Podcast appearances and mentions of Peter Green

Fleetwood Mac lore runs DEEP and today we're breaking it down from the beginning. Part 1: Peter Green creates a band, does some bad drugs, and quits the band. The guitarist does some bad drugs, quits the band and joins a cult. The rest of the band keeps touring and putting out albums every six months because apparently there were also good drugs at the time. Sources:https://en.wikipedia.org/wiki/Fleetwood_Machttps://en.wikipedia.org/wiki/Peter_Green_(musician)https://en.wikipedia.org/wiki/Jeremy_Spencerhttps://en.wikipedia.org/wiki/Christine_McViehttps://www.elle.com/culture/music/a42977664/fleetwood-mac-timeline/?utm_source=google&utm_medium=cpc&utm_campaign=mgu_ga_elm_md_pmx_hybd_mix_us_20071786260&gad_source=1&gad_campaignid=20076302534&gclid=Cj0KCQjwtpLABhC7ARIsALBOCVp66ZaJM2lsCY1Twljnoj8GemOzPt-Vec6ZdLa0yVmv2MWffDuLgNwaAozqEALw_wcBDonate to Palestinian Children's Relief Fund::www.pcrf.netDonate to Mutual Aid Funds: https://www.folxhealth.com/library/mutual-aid-fundsGET AN OCCASIONAL PERSONAL EMAIL FROM ME: www.makeyourdamnbedpodcast.comTUNE IN ON INSTAGRAM FOR COOL CONTENT: www.instagram.com/mydbpodcastOR BE A REAL GEM + TUNE IN ON PATREON: www.patreon.com/MYDBpodcastOR WATCH ON YOUTUBE: www.youtube.com/juliemerica The opinions expressed by Julie Merica and Make Your Damn Bed Podcast are intended for entertainment purposes only. Make Your Damn Bed podcast is not intended or implied to be a substitute for professional medical advice, diagnosis or treatment. Get bonus content on PatreonSupport this show http://supporter.acast.com/make-your-damn-bed. Hosted on Acast. See acast.com/privacy for more information.

In this episode we're talking about increasing your overall business turnover, and in turn business resilience, through enterprise stacking. But we're also talking about an innovative and exciting business pitching opportunity called ‘Pitch Up' which was started by one of our guests on his farm in Hampshire. Pitch Up! is an annual call-out for anyone with a start-up or growing business in the countryside looking for a farm to call home. It's all about farmers sharing land, raw materials, retail space or production space as well as ideas, knowledge and contacts but also seeing the benefits. Joining host Peter Green is Tim May who is the founder of PitchUp and Managing Director of Kingsclere Estates in Hampshire. Peter is also joined by Dave Oates, a Nuffield scholar and mixed farmer from south Cornwall who is part of the Pitch Up programme.  Are there topics you'd like us to cover or guests you'd love to hear from? Get in touch by emailing us at podcast@cornishmutual.co.uk or by connecting with us on our socials @cornishmutual. Your feedback helps us shape the podcast to meet your needs.Farming Focus is the podcast for farmers in the South West of England, but is relevant for farmers outside of the region or indeed anyone in the wider industry or who has an interest in food and farming. For more information on Cornish Mutual visit cornishmutual.co.ukFor our podcast disclaimer click here. If you'd like to send us an email you can contact us at podcast@cornishmutual.co.uk Timestamps00:15 Peter introduces the episode.01:26 Tim introduces his business.01:45 Dave introduces his business.02:17 Tim introduces the concept of Pitch Up05:42 Farming in 3D.07:25 How did Dave get involved with Pitch Up?08:50 Where does Pitch Up go for Dave?09:38 What are the wider plans for Pitch Up?11:05 The Michaelmas Fair12:20 How do people get in touch and get involved?13:06 Dave's Nuffield on stacking land uses. What is enterprise stacking?14:44 Shift in thinking from a reductionist mindset to one of abundance.17:10 How do other farmers see this?19:00 Mindset - how do we change the perception of farming to multi output land use?22:14 Tim's takes on the question of being a tenant and how this can work with tenants?23:10 What advice would Tim give to interested farmers?24:20 Dave's thoughts on this. 25:40 What is the low hanging fruit here?27:17 Showstoppers.28:35 Peter rounds up. 

