Podcast appearances and mentions of Nona Hendryx

**It's The Relax With Rendell Show Replay On Trax FM & Rendell Radio. Rendell Featured Soul & Boogie/Rare Groove/80's & 70's Grooves/Easy Listening Cuts From Dazz Band, Temptations, Switch, Stephanie Mills, Rose Royce, Phylis St James, Percy Larkins, Nona Hendryx, Lillo Thomas, Jaki Graham, Deniece Williams, Carl Anderson, Atkins, Anne LeSear, & More. #originalpirates #soulmusic #disco #reggae #raregroove #easylistening #boogiefunk Catch Rendell Every Saturday From 8PM UK Time The Stations: Trax FM & Rendell Radio Listen Live Here Via The Trax FM Player: chat.traxfm.org/player/index.html Mixcloud LIVE :mixcloud.com/live/traxfm Free Trax FM Android App: play.google.com/store/apps/det...mradio.ba.a6bcb The Trax FM Facebook Page : https://www.facebook.com/profile.php?id=100092342916738 Trax FM Live On Hear This: hearthis.at/k8bdngt4/live Tunerr: tunerr.co/radio/Trax-FM Radio Garden: Trax FM Link: http://radio.garden/listen/trax-fm/IEnsCj55 OnLine Radio Box: onlineradiobox.com/uk/trax/?cs...cs=uk.traxRadio Radio Deck: radiodeck.com/radio/5a09e2de87...7e3370db06d44dc Radio.Net: traxfmlondon.radio.net Stream Radio : streema.com/radios/Trax_FM..The_Originals Live Online Radio: liveonlineradio.net/english/tr...ax-fm-103-3.htm**

** PLEASE SUBSCRIBE ** Featured in WYGYFF Episode 18: Percussionist Steve Scales, best known for his work with the Talking Heads, including their seminal “Stop Making Sense” lineup. He was also featured on Talking Heads member spin-offs, as well as artists like the B-52's, Nona Hendryx, Peter Wolf, Tina Turner, Billy Squier, Psychedelic Furs, the Escape Club, Bryan Ferry, Violent Femmes, John Waite and, most recently, Bernie Worrell's posthumous release, Wave From the Wooniverse. RECORDED NOVEMBER 2024 Hosted by Scott "DR GX" Goldfine — musicologist, author of “Everything Is on the One: The First Guide of Funk” and creator/host of the popular TRUTH IN RHYTHM podcast — "Where'd You Get Your Funk From?" is the latest interview show brought to you by FUNKNSTUFF.NET. Where'd You Get Your Funk From (WYGYFF) is an open format video and audio podcast focusing on the here and now, with a broad range of creative and artistic guests sharing fascinating stories, experiences, and perspectives. WYGYFF is a welcoming avenue to newer and independent musical acts as well as established and still active musicians of any genre; authors; filmmakers; actors; artists; collectors and archivists; radio & podcast personalities; journalists; scholars; sound techs; promoters; photographers; and other creative people. A common thread, is the show's standard opening question: Where'd you get your funk from? This is much deeper than it may seem as the answer need not be strictly about funky music, as not everyone has found the funk. It could hit on whatever type of music touches their soul or pleasure centers. Additionally, the question extends beyond music. Paraphrasing George Clinton, funk is whatever it needs to be to get you over the hump. Thus, guests can explain where they got their grit, perseverance, inspiration, talent, creativity, character or other qualities that shaped them into who they are today. This serves as a springboard into candid, in-depth and engrossing conversations. LEGAL NOTICE: All video and audio content protected by copyright. Any use of this material is strictly prohibited without expressed consent from original content producer and owner Scott Goldfine, dba FUNKNSTUFF. For inquiries, email info@funknstuff.net. Get your copy of "Everything Is on the One: The First Guide of Funk" today! https://www.amazon.com/gp/product/1541256603/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=1541256603&linkCode=as2&tag=funknstuff-20&linkId=b6c7558ddc7f8fc9fe440c5d9f3c400

Alan Childs in conversation with David Eastaugh https://soundcloud.com/alan-childs-4 Originally from New York City, now lives in Las Vegas - worked with Julian Lennon, toured with David Bowie on the Glass Spider Tour and is currently on tour with John Waite 

The music NEVER stopped.On this episode we dive into one of the better pop culture documentaries that we have seen in recent memory in 'Disco's Revenge'.In the early 70s, the beat child of New York's Black and LGBTQ+ communities was born on the city's underground dance floor. Disco emerged as an exuberant musical genre, a vital social movement and a vibrant culture before enduring a vicious backlash nearly a decade later. In our collective pop-culture imagination, Disco's merely a fad relegated to soft-focus memories of  Saturday Night Fever and Studio 54.  It is a pulsating deep dive into the very soul of disco music and its enduring impact across genres and history, told by the people who created it, nurtured it, and in turn, discovered themselves on the dancefloor. The film asks: Why does disco matter and, in these divisive times, why does disco matter now more than ever?  Featuring interviews and performances by Nile Rodgers and Chic, Billy Porter, Nona Hendryx and LaBelle, Grandmaster Flash, Fab Five Freddy, Nicky Siano, Earl Young and The Trammps, Jellybean Benitez, Kevin Saunderson, Sylvester and Martha Wash and many others. Never has a film really got as anthropological when looking at a slice of music culture and that's what makes 'Disco's Revenge' so damn special. With sit down with writer/direcfor's Omar Majeed and Peter Mishara to get deep into the groove of it all.'Disco's Revenge' is on all VOD platforms.

Efter ett framgångsrikt 70-tal kände sig George Clinton utmanövererad av branschen, föll ner i ett crackberoende och drog sig tillbaka till sin farm. Var P-funken över? När alla tittade bort kom svaret genom ett nummer som förändrade hans liv igen. Lyssna på alla avsnitt i Sveriges Radio Play. Det var en snöig dag i Detroit. En hög George Clinton med farhågor om att han hade förlorat sin förmåga att skapa hits halkade på trapporna till studion. Väl i sångbåset gick han loss över det klinkande ljudet från metallobjekt och ett märkvärdigt baklängesbeat. Skällde och agerade galet, lite mer än vanligt. ”Atomic dog” sände chockvågor genom hiphopkulturen och sköt elektronisk funk i en ny riktning. Bara Ice Cube har samplat låten sju gånger. Dr. Funkenstein lyckades kliva ut ur ett kraschat rymdskepp, men nya utmaningar låg framför honom.Programserien bygger på sju möten med George Clinton, samt i detta avsnitt även intervjuer med bland andra Gary Shider, Shirley Hayden, Malia Franklin (Parlet), Fred Wesley, Maceo Parker, Afrika Bambaataa, Amp Fiddler, Kevin Goines, Mitch McDowell (General Kane), Patti Labelle, Nona Hendryx, En Vogue och Snoop Dogg. Den sjätte och sista delen publiceras senare i november.

This year marks the 25th anniversary of Rux Revue, the groundbreaking debut album by Carl Hancock Rux. Not long ago, we sat down for an in-depth discussion about his hands-on involvement in its making, from bringing in his own background singers to recording the powerful song "I Recall" in a bathroom, for the acoustics. We talked through the album track by track, enriching their meaning with context. Rux's adoptive parents were “amateur musicologists,” and his friendships and connections include Nona Hendryx, Sonia Sanchez, Amiri Baraka and Abbey Lincoln. Rux also has an abiding love for Billie Holiday, which he touched on. Lastly we discussed his emotional trip to Ghana years ago and the love and support he got from the community there. http://carlhancockrux.com

Midnite Disco saves the day with big boogie grooves and Funkmosphere favorites by Tony Cook, Sylvester, Johnny Kemp, The Pinch and Larry Wu. Plus heavy G-Funk from the inimitable Suga Free, ferocious afro vibes from Nubiyan Twist and Seun Kuti, and a full throttle workout with the Cage & Nona Hendryx. View the full playlist for this show at https://www.wefunkradio.com/show/1208 Enjoying WEFUNK? Listen to all of our mixes at https://www.wefunkradio.com/shows/

Southern-born guitarist / Grammy® Nominated composer-vocalist Kat Dyson made her way between Montreal, New York City, and Minneapolis to the City of Angels on a musical journey that led her to share her talents with world-renowned artists such as Cyndi Lauper, Prince, Sheila E, Nona Hendryx, Divinty Roxx, Natalie Cole, Ivan Neville, Donny Osmond, rap artist T.I., Seal, Joi, George Clinton and the P-Funk AllStars, Musique Soulchild, Phoebe Snow, Res, Montreal Jubilation Gospel Choir, The Winans, Mary Mary, Yolanda Adams, Big Mamma Thornton, Ben E. King, Bo Diddley, Odetta, Mick Jagger, Sarah McLachlan, Buddy Guy, BB King, Chaka Khan, T.I., Carlos Santana, Sting, Stevie Wonder.She is currently touring internationally with Zucchero and Cyndi Lauper. During the pandemic, she also became a member of an All Star touring funk band led by NIKKI GLASPIE (Nth Power) featuring NIGEL HALL (Lettuce), SHAUN MARTIN (Snarky Puppy) and SPUT SEARIGHT & DOMINQUE XAVIER (Ghostnote, Toto) and MATT LAPHAM (RC3) called KAMANI.Recent Highlights:In June 2016, she participated in the BET Prince Tribute performance with Sheila E.In the May 2017 edition of GUITAR PLAYER magazine, she made the 50 Sensational Female Guitarist List and her music is included in the compilation CD “SHE ROCKS, VOL. 1” on Steve Vai's label FAVORITE NATIONS.In August 2018, she was a part of TOSHI REAGON's special all-female superband (POWERJAM) for AFROPUNK featuring a special appearance from ANGELA DAVIS and NONA HENDRYX.And in 2020, she appeared at THE GRAMMYS with USHER and SHEILA E. and as a part of the house band for the CBS SPECIAL “LET'S GO CRAZY – THE GRAMMY SALUTE TO PRINCE”.She continues to record with an expanding roster of international artists while continually composing music for films, documentaries, and various media.Kat has an EP of originals entitled “COLOUR KOMMENTARY”.She is a member of 3 all-female Jazz/R&B bands: JAZZ IN PINK , HIT LIKE A GIRL, and ROCKSUGAH (house band for the SheRock Awards event at the NAMM show).She is also the current musical director for Jessica Care Moore's blockbuster production BLACK WOMEN ROCK.____________________Rock and Roll Hall of Famer Prince featured the "Upper Room with Joe Kelley and Gi Dussault" on his official website www.npgmusicclub.com. This is the first radio show to have ever received that honor. "Musicians Reveal with Joe Kelley" has been on the radio airwaves since 1982. Joe Kelley and Gi Dussault co-host the show and are well-respected in the music business as creative air personalities and supporters of independent musicians . Our web site is located at www.musiciansreveal.com . The show features creative music in funk, R&B, jazz, blues, rock, hip-hop, latin, and gospel. In addition, Joe Kelley has interviewed renowned musicians such as Victor Wooten, Sheila E. , Foley, Robin Duhe, Jef Lee Johnson, Jellybean Johnson, Monte Moir, Rhonda Smith, Bernie Worrell, Cyndi Lauper, Michael Bland, Larry Graham, Chris Frantz and Tina Weymouth, Steve Smith, St. Paul Peterson, JD Blair, Tori Ruffin, Kat Dyson, Eric Person, actor Jeff Daniels, Junior Giscombe, John Scofield, EC Scott, John Blackwell, Mystic Bowie, and many others.

