be so detailed that when in line with texts, you have to squint [00:53:12] and you can barely see what they are. And then if they're as a tap back, you have no hope of knowing [00:53:16] what they are. Like if it's of a person, for example, like it's, you're going to get like 80% shirt [00:53:21] and then like 10% head. So you're not going to be able to tell who's what. Uh, so those need work [00:53:27] and no one wants my Genmoji. My, my brother has formally requested. I stopped sending them and, [00:53:32] uh, I will, I will take that request under advisement. Anyway, uh, bought a MacBook pro. Um, [00:53:42] Oh, I've got a, I've got a parenthetical as a C notes. All right, well, here's eight more bullet [00:53:50] points. I'm going to rattle through these. So Becky, actually, it was her idea. She wanted to [00:53:54] get me this. We were in Japan. She's like, Hey, you know, I heard you talking about the nanotexture [00:53:57] display. And like, of course, you know, the, the, the brighter screen and us being in Orlando, [00:54:01] you never use a computer outside or out of the house. So she wanted to buy it. And she said, [00:54:06] it was just really complicated. I didn't want to fuck up. I didn't want to get you the wrong set of [00:54:09] options. I asked Aaron and Aaron didn't know either. He said he hadn't really been on top of it. [00:54:16] Uh, and I was like, honey, that's so I didn't say like, bless your heart. I, it was a such a sweet [00:54:23] gesture. And it is true that I've been curious about it. Um, but I didn't feel like, uh, I had [00:54:30] to get one right this minute. Uh, and, and honestly, the, the, the 14 inch MacBook pro is still too heavy. [00:54:36] I, I, I, I lifted tonal my, my weightlifting robot, uh, reported in my tonal wrapped because [00:54:46] everything has to do a goddamn wrapped dingus to try to share in social media as if like, you know, [00:54:52] one assumes that all these wrapped posts just go to the goddamn bottom of every algorithm because [00:54:57] they're all the same. But in any case, it showed me a little wrapped video and it said, I wait, [00:55:02] I, I lifted one and a half million pounds last year or over the course of 2024. And I was like, [00:55:07] that's a lot of weight that I lifted. I, yesterday I did the equivalent of like, you know, 250, [00:55:12] 275 pound deadlift barbell deadlift. And that was hard, but not too hard. It's the max weight that, [00:55:20] that tonal can do. Um, I, I, I, I like to think I'm pretty strong now. Uh, that four pound fucking [00:55:31] MacBook pro is backbreakingly heavy, no matter where I am, I'll pick it up and like, that is denser than [00:55:40] it looks. It's a, it's like when you pick up a baby, that's like a little bit too dense, you know, [00:55:46] and you're just like, Oh wow. I was expecting this to be more fun. This is just going to give [00:55:51] me pelvic floor problems. If I do this for more than exactly 30 seconds and then hand it back to [00:55:57] its mother who surely has pelvic floor issues. Um, I don't want to be carrying around this MacBook pro. [00:56:05] I don't want to carry it with my arms. I don't want to carry it in a bag. I don't want to carry it [00:56:09] into the car. I don't want to carry it, you know, uh, in a Starbucks. I want to hire a Porter to [00:56:16] bring it around to me, you know, from place to place. Maybe, maybe they could also saddle up and [00:56:23] have a, uh, vision pro. So that's what I really want. Uh, at least until, and unless Apple releases [00:56:30] the 12 inch MacBook pro, uh, that we were promised in our early years. [00:56:34] Anyway, when Becky said that it was hard to configure and figure out what she'd want to order [00:56:43] or what I would want her to order. And as a result would have made a pretty lousy gift because [00:56:49] the likelihood of her getting it right. Where if you look at the number of configurations for these [00:56:53] seeing this thing, like astronomically small, I actually spent, I sat down, I look, I, I said, [00:57:01] I didn't need the thing. And then I come home and then within a day and a half, uh, my MacBook air is [00:57:07] crying because it's out of storage to the point where like I composed an email and I hit send on the email [00:57:12] and then Apple mail reported, yo, we just barfed on all this and just deleted all your shit. Cause we [00:57:17] ran out of disk space, no warning. And in modern day Mac OS, you don't get to know how much disk space [00:57:23] you have because all of it is like optimized storage. So like whether it's your iCloud drive [00:57:29] or it's your Apple photos, once the system is under any sort of, um, storage stress, it'll, [00:57:35] it's supposed to detect that and start deleting shit. Your phone does this too. So sometimes like [00:57:41] you're like, like I was importing a bunch of raw images on the phone and it said, Oh, you're out of [00:57:45] storage. And then I knew, because I know how it works under the hood, even though it exposes zero [00:57:49] controls or visibility as to what is going the fuck on. I knew that when it ran out of storage, [00:57:54] the right solution was sit and wait for 30 seconds while it deletes shit in the background and then [00:57:59] just hit import again. Right. Well, I, that didn't work in this case. Like I actually went and deleted [00:58:05] like a hundred gigabytes of garbage. It's a small SSD. It's a 512 gigabyte MacBook air. I deleted all this [00:58:11] stuff, but, um, from my iCloud drive on another computer, because this one was finder was completely [00:58:17] unresponsive. Uh, and it never got better because it had suspended all iCloud drive syncing as a, [00:58:24] probably like some sort of like memory safeguard or storage safeguard to like make sure I didn't, [00:58:27] it didn't fuck up anything in the cloud. And so like even going, I'm not going to, [00:58:33] most of that storage was in my iCloud drive, which is how it got full while I was overseas. [00:58:38] And when I came back, I, I didn't have like, I could, I could have gone through and like run [00:58:47] RM dash RF from the terminal and deleted stuff from the iCloud drive to like as a, as an emergency break, [00:58:52] like get, get this SSD empty enough that the operating system can run and then figure it out. [00:59:00] But then of course it would have synced all of those deletions up to the cloud and deleted the [00:59:03] same things off of my other computers. So this is a tractable problem. And I, I, I ultimately did solve [00:59:10] it, but I, I realize now why Apple markets so much of its pro devices to photos and video people, [00:59:20] because photos and videos take up a shit ton of space. Uh, they have different performance [00:59:26] characteristics than programming and, and the, their needs in many ways are higher than what you need. [00:59:33] If you're just writing Ruby code, right? Uh, it just so happens that Swift, the programming language [00:59:38] that they wrote is also like, we'll, we'll take advantage of all of these cores during compilation [00:59:42] in a way that like a lot of local development in other languages won't. [00:59:45] But in my last year of doing a lot more video work, doing a lot more audio work, I can definitely [00:59:52] understand now like, Oh yeah, like the, the MacBook air actually is inappropriate for a lot of the [00:59:57] workflows of the things that I do. So that experience, I came to Becky and I was like, look, I know I said [01:00:05] I didn't need this, but I think I might need this. Um, where need is in very, you know, very gentle [01:00:12] text. It's, it's a thin font variant to say, I need this. What I mean to say is like, I, it would save [01:00:19] me a lot of time and stress and headache and, uh, uh, rework to have a better computer, a more [01:00:26] capacious computer. And of course you can't upgrade the storage and your existing max. So here we are. [01:00:32] Um, but anyway, I was in the configurator for the new MacBook pro. And the first decision you got to [01:00:36] make is do I want a regular M4 chip, which I did not, or one of the pro ones, which is a, you know, [01:00:43] 12 or 14 core. I want to say a chip, uh, which is a huge upgrade over the M3 pro the M3 pro had a way [01:00:53] more efficiency cores and the M4 pro has more performance score. So it's like a, it's doing [01:00:57] much better in synthetic benchmarking that that's impressive. It's a big year over year change or the [01:01:02] M4 max, which is, you know, uh, an incremental improvement over the M3 max, but to the extent [01:01:10] that it's better than the pro it's like, you know, got another meat and quote unquote media [01:01:14] e

