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7 episodes with encores
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Jason Aldean has thoughts, and Sarah and Vinnie think he's right.
Gavin Creel was a beloved member of the tightknit Broadway community, and the industry is still grieving his death in 2024 at the age of 48. Two Bridge is a company dedicated to creating content and cultural events that focus on mental wellness, including “Common Denominator,” a series that profiles performers and their mental health journeys. Two Bridge founder Harris Schwartzberg discusses his relationship with Gavin Creel, who was the featured guest of the series' pilot episode, and what he learned from filming with him. Visit Two Bridge's website, and provide your email to receive a code to watch Gavin Creel's episode of ‘Common Denominator,' available through this Friday. Photo by Bruce Glikas/WireImage via Getty: Gavin Creel during the Opening Night Gala for the Encores production curtain call for "Into The Woods" at New York City Center on May 4, 2022 in New York City. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
‘Evita’ and ‘Benjamin Button’ coming to New York, Tony Award honorees announced, 2027 Encores shows revealed Every week, Matt Tamanini will bring you the biggest news from across the theatrical landscape and will prepare you for what’s ahead over the next seven days. Any and all feedback is appreciated:Matt Tamanini: matt@broadwayradio.com | read more
An apology to those who googled "butter" and saw stuff. Pickles. Memories of Geocities. Catch phrases. Encores. And another long MCU-style post-credits scene. (Did you know we put those at the end of every episode? Just a little extra treat for those who stick it out!) Promos: 2 Skeptical Chaps http://www.2skepticalchaps.libsyn.com/ Doom Generation https://www.doomgenerationpod.com/ (Want to swap show promos? Email us!) We love you for listening! Please take a moment to rate and review us, and earn a STICKER! (Everyone loves stickers!) And please subscribe or add us to your favorites list on your favorite platform so you never miss a show! And share us with your cool friends, not the lame ones. Questions? Comments? Complaints? Write to us at PitneyAndAmelia@gmail.com! Check out our various socials etc at https://linktr.ee/bitchenboutique Who the heck are Pitney and Amelia? A gay guy and his fat friend talking about everything! We've got 40 YEARS of stories to share about stuff we love, stuff that annoys us, people we've known, places we've been, and things we've seen. Geeky, silly, and always opinionated. NAMES ARE CHANGED TO PROTECT THE GUILTY! We may be awful, but we're right! Here, queer, and in your ear. Every other Friday. The Bitchen Boutique is all about mental health and openness and honesty and if you're in crisis and in the US, call or text 988, or go to 988lifeline.org to reach the National Suicide Prevention Lifeline. And if you just need some friends, you've got two right here. Edited, engineered, produced, and promoted by Amelia. LGBTQIA+ | Comedy | GenX | Fandom | Horror | Spirituality | Mental Health #apology #grillospickles #catchphrases #encores #petpeeves #LGBTQIAplus #Comedy #GenX #Fandom #Horror #Spirituality #MentalHealth
Alia and Serge are here to talk about two of the hottest movies to hit the cinema: Project Hail Mary and The Drama.Plus they will cover their times at CATS: The Jellicle Ball, Lady Gaga's MAYHEM BALL, Zara Larsson, The Wild Party at Encores and more. Plus, Alia shares all of her thoughts on the new BTS album and their huge comeback.In hopes to continue to raise awareness about Gun Violence in America, you can donate during this week's episode to Sandy Hook Promise.Hosts: Alia Hodge (@blackiesnackie) and Serge Clivio (@sergeclivio)
In this episode of Half Hour, we take a deeper dive into the New York City Center Encores! production of Michael John LaChiusa and George C. Wolfe's The Wild Party, based on the 1928 narrative poem by Joseph Moncure March. We discuss the show's plot and concept, explore the source material, and consider how this Wild Party differs from the better-known Andrew Lippa version. They then review overall production at City Center Encores! including Lili-Anne Brown's direction and the work of the ensemble, and discuss how the score lands in this concert staging. Finally, they highlight standout turns by Jasmine Amy Rogers, Adrienne Warren, Jordan Donica, Tonya Pinkins, Jelani Alladin, and more, and share their thoughts on where this production might go next after its Encores! run. Follow and connect with all things @HalfHourPodcast on Instagram, TikTok, and YouTube. Share your thoughts on this production in the comments on Spotify, and let us know what you would like us to cover next. If you enjoy these post-show conversations, follow Half Hour and leave a rating and review so more theater lovers can find the podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
Today, I'm thrilled to announce my interview with Tony-nominated composer, lyricist, and librettist Laurence O'Keefe, author of the musical HEATHERS, which is currently playing at New World Stages. Tune in to hear some of the stories of his legendary career, including developing BAT BOY at the Actors' Gang, revising the show for productions at Harvard and Encores!, deconstructing the title song of LEGALLY BLONDE, what he learned from the Hasty Pudding Show, what Lorne Michaels says about high school musicals, why he initially said no to HEATHERS, doing musical research for the show, making the film effective for modern audiences, what he learned from Annie Tippe, crafting a uniquely American story with HUZZAH!, why musical theater is inherently preachy, writing harmony for “Seventeen,” looking for moments to musicalize, performing cut songs at Birdland, casting the role of Elle Woods, working with Hal Prince on THE MICE, premiering THE LIFE OF THE PARTY at LaGuardia, why he cut “Blue,” his favorite compositional principles, working with David Shiner and Cirque Du Soleil, his new project involving Fado music, and so much more. Don't miss this masterclass in musical theater writing with one of the best in the business.
