Podcasts about Clive Barnes

A podcast in the country! We wish we'd been asked!Fresh from the flop (at the time) that was Follies, the team of Sondheim and Prince were looking for something more ... lighthearted and decided to look to both French farces and Bergman films. And we got A Little Night Music or as Clive Barnes, renouned theater critic proclaimed, "Good God! -- an adult musical!"

On today's episode of 'Conversations On Dance', we are joined by choreographer, Omar Román De Jesús. Omar takes us through his early training in Puerto Rico, the leap of faith he took in moving to New York City and how his humble early choreographic beginnings have led to a Princess Grace Award and commissions from world renowned companies. Omar's first work for Ballet Hispanico will premiere at New York City Center this summer, with performances running June 1st through the 3rd, on a program featuring additional works by Pedro Ruiz, Michelle Manzanales and William Forsythe. Tickets can be purchased at nycitycenter.org. THIS EPISODE'S SPONSORS:Ballet Bird is a streaming site designed by former Pacific Northwest Ballet principal dancer Julie Tobiason. Ballet Bird offers ballet classes for anyone at any level of training that you can do from the comfort of your home or studio. Ballet Bird is a great addition to your regular in-studio training too. Take advantage of the ten day free trial and use the discount code COD25 to get 25% off through June 30th 2023 at balletbird.com.Each year, The Clive & Valerie Barnes Foundation provides recognition, encouragement, and financial support to two talented young professionals, one in Dance and one in Theatre, thus, honoring the memory of the many years of critical work and the warm personal generosity of Clive Barnes and Valerie Taylor. This year's finalists have been nominated by the Foundation's 11-member Selection Committee comprised of arts journalists and accomplished professionals in each field. Finalists were selected based on live performances given in New York City between January and December of 2022. Winners in each category will be announced on May 22 at the 13th Annual Clive Barnes Awards at Florence Gould Hall in New York City. Guest presenters include Pam Tanowitz and Alex Sharp. For more information or to donate, visit cvbarnesfoundation.org/LINKS:Website: conversationsondancepod.comInstagram: @conversationsondanceMerch: https://bit.ly/cod-merchYouTube: https://bit.ly/youtube-CODJoin our email list: https://bit.ly/mail-COD Hosted on Acast. See acast.com/privacy for more information.

We are going back into our archives from the first few years of the podcast and re-releasing some of our favorite episodes. Today is our first re-release: our June 2017 interview with Edward Villella, Balanchine dancer and founding Artistic Director of Miami City Ballet. We talk with our former boss about his career, dancing for Balanchine, the specific roles made on him, and much more. Part Two of this re-release will be coming next week. Subscribe to Conversations on Dance wherever you get your podcasts.THIS EPISODE'S SPONSORS:Ballet Bird is a streaming site designed by former Pacific Northwest Ballet principal dancer Julie Tobiason. Ballet Bird offers ballet classes for anyone at any level of training that you can do from the comfort of your home or studio. Ballet Bird is a great addition to your regular in-studio training too. Take advantage of the ten day free trial and use the discount code COD25 to get 25% off through June 30th 2023 at balletbird.com.Each year, The Clive & Valerie Barnes Foundation provides recognition, encouragement, and financial support to two talented young professionals, one in Dance and one in Theatre, thus, honoring the memory of the many years of critical work and the warm personal generosity of Clive Barnes and Valerie Taylor. This year's finalists have been nominated by the Foundation's 11-member Selection Committee comprised of arts journalists and accomplished professionals in each field. Finalists were selected based on live performances given in New York City between January and December of 2022. Winners in each category will be announced on May 22 at the 13th Annual Clive Barnes Awards at Florence Gould Hall in New York City. Guest presenters include Pam Tanowitz and Alex Sharp. For more information or to donate, visit cvbarnesfoundation.org/LINKS:Website: conversationsondancepod.comInstagram: @conversationsondanceMerch: https://bit.ly/cod-merchYouTube: https://bit.ly/youtube-CODJoin our email list: https://bit.ly/mail-COD Hosted on Acast. See acast.com/privacy for more information.

Happy Birthday to Balasaraswati, La Meri, Herbert Ross, Clive Barnes, and Augustin "Augie" Rodriguez! --- Support this podcast: https://podcasters.spotify.com/pod/show/dawn-davis-loring/support