In the 1990s four Canadian women dominated the charts, each with their own style and type of music. On this episode of History of the 90s we continue looking back at the era as we dig into the musical journeys of Sarah McLachlan and Alanis Morisette.    Guest Info:  Andrea Warner, author of "We Oughta Know: How Celine, Shania, Alanis and Sarah Ruled the 90s and Changed Music and co-host of the Pop This! podcast.  Show Info:  Instagram: @that90spodcast   TikTok: @90spodcast  Email: 90s@curiouscast.ca  Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on Residue we explore the eerie world of songs that were inspired by true crime cases. This episode features songs by Sarah McLachlan, Nirvana, Sherman Kelly, and Boomtown Rats. You might be surprised by the real story behind the songs you've been humming all these years. SOURCES:https://americansongwriter.com/the-unhealthy-fan-obsessions-that-inspired-sarah-mclachlans-possession/https://www.treblezine.com/sarah-mclachlan-possession-fame-dark-side/https://en.wikipedia.org/wiki/Polly_(Nirvana_song)https://ultimateclassicrock.com/story-songs/https://en.wikipedia.org/wiki/Cleveland_Elementary_School_shooting_(San_Diego)https://thebigboardblog.wordpress.com/2016/09/26/this-is-not-a-love-song/https://vinyldialogues.com/VinylDialoguesBlog/the-traumatic-experience-that-inspired-the-hit-dancing-in-the-moonlight/https://americansongwriter.com/meaning-behind-dancing-in-the-moonlight/https://www.ultimate-guitar.com/articles/features/the_incredibly_disturbing_real-life_story_behind_nirvanas_polly-134482https://www.youtube.com/watch?v=pktAYAk-q1chttps://faroutmagazine.co.uk/tragic-events-led-to-nirvana-song-polly/https://news.google.com/newspapers?id=CENYAAAAIBAJ&sjid=5PkDAAAAIBAJ&pg=5160,21359https://en.wikipedia.org/wiki/Dancing_in_the_Moonlight#:~:text=%22Dancing%20in%20the%20Moonlight%22%20is,on%20the%20Billboard%20Hot%20100.https://americansongwriter.com/the-meaning-and-tragic-kidnapping-behind-one-of-nirvanas-darkest-songs-polly/Dancing In The Moonlight written by Sherman Kelly Polly written by Kurt Cobain/Nirvana 18 and Life by Skid RowI Don't Like Mondays by Boomtown RatsPossession by Sarah McLachlan Send us a textEmail Residue: residuepodcast@gmail.comFind RESIDUE online:Instagram: @residuepodcastTik Tok: @residuepodcast Facebook: Residue:A True Crime Podcast Credits: RESIDUE is Hosted/Produced/Researched/Edited by Chrissy Champagne THEME SONG: "Dance Of Death" by Purple Planet Music collection written and performed by Chris Martyn and Geoff Harvey. Additional music provided by Epidemic Sound. Residue logo designed by Tricia Cappelli

Please join me as I paint my musical watercolor on a late afternoon in late November on this weeks Whole 'Nuther Thing on KXFM 104.7. Joining us are Pat Metheny, Talking Heads, Christopher Cross, The BoDeans, Linda Ronstadt, Spirit, King Crimson, John Hammond Jr, Sarah McLachlan, Taj Mahal, John Mayall, Chicago, XTC, The Everly Brothers, Sweet, Steve Miller Band, Procol Harum, The Knack, Bonnie Raitt, J. Geils Band, Grass Roots, Big Brother & The Holding Company, Blood Sweat & Tears, The Motels, Electric Flag, Hollies and Simon & Garfunkel...