Mit "Still Got The Blues" hat Gary Moore einen echten Stilwechsel hingelegt – weg vom Hard Rock, hin zum Blues Rock. "Still Got The Blues" erschien 1990 als Gary Moores achtes Solo-Studioalbum und war ursprünglich nur als Nebenprojekt gedacht. Doch mit dem dazugehörigen Titelsong überzeugte Moore seine Plattenfirma Virgin Records, die daraufhin sogar Blues-Legende Albert King einfliegen ließ, um bei dem Song "Pretty Woman" mitzuspielen. Ich glaube, was die Plattenfirma überzeugt hat, war, dass Garry Moore so 100% hinter diesem Projekt stand, das war so ein richtiges Herzensprojekt. Das Album ist ein Meilenstein, weil es für viele Menschen der Einstieg in eine neue Musikrichtung war, mit der sie vorher wenig zu tun hatten. Gary Moore lebt die Musik und vermittelt über seine Gitarre mehr Emotionen als über seine Stimme, wie SWR1 Musikredakteur Nils Berkfeld findet. Von Hard Rock zum Blues – Gary Moores Neuanfang mit "Still Got The Blues (For You)" Mit "Still Got The Blues (For You)" schlug Gary Moore eine neue musikalische Richtung ein – weg vom Hard Rock, hin zum Blues. Der ganze "Rockstar-Zirkus" mit riesigen Bühnenaufbauten und Pyrotechnik langweilte ihn, er wollte zurück zur Essenz der Musik. Zur gleichen Zeit rollte eine neue Blues-Welle aus den USA heran, angeführt von Künstlern wie Jeff Healey, Robert Cray und Bonnie Raitt. Inspiriert von seinen Jugendhelden Eric Clapton, Peter Green und den Bluesbreakers, begann Moore, hinter den Kulissen alte Blues-Stücke zu spielen, und entdeckte seine Liebe zur Musik neu. Besonders Albert King war ein großes Idol für ihn – ein Einfluss, der auf "Still Got The Blues" deutlich zu hören ist. Entstehung des Albums "Still Got The Blues" Gary Moore war ein großer Fan von Eric Clapton und dessen einzigartigem Sound. Deshalb entschied er sich, eine eigene Version eines Clapton-Stücks für "Still Got The Blues (For You)" aufzunehmen. Das sollte nur der Anfang eines größeren Projekts werden. Anfangs zögerte Moore, doch während der ersten Sessions erkannte er, dass er auch eigene Blues-Songs schreiben konnte. Er stellte eine neue Band zusammen, bestehend aus Andy Pyle (Bass), Graham Walker (Schlagzeug) und Mick Weaver (Keyboards). Die Aufnahmen fanden in den Sarm West Studios in London statt, wobei die meisten Songs live und in nur ein bis zwei Takes eingespielt wurden, was für Blues-Aufnahmen dieser Zeit typisch war. Moore stand hinter einer Plexiglasscheibe, während die Band im Aufnahmeraum spielte – eine Methode, die auch von Künstlern wie den Rolling Stones verwendet wurde. "Still Got The Blues" wurde schließlich auch eine Hommage an seine Idole. Das Album enthält sowohl Coverversionen als auch Eigenkompositionen – darunter "King Of The Blues", ein Tribut an B.B. King. Zudem wirkte George Harrison an "That Kind Of Woman" mit. Die CD-Version des Albums widmete er seinem großen Vorbild Peter Green, obwohl nur ein Song von ihm enthalten ist. Später veröffentlichte Moore ein ganzes Album zu Ehren von Green. "Still Got The Blues" – Ein Meilenstein der Musikgeschichte Was hat George Harrison mit "Still Got The Blues" zu tun? Wie liefen die Aufnahmen mit Blues-Legende Albert King ab? Und wie erfüllte sich der lautstarke und manchmal eigensinnige Gary Moore mit diesem Album einen Kindheitstraum? Das und mehr, erfahrt ihr im Meilensteine Podcast zu "Still Got The Blues". So wurde "Still Got The Blues" nicht nur ein persönliches Projekt für Gary Moore, sondern auch eine Hommage an die Blues-Giganten, die ihn inspirierten. __________ Über diese Songs vom Album "Still Got The Blues" wird im Podcast gesprochen (03:49) – "Texas Strut"(16:02) – "Still Got The Blues (For You)"(35:57) – "Moving On"(41:07) – "Oh, Pretty Woman "(49:42) – "King Of The Blues"(1:04:03) – "That Kind Of Woman"__________ Über diese Songs wird außerdem im Podcast gesprochen (09:49) – "All Your Love" von Bluesbreakers with Eric Clapton(28:11) – "Dana" von Roland Kovac(29:14) – "Nordrach" von Jud's Gallery(34:44) – "Still In Love With You" von Thin Lizzy(41:08) – "Pretty Woman" von Roy Orbison(41:45) – "Oh, Pretty Woman" von Albert King  (53:57) – "Broken Heart" von B.B. King __________ Alle Shownotes und weiterführenden Links zur Folge: https://1.ard.de/gary-moore-still-got-the-blues __________ Ihr wollt mehr Podcasts wie diesen? Abonniert die SWR1 Meilensteine! Fragen, Kritik, Anregungen? Meldet euch gerne per WhatsApp-Sprachnachricht an die (06131) 92 93 94 95 oder schreibt uns an meilensteine@swr.de

