Podcasts about namm

Kon'nichiwa Johnny Two Gunz joins the jerks for a rare IRL cast! We chat guitar repairs, air travel, Johnny's trip to Japan, getting paid for a gig in Diet Cokes, pre-NAMM plans, and more!   You can help support the show on our PATREON for as little as $1 a month! Double down to bump it to $2 a month and you'll get an extra episode every week!   Join the fun on our Facebook group!   Follow us on the fuckin' Gram!   Subscribe to our YouTube Channel for the video version of the show, demos, vlogs, and more!   We have shirts available at The Jerk Store!   Check out our band Plane Without a Pilot   Hosted by Brian Gower and Kyle McIntyre

60 Years Forward: Yamaha at NAMM 2026Yamaha at NAMM 2026: Chris Buck Revstar, Pacifica SC & 60 Years of Guitar InnovationSome brands chase nostalgia. Yamaha builds forward.At NAMM 2026, I spoke with Andy Winston to talk about 60 years of Yamaha guitar design—and why this company keeps delivering instruments that punch way above their price point.The conversation started with the Chris Buck Signature Revstar. Buck is the guitarist for Cardinal Black, and he's earned his own model. The specs tell the story: overwound P90 pickups for a hotter sound, wraparound tailpiece with adjustable saddles, stainless steel frets, lightweight tuners, and those old-school inlays from the first-generation Revstar. No boost circuit. Buck wanted it stripped to essentials.Then Andy dropped a tease: Matteo Mancuso is getting his own Revstar this summer. The Italian virtuoso. That's a statement.We moved to the new Pacifica SC—Yamaha's answer for T-style players. Humbucker in the neck, single coil in the bridge, and pickups designed in partnership with Rupert Neve's team. The boost circuit under the bridge pickup gives you five sounds from two pickups. Made in Indonesia at $999 or Made in Japan with compound radius fretboard and IRA wood treatment at $2,199.I bought my nephew a Pacifica. Entry level, around $200. It works. That's Yamaha's philosophy—you can start at $200 and work your way up to a Mike Stern signature model without ever leaving the family.But here's what stuck with me.Andy said something that defines Yamaha's approach: "We don't do reissues. You're never gonna see us reissue a 1972."Sixty years of guitar history, and they're not looking backward. The Revstar draws inspiration from the 1970s Super Flight, sure—but it's chambered mahogany, tuned to eliminate harsh mid-range frequencies. Yamaha builds pianos, violins, marimbas. They know how to tune wood. They apply that knowledge to electric guitars in ways other companies don't.The BB Bass series came next. String-through body with 45-degree break angle. Extra bolts pulling the neck tight into the pocket. A maple stripe running through the center of the body for note response. Active/passive switching. Five-ply neck. Professional features at prices that don't require a car payment."We give people more instrument than what a price tag says," Andy told me.That's not marketing. That's mission.Before we wrapped, Andy shared a personal story. In 1977, hair down to his shoulders, bell bottoms on, his mom decided he was serious about guitar. She bought him a Yamaha FG-75. His first real acoustic. He doesn't have that one anymore, but he found a replacement. Had to.That's brand loyalty earned over decades. Not through heritage mythology—through instruments that work, that last, that give players what they need without emptying their wallets.Sixty years of guitar design. No reissues. Just forward.Yamaha keeps proving that innovation and accessibility aren't mutually exclusive.Marco Ciappelli interviews Andy Winston from Yamaha at NAMM 2026 for ITSPmagazine.Part of ITSPmagazine's On Location Coverage at NAMM 2026.

We're back from NAMM 2026 and The Wood Wire & Volts Guitar Gear Show and have loads of great stories. Our trip to Anaheim, CA was filled with many unexpected ups and downs but at least we had Chubby Dumplings and Toast of London to get us through!   Hosted by Todd Novak with Tony Dudzik   #guitarpodcast #electricguitar #pedaleffects #pedalfx #theguitarknobs #guitarknobs #guitarinterview #guitaramplifier #guitarpickups #guitarsetup #fuzz #overdrive #reverb #distortion #guitartips    Visit us at theguitarknobs.com Support our show on Patreon.com/theguitarknobs

Show NotesAt NAMM 2026, Sean Martin sits down with Chuck Tennin, the President and CEO of Big Fish Music and Big Fish Music Publishing Group, for a candid conversation about the role of AI in the music industry and why the human element remains irreplaceable. Known as "The Big Fish" and "The Alligator," Chuck has spent more than five decades working as an engineer, record producer, music publisher, and consultant, and he pulls no punches when it comes to the limits of technology in creative work.Chuck draws a sharp line between AI as a tool and AI as a replacement for human creativity. He points to organizations like ASCAP, BMI, and the Recording Academy as allies in the fight to protect the creative process, arguing that AI cannot replicate the feel, the instinct, and the emotional investment that go into producing a record. For Chuck, the difference between producing music and producing a record is everything: a record has to connect with an audience on a level that no algorithm can manufacture.The conversation takes listeners through Chuck's journey from two-track analog recording to the digital era of Pro Tools, exploring how each technological leap brought efficiency but never fully captured the warmth and authenticity of tape. He reflects on the critical distinction between an MP3 and a WAV file, between convenience and quality, and between what sounds good enough and what sounds like a record.Chuck also shares hard-earned wisdom about the business side of music: the perseverance required, the reality that 90% of aspiring artists fail, and the belief in oneself that separates survivors from those who walk away. Drawing on stories from legendary artists he has worked with over the decades, he reminds listeners that every big name started in the same place and climbed out of the same struggle.This is a conversation about what technology can assist with and what it can never touch: the soul of music and the humans who create it.HostSean Martin, Co-Founder at ITSPmagazine, Studio C60, and Host of Redefining CyberSecurity Podcast & Music Evolves Podcast | Website: https://www.seanmartin.com/GuestChuck Tennin, President and CEO of Big Fish Music and Big Fish Music Publishing Group | On LinkedIn: https://www.linkedin.com/in/chuck-tennin-3468b6105/ResourcesThe NAMM Show 2026 is taking place from January 20-24, 2026 | Anaheim Convention Center, Southern California — Follow our coverage: https://www.itspmagazine.com/the-namm-show-2026-namm-music-conference-music-technology-event-coverage-anaheim-californiaMusic Evolves: Sonic Frontiers Newsletter | https://www.linkedin.com/newsletters/7290890771828719616/Keywordschuck tennin, big fish music, sean martin, AI in music, analog vs digital recording, record producer, music publishing, Pro Tools, ASCAP, BMI, Recording Academy, NAMM 2026, music industry, human creativity, songwriting, music, creativity, art, artist, musician, music evolves, music podcast, music and technology podcastMore From Sean MartinMore from Music Evolves: https://www.seanmartin.com/music-evolves-podcastMusic Evolves on YouTube: https://www.youtube.com/playlist?list=PLnYu0psdcllTRJ5du7hFDXjiugu-uNPtWMusic Evolves: Sonic Frontiers Newsletter | https://www.linkedin.com/newsletters/7290890771828719616/On Location with Sean and Marco: https://www.itspmagazine.com/on-locationITSPmagazine YouTube Channel: https://www.youtube.com/@itspmagazineBe sure to share and subscribe! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

At the Guitar Center Foundation, music is treated as a shared resource rather than a luxury. During this conversation at the NAMM Show 2026, Michelle Wolff, representing the Foundation, explains how access to real instruments can change the trajectory of a student, a patient, or a veteran simply by making music possible in the first place.The Foundation's work centers on donating thousands of instruments to schools, hospitals, and veteran centers, with a focus on communities where funding for music programs is often the first thing cut. Through a structured grant process, organizations apply for instruments quarterly, with roughly 150 requests reviewed each cycle. About 30 of those requests are fulfilled, helping sustain programs that might otherwise disappear.Beyond instrument donations, the Foundation is expanding how it shows up in communities. Plans include live donation events that bring instruments directly into schools and hospitals, often paired with artist participation to create meaningful, memorable moments. New donor and ambassador programs are also taking shape, designed to broaden awareness and bring more voices into the mission.Partnerships play a major role in that effort. The conversation highlights recent collaboration tied to the 100 Billion Meals initiative, where music, visual art, and social impact intersect to amplify multiple causes at once. These partnerships extend the Foundation's reach while reinforcing the idea that music can support broader humanitarian goals.Wolff also shares a personal connection to the mission. As a former vocal performance major at the University of Texas Butler School of Music, she understands how deeply musicians identify with their craft. After experiencing vocal injury herself, she speaks to the importance of supporting musicians through change and helping them build identities that extend beyond a single instrument, without losing music as a core part of who they are.That perspective brings the Foundation's work full circle. Access to instruments is not only about creating future professionals. It is about expression, resilience, and giving people the chance to discover what music can mean in their own lives.Part of ITSPmagazine's On Location Coverage at NAMM 2026.

