Podcast appearances and mentions of Mary Mary

Sarah and Mary share their thoughts on the A&E series Squatters, the horrific bridge jumping tragedy in Brazil, Tyra's decision to take legal action, a body cam whoopsie - and more. Join us on Patreon for more of the inner sanctum with Sarah and Mary: Mary shares a crazy connection to a Squatter's episode, Sarah experiences a fresh hell at Bunda - and more.   Subscribe, Follow, Like, and Review, Wherever you get your podcasts. Follow us on Twitter, Instagram, & Facebook.   Get RUMP Merch here: https://areyoumypodcast.bigcartel.com/   Visit Lumigummies.com and use code MYPODCAST for 30% off your order. Visit hero.co and use code MYPODCAST for 10% off your order. Visit bioptimizers.com/mypodcast and use code MYPODCAST for 15% off your order and a free bottle of Masszymes - BiOptimizers' best-selling digestive enzyme. Visit huel.com/mypodcast and use code MYPODCAST for 15% off.   sarahcolonna.commaryradzinski.com      Sarah's merchMary's merch   © 2020-2022 Are You My Podcast?

Join the Inner Circle.  Crazy Crew, it's time to level up. Get closer to the show, unlock exclusive content, and stay connected with us beyond the mic. Tap in below: - Join On YouTube Memberships: https://wesoundcrazy.ffm.to/youtubemembers - Join On Patreon: https://wesoundcrazy.ffm.to/patreon - Subscribe to Email & SMS: https://wesoundcrazy.ffm.to/jointhewesoundcrazy-emailandsms Listen on your favorite podcast service: https://pods.to/wesoundcrazy Stream songs from the episode on our official We Sound Crazy playlists: https://lnkfi.re/8I8Drkfz This week, we take it to the West Coast as the crew lands in Los Angeles for a monumental, ground-breaking episode featuring the legendary, five-time Grammy-winning producer, songwriter, musician, and executive, Warryn "Baby Dub" Campbell. Handpicked as the inaugural inductee into the We Sound Crazy Producer Hall of Fame and honored with the prestigious Esther Rolle Black Excellence Award (The Erbie), Campbell sits down with Philonaire, Claude, Chuck, and Tamon Backon from Macon for a deeply reflective Masterclass on a brilliant career that spans gospel, hip-hop, and R&B. From his early childhood days at King's Chapel Apostolic Church in East LA—where icons like El DeBarge and Andraé Crouch routinely dropped in—to cutting his teeth as a teenage multi-instrumentalist session player in the legendary studios of Death Row Records, Campbell shares an unfiltered, backstage pass look at his musical evolution. In this captivating episode, Campbell opens up about the pivotal figures who shaped his career, including the creative mentorship of DJ Quik and the executive guidance of Sony Music's Jon Platt, who signed him to his very first publishing deal at age 19. Warryn recounts his deep, familial bond with Brandy, navigating his fierce professional rivalry with Rodney Jerkins, and his long-standing, brilliant creative connection with one-of-one songwriter Harold Lilly. He also lifts the curtain on the inception of the iconic gospel duo Mary Mary, revealing how a moment in the shower listening to a bassline through the wall of his parents' garage transformed into the global blockbuster phenomenon "Shackles (Praise You)" which sparked a bidding war with Diddy and Columbia Records. Beyond the hits and historical sessions with titans like Tupac, Kanye West, Luther Vandross, and Kelly Price, Warryn candidly explores the delicate realities of balancing life as a hitmaker, husband, father, and pastor. Reflecting on his enduring legacy, Campbell defines his ultimate approach to music as an authentic vessel of divine download, proudly breaking genre barriers by engineering hits across multiple musical spectrums without ever losing his creative salvation. Without further ado, press play and dive in. We Sound Crazy is your backstage pass to all things music and culture. Special thanks to our We Sound Crazy team!  Director: Malachi Fuller Director of Photography: Neither Camera Op: Andrew Meyers, Derek Reed, Malachi Fuller, Neither Gaffer: Tyler Holmes Set Design: Gina Dorsey Producer/A2: Jerel Duren Editor: Hyyer Creative Producer:  Lamont Baldwin, Aaron Walton Show Producer/Remixer: Michael "Roux" Johnson Assistant: Brittany Guydon Talent Producer: Micha "ML6" Logan Photography: Kirk McClain   PA: Keylon Hall, Jonaye Anderson, Ryan Lee Thank you to all of our listeners and watchers! Special thanks to Warryn Campbell! Subscribe to We Sound Crazy on Spotify, Apple Podcasts, and anywhere you get your favorite podcast. Follow We Sound Crazy on Social Media:  ~ Facebook: https://wesoundcrazy.ffm.to/wscfacebook ~ Instagram: https://wesoundcrazy.ffm.to/wscinstagram ~ Twitter: https://wesoundcrazy.ffm.to/wsctwitter ~ TikTok: https://wesoundcrazy.ffm.to/wsctiktok Subscribe to We Sound Crazy on YouTube: https://wesoundcrazy.ffm.to/wscyoutube-subscribe Visit the official We Sound Crazy website: https://wesoundcrazy.ffm.to/officialwebsite #WeSoundCrazy #WarrynCampbell #MyBlock Learn more about your ad choices. Visit megaphone.fm/adchoices

Professor Lori Newbold draws on her background in theology and mental health to illuminate Hannah's extraordinary faith, her meekness under provocation, her wordless prayers of grief, and the surprising truth that being a mother, like being a disciple, is not a destination we wait for but an identity we live now.YOUTUBE: https://youtu.be/Oc09qEPPBcsFREE PDF DOWNLOADS OF followHIM QUOTE BOOKSNew Testament: https://tinyurl.com/PodcastNTBookOld Testament: https://tinyurl.com/PodcastOTBookBook of Mormon: https://tinyurl.com/PodcastBMBook WEEKLY NEWSLETTERhttps://tinyurl.com/followHIMnewsletter SOCIAL MEDIAInstagram: https://www.instagram.com/followHIMpodcastFacebook: https://www.facebook.com/followhimpodcastTIMECODE0:00 - Part 2 - Professor Lori Newbold1:51 Feeling misunderstood2:51 Personal testimonies on being misunderstood3:54 How to respond when people say the wrong thing4:57 Hannah's prayer6:41 Only God truly knows us8:23 Hannah as type of Jesus Christ9:38 Hannah's vow and prayer12:57 Eli's response and Eli's faith14:10 The Lord remembered Hannah17:01 President Oaks on motherhood and identity19:28 Jacob 1:1124:20 Hannah keeps her promise28:14 Eli's parenting failure30:35 Hannah and Mary–Mary's Magnificat35:40 Motherhood identity and the Adversary39:40 Recording the hand of the Lord42:25 Remember the Lord in reply49:50 I still love you52:39 Don't be afraid to apologize57:12 Samuel hears the Lord1:03:18 Sister Beck and living in revelation1:06:19 Samuel and the monarchy1:07:51 Closing testimony of Jesus Christ1:11:30 End of Part 2 - Professor Lori NewboldThanks to the followHIM team:Steve & Shannon Sorensen: Cofounder, Executive Producer, SponsorDavid & Verla Sorensen: SponsorsDr. Hank Smith: Co-hostJohn Bytheway: Co-hostDavid Perry: ProducerKyle Nelson: Marketing, SponsorLisa Spice: Client Relations, Editor, Show NotesWill Stoughton: Video EditorKrystal Roberts: Translation Team, English & French Transcripts, WebsiteAriel Cuadra: Spanish TranscriptsAmelia Kabwika: Portuguese TranscriptsHeather Barlow: Communications DirectorSydney Smith: Social Media, Graphic Design "Let Zion in Her Beauty Rise" by Marshall McDonaldhttps://www.marshallmcdonaldmusic.com

1. Deitrick Haddon, Mary Mary, and Ruben Studdard - Love Him Like I Do (D-ROC REMIX) 2. Erica Campbell - I LUH GOD (D-ROC REMIX) 3. LECRAE - SPREAD THE OPPS (D-ROC REMIX) 4. Tye Tibbett - If He Did It Before....Same God (D-ROC REMIX) 5. Marvin Sapp - Never Would've Made It (iMarkkeyz x DJ Dani Golde Edit) 6. MTM ISAIAH - WHO (D-ROC REMIX) 7. HULVEY - BEAUTIFUL 8. KIRK FRANKLIN - YOU ARE THE ONLY ONE (D-ROC REMIX) 9. TYE TRIBBETT - NO WAY (THE G.A CHANT) 10. ISRAEL HOUGHTON& NEW BREED - I AM NOT FORGOTTEN 11. TYE TRIBBETT & G.A - VICTORY (D-ROC REMIX) 12. VICENT BOHANAN & SOV - OH GIVE THANKS (D-ROC REMIX) 13. KIRK FRANKLIN - LOVE THEORY (D-ROC REMIX) 14. COKO - CLAP YOUR HANDS (D-ROC REMIX) 15. PAPA SAN - HAIL HIM UP (D-ROC REMIX) 16. KUKUDOO & OMARI - THANK YOU JESUS (D-ROC REMIX) 17. ISAAC BLACKMAN - TO THE CEILING 18. JONATHAN NELSON - I BELIEVE (D-ROC REDRUM) 19. FRED HAMMOND - THIS IS THE DAY (D-ROC REDRUM)

Sermon from Bryant Zakem from the Lewiston Church of Christ on May 10, 2026.

**DJ Liqwid Sessions Replay On traxfm.org. This Week Liqwid Gave Us Afro Beat/ R&B/ Hip Hop/Reggae From Ce Ce Winans, Mary Mary, The Wernono Family, David Wonder, Christina Shusho, Eunice Njeri & More. #originalpirates #afrobeats #hiphop #rnb #reggae #dancehall DJ Liqwid Sessions Every Saturday From 6PM UK Time Listen Live Here Via The Trax FM Player: chat.traxfm.org/player/index.html Mixcloud LIVE :mixcloud.com/live/traxfm Free Trax FM Android App: play.google.com/store/apps/det...mradio.ba.a6bcb The Trax FM Facebook Page : facebook.com/profile.php?id=10...100092342916738 Trax FM Live On Hear This: hearthis.at/k8bdngt4/live Tunerr: tunerr.co/radio/Trax-FM Radio Garden: Trax FM Link: radio.garden/listen/trax-fm/IEnsCj55 OnLine Radio Box: onlineradiobox.com/uk/trax/?cs...cs=uk.traxRadio Radio Deck: radiodeck.com/radio/5a09e2de87...7e3370db06d44dc Radio.Net: traxfmlondon.radio.net Stream Radio : streema.com/radios/TraxFM..TheOriginals Live Online Radio: liveonlineradio.net/english/tr...ax-fm-103-3.htm *