This week hosts Jim DeRogatis and Greg Kot celebrate artists who found a new creative gear decades after they hit the music scene. It's Late-Career Encores, this week on Sound Opinions.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Johnny Cash, "Hurt," American IV: The Man Comes Around, American, 2002The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Johnny Cash, "Folsom Prison Blues," Johnny Cash with His Hot and Blue Guitar!, Sun, 1955Johnny Cash, "The Mercy Seat," American III: Solitary Man, American, 2000Misson of Burma, "Academy Fight Song," Single, Ace of Hearts, 1980Misson of Burma, "2Wice," The Obliterati, Matador, 2006Wire, "1 2 X U," Pink Flag, Harvest, 1977Wire, "Joust & Jostle," Wire, Pinkflag, 2015The Staple Singers, "I'll Take You There," Be Altitude: Respect Yourself, Stax, 1972Mavis Staples, "99 and 1/2," We'll Never Turn Back, Anti-, 2007Superchunk, "Driveway To Driveway," Foolish, Merge, 1994Superchunk, "Me & You & Jackie Mittoo," I Hate Music, Merge, 2013Naked Raygun, "I Don't Know," Throb Throb, Homestead, 1985Naked Raygun, "Living in the Good Times," Over the Overlords, Wax Trax!, 2021A Tribe Called Quest, "Can I Kick It?," People's Instinctive Travels and the Paths of Rhythm, Jive, 1990A Tribe Called Quest, "We the People....," We Got It from Here...Thank You 4 Your Service, Epic, 2016Bonnie Raitt, "Thank You," Bonnie Raitt, Warner Bros., 1971Bonnie Raitt, "The Road's My Middle Name," Nick of Time, Capitol, 1989Cher, "Gypsys, Tramps & Thieves," Chér, Kapp, 1971Cher, "Strong Enough," Believe, WEA and Warner Bros., 1998Redd Kross, "Annie's Gone," Third Eye, Atlantic, 1990Redd Kross, "Candy Coloured Catastophe," Redd Kross, In the Red, 2024Converge, "Concubine," Jane Doe, Equal Vision, 2001Converge, "We Were Never the Same," Love is Not Enough, Epitaph and Deathwish, 2026John Prine, "Angel From Montgomery," John Prine, Atlantic, 1971John Prine, "When I Get to Heaven," The Tree of Forgiveness, Oh Boy, 2018Pulp, "Common People," Different Class, Island, 1995Pulp, "Spike Island," More, Rough Trade, 2025Al Green, "Belle," The Belle Album, Hi, 1977See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Please consider supporting the show on Patreon! You can also click here to join the free Discord server or connect with the show on Bluesky and Instagram!"Legend tells of an ancient artifact that can grant a woman's wish..."Fighting Game February comes to a close with Skullgirls, the indie fighter—excuse me, the handdrawn indie fighter, put some respect where it's due—that takes inspiration from fighting games, comics, and old-school movies alike. Mikey Tabletop (0-2 Heroes Podcast) joins as co-host to talk about why this game deserves more love than it gets. Between the gorgeous animation, the attention paid to competitive mechanics, and a soundtrack that's closer to "good jazz" than most games get (you too, New Vegas, sorry), it's easy to gush over Skullgirls. It's not all pleasantries though, as this game has been in the spotlight many a time for reasons less than admirable. All of this and more, to bring February to a close. Hope you love the show today. Enjoy!Skullgirls Origins story modeSkullgirls canonical(ish) timelineInsaneintherain YouTube channelThank you for listening! Want to reach out to PPR? Send your questions, comments, and recommendations to pixelprojectradio@gmail.com! And as ever, any ratings and/or reviews left on your platform of choice are greatly appreciated!
Tony Award-winning designer and producer Clint Ramos joins host Robert Peterpaul on The Art of Kindness for a textured chat on joy and kindness as an act of revolution. From Costume Designing hit shows like MAYBE HAPPY ENDING, to being a Producing Creative Director for Encores! at New York City Center, Clint shares experiences from the many hats he dons. - How his upbringing in the Philippines and the People Power Revolution inspired his journey into theater, using art as a powerful tool for social change. - How his historic Tony win changed things. - Tangible advice to bring kindness to the forefront of a busy life. Follow Clint: @clintramos Follow us: @artofkindnesspod / @robpeterpaul Support the show! (https://www.buymeacoffee.com/theaok) Music: "Awake" by Ricky Alvarez & "Sunshine" by Lemon Music Studio. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode of “Half Hour”, we take a deeper dive into the New York City Center Encores! production of High Spirits, the 1964 musical adaptation of Noël Coward's Blithe Spirit with music and lyrics by Hugh Martin and Timothy Gray. We explore how the book, score, and central conceit of a haunted marriage land with contemporary audiences, and how this revival frames the piece within Encores!'s mission to revisit rarely produced shows. The conversation covers Jessica Stone's direction, Ellenore Scott's choreography, and the overall shape and pacing of this concert staging, as well as the Encores! series more broadly and what this production suggests about the musical's future life. We look closely at the performances from Katrina Lenk as Elvira, Phillipa Soo and Steven Pasquale as Ruth and Charles Condomine, Andrea Martin as Madame Arcati, Rachel Dratch as Edith, Campbell Scott as Dr. Bradman, and Jennifer Sánchez as Mrs. Bradman, considering what's working within the ensemble and how the casting highlights the show's humor and tone. We also discuss David Zinn's scenic design, as well as the production's visual and sonic world in the context of City Center's concert-style approach, and how High Spirits holds up compared with its original 1964 Broadway run. The episode wraps with our “Half-Minute” segment, where each is given one specific moment from this High Spirits to rant about. Follow and connect with all things @HalfHourPodcast on Instagram, TikTok, and YouTube. Share your thoughts on this production in the comments on Spotify, and let us know what you would like us to cover next. If you enjoy these post-show conversations, follow Half Hour and leave a rating and review so more theater lovers can find the podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
Happy Presidents' Day! Jon brought Matt Koplik back to the pod to discuss this very dark and very funny Sondheim musical. They break down the show using the 2017 New York Off Center Encores production as a basis of this episode (don't worry how they watched it), but really talked about the show as a whole.Matt's Instagram: @mattkoplikPodcast Socials -Email: butasongpod@gmail.comFacebook: @butasongpodInstagram: @butasongpodThreads: @butasongpodNext episode: Company (2006 Broadway Revival)!
Our crystal has a ball with this "Improbable Musical Comedy"--coming back to Encores! next week. Original cast (Bea Lillie, Tammy Grimes) and London recordings--plus Mel Tormé, Petula Clark, and the Master, Noël Coward, himself.