For the next two weeks we'll be talking about all things NAMM and getting into some of the exciting innovations we spotted on the show floor, along with some trends that we noticed this year, starting with AI's inflection point in the music industry. Last year, the conversation around AI was tense with creators expressing fear over being replaced by AI. This year, we saw more AI tools designed to support creators, and in some case, become integrated directly into software and hardware that musicians already know and use.In this episode, you'll hear two conversations from NAMM that capture this shift.  Daniel Roland from LANDR discusses how creator-first AI tools are evolving, LANDR's new Layers feature that adds real musician performances through AI, and why the technology is becoming less about replacement and more about expanding creative possibility. (Recorded in the John Lennon Educational Tour Bus). Jun Usui from Yamaha demos a prototype that integrates Boomy's AI sample generation directly into Yamaha's Seqtrak hardware, showing a glimpse into a future where AI lives in your instruments, not just the cloud.   The news US TikTok App Uninstalls Jump 150% Following Transfer to US Ownership TikTok users in the US can't write 'Epstein' or see anti-Trump videos Social network UpScrolled sees surge in downloads following TikTok's US takeover | TechCrunch Report: music is now a third of all viewing time on YouTube Stationhead and Mellomanic Merge, UMG Invests In 'Ultimate' Direct-to-Fan Platform Native Instruments GmbH is in preliminary insolvency - CDM Create Digital Music   The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. Visit musictectonics.com to find shownotes and a transcript for this episode, and find us on LinkedIn, Twitter, and Instagram. Let us know what you think!    Get Dmitri's Rock Paper Scanner newsletter.  

Steve Rowe from 60 Cycle Hum returns to the show after an eight-year gap, and we immediately time-travel back to the era of wired earbuds, headphone jacks, and recording next to a wall outlet like it's a survival game. From there, it's a full spiral through the modern guitar media landscape: audio vs video, why interviews work when “can I talk to you for an hour?” absolutely shouldn't, and how NAMM feels different depending on whether you're stuck at a booth or sprinting the floor. We hit the silent pedal room (eerily quiet), Woodwire Volts (chill, boutique, intentional), Effectors Market (dangerous for your wallet), and the existential questions, like: if you pair an internal speaker guitar with a fart pedal… do we delete the universe? Also: favorite Boss pedals, pizza opinions, and why the secret sauce is still just showing up and doing the work. Check out everything 60 Cycle Hum HERE https://60cyclehum.com/ Support The Show And Connect! The Text Chat is back! Hit me up at (503) 751-8577 You can also help out with your gear buying habits by purchasing stuff from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/reverb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/sweetwater⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or grabbing your guitar/bass strings from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/stringjoy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Garza is back for a solo episode. Diving into the spiritual world, NAMM 2026 & much more.SPONSORS: DistroKid - https://distrokid.com00:00 - NAMM 2026 & Quad Cortex Mini04:38 - Bareknuckle Pickups10:03 - Winter Cleaning14:30 - Amp vs Guitar18:53 - Backing Tracks?25:27 - Top 3 Deathcore Bands37:17 - Best/Worst Part of the Podcast45:23 - God & Religion56:23 - Cost of Touring1:06:37 - Inspiration & Writer's Block1:15:29 - Hawt or Shat? New Riff1:20:51 - Temple Audio PedalboardThank you TinyWashbear for our Patreon question!

You walk into NAMM 2026 thinking you will just wander and see what grabs you. You leave reminded that wandering works best when paired with a plan and a willingness to torch a few sacred cows along the way. This episode is a fast-moving field report from the floor, where the real takeaway is not just gear but mindset. You hear why talking with people matters more than chasing booths, why listening beats pitching, and how staying flexible turns a chaotic show into a productive one. NAMM rewards curiosity, but only if you stay intentional and remember that Always Be Performing is not about being loud, it is about being present. From there, you get a tight rundown of what actually stood out. You hear about clever mic and monitoring solutions, portable PA ideas that punch above their weight, smart tools for managing stage volume and feedback, and electronic drums and keyboards that feel less like compromises and more like real instruments. There is a clear throughline here: gear is getting smaller, smarter, and more musician-centric, solving real problems instead of adding features for the spec sheet. By the end, you are not just caught up on what Dave saw at NAMM 2026, you are thinking differently about how to approach shows, stages, and decisions long after the badges come off. 00:00:00 Gig Gab 519 – Monday, February 2nd, 2026 February 2nd: National Tater Tot Day NAMM Coverage Sponsors Ultimate Ears Pro Earthworks Audio Rock-N-Roller Carts 00:02:23 NAMM Guidance Wandering is fun. But have a plan also. Be ready to abandon sacred cows Talk with people… share and listen 00:05:11 DPA Microphones on the Yamaha Stage 00:13:12 JBL BANDBOX Solo ($250) and BANDBOX Trio ($600) 00:18:37 D'Addario IR Mic Mute 00:21:05 Card Chords 00:24:55 UE 350 from Ultimate Ears 00:27:57 Sensaphonics IEM dB Check Pro 00:35:27 Efnote Electronic Drums Efnote 3 (with optical hi-hats) – $2,499 00:36:52 KickPort KickTone Pro microphone 00:40:12 Alpha Labs De-Feedback in action 00:43:57 Nord Electro 7 00:46:27 Allen & Heath Qu-5 00:49:49 iCON P1-M (on Amazon) 00:52:31 QSC CB10 00:55:21 Gig Gab 519 Outtro Thanks to Parthenon Huxley for today's outro song. And thanks, Hux, for everything you gave us all while you were here on this earth! Contact Gig Gab! @GigGabPodcast on Instagram feedback@giggabpodcast.com Sign Up for the Gig Gab Mailing List The post Gear, Gimmicks, and the Good Stuff at NAMM 2026 – Gig Gab 519 appeared first on Gig Gab.

Hello dear listener, Welcome aboard this Guitar Nerds shaped train, heading all the way to NAMM 2026 with a brief stop at Wood, Wire, Volts and The Baked Potato. This week, Matt, Phillip and I will be recounting their favourite bits from all of NAMM 2026, whilst I lament at my poor decision to give this year a miss! Hosted on Acast. See acast.com/privacy for more information.

We stopped by the 2026 NAMM show in Anaheim, CA before going to BJ's Restaurant. We chat our highlights from the show including Mighty Mite, Walrus Audio, Ernie Ball, Expandoria pedals, Kauer Guitars, Gator Frameworks, and more! T'was a good time! Stoked for next year!   You can help support the show on our PATREON for as little as $1 a month! Double down to bump it to $2 a month and you'll get an extra episode every week!   Join the fun on our Facebook group!   Follow us on the fuckin' Gram!   Subscribe to our YouTube Channel for the video version of the show, demos, vlogs, and more!   We have shirts available at The Jerk Store!   Check out our band Plane Without a Pilot   Hosted by Brian Gower and Kyle McIntyre

Episode 618A is brought to you by:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Chase Bliss⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Stringjoy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Use code: HUM to save 10%⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Reverb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support this channel on Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Want to send us mail?60 Cycle Hum9450 Mira Mesa Blvd #615San Diego, CA 92126I got sick before NAMM but I was better before I showed up 00:00 Intro01:34 There is only one left16:34 Kintsugi?36:11 Thanks Patreon!36:44 The Perfect PA (Kustom Tuck and Roll)42:50 Need shirts that say "Is this a good video"?47:49 Let's give away a gift card!*⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠60CH on Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy a Shirt⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Sweetwater⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠zZounds⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Thomann⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Amazon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Perfect Circuit⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ebay⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Reverb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tour Gear Designs Patch Cables⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠+⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Discord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram @60cyclehum⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Hire us for Demos and other marketing opportunities ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠#60cyclehum #guitar #guitars

Today, I report on a behind-the-scenes tour of the GRAMMYS I was lucky to take on Day One of artist rehearsals at Crypto Arena, relive adventures from the three JEFF BECK tribute concerts I played earlier this month, and share with you one of the most inspiring guitar performances I saw at this year's NAMM convention — PHILIP SAYCE's soul-stirring, fret-melting set in the Anaheim Hilton's cavernous lobby. In fact, Sayce was so mind-bogglingly great that night, I decided to include in this episode an ENCORE of our May, 2022, interview/jam, recorded at his home in Los Angeles. ALSO: Hope you enjoyed the Eric Gales episode, which posted last week. Today's and last week's episodes are presented by Guitar Player and guitarplayer.com

In this episode, Adam and Dan discuss their recent travels, highlighting their experiences during an unexpected ice storm and a trip to Disney. Adam then dives into the recent NAMM show, sharing insights on standout instruments, pedals, and gear that caught his eye. Highlights include the innovative offerings from Traveler Guitar, Rip Custom Guitars, and Epiphone's latest inspired by line. He also mentions utilitarian tools from companies like B-Beat and Behringer that could streamline live shows for musicians. Tune in for all the gear talk you can handle  and check out the full version on YouTube for all the videos! NAMM HOUSE GIVEAWAY: https://www.sweetwater.com/shop/namm-house/MaestroDMX (10% off discount link): https://maestrodmx.com/discount/DISCOUNT4CBC?redirect=%2Fproducts%2FmaestrodmxBlank Contracts & Riders: https://www.coverbandconfidential.com/store/performance-contractsBacking Track Resources: https://www.coverbandconfidential.com/store/backing-track-resourcesThank you so much for tuning in!  If you want to help be sure to like, subscribe and share with your friends!  Linktree: linktr.ee/adampatrickjohnson                linktr.ee/coverbandconfidentialFollow us on Instagram!@coverbandconfidential@adampatrickjohnson@danraymusicianIf you have any questions please email at:Coverbandconfidential@gmail.comConsider supporting us on Patreon! www.patreon.com/coverbandconfidentialOr buy us a cup of coffee!paypal.me/cbconfidentialAnd for more info check out www.coverbandconfidential.comGear Used in this Video (Affiliate):Sony ZV-E10 Mirrorless Camera: https://amzn.to/3DBqtOyElgato Prompter: https://amzn.to/3X3IAq8 Shure SM7B: https://amzn.to/4dDCJx0 Elgato Stream Deck XL: https://amzn.to/3gKjhqiMagic Arm Camera Friction Mount: https://amzn.to/3SK5yNk