Honoring Our Lady in the month of May

My colleague Oliver Traldi recently published an essay called ‘Jane Austen's Virtuous Liberalism'. It's a very nice discussion of the ways in which Austen understand the challenges of character formation.Virtue, as Austen sees it, faces two tough challenges. First, people whose characters are not yet formed must see how to be virtuous rather than vicious. Then, the virtuous must somehow find a way to succeed in their struggles against the vicious without adopting vicious means.In this episode, Oliver and I discussed Austen's ideas of virtue, what that has to do with liberalism, the relationship between philosophy and literature more broadly, as well as poetry and ideas about the Great Books. We also talked about the Keira Knightly Pride and Prejudice. Yes, we both liked it. Here is why Oliver thinks Jane Austen is so popular among philosophers.TRALDI: And so I do think that even though she's not making arguments, she's not laying out philosophical theories, there is a level of precision in her thinking about virtue, which I do think is something that it took me a little aback.And I think it's part of why—one person who quote-tweeted my article was Daniel Kodsi, who's a friend of our colleague John Maier and his coauthor often. And he runs this magazine called The Philosophers' Magazine, which I had written before. And Daniel quote-tweeted my article with something like, “Add Oliver to the list of all the philosophers who love Austen.”OLIVER: And it's a long list.TRALDI: And I think it's a long list. And I do think this precision is part of it that she does, that it is—again, it's not like a philosophy journal article, but it is an intellectual sophistication that is often not present in novelists that we really appreciate.And here is an extract about Austen, Smith, and the wonderfully fertile period at the end of the eighteen century.TRALDI: But yes, I think it's obvious—without knowing the background, I'm sure there are scholarly questions about, how much Smith did Austen read? And they're both 250th—a lot was happening in 1775 and 1776.OLIVER: Those were great years. Those were the good old days.TRALDI: They were great years. In the great books syllabus, you get to the end of the 1700s and suddenly there's this—you have Smith, you have Kant, you have the American Revolution, you have the French Revolution, you have Burke. Rousseau is right before, Montesquieu is right before. I mean, it was a real—OLIVER: It's a great time.TRALDI: It was a great time. A lot was being done. And obviously, you know, I love the 1800s. I love the Romantics. But you could teach a whole great books course from 1750 to 1800, probably.OLIVER: You've also got all the dictionaries and all that kind of work going on as well. It's a very, very fertile—explorations.TRALDI: Yes, yes. There's all sorts of—yes, it was an amazing time.OLIVER: So did you, having read these two, Austen and Smith, close together—TRALDI: Yes, and I should say that my reading of Austen was much more careful than my reading of Smith.OLIVER: Sure, but you wrote this before you read Smith.TRALDI: Yes, absolutely.OLIVER: Or at least you fully conceived it. Do you see a lot of Smith in Austen?TRALDI: “A lot” might be—This was my favourite bit.TRALDI: Yes. But this is one of the great—I know we talked about this, but it's one of the great—you see this in Smith, you see this in Austen—commerce has its own virtues, and they are very traditional virtues. You have to be trustworthy. You have to be pleasant. You can't really be wholly self-interested in every moment because people have to be willing to deal with you given your—I mean, think about Yelp reviews or even just word of mouth. “Oh, that person screwed me over.”OLIVER: There's a discussion in one of Hayek's papers, which is—it's a very Smithian point he makes about, the nature of the knowledge problem means that it's not so much that I'm trying to get information about the thing you're trying to sell me, but I'm really trying to get information about you and whether you are someone I should be buying from. Which is exactly the project that the novelists and Smith—there's a sort of period between Smith and the early novelists, running through Austen to George Eliot, when they're all working on that problem together.TRALDI: Yes. I do think in Austen, it's often—the real puzzle is, how do you make out somebody else's character?OLIVER: Exactly.TRALDI: This is a phrase that Lizzy Bennet does use with regard to Darcy. And how do we actually figure out who the trustworthy and untrustworthy people are?OLIVER: And if you're too philosophical about that, in the sort of analytic sense, I think you can end up not paying enough attention to the particulars of that question.TRALDI: Yes.OLIVER: Because when you actually try and do it, it's really, really hard.TRALDI: Yes. And I think this is the sort of—reading Austen, you get a sense of—and there are very few philosophy papers on things like this. Reading Austen, you get a sense of, what sorts of details in a normal life are the ones that I can extract information from to make out somebody else's character?Oliver is an analytical, political philosopher. You can find out more about his work here. Here he is on Twitter. His Substack is orting. You can watch the episode on YouTube here.TranscriptHENRY OLIVER: Today I am talking to Oliver Traldi. Oliver is an assistant professor of philosophy at the University of Toledo in Ohio. He is my colleague on the Emerging Scholars Program at the Mercatus Center, and he's written a book about political beliefs as well as many other articles for magazines, online.He's got a Substack. He's maybe the most prominent political and epistemological young philosopher of his generation. [laughter] But most importantly for us, he is interested in Jane Austen and the idea of virtue. Oliver, welcome.OLIVER TRALDI: Thank you so much for having me.Reading Austen as a PhilosopherOLIVER: Let's just start—before we get to this article you've written, tell me about being a philosopher but reading Jane Austen, because she's often read and commented on by people who are not philosophers or who are only philosophers by acquaintance or whatever.TRALDI: Right.OLIVER: Is it different reading as a philosopher, do you think?TRALDI: I think yes and no. One thing as a philosopher, there are—contemporary philosophy, we have very exacting standards of rigor and clarity. And when we look for a theory, we want something that's been improved by hundreds of people and thousands of journal articles.And so, if you were to simply extract a theory of virtue from a novel and say, “Does this—is this the end-all, be-all of moral thinking?” obviously you're going to be disappointed. So I think as a philosopher, you have to look for other types of things, other types of sensitivities rather than logical sensitivity.You have to say, how sensitive is the author to the different types of situations where people's virtue can be exhibited or challenged? Or how sensitive is the author to the different types of pressures that a character's convictions can be put under, or the different sorts of compromises that they might have to make, or the different sorts of people who might not be virtuous who they might have to interact with and sort of, you know, contract with or avoid? And what are going to be the impacts of different kinds of choices in those situations?So the novelists, I think, tend—if they do it well, a novelist who's interested in morality will understand living morally probably better than a philosopher, while maybe not understanding, say, arguments about whether morality supervenes on reality or vice versa, or what grounds morality, or different theories of meta-ethics or whatever.OLIVER: I mean, there are obviously some novelists who do have a better appreciation of those things than others, we should say.TRALDI: Yes, I think that's absolutely true. And as I wrote in my article, I do think Austen in particular had an appreciation for this issue that you might call moral disarming or unilateral disarming. You know, does the moral person put themselves at a disadvantage relative to the immoral person? And then how do we actually help—how does morality survive?So that's a kind of philosophical question, but I tend to think—I taught last year—I think we've talked about this a bit. I taught in a great books program at Tulsa.OLIVER: This is the Jennifer Frey program.TRALDI: This is the ill-fated Jennifer Frey program. Jennifer—I don't know if you've met her, but she's an incredibly charismatic person. But somehow the program, despite being enormously successful, did not survive. You know, I was there for a year, and they decided that was long enough.OLIVER: [laughs] You don't think your arrival was the—TRALDI: No, no. I hope not. I most certainly hope not.OLIVER: No. General problems of higher education prevailed. Yes.TRALDI: Yes, many, many problems of higher education these days. But yes, so I think—what was I saying?OLIVER: Well, I think we're getting to this question of, you are not just a philosopher; you teach the great books.TRALDI: Right, exactly. The great books. That's where I was. Yes.Philosophy and the Great BooksOLIVER: So, one thing I'm interested in is that, you know, reading as a philosopher, you get a slightly different perspective on Austen. When you read other fiction, poetry, whatever, is there a benefit to you as a philosopher? Does it broaden you in some way?TRALDI: Yes. I think absolutely, it's broadening, but it's also focusing in a different way. You know, contemporary philosophy is often described or captured with the word epicycles. So what we mean when we say epicycles is, you have some major theory, which is supposed to answer some big question. And then your career as a philosopher—you're like three layers deep in the theory, in some sub-debate, and you're making some really fine-grained distinctions.And if you can make those distinctions successfully, you've had a really great career. But I think it's easy to forget, why are we doing—you know, what attracted us to philosophy? Why are we doing this to begin with?And the great novels, great books in general—one example I always use is the Book of Job. It doesn't really—it's not doing clear philosophy on the question of why do bad things happen to good people. But when you read it, you feel the question, why do bad things happen to good people? You get it, you know? You get why this is a question that people have worried about for thousands of years. You get why it calls out for an answer.You know, there's a lot of truth out there. I'm looking at a set of coat hangers, and I could count the coat hangers. But if you were given the decision, would I rather have an answer to how many coat hangers are across the room from me, or why do bad things happen to good people? You'd probably go with the latter one. There's somehow some kind of depth or importance to that question, right?And I think there's—a great novelist can often generate some vividity to these questions. They can show how these questions are part of a good life, asking these questions, trying to have these questions answered—or a not-so-good life.Certainly in Austen there are a lot of characters who learn to be more virtuous. Probably Emma is the clearest example. But you might also think of Marianne Dashwood. Really—OLIVER: Lizzy Bennet.TRALDI: Lizzy Bennet really learns to be a better person. I actually think her character is rather close to Emma in a lot of ways.OLIVER: Yes, I think Emma's sort of a clear rewrite of Lizzy in some—yes, yes.TRALDI: Yes, and in some ways more evocative, actually. Yes. I mean, we can talk about all these books. But yes, I think there's these things, even—obviously qua literature, they have other virtues, right? Which much philosophy doesn't have; very little philosophy has the literary virtues.But the philosophical virtue that a lot of literature does have is you see, okay, these are the—this is what a life is like. This is what making choices is like. These are the big questions when you decide how to live your life and what kinds of choices to make.And I think Austen—these questions are all through Austen, even though nobody has to murder anybody in Austen. Nobody has to make decisions about war and peace or about, you know, civilizational decline or civilizational progress or anything like that. These people making these small choices in a lot of ways. But those are the lives that most of us lead. And when you read Austen, you think, “Oh, okay, there's a virtuous and a vicious way to lead this kind of rather normal life.”The Good LifeOLIVER: The question of what is a good life, or what is a good life in a commercial society, maybe, is the sort of bedrock of what she's doing.TRALDI: Yes, I think so. And that's why I think Austen—you know, Austen wasn't on our syllabus at Tulsa, but she was certainly discussed. And the “what is a good life” question—to me, it's the big question that a great books program for college students should always come back to.If I didn't know what else to talk about, I would just say, “Well, we just read this book.” You know, we read these old biographies of Charlemagne from, like, Einhard—Notker the Stammerer and Einhard, his adopted son or whatever. I don't remember. But this is like 800s. I'm sure you know more about this stuff than I do.And I wasn't quite sure what to do with them because what do I know about Charlemagne? So I just said, “Does it seem like Charlemagne lived a good life?” And you know, you're off to the races. And I think that's important at that age, because that's the age at which—OLIVER: For the undergraduates?TRALDI: Yes. I think that's the age at which you're starting to make your own big decisions about what sort of life to lead. And I think for me, looking back to myself at that age, I think one thing I did wrong—at Tulsa I was in some ways as much a student as a teacher. I was rereading a lot of this stuff for the first time in decades. And some of it I was reading for the first time. As I told you, I was reading a lot of Austen for the first time for this essay.OLIVER: Right, right.TRALDI: And yes, it was stuff that I had thought about at a theoretical level, you know, like what are the ins and outs of this theory or this philosophical move or something like that. But you feel the question a bit differently when you're like, “Okay, I'm an adult. I have to decide whether to live in this way or that way.”The world is open to you. You could convert to Thomism [laughter] like so many have tried to have me do, or you could become a merchant after reading The Wealth of Nations. Or you could become a revolutionary after reading Marx, or you could become a Nietzschean. You know, there are all these choices open to you.OLIVER: Please don't become a Nietzchean.TRALDI: No, no. That is, I'm a—OLIVER: Keep your children out of school if that's going to be the result. [laughs]TRALDI: Yes. I'm a committed moralist, so I cannot, but he is—he made a comeback, that's for sure.Philosophy and PoetryOLIVER: Now, there's this obviously sort of long-running question in philosophy about, what is the relationship between philosophy and poetry? Are they antagonists, or are they in some way, you know, twins, and each provides one half of what is needed for a complete way of understanding the world? Do you have a position on this?TRALDI: Yes, I mean, I think they're what the kids call twinning.OLIVER: Twinning? [laughs]TRALDI: I think they're twinning. No, no, I think that means something different. I think that means when you're wearing the same outfit or something like that.OLIVER: So we're almost twinning with our stripes—yes, I see.TRALDI: We're almost. We actually—we are stripes and blue. Yes, we're closer than I would've expected.I would say closer to twins. There are a lot of claims that philosophy is at odds somehow with this or that. There's also this—certain people will say, “Well, ever since Socrates, philosophy has been at odds with politics.” And a big part of philosophy is, how do you survive? Well, I don't know. Nobody's trying to kill me. I think of myself as a decently committed philosopher.OLIVER: It seems to me this changed fundamentally in the Enlightenment and with the Romantics, and they see it all much more joined up. It's a sort of ancient-and-modern dynamic.TRALDI: Yes, there may be an ancient-and-modern distinction there. But yes, for me I don't see any kind of contradiction. Now, there are—and I think this comes out of what I said before—philosophical attempts to understand poetry. And certain kinds of literary and aesthetic devices do sometimes fall a little flat.The philosophical literature on metaphor, for instance—I think some theories of metaphor really don't get why people use metaphors. [laughter] So one of the most important theories of metaphor is that they're all just false, that it's like everybody who uses a metaphor is lying. This isn't the full theory. There are bells and whistles added.OLIVER: Sure, sure.TRALDI: But yes, so I think there's no contradiction. But at the same time, they are different modes in some ways, and people who do the one are often trying to do something different than the other.I do think that the desire for rigor and precision and clarity that philosophers have can be a little maddening to nonphilosophers, who see the pull of philosophical questions like, “What sort of life I should lead?” and then see, what do philosophers actually do?And we're doing all this modal logic and all these truth tables and all this very technical stuff that looks like math. And they say, “That can't possibly be the right way to think about how to live.” And it's true that there are these studies of—that suggest ethicists aren't actually very good people and things like that, although you have to wonder what is the background ethical theory that went into evaluating them.So yes, I don't think there's really a contradiction between philosophy and anything else. But certainly, there was a point in my life where I always come back to trying to write poetry and do poorly and then stop. But it was always something where I would say, “Okay, if I'm doing philosophy in the afternoon, I better wait till the evening to write poetry.” You have to sort of reboot and get into a different mode.OLIVER: Iris Murdoch used to write philosophy in the morning and novels in the afternoon. That kind of thing.TRALDI: Yes, I think that's very sensible.OLIVER: And she was upstairs for the one and downstairs for the other.TRALDI: Yes. That's even better, you know?Favorite PoetsOLIVER: Which poets do you like?TRALDI: Geez, I guess for an American, I like Wallace Stevens. I wasn't expecting this question. For a Brit, you know, I actually like Philip Larkin a lot.OLIVER: Oh, yes?TRALDI: I know—what is the opinion of Larkin? Is he considered—OLIVER: Very high.TRALDI: Very high? Okay.OLIVER: Some—there are some dissenters, but basically he's the guy.TRALDI: He's the guy, okay. Yes.OLIVER: Twentieth-century English poetry is like Auden, Larkin, Betjeman.TRALDI: Yes, Auden is—actually, my friend Jane Cooper just wrote something about Auden.OLIVER: Yes, Jane is excellent.TRALDI: Yes, Jane is really great.OLIVER: That was in the New Statesman if you want to look it up.TRALDI: That was in the New Statesman. Yes, yes, yes. But Auden, I don't know quite as well.I mean, poetry is—I think it's interesting the way that we receive poetry now. I think you were talking about this a few days ago, about things like poems appearing as inspirational quotes on social media or something like that, and whoever is the most quotable. And you felt like maybe Dostoevsky is very quotable.OLIVER: Dostoevsky has a sort of screenshot quality.TRALDI: Yes, yes.OLIVER: As does Martin Amis.TRALDI: Yes. So I—OLIVER: Whereas Philip Larkin in a funny way—you know, he has very short poems. You can get the whole poem on Twitter. Like, Robert Frost has that. But something like “The Whitsun Weddings,” it's quite hard to just take three lines out. The whole thing works as a—and that, so that poem gets less—TRALDI: Yes. Which is what you would expect from a good poem, really, that it would form a kind of whole.OLIVER: Exactly. If it's a three-page ode, it should have a continuous quality.TRALDI: Yes, it should have a kind of internal structure. Yes.OLIVER: There are some one-line things and—but I think it's notable that a poet like Wordsworth doesn't seem to get a lot of social media play. And I think probably that's one reason.TRALDI: So yes, I think Larkin is somebody who, I did see some shorter references to him, and I thought I'd better just go and look up a ton of poems by this guy. And Stevens was the same way.Death and Philip LarkinOLIVER: So, which Larkin do you like?TRALDI: You're really putting me on the spot here. [laughter] It has been a little while.OLIVER: I lied to you and said it would be about Jane Austen.TRALDI: Yes, now I'm completely screwed. Well, he has a bunch about death. He has one where death is a ship following you. And he has one where death is, like, a fruit that gets picked or something.OLIVER: Apple?TRALDI: Might be an apple.OLIVER: He decides not to throw the apple.TRALDI: There's one with sweetbreads in it. And now I'm really—OLIVER: The ship one, “Next, Please”—that's excellent.TRALDI: Yes.OLIVER: He sees the—it's like hearing the music coming, and then the ship.TRALDI: I forgot that that was the title. I forgot that that was the title.OLIVER: And then as the ship goes past, it leaves nothing in its wake. It's very sort of—very gloomy.TRALDI: It's very gloomy, yes. I think I read Larkin in a gloomy phase; it was like Larkin and Radiohead or something.OLIVER: But he's a good example of what you were saying before, that he won't think propositionally. He's logical in the sense that he's sort of orderly, and he goes from one thing to the next. But he's not being a philosopher.TRALDI: No, of course. Yes.OLIVER: But he's very preoccupied with the sorts of questions that philosophers are probing, but has a sort of very meaningful treatment of them.TRALDI: Yes.OLIVER: And I think in a way, the sharp response that you want from the reader in those questions, Larkin is better at provoking than someone like Bertrand Russell or some other contemporary of his.TRALDI: Yes, yes.OLIVER: Bertrand Russell's a bit earlier, but you know what I mean.TRALDI: No, I think that's exactly right. And I think that is why I'm a fan of the great books pedagogically and not—I don't know if Larkin will be called a great, you know, like, who knows? I don't really understand that designation, but tings like poetry and novels.OLIVER: The biggest dissenter was Harold Bloom, who said Philip Larkin's just a period piece. And he doesn't understand why everyone likes him.TRALDI: Oh, yes, well, I'm not on board with everything. Oh, I've also been—OLIVER: No, you're not very Bloomian.TRALDI: I'm not very Bloomian, I don't think.OLIVER: Either Allan or Harold.TRALDI: Yes. Well, I actually—this is very embarrassing, but I've actually never read The Closing of the American Mind, which I know is—OLIVER: But why should you? I'm not sure it's retained its—TRALDI: Well, it's certainly been received into my circle. But it is like a classic of anti-ideological—OLIVER: Sure. Have you read Adler, How to Read a Book, that kind of great books stuff?TRALDI: No. There's so many things that I haven't read. I mean, I'm just learning how to read. I learned how to read in Tulsa last year, [laughter] in Oklahoma, which is not where most people would go to learn how to read.Jane Austen and the Problem of MoralityOLIVER: So let's move to Jane Austen. Your thesis basically is, many moral theories face this problem that if I believe XYZ theory and you don't believe it, you can get the advantage of me. Because I'll always stick to my principles and you can just be a bad guy.TRALDI: Yes.OLIVER: So is morality screwed? This is what people say about liberalism. This is what you're arguing. And you think Jane Austen's got an answer to that?TRALDI: Yes, I think she has a kind of answer. And again, one decision I had to make while writing the essay was, am I going to go super—this is a completely philosophically rigorous and respectable answer? Or am I just going to kind of sketch it?OLIVER: Slum it in literary criticism? [laughter]TRALDI: Yes, I wouldn't put it quite that way, but—and I think I went for the latter, where I just wanted to kind of evoke the answer. And I think the answer has something to do with living in a large enough society where—and Austen I think is not the only person to give this answer. But you live in a large enough society where, when people see you acting well and somebody else acting poorly, the disadvantage that you have in that one interaction is outweighed by the advantages you have from the society that you gain from being seen to act well by many others.So one thing I didn't mention here, but a connection I made when I was first coming up with this idea, is that it's actually a lot like what Martin Luther King Jr. says about civil disobedience. So he says, you might think, if you're out there and the police are coming at you with bats, or the white supremacists are coming at you with bats or whatever, weapons or whatever, you might think, “I'm on the losing end of this interaction.”But actually what will happen is that this interaction will be seen by many others. And you, by keeping your calm, will be seen to be the virtuous one, and they, by being violent, will be seen to be the vicious ones. And this can only help your political cause. I'm probably abstracting some of the details of King's presentation.OLIVER: In a vulgar sense, this is the sort of “be the change you want to see” approach.TRALDI: Yes, but also, be the change you want other people to see. You know? Because that's how it gets saved from—and again, one of the ways in which this is not quite philosophically rigorous is because the philosopher can say, “Well, what about an example where nobody's going to see it? Or what about an example where the situation is set up that in doing the right thing, you're perceived to have done the wrong thing?” And you get back into tough problems. And that's why we have philosophy. You know, there's always going to be these puzzles.OLIVER: But we don't get the—I think this is what the novelists are helpful for. We don't get to set the conditions in our lives. You know, when you're doing a philosophical problem, you can just say, “Well, these are the conditions. What happens then?” And what Jane Austen is so good at is saying, “I'm going to take her and drop her in this house, and that's life. And she's just going to—she won't even know what the conditions are for a long time.” That's the novelist's preoccupation.TRALDI: Yes. Yes. It's interesting what you said about not even knowing what the conditions are. It's one thing I love, which is there in, I think, a lot of Austen—and it's done by a lot of my favorite novelists. I think Kazuo Ishiguro is really good at this. It's just novels where you see the characters' growing awareness of their circumstances and—OLIVER: Like in Klara and the Sun or something.TRALDI: Yes, or I think certainly in Never Let Me Go and in Remains of the Day, a lot of the action is in a situation where you understand what's going on better than the characters do.Clues and GamesTRALDI: And I think we talked about this the other day. In Austen, Emma, for example, is this sort of, like, halfway detective where she sees a lot of clues that could help her understand the nature of the life she's leading and the circumstances she's in, but she always misinterprets the clues. But on the other hand, it's not like she misses them entirely. She's kind of on the right track, and at least she's trying.OLIVER: And what I think Austen does so well in that book—I think it's her most important book—is that by putting us, without quite realizing it, with Emma's blinkers on, as it were, and only allowing our perspective to be her perspective, she makes us the detective.But whereas in a detective novel, you know, there's a funny little man and he is a detective, and he says, “Oh, there's a clue in this novel,” the read of—on the first read very often goes straight past what they must later realize to be a clue. And that is such a normal condition of life, that, “Oh, actually, that was one of the conditions, but you couldn't have known it. Sorry.” And you can only work it out in retrospect.TRALDI: Yes. In modern love, these are sometimes called red flags. [laughter] I think it's not quite a precise analogy, but yes, I think it's right. And I certainly—I had read Emma years ago and didn't really notice. As you say, on my first read, I didn't really notice, even having watched—I think it was the, what is it, the Kate Beckinsale version maybe, from ITV in like 1996 or something.It was really in reading it for this essay that I noticed that this feature that, starting on page 30 or 40 or so, there's a—and they're often in games. The clues are often in games. So very early on, Elton is playing some sort of poem game with Emma.OLIVER: The riddles, yes.TRALDI: The riddle game. And you know, Emma already misinterprets his riddles as being about Harriet rather than about her. But then there's also—the riddles also have some relation to things that happen much later.OLIVER: Then there's the anagram game at the end.TRALDI: There's the anagram game at the end. Yes, it's the—and I don't think there are many games like that in any of the other Austen.OLIVER: People play games, but we're not taken into them and have them narrated in that way.TRALDI: And they're not word games in general. There's card games and things like that. And you know, in Pride and Prejudice, Wickham has all these gambling debts and things like that.OLIVER: Yes.TRALDI: You know, in—I don't know if you know Whit Stillman, but for the same magazine a couple years ago I wrote about Whit Stillman, who's a sort of conservative filmmaker who's a huge Austen fan and brings in Austenian themes to a lot of his movies, but writes them about characters in the 1960s and '70s. And one of them was called The Last Days of Disco, for example, about—and some of the broader social themes he talks about are also there in Austen.So one thing that was just on the edges of my consciousness as I read through the novels for this essay was the question of the noble man versus the working man, which I think is very present in Austen and has something to do with her conception of virtue: that the virtuous person will be engaging in commerce in some way.OLIVER: Those moments of the noble and the virtuous man or whatever often take place in a shop, like the drapier in Emma or the jewelry shop in Sense and Sensibility.TRALDI: That's interesting. That's interesting.OLIVER: She's very careful to take us into a commercial situation and contrast.TRALDI: See, that is the sort of detail that I think a philosopher—I think we—the mere—the vibe of, “You're in a shop, and this means something.” I think this is something philosophers are—we can watch for the action; we can judge the characters' actions. But then there are these questions of atmosphere and milieu. And certain things happen in a shop; certain things happen at the seaside. In Persuasion there's an injury by the seaside.OLIVER: Yes. That's one of the most exciting scenes in Austen. Very dramatic.TRALDI: Yes, yes. I think actually Persuasion in some ways is quite different than her other books. It has a sort of—you know, in some ways it feels a little more like Frankenstein or Wuthering Heights at points. There's a little bit of a windblown, dark quality to it at times. It's a little bit bleaker. It's a little hard to explain why, but that's just a feeling that I had reading it that maybe had changed with some of the other literary tastes of the time.Artlessness in Austen's HeroinesOLIVER: Now, the quality that you focus on in the heroines, in this question of virtue defending itself against bad actors who break the rules, is artlessness.TRALDI: Yes. So this is a term Austen uses quite a bit, and almost always, she very much picks and chooses the characters who are going to receive this term. And I thought