Actor Rob McClure (Mrs. Doubtfire, Beetlejuice, Avenue Q) stops by Baring It All with Call Me Adam for a great chat about : His Bucks County Playhouse Concerts Mrs. Doubtfire Broadway Avenue Q Stage Mishaps Living in Philadelphia Commuting Mishaps Getting Through Rough Times Family Rob McClure will be performing two concerts, entitled Smile, at Bucks County Playhouse on February 19 & 20. Click here for tickets! Mrs. Doubtfire returns to Broadway on 3/15. Click here for tickets! Connect with Rob: Twitter Instagram YouTube Like What You Hear? Join my Patreon Family to get backstage perks including advanced notice of interviews, the ability to submit a question to my guests, behind-the-scene videos, and so much more! Follow me @callmeadamnyc on Facebook, Twitter and Instagram Visit: https://callmeadam.com for my print/video interviews Special Thanks: My Patreon Family for their continued support: Angelo, Reva, Alan, Marianne, Danielle, Tara, Alex, and The Golden Gays NYC. Join the fun at https://patreon.com/callmeadamnyc. Theme Song by Bobby Cronin (https://bit.ly/2MaADvQ) Podcast Logo by Liam O'Donnell (https://bit.ly/2YNI9CY) Edited by Adam Rothenberg Outro Music Underscore by CueTique (Website: https://bit.ly/31luGmT, Facebook: @CueTique) More on Rob: Rob McClure received Tony, Drama League, Astaire, and Outer Critics Circle nominations and won Theatre World and Clive Barnes awards for his performance in Chaplin. Other Broadway: Beetlejuice, Something Rotten!, Noises Off, Honeymoon in Vegas, I'm Not Rappaport, Avenue Q. Encores!: Where's Charley? and Irma La Douce. Regional: The Muny, Paper Mill, The Old Globe, Arden, Cleveland Playhouse, A.R.T., Walnut Street, Delaware Theater, Flat Rock, McCarter, La Jolla. Film: Recursion (Best Actor at Queen's World and Williamsburg film festivals). TV: Julia, Servant, Evil, The Bite, Nancy Drew, Person of Interest, Elementary, The Good Fight. P.S. This interview was originally presented on Instagram Live Learn more about your ad choices. Visit megaphone.fm/adchoices

Juwan Crawley / @juwancrawley Juwan made his New York debut in the original cast of Spamilton, an award-winning, off-Broadway musical revue that spoofed Hamilton and earned him a nomination for the Clive Barnes award. At the age of 22, Casey Nicholaw created a role on Broadway for Juwan in Aladdin where he is a standby for the Genie, and where he debuted as the youngest person to ever play the role. He was also cast by Tina Fey to play Hudson – a 14-year-old kid - on one of his favorite shows, The Unbreakable Kimmy Schmidt. He shares with us in our conversation how, each day, he sits down at the piano at the same time, to write and create music, whether he is in the mood or not. Juwan understands that dedication and commitment results in growth and success, and he shares that insight with us in this week's episode. www.juwancrawley.com www.builtforthestage.com - Schedule your one week trial today! www.broadwaypodcastnetwork.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Juwan Crawley / @juwancrawley Juwan made his New York debut in the original cast of Spamilton, an award-winning, off-Broadway musical revue that spoofed Hamilton and earned him a nomination for the Clive Barnes award. At the age of 22, Casey Nicholaw created a role on Broadway for Juwan in Aladdin where he is a standby for the Genie, and where he debuted as the youngest person to ever play the role. He was also cast by Tina Fey to play Hudson – a 14-year-old kid - on one of his favorite shows, The Unbreakable Kimmy Schmidt. He shares with us in our conversation how, each day, he sits down at the piano at the same time, to write and create music, whether he is in the mood or not. Juwan understands that dedication and commitment results in growth and success, and he shares that insight with us in this week's episode. www.juwancrawley.com www.builtforthestage.com - Schedule your one week trial today! www.broadwaypodcastnetwork.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Kelly AuCoin is an actor and producer who has appeared in film, television, and theater. AuCoin played Pastor Tim on The Americans as well as recurring roles on several other television series, including Hercules Mulligan on Turn: Washington's Spies and Gary Stamper on House of Cards.  He currently plays "Dollar" Bill Stern on the Billions. He has also appeared in a number of films including The Kingdom, Julie & Julia, Complete Unknown, The Wizard of Lies, starring Robert De Niro and the upcoming films The Good House starring Sigourney Weaver and False Positive starring and written by Lliana Glazer. Kelly has acted on stage as well, recently winning a Drama Desk Award for Signature Theatre's revival of the AR Gurney play, "The Wayside Motor Inn." He earned nice reviews playing the "blithely cocky" (Ben Brantley, NYTimes) & "nicely nasty" (Clive Barnes, NYPost) Octavius Caesar in the Broadway revival of "Julius Caesar" opposite two time Academy Award winner Denzel Washington. He is a former member of the Tony Award winning Oregon Shakespeare Festival acting company.Support the show (https://www.patreon.com/quidditasfactor)

In his review of the original 1973 Broadway production, Clive Barnes in The New York Times called A Little Night Music "heady, civilized, sophisticated and enchanting." Well, what did you expect from Stephen Sondheim? Join John and John as they explore this love letter to the triple meter, Richard Strauss, and Ingmar Bergman. Music and lyrics by Stephen Sondheim, and book by Hugh Wheeler. Inspired by the 1955 Ingmar Bergman film Smiles of a Summer Night. Intro and outro music ("BeBop 25") provided under Creative Commons Attribution 4.0 International License by Jason Shaw on Audionautix.com Have a question for John or John? Want to leave feedback or tell us how wrong we are? Email us at musicalminutespodcast@gmail.com For more info on our hosts - please visit https://norine62.wixsite.com/musicalminutes