Many people have never heard of the American Legislative Exchange Council, or ALEC – but for 50 years, the group has been the driving force behind some of the most extreme policies in this country. Behind closed doors, ALEC brings corporate lobbyists and state politicians together to draft and vote on model bills that aim to free corporations from regulations, regardless of the impacts on people and the planet. Labor law, environmental law, health and safety, voting — no cause is off-limits. Our guests say ALEC and its wealthy pool of funders are a real threat, but there are ways to take action and progress has already been made. In 2023, a diverse coalition of groups, including Greenpeace, Color of Change, the Center for Media and Democracy and more, is calling out the anti-democratic impact of ALEC by using the hashtag #50YearsOfHarm. Congressman Ro Khanna of California's 17th Congressional District, a leading progressive in the House, and Lisa Graves, Executive Director of True North Research and President of the Center for Media and Democracy, two of the preeminent national watchdog groups investigating dark money, join Laura Flanders to unpack it all. And in her closing commentary Laura fills us in on the other side of the story in state houses: the Democrats' have their own project in place these days. But is it any match for ALEC?Guests:•  Lisa Graves: President of the Board, Center for Media & Democracy; Executive Director, True North Research•  Ro Khanna: Congressman California's 17th District Full Episode Notes are located HERE.  They include related episodes, articles, and more. Music In the Middle:  “Peel Back” by F-S-Q featuring Nona Hendryx, G Koop and O-Man from their Reprise Tonight L-P courtesy of Soul Clap Records.  And additional music included- "Steppin" & "Electric Car"  by Podington Bear. April 2024 The Laura Flanders Show is rebranding as ‘Laura Flanders & Friends'.This change marks a new era for the award-winning host, Laura Flanders.  The upcoming season will introduce a collaborative hosting format, featuring a diverse array of co-hosts from different backgrounds and different regions of the country. Expect new faces, unique perspectives, and impactful conversations that will leave viewers feeling inspired.  The Laura Flanders Show Crew: Laura Flanders, Sabrina Artel, David Neuman, Nat Needham, Rory O'Conner, Janet Hernandez, Sarah Miller and Jeannie Hopper FOLLOW The Laura Flanders ShowTwitter: twitter.com/thelfshowTikTok: tiktok.com/@thelfshowFacebook: facebook.com/theLFshowInstagram: instagram.com/thelfshowYouTube: youtube.com/@thelfshow ACCESSIBILITY - The broadcast edition of this episode is available with closed captioned by clicking here for our YouTube Channel

Reciban un cordial saludo. Desde Cali (Colombia), les habla Sergio Luis López, compartiéndoles un nuevo episodio de "Así la escuché yo..." En 2001 se estrenó la película “Moulin rouge!”, (basada en el famoso cabaré parisino), cuya banda sonora contó con la presencia de las artistas estadounidenses Christina Aguilera, Lil' Kim, Mýa y Pink, quienes en conjunto grabaron la canción “Lady Marmalade”. La canción ya había sido éxito en 1974 cuando fue publicada en el álbum “Nightbirds” de la agrupación estadounidense Labelle; grabada bajo el título “Lady Marmalade”. Así la escuché yo… Los anteriores temas musicales son nuevas versiones de la canción “Lady Marmalade” (Señorita Mermelada), grabada originalmente en 1974 por la agrupación estadounidense Eleventh Hour, coescrita por Bob Crewe y Kenny Nolan, quien en ese momento era miembro del grupo. ¿Y tú, conocías la canción original de Eleventh Hour Autores: Bob Crewe and Kenny Nolan (estadounidenses) Bob Crewe (nombre real Robert Stanley Crewe, estadounidense) Kenny Nolan (nombre real Kenneth Nolan, estadounidense)   Lady Marmalade - Christina Aguilera & Lil' Kim & Mýa & Pink (2001) “Moulin rouge!” Movie Soundtrack álbum (2001) Christina Aguilera nombre real Christina María Aguilera, estadounidense Lil' Kim (nombre real Kimberly Denise Jones, estadounidense) Mýa (nombre real Mya Marie Harrison, estadounidense) Pink (nombre real Alecia Beth Moore, estadounidense) Lady Marmalade - Labelle (1974) "Nightbirds" álbum (1974) Labelle (banda estadounidense conformada por Patti LaBelle, Nona Hendryx y Sarah Dash) Lady Marmalade - Eleventh Hour (1974) "Greatest hits 1974 AD" álbum (1974) Eleventh Hour (banda estadounidense) ___________________ “Así la escuché yo…” Temporada: 8 Episodio: 17 Sergio Productions Cali – Colombia Sergio Luis López Mora

Jellybean Johnson is one of the pioneers of the Minneapolis Music Sound. He is a phenomenal guitarist/drummer/producer and is an original member of The Time. He has recorded and toured with Prince, Morris Day and The Time, Jimmy Jam and Terry Lewis, Alexander O'Neal, Janet Jackson, Ronnie Baker Brooks, Mint Condition, Nona Hendryx and many more.

THE ARWEN LEWIS SHOW - Today Arwen welcomes legendary music Producer and Engineer Ed Stasium! Ed has recorded and produced such diverse artists as Ramones, Talking Heads, Julian Cope, Peter Wolf, Nona Hendryx, Mick Jagger, Jeff Healey, Joan Jett, Marshall Crenshaw, Living Colour, Soul Asylum, The Smithereens, Motorhead, Baby Animals, Biohazard, The Reverend Horton Heat, Shirley Caesar, Simon Phillips, Misfits, Blackfire, Joey Ramone, The Chesterfield Kings, Sihasin, Hoodoo Gurus, The Empty Hearts and The Long Ryders. Ed recorded and mixed his first gold single, Gladys Knight & the Pips' “Midnight Train to Georgia” and had a top ten hit with Bazuka's at Venture Sound. Check out Ed Stasium at https://edstasium.com The Arwen Lewis Show Host | Arwen Lewis Executive Producer | Jeremiah D. Higgins Producer - Sound Engineer - Richard “Dr. D” Dugan https://arwenlewismusic.com/ The Arwen Lewis Show is Brought to you by John DeNicola and Omad Records https://www.omadrecords.com/ On Instagram, Follow Arwen Lewis Here: @thearwenlewisshow @arwenlewis www.thejeremiahshow.com On Instagram @jeremiahdhiggins https://linktr.ee/jeremiahdhiggins

Thanks for the shout-out Ed! You are amazing! Ed has recorded and produced such diverse artists as Ramones, Talking Heads, Julian Cope, Peter Wolf, Nona Hendryx, Mick Jagger, Jeff Healey, Joan Jett, Marshall Crenshaw, Living Colour, Soul Asylum, The Smithereens, Motorhead, Baby Animals, Biohazard, The Reverend Horton Heat, Shirley Caesar, Simon Phillips, Misfits, Blackfire, Joey Ramone, The Chesterfield Kings, Sihasin, Hoodoo Gurus, The Empty Hearts and The Long Ryders. Ed recorded and mixed his first gold single, Gladys Knight & the Pips' “Midnight Train to Georgia” and had a top ten hit with Bazuka's at Venture Sound. Check out Ed Stasium at edstasium.com The Arwen Lewis Show Host | Arwen Lewis Executive Producer | Jeremiah D. Higgins Producer - Sound Engineer - Richard “Dr. D” Dugan arwenlewismusic.com/ The Arwen Lewis Show is Brought to you by John DeNicola and Omad Records www.omadrecords.com/ On Instagram, Follow Arwen Lewis Here: @thearwenlewisshow @arwenlewis www.thejeremiahshow.com On Instagram @jeremiahdhiggins linktr.ee/jeremiahdhiggins