A single question—“Can I have it?”—nearly sent a child's cello out the door. Instead, that moment lit a fuse that carried Hee-Young Lim from piano lessons and packed Korean school days to principal chair in Rotterdam and a teaching home at Beijing's Central Conservatory of Music.The Cello Sherpa Podcast host, Joel Dallow, interviews Hee-Young, and they take a deep dive into the chain of choices that shaped her artistry: the advantages of piano-first training for cello technique, how small hands and big extensions can coexist, and what it means to study across traditions with mentors from the French, German, Russian, and American schools. Hee-Young takes us inside the orchestra, sharing what she learned from working closely with Yannick Nézet-Séguin, decoding massive symphonic scores, and adapting to different halls on tour. Then she opens up about a turning point at thirty, why prestige wasn't enough, how proximity to home and a lifelong dream to teach redefined success, and what makes Beijing's conservatory culture distinct, from studio sizes to the freedom to teach across ages.We also explore the heart behind her album Encores. Built one piece at a time in a colleague's studio, the project gathers short works she first loved on piano and now sings through the cello. She explains how bow and breath reshape phrasing once sustained by pedal, why encore repertoire can carry the deepest personal stories, and how a DIY recording approach can yield a more intimate, honest sound. Throughout, her advice to young musicians is frank and generous: stay curious, stay open, and build resilience for a field that asks for both excellence and grit.If you enjoy candid artist stories, real talk about career pivots, and behind-the-scenes insight into orchestral life, conservatory teaching, and recording strategy, this one's for you. Listen, share with a friend who needs a nudge of courage, and leave a rating so more musicians and music lovers can find us.For more information on Hee-Young: https://www.crossovermedia.net/artists/hee-young-lim/projects/the-encores-album/bio/You can also find Hee-Young on Instagram and Facebook: @heeyounglim_officialor Youtube: @hee-younglim2202 If you are looking for in person/virtual cello lessons, or orchestral repertoire audition coachings, check out www.theCelloSherpa.comFollow us on Facebook, Instagram, Threads & YouTube: @theCelloSherpaFor more information on our sponsor: www.CLEAResources.com
Today, I'm thrilled to announce my interview with Broadway veteran Annie McGreevey. Tune in to hear some of the stories of her wonderful career, including a memorable note from Bob Fosse during SWEET CHARITY, standing by for Ethel Merman in CALL ME MADAM, the joy of working with John Kenley, singing for Hal Prince at her COMPANY audition, talking to Stephen Sondheim about “Another Hundred People,” making birthday cakes during ANNIE, why THE MAGIC SHOW was a workout, the surprising fate of THE MOONY SHAPIRO SONGBOOK, crying after A CHORUS LINE, recording demos for FOLLIES, headlining at the Fontainebleau, performing with Carol Burnett in FROM THE TOP!, her journey with dyslexia, learning how to wrestle for BELOW THE BELT, performing a solo piece in I STAND BEFORE YOU NAKED, how Joshua Logan kept her job in RIP VAN WINKLE, performing at the first Kennedy Center Honors, making a cameo in JUNO at Encores!, going on in SWEENEY TODD at the last minute, and so much more. Don't miss this in-depth talk with one of Broadway's best. In-person and livestream tickets to Backstage Babble Live are available here: https://54below.org/events/charles-kirschs-backstage-babble-live-3/
Decoder Ring listeners write in with some excellent mysteries, and for our last episode of the year we're solving three of them. Why do children play in boxes full of sand? Why do rock bands pretend like the show is over when everybody knows they're coming back for an encore? And what was up with those school assemblies where you'd get to skip class to learn about…yo-yos? The voices you'll hear in this episode include yo-yo masters ”Dazzling Dave” Schulte and Dale Oliver, children's book author Rob Peñas, Pulitzer Prize-winning design critic Alexandra Lange, and music journalists Brian Wise, Michael Walker, and Travis Andrews. You can find all the music from the segment about encores in this YouTube playlist. This episode was produced by Max Freedman, Katie Shepherd, and Evan Chung, Decoder Ring's supervising producer. Merritt Jacob is Senior Technical Director. We had additional production from Joel Meyer. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281. Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices
Decoder Ring listeners write in with some excellent mysteries, and for our last episode of the year we're solving three of them. Why do children play in boxes full of sand? Why do rock bands pretend like the show is over when everybody knows they're coming back for an encore? And what was up with those school assemblies where you'd get to skip class to learn about…yo-yos?The voices you'll hear in this episode include yo-yo masters ”Dazzling Dave” Schulte and Dale Oliver, children's book author Rob Peñas, Pulitzer Prize-winning design critic Alexandra Lange, and music journalists Brian Wise, Michael Walker, and Travis Andrews. You can find all the music from the segment about encores in this YouTube playlist.This episode was produced by Max Freedman, Katie Shepherd, and Evan Chung, Decoder Ring's supervising producer. Merritt Jacob is Senior Technical Director. We had additional production from Joel Meyer.If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281.Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen. Hosted on Acast. See acast.com/privacy for more information.
Decoder Ring listeners write in with some excellent mysteries, and for our last episode of the year we're solving three of them. Why do children play in boxes full of sand? Why do rock bands pretend like the show is over when everybody knows they're coming back for an encore? And what was up with those school assemblies where you'd get to skip class to learn about…yo-yos?The voices you'll hear in this episode include yo-yo masters ”Dazzling Dave” Schulte and Dale Oliver, children's book author Rob Peñas, Pulitzer Prize-winning design critic Alexandra Lange, and music journalists Brian Wise, Michael Walker, and Travis Andrews. You can find all the music from the segment about encores in this YouTube playlist.This episode was produced by Max Freedman, Katie Shepherd, and Evan Chung, Decoder Ring's supervising producer. Merritt Jacob is Senior Technical Director. We had additional production from Joel Meyer.If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281.Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen. Hosted on Acast. See acast.com/privacy for more information.