In the 1990s four Canadian women dominated the charts, each with their own style and type of music. Over the next two episodes of History of the 90s, we are looking back at their journeys to fame and success in a male dominated industry. These are the stories of Celine Dion, Shania Twain, Sarah McLachlan and Alanis Morissette. Guest Info: Andrea Warner, author of "We Oughta Know: How Celine, Shania, Alanis and Sarah Ruled the 90s and Changed Music and co-host of the Pop This! podcast. Show Info: Instagram: @that90spodcast   TikTok: @90spodcast Email: 90s@curiouscast.ca Learn more about your ad choices. Visit megaphone.fm/adchoices

And with this, we send the final presidential candidate into the sunset. See omnystudio.com/listener for privacy information.

This week, Frank took a personal day, so Brian was joined by our good friend Cory Gee. Brian tries his hand at doing the intro and then the guys revisit wrestler-dildos and talk about collectible Playboys. Cory educates Brian about Pavlov's Dogs and Mötley Crüe's drummer. Brian talks about performing for Sarah Mclachlan's audience and causing her Laryngitis. They talk about the show they're running at The Radisson (in Warwick, RI). Cory shares an idea for a brand new type of comedy show, which Brian poops on while speaking Japanese. Then in a surprising turn of events, Brian coaches Cory on how to accept a compliment. Tune into our PATREON episode this week to hear the rest of the conversation! Go to StonerDadPodcast.com for links to each show, our Patreon, and all things Stoner Dad. #StonerDad #StonerDadPodcast #BrianBeaudoin #CoryG #PavlovsDogs #MötleyCrüe #SarahMclachlan #TheRadison #StandupComedy #Comedy

---Our Guest: Robin Hackett Follow/Subscribe Youtube Channel  @RobinHackett  --Robin Hackett is a naturally gifted singer, songwriter and author who brilliantly conveys inspiring, heartfelt messages through her music and words. She has toured Europe and also performs across the US. ---She has the ability to deliver powerful messages with beautiful rhythms that stay with you long after the music ends. Her sound has been compared to artists such as Roberta Flack, Joni Mitchell, Sarah Vaughn, and Sade. Folk Rock, Jazz, and Americana are all home to her. With Robin's ability to expand beyond one genre, it has given her the ability to reach audiences and industry notoriety across multiple media platforms.​ --Her song Hard Left appeared on the CBS Hit Comedy, How I Met Your Mother. She appeared in the JVC Jazz festival in New York and also won a top ten finalist spot for a Sarah McLachlan's Lilith Fair Tour.. ---Robin was featured on CNBC Television and received editorial in Acoustic Guitar Magazine, PC Magazine, and Mac World Magazine. She has ranked on Rollingstone.com charts along side K.D Lang, Emmy Lou Harris, and Roger McGuinn. Her songs gained fan recognition on MP3.com, voted #1 Jazz song and artist for “Saying Goodbye”, #2 Folk song for “Jimmy Dean”, and #3 Folk song for “Come on Love” which features Grammy Award winning trumpeter Chris Botti. Robin has opened for Woodstock legend Richie Havens, Sara Hickman, Keb' Mo', and John Ondrasik/Five for Fighting. Her collection spans 6 CDs of original music. Another CD is in the works. -----Live Chat with Us Every week... -----Music: Audio Podcast : by Daniel Howse : https://www.youtube.com/professorsoramusic ** OneMicNite Theme Song , "Chance" & Background Songs "Kanye" , "Straight Vibing" Host: --Contact/ Follow Marcos on IG/Fb/IMdb/Twitter/TikTok: @MarcosLuis —Show: OneMicNite Podcast with Marcos Luis *Contact/Follow: IG/Fb/Twitter/Tumbler/LinkedIn/Youtube/TikTok @OneMicNite www.OneMicnite.com - - ** Listen to Audio Podcast: Available wherever you download , all digital platforms. . ** Support Us Now: Give "Stars" on Facebook ---Follow/Contact -- The Show: All Social Media Fb/Ig/Twitter/Tumbler/TikTok/ *** watch the episodes on Youtube @OneMicNite & www.OneMicNite.com ****Please Support this Podcast: PayPal/ Zell Pay: MarcosStarActor@gmail.com Venmo @ Marcoso-Luis-1 CashApp : $MarcosLuis1 Please Visit: The AzulesEn Online store to find Products that Compliment your Lifestyle: Link : https://azulesen.myshopify.com/products/onemicnite-signature-logo-unisex-talk-live-pod-tee --- Support this podcast: https://podcasters.spotify.com/pod/show/onemicnite/support