Thanks to our member supporters, this show remains free to millions on Public TV, community radio and as a podcast. If you're already a member, please check your inbox for a special invite to register for a ‘members only' ‘ask me anything virtual event' taking place on October 4th at 8pm Eastern Time.  It's an opportunity for you to ask Laura anything about the show or her lifelong career as an independent journalist. Not a member yet?  There's still time to join us on October 4th.  Go to LauraFlanders.org/donate, make a donation and we'll send you an invite with all the details. Description: Many people have never heard of the American Legislative Exchange Council, or ALEC – but for 50 years, the group has been the driving force behind some of the most extreme policies in this country. Behind closed doors, ALEC brings corporate lobbyists and state politicians together to draft and vote on model bills that aim to free corporations from regulations, regardless of the impacts on people and the planet. Labor law, environmental law, health and safety, voting — no cause is off-limits. Our guests say ALEC and its wealthy pool of funders are a real threat, but there are ways to take action and progress has already been made. In 2023, a diverse coalition of groups, including Greenpeace, Color of Change, the Center for Media and Democracy and more, is calling out the anti-democratic impact of ALEC by using the hashtag #50YearsOfHarm. Congressman Ro Khanna of California's 17th Congressional District, a leading progressive in the House, and Lisa Graves, Executive Director of True North Research and President of the Center for Media and Democracy, two of the preeminent national watchdog groups investigating dark money, join Laura Flanders to unpack it all. And in her closing commentary Laura fills us in on the other side of the story in state houses: the Democrats' have their own project in place these days. But is it any match for ALEC?“ALEC recognizes that on many of these issues, there's a 70, 80, 90% consensus against them and they're trying to distort the democratic process by the use of big money.” - Ro Khanna“ I still believe that for many people, not all people, knowledge is power, facts matter, and knowing who the real special interests are behind this [legislation] can help expose and block them.” - Lisa GravesGuests:Lisa Graves: President of the Board, Center for Media & Democracy; Executive Director, True North ResearchRo Khanna: Congressman California's 17th District Full Episode Notes are located HERE.  They include related episodes, articles, and more.Music In the Middle:   “Peel Back” by F-S-Q featuring Nona Hendryx, G Koop and O-Man from their Reprise Tonight L-P courtesy of Soul Clap Records. And additional music included- "In and Out" and "Steppin" by Podington BearAdditional Audio Clip Included:  "United States of ALEC" documentary by the Bill Moyers Company The Laura Flanders Show Crew:  Laura Flanders, Sabrina Artel, David Neuman, Nat Needham, Rory O'Conner, Janet Hernandez, Sarah Miller and Jeannie Hopper FOLLOW The Laura Flanders ShowTwitter: twitter.com/thelfshow Facebook: facebook.com/theLFshow Instagram: instagram.com/thelfshow/YouTube:  youtube.com/@thelfshow ACCESSIBILITY - This episode is available with closed captioned by clicking here for our YouTube Channel

In this episode we welcome music writer/photographer turned award-winning TV director Mick Gold and ask him to return to the mid-'70s to discuss pub rock, Bruce Springsteen and the wonderful Let It Rock magazine. Mick explains how he fell in with Let It Rock's "hard-up left-wing intellectuals" after penning a 5,000-word Beatles thesis at Sussex University. We then hear about the magazine and its eclectic agenda, along with our guest's parallel career as a photographer and his 1976 photo-essay book Rock on the Road. This in turn leads to a conversation about the "pub rock" scene that mushroomed in London during Let It Rock's 1972-75 lifespan. Along with Mick's 1975 Dr. Feelgood interview, Mark, Martin and Barney share their memories of gigs by Kilburn & the High Roads and Chili Willi & the Red Hot Peppers. The gradual transition from Pub to Punk is recalled and analysed with passing reference to Mick's 1976 Street Life interview with Patti Smith. The mid-'70s theme takes us into clips from a 2016 audio interview in which Bruce Springsteen talks to Vanity Fair's David Kamp about 1975's breakthrough classic 'Born to Run' — and then to a further discussion of the Boss' inclusion in Jann Wenner's controversial new book The Masters. After Mark quotes from interviews with Dizzy Gillespie, James Brown, Todd Rundgren, Chic and Wham!, Jasper talks us out with his notes on pieces about Nona Hendryx and Rammellzee. Pieces discussed: The Band, Rock on the Road introduction, Bob Dylan at 60, Brinsley Schwarz, Dr. Feelgood, Pub Rock Proms, Bruce Springsteen on 'Born to Run', Dizzy Gillespie, Ike & Tina Turner, James Brown, Todd Rundgren, Chic, Wham!, Bruce Springsteen, Nona Hendryx and Rammellzee.

In this episode, host Charles The Athlete™️ shares his eight month long fitness journey with FSQ fans and Face Radio listeners.It's a fitness adventure he started on the FSQ program back in December and to celebrate the athletic mood and a sense of achievement, Charles spins fitness oriented tracks by Jermaine Jackson, Vangelis, Clif Magness, Nona Hendryx, Kraftwerk, Yello and many more. In the third hour, it's time for the burners - fresh new music by Munya + Kainalu, Nightdubbing, Gordy Cox, and Eric Sharp + Clavette.Tune into new broadcasts of FSQ, Thursday from 3 - 6 PM EST / 8 - 11 PM GMT.For more info visit: https://thefaceradio.com/fsq///Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

https://www.newyorker.com/magazine/2022/07/04/the-gospel-according-to-mavis-staplesMavis Staples has been a gospel singer longer than Elizabeth II has worn the crown. During concerts, sometimes, she might take a seat and rest while someone in her band bangs out a solo for a chorus or two. No one minds. Her stage presence is so unfailingly joyful—her nickname is Bubbles—that you never take your eyes off her. Staples sings from her depths, with low moans and ragged, seductive growls that cut through even the most pious lyric. She is sanctified, not sanctimonious. In her voice, “Help Me Jesus” is as suggestive as “Let's Do It Again.” When she was a girl, singing with her family ensemble, the Staple Singers, churchgoers across the South Side of Chicago would wonder how a contralto so smoky and profound could issue from somebody so young.She is eighty-two. While singers a fraction of her age go to great lengths to preserve their voices, drinking magical potions and warming up with the obsessive care of a gymnast, she doesn't hold back. Time, polyps, and a casual disdain for preservation have conspired to narrow her range and sand down her old shimmer, but she is not about to hum lightly through a rehearsal. A little ginger tea and onward she goes. Singing is what connects her to the world.Sly, sociable, and funny, Staples reminds you of your mother's most reliable and cheerful friend, the one who comes around with good gossip and a strawberry pie. Her cheeks are round and smooth; her hair is done in a copper bob; her resting expression is one of delight. “She is a ray of sunshine,” Bonnie Raitt, her frequent touring companion, said. “She's never cranky. She has an abiding belief in God and His plan and believes the world is moving toward a higher and more loving world.” Staples has spent the past few decades lending her voice to a startling range of collaborators: Prince, Arcade Fire, Nona Hendryx, Ry Cooder, David Byrne. Anyone who has something to say, she'll help them say it, in an inimitable gospel voice. One collaborator, Jeff Tweedy, of Wilco, said, “All day long, Mavis is having a good time. She's excited about making music and just being alive. I hope I have that energy when I'm her age, but the truth is I don't even have it now.”And yet life has its way of wearing down even the most radiant spirit. For two years, during the worst of the pandemic, Staples stayed home in Chicago—she lives in a modern high-rise overlooking Lake Michigan—and was, like just about everyone else in the music business, unable to perform or record. She watched cable news and saw the ravaging effect that covid-19 was having on folks her age. She didn't go out, and she let no one in. For company, she'd pick up her phone and check in with “the Twitter people.” The empty days went on and on. “Oh, man, I hated it,” she said. There was only one thing left to do. “I'd start singing around the house. Mostly our old stuff, the songs we started singing when I was a kid: ‘Didn't It Rain,' ‘Help Me Jesus.' ”The pandemic was the least of it. The passage of time has relentlessly winnowed the comforts of her old life. For decades, she performed in the cocoon of a family that was remarkably warm, loving, and coöperative. Compared with the Jacksons, the Turners, or the Beach Boys, the Staple Singers is a story free of dark drama. But now the other members of Mavis Staples's family—her father, Roebuck; her mother, Oceola; her brother, Pervis; her sisters, Cleotha, Cynthia, and Yvonne—are gone. “It's just me now,” she said. ..

Episode 66. Six Degrees of Patti LaBelle. The Queen. The Legendary Godmother of Soul. Hosted by Troy Saunders, Wanda T., and Arif St. Michael.This episode in our series on the career and music of the legendary Patti LaBelle will focus on  the life of the great Sarah Dash. Special guest is B.J. Nelson. She was known as “The Voice” before Whitney Houston was “The Voice”.B.J. Nelson began singing in the late '60s in her hometown of Pittsburgh, fronting a band called Insane Soul. She moved to New York in 1979 and after becoming a member of T.M. Stevens' band, T-Bird. During her time with T-Bird, B.J. met guitarist Ronald "Head" Drayton, which led to her becoming a member of Nona Hendryx's band. She has also worked with Duran Duran, Power Station, Will Downing and Robert Palmer.Sarah Dash was a founding member of the groundbreaking, million-selling vocal trio LaBelle, along with Patti LaBelle and Nona Hendryx. She brought her church-rooted soprano and high harmonies to LaBelle, which began as a 1960s girl group before reinventing itself as a socially aware, Afro-futuristic rock and funk powerhouse, costumed in glittery sci-fi outfits and singing about revolution as well as earthy romance. In 1974, LaBelle had a No. 1 hit, “Lady Marmalade,” and performed the first concert by a pop group - and a Black group - at the Metropolitan Opera House in New York City.Listen and subscribe to the BAAS Entertainment Podcast on Spotify, Amazon Music, Apple Podcasts, Google Podcasts, Deezer, iHeartRadio, Pandora, Podchaser, Pocket Casts and TuneIn. “Hey, Alexa. Play the BAAS Entertainment Podcast.”

Episode 67. Six Degrees of Patti LaBelle. The Queen. The Legendary Godmother of Soul. Hosted by Troy Saunders, Wanda T., and Arif St. Michael.Our series on the career and music of the legendary Patti LaBelle wraps up by featuring LaBelle's secret weapon, the great Nona Hendryx. In addition to being an amazing performer, she was the prolific songwriter for many of LaBelle's biggest hits, including "You Turn Me On," "Nightbird," "Going Down Makes Me Shiver," "Space Children," "Messin' with My Mind," "Gypsy Moths," and "Who's Watching the Watcher". This episode touches both on her work with LaBelle as well as her solo work.Nona Hendryx gained fame with Patti LaBelle and the Bluebells in the 1960s. A singer in a female band in the era of the Supremes and the Shirelles, she could have been a footnote in music history for the hit “Lady Marmalade” and other soul and R&B hits. But Hendryx, a cousin of Jimi Hendrix (her family changed the spelling), didn't stop there. She wrote and recorded for film soundtracks and, in the early '80s, fronted her own progressive art group, Zero Cool. Hendryx has collaborated with many musicians from Keith Richards to Talking Heads, written songs for Dusty Springfield and others, produced albums, and done some acting. Her own albums include The Heat (1985), You Have to Cry Sometime with Billy Vera (1992), and Mutais Mutandis (2012).Listen and subscribe to the BAAS Entertainment Podcast on Spotify, Amazon Music, Apple Podcasts, Google Podcasts, Deezer, iHeartRadio, Pandora, Podchaser, Pocket Casts and TuneIn. “Hey, Alexa. Play the BAAS Entertainment Podcast.”