Decoder Ring listeners write in with some excellent mysteries, and for our last episode of the year we're solving three of them. Why do children play in boxes full of sand? Why do rock bands pretend like the show is over when everybody knows they're coming back for an encore? And what was up with those school assemblies where you'd get to skip class to learn about…yo-yos? The voices you'll hear in this episode include yo-yo masters ”Dazzling Dave” Schulte and Dale Oliver, children's book author Rob Peñas, Pulitzer Prize-winning design critic Alexandra Lange, and music journalists Brian Wise, Michael Walker, and Travis Andrews. You can find all the music from the segment about encores in this YouTube playlist. This episode was produced by Max Freedman, Katie Shepherd, and Evan Chung, Decoder Ring's supervising producer. Merritt Jacob is Senior Technical Director. We had additional production from Joel Meyer. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281. Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices
Decoder Ring listeners write in with some excellent mysteries, and for our last episode of the year we're solving three of them. Why do children play in boxes full of sand? Why do rock bands pretend like the show is over when everybody knows they're coming back for an encore? And what was up with those school assemblies where you'd get to skip class to learn about…yo-yos?The voices you'll hear in this episode include yo-yo masters ”Dazzling Dave” Schulte and Dale Oliver, children's book author Rob Peñas, Pulitzer Prize-winning design critic Alexandra Lange, and music journalists Brian Wise, Michael Walker, and Travis Andrews. You can find all the music from the segment about encores in this YouTube playlist.This episode was produced by Max Freedman, Katie Shepherd, and Evan Chung, Decoder Ring's supervising producer. Merritt Jacob is Senior Technical Director. We had additional production from Joel Meyer.If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281.Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen. Hosted on Acast. See acast.com/privacy for more information.
Decoder Ring listeners write in with some excellent mysteries, and for our last episode of the year we're solving three of them. Why do children play in boxes full of sand? Why do rock bands pretend like the show is over when everybody knows they're coming back for an encore? And what was up with those school assemblies where you'd get to skip class to learn about…yo-yos? The voices you'll hear in this episode include yo-yo masters ”Dazzling Dave” Schulte and Dale Oliver, children's book author Rob Peñas, Pulitzer Prize-winning design critic Alexandra Lange, and music journalists Brian Wise, Michael Walker, and Travis Andrews. You can find all the music from the segment about encores in this YouTube playlist. This episode was produced by Max Freedman, Katie Shepherd, and Evan Chung, Decoder Ring's supervising producer. Merritt Jacob is Senior Technical Director. We had additional production from Joel Meyer. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281. Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices
Decoder Ring listeners write in with some excellent mysteries, and for our last episode of the year we're solving three of them. Why do children play in boxes full of sand? Why do rock bands pretend like the show is over when everybody knows they're coming back for an encore? And what was up with those school assemblies where you'd get to skip class to learn about…yo-yos?The voices you'll hear in this episode include yo-yo masters ”Dazzling Dave” Schulte and Dale Oliver, children's book author Rob Peñas, Pulitzer Prize-winning design critic Alexandra Lange, and music journalists Brian Wise, Michael Walker, and Travis Andrews. You can find all the music from the segment about encores in this YouTube playlist.This episode was produced by Max Freedman, Katie Shepherd, and Evan Chung, Decoder Ring's supervising producer. Merritt Jacob is Senior Technical Director. We had additional production from Joel Meyer.If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281.Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen. Hosted on Acast. See acast.com/privacy for more information.
Decoder Ring listeners write in with some excellent mysteries, and for our last episode of the year we're solving three of them. Why do children play in boxes full of sand? Why do rock bands pretend like the show is over when everybody knows they're coming back for an encore? And what was up with those school assemblies where you'd get to skip class to learn about…yo-yos?The voices you'll hear in this episode include yo-yo masters ”Dazzling Dave” Schulte and Dale Oliver, children's book author Rob Peñas, Pulitzer Prize-winning design critic Alexandra Lange, and music journalists Brian Wise, Michael Walker, and Travis Andrews. You can find all the music from the segment about encores in this YouTube playlist.This episode was produced by Max Freedman, Katie Shepherd, and Evan Chung, Decoder Ring's supervising producer. Merritt Jacob is Senior Technical Director. We had additional production from Joel Meyer.If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281.Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen. Hosted on Acast. See acast.com/privacy for more information.
Decoder Ring listeners write in with some excellent mysteries, and for our last episode of the year we're solving three of them. Why do children play in boxes full of sand? Why do rock bands pretend like the show is over when everybody knows they're coming back for an encore? And what was up with those school assemblies where you'd get to skip class to learn about…yo-yos? The voices you'll hear in this episode include yo-yo masters ”Dazzling Dave” Schulte and Dale Oliver, children's book author Rob Peñas, Pulitzer Prize-winning design critic Alexandra Lange, and music journalists Brian Wise, Michael Walker, and Travis Andrews. You can find all the music from the segment about encores in this YouTube playlist. This episode was produced by Max Freedman, Katie Shepherd, and Evan Chung, Decoder Ring's supervising producer. Merritt Jacob is Senior Technical Director. We had additional production from Joel Meyer. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281. Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices
Today, I'm thrilled to announce my interview with four-time Tony winning director Jerry Zaks. Tune in to hear some of the stories of his wonderful career, including creating a three-part comedic bit in A FUNNY THING HAPPENED ON THE WAY TO THE FORUM, helping Swoosie Kurtz find her character in THE HOUSE OF BLUE LEAVES, his upcoming work on BOEING-BOEING, an audacious early audition, revising ANYTHING GOES for Lincoln Center, choosing the design for LEND ME A TENOR, how he collaborated with Christopher Durang, finding the heart of THE MUSIC MAN, what made him want to revive BIG FISH, the difficulty of working on THE CAPEMAN, how he avoids embarrassing actors, revising THE ADDAMS FAMILY for the national tour, the “Ma Nishtana” question in musical theater, commissioning a new book for SISTER ACT, bringing LITTLE SHOP OF HORRORS to Broadway, creating STAIRWAY TO PARADISE for Encores!, collaborating with Neil Simon on LAUGHTER ON THE 23RD FLOOR, making changes to FACE VALUE, finding out about the shutdown during MRS. DOUBTFIRE rehearsals, and so much more. Don't miss this candid conversation with one of Broadway's most brilliant directors. Tickets to Backstage Babble Live are available here: https://54below.org/events/charles-kirschs-backstage-babble-live-3/