Bernie recaps his week at the NAMM Show in Anaheim, highlighting the gear he discovered, the friends he reconnected with, and the people he met along the way. He shares behind-the-scenes stories from the NAMM Jam and other standout moments from the week. It's a candid look at the relationships and community that keep the music world moving.******************************************Hungry for more?Check us out at https://isbreakfast.com******************************************

In Episode 315, Sean and Andy get the lowdown on a relatively new live audio tool that took both NAMM and the online live audio community by storm over the last year as they talk with Devin Sheets, founder and owner of Alpha Labs, to learn all about De-Feedback. This episode is sponsored by Allen & Heath and RCF.A much-talked-about plugin in live audio of 2025, there are lots of myths and misunderstandings, rave reviews and reticence about this new tool for fighting feedback, handling overly reverberant rooms, and dealing with noise in live reinforcement and broadcast environments, so we get it all straight from Devin, including a live demo of exactly what De-Feedback is capable of.Devin Sheets, founder and owner of Alpha Labs, grew up in Salem, Oregon. His father Duane founded and owns Alpha Sound, a regional live audio production company, so Devin grew up in the busy environment of one of the largest PA rental and installation companies in the Pacific Northwest during the 1990s and 2000s.After graduating from Azusa Pacific University with a degree in music, he and Duane turned the focus of the family business toward high-end corporate and house of worship work. Devin had his industry standard bag of tricks for fighting feedback in these environments, but felt that “the answer” had not yet arrived. After years of unfruitful communication with many leading audio manufacturers about the issue, he decided to try his hand at a custom approach involving AI software. After paying large amounts of his personal money to various coders around the world in an attempt to make something work, the team finally struck gold in mid 2024 with a novel AI model of their own making, using training data largely produced by Devin himself, on a computer they built in-house. He used the beta version throughout the year for his own shows and events, and installed it in several churches in the area.By late 2024 there was pressure to begin selling the algorithm to the public, and so Alpha Labs was formed as a software partner company to Alpha Sound, a website launched, and sales of De-Feedback V1 began November 11 of that year. Within days, the plugin was being used on some of the biggest tours and events of the Christmas season. The software continues to be adopted by many of the world's top engineers and venues, while Devin and his team concentrate most of their time and energy developing newer, better versions.We've also upload a clip of Devin's demo of De-Feedback without our usual dynamics chain, for folks who want to listen to it as raw as possible, which you can download here: https://bit.ly/s2n-de-feedback (as a bonus, that clip is g-rated in terms of language, as well)SPECIAL OFFER: As a limited time bonus for Signal to Noise listeners, Alpha Labs is offering 10% off purchases with coupon code “SIGNALTONOISE”, valid through Feb 6, 2026! Just enter the code at license checkout, and the discount will be applied to all products in your order!Episode Links:Alpha Labs De-FeedbackDe-Feedback Official User GroupThinking Out Loud w/Friends of SoundBroker, Devin SheetsAlpha SoundEpisode 315 TranscriptNOTE: Mike Green, the artist who performs “Break Free” that opens every episode, has some new music hitting the market starting today, available on all streaming platforms as well as DSPs that support spatial audio. And, Mikegreenm

131 years. Still handcrafted in Nashville. Still changing music.At NAMM 2026, Sean Martin and Marco Ciappelli sat down with Jeff Stempka, Global Brand & Marketing at Gibson & Gibson Custom, to talk about what makes this brand untouchable—the craftsmanship, the artist connection, and why people will stretch their budget just to hold one.From the Les Paul Studio Double Trouble to the ES-335 Fifties and Sixties refresh, Gibson is honoring its legacy while pushing forward.Jeff said it best: "These are tools that enable incredible musicians to take the instruments and do something we never intended."

The Dads are back with a special NAMM 2026 episode! We were not at NAMM this year, but it still brought the heat with some massive announcements. Neural DSP unveiled the Quad Cortex Mini, while Wampler dropped jaws with their Pedalhead—a revolutionary machine learning-powered power amp that's changing the game for direct recording. Gibson made their triumphant return to the NAMM show floor after years away and shocked with new Epiphones that are blurring the line between budget and premium instruments. On the amp front, Slash debuted a new signature Magnatone that's already turning heads, and Friedman added more fire to their lineup with several new amplifier models. It's shaping up to be an expensive year for gear heads—your wallet has been warned. Please support our sponsor, Coppersound Pedals www.coppersoundpedals.com and use code DADS10 to 10% off your order, INCLUDING the new Foxcatcher V2 which is available NOW! 

This week we're unpacking two very different sides of the music technology world.First, we look at the news surrounding Native Instruments entering preliminary insolvency proceedings. We break down what's actually happening, what it means for musicians who rely on NI tools, and why this is more about financial structure than failing products.Then we shift gears into a post NAMM 2026 roundtable, sharing the gear releases that genuinely caught our attention. No hype cycles, no shopping lists, just thoughtful reactions to what felt meaningful, useful or creatively interesting this year.As always, this is an open discussion about tools, industry shifts and how we navigate them as working musicians.Thanks to our Patrons who support what we do:Audionauts: Abby, Bendu, David Svrjcek, Josh Wittman, Paul Ledbrook, Matt Donatelli and Stephen SetzepfandtLars Haur - Audionaut ProducerJonathan Goode - Audionaut ProducerJoin the conversation:

Recorded at NAMM 2026, Dindae Sheena, President of Global Sales and Marketing at Telegrapher, shares how the company applied its sister brand's expertise in high-end furnishings and luxury automotive trim working with brands like Bentley, Lamborghini, Aston Martin, and Tesla, to the design of its studio monitors. We also discuss why engineers are returning to pure analog monitoring and how design, physics, and simplicity shape better sound.Follow Telegrapher:WebsiteInstagramFollow Creatives Prevail:InstagramTikTokWebsiteWe would love to hear from you! Please give us a review, this really helps get others to listen in. Any suggestions on how we can improve? DM us on Instagram or TikTok.Host: Mike ZimmerlichProduced by: Omelette PrevailPost-Production: EarthtoMoiraMusic by: Daphne GreeneTech Specs:Mic and Headphone Setup:Limelight Dynamic Mic (512 Audio / Warm Audio)Vocaster One (Focusrite)MBS9500 Microphone Boom Arm (On-Stage)Pro X2 Headphones (Logitech)Light Setup:Litra Beam (Logitech)Glide Lively Wall Lights (Govee)Squares (Twinkly)Key Light (Elgato)

Brian, Blake, and Richard are back for Episode 602 of the Chasing Tone Podcast - More Pedalhead talk, NAMM is snow joke, and you cannot resist the power of the Dork Side! The guys have returned from NAMM with some smooth talk for your listening delight and Richard asks the difficult questions early on. Brian and Blake got to hug it out at NAMM while our British friend cried into his tweed pillowcase. Meanwhile the North American weather caused some sticky moments for the Stringjoy crew and Blake tells all. Brian got to talk about the upcoming Pedalhead Machine Learning Poweramp and he shared the stage with the legendary Dave Friedman. Somehow rockets are involved. Brian clues us in with some more details about what makes this product really special. Casio have come out with a new product and the guys love it.Richard has bought a modeling unit much to the disgust of Brian and Blake. It was inexpensive but he digs it, and does a terrible job describing why, before the guys have a quick admiring look at the Polyend Endless AI pedal. There is a new invention involving Brian and a vending machine.Carl is a hero, Farmer Bri, Intimate speakers, Digital Brian, Stevie Wonder, The wrong tacos, Brian O'brian McBrian Brianston...it's all in this week's Chasing Tone!We are on Patreon now too!Support the show (https://www.patreon.com/chasingtonepodcast)Courses and DIY mods:https://www.betterguitartone.comhttps://www.wamplerdiy.comhttps://www.guitarpedalcourse.comYoutube:https://www.youtube.com/@chasingtonepodcastFind us at:https://www.wamplerpedals.com/https://www.instagram.com/WamplerPedals/https://www.facebook.com/groups/wamplerfanpage/Contact us at: podcast@wamplerpedals.comSupport the show

Episode 185. The boys recap NAMM. Talk about an easy way to get a dope looking DJ booth for your weddings and also the never ending topic of wordplays. Tune in and check out the newest episode! 0:00 - Intro 3:37 - NAMM Recap 13:36 - Main Topic 20:45 - Ketchup DAFS OPEN FORMAT CHEAT SHEET LINK: https://www.patreon.com/posts/dafs-cheat-sheet-148150833?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator&utm_content=join_link