Episode 65. Six Degrees of Patti LaBelle. The Queen. The Legendary Godmother of Soul. Hosted by Troy Saunders, Wanda T., and Arif St. Michael.In this part of our series on the music and career of the legendary Patti LaBelle, we focus on Patti's early years with The Bluebells and LaBelle. Our special guest is singer and songwriter Keith Anthony Fluitt, who has performed with Patti LaBelle, Nona Hendryx, Sarah Dash, Diana Ross, Roberta Flack, Bruce Springsteen, Pet Shop Boys, Michael Jackson, Harry Belafonte, and many others. We have asked him to be on the show since he has worked with Patti, Nona, and Sarah.Patti LaBelle grew up singing in a local Baptist choir, and in 1960 teamed with friend Cindy Birdsong to form a group called the Ordettes. A year later, following the additions of vocalists Nona Hendryx and Sarah Dash, the group was renamed the Blue Belles. With producer Bobby Martin at the helm, they scored a Top 20 pop and R&B hit in 1962 with the single "I Sold My Heart to the Junkman," and subsequently hit the charts in 1964 with renditions of "Danny Boy" and "You'll Never Walk Alone."The quartet, now known as Patti LaBelle & the Bluebelles, signed in 1965 to Atlantic, where they earned a minor hit with their version of the standard "Somewhere Over the Rainbow." In 1967, Birdsong replaced Florence Ballard in the Supremes. The remaining trio toured the so-called "Chitlin' Circuit" for the remainder of the decade before signing on with British manager Vicki Wickham in 1970. Wickham renamed the group simply LaBelle and pushed their music in a funkier, rock-oriented direction, and in the wake of their self-titled 1971 Warner Bros. debut, they even toured with the Who. The trio also collaborated with Laura Nyro on the superb R&B-influenced album “Gonna Take a Miracle”. By 1973, LaBelle had gone glam, taking the stage in wildly theatrical, futuristic costumes. A year later, they became the first African-American act to appear at New York's Metropolitan Opera House. The landmark performance introduced "Lady Marmalade," which in 1974 became their lone chart-topping single, produced by Allen Toussaint.Listen and subscribe to the BAAS Entertainment Podcast on Spotify, Amazon Music, Apple Podcasts, Google Podcasts, Deezer, iHeartRadio, Pandora, Podchaser, Pocket Casts and TuneIn. “Hey, Alexa. Play the BAAS Entertainment Podcast.”

From troubled upbringing with her mother who suffered from undiagnosed schizophrenia, to foster homes and reform schools, then finding her groove in her own band The Bloods, it's not surprising that this former backup singer for the likes of Culture Club, and Whitney Houston, final made her move to live her queer identity. Three time author, singer, songwriter Adele Bertei joins us to share her life journey of self-acceptance and to talk about her new book Twist: An American Girl. About Adele Adele Bertei musical history includes singing back up for Culture Club, Whitney Houston, Sandra Bernhard, and Matthew Sweet among others. She released records as a solo artist with the Geffen and Chrysalis labels and has had international dance and pop hits with Thomas Dolby (“Hyperactive!”) and Jellybean (“Just a Mirage”). She has also written songs for artists as diverse as Sheena Easton, Arthur Baker, Lydia Lunch, and the Pointer Sisters, among others. In the '70s, Adele fronted the punk band the Wolves in Cleveland, OH with Pere Ubu bandmate Peter Laughner which became the basis of her first book Peter and the Wolves. His sudden death prompted her move to NYC in 1977 where she immersed herself in the counter-culture movement of art, film, music and literature. A founding member of The Contortions (produced by none other than Brian Eno), she dove deep into the underground, having toured the world with her other band The Bloods, America's first out, queer, all-women-rock band.Why Labelle Matters was also extremely well-received and it was about Patti Labelle, Nona Hendryx, and Sarah Dash and how their band Labelle revolutionized how women bands were perceived. Her second book Why Labelle Matters was also extremely well-received and it was about Patti Labelle, Nona Hendryx, and Sarah Dash and how their band Labelle revolutionized how women bands were perceived. Twist: An American Girl, is a memoir about her troubled upbringing with her mother who suffered from undiagnosed schizophrenia, her subsequent placing in foster homes and reform schools, her discovery of her own queer identity and her appreciation of music. Connect With Adele Website Instagram You can also listen to the podcast on…

This episode is also available as a blog post: https://thecitylife.org/2023/02/21/world-premiere-performance-of-arrays-leap-the-reckoning-by-francesca-harper-music-by-nona-hendryx-presented-by-works-process-at-the-guggenheim/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/citylifeorg/message Support this podcast: https://podcasters.spotify.com/pod/show/citylifeorg/support

Skin, Nona Hendryx and Paolo Nutini discuss writing songs in your dreams, knowing when to grab at an idea, why playing piano can take you to places you have no right to go, and fighting on stage. Skin grew up in a Jamaican family in Brixton, London, and as a child, wanted to be a pianist. She formed Skunk Anansie in 1994 and they became pioneers of the Britrock scene, speaking out against racism, homophobia and sexism. She was also the first Black artist to headline the Pyramid stage at Glastonbury Festival when the band performed there in 1999. Vocalist, songwriter, producer, author and actress Nona Hendryx was a member of the pioneering girl group Labelle in the 1960s and 1970s. Since then, her avant-garde solo career has taken in everything from hard rock to RnB to house music, and she intends to become a cyborg and still make music. Following an 8 year absence from the music scene, Scottish singer-songwriter Paolo Nutini is back with his latest project Last Night in the Bittersweet, and pop superstar Lewis Capaldi has declared himself a huge fan.

Enrique Henestroza Anguiano has crafted a fine Tuesday crossword, with a mixture of the old - 26A, Hit BBC series of 1976, ICLAUDIUS, the very old, 56D, Magna _______, CARTA, and the brand new, 70A , ________ Hendryx, Lady Marmalade singer, NONA (who, unfortunately, did not sing it in 16A, City famous for its French Quarter, familiarly, NOLA). Beyond our usual cogent analysis of today's grid, it's also Triplet Tuesday, and Jean's on the hot seat! Find out how she did by subscribing, downloading, listening, and hopefully chortling. Contact Info:We love listener mail! Drop us a line, crosswordpodcast@icloud.com.Also, we're on FaceBook, so feel free to drop by there and strike up a conversation!

My guest this week is Chuck Kentis, who has worked as a touring and session player with artists like Nona Hendryx, Julian Lennon, Power Station, John Waite, Richard Marx, Paul Young, ABC, and Micheal Bolton. He has also been a collaborator and musical director for Rod Stewart for over 30 years. Chuck has composed for many music production companies such as Killer Tracks, Mega Trax, Extreme Music and others and his music can also be heard in many commercials, promos for Showtime, television movies, and documentaries. During the interview we spoke about playing sessions in New York City, getting the gig with Rod, writing production and game music, cutting basics with a band, Eurorack synthesis, and much more. I spoke with Chuck via zoom from his studio in Los Angeles. On the intro I'll take a look at Spotify's reported new tier, and some of the overlooked aspects of mastering.

Talking Heads y su trascendental disco "Remain In Light" es el elegido para este episodio, donde conversamos sobre sus canciones, la influencia de los ritmos africanos en su desarrollo, el rol de sus colaboradores, y mucho más.

** PLEASE SUBSCRIBE ** Brought to you by FUNKNSTUFF.NET and hosted by Scott "DR GX" Goldfine — musicologist and author of “Everything Is on THE ONE: The First Guide of Funk” ― “TRUTH IN RHYTHM” is the interview show that gets DEEP into the pocket with contemporary music's foremost masters of the groove. Become a TRUTH IN RHYTHM Member through YouTube or at https://www.patreon.com/truthinrhythm. Featured in TIR Episode 246 (Part 3 of 3): Innovative musician and producer Michael Beinhorn. Since collaborating with experimental bassist-producer Bill Laswell in the late 1970s through the mid-1980s, he has played with or produced an array of diverse and creative artists. Those productions include Material, Brian Eno, Herbie Hancock, Nona Hendryx, Lenny White, the Red Hot Chili Peppers, Soundgarden, Aerosmith, Ozzy Osbourne, Living Colour, Soul Asylum, Black Label Society, Hole, Marilyn Manson and Korn. For the past several years he has focused on helping music artists develop and realize their potential. In 2015 he published the book, “Unlocking Creativity: A Producer's Guide to Making Music & Art.” RECORDED APRIL 2022 LEGAL NOTICE: All video and audio content protected by copyright. Any use of this material is strictly prohibited without expressed consent from original content producer and owner Scott Goldfine, dba FUNKNSTUFF. For inquiries, email info@funknstuff.net. TRUTH IN RHYTHM is a registered U.S. Trademark (Serial #88540281). Get your copy of "Everything Is on the One: The First Guide of Funk" today! https://www.amazon.com/gp/product/1541256603/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=1541256603&linkCode=as2&tag=funknstuff-20&linkId=b6c7558ddc7f8fc9fe440c5d9f3c400