In this episode, Jack Viertel discusses his novel Broadway Melody, a sweeping show-business romance set against the backdrop of 1960s Broadway. Tracing the intertwined lives of a trumpet player, a spotlight operator, and an aspiring ingenue, Viertel explores the hits, flops, and behind-the-scenes drama of the theater world, while offering a vivid portrait of Broadway's history, humor, and heartbreak. The conversation is moderated by Ted Chapin, former President of The Rodgers & Hammerstein Organization and co-founder of New York City Center's Encores! series, who brings his decades of musical theater expertise to the discussion. Learn more about your ad choices. Visit megaphone.fm/adchoices
‘Queen of Versailles’ to close next week, Encores announces more stars, Grace’s review of ‘Marjorie Prime’ Since 2016, “Today on Broadway” has been the first and only daily podcast recapping the top theatre headlines every Monday through Friday. Any and all feedback is appreciated:Grace Aki: grace@broadwayradio.com | @ItsGraceAkiMatt Tamanini: matt@broadwayradio.com | @BroadwayRadio Patreon: BroadwayRadiohttps://www.patreon.com/broadwayradio read more
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Florida Matters tackles tough issues, highlights little-known stories from our part of the world, and provides a greater perspective of what it means to live in the Sunshine State. Join us Monday through Thursday from noon-1pm EST as we journey across the state to explore the issues important to Floridians and cover the challenges facing our community and our state.Call: 813-755-6562Message: FloridaMatters@wusf.orgWebsite: https://www.wusf.orgSign up for our daily newsletter: https://www.wusf.org/wakeupcall-newsletterFollow us on social media:Facebook: https://www.facebook.com/WUSFInstagram: https://www.instagram.com/wusfpublicmedia/YouTube: https://www.youtube.com/channel/UCsN1ZItTKcJ4AGsBIni35gg
durée : 00:14:26 - Le Disque classique du jour du lundi 24 novembre 2025 - Dans ce nouvel album, qui marque son retour après plusieurs années de silence, le pianiste David Fray présente un répertoire comprenant des œuvres pour clavier originales de Bach, Rameau ou Scarlatti, ainsi que des transcriptions pour piano de Haendel, Vivaldi, Royer... Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
durée : 00:14:26 - Le Disque classique du jour du lundi 24 novembre 2025 - Dans ce nouvel album, qui marque son retour après plusieurs années de silence, le pianiste David Fray présente un répertoire comprenant des œuvres pour clavier originales de Bach, Rameau ou Scarlatti, ainsi que des transcriptions pour piano de Haendel, Vivaldi, Royer... Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
I went back to one of my classic Broadway Drumming 101 conversations this week, and it reminded me why I started this series in the first place. Years ago I sat down with Rich Rosenzweig when he was holding the drum chair for the revival of ‘Company.' Now he's driving the bus for Ragtime at Lincoln Center, and revisiting this talk brought everything back. We got into the real work of subbing on Broadway, the pressure of matching the regular drummer's feel, and the quiet connection with the conductor that determines whether you get asked back.In the clip, Rich breaks down the truth every serious drummer needs to hear. Subbing isn't about chops or showing what you can do. It's about matching the show so well that the conductor can close their eyes and feel the same pulse, the same sound, the same flow they get from the regular drummer. They're not looking for surprises. They want stability. If you're not giving accuracy, presence, and attention to detail, they feel it immediately.Rich also talks about how conductors watch the monitor even when they say they don't. They're looking for someone who is locked in and communicating clearly. Plenty of great drummers have fallen short because they didn't prepare the book with real precision or didn't read the conductor the way the regular drummer does. Most people never hear that part of the job. Subbing is consistency, connection, and trust.Thanks for reading! This post is public so feel free to share it.This conversation is one of my favorites, and I'm bringing it back. Subscribe to Broadway Drumming 101 so you're notified when the re-release goes live. If you're trying to get into Broadway or looking to sharpen your subbing skills, this episode will show you what the job really demands.This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.Rich Rosenzweig has played more than a dozen Broadway shows and appeared on multiple cast recordings. He's been the drummer for the Kennedy Center Honors orchestra for more than a decade, toured nationally and internationally, and has been the regular drummer for City Center's Encores! series. He performs in progressive jazz ensembles, including his own East Down Septet, teaches privately, and has written several feature screenplays.More episodes like this are coming. Stay tuned.Clayton Craddock is the drummer for the upcoming Broadway revival of Cats: The Jellicle Ball, opening at the Broadhurst Theatre on April 7th. He is also the founder of Broadway Drumming 101 and the author of the forthcoming book Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway and Off-Broadway credits include tick, tick…BOOM!, Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and The Hippest Trip: The Soul Train Musical, along with extensive subbing on shows such as Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton is currently on tour with The Rock Orchestra and has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the TONY Awards, and has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe
In this episode of “Half Hour”, we break down the 2025 City Center Encores revival of Bat Boy: The Musical. The discussion covers creative staging, the cast's performances, standout performances by Kerry Butler and Taylor Trensch, and musical updates that define the production. We reflect on Bat Boy's continued relevance, its humor, and how the show balances transformation, talent, and energy. Follow and connect with all things @HalfHourPodcast on Instagram, TikTok, and YouTube. Share your thoughts with us on our podcast cover post on Instagram. Learn more about your ad choices. Visit megaphone.fm/adchoices
This episode we are joined by actor Colin Donnell! Colin is currently playing Father in the Lincoln Center Theater production of Ragtime. He was last seen on Broadway in The Shark is Broken and his other Broadway credits include Jersey Boys, Anything Goes and Violet. He's appeared in Love's Labour's Lost at Shakespeare in the Park, New York City Center's Encores in Merrily We Roll Along, Songs for a New World and Ragtime. Colin is also known for his tv work in Arrow, Chicago Med and The Affair.We speak with Colin about what got him into performing, his time working at the MUNY and much more! But most importantly, we speak to Colin about working on Ragtime! He talks about his experience working on the role of Father, how the show is so important for today and what it's like working with the amazing cast.