In this episode of Working Class Audio, Matt welcomes back GRAMMY-winning recording engineer and producer Steve Chadie live from the AudioScape booth at NAMM 2026 to talk about recording bands. Steve has worked with WIllie Nelson, Los Lonely Boys, Wilco, and the Supersuckers.In This Episode, We Discuss:Mic placement and monitoring.The bleedBand dynamicsFood and energy levelsExpectationsCreative ruts.Being invisibleHeadphone mixesLess substance abuseLinks and Show Notes:Steve on WCA #245Steve on WCA #487Steve's SiteMatt's Rant: The PeopleCredits:Guest: Steve ChadieHost/Engineer/Producer: Matt BoudreauEditing: Anne-Marie PleauWCA Theme Music: Cliff TruesdellThe Voice: Chuck Smith

Snowboards and Guitars: Circle Strings x Burton at NAMM 2026Some collaborations make you stop and ask how nobody thought of this before.At NAMM Media Day 2026, Sean Martin caught up with Adam Buchwald and William Hylton from Circle Strings, a Vermont-based guitar company, to talk about their partnership with Burton. The concept is deceptively simple: matching snowboards and custom guitars built from the same materials.But the execution is anything but simple.Buchwald owns a wood company in Vermont. He had an entire tree of figured mahogany set aside, waiting for the right project. When Burton agreed to collaborate, he knew exactly what to do with it. The wood became the centerpiece—the visual and sonic foundation of everything that followed.Then William Hylton got to work.Hylton, Circle Strings' designer and CNC specialist, is a backcountry snowboarder. He chose Burton's Alakazam powder board shape as his starting point, drawn to its distinctive tail curve. That curve, he realized, was already guitar-esque. So he wove it through the entire instrument—the fingerboard extension, the pickguard, the bridge tips. The snowboard's DNA lives in every contour.But here's where it gets interesting.The core of a Burton snowboard is wood. Lightweight, durable, designed for performance. Hylton took that same core material and built a guitar body from it. The result feels right in your hands—balanced, resonant, purposeful. It's not a gimmick. It's a genuine instrument built from materials engineered to perform.The acoustic model features a sound hole that mirrors the snowboard's design. Inlays are crafted from Burton's core material, tying everything together visually and conceptually. Both guitars showcase snowflake inlays inspired by Snowflake Bentley, the Vermont photographer who first captured snowflakes in their true crystalline form over a century ago.It's a detail that says everything about how Circle Strings approaches their work. History. Craft. Place.Vermont runs through this collaboration. Buchwald and Hylton are snowboarders. They source their wood locally. They build instruments that reflect where they come from. Burton, also rooted in Vermont's snow culture, was a natural partner.The Burton team, according to Hylton, is thrilled. Many of them are musicians. Some are fans of the artists Circle Strings builds for. The connection was already there—this project just made it tangible.What strikes me about this collaboration is the underlying philosophy. Snowboards and guitars aren't that different when you strip them down. Both are built from wood. Both demand precision. Both exist to help someone express themselves—whether carving powder or carving a melody.Circle Strings and Burton understand this. They didn't force a partnership. They found the common thread and followed it.The result is a set of instruments that belong in a museum and on a stage. Objects that tell a story about craft, place, and the people who refuse to separate their passions.Snowboards and guitars. Same wood. Same craft. Different ride.Sean Martin reports from NAMM 2026 for ITSPmagazine.__________________________This is a Brand Highlight. A Brand Highlight is an introductory conversation designed to put a spotlight on the guest and their company. Learn more: https://www.studioc60.com/creation#highlightGUESTSAdam Buchwald and William HyltonRESOURCESLearn more about Circle Strings Guitars: https://circlestrings.comLearn more about Burton Snowboards: https://www.burton.comAre you interested in telling your story?▶︎ Full Length Brand Story: https://www.studioc60.com/content-creation#full▶︎ Brand Spotlight Story: https://www.studioc60.com/content-creation#spotlight▶︎ Brand Highlight Story: https://www.studioc60.com/content-creation#highlightKEYWORDSNAMM 2026, Burton, Circle Strings, custom guitars, snowboard guitar, handmade guitars, Vermont, guitar collaboration, Burton snowboards, NAMM, luthier, unique guitars Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Show NotesDay two at NAMM 2026 reinforces why this show continues to matter. Not just for product launches or celebrity sightings, but for the culture that forms when creators, builders, and technologists share the same physical space. From the Creator Lounge to the show floor, the conversation stays grounded in making, playing, and experimenting.This episode captures that energy in real time. Sean Martin and Marco Ciappelli reflect on how NAMM functions as a crossroads where legacy craftsmanship, modern production, and creative curiosity intersect. Guitars, basses, drums, microphones, and software all coexist here, but the real story is how people interact with the tools and with each other.Creativity on the FloorThe discussion touches on conversations with brands and builders like Gibson, John Page Guitars, and others shaping instruments that balance tradition with modern design. These are not abstract ideas. They are physical objects that invite musicians to explore sound differently, whether through lighter builds, new electronics, or rethinking classic forms.Technology Without Losing the SoulA recurring theme is how technology shows up at NAMM without overshadowing the human element. From live sound testing that occasionally overwhelms a recording to quiet moments in shared spaces, the episode highlights how tools serve creativity, not the other way around. The hosts reflect on artists who embrace technology while staying rooted in raw expression and performance.The Meaning of Being On LocationBeing present matters. This conversation underscores why on location coverage adds context that studio conversations cannot replicate. Background noise, spontaneous encounters, and unexpected access all become part of the story. NAMM is not polished. It is alive.The episode closes with anticipation. Major award events, standout performances, and conversations still to come point to why day two feels less like a midpoint and more like momentum building.GuestMarco Ciappelli, Co-Founder, ITSPmagazine and Studio C60 | Website: https://www.marcociappelli.comHostSean Martin, Co-Founder at ITSPmagazine, Studio C60, and Host of Redefining CyberSecurity Podcast & Music Evolves Podcast | Website: https://www.seanmartin.com/ResourcesThe NAMM Show 2026 is taking place from January 20-24, 2026 | Anaheim Convention Center • Southern California — Coverage provided by ITSPmagazine — Follow our coverage: https://www.itspmagazine.com/cybersecurity-technology-society-events/the-namm-show-2026The NAMM Show 2026: https://www.namm.org/thenammshow/attendMusic Evolves: Sonic Frontiers Newsletter | https://www.linkedin.com/newsletters/7290890771828719616/Keywordssean martin, marco ciappelli, namm 2026, namm show day 2, music industry, guitar gear, bass guitars, music technology, creator lounge, live music culture, instrument design, behind the scenes nammMore From Sean MartinMore from Music Evolves: https://www.seanmartin.com/music-evolves-podcastMusic Evolves on YouTube: https://www.youtube.com/playlist?list=PLnYu0psdcllTRJ5du7hFDXjiugu-uNPtWMusic Evolves: Sonic Frontiers Newsletter | https://www.linkedin.com/newsletters/7290890771828719616/On Location with Sean and Marco: https://www.itspmagazine.com/on-locationITSPmagazine YouTube Channel: https://www.youtube.com/@itspmagazineBe sure to share and subscribe! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

On this episode of Talking Guitars, it's the ultimate NAMM Show 2026 wrap-up

Dave’s back from NAMM 2026 and has a little something to share about that. Actually three little somethings, so that’s where we start. But there’s more to say about that, and it’s not yet time, so we’ll extend the NAMM discussions into next week (and beyond?). For today, well, you don't become the Sauce Boss by chasing a gimmick. You hear how Bill Wharton built a real, working-musician career by leaning hard into what felt natural to him, starting with a Datil pepper, a pot of gumbo, and a simple idea: turn the gig into a gathering. From cooking onstage on New Year's Eve 1989 to feeding hundreds of people at festivals and never charging a dime for the food, Bill shows how blending music and food transformed shows from transactions into shared experiences. By creating a kitchen onstage, he stopped entertaining people just long enough to take their money and run, and instead built something with a life of its own, something that keeps audiences leaning in and coming back. As the conversation unfolds, you trace Bill's path from top-40 bar gigs to one-man-band independence, full-band firepower, and stages as far-flung as Saudi Arabia. You hear why learning your strengths and ruthlessly discarding what doesn't matter is not selfish, it's survival. From dynamics, gear choices, and in-ear monitors to the lessons behind Blind Boy Billy, Bill makes the case that longevity comes from clarity, connection, and doing your thing without apology. The message for working musicians is direct and empowering: build the show you want to play, build the life that supports it, and keep showing up ready to give. Always Be Performing. 00:00:00 Gig Gab 518 – Monday, January 26th, 2026 January 26th: National Spouse Day Guest co-host: Bill Wharton NAMM Coverage Sponsors Ultimate Ears Professional Earthworks Audio Rock-n-Roller 00:14:31 SPONSOR: Squarespace. Check out https://www.squarespace.com/GIGGAB to save 10% off your first purchase of a website or domain using code GIGGAB. 00:16:21 Guest co-host: Bill Wharton 00:18:41 How to become a sauce boss magnate…while also being a musician Bill found the Datil pepper. Spicy and flavorful. People would eat all the sauce at his house So he made Liquid Summer hot sauce But he wanted to sell hot sauce at gigs. December 31, 1989 – made a pot of gumbo on stage to demo the hot sauce No one would ever have to pay for for my gumbo… 240,000 bowls later, here we are! 00:23:26 Blending music and food. It's better than entertaining people, taking the money, and run! 00:25:12 Food and music are good together Every good party has everyone hanging out in the kitchen Bill creates the kitchen on stage 00:26:33 That first Sauce Boss gig 00:28:16 It has a life of its own and takes care of itself It took 3.5 hours to know that this was going to work long-term 00:30:38 Bill: “Always looking for something distinctively mine…something unique” It's hard to do your own thing. 00:33:15 The typical sauce boss gig means cooking for 100 (or more) people 400 people at a festival (it took TWO pots of gumbo) 00:35:07 From Florida to Saudi Arabia Sauce Boss plays/cooks at an Air Force base in Saudi Arabia 00:37:09 A soul-shouting picnic of Rock and Roll Brotherhood One or two 75-minute sets The show never ends 00:40:16 Learn, and then KNOW your strengths Started playing top-40 gigs as a kid …and then realized that's a rat trap. Bill made a point of putting only the stuff that matters to him in his day…and his show. Being “greedy” about putting my thing out there. If I can do this, you can do this Discard the things you don't enjoy, embrace the things you do. Story Time, it turns out! 00:43:23 Jimmy Buffett wrote a song about the Sauce Boss – “I Will Play For Gumbo” Playing a gig at Jimmy Buffett's club in New Orleans… and Jimmy was there! “This is the best (bar) band I've seen in a long time.” 00:47:13 Where did “Sauce Boss” come from? Tobacco Road, in Miami 00:49:47 Bread and Butter is the One Man Band “But I have a music problem, and I like jammin' with my buds!” There's something that happens when you have a little more firepower of a full band 00:53:13 Bill is his own funky one-man band with a kick drum, hi-hat, and a guitar 00:55:16 Dynamics are everything in terms of keeping a crowd 00:57:09 Bill's thoughts on in-ear monitors Future Sonics 01:02:17 Gear Gab: Create a portable screen/keyboard/mouse for your home studio 01:06:24 The Life and Times of Blind Boy Billy A songbook, a recipe book, and Bill's memoir. 01:09:29 Gig Gab 519 Outtro Follow Bill Wharton, the Sauce Boss Contact Gig Gab! @GigGabPodcast on Instagram feedback@giggabpodcast.com Sign Up for the Gig Gab Mailing List The post Gumbo, Gigs, and Grit: Bill Wharton's Sauce Boss Path — Gig Gab 518 appeared first on Gig Gab.