** PLEASE SUBSCRIBE ** Brought to you by FUNKNSTUFF.NET and hosted by Scott "DR GX" Goldfine — musicologist and author of “Everything Is on THE ONE: The First Guide of Funk” ― “TRUTH IN RHYTHM” is the interview show that gets DEEP into the pocket with contemporary music's foremost masters of the groove. Become a TRUTH IN RHYTHM Member through YouTube or at https://www.patreon.com/truthinrhythm. Featured in TIR Episode 246 (Part 2 of 3): Innovative musician and producer Michael Beinhorn. Since collaborating with experimental bassist-producer Bill Laswell in the late 1970s through the mid-1980s, he has played with or produced an array of diverse and creative artists. Those productions include Material, Brian Eno, Herbie Hancock, Nona Hendryx, Lenny White, the Red Hot Chili Peppers, Soundgarden, Aerosmith, Ozzy Osbourne, Living Colour, Soul Asylum, Black Label Society, Hole, Marilyn Manson and Korn. For the past several years he has focused on helping music artists develop and realize their potential. In 2015 he published the book, “Unlocking Creativity: A Producer's Guide to Making Music & Art.” RECORDED APRIL 2022 LEGAL NOTICE: All video and audio content protected by copyright. Any use of this material is strictly prohibited without expressed consent from original content producer and owner Scott Goldfine, dba FUNKNSTUFF. For inquiries, email info@funknstuff.net. TRUTH IN RHYTHM is a registered U.S. Trademark (Serial #88540281). Get your copy of "Everything Is on the One: The First Guide of Funk" today! https://www.amazon.com/gp/product/1541256603/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=1541256603&linkCode=as2&tag=funknstuff-20&linkId=b6c7558ddc7f8fc9fe440c5d9f3c400

** PLEASE SUBSCRIBE ** Brought to you by FUNKNSTUFF.NET and hosted by Scott "DR GX" Goldfine — musicologist and author of “Everything Is on THE ONE: The First Guide of Funk” ― “TRUTH IN RHYTHM” is the interview show that gets DEEP into the pocket with contemporary music's foremost masters of the groove. Become a TRUTH IN RHYTHM Member through YouTube or at https://www.patreon.com/truthinrhythm. Featured in TIR Episode 246 (Part 1 of 3): Innovative musician and producer Michael Beinhorn. Since collaborating with experimental bassist-producer Bill Laswell in the late 1970s through the mid-1980s, he has played with or produced an array of diverse and creative artists. Those productions include Material, Brian Eno, Herbie Hancock, Nona Hendryx, Lenny White, the Red Hot Chili Peppers, Soundgarden, Aerosmith, Ozzy Osbourne, Living Colour, Soul Asylum, Black Label Society, Hole, Marilyn Manson and Korn. For the past several years he has focused on helping music artists develop and realize their potential. In 2015 he published the book, “Unlocking Creativity: A Producer's Guide to Making Music & Art.” RECORDED APRIL 2022 LEGAL NOTICE: All video and audio content protected by copyright. Any use of this material is strictly prohibited without expressed consent from original content producer and owner Scott Goldfine, dba FUNKNSTUFF. For inquiries, email info@funknstuff.net. TRUTH IN RHYTHM is a registered U.S. Trademark (Serial #88540281). Get your copy of "Everything Is on the One: The First Guide of Funk" today! https://www.amazon.com/gp/product/1541256603/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=1541256603&linkCode=as2&tag=funknstuff-20&linkId=b6c7558ddc7f8fc9fe440c5d9f3c400

Over the course of history, for Persons of Color who also happen to be queer, the interface between these two populations is sometimes an enormously challenging one, but one which also frequently produces path-breaking musical artists of enormous courage and originality. In celebration of Juneteenth this coming weekend, and as a follow-up to my Queer Blues episode published last year, I once again pay tribute to an extraordinary array of Black and Queer musical artists across a wide spectrum of popular musical styles, be it Blues, jazz. middle-of-the-road pop, musicals, rock ‘n' roll, disco, and folk. Artists represented include Billy Strayhorn, Billie Holiday, Johnny Mathis, Tracy Chapman, Mabel Mercer, Joan Armatrading, Nona Hendryx, Sylvester, Joséphine Baker, Jackie Shane, Carmen McRae, Billy Preston, Esquerita, and Carolyn Franklin, Michael R. Jackson, the 2022 Tony Award winner for A Strange Loop, is introduced by my dear friend the theater scholar David Savran, who describes what makes this piece and its creator so daring and original. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford. Bonus episodes available exclusively to Patreon supporters are currently available and further bonus content including interviews and livestreams is planned for the upcoming season.

Not only is Chuck Kentis a great keyboardist, songwriter, composer and producer — he has also successfully raised artistic geniuses in his children. He comes back to join the show and share what it's like being a parent helping develop traits to fuel a kid's interests, encouraging creativity and discipline, and adapting lessons from his open-minded parents that allowed him to follow a passion that many deemed an unprofitable hobby.  Join me in this episode of Someone Gets Me — A Gifted Father Raising Gifted Sons With Chuck Kentis. ▶️ Key point covered in this episode:  ✔️ Chuck is fortunate to have a long and successful career that he truly loved and never considered work. Since joining his first high school band at age 15 and reaching the major success he is today, he shares, "It's such a blessing if you can actually do something that you want to do."  ✔️ Chuck shares how his parents were judged by their brothers and sisters for allowing him to play bars and clubs. "My parents had to defy that and say, 'No, this is what we want for him.' It was so encouraging for me, and they never said: 'you can't do this' or 'you've got to get a real job' or something like that. I always felt encouraged, and that's what I give my own children." ✔️ Despite being on the road on tours for long periods, Chuck was able to help kids Avery and Noah follow their creative pursuits with the support of his wife. There's no guarantee for many parents as their children have a career in acting, theater, arts, and stuff like that. Chuck shares, "but if the child doesn't have the opportunity to do that, they'll look back and say, "What if, what if, what if?"  ✔️ Take away the fear of "what if you can't?" and see where it goes. Chuck advises parents to understand what their children's interests are and study how they can be of support to them.  ✔️ Safety (for your kids) means they can screw up, and they will still be loved. A safe container for your children allows them to make mistakes and learn from their failures. This is the best way to make space for kids to be themselves.    Chuck Kentis was born in Passaic, NJ, in 1956. At five years old, he played the piano and then percussion and trombone in grade school. He started on the flute and music composition through high school. He took classes at Jersey City State College then Mannes College of Music for theory and composition in his senior year.  Chuck started the first high school rock band as a freshman, then at age 15, began playing bars and clubs in rock bands throughout NJ, NY, CONN, RI, and MASS. He wound up in a glam-rock band in the early 70s, sharing stages with New York Dolls and Twisted Sister (the original singer and drummer). Playing the New York rock circuit in the late 70s, he got hooked up with a good group of musicians. He began to pick up national and international tours with artists such as Nona Hendryx, Julian Lennon, Power Station, John Waite, Richard Marx, Paul Young, ABC, Micheal Bolton, and Rod Stewart, with whom he has worked with for thirty years. Chuck composed for many music production companies such as Killer Tracks, Mega Trax, and Extreme Music. His music can also be heard in many commercials for the TV advertising company Face The Music. In addition, he scored promos for Showtime. Chuck has also been composing video game music for Disney, producing records and scoring films with partner David Palmer for the past several years.  Follow Chuck on his website: https://www.chuckkentis.com/. ———————————————————————————————— How to Connect with Dianne A. Allen You have a vision inside to create something bigger than you. What you need is a community and a mentor. The Someone Gets Me Experience could be that perfect solution to bringing your heart's desire into reality. You will grow, transform and connect. https://msdianneallen.com/someone-gets-me-experience/ Join our Facebook Group Someone Gets Me: https://www.facebook.com/groups/someonegetsme. Follow Dianne's Facebook Page: Dianne A. Allen: https://www.facebook.com/msdianneallen. Email contact: dianne@visionsapplied.com Dianne's Mentoring Services: https://msdianneallen.com Website: https://www.visionsapplied.com Be sure to take a second and subscribe to the show and share it with anyone you think will benefit. Until next time, remember the world needs your unique gift, let your light shine.

TeeKay is a neo-Soul singer-songwriter, producer and self-taught musician from Connecticut. She has performed alongside some of the greats, such as Steven Scales of the Talking Heads and Nona Hendryx of Labelle, a group best known for the song "Lady Marmalade." Her debut single, "Lucky Lady," written and produced in her own home studio, released in February of 2021. check out her music at https://open.spotify.com/artist/2xdqBNUFKUwR3BXZjsPa6W?si=feVMXYW_Rd2rFfX4AFG15A check her podcast as well https://linkfly.to/30620LErRct --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/jamarr-jabari/support

This is one of a two parter on the unsung greatness of Nona Hendryx!!! Nona has written some of LaBelle's great songs like "Touch Me All Over",  "Pressure Cooker", (Can I Speak to You Before You Go To) Hollywood", "Nightbird", " You Turn Me On",  "Messin With My Mind", "Come Into My Life" and more!!! In this episode we cover some of these songs; as well as songs from her first 2 solo albums, Nona Hendryx and Nona!!!Come join Wanda T , Arif St. Michael and I (Troy Saunders) on this musical journey with some  of the best written music, sung by the trailblazing group LABELLE!!!

Episode 153 is here! Joe and Kari discuss more acts that placed a ton of singles on the R&B Chart. They left off near the beginning of the alphabet, but they take a quick detour to the letter S (for reasons that will be explained) to discuss Slave, a brassy band with 15 hits on the chart in the 80's. Georgio, Johnny Gill, Herbie Hancock, Nona Hendryx and Stacy Lattisaw also take a turn under the microscope. Number 153: According to Pitchfork.com, THIS song was number 153 on their list of the best 80's songs. We're all Steppin' Out on this episode of HRT80s!