Reviews for ‘Ragtime’ revival, stars announced for ‘All Out,’ big names join Encores season Since 2016, “Today on Broadway” has been the first and only daily podcast recapping the top theatre headlines every Monday through Friday. Any and all feedback is appreciated:Grace Aki: grace@broadwayradio.com | @ItsGraceAkiMatt Tamanini: matt@broadwayradio.com | @BroadwayRadio Patreon: BroadwayRadiohttps://www.patreon.com/broadwayradio For a read more
Introducing ASO Encores - A podcast featuring new and historic recordings from the Anchorage Symphony Orchestra. Available on Apple Podcasts and Spotify. Visit ASOEncores.com for the full shows and interviews.
Jeff Hiller is a recent Emmy Award winner for his heartwarming performance as "Joel Anderson" on HBO's Somebody, Somewhere. Jeff has graced both the stage and screen in shows like American Horror Story: NYC, Crazy Ex-Girlfriend, and 30 Rock, and recently on stage in New York City Center's Encores! production of Urinetown. His new memoir, Actress of a Certain Age, is a humorous collection of autobiographical essays about an aspiring actor climbing his way to Hollywood. In this episode, Jeff shares how empathy folds into his storytelling, working through imposter syndrome, and the challenges he faced when writing a book, as a performer. Actress of a Certain Age Jeff's Emmy Speech Brooke Shields Documentary Pretty Baby
Encores, Not Leftovers: The Power of Words #Nightlight #RTTBROS #WordsMatter #ChooseJoy"Death and life are in the power of the tongue: and they that love it shall eat the fruit thereof." Proverbs 18:21 (KJV)I heard a man say something that stopped me in my tracks. He said, "We don't have leftovers at our house. We have encores. Encores are the chance to eat excellent food one more time."That got me thinking about the power of words. This same fellow mentioned that he doesn't call his wife "my old lady." He calls her "my bride." And you know what? I do the same thing. Every day, I call my wife "my beautiful bride."Here's what struck me: the words we choose don't just describe our reality. They actually shape our experience of it. When that man calls Tuesday night's meatloaf an "encore," he's training his heart to see abundance where others might see routine. He's choosing gratitude over grumbling.Scripture tells us that life and death are in the power of the tongue. When I call my wife "my beautiful bride," I'm reminding myself of the wonder of our covenant. I'm choosing to see her through the lens of love. I'm speaking life over our marriage every single day.We're constantly narrating our lives to ourselves. Are those challenges "overwhelming problems" or "opportunities for God to show His faithfulness"? Are we dealing with "leftovers" or celebrating "encores"?The person who learns to speak life over the ordinary moments discovers extraordinary joy. They're not living in denial. They're living in hope.Maybe today you need to change some words. Instead of "I have to go to work," try "I get to provide for my family." Instead of "another day, same old routine," perhaps "another day, another chance to see God's faithfulness."Your words matter more than you think. They're not just describing your life. They're helping to create the atmosphere in which you live it.Prayer:Father, help me to speak life over my circumstances and relationships. Give me wisdom to choose words that reflect Your goodness. Let my tongue be an instrument of blessing. Teach me to see encores where others see leftovers, and to speak hope where others speak complaints. In Jesus' name, Amen.Be sure to Like, Share, Follow and subscribe - it helps get the word out.https://linktr.ee/rttbros
Jack Viertel has quietly shaped Broadway for decades, guiding landmark productions from behind the scenes while rarely stepping into the spotlight himself. In this conversation, he opens up about the art and the business of theatre, reflecting on how shows get chosen, how failures and successes both shape a career, and why Broadway has always been in a cycle of decline and rebirth. We also wander into the bigger picture — what the industry is doing right, where it stumbles, and what it will take to keep live theatre thriving for future generations. Of course, Jack's influence isn't limited to the stage. He's also a writer with a brand-new crime thriller, The Glass Eel, co-written with his son Josh. Described as “Breaking Bad on the coast of Maine,” the novel dives into the murky world of baby eels, environmental stakes, and the dark edges of human ambition. Jack shares how the story came to life, what it was like to collaborate with family, and why storytelling — in any form — remains at the heart of his work. Jack Viertel served for decades as Senior Vice President and Creative Director at Jujamcyn Theaters, helping shepherd productions including Into the Woods, M. Butterfly, Angels in America, The Producers, Book of Mormon, and Dear Evan Hansen to Broadway. He was also Artistic Director of New York City Center's Encores! series, and is the author of The Secret Life of the American Musical, Broadway Melody, and now The Glass Eel, co-written with his son. Connect with Jack: Website: jackviertel.com Book site: jjviertel.com Connect with The Theatre Podcast: Support the podcast on Patreon and watch video versions of the episodes: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices
On this week's Vogue & Amber: Vogue gives the full lowdown on her epic birthday bash, from afternoon start times (complete genius) to Samantha Mumba performing in the rain, drag queen sets, cocktails on tap, and Amber running around ferrying food. Plus, outrageous celeb parties, opinions on encores and booze-free nights, Vogue's brush with road rage, and an Agony Amb about a boyfriend's criminal eating habits (KitKat crimes included).Watch us on Youtube! CLICK HERE! or search Vogue & AmberRemember, if you want to get involved you can:Email us at vogueandamberpod@global.com OR find us on socials @voguewilliams, @ambrerosolero @vogueandamberpodListen and subscribe to Vogue & Amber on Global Player or wherever you get your podcasts.