Show NotesThe first day at NAMM 2026 opens in the only way it can: loud, imperfect, and unmistakably human. Forklifts roll by, sound systems compete for attention, and instruments are already being pushed to their limits. This episode captures that moment before the show floor officially opens, when ideas are raw and expectations are still forming.Sean Martin, host of Music Evolves, and Marco Ciappelli, host of Redefining Technology and Society, use this Day 1 conversation to ground the week in a bigger question: what role does technology actually play in music right now? Not as a replacement for creativity, but as a set of tools shaped by the people using them.The discussion cuts through familiar narratives about automation and generative systems by pointing directly at what is happening on the floor. New products are being introduced, but very little of it is framed as machines making music on their own. Instead, the focus is on musicians performing, experimenting, and expressing themselves through instruments that blend analog craft with digital capability.From acoustic guitars rooted in century-old designs to hybrid instruments that invite unconventional inputs like wood, metal, or physical objects, the message is consistent. Innovation does not erase musical tradition. It extends it. The instruments change, the interfaces evolve, but the act of creation remains human-driven.The conversation also reflects on how easily fear can creep into discussions about new tools. At NAMM, that fear feels misplaced. Artists are not stepping aside. They are leaning in, learning new techniques, and pushing boundaries in ways that still require skill, memory, timing, and emotional intent.This episode sets the tone for the rest of the week. NAMM is not about machines replacing musicians. It is about musicians deciding what they want to do next, using whatever tools help them say it more clearly.GuestMarco Ciappelli, Co-Founder, ITSPmagazine and Studio C60 | Website: https://www.marcociappelli.comHostSean Martin, Co-Founder at ITSPmagazine, Studio C60, and Host of Redefining CyberSecurity Podcast & Music Evolves Podcast | Website: https://www.seanmartin.com/ResourcesThe NAMM Show 2026 is taking place from January 20-24, 2026 | Anaheim Convention Center • Southern California — Coverage provided by ITSPmagazine — Follow our coverage: https://www.itspmagazine.com/cybersecurity-technology-society-events/the-namm-show-2026The NAMM Show 2026: https://www.namm.org/thenammshow/attendMusic Evolves: Sonic Frontiers Newsletter | https://www.linkedin.com/newsletters/7290890771828719616/Keywordssean martin, marco ciappelli, namm 2026, namm show, music, musicians, instruments, creativity, technology, innovation, event coverage, on location, conferenceMore From Sean MartinMore from Music Evolves: https://www.seanmartin.com/music-evolves-podcastMusic Evolves on YouTube: https://www.youtube.com/playlist?list=PLnYu0psdcllTRJ5du7hFDXjiugu-uNPtWMusic Evolves: Sonic Frontiers Newsletter | https://www.linkedin.com/newsletters/7290890771828719616/On Location with Sean and Marco: https://www.itspmagazine.com/on-locationITSPmagazine YouTube Channel: https://www.youtube.com/@itspmagazineBe sure to share and subscribe! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Vintage Dreams, Modern Hands: A Conversation with PRS Guitars at NAMM 2026They were literally closing down the show floor when I grabbed Alex Chadwick from PRS Guitars for a conversation I wasn't willing to miss.We'd been talking off-mic about something that kept nagging at me—this tension between technology and creativity that runs through everything in the music world right now. So I hit record, security guards circling, and asked him straight: Is technology helping musicians become better artists, or do you still need to learn the hard way?His answer was refreshingly honest. Technology isn't inherently good or bad. It's a tool. When it helps people be more expressive, more creative—that's the win. When it gets in the way of that expression? That's when we have a problem.It's the kind of nuance that gets lost in the usual gear coverage.PRS brought some beautiful new instruments to NAMM this year. The John Mayer Wild Blue Silver Sky stopped people in their tracks—a sharp turquoise finish with the first matching headstock ever produced from their Maryland factory on a Silver Sky. Limited to a thousand pieces worldwide. For Mayer fans and Silver Sky devotees alike, this one feels special.Then there's the Ed Sheeran Semi-Hollow Piezo Baritone. A 27.7-inch scale instrument tuned a fifth below standard, with discrete outputs for both magnetic and piezo elements. But here's what got me: each guitar ships with a signed print of Sheeran's original artwork that appears on the body. He's a visual artist too. The instrument becomes a canvas for multiple creative expressions at once.But the conversation that really stuck with me was about vintage guitars and why we romanticize them so much.Those 1950s and 60s instruments—the ones on posters, in documentaries, making the music that shaped entire generations—they've become holy relics. And the ones that actually sound magical? They cost as much as a house now. So how does anyone access that?Chadwick explained something about PRS's philosophy that I found genuinely compelling. They don't go back to the fifties. They go back to 1985. That gives them freedom—they can draw inspiration from those holy grail instruments without being trapped by their quirks, their inconsistent tolerances, their aged components. They can take what made those guitars legendary and build it into something repeatable, accessible, and comfortable.The goal, he said, is to create instruments that get out of the way. Guitars that let the person be more expressive instead of fighting against limitations.That phrase has been echoing in my head since I left Anaheim. Instruments that get out of the way.Because that's really what this is about, isn't it? All the gear, all the technology, all the innovation—it only matters if it helps someone find their voice. Make their own music. Tell their own story.PRS seems to understand that. In a world obsessed with vintage nostalgia and spec-sheet comparisons, they're building for expression.And that's worth a conversation, even when security is showing you the door.Marco Ciappelli reports from NAMM 2026 for ITSPmagazine, exploring the intersection of technology, creativity, and the humans who make music possible.__________________________This is a Brand Highlight. A Brand Highlight is an introductory conversation designed to put a spotlight on the guest and their company. Learn more: https://www.studioc60.com/creation#highlightGUESTAlexander ChadwickPRS GuitarsRESOURCESLearn more about PRS GUITARS: https://prsguitars.comAre you interested in telling your story?▶︎ Full Length Brand Story: https://www.studioc60.com/content-creation#full▶︎ Brand Spotlight Story: https://www.studioc60.com/content-creation#spotlight▶︎ Brand Highlight Story: https://www.studioc60.com/content-creation#highlightKEYWORDSNAMM 2026, PRS Guitars, John Mayer Silver Sky, Ed Sheeran guitar, PRS Wild Blue, baritone guitar, guitar gear, new guitars 2026, PRS limited edition, guitar innovation, NAMM Show, musician interviews Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Follow @foobarshowEpisode 387 NAMM RecapDoom Scrolling IntroThe Foos tease the possible return of Mark Maples Manic MessagesMusic Highlights:-The cover their NAMM experience from Friday and Saturday-Meeting Mike Dirnt of Green Day along with other well known celebrities-Musical instruments, hardware, software-Awards-...and more!Give us a 5-star positive review on Apple Podcasts!Listen at foobarshow.com or anywhere you get your podcasts.

If it was there, we discuss it! NAMM 2026!!!