With Felicity graduated from college and back in the present day, it's time to say goodbye to the plucky freshman with curly hair. Juliet, Mandy, and Greg discuss the final two episodes of 'Felicity,' talking about Greg's real-life speech to the cast at the wedding and the absence of Sarah McLachlan in that final scene, where they think Felicity and Ben's relationship would stand today, and more memories from filming the final episodes of the show. Thanks for listening! Hosts: Amanda Foreman, Greg Grunberg, and Juliet Litman Executive Producers: JJ Abrams and Matt Reeves For Bad Robot Audio: Executive Producer Christina Choi, Producer Shaka Tafari For The Ringer: Executive Producer Sean Fennessey, Executive Producer Juliet Litman, Senior Producer Kaya McMullen, Producer Erika Cervantes Original Music: Eric Phillips Sound Design: Kaya McMullen Mixing and Mastering: Scott Somerville Learn more about your ad choices. Visit podcastchoices.com/adchoices

My guest is a musician, songwriter and artist who has never stopped evolving and exploring, from LA to New Orleans to Nashville. Her new EP Fumbling Towards Glory is out now, five years in the making and as she says, is her way of honouring the mess - her mess - of growing up, coming face to face either her own ambition, desire, doubt and experiencing the turmoil and beauty that accompanies is.

Welcome to The Wild Card Podcast!  This is episode 288 of our attempt at this whole podcasting thing!! Today's episode features: Jared Eaton gifting mysteries, Jeff Curtis granting you your weekend, and Ron Blair loving Sarah McLachlan!! Throughout the episode, you'll hear the three of us discuss such varied topics as: the way this podcast is about the SNL 50th Anniversary Season, a Commercial that asks the right questions, Best Documentaries, being thoroughly incompetent, the utility of business cards, and occasionally we part from our tangents to learn about the true story behind the 1982 movie , "Missing!" This week, Jeff takes the guys through the story of Charles Horman and history of the 1973 Chilean Coup!!!  Thank you for joining us on this journey to wherever and we're sure that you'll never miss the truth as you listen to our Coup of a podcast!Please like/subscribe and leave comments below! Let us know your thoughts on the Chilean Coup, your favorite documentaries, any more mysteries you'd like us to dig into, how ready your are for Autumn and Halloween, positivity chains (encourage one another!), any future reports you'd like us to do, and if you are interested in being an official Deckhead!P.S.  “Henry Kissinger is the greatest living war criminal in the world today, with the blood of millions of people in Vietnam and Cambodia and Laos and Chile and East Timor on his hands. He will never appear in a court or be behind bars.”~ George GallowayP.P.S. Stay Safe, Stay Wild, and Bite the Edge!

This week: Life Happenings, Weezer-ings, You Can't Go Home Again, Starbucks Savior, Slow Culture, Hospice, Stiff, Mid-90's Sarah McLachlan, Fox's Doughnuts, Tom Wilcox and His Horrible Death, Halloween Plans, The Northeast is A Godless Land, Catholic Rabbit Holes, Jesus' Step-Dad, “Moderatalism”.  Recorded September 25th, 2024 Bandcamp Store: https://sushijackknife.bandcamp.com/ Cause you need a sticker!  *And a bonus podcast! *And possibly another bonus podcast coming soon!  *And possibly another, another bonus podcast!  Buy us an Old Fashioned via Paypal: sushijackknife@gmail.com  Nathan and Justin's Music: https://judystruckstop.bandcamp.com/ As Always:  Twitter: @SushiJackknife @badlandsbadley @Bob_ThangPod Email: sushijackknife@gmail.com instagram: justindrakecroft, siddandthefinches We would be honored by your support: https://anchor.fm/sushi-jackknife/support --- Support this podcast: https://podcasters.spotify.com/pod/show/sushi-jackknife/support

Another stranger in a strange land song. Our narrator is in a world that he's not accustomed to, where he sees things that are tragedies to him, but everyday occurrences for those involved. What does he do?19th studio album - Roots to BranchesGet your Talk Tull To Me merch here!Talk Tull To Me Patreon & schedule.Art credit: Burton SilvermanMusic credits:“Bourée” - Jethro Tull"Beside Myself" - Jethro Tull"Baker St. Muse" - Jethro Tull"Fylingdale Flyer" - Jethro Tull"Batteries Not Included" - Jethro Tull"Trains" - Ian Anderson"Angel" - Sarah McLachlan Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Join Jessica Sterling (@thejesssterling) and Sara Fergenson (@sarafergenson) as they chat about Season 2 Episode 20 of Felicity, Ben Was Here. They debate what the best board game is, what their "icks" are, and Meghan's Sarah McLachlan theory.Follow us on Twitter and Instagram at @shit90spod.Email us at shit90spod@gmail.comVisit our website at www.shit90spod.comSpecial thanks to JD McGuire (@jdmcguire) for our theme song!Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

For decades—literally since Woodstock—female musicians had battled music-industry perceptions that amassing too many of them, on the radio or on the road, was bad for business. And yet, by the '90s, women were vital to the rise of alt-rock and hip-hop on the charts: from Suzanne Vega to Queen Latifah, Tracy Chapman to Sheryl Crow, Natalie Merchant to Missy Elliott. Sarah McLachlan harnessed this energy into an all-woman tour she dubbed Lilith Fair. Its string of sellouts from 1997 to '99 affirmed women's clout in the decade of grunge-and-gangsta. But the festival was also criticized for its narrow focus and for branding “women's music” as a genre. More than two decades later, Hit Parade assesses the legacy of Lilith on the charts and on the road—how its performers, attendees and musical descendants are helping to ensure the future is female. Podcast production by Benjamin Frisch and Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices

For decades—literally since Woodstock—female musicians had battled music-industry perceptions that amassing too many of them, on the radio or on the road, was bad for business. And yet, by the '90s, women were vital to the rise of alt-rock and hip-hop on the charts: from Suzanne Vega to Queen Latifah, Tracy Chapman to Sheryl Crow, Natalie Merchant to Missy Elliott. Sarah McLachlan harnessed this energy into an all-woman tour she dubbed Lilith Fair. Its string of sellouts from 1997 to '99 affirmed women's clout in the decade of grunge-and-gangsta. But the festival was also criticized for its narrow focus and for branding “women's music” as a genre. More than two decades later, Hit Parade assesses the legacy of Lilith on the charts and on the road—how its performers, attendees and musical descendants are helping to ensure the future is female. Podcast production by Benjamin Frisch and Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices

For decades—literally since Woodstock—female musicians had battled music-industry perceptions that amassing too many of them, on the radio or on the road, was bad for business. And yet, by the '90s, women were vital to the rise of alt-rock and hip-hop on the charts: from Suzanne Vega to Queen Latifah, Tracy Chapman to Sheryl Crow, Natalie Merchant to Missy Elliott. Sarah McLachlan harnessed this energy into an all-woman tour she dubbed Lilith Fair. Its string of sellouts from 1997 to '99 affirmed women's clout in the decade of grunge-and-gangsta. But the festival was also criticized for its narrow focus and for branding “women's music” as a genre. More than two decades later, Hit Parade assesses the legacy of Lilith on the charts and on the road—how its performers, attendees and musical descendants are helping to ensure the future is female. Podcast production by Benjamin Frisch and Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices

We're re-running our favorite episodes from The Business of You archives. If you missed it the first time, or just want to listen again, check this one out! In Part 2 of my conversation with Jonathan Jackson, we dive deeper into his faith and passion for creative storytelling.  If acting, music and writing were all about entertaining people, Jonathan would have left the industry behind a long time ago. Instead, he uses multiple creative channels to weave authentic stories of redemption, grace and humanity for others - through song, spoken and written word.  While Jonathan still acts, he primarily builds his influence on the foundation of storytelling in every form it takes, with poetry and music taking center stage.  Jonathan recently released a new book called The Harrowing of Hell: An Epic Poem exploring what happened between Christ's crucifixion and resurrection. To Jonathan, it is the story of the Hero of Heroes. He has also authored other books including a work of Mystical Poetry entitled “Book of Solace and Madness” and the non-fiction prose “The Mystery of Art”, which has been translated into multiple languages.  His band Enation has performed alongside artists such as Echo & The Bunnymen, Sarah McLachlan, Echosmith, and more. Their newest album, Ultraviolet Empire, was released in the fall of 2020 and was co-produced by GRAMMY® Award-winning producer Colin Linden.  Jonathan Jackson is a five-time EMMY® Award-winning actor and Critics' Choice Award nominee who has starred in numerous TV and films, including ABC/CMT's hit drama “Nashville” (2012–2018), “General Hospital” (1993–1999, 2009–2011, 2015), “Tuck Everlasting” (2002), “The Deep End Of The Ocean” (1999), “Insomnia” (2002) and “Dirty Dancing: Havana Nights” (2004). He also appeared in episodes of “One Tree Hill”, “Boy Meets World”, “The Twilight Zone” and “Terminator: The Sarah Connor Chronicles.” Trust the timing Jonathan Jackson is a believer in divine timing.  Rather than many business strategists who will tell you that there is a “right” or “wrong” time to put your work out into the world, Jonathan recommends that we as entrepreneurs turn inwards. Do you feel like the work is done - and is the world actually ready for it? Do the conditions feel right to you?  Jonathan has multiple albums, several books and even some screenplays that await the right conditions. They are in various stays of completion, but they all have one thing in common - it's not the right time yet.  In this episode, Jonathan serves us a welcome reminder that much of life and business is about timing.  Don't be afraid to explore your interests If you're someone with varying interests, it can be easy to cave in to others' advice to just choose one focus. But Jonathan Jackson gives us his honest advice: Don't.  In his young adulthood, Jonathan was an actor while he sought to learn songwriting, screenwriting and more. He never lost sight of his own passions and followed every thread as far as he could, creating new spaces for his own exploration. The results have been incredible. With his most recent book he released an original score of music and occasionally hosts live performances honoring the work. SImilarly, he believes that we can all weave our passions together when the timing is right. Rather than seeing our interests as boxes we have to fit into, he encourages us to stay open minded and see the broader picture. Your interests may seem disparate now, but how could they be woven together in new and innovative ways? Those are the questions worth asking in life.  Soundbytes 4:53 - 5:26 “I look at art and poetry and storytelling as all one reality. To me Christ is the great storyteller. He is the eternal poet, the master of story. You can't get a greater story than the story of Christ. The beauty, tragedy and triumph.” 7:59 - 8:17 “I don't feel like every project has to be overtly religious in any way, shape or form to be beautiful. I just want it to have some kind of meaning. Some kind of honesty about the human condition.” Quotes “I had these deep experiences with Christ. To be, theology is beauty, and poetry. It's not about a religion, it's about life.” “When I'm looking at music, storytelling or films, I can't see the world outside of the beauty and challenging reality of Christ.” “Orthodoxy has helped me to see the whole world as a sacrament.” “When I was younger I was looking at it like acting was the central focus of my income. But I saw the writing on the wall a long time ago, that that was not going to be enough for my soul. Developing my writing and music was a way of engaging with the world in these other ways.” “There is a strange kind of tension between the flurry of inspiration, creating things, and waiting. We have four albums we've created and not released yet, because we're waiting for the right time. I have a handful of books that have been written and screenplays - we don't know what we're doing, really. There is intentionality and prayer and vision, but we're trying to be flexible.” “As a writer, I want to live in it for a while, go away from it and come back. Again and again. It's a testing thing, a maturation process with a particular work. My lived experience finally matches the intention of the work.” “I've learned over the years that the music and the story is about connecting with someone's soul and heart. That's the stuff I care about.” Links mentioned in this episode: Visit Jonathan Jackson's Website at https://www.jonathanjackson.com/  Find Jonathan on Facebook at https://www.facebook.com/JonathanJacksonHQ/  Follow Jonathan on Instagram at https://www.instagram.com/jonathanjacksonhq/  Subscribe to Jonathan Jackson's Youtube channel at https://www.youtube.com/channel/UC4KKxEIbF5kAGOSi26Nx3Bg 