  American session keyboardist, songwriter, composer and producer Chuck Kentis shares his colorful career and the wisdom he has earned from a life celebrating and making music.    Join me in this episode of Someone Gets Me — The Diverse Life of a Musician with Chuck Kentis: ▶️https://youtu.be/bwPrmphF1Jo.   Key points covered in this episode:    ✔️Chuck Kentis started playing the piano at age five and has since achieved diversity in his musical genius, growing and evolving by saying yes to different opportunities throughout his lifetime. He finds his inspiration from observing things and people around him and expressing himself in what he knows and loves best — music.   ✔️As an introvert, Chuck shares that he gains confidence from portraying a character while performing on the stage. He tells how it is essential to find people who support you and your craft and bravely stand for the ideas you want to share with the world throughout a musical career.   ✔️Chuck remembers December 31, 1994, as one of his unforgettable performances with British rock and pop icon Rod Stewart. The Guinness Book of World Records recognized it as the largest free concert with 3.5 Million people in the audience!   ✔️Being in the music business for over 40 years, Chuck has been a session keyboardist for numerous artists, a touring musician, a composer for many music production companies and recently, making video game music for Disney, producing records and scoring films and more.   ✔️ In a profession that always requires creating your best, it can become personal for an artist when people reject their work. "You feel like they're rejecting you, especially when they ask for 10-15 changes. You've got to have tough skin in this business."   Chuck Kentis was born in Passaic, NJ, in 1956. At five years old, he played the piano and then percussion and trombone in grade school. He started on the flute and music composition through high school. He took classes at Jersey City State College then Mannes College of Music for theory and composition in his senior year.    Chuck started the first high school rock band as a freshman, then at age 15, began playing bars and clubs in rock bands throughout NJ, NY, CONN, RI, and MASS.   He wound up in a glam-rock band in the early 70s, sharing stages with New York Dolls and Twisted Sister (the original singer and drummer). Playing the New York rock circuit in the late 70s, he got hooked up with a good group of musicians. He began to pick up national and international tours with artists such as Nona Hendryx, Julian Lennon, Power Station, John Waite, Richard Marx, Paul Young, ABC, Micheal Bolton, and Rod Stewart, with whom he has worked with for thirty years.   Chuck composed for many music production companies such as Killer Tracks, Mega Trax, and Extreme Music. His music can also be heard in many commercials for the TV advertising company Face The Music. In addition, he scored promos for Showtime. Chuck has also been composing video game music for Disney, producing records and scoring films with partner David Palmer for the past several years.    Follow Chuck on his website: https://www.chuckkentis.com/. __________________________________________________________________________________   How to Connect with Dianne A. Allen You have a vision inside to create something bigger than you. What you need is a community and a mentor. The Someone Gets Me Experience could be that perfect solution to bringing your heart's desire into reality. You will grow, transform and connect. https://msdianneallen.com/someone-gets-me-experience/ Join our Facebook Group Someone Gets Me: https://www.facebook.com/groups/someonegetsme. Follow Dianne's Facebook Page: Dianne A. Allen: https://www.facebook.com/msdianneallen. Email contact: dianne@visionsapplied.com Dianne's Mentoring Services: https://msdianneallen.com Website: https://www.visionsapplied.com Be sure to take a second and subscribe to the show and share it with anyone you think will benefit. Until next time, remember the world needs your unique gift, let your light shine.

Guest host Ryan Werner returns with the debut solo album from multifaceted vocalist Nona Hendryx. A far cry from her dance and R&B-flavored work, this record finds her taking on the hard rock genre.   If you like us, please support us at patreon.com/idbuythatpodcast to get exclusive content (episodes on 45s!), or tell a friend about us. Broke and have no friends? Leave us a review, it helps more people find us. Thanks!

We've been dancing around this topic now for almost 2 years, but today we are here! Today we are gonna dig into Miles Davis….  His songs and albums  have come up in so many different episodes we have done.  And rightfully so, because he is a giant of music and his DNA is in a lot of the music we listen to today.  But we knew if we were gonna try and tackle the task of trying to create a list of our favorite Miles Davis songs that we needed to have a super special guest to help us.  And fortunately for all you folks out there, we were able to find just the right person to join us to discuss all our Favorite Miles Davis recordings.Special Guest: Adam FalconHe is a singer and songwriter from New York and has worked with Roberta Flack, Marcus Miller, Nona Hendryx, Steve Jordan, Phyllis Hyman, Sophie B. Hawkins, The Village People, Jim Lauderdale, Robert Palmer and the list goes on. In addition to his own wealth of experience and stories, Adam also has a profound connection with Miles Davis, which is why we've asked him on the show today. www. adamfalcon.comwww.therightfiction.comSpotify Playlist "Favorite Miles Davis Recordings" 

Here's another thrilling, provocative and music filled episode featuring the music and conversation around the iconic Patti LaBelle and the Bluebells and their alter ego the trailblazing Labelle. This episode features Special Guest Keith Anthony Fluitt!! Keith has worked with The Who who's in music from Michael Jackson to the Pet Shop Boys to @Diana Ross to @Celine Dion and of course the subjects of this episode!! Keith has worked with both Sarah Dash and Nona Hendryx (with whom he still works with) separately; as well as all three women as LaBelle!! This is one you won't want to miss!!

LaBelle, the musical trio of Patti LaBelle, Nona Hendryx, and Sarah Dash, inspired much of the queer, expressive freedom that defined glam rock in the mid-70s, and yet their story and music has essentially been erased from the genre's history. Our host Sasha Geffen and writer Adele Bertei dive into the self-contained unit of fiery, inspired women: three musicians and one manager, whose influence has stretched from Grace Jones to Lil Nas X. Bertei tells the stories of her own experience at a LaBelle “wear silver” show and meeting David Bowie and Geffen gets into the band's famous costumes – whose designer would later go on to design wear for Parliament-Funkadelic and KISS.

Tracklist: Soul Clap - What If There Was No America (feat. Nona Hendryx) (@soulclap) Manuel Darquart - Cultivating Yucca (@manuel-darquart) Leiba - In Wide Pants (@lleibal) Change - The Glow Of Love (CC's Re-work) Pleasure Voyage - Melon Cocktails (Fully Dressed) (@pleasurevoyage-music) Tour-Maubourg - Put Aside All The Sadness (@tour-maubourg) Jus-Ed & Melchior Sultana - Choices (@jus-ed) Nick Holder - The Summer Of Love (Remix) (@dnh) Nikki O & thatmanmonkz - Pourin' Over Me (@thatmanmonkz) Platzdasch & Dix - Facet (@platzdaschanddix) Nicholas & Nikki-O - Ghetto Opera (Loft Mix) (@nicholas) Chaos in the CBD - Observe (@chaos-in-the-cbd) Dennis Ferrer & K.T. Brooks - How Do I Let Go (Original Mix) (@dennis-ferrer) Quantic - Heaven or Hell (@quantic) Jan Janssen - The Moon Belongs To Everyone (@rjanjanssen) Obas Nenor - I Love You (@obas-nenor) (Andres remix) Soul Clap - Manners, Mood & Attitude (feat. Greg Paulus)

In this episode we welcome the excellent Kate Mossman to our state-of-the-art recording suite and ask her about her writing career and musical passions. She talks about working with Mark Ellen at The Word and about her current employer the New Statesman, and Jasper quotes from a recent Statesman piece she wrote about her secret passion for jazz fusion.Kate's interview with "mean old daddy" Cary Raditz affords her the chance to talk about her beloved Joni Mitchell and the classic Blue song Raditz inspired. Joni's request to follow Neil Young's lead and have Blue and other albums removed from Spotify prompts discussion of the streaming platform's headaches in the wake of Joe Rogan's COVID disinformation.Another of Kate's Statesman pieces, about Lou Reed, gives her and co-hosts Mark & Barney the perfect excuse to riff on Reed's notoriously sadistic treatment of British interviewers — and the cue for Mark to talk about Martin Aston's 1989 audio interview with the ex-Velvets man. From there we turn to Lou's fellow contrarian Morrissey and the "severed alliance" between him and former Smiths bandmate Johnny Marr. With the latter releasing a new album this month, Kate and the RBP crew reflect on the very different personalities (and values) of the two Mancunians.After noting the passing of folk matriarch Norma Waterson, Mark references recently-added library pieces about Sam Cooke, Todd Rundgren and the late Janice Long. Jasper then finishes things off with observations on pieces about Glass Animals and Adele.Many thanks to special guest Kate Mossman; find her writing in the New Statesman and on RBP.Pieces discussed: Jazz fusion, Carey Raditz, Lou Reed, Lou Reed audio, Johnny Marr, the Smiths, Morrissey, Norma Waterson, Sam Cooke, Scott Walker, Steve Paul, Nona Hendryx, Vicki Wickham, Black Sabbath, Todd Rundgren, Janice Long, Laura Barton's heckler's guide, Glass Animals and Adele.

In this episode we welcome the excellent Kate Mossman to our state-of-the-art recording suite and ask her about her writing career and musical passions. She talks about working with Mark Ellen at The Word and about her current employer the New Statesman, and Jasper quotes from a recent Statesman piece she wrote about her secret passion for jazz fusion.Kate's interview with "mean old daddy" Cary Raditz affords her the chance to talk about her beloved Joni Mitchell and the classic Blue song Raditz inspired. Joni's request to follow Neil Young's lead and have Blue and other albums removed from Spotify prompts discussion of the streaming platform's headaches in the wake of Joe Rogan's COVID disinformation.Another of Kate's Statesman pieces, about Lou Reed, gives her and co-hosts Mark & Barney the perfect excuse to riff on Reed's notoriously sadistic treatment of British interviewers — and the cue for Mark to talk about Martin Aston's 1989 audio interview with the ex-Velvets man. From there we turn to Lou's fellow contrarian Morrissey and the "severed alliance" between him and former Smiths bandmate Johnny Marr. With the latter releasing a new album this month, Kate and the RBP crew reflect on the very different personalities (and values) of the two Mancunians.After noting the passing of folk matriarch Norma Waterson, Mark references recently-added library pieces about Sam Cooke, Todd Rundgren and the late Janice Long. Jasper then finishes things off with observations on pieces about Glass Animals and Adele.Many thanks to special guest Kate Mossman; find her writing in the New Statesman and on RBP.Pieces discussed: Jazz fusion, Carey Raditz, Lou Reed, Lou Reed audio, Johnny Marr, the Smiths, Morrissey, Norma Waterson, Sam Cooke, Scott Walker, Steve Paul, Nona Hendryx, Vicki Wickham, Black Sabbath, Todd Rundgren, Janice Long, Laura Barton's heckler's guide, Glass Animals and Adele.