Jeff and Richie return with a new Theatre Chat episode, covering major headlines in the Broadway and theater world. This week's discussion highlights Taylor Swift's latest album, the new Off-Broadway musical Two Strangers Carry a Cake Across New York, and Encores! High Spirits with Philippa Soo and Steven Pasquale. Other topics include the Kennedy Center Honors, parody shows, Cats returning to Broadway in 2026, and current trends in grosses and ticket sales. Follow and connect with all things @HalfHourPodcast on Instagram, TikTok, and YouTube. Share your thoughts with us on our podcast cover post on Instagram. Learn more about your ad choices. Visit megaphone.fm/adchoices
‘Two Strangers’ to come to Broadway this fall, Sooe and Pasquale to star in Encores’ ‘High Spirits,’ Katie Holmes to play Hedda Gabler at Old Globe Since 2016, “Today on Broadway” has been the first and only daily podcast recapping the top theatre headlines every Monday through Friday. Any and read more
Mary-Mitchell Campbell is one of the busiest musical directors on Broadway. She is the resident MD at Encores! and is currently readying The Queen of Versailles with Kristin Chenoweth. But there is another side to her life that gives her invaluable perspective as an artist and human, and it is all about serving the most vulnerable among us. Learn more about your ad choices. Visit megaphone.fm/adchoices
Are you standing at a crossroads, feeling uncertain about what's next? As part of our Summer of Encores series, this powerful episode of The Grit Show brings back a conversation with Lauren St. George—a change facilitator who has helped countless people navigate life's messiest transitions with intention and creativity. Shawna Rodrigues and Lauren chat about why uncertainty is often our biggest opportunity for personal growth, and how embracing the fear of change can lead you to your next exciting chapter. You'll hear about innovative tools, like the Five Whys, and group coaching secrets for breaking free from feeling stuck. Whether you're considering a career shift, retirement, or just searching for renewed purpose, this encore conversation delivers empowering strategies for moving from “lost” to “purposeful.” Listen in to discover how creativity, supportive communities, and simple mindset shifts can be your best allies in times of transition.Lauren St George is a creativity expert and change facilitator. She helps companies and individuals navigate change, overcome big hairy challenges, and imagine bold solutions. Lauren is the founder of What's Next, a one-of-a-kind, highly engaging program that helps people figure out their best next chapter. Often this need for change is triggered by a major life event (divorce, grief, empty nester, retirement) or feeling stuck and unsure on what to do next (career, purpose, happiness). At the heart of it, we are all looking to live a more fulfilling life and Lauren has helped hundreds of people find theirs.Connect with Lauren:Website: www.answerwhatsnext.comInstagram: @answerwhatsnextWhen Shawna Rodrigues discovered that women hosted only 27% of podcasts, she knew something had to change. After leaving her award-winning public sector career in 2019 and launching The Grit Show, she founded the Authentic Connections Podcast Network with one bold mission: 37 by 27—raising that percentage to 37% by 2027. Because really, shouldn't it be closer to 50%?Now she helps purpose-driven solopreneurs find their ideal clients through podcasting, starting with her proven first step: guesting on podcasts - check out her tip sheet. Currently facing her biggest plot twist yet—a breast cancer diagnosis in early 2025—this year is about her fight, victory, and healing. Join her warrior community Being Honest and check out the podcast episode where she shares more.Connect with her journey: Instagram @ShawnaPodcasts | Everything else: https://linktr.ee/37by27Stay Connected to The Grit ShowFollow us on Instagram: @The.Grit.Show or Shawna @ShawnaPodcastsGrab your copy of our Self-Care Coloring Pages & as a bonus, you'll get weekly email reminders when episodes come out!https://ColoringPages.TheGritShow.comYou can...
In this week's episode, we're recapping six big stops on the summer tour — Charleston, Birmingham, Alpharetta, and Chicago. From standout setlists to unexpected moments, we cover the highs, the surprises, and everything in between. Then, we dig into one of our favorite topics: Encores. We each share the most unique and unforgettable encores we've personally witnessed — the kind that make you stay 'til the very last note.
This week on Half Hour with Jeff & Richie, we break down the latest theatre news, including the Dog Day Afternoon announcement, Beetlejuice's limited return, and the abrupt closing of Smash. We cover Off-Broadway updates from Classic Stage Company and the new Encores! Season at New York City Center. Plus, we discuss box office trends following the Tony Awards and share which shows are making headlines for ticket sales. Listen for our take on new productions, musical adaptations, and what's coming up for theatre. Follow and connect with all things @HalfHourPodcast on Instagram, TikTok, and YouTube. Share your thoughts with us on our podcast cover post on Instagram. Learn more about your ad choices. Visit megaphone.fm/adchoices
‘Smash’ to close next week; Encores announces ‘Bat Boy,’ ‘La Cage,’ more; Tonys hit 6-year ratings high Since 2016, “Today on Broadway” has been the first and only daily podcast recapping the top theatre headlines every Monday through Friday. Any and all feedback is appreciated:Grace Aki: grace@broadwayradio.com | @ItsGraceAkiMatt Tamanini: matt@broadwayradio.com | @BroadwayRadio Patreon: read more The post Today on Broadway: Wednesday, June 11, 2025 appeared first on BroadwayRadio.