#namm #thenammshow #namm2026 _________________________JOIN OUR PATREON HERE:https://www.patreon.com/c/InThePocketPodcast _________________________SIGN UP TO OUR NEWSLETTERhttps://in-the-pocket-pod.kit.com/63743ada35_________________________The perfect podcast for bass players - Giving you the low-down on the low-end!Totally average bassist/YouTuber Jonny Dibble and session player Chris Horrocks are (sometimes) joined by guests to talk all about the latest bass news, answer audience questions and breakdown some killer bass guitar tones.If you want to submit questions for the podcast, head over and follow on Instagram @inthepocketpodhttps://www.instagram.com/inthepocketpod_________________________WHERE TO LISTENListen to this podcast on Spotify:https://open.spotify.com/show/3NV5P1HkX6CO9IJwkxQGWa?si=Lz3yDLoPQ3GWj95sFxuaNw&dl_branch=1Listen to this podcast on Apple Podcasts:podcasts.apple.com/us/podcast/in-the-pocket/id1612546709Listen to this podcast on Acast:https://shows.acast.com/in-the-pocket_________________________WHERE TO FIND JONNYFollow Jonny on Instagram:https://www.instagram.com/jonnydibbleSubscribe to Jonny on YouTube:https://www.youtube.com/jonnydibbleAnderton's Affiliate Link:https://www.andertons.co.uk/?tduid=d9b55588b2228bc6403b9bb3d5baa4cc_________________________WHERE TO FIND CHRISFollow Chris on Instagram:https://www.instagram.com/thatguyonbassSubscribe to Chris on YouTube:https://www.youtube.com/@ThatGuyOnBassYTFollow Chris on TikTok:https://www.tiktok.com/@thatguyonbass Hosted on Acast. See acast.com/privacy for more information.

Send us a textIn this episode the hosts discuss products they want to see in 2026, new things in pro audio they wan to try in 2026, and Scify's upcoming first NAMM show. There is now a mailing list. We will be using this mailing list to share updates, giveaways, product discounts and more. You can sign up for the mailing list at http://eepurl.com/hzwW4fAs usual this episode will be posted in theFacebook Group for discussion, Faders Up Podcast.Follow the hosts, guest, and podcast on Instagram- FadersUpPodcast- AudioCzar901- ItspronouncedOshayGuest- Sci-fy

Send us a textFind Joe and Guitar Nerds on:Internet: https://www.guitarnerds.net/Instagram: https://www.instagram.com/guitarnerds/YouTube: https://www.youtube.com/c/Guitar-nerdsSponsorsGrez Guitars: https://www.grezguitars.com/Grez Guitars (Instagram): https://www.instagram.com/grezguitars/Madsen Amplification (Internet): https://www.madsenamps.com/Madsen Amplification (Instagram): https://www.instagram.com/madsenamps/Fuzz Imp Pedals (Internet): https://www.fuzzimp.com/Fuzz Imp Pedals (Instagram): https://www.instagram.com/fuzzimp/ Support the showAffiliate LinksSweetwater: https://sweetwater.sjv.io/qzy9Xj TrueFire (affiliate link): https://shorturl.at/bfjGXGet 40% off your first lesson purchase (including the annual pass!) with code 40WATTReverb (affiliate link): https://tidd.ly/3zLI32NPatreon: https://www.patreon.com/40wattpodcast/​Find all of the podcast links at:https://www.linktr.ee/40wattpodcasthttps://www.40wattpodcast.com/Subscribe to the channel and give a like – also find us in audio format wherever you listen to podcasts and leave us a review and share us with your friends.

Join our current events support zoomcast show hosted by Jan Landy and his knowledgeable affable panel of friends and colleagues for an entertaining robust discussion offering opinions on anything related to a working professional life in general.Our ZoomCast isn't just a fountain of knowledge; it's also a opportunity to laugh. Think of it as therapy, but with more jokes and fewer couches. Join us and share your thoughts. Stay updated on life and world events, and enjoy multiple good chuckles along the way.

Episode 184. The boys talk about NAMM and some of the new gear that's already been leaked. New Alpha Theta, Rane system one, RCF speakers and more. They talk about the parties that you are able to attend even without a pass. Drew's new party and how to get gigs, DMS picks of the week and much more. Tune in and check out the newest episode! 0:00- Intro 2:34- New Gear / NAMM 15:16- Ketchup 25:29- DMS Picks DAFS OPEN FORMAT CHEAT SHEET LINK: https://www.patreon.com/posts/dafs-cheat-sheet-148150833?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator&utm_content=join_link

This week, Dmitri chats with Russell Wedelich, the President and CTO of Eventide Audio. Eventide has been shaping Eventide has been shaping recorded music since 1971, and Russell has used his background in both electrical engineering and musical engineering to help create products like the Space Stomp box, H9000, Physion, and Temperance reverb just to name a few.  They talk about Eventide's history and philosophy of creating audio tools, re-releasing legacy software, and why Russell believes fear and creativity are opposite's when it comes to AI's impact on music. They also talk about NAMM and why it is still worth going in 2026 (if you're going this week, make sure to check us out at Booth 10607 in Hall A.   The news Spotify hikes price for Premium subscribers in the US, other markets Music streaming platforms now host quarter of a BILLION tracks. Where does it end? Matthew McConaughey tackles deepfakes with trademark filings   The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. Visit musictectonics.com to find shownotes and a transcript for this episode, and find us on LinkedIn, Twitter, and Instagram. Let us know what you think!  Get Dmitri's Rock Paper Scanner newsletter.

This week, it's NAMM Show time! I'll be in the Los Angeles / Anaheim, California area Wednesday through Sunday, bringing YOU along for the ride. We'll be walking the floor, checking out all the latest gear, hitting every booth we can, meeting friends, and connecting with some amazing people. I'm there as media, which means exclusive content you won't see anywhere else — straight from NAMM to you. If you love guitars, gear, music, and behind-the-scenes access, you do NOT want to miss this. Make sure to follow, like, share, and subscribe all week long — January 21st through the weekend — on YouTube, Facebook, Instagram, TikTok, Twitch, and X. Let's go!

Here's a vintage reissue that refuses to stay buried. This throwback episode with Yvette Young started life as a Patreon bonus… until enough people yelled “this is too good to keep secret” and it hit the main feed, where it promptly became one of the most-listened-to episodes of the whole show. So if you're new around here, congrats: you just found a greatest hit. If you've heard it before, it's absolutely worth a re-listen. This one is a ride. We barely talk about guitars, and that's kind of the point. Instead we get into: sleep paralysis, shadowy hooded figures, red eyes, radio-static brain glitches, and why the stories are weirdly consistent UFOs, alien nightmares, and a “star” that breaks the rules like it's trying to avoid getting reported DIY tour chaos, sketchy houses, cash hidden in books, and why “band horror” should be its own movie genre discipline, deadlines, and Yvette's surprisingly genius riff-to-song system labels, contracts, and how to not get your creative soul pawned off in the fine print the gear world's gender weirdness, and why sound doesn't have a gender Content note: this episode touches on sleep paralysis, anxiety-ish brain stuff, and some heavier life experiences later on. Also, if you're hearing this during NAMM week, come say hi at the Stringjoy booth (6300). I'll be there, in the meeting room, or inhaling food like a man who has made poor scheduling choices. Enjoy. And maybe don't listen to this one right before bed. Check out all things Yvette on her website HERE https://yvetteyoungmusic.com/ Support The Show And Connect! The Text Chat is back! Hit me up at (503) 751-8577 You can also help out with your gear buying habits by purchasing stuff from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/reverb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/sweetwater⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or grabbing your guitar/bass strings from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/stringjoy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

A fascinating piece of gear quietly surfaced ahead of NAMM, and it sent us down a deep rabbit hole. In this episode of The Pro Audio Suite, the crew digs into the Carno Sepia system, a digitally controlled, fully analog modular hardware platform that feels like a modern reimagining of the 500 series concept, minus the knobs. We unpack how it works, who it's really for, and whether this kind of hybrid approach is genuine innovation or just another expensive way to chase "analog purity." Along the way, we talk NAMM expectations, Sweetwater leaks, digitally controlled analog routing, redundancy, reliability fears, scratchy pots, touring rigs, and whether DSP has already caught up anyway. This one is equal parts curiosity, scepticism, and hard-earned industry perspective. In this episode: A NAMM-bound product that surfaced early on Sweetwater Digitally controlled analog hardware with no physical controls How Carno Sepia compares to traditional 500 series systems Routing, redundancy, and remote control advantages Real-world concerns around longevity and software dependency Analog obsession vs modern DSP reality Who this gear actually makes sense for Why some innovation feels brilliant and ridiculous at the same time Thanks to Tri-Booth and Austrian Audio for supporting The Pro Audio Suite.

Follow @foobarshowEpisode 386 We're Going To NAMMDoom Scrolling IntroThe Foos open with a story about loose Vervet Monkeys in St. Louis.-They talk about NAMM coming up at the end of this week-What are they excited to see-What is there to doGeeking Out:-Conformity Gate discussion-Paradise season 2 out next month-Tatiana Maslany rumored to be quitting the She-Hulk role-Sarah Squirm-The Chair Copmany is certified fresh at 100%-Lucasfilm new bosses-Steph's Coffee Shop hypotheticalHere's What I Would Do:-Happy New Year… I Guess (also I need advice) from Aliexis in Ventura, CA-My Family Won't Stop Doing Gifts… After the Holidays from Marco in San Pedro, CAGive us a 5-star positive review on Apple Podcasts!Listen at foobarshow.com or anywhere you get your podcasts.