that this is like—it's not only her artless characters who face this question about how can morality survive, or how can virtue prevail, but I think they're the limit point.Like, if you really are unwilling to use—and I mentioned in the essay, when Darcy describes—I forget what; maybe it's him describing how he found Lydia and Wickham, or it's something to do with Wickham—he said, “I had to resort to arts.” So it must be, the “arts” back then means—one of the meanings of the term is dishonesty or subterfuge or something.OLIVER: Yes, if someone was artful, it could have—TRALDI: Yes, like the Artful Dodger.OLIVER: Exactly. Could have negative connotations for sure.TRALDI: Yes. And so the artless one, you know, they're missing something.So it's the question of, if you view—morality in a way means you're missing something, right? You've taken arts out of your arsenal. You've taken tools that could deal with certain situations, and you've just decided not to use them. So the question is, how can it be an advantage to have less tools?You know, we're here at Mercatus; the economists would tell you it's never advantageous to have fewer choices, right? There's no paradox of choice. It's never advantageous to have fewer choices. And so I think this is the—if morality is a kind of unilateral disarmament, artlessness is the clearest case of that.OLIVER: And you're seeing that in Fanny Price, Elinor—TRALDI: You see that in Fanny Price. You see that in Elinor. Harriet Smith is described as artless over and over again. And then there are these other characters who are described as artful, or other things that are mentioned as arts.I think Harriet, in a lot of ways, is the one who's most often described this way. And it's interesting because you think of Emma changing a lot in Emma, but Knightley actually shifts in his evaluation of Harriet, who he thought of as sort of an unserious person. And Knightley himself comes to recognize her artlessness as a kind of seriousness which makes her a good match, not ultimately for him, but for his dude, Robert.OLIVER: The farmer.TRALDI: The farmer, yes.OLIVER: He doesn't change his view of her social position, though.TRALDI: No, certainly not. But he does change his view of her character, basically. You know, her artlessness is not silliness. It has a sort of depth to it.And yes, certainly Fanny. In the Whit Stillman movie Metropolitan that's part of what set me on this, there's this whole discussion of the book Mansfield Park and this old Lionel Trilling essay about it where he says, how is it—there's this question about how modern people can even like Mansfield Park because we've sort of lost the notion of virtue being exciting or something.One of the most provocative lines to me in Austen was in Sense and Sensibility where it says that Elinor glories in Edward's integrity, which is an odd thing to glory in. You don't glory—nobody is on Instagram showing off their integrity, you know?OLIVER: It's like that René Gerard quote people like to pass around: “Everyone is on diet pills and nobody wants to be a saint.”TRALDI: I like that. That is very Instagrammable.OLIVER: Exactly. Exactly.TRALDI: That's very good, actually. I like that. Yes, so there's something provocative about the notion that virtue can be exciting, and in particular can be romantically exciting.The Importance of IntegrityOLIVER: Or even less than that. One thing I think is difficult for people interpreting Austen today is that virtue, whether it's exciting or romantically exciting, or the notion of integrity is of interest for its own sake.There's a lot of—you know, we have integrity as an organization. It's very important for me to have integrity as a professional. But there's not as much a sense of, just having integrity is the good life. We don't need to be complicated about this. That's just—you should just do that. And Austen's very firm on that all the way through.And criticism wants to pull her towards sometimes feminism, sometimes discussions of slavery, sometimes various other things. And she's just constantly sort of resisting that by saying, “I like integrity. I like good people. I don't think it's that hard.” It's a good line you've picked up on, I think.TRALDI: There's a character in The Wire who says, “A man's gotta have a code.” I think he's Omar, who murders the drug dealers and steals from them.OLIVER: I haven't seen it.TRALDI: So he says, “A man's gotta have a code.” And I think there is a—even in a character who in some ways is bad, we admire the integrity of having a code and sticking to it.There is this debate, I guess in moral philosophy, or at least on the outskirts of moral philosophy, about, “Well, if your code is wrong, maybe it's better not to stick to it.” I don't share that perspective. I think part of the good life is holding yourself to certain standards. And if those standards turn out to be wrong, the holding yourself is still of moral value, right? Not allowing yourself—OLIVER: It doesn't mean they're not adjustable.TRALDI: Yes, no, of course. If you decide the standards are wrong, and in Austen—OLIVER: It's sort of implicit in the idea of having standards that you will be honest and therefore accept when your standards need to be improved or whatever. Right?TRALDI: Yes, I think that's absolutely right. And in Austen we certainly see people shifting their standards. And I think one thing that I—of course, modern readers and watchers of Austen do not quite understand some of these things. But I think in Pride and Prejudice in particular, we're supposed to feel that Lizzy Bennet is quite hard on people and has to learn to improve herself in that way.OLIVER: We're delighted with her when she does that because we think it's sassy.TRALDI: Yes, exactly. If you go on YouTube, you can see all these, like, “Lizzy Bennet owning people's lives for 50 minutes,” these compilations of clips from the various movies or whatever. And she's obviously very, very clever.But she realizes—after coming to understand who Wickham is and feeling that she might not have another chance with Darcy, she comes to realize that she has had certain prejudices, which have made her blind to the realities of the world and blind to what might be her best options.So yes, I was saying I believe in integrity; that's all I was saying. And integrity obviously is adjustable, but I tend to think that it's better—even if the rule is wrong, it's better for the person who has it to hold themselves to it, rather than to adjust to try to get an advantage.And in philosophy, we have all sorts of terminology for these sorts of questions: “Are you an internalist or an externalist about reasons or about rules or whatever?” I think the more literary way to say it would just be that integrity is a virtue. And people should stick to their codes unless they see a good reason to change them.Austen and Adam SmithOLIVER: Now, you have recently been reading Adam Smith.TRALDI: Yes, I did read a lot of Adam Smith for this debate we had last week. Although I did a poor job because I had forgotten that the debate was about whether Smith was a philosopher or an economist. [laughter] I thought it was simply, is he a philosopher or not? So I put myself in the odd position of arguing that Adam Smith is not an economist.But yes, I think it's obvious—without knowing the background, I'm sure there are scholarly questions about, how much Smith did Austen read? And they're both 250th—a lot was happening in 1775 and 1776.OLIVER: Those were great years. Those were the good old days.TRALDI: They were great years. In the great books syllabus, you get to the end of the 1700s and suddenly there's this—you have Smith, you have Kant, you have the American Revolution, you have the French Revolution, you have Burke. Rousseau is right before, Montesquieu is right before. I mean, it was a real—OLIVER: It's a great time.TRALDI: It was a great time. A lot was being done. And obviously, you know, I love the 1800s. I love the Romantics. But you could teach a whole great books course from 1750 to 1800, probably.OLIVER: You've also got all the dictionaries and all that kind of work going on as well. It's a very, very fertile—explorations.TRALDI: Yes, yes. There's all sorts of—yes, it was an amazing time.OLIVER: So did you, having read these two, Austen and Smith, close together—TRALDI: Yes, and I should say that my reading of Austen was much more careful than my reading of Smith.OLIVER: Sure, but you wrote this before you read Smith.TRALDI: Yes, absolutely.OLIVER: Or at least you fully conceived it. Do you see a lot of Smith in Austen?TRALDI: “A lot” might be—OLIVER: Primarily from Theory of Moral Sentiments.TRALDI: So I would say that the notion of sympathy as being fundamentally part of how you recognize a good person seems to me to be there in Austen. The characters are—OLIVER: And this is the thing about awareness of other people and learning from that awareness.TRALDI: Awareness of other people and learning from other people and feeling other people's emotions. One thing that is related to sympathy in an odd way—and I think actually Austen and Smith conceive of it a bit differently, but that is there for both of them, in particular in Sense and Sensibility—is this notion of self-control or self-command.OLIVER: Self command. Yes. Yes.The Importance of Self-CommandTRALDI: Now, Smith gives a really odd argument about self command, which is that if you don't have control over your emotions, you will end up feeling or expressing something that other people can't sympathize with. And this is bad because sympathy is good, or something like that. I actually think it's a rather confused argument.OLIVER: I think what he's saying is that if you display a lack of self-command, then no matter what you are feeling, people find it difficult to deal with that sort of uncontrolled behavior. It's not the particular expression of feeling; it's the fact that you are a little unstable or—TRALDI: Yes, I think that's right.OLIVER: —a bit extra.TRALDI: I think what Smith doesn't do is explain quite how that's bad. But what I think is that actually, in Sense and Sensibility, it's a little bit the reverse, where actually Elinor and their mother, they do sympathize with Marianne. They do feel what she's feeling after—who's the other, the w guy in Sense and Sensibility? They're all w's.OLIVER: Oh, Willoughby.TRALDI: Willoughby, right, right. Not Wickham, Willoughby. When Willoughby—OLIVER: You can just say “the cad.”TRALDI: The cad. There's always a cad. So when the cad leaves, Marianne has all these emotions, and you really feel them. And Marianne also has a lack of self-command when Willoughby is there. There's this whole episode, which I didn't quite make the most of but felt very important, where they go to the house of this woman. They just sort of barge into this house, Willoughby and Marianne.And this is really supposed to show something about the relationship. If you and your partner barge into somebody's house, it can't be a good relationship somehow because it's leading you into bad actions. That's my sense of what that episode is supposed to show from the highest possible remove.OLIVER: I think, yes, and I think there are several other instances of that: when they ride in the carriage together, unaccompanied.TRALDI: Right, right.OLIVER: And there's a sort of general consternation about this. And Marianne sort of says, “Oh, well, how can it be a problem?” And they—part of the consternation is, you're breaking the rules in a very flagrant way, but also that you are assuming that it's okay because you'll get married. And this assumption is a very big one.TRALDI: Yes. And obviously there is this assumption that—she doesn't recognize quite how—she thinks her position is much more secure than it actually is, which is how it turns out in the book. But I think we're supposed to think that even if she were right about Willoughby's affection, which in a sense, she—Willoughby—OLIVER: No. Even if they do get married, she's broken the rules in a way that—TRALDI: She's broken certain rules in a way that is—but I think what's different from Smith is, there is sympathy from her family even though she lacks self-command. But that is precisely—so it's sort of a different theory of why self-command is good. It's precisely because her emotional state is actually draining for her family.And then Elinor says—when she learns that Elinor has actually been going through something—OLIVER: The same.TRALDI: —very similar, and maybe even rougher, in this whole thing with Lucy Steele telling her about this, you know, blah, blah, blah.OLIVER: Which is a beautiful name—to steal. I mean, it's great.TRALDI: It's an amazing—honestly, in some ways Sense and Sensibility may have been my favorite. I think it's just lovely.OLIVER: If I just wanted to just read one for fun, that's what I go to. I do, yes.TRALDI: Yes. And there's a lot—none of these things are quite perfectly in there. But I think honestly, everything that's in the other novels has a little part to play in Sense and Sensibility. You know, I think if I were to recommend just one, if somebody was like, “I have time for just one,” I might recommend Sense and Sensibility.But in the end, Marianne says—again, it's one of these amazingly evocative lines. Elinor says, “You didn't act that badly. Do you compare your conduct with Willoughby's?” And she says, “No, I compare it with—Elinor, I compare it with your conduct. You have this self-command.”And it's precisely the fact—it's not—and I think this is why philosophers do like Austen, because it's not—it's still literary, but there is a precision to her moral evaluations. It's precisely the fact that Elinor knew that her family loved her and didn't want to burden—it's all quite conscious. She didn't want to burden her family with her emotions. But you actually see that Elinor has this family trait of having very strong sentiment, which Marianne does, and simply also has this virtue of self-command.And that is—there are film adaptations and TV adaptations that demonstrate self-command, but it's a very hard thing to film. It's something you feel inside. It's a very hard—the actors have to be very good for you to see—you see pieces of it in some of the adaptations of Persuasion and some of the adaptations of Sense and Sensibility, but self-command is very hard to find.Austen AdaptationsOLIVER: Which adaptations do you like the best?TRALDI: I'm forgetting—I often like the long ones that I think were for the British ITV. So I like the—I think Kate Beckinsale was in the Emma one. Although I think there was one of Persuasion, which was also quite good. I like the one of Northanger Abbey. I don't think it's that good, but it's kind of cute, which I think it's probably the cutest of her long novels.Whit Stillman did a very loose adaptation of Lady Susan, which is hilariously funny at times, and also has Kate Beckinsale and some other great actors in it.OLIVER: Did you see the new Persuasion on Netflix a couple of years ago?TRALDI: No. No.OLIVER: It has that—is it Dakota Johnson, the actress, who's famous for other non-Austenian—Fifty Shades of Grey or whatever.TRALDI: Yes, and isn't she one of the Avengers or something like that?OLIVER: Something like that. But everyone was very upset that it was this terrible adaptation.TRALDI: Oh, yes.OLIVER: Didn't—it sort of killed all of Austen's words. She looks at the camera; she drinks from the bottle. I actually thought it was quite fun. On the basis that all adaptations are bad—TRALDI: I think if you allow some looseness, it can be quite fun. So for example, the 2005 Pride and Prejudice, I think if you're just sort of like, “Well, this is just somebody who was inspired by Pride and Prejudice,” you can have a lot of fun with the movie.OLIVER: I think as an interpretation of the book, that film is quite bad.TRALDI: Oh, yes. I think it's absolutely missing the mark.OLIVER: But in terms of like, the countryside and the house and the geese and the food, it's fantastic.TRALDI: Oh, yes. It's lovely to look at.OLIVER: The dresses, right? The clothes are amazing.TRALDI: And a lot of the—and the cast is honestly like—OLIVER: Yes, it's great.TRALDI: The cast is really, really great. And the parts as they are—OLIVER: Rosamund Pike is maybe the best Jane on TV.TRALDI: She's terrific. And who's the one who plays Kitty?OLIVER: Yes.TRALDI: Who is in—and the father is the guy from The Hunger Games. I forget his name, but I think the father is excellent in that. But of course, it's not exactly the father from Austen.OLIVER: No, no, no.TRALDI: But as a movie itself—but yes, I like a lot of these longer TV versions.One odd thing—they make these choices. So there is some scholarly apparatus brought to bear on some of them. So I think maybe it's Persuasion that there were multiple versions of, and some of the adaptations use pieces from the unpublished version, which are interesting. And as I was reading it, I had to Google around a bit and figure out these things.Austen's Moral PrecisionTRALDI: I was going to say about Austen's moral precision, the other place where I think this comes in—and I wrote a bit about this in the essay—is near the end of Mansfield Park, when—the names are what I'm worst at—when Edmund, right, is finally disillusioned with—OLIVER: Mary.TRALDI: With Mary Crawford?OLIVER: Mm-hmm.TRALDI: It's because there was this affair. There's always a sibling or a cousin who makes some horrible mistake, you know? So there was this affair, and Mary Crawford can only criticize it by saying that they weren't very prudent, you know, in prudential terms. They took a big risk. They made a bad decision. You know, they really screwed themselves over.OLIVER: They could have made it work. Yes.TRALDI: Yes. And Edmund realizes that she lacks moral fervor because he thinks the appropriate criticism should be a moral one. And as a psychological matter, it shouldn't even enter your head, I think is the idea. I'm extrapolating a bit, but if you see somebody acting this badly, to then say, “Well, geez, you're doing something that isn't in your interest”—for that to be your first thought indicates that your priorities are highly misplaced in a way that, to him, is quite unattractive.And this also struck me as a moment of—this is something we philosophers talk about. What is the distinction between prudence and morality? They both tell you what you should do, in some sense, but there's different—the shoulds have different forces, right? So Edmund has a certain moral precision and sensitivity which, actually, Fanny is basically the only person he knows—not that everybody in the house is a bad person; his father is a decent guy, and one of the aunts is okay, I think.But yes, there's a real sophistication to this evaluation. And it's funny to me that she actually used this as the—I mean, I suspect that even at the time there were readers who were just like, “Wait, I really don't get what the nature of Edmund's problem is here,” because it's not like Mary—Mary's not like, “Oh, yes, I support infidelity.” You know? She's not like— it's if you blinked, you might miss it, the mistake that Mary has made.And so I do think that even though she's not making arguments, she's not laying out philosophical theories, there is a level of precision in her thinking about virtue, which I do think is something that it took me a little aback.And I think it's part of why—one person who quote-tweeted my article was Daniel Kodsi, who's a friend of our colleague John Maier and his coauthor often. And he runs this magazine called The Philosophers' Magazine, which I had written before. And Daniel quote-tweeted my article with something like, “Add Oliver to the list of all the philosophers who love Austen.”OLIVER: And it's a long list.TRALDI: And I think it's a long list. And I do think this precision is part of it that she does, that it is—again, it's not like a philosophy journal article, but it is an intellectual sophistication that is often not present in novelists that we really appreciate.Every Word MattersOLIVER: I mean, one way people talk about the great books is to say that every word matters. And a lot of novelists will say that about their own. Well, you know, Elizabeth Bowen used to say, “What you're doing is to make everything count.” Austen is one of the examples where it's actually true. Every word is being used carefully.TRALDI: Yes. It's funny, this bears on another Twitter argument I had recently about this phrase logographic necessity. Basically, every word in a great book is there for a reason. I think that's right. Although you have to be careful about—if you were to say, “Well, every word in Plato is there for a reason, so you can't really say he's wrong about every—” you would be kind of abandoning the philosophical mission.OLIVER: I mean it in the sense of what you might call the artistic or structural integrity of the book. Not everything has to tell in the meaning sense. But it all holds as a unit for some—TRALDI: Yes. I think everything is there—there is what we could call an internal reason for everything to be there. Everything is there to hold together—OLIVER: Like the making of a piece of furniture or something.TRALDI: And I think you hear—I think this is one thing that—and not all classical music, but I think it's one thing that distinguishes classical music even from very good contemporary pop music or jazz or rock music, is that you have this sense of, “Yes, every note I hear basically is holding up a larger structure of some sort.”OLIVER: Yes. And Jane Austen is very Mozart in that way.TRALDI: Yes, I think that's right. Yes.Austen's Place in Great Books ProgramsOLIVER: So should Jane Austen have a bigger place on great books programs, based on all these things you've said about her?TRALDI: Yes, this is—so, there was actually a debate—I did not write the piece in response to this debate, but this is—OLIVER: Tanner Greer.TRALDI: Yes, there was—Tanner Greer weighed in on this, and my friend Circe. I think—OLIVER: I think they're just desperately wrong.TRALDI: You think they don't—that she—OLIVER: I think Emma is obviously a book that should be on one of these syllabuses. Maybe Sense and Sensibility.TRALDI: Yes. I think the ones I would consider are Emma, Sense and Sensibility, Mansfield Park. I do think they're actually longer than I realized, which is always—I mean, there are these very practical concerns with putting together a syllabus.OLIVER: Sure, sure. Although I want to ask you about that, because my response to a lot of these debates, which is maybe just because of where I studied, but just make them read more. And if they don't do the reading, that's their, you know—TRALDI: That's true. Well, I don't want to get into this too much. We already make them read a lot compared to—so for example, a year ago, I had my students read two novels in a week, which is more than most courses make college students read.OLIVER: But that's by no means unreasonable.TRALDI: No, no, of course, of course.OLIVER: You know.TRALDI: Well, exigencies of the teenage mind aside—OLIVER: Because I often think this, when people debate how things should be taught and why it's so important to keep these programs, and they'll talk about the importance of writing essays. And then it turns out the students maybe write one essay a semester. And I sort of think, well, who cares? All this rhetoric for one essay.TRALDI: Yes. I don't know if I'm really ever going to assign essays again. It just is—the age of AI is upon us.OLIVER: Sure. But you see what I mean.TRALDI: No, yes, I know exactly what you mean. And I do think reading a lot is the main part of—and certainly, you know, when I read all seven of these in two weeks, that's much more reading than I normally do, as well, to write this essay.OLIVER: But you didn't have to lie on the sofa afterwards with a cold compress. You were fine.TRALDI: In a way it was a really good two weeks. If you get to read—I mean, this is why we have good lives, right? If you get to read Jane Austen and you call that work, it's a nice life.OLIVER: So yes, will you be putting Emma on your program?TRALDI: I would definitely consider Emma. I would definitely consider Sense and Sensibility. I would consider Mansfield Park. I think these are the ones that have—the moral element is very prominent. But it's obviously there in all of her books.OLIVER: You can have a really good moral discussion about Mansfield Park, which is a bigger, broader thing than Pride and Prejudice, for example.TRALDI: Yes, I think so. I would definitely consider—in the 1800s there were—obviously the British novel of the 1800s was a big deal, and there's—OLIVER: [laughs] We did quite well, yes.TRALDI: You all did quite well. So the ones we did at Tulsa—we had Frankenstein and Wuthering Heights and The Picture of Dorian Gray. And then we had one Irish, The Portrait of the Artist as a Young Man. And I don't think anybody—if you replaced one of those with Emma or Mansfield Park, I don't think anybody would say, “Oh, you made a horrible call.”OLIVER: I think Tanner's point was that you simply don't have that many slots for an English novel that deals with these sorts of ideas, and that it should obviously be Middlemarch because that is the bigger novel. It's about bigger questions of society. It's about the whole—it's got more greatness in it, whereas Austen is sort of more about the individual.TRALDI: So I do think that this question of greatness—I think there are some people who read Austen and they think, “Well, this is—obviously it has all these sorts of themes, but it's not great. It has this littleness to it. It has this smallness to it.”OLIVER: It's domestic.TRALDI: That is not my reading of it. I think if that's the question, I don't feel that way. I think it pulls out these great themes about the nature of virtue and the nature of moral learning, becoming a better person, the nature of love. We read Sappho. We read the Symposium.To me, you read Wuthering Heights and you say, “Oh, this is a really big book because it's about society and how trauma gets passed down, and it has these horror elements, and it's very dark.” But actually, it's quite hard to figure out, how do we turn Wuthering Heights in a discussion about how to live? With Austen, it's just completely straightforward.OLIVER: [laughs] How not to live, maybe.TRALDI: Yes. In Austen, it's just completely straightforward. This is the discussion. This is what she had in mind as well, this question of how to live. So to me, Austen is completely—in terms of her successes as an artist, she belongs. In terms of her themes, she belongs. So I would not rule her out. I think she is absolutely a great, and who knows what that means, but I think she would be completely appropriate on any of these syllabi.Reading PlansOLIVER: Very good. And what will you read next?TRALDI: What will I read next? I mean, our—from the beginning, I'm thinking I should read some more poetry. It's been a while. Actually, speaking of—this is funny. Well, I want to get into William Empson. He had an odd life, which I think somebody should do like a movie about him or something.OLIVER: Yes, he'd make a great movie.TRALDI: I think Empson would be a good movie. So that might be—OLIVER: Are you going to read the poems or the criticism?TRALDI: Probably a little of both, but that's for a while from now. I think, you know, at the moment I'm back to reading philosophy. So what novel will I read next? That's a good question. What should I read next?OLIVER: If you like Jane Austen?TRALDI: Yes.OLIVER: Maybe read one of the people that she admired, like Samuel Richardson or Fanny Burney, someone like that.TRALDI: You know, I do think—you saying Samuel Richardson reminded me, I've read very little Samuel Johnson. I think reading some of the great critics, I think, writing this piece—OLIVER: Oh, Johnson, yes. You would like Johnson.TRALDI: I think I would like Johnson. I think I would like Empson. The history of literary criticism is something I have very, very little idea of.OLIVER: Oh, well, then, Johnson. I mean, he's the best.TRALDI: Yes, I think I should, I should definitely read Johnson.OLIVER: English literary criticism begins and ends with Samuel Johnson.TRALDI: You know what, this is a little different, but—I might have talked about this with you a little bit—I want to read The Fable of the Bees, Mandeville, because reading about Smith—a lot of the ideas that we think of as Smithian are actually Mandevillian, and he kind of moderated them.OLIVER: Well, he hated Mandeville.TRALDI: Yes.OLIVER: Very hard on him.TRALDI: Yes. So a lot—like the invisible hand, it's only a small part of Smith's thinking, but it was like the entirety of Mandeville's thinking, this sort of dynamic.OLIVER: Well, I think it means different things for them. I think Mandeville, in a funny way, is more philosophical in the sense you were saying, and trying to make these propositions. And Smith was saying, “Well, what about feelings? What about all these funny things that we can't account for? Like, look around. It's too messy.”TRALDI: No, that makes sense to me. Yes, I think between Mandeville and Smith, Mandeville is somebody who thought virtue was sort of like a con.OLIVER: A fool's game.TRALDI: Exactly. You're sort of a sucker if you try to be virtuous.OLIVER: I think he also just assumed that if you were commercial, you were obviously on the get.TRALDI: Yes. But this is one of the great—I know we talked about this, but it's one of the great—you see this in Smith, you see this in Austen—commerce has its own virtues, and they are very traditional virtues. You have to be trustworthy. You have to be pleasant. You can't really be wholly self-interested in every moment because people have to be willing to deal with you given your—I mean, think about Yelp reviews or even just word of mouth. “Oh, that person screwed me over.”OLIVER: There's a discussion in one of Hayek's papers, which is—it's a very Smithian point he makes about, the nature of the knowledge problem means that it's not so much that I'm trying to get information about the thing you're trying to sell me, but I'm really trying to get information about you and whether you are someone I should be buying from. Which is exactly the project that the novelists and Smith—there's a sort of period between Smith and the early novelists, running through Austen to George Eliot, when they're all working on that problem together.TRALDI: Yes. I do think in Austen, it's often—the real puzzle is, how do you make out somebody else's character?OLIVER: Exactly.TRALDI: This is a phrase that Lizzy Bennet does use with regard to Darcy. And how do we actually figure out who the trustworthy and untrustworthy people are?OLIVER: And if you're too philosophical about that, in the sort of analytic sense, I think you can end up not paying enough attention to the particulars of that question.TRALDI: Yes.OLIVER: Because when you actually try and do it, it's really, really hard.TRALDI: Yes. And I think this is the sort of—reading Austen, you get a sense of—and there are very few philosophy papers on things like this. Reading Austen, you get a sense of, what sorts of details in a normal life are the ones that I can extract information from to make out somebody else's character?In philosophy, we do ask, what is a good character and what is the good action in this sort of situation? What is the bad action in this sort of situation? But it's not for the philosopher to say, “Okay, in the sorts of situations you're likely to be in, what do you pay—where do you direct your attention to try to figure out these things about?”And it's not—I don't think Austen—it's not super subtle either. In Persuasion—I mentioned in the essay—in Persuasion, it starts out by saying Anne really cared about paying off the family's debts, and the rest of her family didn't give a s**t, you know? And it's sort of like, okay, so we just immediately are like, Anne's the sort of person who you might want to have a business transaction with because if she has a debt to you, she might actually pay it. And I forget if that's the exact detail, but it's something like that, you know?OLIVER: And there's also the novelist—Jane Austen is very good at what you don't see, which aga