"Everybody's a dreamer and everybody's a starAnd everybody's in show biz, it doesn't matter who you areAnd those who are successful, be always on your guardSuccess walks hand in hand with failure along Hollywood Boulevard"Please join me and some of our Vinyl Heroes as we get ready for the Academy Awards and our "Celluloid Heroes" this evening with 2 hours of great tunes on this week's Super Sounds Of The 70's. Stopping by are Peter Green, America, Cream, Little Feat, Jackson Browne, Neil Young, Crabby Appleton, Detroit, Free,  Foghat, Tommy James & The Shondells, The Eagles, Supertramp, George Harrison, Pablo Cruise, Crosby Stills, Nash & Young, Grand Funk Railroad, Savoy Brown, The Hollies, Steve Stills, The J. Geils Band, Jimi Hendrix Experience and The Kinks...

For this episode host Peter Green  is joined by three Cornwall based farmers who are going about things a bit differently compared to the traditional farming model.First up us Laura Awdry who farms in partnership with her husband Sam on a Duchy of Cornwall farm tenancy running beef and arable. She is also a Nuffield scholar and works within the dairy team for AHDB. Peter is also joined by Rhian and Jack Marchant who are first generation farmers, farming on a Lord Falmouth estate farm about 10 miles outside of Truro. The couple keep ducks for eggs, zwartble, Devon and Cornish Longwool and Suffolk sheep and water buffalo. Rhian is also a registered vet nurse working mostly in small animal practice and balances this career alongside farming. Farming Focus is the podcast for farmers in the South West of England, but is relevant for farmers outside of the region or indeed anyone in the wider industry or who has an interest in food and farming. For more information on Cornish Mutual visit cornishmutual.co.ukFor our podcast disclaimer click here. If you'd like to send us an email you can contact us at podcast@cornishmutual.co.ukTimestamps00:14 Peter introduces the episode.01:33 Laura introduces herself.02:40 Rhian introduces herself and her farming journey.03:16 How did Rhian and Jack start?03:47 Jack comes in. 04:45 How has Laura and her husband Sam built their farming business?07:19 Jack talks about their route into farming and wanting to stand out. 08:34 How are buffalo different to cattle in terms of husbandry?09:46 How did Jack know that buffalo would be a good fit for him?10:50 Balancing working on and off farm. 14:09 Rhian explains how she and Jack balance working off farm with the farming. 18:30 The future of balancing working on and off farm21:10 The benefits of working on and off farm. 22:10 Words of advice to listeners. 24:03 Showstoppers.25:57 Peter rounds up.  