We're putting The Tonearm's needle on John Mlynczak, President and CEO of the National Association of Music Merchants.NAMM is the trade association for the music, sound, and event industries. Basically, NAMM represents the companies that make the tools your favorite music artists use to create their work.John has spent years at Hal Leonard and PreSonus Audio, where music education meets technology. He built curricula, managed platforms, and taught teachers how to use tech in their classrooms.Now he runs an organization that's rethinking what a trade show means when the music industry has gone digital. NAMM just celebrated its 125th anniversary, but John isn't interested in nostalgia. He's asking harder questions about how people discover instruments, how they learn to play them, and why gathering in person still matters when you can order anything online. The NAMM Show draws tens of thousands of people to Anaheim every January (this January 20 - 24, to be exact), and the numbers behind those crowds tell a story about content, influence, and how musicians connect with gear today.We talk about John's shift from teaching in Louisiana to shaping industry strategy, why music advocacy needs to be offensive rather than defensive, and what happens when trade shows have to prove their value in real time.–Dig DeeperGuest and Organization:Visit NAMM at namm.org and follow on Instagram, Facebook, and LinkedInJohn Mlynczak's NAMM ProfileThe NAMM Show 2026 - January 23-25, Anaheim, CaliforniaNAMM Show Registration and App InformationEducational Background and Previous Roles:Virginia Commonwealth University - Bachelor of Music EducationLouisiana State University - Master's degrees in Music Performance and Education LeadershipHal Leonard - Music publishing and educationPreSonus Audio - Audio technology and recording equipmentNoteflight - Online music notation softwareMusic Education Organizations:Technology Institute for Music Educators (TI:ME)Massachusetts Music Educators Association (MMEA)NAMM FoundationSupportMusic CoalitionNAfME (National Association for Music Education)Music Technology Tools Mentioned:GarageBand - Apple's music creation softwareCubase - Digital audio workstationEssential Elements Interactive - Music education platformNAMM Events and Awards:She Rocks Awards - Celebrating women in musicParnelli Awards - Honoring live event professionalsNAMM U - Educational programming and resourcesPerformance Groups:MetWinds - John's current performance ensembleMusical Reference:Alexander Arutiunian Trumpet Concerto - The piece John performed as a cocky freshmanIndustry Research and Reports:NAMM Industry Insights - Music products industry dataTrade Show Executive - Conference John mentioned attending–• Dig into this episode's complete show notes at podcast.thetonearm.com–• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice.• Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

We're putting The Tonearm's needle on John Mlynczak, President and CEO of the National Association of Music Merchants.NAMM is the trade association for the music, sound, and event industries. Basically, NAMM represents the companies that make the tools your favorite music artists use to create their work.John has spent years at Hal Leonard and PreSonus Audio, where music education meets technology. He built curricula, managed platforms, and taught teachers how to use tech in their classrooms.Now he runs an organization that's rethinking what a trade show means when the music industry has gone digital. NAMM just celebrated its 125th anniversary, but John isn't interested in nostalgia. He's asking harder questions about how people discover instruments, how they learn to play them, and why gathering in person still matters when you can order anything online. The NAMM Show draws tens of thousands of people to Anaheim every January (this January 20 - 24, to be exact), and the numbers behind those crowds tell a story about content, influence, and how musicians connect with gear today.We talk about John's shift from teaching in Louisiana to shaping industry strategy, why music advocacy needs to be offensive rather than defensive, and what happens when trade shows have to prove their value in real time.–Dig DeeperGuest and Organization:Visit NAMM at namm.org and follow on Instagram, Facebook, and LinkedInJohn Mlynczak's NAMM ProfileThe NAMM Show 2026 - January 23-25, Anaheim, CaliforniaNAMM Show Registration and App InformationEducational Background and Previous Roles:Virginia Commonwealth University - Bachelor of Music EducationLouisiana State University - Master's degrees in Music Performance and Education LeadershipHal Leonard - Music publishing and educationPreSonus Audio - Audio technology and recording equipmentNoteflight - Online music notation softwareMusic Education Organizations:Technology Institute for Music Educators (TI:ME)Massachusetts Music Educators Association (MMEA)NAMM FoundationSupportMusic CoalitionNAfME (National Association for Music Education)Music Technology Tools Mentioned:GarageBand - Apple's music creation softwareCubase - Digital audio workstationEssential Elements Interactive - Music education platformNAMM Events and Awards:She Rocks Awards - Celebrating women in musicParnelli Awards - Honoring live event professionalsNAMM U - Educational programming and resourcesPerformance Groups:MetWinds - John's current performance ensembleMusical Reference:Alexander Arutiunian Trumpet Concerto - The piece John performed as a cocky freshmanIndustry Research and Reports:NAMM Industry Insights - Music products industry dataTrade Show Executive - Conference John mentioned attending–• Dig into this episode's complete show notes at podcast.thetonearm.com–• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice.• Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

It's NAMM Show season, with Sean and Andy kicking it off with a bang in Episode 313 by getting the scoop on everything NAMM (National Association of Music Merchants) from CEO and president John Mlynczak. He provides a crash course on NAMM, what he's looking forward to at the show in Anaheim this year, the NAMM Foundation educational program, and more. This episode is sponsored by Allen & Heath and RCF.Prior to NAMM, John served as president of Music Education & Technology at Hal Leonard, where he oversaw worldwide education market strategy. He also managed Noteflight, Essential Elements Interactive and Essential Elements Music Class, and collaborated on all music education technology related initiatives for Hal Leonard. Previously, he was managing director of Noteflight, and he's also the immediate past-president of the Technology Institute of Music Educators (TI:ME).John has taught online graduate courses at VanderCook College, served as advocacy chair of the Massachusetts Music Educator's Association, served on the NAMM SupportMusic Coalition, and on the NAfME Advocacy Leadership Force. He is a Google Level 2 Certified Educator and a frequent clinician on education technology and music advocacy.​Before his career at Hal Leonard, John served as director of Education at PreSonus, where he developed curriculum, products, and marketing strategies for music education technology. ​In addition, he taught general music, band, choir, marching band, and music technology, starting the first music technology course in Louisiana and writing the state curriculum for an official approved course. From 2011 to 2013, He served as chairman of the Creative Arts Assessment Committee in Louisiana, and provided model assessment for the creative arts.On top of all that, John has enjoyed a long career of performing as a solo artist and in symphony orchestras, pit orchestras, and Top 40 bands.Episode Links:NAMMNAMM ShowNAMM FoundationJohn Mlynczak OnlineEpisode 313 TranscriptConnect with the community on the Signal To Noise Facebook Group and Discord Server. Both are spaces for listeners to create to generate conversations around the people and topics covered in the podcast.Also please check out and support The Roadie Clinic, Their mission is simple. “We exist to empower & heal roadies and their families by providing resources & services tailored to the struggles of the touring lifestyle.”The Signal To Noise Podcast on ProSoundWeb is co-hosted by pro audio veterans Andy Leviss and Sean Walker.Want to be a part of the show? If you have a quick tip to share, or a question for the hosts, past or future guests, or listeners at home, we'd love to include it in a future episode. You can send it to us one of two ways:1) If you want to send it in as text and have us read it, or record your own short audio file, send it to signal2noise@prosoundweb.com with the subject “Tips” or “Questions”2) If you want a quick easy way to do a short (90s or less) audio recording, go to https://www.speakpipe.com/S2N and leave us a voicemail there

Show NotesSinger, songwriter, and guitarist Margaret Glaspy joins Sean Martin and Marco Ciappelli for a Music Evolves conversation recorded in the context of the NAMM Show and the She Rocks Awards, where Glaspy is recognized as a 2026 honoree. The discussion centers on how artists develop a voice, how creative practice sustains a career, and why music functions as a form of public service rather than a commodity alone. Glaspy shares how growing up in a musically active household normalized creativity and removed the idea that music must be exceptional to be meaningful. Early immersion in Texas-style fiddle competitions, alongside exposure to jazz, songwriter traditions, and alternative rock, shapes a foundation rooted in lineage rather than trend. That sense of lineage continues to guide her current work, where influence is acknowledged openly rather than hidden.Songwriting, as Glaspy describes it, is a daily practice rather than an output-driven process. Writing consistently, sometimes a song a day, becomes a way to maintain agency in a career shaped by touring cycles, releases, and expectations. Albums emerge from accumulation and reflection, not from pre-defined concepts. This approach reframes productivity as presence, with creativity tied to well-being and continuity.The conversation also explores how artists navigate maturity. Early attempts to emulate heroes eventually give way to self-recognition. Glaspy speaks to the value of being a student of music, letting imitation serve as a bridge to personal expression rather than a destination. That perspective resists the myth of originality in isolation and places artists within an ongoing cultural thread.Recognition at the She Rocks Awards introduces another dimension. Glaspy views the honor with humility, emphasizing the importance of creating space to acknowledge women's contributions in music without turning the work itself into a competition. In that context, the NAMM Show represents the maker side of music, instrument builders, technologists, and craftspeople whose work enables creative expression.This episode positions music not as a product to be optimized, but as a practice to be protected, cultivated, and shared.GuestMargaret Glaspy, Singer, Songwriter, and Guitarist | Website: https://margaretglaspy.com/HostSean Martin, Co-Founder at ITSPmagazine, Studio C60, and Host of Redefining CyberSecurity Podcast & Music Evolves Podcast | Website: https://www.seanmartin.com/Marco Ciappelli, Co-Founder, ITSPmagazine and Studio C60 | Website: https://www.marcociappelli.comResources2026 She Rocks Awards: https://sherocksawards.com/The NAMM Show 2026 is taking place from January 20-24, 2026 | Anaheim Convention Center • Southern California — Coverage provided by ITSPmagazine — Follow our coverage: https://www.itspmagazine.com/cybersecurity-technology-society-events/the-namm-show-2026The NAMM Show 2026: https://www.namm.org/thenammshow/attendMusic Evolves: Sonic Frontiers Newsletter | https://www.linkedin.com/newsletters/7290890771828719616/Keywordsmargaret glaspy, sean martin, marco ciappelli, namm, she rocks awards, music, creativity, art, artist, musician, music evolves, music podcast, music and technology podcast, singer, songwriter, guitarist, guitar playingMore From Sean MartinMore from Music Evolves: https://www.seanmartin.com/music-evolves-podcastMusic Evolves on YouTube: https://www.youtube.com/playlist?list=PLnYu0psdcllTRJ5du7hFDXjiugu-uNPtWMusic Evolves: Sonic Frontiers Newsletter | https://www.linkedin.com/newsletters/7290890771828719616/On Location with Sean and Marco: https://www.itspmagazine.com/on-locationITSPmagazine YouTube Channel: https://www.youtube.com/@itspmagazineBe sure to share and subscribe! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