We're re-running our favorite episodes from The Business of You archives. If you missed it the first time, or just want to listen again, check this one out! Jonathan Jackson was a child actor in the 1990's and early 2000's. But since then, he has become a powerful artist, musician and creator. Now on The Business of You, Jonathan is sharing his unique story - including his journey to faith, fame and personal growth.  Jonathan Jackson is a multi-faceted artist who creates meaningful art pieces through music, film, and the written word. He is a five-time EMMY® Award-winning actor and Critics' Choice Award nominee who has starred in numerous TV and films, including ABC/CMT's hit drama “Nashville” (2012–2018), “General Hospital” (1993–1999, 2009–2011, 2015), “Tuck Everlasting” (2002), “The Deep End Of The Ocean” (1999), “Insomnia” (2002) and “Dirty Dancing: Havana Nights” (2004). He also appeared in episodes of “One Tree Hill”, “Boy Meets World”, “The Twilight Zone” and “Terminator: The Sarah Connor Chronicles.” His indie band Enation has performed alongside artists across the musical spectrum, including post-punk legends Echo & The Bunnymen, the iconic Sarah McLachlan, Echosmith, and more. Their new album, Ultraviolet Empire, was released in the fall of 2020 and was co-produced by GRAMMY® Award-winning producer Colin Linden.  Jonathan is also a published Author. His current books include a work of Mystical Poetry entitled “Book of Solace and Madness” and the non-fiction prose “The Mystery of Art”, which has been translated into multiple languages. Jonathan resides in Ireland with his wife, Elisa, and their three children. He enjoys Greek coffee, good wine, and music. Navigating fame at an early age At just 11 years old, Jonathan left his idyllic childhood in Washington State to work as a child actor in California. Starring in “General Hospital”, he gained notoriety as a soap opera star and quickly began to book other roles.  Working in television and movies, Jonathan had a workload that exceeded that of most grown adults. He knew that if he did not anchor himself in his relationship with God and his connections to his family, he would be swept away. With wisdom beyond his years, Jonathan turned to creative self-expression to set himself free. He collaborated with his brother Richard to compose original music, learn new instruments and write screenplays. Laughing, he explains that he had to begin writing because many of the ones he read were not very good.  Rather than fall victim to the clutches of a dark industry, Jonathan used music and writing to guide himself towards the light. It became the foundation for his life's work. Creativity is a divine gift Self-expression became the basis on which Jonathan connected with others and with his higher power.  Channeling his gifts into music and written words, Jonathan became a known artist and musician with his band, Enation. Since the band's inception in 2003, they have toured periodically and continued to produce new work. Jonathan is the band's frontman, writing most of the songs in addition to singing, playing guitar, and playing the piano. While navigating fame and building a career as a musician, Jonathan was also on another personal growth journey - his quest to deepen and explore his faith. For more of Jonathan's story, be sure to tune in next week for Part II of Jonathan's story here on The Business of You! Soundbytes 11:49 - 12:20 “Writing began very early on. Richard, my brother, is 3 years older than me. My brother and I started writing our first screenplay when he was 15 and I was 12. The inspiration was that some of the scripts we were reading weren't very good. We had this feeling early on - like, we can't just sit around and wait for good projects to come our way.” 12:29 - 12:57 “I started writing songs at 11 or 12, at the same time I started acting. It was a way of keeping me sane, and it was a therapeutic thing. At that age it's just a hobby. It turned into starting a band in our late teens!” 15:28 - 16:23 “One of the things acting gave me at a young age - and there's been a lot of studies about the brain and neuroplasticity - that can happen. When you put yourself in certain situations. People looked into it, the neuroplasticity of the brain changes for actors when you play other characters and perform things. It opened me up to the world. At a very young age I had to think and feel, asking so many questions about how others see the world - and what their fears and desires might be. Human psychology became part of my world at a young age.” Quotes “I'm more of an introvert, definitely. I'm fascinated by the introvert/extrovert dynamic. I'm not sure how much is nature versus nurture. I was extroverted as a child and became more introverted when I started acting. I do love people, communicating and connecting one on one.” “Too much attention, positive or negative, is kind of negative. It's going to kind of attack your ego and put you in a false reality. And if you have too much criticism and judgment, you're potentially in extremes when you have any kind of spotlight. Searching for an equilibrium was my main focus throughout my teenage years. How do I remain sane through all that?” “I glimpsed where my life could go if I wasn't careful. A massive wave could pick me up and destroy me, if I didn't position myself carefully. I thought, I need to anchor myself.” “My brother was my closest friend, growing up. I was grateful that we had each other to walk through the madness of LA and the industry together.” “I was slowly, slowly feeling like something central was missing in my experiences in Protestant churches. Wonderful people most of the time, good intentions. But something about the church itself, I just didn't understand it. There were so many versions. You start looking around and think, this is very confusing. The sense of something missing was not connected to Christ Himself, it was the vagueness of the church.” “The modern question is, what do I believe? It sounds like an important question. But the real question if you have any approximation to Christ is, what do Christians believe, and what have they always believed?” Links mentioned in this episode: Visit Jonathan Jackson's Website at https://www.jonathanjackson.com/  Find Jonathan on Facebook at https://www.facebook.com/JonathanJacksonHQ/  Follow Jonathan on Instagram at https://www.instagram.com/jonathanjacksonhq/  Subscribe to Jonathan Jackson's Youtube channel at https://www.youtube.com/channel/UC4KKxEIbF5kAGOSi26Nx3Bg   