Esta edição foi lançada originalmente em 2 de julho de 2014. Dentro do projeto Sobe de Novo Shi, a reprise da vez é a edição 69. Relevem a piada idiota sobre o Pelé e curtam a sonzera de Peter Green, um dos integrantes originais do Fleetwood Mac em carreira solo. Boa (re)audição e até a próxima! SHI Tracklist Chumbawamba - The Wasteland The Proclaimers - I'm On My Way CCCP - American Soviets Savage - Don't Cry Tonight Kim Wilde - Cambodia SSQ - Synthicide Eurogliders - Can't Wait To See You Wa Wa Nee - Stimulation Koo De Tah - Too Young For Promises Peter Green - What Am I Doing Here The Untouchables - Free Yourself Hanói Hanói - Bla Bla Bla 80 WATTS outro theme by Fernando Werneck         Muito obrigado aos produtores virtuais que acreditam e apoiam esta iniciativa: Marcos Coluci Luana Santos Araujo Fabiano F. M. Cordeiro (Fab 97,4 FM) Ricardo Bunnyman (AutoRadio Podcast) William Floyd (Fermata podcast) Marcelo Machado (Podcast de Garagem) Seja também um apoiador do 80 WATTS em uma das plataformas abaixo.      This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License. Background vector created by freepik - www.freepik.com  

MONOLOGUE Jagmeet Singh: The Man Who Ripped Up His Principles—But Never His Seat NEWSMAKER Canada's female Donald Trump ready to take on president https://torontosun.com/news/local-news/warmington-canadas-female-donald-trump-ready-to-take-on-president  We're Getting an Election We Don't Need, But Not Getting the One We Do! Ford calls for early election and hopes for Massive Mandate to Take on Trade War  Joe Warmington, Columnist with The Toronto Sun OPEN LINES THE CULT OF CLIMATE CHANGE Sea levels could rise by up to 6.2 FEET by 2100, warn scientists - so, is your hometown at risk? https://www.dailymail.co.uk/sciencetech/article-14328807/Global-sea-levels-rise-6-2-FEET-2100-plunging-entire-cities-underwater.html  Global warming to prevent 3.4 million deaths from cold ... but at a deadly cost https://www.telegraph.co.uk/news/2025/01/27/how-global-warming-save-three-million-lives-northern-europe/  Tony Heller - Geologist, Weather Historian and Founder https://realclimatescience.com MONOLOGUE "Dying for Care: How Canada's Socialized Healthcare System is Killing Its Own People" NEWSMAKER Did Trump Have the Greatest First Week in American Presidential History https://www.dailywire.com/news/heres-everything-trump-did-his-first-week-back   Stacy Washington, host of the nationally syndicated SiriusXM Radio show Stacy on the Right, and author of the book Eternally Cancel Proof: A Guide for Courageous Christians Navigating the Political Battlefront, is an Emmy Nominated TV personality and documentarian. OPEN LINES THIS DAY IN ROCK HISTORY  In 1969, Fleetwood Mac scored their sole UK No.1 hit with the instrumental “Albatross,” from the Peter Green-era of the band.  In 1972, Concert for Bangladesh went to No.1 in the UK. The live triple album, which captured the first major benefit concert, featured performances by Bob Dylan, Ravi Shankar, Billy Preston, Eric Clapton, Ringo Starr, members of Badfinger, and George Harrison, who organized the event.  In 1983, Australian new wave heroes Men At Work had simultaneous No.1s in the UK and US on both the singles and album charts with “Down Under” and Business As Usual, respectively. The last artist to achieve this feat was Rod Stewart in 1971. Jeremiah Tittle, Co-Host of The 500 with Josh Adam Myers podcast, CEO/Founder of Next Chapter Podcasts Learn more about your ad choices. Visit megaphone.fm/adchoices

The latest episode of Blues is the Truth is here, and normal service resumes with two hours of phenomenal blues that will keep your soul singing and your feet tapping. Hosted by the ever-passionate and knowledgeable Ian McHugh, this week's show is packed with incredible music, the usual fan-favorite features, and a lineup of artists that truly defines the spirit of the blues. This episode shines a spotlight on the brilliant Tomislav Goluban and the powerhouse sounds of Crooked Eye Tommy, both delivering unforgettable performances that will leave you hitting replay. Alongside them, you'll hear classics and contemporary gems from legends like Stevie Ray Vaughan, Muddy Waters, and Buddy Guy, and the deep grooves of Little Walter, Peter Green, and Otis Spann. Etta James brings her unparalleled vocal power, while Mud Morganfield, Tim Aves and Wolfpack, and the soulful Colin James remind us why blues endures. The raw energy of Tail Dragger, Cesar Crespo and the Pinball's Blues Party, and Wailin' Walker will keep you on the edge of your seat, while Bob Margolin and Bob Coritore showcase their collaborative genius. With contributions from Zoe Schwarz Blue Commotion, Larry Griffith, Jeff Pitchell, Kai Strauss, and even blues royalty BB King and Lowell Fulson, this week's lineup spans decades of brilliance. And, of course, there's a special place for Eric Clapton, whose timeless artistry remains an inspiration. Make sure you don't miss this blues-packed episode! Listen now and join Ian McHugh on this musical journey. And if you love what you hear, don't forget to like, share, subscribe, and review on your podcast platform of choice. Spread the word and help keep the blues alive!