Listen on your favorite podcast service: https://pods.to/wesoundcrazy Crazy Crew, join our We Sound Crazy list: https://wesoundcrazy.ffm.to/jointhewesoundcrazy-emailandsms.OYD Stream songs from the episode on our official We Sound Crazy playlists: https://lnkfi.re/8I8Drkfz Gospel legends Erica and Tina Campbell, better known as the iconic duo Mary Mary, recently graced the We Sound Crazy podcast for a soul-stirring conversation that proved exactly why they are considered music royalty. Bringing their signature blend of wit and transparency, the sisters sat down with hosts Phillionaire, Claude Kelly and Chuck Harmony of Louis York, and Tamone Bacon to reflect on a career that didn't just top the charts—it redefined the culture. The episode serves as a masterclass in longevity, exploring how two sisters from California managed to keep their faith, their family, and their sound relevant across nearly three decades of industry shifts. The duo takes a nostalgic trip down memory lane, reacting to vintage clips that span from their early movie roles to their most explosive award show performances. Rather than just celebrating the wins, Erica and Tina offer a rare, unfiltered look at the "growing pains" of their journey. They dive into the complexities of their reality TV era, the evolution of their songwriting process, and the lessons learned from being "green" in a business that moves at lightning speed. Fans will be particularly moved by their candor regarding the personal hurdles they faced while trying to maintain their bond under the glare of the spotlight. Looking toward the future, the sisters addressed the "million-dollar question" of when new music might arrive.   Press that play button and find out what the illustrious Mary Mary has to say on the matter ;) We Sound Crazy is your backstage pass to all things music and culture. Special thanks to our We Sound Crazy team! Director: Malachi Fuller Director of Photography: Neither Camera Op: Andrew Meyers, Derek Reed, Malachi Fuller, Neither Gaffer: Tyler Holmes Set Design: Gina Dorsey Producer/A2: Jerel Duren Editor: Hyyer Creative Producer:  Lamont Baldwin, Aaron Walton Show Producer/Remixer: Michael "Roux" Johnson Assistant: Brittany Guydon Talent Producer: Micha "ML6" Logan Photography: Kirk McClain   PA: Keylon Hall, Jonaye Anderson, Ryan Lee   Thank you to all of our listeners, as well as our partners at Visit Music City.   Special thanks to Mary Mary! Subscribe to We Sound Crazy on Spotify, Apple Podcasts, and anywhere you get your favorite podcast.  Follow We Sound Crazy on Social Media: ~ Facebook: https://wesoundcrazy.ffm.to/wscfacebook ~ Instagram: https://wesoundcrazy.ffm.to/wscinstagram ~ Twitter: https://wesoundcrazy.ffm.to/wsctwitter ~ TikTok: https://wesoundcrazy.ffm.to/wsctiktok Subscribe to We Sound Crazy on YouTube: https://wesoundcrazy.ffm.to/wscyoutube-subscribe Visit the official We Sound Crazy website: https://wesoundcrazy.ffm.to/officialwebsite #WeSoundCrazy #MaryMary Learn more about your ad choices. Visit megaphone.fm/adchoices