Our very own Justin Cullen talks creativity, guitar sounds and much more with Clive Barnes over a cup of tea in Justin's parents house in Wexford Ireland one June afternoon in 2019. Clive is a consummate professional musician and in addition to writing his own songs he has co written, produced and played guitar with a host of established artists such as ....JEFF BECK in Vicar St, Eric Bibb (as Eric's slide guitar player 2005- 2006), Joe Cocker, The Blind Boys Of Alabama, Seasick Steve, Joe Ely, The Flatlanders David Crosby, Dr. John, Peter Green, Garth Hudson (The Band) & Rodrigo Y Gabriela. Clive has also recorded with: Eric Bibb, Joe Cocker, Taj Mahal, Bonnie Raitt (on Eric Bibb's album Get on Board).For more info on his new release and band Haunted Head check out https://www.facebook.com/WeAreHauntedHeadHave a listen to some of his music at spotify:artist:6d5JxYq8BbAsTghTQr834wspotify:artist:43NbvOl8GwdPUzoyQIFsnGFor more info check out Clive's website www.clivebarnesmusic.com

Our very own Justin Cullen talks creativity, guitar sounds and much more with Clive Barnes over a cup of tea in Justin's parents house in Wexford Ireland one June afternoon in 2019. Clive is a consummate professional musician and in addition to writing his own songs he has co written, produced and played guitar with a host of established artists such as ....JEFF BECK in Vicar St, Eric Bibb (as Eric's slide guitar player 2005- 2006), Joe Cocker, The Blind Boys Of Alabama, Seasick Steve, Joe Ely, The Flatlanders David Crosby, Dr. John, Peter Green, Garth Hudson (The Band) & Rodrigo Y Gabriela. Clive has also recorded with: Eric Bibb, Joe Cocker, Taj Mahal, Bonnie Raitt (on Eric Bibb's album Get on Board).For more info on his new release and band Haunted Head check out https://www.facebook.com/WeAreHauntedHeadHave a listen to some of his music at spotify:artist:6d5JxYq8BbAsTghTQr834wspotify:artist:43NbvOl8GwdPUzoyQIFsnGFor more info check out Clive's website www.clivebarnesmusic.com

This week we chat with Joel O'Brien about which of life's truths can be gleaned from the hippie classic musical - Hair!Clive Barnes wrote in the New York Times: "What is so likable about Hair ... ? I think it is simply that it is so likable. So new, so fresh, and so unassuming, even in its pretensions."- FURTHER READING -Wiki - Musical, Age of Aquarius,iTunesSpotifyImagined Life from WonderyLike us on Facebook! Follow us on Twitter! Support us on Patreon!Email us: musicalstaughtmepodcast@gmail.comVisit our home on the web thatsnotcanonproductions.comOur theme song and interstitial music all by the one and only Benedict Braxton Smith. Find out more about him at www.benedictbraxtonsmith.com

This Week: Christmas songs vs Hanukah songs. The Heat Miser makes an appearance. The joys of Stop Motion. Rob loses the button. Kevin does an impression. Hazel wants to sing. Groucho offers some creative consulting. Shelley Winters tries to sing. Lewis Stadlen meets Groucho. Clive Barnes hits a new low. Shelley Winters hits a note. RCA walks away. Tattoo sings a solo. Every week director Robert W Schneider and actor Kevin David Thomas pull back the curtain on neglected, forgotten, and under appreciated musicals, as well as bizarre performances, endearing television appearances, and all things show business. Become a sponsor of Behind The Curtain and get early access to interviews, private playlists, and advance knowledge of future guests so you can ask the legends your own questions. Go to: http://bit.ly/2i7nWC4

Clive Barnes decided at the age of 14 to become a critic, and four years later, he chose dance as his specialty. In 1967, he replaced Walter Kerr as The New York Times' drama critic while continuing to cover the world of dance. He describes the role of the critic as a "stimulator of thought and opinion, a catalyst or bridge between the artist and the audience." In addition to his work as a critic, he is an author, lecturer, and professor of journalism and critical writing at New York University.

A conversation from 2005 with the late Clive Barnes, the preeminent critic of the theater and dance world.

The panel of theatre critics -- "New York Post"'s Clive Barnes, "Variety"'s Charles Isherwood, "New York Times"' Peter Marks, "NY1"'s Roma Torre, and "Newsday"'s Linda Winer -- discuss the difference between television and print media, writing styles, the change in opening night review deadlines, audience reactions, unbiased reviews, reading plays prior to attending plays, how the quality of a show influences the quality of a review, returning to a show for a subsequent viewing, and the job market for critics.

The panel of theatre critics -- "New York Post"'s Clive Barnes, "Variety"'s Charles Isherwood, "New York Times"' Peter Marks, "NY1"'s Roma Torre, and "Newsday"'s Linda Winer -- discuss the difference between television and print media, writing styles, the change in opening night review deadlines, audience reactions, unbiased reviews, reading plays prior to attending plays, how the quality of a show influences the quality of a review, returning to a show for a subsequent viewing, and the job market for critics.