PLAYLIST Pacific Street Blues & AmericanJanuary 12, 2025Link: Spotlight Shows including Stevie Ray Vaughan, Johnny Winter, Peter Green's Fleetwood Mac Blues Band, The Allman Brothers, and more1. Beth Hart / Wanna Be Big Band Johnny Cash 2. Rodney Crowell / I Walk the Line (Revisited)3. Larry Calton & Robben Ford / Hand in Hand with the Blues 4. Duke Robillard / Watching the River Flow 5. Professor Longhair / Mardi Gras in New Orleans6. Fats Domino / Let the Four Winds Blow 7. Dr. John / Such a Night 8. Neville Brothers / Brother Jake 9.  Screaming Cheetah Wheelies / Right Place, Wrong Time10. Wild Magnolia's / Old Time Indian 11. Dirty Dozen Brass Band with Buddy Guy & Joss Stones / Every Night About This Time 12. Dixie Cups / Iko Iko13. John Cleary / Dyna-Mite 14. T Bone Burnett / He Came Down 15. Eric Bibb / Roll On Buddy 16. Sue Foley / Motherless Child Blues (Sister Rosetta Tharpe) 17. Sister Rosetta Tharpe / Up Above My Head 18. Eddie Floyd / Knock on Wood19. Nina Simone / Wild is the Wind 20. Southside Johnny & the Asbury Jukes / Rebel, Rebel 21. Jeff Tweedy / Space Oddity

Today's guest is Peter Green, a Cornish farmer, finance expert, and space science enthusiast. This is the second episode of Series 5 and the first food and farming episode of the season!

Play along with this year's quiz and let us know how you get on .You can contact Ben by emailing ben@ruralpodmedia.co.uk or follow us on Instagram  or Twitter. Thank you for all your support this year! Happy Christmas and a very happy new year for 2025!We'll be back in January. Meet the Farmers is produced by RuralPod Media, the only specialist rural podcast production agency. Please note that this podcast does not constitute advice. Our podcast disclaimer can be found here. About Ben and  RuralPod MediaBen Eagle is the founder and Head of Podcasts at RuralPod Media, a specialist rural podcast production agency. He is also a freelance rural affairs and agricultural journalist. You can find out more at ruralpodmedia.co.uk or benjamineagle.co.uk If you have a business interested in getting involved with podcasting check us out at RuralPod Media. We'd love to help you spread your message. Please subscribe to the show and leave us a review wherever you are listening. Follow us on social mediaInstagram @mtf_podcastTwitter @mtf_podcastWatch us on Youtube here

This week on RITY: A Christmas song written by a guy who lives in the former childhood home of Jeffrey Dahmer in Akron... The inspiration for Rick Nelson's "Garden Party"... A duet by Robert Plant & Alison Krauss... Music from a short-lived band that John Lennon formed while he was still a member of The Beatles... Plus deep cuts from Batdorf & Rodney, Trooper, Iain Matthews, Eric Clapton, XTC, and Peter Green... For more info on the show, visit reelinwithryan.com