Check out this weeks episode of the Tripledose podcast where we are discussing breakups, bail money, psychopath behaviors and more! Follow us on socials @Tripledosepod and share with us your thoughts.

Inspired by the horrible news of Tina Campbell's (Mary Mary) husband Teddy filing for divorce after 25 years a slave, I want to talk about why forgiveness is overrated and closure needs to stop being romanticized. When someone violates me, they become Persona Non Grata, period.

Why? Who would name all their kids Mary, after themselves? Bold, but eckkkk. Anyway, Ash called up with a pretty good name story.See omnystudio.com/listener for privacy information.

I'm discussing Tina Campbell of Mary Mary's situation. If you're unaware, her husband of 25 years filed for divorce after she forgave him for cheating on her multiple times over the span of 25 years. Let's discuss the less respect you get the more you forgive. And why closure isn't necessary in most scenarios. Come and talk to me on Wednesdays for the full episode dropping at 4pm est!

Listen as Bleu talks about Tina Campbel from Mary Mary's recent Divorce filing and how place holding isn't the best choice.

Gospel star Tina Campbell of Mary Mary and her husband Glendon “Teddy” Campbell officially announced the end of their marriage after 25 years, confirming they’ve been separated since 2024 and are moving forward due to irreconcilable differences. See omnystudio.com/listener for privacy information.

The show kicked off with major political and cultural conversations, starting with House Democrats pushing a new effort tied to the 25th Amendment, citing concerns about former President Donald Trump’s fitness for office. Lawmakers have introduced legislation that would allow a commission to evaluate whether a president is mentally or physically able to serve, calling it a matter of national security amid rising global tensions and controversial rhetoric. The cast also explored how politics, religion, and power continue to collide in public life, sparking sharp debate about leadership, accountability, and societal standards. In celebrity news, gospel star Tina Campbell of Mary Mary and her husband Glendon “Teddy” Campbell officially announced the end of their marriage after 25 years, confirming they’ve been separated since 2024 and are moving forward due to irreconcilable differences. Khloé Kardashian also addressed backlash from Lamar Odom’s recent Netflix documentary after he suggested he married her for fame, with Khloé saying she felt “played” and hurt after participating in the project without pay. The conversation wrapped with Nia Long, who shared how portraying Katherine Jackson in the upcoming Michael Jackson biopic gave her a deeper appreciation for the matriarch’s quiet strength, grace, and role as the family’s emotional backbone. Website: https://www.urban1podcasts.com/rickey-smiley-morning-show See omnystudio.com/listener for privacy information.