"Ki Ki" Hawkins, originally from Baltimore, MD attended The Baltimore School for the Arts. She further continued her education at The Juilliard School of Music. Ki Ki began her touring career with notable artists such as Amel Larrieux; Kelis; Angelique Kidjo; Nona Hendryx; The Legendary Group LaBelle, and Q-Tip to name a few. A brand-new sound of alternative rock, funk, soul infused into one, adding a unique blend of soulful sounds enriched with breathtaking warm yet powerful vocals.   IG: https://www.instagram.com/thekikiexperience/   FB Band Page: https://www.facebook.com/thekikiexperiencerocksoulfunk/    Twitter: https://twitter.com/kikiexperience  Website: www.thekikiexperience.com  Youtube: www.youtube.com/kikihawkins 

Born, raised and living in Harlem, Musa Jackson, CEO and Editor-in-Chief of Ambassador Digital Magazine, is also known as "The Harlem Ambassador", a title bestowed in a feature piece in NYC's Uptown Magazine (2015). A man of many talents, Musa has spent decades representing his beloved community. Musa can be seen in the new award-winning, documentary directed by Questlove chronicling the untold story of the Harlem Cultural Festival in the summer of 1969, Summer of Love (available on Hulu). Musa began his career as a pioneering Black male model, discovered by the beauty editor of GQ magazine in 1983, which led to world travel and a host of valuable connections. He modeled for GQ, Vogue, New York Fashion of the Times magazines and walked the runways in Paris and Milan for Jean Paul Gaultier. Musa was the first Black male model to appear in a national mainstream campaign, for The Gap. Musa has written an award-winning screenplay, co-produced fashion shows for Diane Von Furstenberg, Carolina Herrera and Betsy Johnson, special events such as Nona Hendryx's 1st visual media art show, Lena Horne's 100 Birthday Tribute and the classic film, Claudine 45th Anniversary Tribute and wrote a social column "My Uptown World" for Uptown Magazine. Currently, he is the CEO and Editor-in-Chief of Ambassador Digital Magazine, featuring some of the most diverse, influential individuals in the culture. In this episode, Musa and host Brad Johnson, a long-time friend, discuss Musa's career trajectory and some of the defining moments, his humble beginnings and dedication to the community he grew up in, how his eye for fashion and style were honed, the motivation behind starting his own magazine to celebrate diverse people of his generation, and the story of how Musa became involved in Questlove's Summer of Soul. * * * Please follow @CornerTableTalk on Instagram and Facebook For more information on host Brad Johnson or to join our mailing list, please visit: https://postandbeamhospitality.com/ E.mail: info@postandbeamhospitality.com See omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.

Among the most in-demand, versatile session cats since the late 1970's, Carmine Rojas' credits on stage and on record span David Bowie, Tina Turner, Joe Bonamassa, Carlos Santana, Nona Hendryx, Ian Neville, Allen Toussaint, Paul Rogers, Rod Stewart, John Waite, Carly Simon, and Herbie Hancock to cite a very, very select few. A composer, producer, musical director (Rod Stewart, Julian Lennon), master of fretless, traditional four, and extended range bass, Carmine's canon traverses rock, funk, rhythm & blues, jazz, soul, and hip-hop and permutations thereof. With host David C. Gross and Know Your Bass Player “honcho” Tom Semioli.Here is our playlist of tunes we played during the radio show Carmine Rojas Playlist

Content warning: This episode contains discussion of domestic abuse and violence against women (33:50–37:42). In this episode, we talk to the amazing Adele Bertei about her career as a singer, songwriter and the author of two terrific books, Peter & the Wolves & the new Why Labelle Matters. Starting with her wild life as a gay teenager in Cleveland, Ohio, we hear about her friend & mentor Peter Laughner, founder member of Pere Ubu and a tragically self-destructive troubadour who died back in 1977.Adele then talks us through her move to New York's East Village and her participation in the city's No Wave punk-funk scene as a member of James White & the Contortions — and as the leader of the all-girl Bloods. This leads on to discussion of ZE Records & August "Kid Creole" Darnell, audio clips of whom we hear in a 2016 conversation with Larry Jaffee... which in turn takes us on to Adele's hymn of love for Labelle, the trailblazing trio who morphed from '60s girl group into '70s Afrofuturists. RBP's co-hosts ask Adele about the group's manager Vicki Wickham (hear Vicki's own RBP podcast episode) and about Laura Nyro, Bobby Womack's Poet II, and female power & resistance in the decades before #MeToo.Finally, after noting the passing of Sally Grossman — widow of Bob Dylan's manager Albert & the "lady in red" on the cover of Bob's Bringing It All Back Home — Mark rounds up the highlights of his recent additions to the RBP Library, including Richard Goldstein's review of The Band's Big Pink, Philip Elwood's prescient 1970 appreciation of a young Bruce Springsteen playing live in San Francisco & the recently-recruited Maureen O'Grady interviewing new Stones guitarist Mick Taylor. Jasper takes us out with thoughts on pieces about white appropriation of Black soul, plus an underwhelming 2000 "chart battle" between (insert polite cough) Westlife & Spice Girls...Many thanks to special guest Adele Bertei. Why Labelle Matters is published by UT Press and Peter & the Wolves by Smog Veil.Pieces discussed: Nona Hendryx, Labelle, Bobby Womack, August Darnell audio, Sally Grossman, Woodstock, Pere Ubu/Devo, Kid Creole, Chris Farlowe, The Monkees, The Band, Janis Joplin, ZZ Top, Love's Alone Again Or, Mick Taylor, Steel Mill, Ian Dury, Keith Levene, Millie Jackson, Screaming Lord Sutch, Westlife vs. Spice Girls, Le Tigre and Lily Allen/Joss Stone/Amy Winehouse.

Content warning: This episode contains discussion of domestic abuse and violence against women (33:50–37:42). In this episode, we talk to the amazing Adele Bertei about her career as a singer, songwriter and the author of two terrific books, Peter & the Wolves & the new Why Labelle Matters. Starting with her wild life as a gay teenager in Cleveland, Ohio, we hear about her friend & mentor Peter Laughner, founder member of Pere Ubu and a tragically self-destructive troubadour who died back in 1977.Adele then talks us through her move to New York's East Village and her participation in the city's No Wave punk-funk scene as a member of James White & the Contortions — and as the leader of the all-girl Bloods. This leads on to discussion of ZE Records & August "Kid Creole" Darnell, audio clips of whom we hear in a 2016 conversation with Larry Jaffee... which in turn takes us on to Adele's hymn of love for Labelle, the trailblazing trio who morphed from '60s girl group into '70s Afrofuturists. RBP's co-hosts ask Adele about the group's manager Vicki Wickham (hear Vicki's own RBP podcast episode) and about Laura Nyro, Bobby Womack's Poet II, and female power & resistance in the decades before #MeToo.Finally, after noting the passing of Sally Grossman — widow of Bob Dylan's manager Albert & the "lady in red" on the cover of Bob's Bringing It All Back Home — Mark rounds up the highlights of his recent additions to the RBP Library, including Richard Goldstein's review of The Band's Big Pink, Philip Elwood's prescient 1970 appreciation of a young Bruce Springsteen playing live in San Francisco & the recently-recruited Maureen O'Grady interviewing new Stones guitarist Mick Taylor. Jasper takes us out with thoughts on pieces about white appropriation of Black soul, plus an underwhelming 2000 "chart battle" between (insert polite cough) Westlife & Spice Girls...Many thanks to special guest Adele Bertei. Why Labelle Matters is published by UT Press and Peter & the Wolves by Smog Veil.Pieces discussed: Nona Hendryx, Labelle, Bobby Womack, August Darnell audio, Sally Grossman, Woodstock, Pere Ubu/Devo, Kid Creole, Chris Farlowe, The Monkees, The Band, Janis Joplin, ZZ Top, Love's Alone Again Or, Mick Taylor, Steel Mill, Ian Dury, Keith Levene, Millie Jackson, Screaming Lord Sutch, Westlife vs. Spice Girls, Le Tigre and Lily Allen/Joss Stone/Amy Winehouse.This show is part of Pantheon Podcasts.