Steven Rinella talks with Charles Whitman and John Stallone of HOWL, Ryan Callaghan, Maggie Hudlow, Brody Henderson, Randall Williams, Phil Taylor, and Corinne Schneider.  Our new video series, Whitetail EDU with Mark and Tony; tune into our brand new, live-streamed podcast, ME Radio, Live!; Turks and Caicos walks its law back; two different correct pronunciations of “Roosevelt”; bipartisan support for the expansion of nuclear power; Chetiquette on how to deal with a nuisance turkey; a wolf saga in Wyoming and wanting to see ethical predator management; being a tree-hugging hippy redneck; how you can't bring a harvested mountain lion from another state into California; the problem of ballot box biology; Sarah McLachlan's hits; manipulative anti-hunter billboard campaigns; conservation vs. convenience; the Land Back Movement; coming from different angles but landing at the same conclusion; the difference between feral and wild horses; management practices and balance; the merits of salvage requirements; and more. Connect with Steve and The MeatEater Podcast Network Steve on Instagram and Twitter MeatEater on Instagram, Facebook, Twitter, and YoutubeSee omnystudio.com/listener for privacy information.

For decades—literally since Woodstock—female musicians had battled music-industry perceptions that amassing too many of them, on the radio or on the road, was bad for business. And yet, by the '90s, women were vital to the rise of alt-rock and hip-hop on the charts: from Suzanne Vega to Queen Latifah, Tracy Chapman to Sheryl Crow, Natalie Merchant to Missy Elliott. Sarah McLachlan harnessed this energy into an all-woman tour she dubbed Lilith Fair. Its string of sellouts from 1997 to '99 affirmed women's clout in the decade of grunge-and-gangsta. But the festival was also criticized for its narrow focus and for branding “women's music” as a genre. More than two decades later, Hit Parade assesses the legacy of Lilith on the charts and on the road—how its performers, attendees and musical descendants are helping to ensure the future is female. Podcast production by Benjamin Frisch and Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices

For decades—literally since Woodstock—female musicians had battled music-industry perceptions that amassing too many of them, on the radio or on the road, was bad for business. And yet, by the '90s, women were vital to the rise of alt-rock and hip-hop on the charts: from Suzanne Vega to Queen Latifah, Tracy Chapman to Sheryl Crow, Natalie Merchant to Missy Elliott. Sarah McLachlan harnessed this energy into an all-woman tour she dubbed Lilith Fair. Its string of sellouts from 1997 to '99 affirmed women's clout in the decade of grunge-and-gangsta. But the festival was also criticized for its narrow focus and for branding “women's music” as a genre. More than two decades later, Hit Parade assesses the legacy of Lilith on the charts and on the road—how its performers, attendees and musical descendants are helping to ensure the future is female. Podcast production by Benjamin Frisch and Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices

For decades—literally since Woodstock—female musicians had battled music-industry perceptions that amassing too many of them, on the radio or on the road, was bad for business. And yet, by the '90s, women were vital to the rise of alt-rock and hip-hop on the charts: from Suzanne Vega to Queen Latifah, Tracy Chapman to Sheryl Crow, Natalie Merchant to Missy Elliott. Sarah McLachlan harnessed this energy into an all-woman tour she dubbed Lilith Fair. Its string of sellouts from 1997 to '99 affirmed women's clout in the decade of grunge-and-gangsta. But the festival was also criticized for its narrow focus and for branding “women's music” as a genre. More than two decades later, Hit Parade assesses the legacy of Lilith on the charts and on the road—how its performers, attendees and musical descendants are helping to ensure the future is female. Podcast production by Benjamin Frisch and Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices

My guest is Grammy Nominated Music Metadata Professional Tony Brooke. Tony has worked on projects for Richard Thompson, Coldplay, David Byrne, twenty one pilots, Maroon 5, Jane's Addiction, Duran Duran, Steve Miller, Norah Jones, Erasure, Ramblin' Jack Elliott, Doobie Brothers, Sarah McLachlan, Elvis Costello, Seal, George Clinton, Emmylou Harris, Indigo Girls, Lucinda Williams, Dave Chappelle, Khaled & Carlos Santana, Herbie Hancock, Stern Grove Festival, Hardly Strictly Bluegrass Festival. He's also worked for Pandora/SiriusXM and Warner Music Group. --------------------------------- In this episode, we discuss Tony's Audio Production Journey Background and Education Bay Area Move Technical Skills & Equipment Live Music Engineer to Entrepreneur Tascam DA88 Benefits Multi-Track Services Gig Organization Logistics Music Industry Experiences Seasonal Income Fluctuations Business Diversification Website Development Ultimate Track Sheet Career Transition Insights Digital Console Shift Career Coach Influence Master's Degree Pursuit Family Support Gratitude Work-Life Balance Challenges Music Industry Pressures Honesty and Humility Importance Music Data Exchange Research DDEX XML Format Pandora Credit Inclusion Apple Credit Attribution Issues Identifier Initiative Music Data Management Tools Sound Credit Replacement Muse.AI & Other Databases Data Accuracy Challenges Technological Changes Preparation Three-Tiered Data Storage Data Preservation Strategies Copyrighted Compositions Importance Streaming Service Identification Online Course Idea Digital Data Management Strategies --------------------------------- Matt's Rant: Embracing Social Media --------------------------------- Links and Show Notes Book Matt mentions in Rant: Day Trading Attention Tools for capturing data in the studio:  Sound Credit: https://www.soundcredit.com/  Session Studio: https://www.sessionstudio.com/  VEVA Collect: https://vevacollect.com/  Identifiers: ISNI (International Standard Name Identifier): http://isni.org/  ISWC (International Standard Musical Work Code): https://www.iswc.org/  DDEX standards for music data exchange: https://ddex.net/  CLIP - Free resource to learn industry terminology, creator rights, and how to get credited and paid: https://goclip.org/en/music  Master Tape Rescue project to find a home for lost tapes and other formats (Brian Kehew and Danny White): https://www.mastertaperescue.com/  Tony Brooke on LinkedIn: https://www.linkedin.com/in/tonybrooke/  SilentWay.com: http://www.silentway.com/  --------------------------------- Credits Guest: Tony Brooke Host: Matt Boudreau Engineer: Matt Boudreau Producer: Matt Boudreau Editing: Anne-Marie Pleau  WCA Theme Music: Cliff Truesdell  Announcer: Chuck Smith     

Sarah McLachlan is having a big year. Right now, the Grammy-winning Canadian superstar is in the middle of a massive North American tour to celebrate the 30th anniversary of her breakthrough album, “Fumbling Towards Ecstasy.” This September, she'll also be inducted into the Canadian Songwriters Hall of Fame. Sarah joins Tom to talk about being back on the road for the first time in nearly a decade, what she thinks about some of her biggest hits, and why she says her daughters finally think she's cool.

Biden has announced that he will not be running for re-election over the weekend. Hammer and Nigel are closing out an end of an era with not one, but three Sarah McLachlan style tributes remembering Biden's 'finer' moments. See omnystudio.com/listener for privacy information.

Jess is joined by SiriusXM RadioAndy co-host, singer & comedian JOHN ARTHUR HILL. Topics: John's dental and sobriety journeys, the rehab to SoulCycle pipeline, secret Bravo smokers, Barry's Bootcamp,  the Underwear Party on Fire Island, preferring Provincetown, nearly getting fired as Andy Cohen's co-host, why Countess Luann is huge at festivals, making $ in touring, John's fave lesbian music, our Sarah McLachlan live reviews & more!  IG: @jessxnyc | @johnarthurhill Check out Jess' docu-series on the history, mystique & lore of Fire Island: Finding Fire Island

Jess is joined by writer and “All I Want To Do Is Talk About Madonna” co-host Mark Snyder to review the TriBeCa Film Festival premieres of brand new documentaries centered around LIZA MINNELLI, ANI DIFRANCO, LINDA PERRY and a bonus review of the recent INDIGO GIRLS doc. Topics — the live performances from Linda Perry & Ani DiFranco following their films, Sarah McLachlan, Aimee Mann, Melissa Etheridge, Ani's song “Napoleon,” Righteous Babe, Gina Gershon, “Prey for Rock & Roll,” & more!  IG: @jessxnyc | @markbsnyder2024 | @alliwant2doistalkaboutmadonna Check out Jess' docu-series on the history, mystique & lore of Fire Island: Finding Fire Island

Jess is joined by the creator of @felicityrestorationproject to chat about one of the greatest issues of our time - the replacement of music on our beloved nineties TV shows - FELICITY, DAWSON'S CREEK & 90210. We discuss legalities of the music licensing issue, painstakingly digitizing scenes with correct music from VHS tapes and Paula Cole striking a new deal for “I Don't Wanna Wait.” Plus: the lore of Felicity writer Riley Weston, legacy of the Keri Russell / Felicity haircut, Sarah McLachlan, Peter Gabriel, Roxy, Mazzy Star, Aimee Mann & more!  IG: @jessxnyc | @felicityrestorationproject | @dawsonscreekrestored | @bh90210restored Check out Jess' docu-series on the history, mystique & lore of Fire Island: Finding Fire Island  

Throw on Sarah McLachlan! It's time to dive into the central couple of the hit TV series Felicity. Felicity Porter moves to New York to follow her crush, Ben Covington. Over the next four seasons, the two get together, break up, get back together, and become involved in numerous love triangles, all while learning about making choices in life. Oh, and did we mention there's time travel? Helping us navigate the twist and turns is host of Dear Felicity, Juliet Litman!