**DJ Liqwid Sessions Replay On traxfm.org. This Week Liqwid Gave Us Afro Beat/ R&B/ Hip Hop/Reggae From Chidinma, Kirk Franklin, Nathaniel Bassey, Judith Gayle, Makoma, Nicole C Mullen, Mary Mary, For King & Country, CeCe Winans, Winans Phase 2 & More. #originalpirates #afrobeats #hiphop #rnb #reggae #dancehall DJ Liqwid Sessions Every Saturday From 6PM UK Time Listen Live Here Via The Trax FM Player: chat.traxfm.org/player/index.html Mixcloud LIVE :mixcloud.com/live/traxfm Free Trax FM Android App: play.google.com/store/apps/det...mradio.ba.a6bcb The Trax FM Facebook Page : facebook.com/profile.php?id=10...100092342916738 Trax FM Live On Hear This: hearthis.at/k8bdngt4/live Tunerr: tunerr.co/radio/Trax-FM Radio Garden: Trax FM Link: radio.garden/listen/trax-fm/IEnsCj55 OnLine Radio Box: onlineradiobox.com/uk/trax/?cs...cs=uk.traxRadio Radio Deck: radiodeck.com/radio/5a09e2de87...7e3370db06d44dc Radio.Net: traxfmlondon.radio.net Stream Radio : streema.com/radios/Trax_FM..The_Originals Live Online Radio: liveonlineradio.net/english/tr...ax-fm-103-3.htm **

⁠Make a donation to Unity Center of Norwalk⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠“Mary, Mary and Mary (aka Myrtle)” Rev. Theresa Crisci @ Unity Center of Norwalk, CT (3/01/26)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://www.youtube.com/c/UnityCenterNorwalk⁠⁠⁠⁠⁠⁠

Mary Stenson reflects on the spirituality and mission of the Legion of Mary through prayer, Lenten reflections, and stories from notable Legion figures, including Frank Duff and Matt Talbot. With inspiring insights into faith, charity, and perseverance, this episode encourages listeners to deepen their prayer life and rediscover the call to serve through Mary's apostolate. L'articolo All Things Legion – Prayer, Perseverance, and the Spirit of the Legion of Mary – Mary Stenson proviene da Radio Maria.

Giving Birth to God's Promises Mother Teresa said, "I am a little pencil in the hand of a writing God who is sending a love letter to the world." Zechariah  "Zechariah and Elizabeth were righteous in God's eyes, careful to obey all of the Lord's commandments and regulations. They had no children because Elizabeth was unable to conceive, and they were both very old." - Luke‬ ‭1‬:‭6‬-‭7‬ ‭ "He will be a man with the spirit and power of Elijah. He will prepare the people for the coming of the Lord. He will turn the hearts of the fathers to their children, and he will cause those who are rebellious to accept the wisdom of the godly." - Luke‬ ‭1‬:‭17‬ ‭ "Zechariah said to the angel, "How can I be sure this will happen? I'm an old man now, and my wife is also well along in years." - Luke‬ ‭1‬:‭18‬ ‭ Maybe some of you have said, "I'm too old to write a book now." Maybe you doubt the Lord's ability to birth a powerful message in and through you. Like John the Baptist, our books can help prepare people for the second coming of the Lord and also help turn the hearts of fathers to their children, along with causing the rebellious to accept the wisdom of the godly.  "He motioned for a writing tablet, and to everyone's surprise, he wrote, "His name is John." Instantly, Zechariah could speak again, and he began praising God." ‭‭- Luke‬ ‭1‬:‭63‬-‭64‬ ‭ As we come to believe what God wants to do in and through us, it could be that our words, like Zechariah's, are finally free to be released again through our pens.  Mary "Mary responded, "I am the Lord's servant. May everything you have said about me come true." And then the angel left her." - Luke‬ ‭1‬:‭38‬ ‭ Like Mary, in her "messy middle", we can say "Emmanuel, meet us where we are — in the messy middle, the doubt, and the longing. Teach us to trust like Mary and say YES even when we can't see the whole story."   Resources: If you're ready to take a step of faith and finally finish your book, we have a few ways we can help you.  1. Free Writing Week Challenge: Create a Writing Habit in 15 Minutes a Day Even if you feel overwhelmed or stuck in procrastination, sitting down to write for just 15 minutes a day is the best way to finally reach your writing goals. Most writers think they need hours of uninterrupted time to make progress in their writing. However, in this free challenge, we will show you how much you can accomplish in just 15 minutes of focused writing.  Click here to create a consistent writing habit this week. 2. Book Writing Lab Workshop - Map Out Your Book in Just 90 Minutes If over the last year, you've struggled to get your book written, this workshop is for you. Choose your book topic, write an outline, and create a writing plan in just 90 minutes! Finally, feel confident that you will actually finish your book. Get started now for just $27 3. Want More Support? Join Christian Book Academy Most writers stay stuck and never finish their first draft. Inside Christian Book Academy, we help you partner with God to write your book so you can become a published author. Finally, ditch your self-doubt and take a step of faith so you can finish your book. Join Christian Book Academy (coupon code PODCAST) Get 50% off your first month by using the coupon code PODCAST at checkout.

Send us a textWARNING: FOR MATURE AUDIENCES ONLY. UNDER 17 REQUIRES ADULT SUPERVISION.  So, we totally lied about the plot of this movie when we announced it to you last episode (oopsies) but you're probably a little used to us lying by this point right? This week we're talking about Mary, Mary, Bloody, Mary- that part was true… But it's actually about a Gilmore Girl vampire in Mexico, which none of us saw coming.   Leave ya girls a review on Apple Podcasts and we'll dedicate an episode to your movie pick!

Andrew Raeburn is joined by Darcey Slater and Olivia Rafferty as they look back at a stalemate at the Emirates, a terrible start for Rita Guarino at West Ham and a horrible return to Spurs for Ash Neville. Plus the South Coast Derby and an exclusive interview with Charlton's Mary McAteer. Produced by Leo Audio Productions Learn more about your ad choices. Visit podcastchoices.com/adchoices

Born - Part 5:  Born of MaryMary, a young woman from a nowhere town, receives extraordinary news that will shake the foundations of history. Her response reveals remarkable faith in the face of news that would upend her entire life. Her acceptance and surrender to God show us the power of saying “Yes” to God, even when we don’t fully understand his plans. Her story also encourages us to trust God’s promises and embrace our calling with courage and faith. God doesn’t require perfect understanding—but faith and willing obedience. When we respond like Mary did, saying yes to God’s purposes, we take part in his ongoing work of redemption through Jesus. 

Send us a textWe trace the mystery of Mary's presentation in the Temple, linking ancient tradition, Temple symbolism, and family holiness to a practical call for renewal. History, liturgy, and doctrine converge as we invite listeners to consecrate daily life to Christ with Mary as model.• historical roots in the Protoevangelium of James and early Eastern devotion• spread of the feast to the West and papal support• Temple symbolism fulfilled in Christ and reflected in Mary• Mary's consecration and perpetual virginity as a sign of undivided love• November 21 liturgy across East and West• Joachim and Anne as models for parents and families• Scripture, Tradition, and the canon's silence as an invitation to contemplation• saints and popes who deepened the feast's place in the Church• practical steps for renewing personal consecrationBe sure to look at the description for special information of interest to youExplore our Marian resources, discover books, documentaries, and audio guidesJoin us online or in person at Holy Family Mission in ArkansasStay connected, subscribe to our newsletter and never miss an uplifting story, insightful teaching, or special eventBe sure to click the link in the description for special news itemVisit JourneysofFaith.com website todayOpen by Steve Bailey Support the showJourneys of Faith brings your Super Saints Podcasts ***Our Core Beliefs*** The Eucharist is the Source and Summit of our Faith." Catechism 132 “This is the will of God, your sanctification.” 1Thessalonians 4“ Click Here ... lay up for yourselves treasures in heaven...” Matthew 6:19-2 Click Here The Goal is Heaven Click Here Why you should shop here at Journeys of Faith official site! Lowest Prices and Higher discounts up to 50% Free Shipping starts at $18 - Express Safe Checkout Click Here Cannot find it let us find or create it - - Click Here Rewards Program is active - click Here

Chart topping stellar award winning gospel music by our favorite Gospel Artists. Yolanda Adams, Pastor Mike, Mary Mary and more. Evangelist June McKinnon teaches on the abuse of God’s grace. Bro. Melvin Slade Evangelist June McKinnon The Abuse of God’s Grace https://www.facebook.com/GFGOJINC/ Gospel for the Glory of Jesus Listen live on Sunday Mornings Kraj 100.9 FM […]

On this week's episode of the Friends in Beauty Podcast, I'm bringing back one of our most inspiring rewind conversations with Shennel Patrick, also known as Nelli — a powerhouse Makeup Artist, Beauty Educator, Content Creator, and Serial Creative. ✨Nelli's artistry goes far beyond makeup brushes and palettes. She is deeply committed to beauty as a holistic practice — mind, body, and spirit. Her mission is to help women connect their natural love for beauty to their spiritual healing and emotional wellness, while honoring the true essence of Black women in beauty.Her journey is nothing short of extraordinary. In this episode, we discuss:

Upbeat gospel mix — high-energy praise & worship (no slow songs). Fast praise anthems for workouts, driving, and Sunday vibes. Keywords: upbeat gospel songs, high-energy gospel, fast praise and worship, gospel party mix. Featuring Kirk Franklin, Mary Mary, Tasha Cobbs Leonard, Tye Tribbett, Hezekiah Walker, Sinach, Michelle Williams & more. Support the mix: https://buymeacoffee.com/supremacysounds

ORDINARY PEOPLE - MARY MARY [I GOT A STORY TO TELL - NOTORIOUS BIG] JKD REMIX by JKD

This weekend on Cafe Mocha Radio, we're catching up with gospel powerhouse Erica Campbell! She's out on her Laugh, Cry, Heal tour, celebrating 25 years of Mary Mary, and sharing how faith, family, and music continue to inspire her. Don't miss this uplifting convo that's all about healing, joy, and the music that moves us.  #EricaCampbell #MaryMary #LoveCryHealTour #GospelMusic #FaithAndMusic #BlackExcellence #WomenInMusic #CafeMochaRadio #InspirationDaily #GetUpMornings Learn more about your ad choices. Visit megaphone.fm/adchoices

Mr Tumble's guest today is Lord Tumble! Sing along to Horsey Horsey Don't You Stop, Mary Mary and Make the Bed. Plus Aunt Polly's Top 5 and Fisherman Tumble has the Tumble News.

The Queenship of Mary: Mary's Role in Our Salvation and Peace Today's Homily celebrates the octave of the Feast of the Assumption and . . . . . . the 50th anniversary of the Shrine, reflecting on Mary as Queen of Heaven, Earth, Peace, and All Hearts. Her queenship is not merely an honorific but a real authority rooted in her “yes” to God at the Annunciation, when she freely accepted to bear Christ, changing the universe forever. Her dignity, beauty, and authority exist not for herself but for our salvation, showing her humility as the “handmaid of the Lord.” Mary's queenship continues in her intercession, especially as Queen of Peace, and Queen of All Hearts, bringing grace to human hearts scarred by violence. The faithful are encouraged to entrust themselves to her through acts of consecration, imitating her faith and service so that Christ may be more fully received in their lives and in the world. At the end of the Homily members who have been preparing for the Act of Total Consecration were invited to the altar for a special prayer. Hear more within this Meditation Media. The Queenship of Mary: Mary's Role in Our Salvation and Peace ------------------------------------------------------ Statue of Our Lady at the Shrine of Our Lady of the Island The statue was recently restored and originally came from South America to the Shrine about ten years ago. The statue is approximately a hundred years old. ------------------------------------------------------ Gospel: Matthew 22: 34-40 First Reading: Ruth 1: 1, 3-6, 14b-16, 22

Equally beloved at office boardrooms and toddler birthday parties, Colin the Caterpillar - a £7 swiss roll cake with white and milk chocolate and buttercream - was launched at an unsuspecting public by Marks and Spencer on 26th August, 1990. At the product development stage, he was going to be a fish - even though fishcake is a TOTALLY different foodstuff. Luckily, the Colin we know and love made it to M&S shelves, where he has since sold more than 15 million units, and spawned dozens of high street imitators. (And an infringement claim against Aldi.) In this episode, Olly, Rebecca and Arion explain how Colin's popularity coincided with the trend for ‘illusion cakes'; dig up the horrifying sweet/savoury pile-up that is Jane Asher's ‘Mary Mary' cake; and consider Colin's enduring place in British popular culture... Further Reading: • ‘Colin the Caterpillar: A brief history' (New Statesman, 2018): https://www.newstatesman.com/culture/food-drink/2018/12/colin-caterpillar-brief-history • ‘This is the original M&S Colin the Caterpillar cake back in 1990' (Good Housekeeping, 2020): https://www.goodhousekeeping.com/uk/food/a33631942/original-colin-the-caterpillar-cake-1990/ • ‘Colin v Cuthbert The Caterpillar: Can M&S Sue Aldi For Copyright Over A Cake?' (Good Morning Britain, 2020): https://www.youtube.com/watch?v=6ZrjPL8p874 This episode first aired in 2021 Love the show? Support us!  Join 

On this week's episode of The R&B Money Podcast, Tank and J Valentine welcome BJ The Chicago Kid, who shares his incredible journey from Chicago's church scene to becoming one of R&B's most soulful voices. BJ opens up about growing up with musical brothers, learning harmonies from his mother in the car, and hustling his way from singing background for Mary Mary and Usher to establishing himself as a solo artist. He discusses his collaborations with TDE, including the story behind his memorable hook on ScHoolboy Q's "Studio," and reflects on his evolution as a songwriter working with legends like Harold Lilly. Through heartfelt stories about his roots in Chicago and his perspective on the industry, BJ demonstrates why he's become such an important voice in modern R&B. Another illuminating conversation on The R&B Money Podcast.   Extended Episodes on YouTube: https://www.youtube.com/RnBMoneyPodcast Follow The Podcast: Tank: @therealtank   J Valentine: @JValentine Podcast: @RnbMoneyPodcastSee omnystudio.com/listener for privacy information.