056: Aaron WhitbyGood morning! This is Play It Like It’s Music. I’m Trevor, thanks for listening.On Wednesday, September 16th of 2020 Music is not content, it’s connection.Today we are blessed to have Aaron Whitby with us. But first here’s a random thought: Music used to be important. And it was a haven for the self important. It still sort of is, but musicians no longer make the same level of impact economically or culturally.It’s not quite running on fumes, but nowadays most of us would be happy for musicmaking to be merely sustainable. Some might even say that being sustainable is better than being important. But guess what? Back in that golden age when music was quote “really important”, it was not sustainable then either. What I mean is that we take our literal life in our hands when we choose to set about making music. It’s a risk, man. We’re actually getting closer to sustainability now, you could say it’s a beautiful time (aside from it being the apocalypse). Most of the time music works out ok if you work hard enough, make decent choices and keep your priorities more or less in line. But it’s not a magic ticket to some rarefied kind of existence where you get to hold yourself above other people. I mean, in America you can run your business however you see fit, but there are two sides to this coin: you find the fan who worships at the altar of the musician they love, and the musician who sometimes seems like they might just be seeking to be worshiped above all else - whose ego may be running the show.I won’t name any of them, but you know the trope. You probably also know that it’s not that simple.Not all musicians are provocateurs, serial abusers, pedophiles, womanizers, drug smugglers, tax cheaters or general get-somethin-for-nuthin types. Nor are we all deadbeats, addicts, vagrants and underearners. Most of the time we start out just wanting to play. Not knowing where the train is actually going, we chose to follow the energy and inspiration to wherever it may lead.But when an artist gets a little traction and starts working with investors (and that’ll be most of the artists you’ve heard of, barring almost none), oftentimes the investor will only stay happy if the artist continually generates energy around themselves, in order to generate attention for the music and get the numbers up so that the investor can profit. It’s not just a label or what have you, but it’s all the members of the artist’s team whose livelihood (and future) depends on those same numbers. It becomes a self-perpetuating cycle: artist “just wants to make music”, gets some help in the form of a band, production team, label etcetera. Then the pressure starts to multiply. Every person added to the team is a new set of mouths to feed and before you know it, the artist has to become a factory of attention-getting tactics. Only some of which are related to creating excellent and satisfying music. They have to meet those numbers or the show falls apart.It’s an obligation entirely separate from the creative process. Folks wonder “where everything went wrong” but it’s part of the design. Basically, the music business will turn you into a pirate, and if you don’t want that to happen then you’re probably better off digging into what you’re really after and why. And if what you want is quote-unquote “real music” then keep listening because today we’re talking to a live one.(Which is good, because I’m about talked out here. )The point is Music is literally the most important thing for us here at the show. You just have to take the music seriously and not take yourself too seriously. The folks on here tend to really bring it.[Photo by Michael Weintrob]So. Aaron Whitby:is an award-winning record producer, composer/songwriter, pianist, engineer and educator born and raised in London, England and a longtime resident of Brooklyn, New York.Whitby is best known for his work with longtime collaborator Martha Redbone, who we heard from last week. Whitby and Redbone are recipients of many awards and are currently developing a musical commissioned by the Public Theater in NYC.[Photo by Molly Magnusson]Mentored by Ohio Player/Funkadelic Walter ‘Junie’ Morrison, Whitby has recorded with; Natalie Cole, George Clinton, Randy Brecker, Lisa Fischer, Tony Trischka, John McEuen, Raul Midon, Neil Sedaka and Rodney Holmes among many others. He has performed with Nona Hendryx, Brian Jackson, Vernon Reid of Living Colour, Ben Sollee, Mino Cinelu and Brooklyn Raga Massive among many others.He and Martha have been stacking up awards and commissions. That’s ongoing.But with Cousin From Another Planet, his debut album as a frontman, Whitby comes full circle to his jazz and funk roots pulling together an amazing cast of friends to realize his musical vision, as described by Greg Tate, “a funk-da-fied jam session feel undergirding tight, knotty jazz-smart progressions”. With tunes inspired by the animated energy and profound innocence of his young son, humorous lyrics that celebrate empathy and empowerment and musicians given the freedom to take the music wherever it feels good. According to Tate, this album is “one of this era’s hardiest re-dedications and festival-tent revival of soulful and exploratory jam-gnocity.” Cousin From Another Planet live onstage is a music and visual experience accompanied by a video artshow by VJ Lady Firefly (who has also worked with Dave Chappelle and The Roots) to capture the colorful, cartoonish and movement-inspired worldview.Like I said, we got a live one here. Check out Aaron Whitby.Press PLAY above to ear my conversation with Aaron WhitbyOr subscribe in your podcast app: Apple Podcasts - Spotify- Stitcher - TuneIn - Overcast - PocketcastThanks for listening to Play It Like It’s Music. Thanks so much to Aaron Whitby and Martha Redbone for spending some very generous time with us on these last two episodes. You can find Aaron at Cousin From Another Planet Dot Com, follow him on IG @cousinfromanotherplanet and definitely pick up the new album on Bandcamp. It’s out on Ropeadope Records.I can’t believe we’ve gotten to 56 shows! If you believe this show deserves a wider audience, please tell a friend:Follow me on twitter @trevorexter and talk to me on there if you have thoughts about the show.We're all contending with a mutating professional landscape, jacked revenue streams, a catastrophic global pandemic and plenty of other noise out in the culture.But you gotta keep playing.We don't draw any lines here between scenes or styles.As always, thank you for listening and remember to play it like its music.You can check out my music on bandcamp and other places. It’s all at my website, trevorexter.com. Sign the mailing list on substack to get this show sent right to you the very moment it comes out. Music is a beautiful thing and it makes the world go round.Big love to your ears.Trevor(Did you press play yet?)...If you like this stuff, help it spread by sharing it!Subscribe to the show directly in your podcast app: Apple Podcasts - Spotify - Stitcher - TuneIn - Overcast - PocketcastHear all of our guests in rotation on “Playlist It Like It’s Music” (Apple/Spotify)Hear my songs: the “Trevor Exter Playlist” (Apple/Spotify)Sign the mailing list!Take lessons from me online!Hire me remotely for cello overdubs or to score your piece.Or to produce your podcast.Follow me on IG TW FBMore @trevorexter.compsst… sign up for emails: This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit playitlikeitsmusic.substack.com

In this week's episode, Mark and Jasper are joined by the fabulous Vicki Wickham to chat all things pop and beyond, starting with her experiences as producer of TV show Ready, Steady, Go! in swinging sixties London, when Vicki became good friends with Dusty Springfield, through writing for Fabulous and Melody Maker to managing Labelle in the 70s and much else besides.Vicki talks about how she got her foot in the door of television and reminisces about writing lyrics for Dusty, then tells the story of moving to New York to open a US office for Track Records. We then find out how she masterminded the metamorphosis of Patti Labelle and the Blue Belles into groundbreaking pop trio Labelle, who Mark reckons paved the way for TLC and even the Spice Girls.Vicki, Mark and Jasper then listen to clips from an audio interview with Morrissey, in which the seeds of his later racism are occasionally audible, and Vicki admits that although she was nominally his manager for a short while, he was mostly interested in hearing the stories she had to tell. (In any case, he turned out to be unmanageable.)The trio then pay tribute to the Heartbreakers' Walter Lure, singer-songwriter Justin Townes Earle, Jack Sherman of the Red Hot Chili Peppers and R&B singer D. J. Rogers before Mark and Jasper present some of their highlights from the new pieces going into the RBP library. Mark selects pieces on pop television, Led Zep IV and Patti Smith, and Jasper rounds things out with the Scissor Sisters and Merzbow.Pieces discussed: Vicki Wickham, Ready, Vicki, Go!, Labelle's Nona Hendryx audio, Vicki Wickham's Pop Guide to London, Graham Nash, Ashford & Simpson, Morrissey audio, Jon Savage with the Heartbreakers, Pete Makowski on the Heartbreakers, Justin Townes Earle, Red Hot Chili Peppers, D. J. Rogers, TV pop, Led Zeppelin IV, David Bowie, Patti Smith's Horses, The Germs, Morrissey, Scissor Sisters, Richard Pinhas & Merzbow and Echo & the Bunnymen.This show is part of Pantheon Podcasts

042: Bruce MackGood morning! This is Play It Like It's Music, I'm Trevor, thanks for listening.On Wednesday, June 3rd of 2020 music is not content, it's connection. And I've been bothered about everything going on this week, glued to the news just like a lot of you. We went out and marched down at the Grove in LA, which was lovely because we left right before before the cops broke it up with tear gas. It turns out Beverly Hills doesn't take kindly to marchers. But up until that moment it was a literal walk in the park with a committed group of peaceably assembled people. Peaceful isn't the right word to describe something like that. More like it was harmonious, beautiful, honest. Justified criticism of something so obviously wrong like the routine state-sanctioned murder of innocent people shouldn't need to have "peacefulness" imposed on it from outside by anyone, let alone the targets of the criticism...But this is a show about music. You know, people like to argue about how much music and politics should mix but I personally don't believe there's a legit argument to be had, because if you really understand music then you know that there really is no line between music and life. Music is everywhere and it's a part of every living experience we have, not just when we choose to sing about it. Likewise, there's no line between politics and life. Sometimes you turn the politics on, sometimes it turns on you. But don't pretend there's a line there where it stops existing or being relevant. You'd only be blinding yourself. Like where is the line between politics and human rights? Show me where that line is and then I'll believe someone who says a musician can't also be political.But let's talk about Black music for a second. For my part I don't have anything to say about black music except "thank you". And then make my own musical offering in return. We can see that a musician of any race is always engaged in hot pursuit of the infinite, and most musicians on the whole understand that cooperating with each other across lines helps move the whole endeavor forward. But it's not always up to musicians. We know that plenty of people - collaborators and customers alike - line up to take advantage, both of the hard work we do and also of the cultural contributions people bring. Black musicians in particular have historically gotten ripped off by the music industry, even as their compositions, performances, innovations and energy has dominated in public. Follow the money and you'll be shocked at where it doesn't go, especially those of you who believe the hype. It's not just that people have a right to be mad, but they have a right to organize to change things. Today on the show I'm lucky to have Bruce Mack who is a board member and former president of the Black Rock Coalition to talk to us about growing up in New York City during the 70's and 80's, and how some of the artists of that time chose to show up to the scene with more than just a song.Bruce is a be-bop style vocalist who incorporates vocal improvisation into funk and other forms of music. B-Mack also plays several instruments, including keyboards, electric bass, percussion and drum set. He performs and contributes original music to multiple ensembles, most notably Burnt Sugar, Melvin Van Peebles wid/ Laxative and Nubian Messengers.The Black Rock Coalition is well-known to fans of the many bands that make up its membership - a few of which are Living Colour, Meshell Ndegeocello, 24-7 Spyz, Chocolate Genius, Don Byron and Nona Hendryx. An iconic organization that remains vital to this day, the BRC is a collective of artists, writers, producers, publicists, activists and music fans assembled to maximize exposure and provide resources for Black artists who defy convention.We've heard from members previously on this show: check out episode 2 with Luqman Brown of Dope Saggitarius and episode 4 with Mazz Swift. Today it's all about native New Yorker, Bruce Mack aka B-Mack (the artist, the band). Settle in and let's listen:Press PLAY above to hear my conversation with Bruce Mack.Thanks for listening to Play It Like It’s Music. Thanks to Bruce Mack for spending some very generous time with us. You can find his music at b-mack.bandcamp.com and at Reverb Nation, Facebook, IG and Twitter.If you like this show, please tell a friend:Follow me on social media @trevorexter and talk to me on there if you have thoughts about the show.We're all contending with a mutating professional landscape, jacked revenue streams, a catastrophic global pandemic and plenty of other noise out in the culture.But you gotta keep playing.We don't draw any lines here between scenes or styles.As always, thank you for listening and remember to play it like its music.You can check out my music on bandcamp and other places. It’s all at my website, trevorexter.com. Sign the mailing list on substack to get this show sent right to you the very moment it comes out. Consider hiring me to score your piece, do some cello, teach you lessons, produce your show or back you up onstage. Music is a beautiful thing and it makes the world go round.Big love to your ears.Trevor(Did you press play yet?)...If you like this stuff, help it spread by sharing it!Hear songs: the “Trevor Exter Playlist” on SpotifySign the mailing list!Take lessons from me online!Hire me remotely for cello overdubs or to score your piece.Or to produce your podcast.Follow me on IG TW FBMore @trevorexter.compsst… sign up for emails: This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit playitlikeitsmusic.substack.com