As part of our Summer of Encores—revisiting standout episodes while host Shawna Rodrigues focuses on her breast cancer journey—we're bringing back this powerful and fan-favorite conversation from January 2023.In this re-release episode of The Grit Show, psychotherapist Will Halpin joins Shawna to unpack the transformative approach of Internal Family Systems (IFS). What if your mind isn't a battlefield, but an orchestra—filled with anxious flutes, perfectionist violins, and maybe even a snarky drummer or two?Together, they explore how understanding your “internal parts” can lead to greater self-awareness, emotional healing, and real change. Curious about concepts like protectors, exiles, or the 8 C's of healing? You'll hear relatable metaphors, real-life insights into anxiety and people-pleasing, and accessible mental health strategies you can start using right away.Whether this is your first listen or a meaningful return visit, this encore episode is packed with practical wisdom and fresh perspective on how to bring more compassion and clarity into your inner world.Will Halpin is a psychotherapist and public health social worker with over 22 years of experience working in community health center settings and in private practice in Boston, Massachusetts. Earlier in his career, he developed programs and a comprehensive curriculum with the Boston Public Health Commission to train providers on best practices in working with people struggling with crystal meth abuse and dependence. Most of his clinical experience has been working within the LGBTQAI+ population, and specifically complex/developmental trauma and substance abuse. He has trained in a variety of treatment modalities to offer a variety of options when working with survivors of trauma, including Internal Family Systems (IFS), Dialectical Behavior Therapy (DBT), and Eye-Movement Desensitization and Reprocessing (EMDR). He also enjoys training new practitioners who are learning IFS as an assistant course instructor for over three years, working with providers from India, Canada and all over the US. When he is not at work, you can find him in the mountains, in a lake, or in the woods enjoying whatever outdoor recreation is available in that particular season.Connect with Will - WillHalpin.comLearn more about IFS - IFS-Institute.comBooks:Self Therapy by Jay EarleyYou Are the One You've Been Waiting For - Dr. Richard SchwartzShawna Rodrigues left her award-winning career in the public sector in 2019 and after launching The Grit Show, soon learned the abysmal fact that women hosted only 27% of podcasts. This led to the founding of the Authentic Connections Podcast Network intent on raising that number by 10% in five years- 37 by 27. Because really, shouldn't it be closer to 50%? She now focuses on helping purpose driven solopreneurs find their ideal clients through podcasting. She believes that the first step is guesting on podcasts - check out her tip sheet and once you've built your business and are ready for the full-service support for podcasting production and mentoring, she'll help you launch the podcast you were meant for. Diagnosed with breast cancer in early 2025, much of this year will be prioritizing her fight, victory, and healing. If you would like to follow that journey and be one of her warriors you can learn more via
It's Miriam Shor, y'all! You Might Know Her From Younger, Hedwig and the Angry Inch, Magic Hour, GCB, Shortbus, Swingtown, Maestro, American Fiction, and Guardians of the Galaxy Vol 3. Miriam gave us all the scoop on grounding the zaniness of Diana Trout on Darren Star's Younger, leading the indie comedy Magic Hour, and appearing in "brilliant but canceled" series like GCB and Swingtown. All that, plus Miriam talked to us about being one of John Cameron Mitchell's "players," appearing in Shortbus and, of course, originating the role of Yitzhak in the Hedwig universe; popping up in prestige Oscar films; her musical theatre roots; New York City history; and dying by way of a paintbrush in The Americans. We just LOVED Miriam. Patreon: www.patreon.com/youmightknowherfrom Follow us on social media: @youmightknowherfrom || @damianbellino || @rodemanne Discussed this episode: Genesis' “Land of Confusion” + Garbage Pail Kids + Whoopi Goldberg latex mask Realistic latex masks on TikTok Eddie Fisher was married to Debbie Reynolds but cheated on Debbie with Elizabeth Taylor when her husband (their friend), Mike Todd died Christina Milian and The Dream; Little Wayne and Nivea swapped Damian loves a sexy network drama and also HBO's Real Sex, Taxicab Confessions People raising hyper realistic fake babies Lars and the Real Girl ; Companion MIriam's first leading film role is in Magic Hour Dons a bald cap in Guardians of the Galaxy III American Fiction had a $5M budget Cord Jefferson's Oscar speech Played Diana Trout on Darren Star's Younger for 6 seasons Darren Star also made Beverly Hills, 90210, Melrose Place, Sex and the City, Emily in Paris, Good Christian Bitches Robert Harling wrote Steel Magnolias Cricket Caruth Reilly Met her husband doing karaoke - also with Bridget Everett Marie's Crisis got a resurgence thanks to Younger St Marks Is Dead by Ada Calhoun Il Posto Accanto (thanks to Debi Mazar); Supper; Gnocco Swingtown was championed by Nina Tassler but killed by Les Moonves Hedwig and the Angry Inch was Miriam's first audition and show in New York Met Lou Reed, Joey Ramone, Elliot Smith, Pete Townsend because of Hedwig Anne saw Debbie Does Dallas in the Jane Street Theatre but didn't get to see Hedwig Shortbus with John Cameron Mitchell Did Fiddler on the Roof tour in 1994 with Theodore Bikel (Captain Von Trapp in Original Broadway cast of The Sound of Music). “Edelweiss” was written for him by Rodgers & Hammerstein Appeared at Public Theatre's production Lynn Nottage's Sweat (it later won the Pulitzer Prize) Wants to do Shakespeare in the Park Was Mary in Kennedy Center Production of Merrily We Roll Along (A GREAT DRUNK in a FAT SUIT, her big scene at 15:40) Was a waitress in Todd Haynes' Mildred Pierce miniseries Was directed by Bradley Cooper as Leonard Bernstein in Maestro Appeared as lesbian in The Wild Party with Sutton at Encores, played gay in And Just Like That Season 2; and was Yitzak in Hedwig Anne's obsessed with this portrait Morgan Freeman is supposed to have painted of a nude Diane Keaton in Five Flights Up (see right) Friends with Cynthia Nixon and her wife Christine Played an artist in The Americans (“I'm pulling the drawing OUT of the paper”) Adam Scott and Carol Burnett are great drunks; we love a pilled out Samatha Mathis in American Psycho “Room Tone” is when Sound Dept records sound of the room to lay under the scene if necessary “Corpsing” is when you break character (Peter Hermann is worst) Miriam is Directing a documentary about NDAs Quincy Jones said that Richard Pryor had sex with Marlon Brando We hope Amanda Bynes gets a comeback. Faye Dunaway, Tatyana Ali, Leanna Creel and her triplets. Not Millie Bobby Brown Matlock cast on Jennifer Hudson runway
It's our weekly round up! The best of the week from our National radio show THE PICKUP. Every week we live across the country at 3pm on the KIIS Network. You can listen live on iHeart radio, or catch up here each week!For more follow @THEPICKUP on socials. What's on the show: Have we evolved past the need for encores at concerts? Frida is selling BREAST MILK ice cream Full interview with Sam Fischer - he chats his new single and the sad reason he had to leave LA The Lola Takedown/Rebrand (Laura can't get Lola to sleep in her own bed) ASK UNCUT: Rachel is moving overseas and hasn't told her boyfriend yet Sydney Sweeney & Glen Powell - Do we make excuses for hot/famous people when they have affairs? You can watch us on Youtube Find us on Instagram Join us on tiktok See omnystudio.com/listener for privacy information.
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