Fox Fest 2025 is back this weekend!  On Saturday, August 2, the beloved summer music festival returns with a full day of live music, local eats, and community vibes—all taking place across two stages in the heart of St. Matthews.This year's lineup features a powerhouse roster of regional and national talent including Softspoken, Foxbat, Throwback Thursday, Soul Circus, Mary Mary, Sigmatic, Ipcus Pinecone, End of Me, and Doombots. While the full lineup is set to be revealed in the official festival poster, the headliner's identity remains a mystery until June 23. To build hype, their name will appear blurred out on the promo poster—so stay tuned for the big reveal!Fox Fest 2025 Details:

We are so excited to have our dear friend, Mary Tsai from Kodamari Design, join us for this episode! Yes, she is the "Sorry, Mary" Mary! She is a retired architect and now an AI designer, furniture designer, furniture maker, new homeowner and all-round creative gal with an unhealthy obsession with The Hobbit! Who knew?! In true Shop Sounds fashion, we have no agenda and just chew the fat in a candid and casual discussion. Enjoy!Where to find Mary...IG: https://www.instagram.com/kodamari.design/YouTube: https://www.youtube.com/c/KodamariDesignWebsite: https://kodamaridesign.com/Be sure to check out Bits & Bits at www.bitsbits.com and use coupon code MORSELS15 to save 15% on your order of router and/or CNC bits. Be sure to hit up Katz-Moses Tools at www.KMTools.com - cool tools at a fair price. If it's on their website, it's in Jonathan's apron. www.kmtools.com **And check out the new Katz Moses aluminum channel French Cleat system with some bad azz 3D printed accessories that lock in place!! Say whaaaa?!?!?**WTB Woodworking has a new giveaway that includes almost $1000 in Wagner Moisture Meter gear! The link for the giveaway will be: https://www.wtbwoodworking.com/giveaway , so go sign up and win yourself some sweet kit! This giveaway is live from 6/23/25 to 9/19/25. **Check out WTB Woodworking new store at 390 Pike Road, Unit 2, Huntingdon Valley, PA for lumber, slabs, woodworking tools and MORE!! Or shop online and earn yourself some Burkell bucks for every dollar you spend!Help us support Grit-Grip!! A revolutionary new breed of double-sided sanding sponges that we both LOVE! Check it out at https://grit-grip.com/ and use code "shopsounds" at checkout to get a free sanding block!The Bourbon Blade: https://www.bourbonmoth.com/shop/p/the-bourbon-blade-original-pocket-chiselIf you'd like to support us on Patreon and have access to our irreverent aftershow, you can sign up here: https://www.patreon.com/shopsoundspodcastYou can find us on Instagram, Youtube, Facebook and TikTok (maybe): Bourbon Moth Woodworking and Keith Johnson Woodworking

Today on The Rickey Smiley Morning Show Podcast, fans will hear some of the best moments and interviews from the RSMS crew. Ercia Campbell talks to Rickey Smiley and the crew to talk about her legacy in Gospel music with MaryMary. Campbell also talks about her new music. Gary with the Tea and Shamea Morton were backstage at the BET Awards and caught up with Tamar Braxton. And of course, Black Toney did not show up again on The Rickey Smiley Morning Show Podcast. Website: https://www.urban1podcasts.com/rickey-smiley-morning-show See omnystudio.com/listener for privacy information.

Marguerite Mary Rigoglioso, Ph.D., is the founder of Seven Sisters Mystery School, a world-renowned teacher of sacred knowledge, and the foremost authority on the history of virgin birth. A trusted mentor to people on healing and spiritual paths, she draws on her decades-long research and experiences with Mother Mary and Mary Magdalene to help uncover their hidden, timeless teachings and apply them to our present-day needs. The award-winning author of several books including The Secret Life of Mother Mary: Divine Feminine Power for Personal Healing and Planetary Awakening and The Mystery Tradition of Miraculous Conception: Mary and the Lineage of Virgin Births, she lives in western Massachusetts. The topics we cover:- Mary & Magdalene Priestess Training- Star lineage and connection – the Pleadians - The Holy Womb ChakraJoin Marguerite for a Free Full-Moon Online Initiation: Mary & Magdalene Womb-Heart Activation ~ Explore the Living Path of the Marys Priestesses: Thurs July 10, 2025 https://www.sevensistersmysteryschool.com/womb-heart/Enrolling soon: Mary & Magdalene Priestess Training 2025-26 https://www.sevensistersmysteryschool.com/mary-magdalene-priestess-training/. Join the Inner Sanctum Temple @ https://www.sevensistersmysteryschool.com/ist/ Purchase Marguerite's book, The Secret Life of Mother Mary: https://amzn.to/3KsPPki Sign up for free Mary Guided Meditations @ https://www.sevensistersmysteryschool.com/mary-book-meditations/ Learn more about Seven Sisters Mystery School @ https://www.sevensistersmysteryschool.com Follow Marguerite on Instagram @ https://www.instagram.com/margueriterigoglioso / IG @margueriterigoglioso Book a mentoring session with Marguerite: https://www.sevensistersmysteryschool.com/mentoring/Visit Law of Positivism:https://www.instagram.com/lawofpositivism/Website: https://www.lawofpositivism.com/Facebook: https://www.facebook.com/lawofpositivism/ YouTube: https://www.youtube.com/lawofpositivismTikTok: www.tiktok.com/@lawofpositivism 

Mary, Mary, Bloody Mary - "Eat & Be Eaten"More sapphic longing glances and withering stares await in MARY, MARY, BLOODY MARY (1975). This is the story of a woman on the run who is always thirsty...for more blood! We think this might be the perfect double feature with one of our favorite films - George A. Romero's MARTIN (1978). We hope you enjoy devouring this fresh episode! Support the show

Join @thebuzzknight with singer-songwriter musician Alya. Her path into music was sparked by a deep well of resilience, and her creative spirit has touched listeners around the world. Alya is a Grammy winning artist and philanthropist known for her soulful melodies and dedication to making a positive impact on the world. Born and raised in the Soviet Union, her passion for music began at the age of 7. Her musical style blends elements of inspiration, pop and dance, resulting in a sound both distinctive and mesmerizing. She has collaborated with legends like Eric Clapton and producer-engineer Bill Schnee and she discusses that work along with her newest work with Erica Campbell( 1/2 of the Grammy-winning duo Mary Mary). A Note to our Community Your support means everything to us! As we continue to grow, we’d love to hear what guests you might find interesting and what conversations you’d like us to explore nest. Have a friend who might enjoy our conversations? Please share our podcast with them! Your word of mouth recommendations help us reach new listeners that could benefit from our content. Thank you for being part of our community. We’re excited for what’s ahead! Warmly Buzz Knight Founder Buzz Knight Media Productions Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

Join @thebuzzknight with singer-songwriter musician Alya. Her path into music was sparked by a deep well of resilience, and her creative spirit has touched listeners around the world. Alya is a Grammy winning artist and philanthropist known for her soulful melodies and dedication to making a positive impact on the world. Born and raised in the Soviet Union, her passion for music began at the age of 7. Her musical style blends elements of inspiration, pop and dance, resulting in a sound both distinctive and mesmerizing. She has collaborated with legends like Eric Clapton and producer-engineer Bill Schnee and she discusses that work along with her newest work with Erica Campbell( 1/2 of the Grammy-winning duo Mary Mary). A Note to our Community Your support means everything to us! As we continue to grow, we’d love to hear what guests you might find interesting and what conversations you’d like us to explore nest. Have a friend who might enjoy our conversations? Please share our podcast with them! Your word of mouth recommendations help us reach new listeners that could benefit from our content. Thank you for being part of our community. We’re excited for what’s ahead! Warmly Buzz Knight Founder Buzz Knight Media Productions See omnystudio.com/listener for privacy information.

•Tonya Baker she is an accomplished gospel artist, songwriter, and worship leader who has earnedrespect throughout the industry for her impressive vocal range and agility, authenticity, and inspirational messages of hope. Her ministry and music career spans over two decades and includes songwriting credits with B.Slade (formerly Tonéx), Helen Baylor, Byron Cage, Percy Bady, and Lisa McClendon, and vocal work with Pastor Shirley Caesar, CeCe Winans, Fred Hammond, Israel Houghton, Mary Mary,Tye Tribbett, and Dorinda Clark-Cole.•Tonya is a dynamic performer who has independently released impactful albums, including SPECIAL FRIEND (2008), THE LIVE ENCOUNTER (2011), produced by Grammy® Award-winning Myron Butler, and successful singles "Keep Pressing" and "Take Me To The Water." She has unveiled an uplifting and vibrant new worship track, "Bless Your Name."•“This song is a personal anthem of worship and reverence,” Tonya explains. “I hope Bless Your Name encourages everyone who hears it to recognize God's presence and lift their voices in praise, no matter where they are in life.”  “Bless Your Name” reflects Tonya's signature heartfelt vocal artistry and sincere devotion, inviting listeners into a transformative moment of praise and gratitude. Showcasing her ability to blend contemporary Gospel with elements of Soul and Jazz, the single reaffirms Tonya's position as one of today's leading voices in faith-based music.•Tonya's latest single "Bless Your Name" is produced by Tonya Baker and Justin Savage available now on all digital musicoutlets•Please send Let's Talk: Gospel Music Gold an email sharing your thoughts about this show segment also if you have anysuggestions of future guests you would like to hear on the show. Send the email to ⁠⁠letstalk2gmg@gmail.com⁠⁠ •You may Subscribe to the podcast and be alerted when the newest episode is published. Subscribe on Spotify and we will know you are a regular listener. All 4+ Seasons of guests are still live; check out some other Podcast Episodes over200 episodes are available.•LET'S TALK: GOSPEL MUSIC GOLD RADIO SHOW AIRS EVERY SATURDAY 9:00 AM CST / 10:00 AM EST ON WMRM-DB INTERNET RADIO STATION  AND WJRG RADIO INTERNET RADIO STATION 12:00 PM EST / 11:00 AM CST•There is a Let's Talk: Gospel Music Gold Facebook page( @LetsTalk2GMG ) where all episodes are posted as well.   •Please "like" and follow the page for all updates and postings•The Podcast and Radio shows are heard anywhere in the World on the Internet! •BOOK RELEASES•“Legacy of James C. Chambers And his Contributions to Gospel Music History”•COMING JUNE 2025•"Molding a Black Princess" •Pre-Order Informationhttps://www.unsungvoicesbooks.com/asmithgibbs

We went all the way back ton 1975 for this one. And it's a little untraditional for a "slasher" movie. We covered "Mary, Mary, Bloody Mary." It's the story of Mary (really?) who is a talented painter living in Mexico. The only catch is that Mary likes to drink blood. Is she a vampire? Not really. Is there some sort of magical reason she drinks blood then? No, she just likes it....a lot. So how does she maintain her blood-drinking habit without getting caught killing people? Easy, get someone else to take the blame.Listen and enjoy!Follow us on Instagram @SlashU_PodcastCheck out the Facebook page tooEmail us at SlashUPodcast@gmail.comClick any of the links at SlashUPodcast.com to support the showThanks to ZapSplat.com for our Sound FX Hosted on Acast. See acast.com/privacy for more information.

Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald interviewed Tanya Nolan. She is a force in the music industry, business, and entrepreneurship. Beyond her hit-making music career, “Like Water.” Tanya is also the driving force behind two successful childcare centers located in Texas: Aww Better Child Care, one of the largest in Texas, and Nolan’s Day Care Center in Galveston. She has launched her own wine, Nolan Crawford "Butterfly" Wine, a venture that reflects her passion for excellence and love for fine wines. Her latest single “Blessings” marks a new chapter in her career, blending gospel, R&B, and soul. Billboard chart-topper Tanya Nolan is a multi-talented powerhouse, known not only for her remarkable voice but also for her skills as a drummer, singer, songwriter, arranger, producer, and multi-instrumentalist. Her hit single "Like Water," featuring Grammy award winning soul singer Raheem DeVaughn, has been given a fresh twist with a remix produced in collaboration with SoulPersona. The new version blends smooth jazz elements with the soulful essence of the original, creating a stunning and memorable track that showcases Tanya's ability to evolve and experiment with her music. Hailing from Galveston, Texas, Tanya Nolan is a force in the music industry, business, and entrepreneurship. Beyond her hit-making music career, Tanya is also the driving force behind two successful childcare centers: Aww Better Child Care, one of the largest in Texas, and Nolan’s Day Care Center in Galveston. Her unwavering dedication to providing a safe and nurturing environment for children exemplifies her leadership and commitment to the community. Tanya is also an accomplished entrepreneur, managing multiple real estate properties and overseeing a dedicated team of employees and contractors. As the founder of ArtsessionZ, one of the pioneering female-owned record labels, Tanya continues her legacy of music and business excellence. Further showcasing her entrepreneurial spirit, Tanya is the creator of The Tanya Nolan After Dark Card Game, an engaging and fun activity that brings people together in a relaxed and enjoyable way. This game embodies Tanya's lively personality and commitment to creating memorable experiences for others. In addition, Tanya has launched her own wine, Nolan Crawford Butterfield Wine, a venture that reflects her passion for excellence and love for fine wines. The wine, which has garnered significant praise, is another testament to her wide-ranging talents and business acumen. With numerous hits to her name, including "Honey," "Let’s Celebrate," "Pace Yourself" (featuring Raheem DeVaughn), and "Good Woman," Tanya’s music reflects her powerful messages of empowerment and self-love. Her latest gospel single, "Blessings," marks an inspiring new chapter in her career, reflecting her spiritual growth and deep gratitude. The track combines elements of R&B, soul, and gospel, further cementing her versatility as an artist. Tanya Nolan’s showmanship in her live performances has earned her widespread acclaim, garnering the attention of actress and comedian Tiffany Haddish. Tanya headlined Tiffany Haddish's She Ready Foundation Gala, a prestigious event where her electrifying stage presence left an indelible mark. In 2025, Tanya returns to headline again, further solidifying her reputation as a captivating and dynamic performer. Tanya has shared the stage with legendary artists such as Raheem DeVaughn, Eric Roberson, Tyrese, Tamia, Tamar Braxton, Mary Mary, and many more, further demonstrating her musical range and undeniable presence. She also had the honor of headlining the Juneteenth Celebration at Los Angeles County Supervisor Holly J. Mitchell's annual Juneteenth celebration, an event dedicated to honoring the rich history and heritage of Black Americans. Tanya kicked off 2025 with an unforgettable performance on Fox 26 Houston's live televised New Year's Eve celebration, where she brought in the new year with a powerful live performance of her string of hits. Her energy and stage presence lit up the broadcast, further showcasing why she is a force in the entertainment industry. Tanya is the recipient of two honorary doctorates: one in Humanitarianism and another in Music, recognizing her significant contributions to the music industry and her community. Additionally, she was honored with the Presidential Lifetime Achievement Award by L.E.C.U. (Leader Esteem Christian Bible University) for her transformative impact.With over 1 million followers on Instagram, Tanya Nolan has cultivated a loyal and engaged global fanbase, further amplifying her reach and influence across various platforms. Through her music, her entrepreneurial endeavors, and her philanthropic work, Tanya Nolan continues to inspire others to embrace their authentic selves, pursue their dreams, and create positive change. She remains a powerhouse in both the entertainment and business industries, leaving an indelible mark on each. Follow Tanya Nolan on social media @iamtanyanolan for updates and exclusive content. Company Description * ArtSessionZ is a pioneering, female-owned record label founded by Billboard chart-topper Tanya Nolan.As a visionary artist and businesswoman, Tanya Nolan brings her extensive experience in music, production, and performance to ArtSessionZ, allowing her label to blend artistic integrity with commercial success. Through ArtSessionZ, Tanya continues to push boundaries in both music and entrepreneurship, ensuring the label remains a trailblazer in the industry. #STRAW #BEST #SHMS Support the show: https://www.steveharveyfm.com/See omnystudio.com/listener for privacy information.

Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald interviewed Tanya Nolan. She is a force in the music industry, business, and entrepreneurship. Beyond her hit-making music career, “Like Water.” Tanya is also the driving force behind two successful childcare centers located in Texas: Aww Better Child Care, one of the largest in Texas, and Nolan’s Day Care Center in Galveston. She has launched her own wine, Nolan Crawford "Butterfly" Wine, a venture that reflects her passion for excellence and love for fine wines. Her latest single “Blessings” marks a new chapter in her career, blending gospel, R&B, and soul. Billboard chart-topper Tanya Nolan is a multi-talented powerhouse, known not only for her remarkable voice but also for her skills as a drummer, singer, songwriter, arranger, producer, and multi-instrumentalist. Her hit single "Like Water," featuring Grammy award winning soul singer Raheem DeVaughn, has been given a fresh twist with a remix produced in collaboration with SoulPersona. The new version blends smooth jazz elements with the soulful essence of the original, creating a stunning and memorable track that showcases Tanya's ability to evolve and experiment with her music. Hailing from Galveston, Texas, Tanya Nolan is a force in the music industry, business, and entrepreneurship. Beyond her hit-making music career, Tanya is also the driving force behind two successful childcare centers: Aww Better Child Care, one of the largest in Texas, and Nolan’s Day Care Center in Galveston. Her unwavering dedication to providing a safe and nurturing environment for children exemplifies her leadership and commitment to the community. Tanya is also an accomplished entrepreneur, managing multiple real estate properties and overseeing a dedicated team of employees and contractors. As the founder of ArtsessionZ, one of the pioneering female-owned record labels, Tanya continues her legacy of music and business excellence. Further showcasing her entrepreneurial spirit, Tanya is the creator of The Tanya Nolan After Dark Card Game, an engaging and fun activity that brings people together in a relaxed and enjoyable way. This game embodies Tanya's lively personality and commitment to creating memorable experiences for others. In addition, Tanya has launched her own wine, Nolan Crawford Butterfield Wine, a venture that reflects her passion for excellence and love for fine wines. The wine, which has garnered significant praise, is another testament to her wide-ranging talents and business acumen. With numerous hits to her name, including "Honey," "Let’s Celebrate," "Pace Yourself" (featuring Raheem DeVaughn), and "Good Woman," Tanya’s music reflects her powerful messages of empowerment and self-love. Her latest gospel single, "Blessings," marks an inspiring new chapter in her career, reflecting her spiritual growth and deep gratitude. The track combines elements of R&B, soul, and gospel, further cementing her versatility as an artist. Tanya Nolan’s showmanship in her live performances has earned her widespread acclaim, garnering the attention of actress and comedian Tiffany Haddish. Tanya headlined Tiffany Haddish's She Ready Foundation Gala, a prestigious event where her electrifying stage presence left an indelible mark. In 2025, Tanya returns to headline again, further solidifying her reputation as a captivating and dynamic performer. Tanya has shared the stage with legendary artists such as Raheem DeVaughn, Eric Roberson, Tyrese, Tamia, Tamar Braxton, Mary Mary, and many more, further demonstrating her musical range and undeniable presence. She also had the honor of headlining the Juneteenth Celebration at Los Angeles County Supervisor Holly J. Mitchell's annual Juneteenth celebration, an event dedicated to honoring the rich history and heritage of Black Americans. Tanya kicked off 2025 with an unforgettable performance on Fox 26 Houston's live televised New Year's Eve celebration, where she brought in the new year with a powerful live performance of her string of hits. Her energy and stage presence lit up the broadcast, further showcasing why she is a force in the entertainment industry. Tanya is the recipient of two honorary doctorates: one in Humanitarianism and another in Music, recognizing her significant contributions to the music industry and her community. Additionally, she was honored with the Presidential Lifetime Achievement Award by L.E.C.U. (Leader Esteem Christian Bible University) for her transformative impact.With over 1 million followers on Instagram, Tanya Nolan has cultivated a loyal and engaged global fanbase, further amplifying her reach and influence across various platforms. Through her music, her entrepreneurial endeavors, and her philanthropic work, Tanya Nolan continues to inspire others to embrace their authentic selves, pursue their dreams, and create positive change. She remains a powerhouse in both the entertainment and business industries, leaving an indelible mark on each. Follow Tanya Nolan on social media @iamtanyanolan for updates and exclusive content. Company Description * ArtSessionZ is a pioneering, female-owned record label founded by Billboard chart-topper Tanya Nolan.As a visionary artist and businesswoman, Tanya Nolan brings her extensive experience in music, production, and performance to ArtSessionZ, allowing her label to blend artistic integrity with commercial success. Through ArtSessionZ, Tanya continues to push boundaries in both music and entrepreneurship, ensuring the label remains a trailblazer in the industry. #STRAW #BEST #SHMS See omnystudio.com/listener for privacy information.

Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald interviewed Tanya Nolan. She is a force in the music industry, business, and entrepreneurship. Beyond her hit-making music career, “Like Water.” Tanya is also the driving force behind two successful childcare centers located in Texas: Aww Better Child Care, one of the largest in Texas, and Nolan’s Day Care Center in Galveston. She has launched her own wine, Nolan Crawford "Butterfly" Wine, a venture that reflects her passion for excellence and love for fine wines. Her latest single “Blessings” marks a new chapter in her career, blending gospel, R&B, and soul. Billboard chart-topper Tanya Nolan is a multi-talented powerhouse, known not only for her remarkable voice but also for her skills as a drummer, singer, songwriter, arranger, producer, and multi-instrumentalist. Her hit single "Like Water," featuring Grammy award winning soul singer Raheem DeVaughn, has been given a fresh twist with a remix produced in collaboration with SoulPersona. The new version blends smooth jazz elements with the soulful essence of the original, creating a stunning and memorable track that showcases Tanya's ability to evolve and experiment with her music. Hailing from Galveston, Texas, Tanya Nolan is a force in the music industry, business, and entrepreneurship. Beyond her hit-making music career, Tanya is also the driving force behind two successful childcare centers: Aww Better Child Care, one of the largest in Texas, and Nolan’s Day Care Center in Galveston. Her unwavering dedication to providing a safe and nurturing environment for children exemplifies her leadership and commitment to the community. Tanya is also an accomplished entrepreneur, managing multiple real estate properties and overseeing a dedicated team of employees and contractors. As the founder of ArtsessionZ, one of the pioneering female-owned record labels, Tanya continues her legacy of music and business excellence. Further showcasing her entrepreneurial spirit, Tanya is the creator of The Tanya Nolan After Dark Card Game, an engaging and fun activity that brings people together in a relaxed and enjoyable way. This game embodies Tanya's lively personality and commitment to creating memorable experiences for others. In addition, Tanya has launched her own wine, Nolan Crawford Butterfield Wine, a venture that reflects her passion for excellence and love for fine wines. The wine, which has garnered significant praise, is another testament to her wide-ranging talents and business acumen. With numerous hits to her name, including "Honey," "Let’s Celebrate," "Pace Yourself" (featuring Raheem DeVaughn), and "Good Woman," Tanya’s music reflects her powerful messages of empowerment and self-love. Her latest gospel single, "Blessings," marks an inspiring new chapter in her career, reflecting her spiritual growth and deep gratitude. The track combines elements of R&B, soul, and gospel, further cementing her versatility as an artist. Tanya Nolan’s showmanship in her live performances has earned her widespread acclaim, garnering the attention of actress and comedian Tiffany Haddish. Tanya headlined Tiffany Haddish's She Ready Foundation Gala, a prestigious event where her electrifying stage presence left an indelible mark. In 2025, Tanya returns to headline again, further solidifying her reputation as a captivating and dynamic performer. Tanya has shared the stage with legendary artists such as Raheem DeVaughn, Eric Roberson, Tyrese, Tamia, Tamar Braxton, Mary Mary, and many more, further demonstrating her musical range and undeniable presence. She also had the honor of headlining the Juneteenth Celebration at Los Angeles County Supervisor Holly J. Mitchell's annual Juneteenth celebration, an event dedicated to honoring the rich history and heritage of Black Americans. Tanya kicked off 2025 with an unforgettable performance on Fox 26 Houston's live televised New Year's Eve celebration, where she brought in the new year with a powerful live performance of her string of hits. Her energy and stage presence lit up the broadcast, further showcasing why she is a force in the entertainment industry. Tanya is the recipient of two honorary doctorates: one in Humanitarianism and another in Music, recognizing her significant contributions to the music industry and her community. Additionally, she was honored with the Presidential Lifetime Achievement Award by L.E.C.U. (Leader Esteem Christian Bible University) for her transformative impact.With over 1 million followers on Instagram, Tanya Nolan has cultivated a loyal and engaged global fanbase, further amplifying her reach and influence across various platforms. Through her music, her entrepreneurial endeavors, and her philanthropic work, Tanya Nolan continues to inspire others to embrace their authentic selves, pursue their dreams, and create positive change. She remains a powerhouse in both the entertainment and business industries, leaving an indelible mark on each. Follow Tanya Nolan on social media @iamtanyanolan for updates and exclusive content. Company Description * ArtSessionZ is a pioneering, female-owned record label founded by Billboard chart-topper Tanya Nolan.As a visionary artist and businesswoman, Tanya Nolan brings her extensive experience in music, production, and performance to ArtSessionZ, allowing her label to blend artistic integrity with commercial success. Through ArtSessionZ, Tanya continues to push boundaries in both music and entrepreneurship, ensuring the label remains a trailblazer in the industry. #STRAW #BEST #SHMS See omnystudio.com/listener for privacy information.

It's time for another not-really-a-vampire vampire movie! Jonny and Aileen talk about the English language Mexican film, Mary, Mary, Bloody Mary. An American artist with a penchant for drinking blood begins seducing and dispatching residents of a small fishing town in Mexico. Jonny and Aileen also discuss Mexican director Juan López Moctezuma, and iconic Mexican actors Enrique Lucero, Helena Rojo and Carlos Riquelme. Remember to subscribe, rate and review! Follow our redes sociales: BlueSky: @uyquehorror.bsky.social TikTok: @uyquehorror Insta: @uyquehorror Twitter: @Uy_Que_Horror Find all the películas we cover on our LinkTree. Join our Patreon! Learn more about your ad choices. Visit megaphone.fm/adchoices

he Authority On All Things R&B !In Episode 137 of the R&B Money Podcast, Tank and J. Valentine sit down with the incredible Erica Campbell of the legendary gospel duo Mary Mary. Erica takes us on a journey through her groundbreaking career, from dominating the gospel charts with Shackles (Praise You) to stepping into her solo artistry with hits like A Little More Jesus. She opens up about her faith, her family, and the balance of being an artist and a businesswoman in the music industry. Get ready for an uplifting and inspiring conversation with a true gospel icon. Extended Episodes on YouTube: https://www.youtube.com/RnBMoneyPodcast Follow The Podcast: Tank: @therealtank J Valentine: @JValentine Podcast: @RnbMoneyPodcast See omnystudio.com/listener for privacy information.

God gave the gift of eternal life through His Son, Jesus Christ. We celebrate receiving that gift at Christmas! Our world is cursed by sin and full of sadness and suffering. But Jesus came to bring hope, comfort, and peace. Jesus was God with us who came to save us! Mary is remembered for the virgin birth. She teaches us that no matter how religious or righteous we might be, EVERYONE needs a Savior! The Bible never tells us that Mary was sinless. She was still a sinner in need of a Savior, even though she was the mother of the sinless Son of God. Lessons we can learn from Mary: • Mary confessed she needed a Savior. • Mary confessed she was a sinner. Why must God's promised Savior be born of a virgin? By bypassing man's seed, God was bypassing man's sin so that Jesus was born sinless. Jesus was fully human, so He could bleed and die for our sins, but He was also fully God, so His sacrifice completely atoned for all our sins. The gift of Christmas is really more about the cross than it is about the cradle. Jesus was born to die. It was on the cross that Jesus became our sin offering. The world is full of suffering, sin, sadness, and destruction because the wages of sin are death. But the gift of God is eternal life in Christ Jesus our Lord. The nature of any gift is that it is freely given. Have you received the gift of eternal life? Join Pastor Phil Hopper as he shares where the gift of Christmas is truly found. Don't forget to click the “bell” to SUBSCRIBE to get more videos like this to grow your faith! ● Connect with us on Social Media ↴ Facebook: / abundantlifels Instagram: / abundantlifels ● Connect with Pastor Phil ↴ Facebook: / philhopperkc Instagram: / philhopper_kc Web: https://livingproof.co/resources/books/ ● Be a part of the Great Commission: https://livingproof.co/irresistible/ More information on our sermons: https://livingproof.co/sermons/ Do you want to see your life changed by Jesus? Visit our website: https://livingproof.co/ #AbundantLife #Sermon #Christmas #Jesus #DavidandBathsheba