On this episode, we kick things off with BIG news — I'll be at the NAMM Show next week, bringing you exclusive, on-the-floor NAMM coverage right here on Johnny Beane TV. Make sure you're subscribed so you don't miss a thing! Ron also unboxes a special edition MXR Distortion Plus Randy Rhoads “The Concorde” pedal, courtesy of @MusicTherapyLaz - We put it head-to-head with the current yellow Distortion Plus and the polka-dot version to hear all three side-by-side! https://youtu.be/e5UCZJr36Zs Then it's on to music news, including Norman's Rare Guitars — the legendary LA vintage shop — being acquired by TNAG Global, the parent company of Carter Vintage Guitars and Cotton Music Center. We also check out Nuno Guitars, Nuno Bettencourt's new guitar company, exploring the Thoroughbred, Stable, Colt series, and acoustic models now live on the site. Plus, I recap last weekend's Amigo Guitar Show, and we look ahead to Workbench Saturday, where we'll be doing hands-on guitar work right here on the channel.

Brian, Blake, and Richard are back for Episode 600 of the Chasing Tone Podcast -  The legend of goat mountain, Brian wants a new Les Paul, and behold - the Human Riff!We join the guys in a bizarre stand off as they convene for the annual "No Richards" party at NAMM and there is a mysterious portent. Meanwhile the guys come up with a new idea for a business and it is swiftly erased from memory. Blake has a special British guest on Tape Spaghetti this week and spills all.Brian has GAS for a Les Paul and the guys discuss it before looking at an all new ES 355 from Gibson that has quite the price tag and we learn that Brian has a lot on his mind. Richard found some new David Gilmour footage and it simultaneously ignites a new debate and nearly bores Brian to sleep.There is some Grand Theft Auto action as Blake makes a terrible admission about his gaming history. Meanwhile Richard is editing a book about a famous Californian band and it has awoken a deeper understanding - but not of how to pronounce names. He and Brian also drop some teases about what they are showing at NAMM. Only Fans, Random Facts, RIP Bob Weir, Guitar Whales, Carmageddon, Anthony Cleetus...it's all in this week's Chasing Tone!We are on Patreon now too!Support the show (https://www.patreon.com/chasingtonepodcast)Courses and DIY mods:https://www.betterguitartone.comhttps://www.wamplerdiy.comhttps://www.guitarpedalcourse.comYoutube:https://www.youtube.com/@chasingtonepodcastFind us at:https://www.wamplerpedals.com/https://www.instagram.com/WamplerPedals/https://www.facebook.com/groups/wamplerfanpage/Contact us at: podcast@wamplerpedals.comSupport the showSupport the show

Show NotesBass rarely leads the conversation about music innovation, yet it quietly shapes how songs move, how bands connect, and how audiences feel rhythm in their bodies. In this episode of Music Evolves, hosts Sean Martin and Marco Ciappelli explore that idea with Jon D'Auria, Editor in Chief of Bass Magazine, through the lens of community, technology, and cultural relevance.D'Auria describes bass not as a background instrument, but as a stabilizing force. It anchors songs while allowing others to shine, a role mirrored by bass players themselves. That identity informs how the bass community operates: collaborative, inclusive, and deeply connected across generations. Events like the Bass Magazine Awards, held alongside the NAMM Show, are not about spectacle alone. They are about recognition, continuity, and shared lineage.Technology plays a central role in how this community grows. Digital publishing allowed Bass Magazine to expand reach beyond the limits of print, creating immediate access to news, gear releases, artist stories, and cultural moments. Social platforms now surface bass players from bedrooms and rehearsal spaces worldwide, creating opportunity while also reshaping how success is measured.Innovation, however, is not framed as progress for its own sake. The conversation questions where technology supports creativity and where it distracts from it. Lightweight amps, compact gear, and modeling tools solve real problems for working musicians. AI, on the other hand, introduces unresolved tension. While it lowers barriers to creation, it also challenges authorship, labor, and artistic value.Through it all, the episode reinforces a simple truth: music remains human at its core. Technology can amplify access, speed, and scale, but it does not replace intention, emotion, or community. Bass, often overlooked, becomes the perfect metaphor for that balance. Present, essential, and powerful without demanding the spotlight.This episode positions bass not just as an instrument, but as a signal of how music culture adapts while staying grounded in human connection.GuestJon D'Auria, Editor in Chief of Bass Magazine | On LinkedIn: https://www.linkedin.com/in/jon-d-auria-2a7b5089/HostSean Martin, Co-Founder at ITSPmagazine, Studio C60, and Host of Redefining CyberSecurity Podcast & Music Evolves Podcast | Website: https://www.seanmartin.com/Marco Ciappelli, Co-Founder, ITSPmagazine and Studio C60 | Website: https://www.marcociappelli.comResourcesBass Magazine: https://bassmagazine.comBass Magazine Awards: https://bassmagazineawards.com/The NAMM Show 2026 is taking place from January 20-24, 2026 | Anaheim Convention Center • Southern California — Coverage provided by ITSPmagazine — Follow our coverage: https://www.itspmagazine.com/cybersecurity-technology-society-events/the-namm-show-2026The NAMM Show 2026: https://www.namm.org/thenammshow/attendMusic Evolves: Sonic Frontiers Newsletter | https://www.linkedin.com/newsletters/7290890771828719616/Keywordssean martin, marco ciappelli, jon dauria, bass magazine, namm, bass, music, technology, community, creativity, music, creativity, art, artist, musician, music evolves, music podcast, music and technology podcastMore From Sean MartinMore from Music Evolves: https://www.seanmartin.com/music-evolves-podcastMusic Evolves on YouTube: https://www.youtube.com/playlist?list=PLnYu0psdcllTRJ5du7hFDXjiugu-uNPtWMusic Evolves: Sonic Frontiers Newsletter | https://www.linkedin.com/newsletters/7290890771828719616/On Location with Sean and Marco: https://www.itspmagazine.com/on-locationITSPmagazine YouTube Channel: https://www.youtube.com/@itspmagazineBe sure to share and subscribe! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Las Vegas-based funky soul favorites Santa Fe & The Fat City Horns make theirNAMM Show debut on the Yamaha Grand Plaza Stage on Saturday, January 24 at 6 PM in Anaheim, California.  Trumpet player and acclaimed musician Danny Falcone joins the podcast to talk about the band's journey, their upcoming NAMM performance, and his rich family musical legacy that continues to shape his career.  More about Santa Fe & The Fat City Horns This band is the culmination of the dreams of all of the individual musicians in the band. We all dreamed about what the 'ideal' gig would be, and it went something like this: To play music that moved, challenged and inspired us without the usual external restrictions, influences, or boundaries that come with every other (paying) gig,... To make that music with people we love and respect both personally and musically. And to be able to share it with others. That is what Santa Fe & the Fat City Horns is all about. The band is a throw back to all the horn bands that influenced us all growing up, as well as a tribute to our musical heroes and friends mixed with our own music and arrangements. Old School and raw, but polished with pride and discipline.  Santa Fe website www.santafeandthefatcityhorns.com  social media www.instagram.com/santafeband Danny Falcone social media www.instagram.com/danielfalconemusic  Jazz Vegas Orchestra social www.instagram.com/jazzvegasorchestra  About Music Matters with Darrell Craig Harris The Music Matters Podcast is hosted by Darrell Craig Harris, a globally published music journalist, professional musician, and Getty Images photographer. Music Matters is now available on Spotify, iTunes, Podbean, and more. Each week, Darrell interviews renowned artists, musicians, music journalists, and insiders from the music industry. Visit us at: www.MusicMattersPodcast.comFollow us on Twitter: www.Twitter.com/musicmattersdh For inquiries, contact: musicmatterspodcastshow@gmail.com Support our mission via PayPal: www.paypal.me/payDarrell  voice over intro by Nigel J. Farmer