We're trying to find a way to celebrate the 100th episode  Toes are a dime a dozen Kristin calls an office meeting over doughnut slices–it's good to instill a little fear in your coworkers; let us know your doughnut rules. Kristin is a new person–a brat; taking her Senioritis out on the office; terrorizing the office We're going feral and making ourselves ungovernable Grace has a low center of gravity  True community happens in the women's bathroom Drunken Whispers; Loose Lips Business idea for turning drunk people into the messengers of our society  Kristin releases her Fleetwood Mac knowledge out into the world  Kristin needs an alternative dongle; has a real dongle issue References:  The Children Of God: 16 Disturbing Facts About The Cult Fleetwood Mac - Wikipedia Peter Green interview: the life of Fleetwood Mac's original frontman | Louder Fleetwood Mac | Members, History, Albums, & Facts | Britannica Fleetwood Mac: Relationships and Timeline The Truth Behind The Drama That Inspired Fleetwood Mac's Rumours Second Hand News - Wikipedia Silver Springs Fleetwood Mac - Story Behind The Song - YouTube Music references: Fleetwood Mac ~ Albatross (1968) Peter Green's Fleetwood Mac - The Green Manalishi (With The Two Prong Crown) Rhiannon Fleetwood Mac - Go Your Own Way (Official Audio) Fleetwood Mac - You Make Loving Fun (Lyrics) Fleetwood Mac - Second Hand News (Lyrics) Fleetwood Mac - The Chain (Lyrics) Fleetwood Mac - Silver Spring (Lyrics) Fleetwood Mac - Silver Springs (Official Live Video) [HD]

GRRRL Power Team Carries Forward Longo Great Dane Legacy [caption id="attachment_13331" align="alignleft" width="602"] Carol Grossman became synonymous with black Great Danes and the Longo dogs.[/caption] Host Laura Reeves is joined by Carol Grossman, Jackie Van Delft and Tristen Lawrence with a tribute to Tootie Longo, who passed away in May of this year, and the Longo Great Dane legacy. Grossman, the "Queen of Great Danes," piloted dogs for Longo for decades, including legendary greats like the second Black in Breed history to win an All Breed Best In Show, BIS BISS Ch. Longo's Chief Joseph. She shares her memory of Tootie Longo this way: “As much of an icon as she was, she never really thought of herself as an icon, whereas Joey (Vergnetti) and Peter (Green) were icons. She didn't realize they felt that way about her. That was Tootie. She just was not assertive about who she was. And she didn't realize, I think, until the end, how famous she really was, that she carried a legacy of dogs through the years. She knew she had beautiful dogs and she knew she had a great line and she knew that she was lucky in picking dogs, but she never really realized what an icon she was.” Van Delft is the more recent member of the group, a Great Dane enthusiast who had wanted a Dane since childhood. She sought out Tootie Longo to acquire a dog, and wound up as a “member of the family.” [caption id="attachment_13330" align="alignright" width="700"] Jynx with (from left to right) Tristen Lawrence, Jackie Van Delft and Tootie Longo.[/caption] “Tootie pretty much took us under her wing,” Van Delft said. “We became really good friends… I got my first Longo puppy and he was amazing. He was my heart dog. But we would go to the Longos every weekend to twice a month. We were very lucky we only lived 45 minutes away from them. So we spent a lot of time and we got to go to all the shows together. And, you know, she just became a part of the family or I became part of hers, you know, and it's just that was it. She wasn't getting rid of me.” Grossman and Van Delft were instrumental in selecting Lawrence, a third generation Great Dane exhibitor, to campaign Jynx, one of the last of Tootie's dogs, to 36 specialty wins. “I'm a Great Dane handler my whole life,” Lawrence said. “My parents and both of their parents on both sides were very active in the breed as breeders as well as handlers. So there's never been a time that I didn't do this. I remember Tootie Longo as long as I've been alive. And so growing up, knowing the power and what she built in our sport, it was incredible and for her to come to me and say ‘we want you to show our dog,' I can't describe how proud I was, how incredible that was to me.”

In 1973, before their ascent to rock superstardom with Fleetwood Mac, Lindsey Buckingham and Stevie Nicks were just two young lovers making music in Los Angeles. Their debut album, Buckingham Nicks, though commercially unsuccessful at the time, would prove to be the catalyst that changed their lives. When Mick Fleetwood happened to walk into Sound City Studios and overheard Buckingham's masterful guitar work, he knew he'd found what his band desperately needed given the departure of their guitarist Peter Green. Fleetwood invited Buckingham to join the group, and Buckingham agreed on one condition: his musical and romantic partner, Stevie Nicks, would come too. This fateful meeting would birth the legendary lineup that created Fleetwood Mac and Rumours, albums that would define a generation. Yet all this time, the band's origin story, captured in Buckingham Nicks, has remained locked away in aging vinyl archives – until now. Grammy-winning guitarist Madison Cunningham and virtuoso multi-instrumentalist Andrew Bird have breathed new life into this historic recording with their interpretation, Cunningham Bird. Cunningham, celebrated for her sophisticated fingerpicking and intricate compositions, joins forces with Bird, whose distinctive violin work and plaintive vocals have earned him critical acclaim. Their reimagining of this pivotal album offers fresh insight into both Fleetwood Mac's enduring influence and the rocky romance that sparked their success. I sat down with the duo to discuss their approach to this legendary material and what drew them to resurrect these long-lost songs. Switched On Pop spoke with Madison Cunningham and Andrew Bird about how they adapted Buckingham Nicks into Cunningham Bird Learn more about your ad choices. Visit podcastchoices.com/adchoices

Subscriber-only episodeSend us a textToday we are continuing with the acoustic fingerpicking blues style and I'm taking you through a really cool sounding Peter Green style 12 bar using double stop harmonies.Head to the drive folder to download this weeks TABS;https://drive.google.com/drive/folders/1_WwAzYBpLKQBRAz942uqQb4u-C3PcvYz?usp=drive_linkDownload the Triad Method: https://thebluesguitarshow.com/the-triad-method/To get your hands on THE TRIAD METHOD: https://thebluesguitarshow.com/product/the-triad-method/Become a Blues Guitar Show Member: https://www.buzzsprout.com/950998/subscribeHead over to www.thebluesguitarshow.com to subscribe to the mailing list

An illuminating deep-dive into everything Fleetwood Mac-the songs, the rivalries, the successes, and the failures-Dreams evokes the band's entire musical catalog as well as the complex human drama at the heart of the Fleetwood Mac story. Fleetwood Mac has had a ground-breaking career spanning over fifty years and includes some of the best-selling albums and greatest hits of the twentieth and twenty-first centuries. But the band's unique story is one of enormous triumph and also deep tragedy. There has never been a band in the history of music riven with as much romantic drama, sexual tension, and incredible highs and lows as Fleetwood Mac. Dreams is a must-read for casual Fleetwood Mac fans and die-hard devotees alike. Presenting mini-biographies, observations, and essays, Mark Blake explores all eras of the Fleetwood Mac story to explore what it is that has made them one of the most successful bands in history. Blake draws on his own exclusive interviews with Mick Fleetwood, Stevie Nicks, Lindsey Buckingham, and the late Peter Green and Christine McVie, and addresses the complex human drama at the heart of the Fleetwood Mac story, including the complicated relationships between the band's main members, but he also dives deep into the towering discography that the band has built over the past half-century.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

Fleetwood Mac began as a Psychedelic blues band but their sound expanded over each successive lineup change. They would become one of the most popular and influential bands of all time. These are select tracks from their early days with Peter Green to their more commercial fortunes with Bob Welch, and massive commercial success with Stevie Nicks and Lindsay Buckingham. If you would, please make a donation of love and hope to St. Jude Children's Hospital in Christy McVie's name.Make an impact on the lives of St. Jude kids - St. Jude Children's Research Hospital (stjude.org)Also:Kathy Bushnell Website for Emily Muff bandHome | Kathy Bushnell | Em & MooListen to previous shows at the main webpage at:https://www.buzzsprout.com/1329053Pamela Des Barres Home page for books, autographs, clothing and online writing classes.Pamela Des Barres | The Official Website of the Legendary Groupie and Author (pameladesbarresofficial.com)Listen to more music by Laurie Larson at:Home | Shashké Music and Art (laurielarson.net)View the most amazing paintings by Marijke Koger-Dunham (Formally of the 1960's artists collective, "The Fool").Psychedelic, Visionary and Fantasy Art by Marijke Koger (marijkekogerart.com)For unique Candles have a look at Stardust Lady's Etsy shopWhere art and armor become one where gods are by TwistedByStardust (etsy.com)For your astrological chart reading, contact Astrologer Tisch Aitken at:https://www.facebook.com/AstrologerTisch/Tarot card readings by Kalinda available atThe Mythical Muse | FacebookEmma Bonner-Morgan Facebook music pageThe Music Of Emma Bonner-Morgan | FacebookFor booking Children's parties and character parties in the Los Angeles area contact Kalinda Gray at:https://www.facebook.com/wishingwellparties/I'm listed in Feedspot's "Top 10 Psychedelic Podcasts You Must Follow". https://blog.feedspot.com/psychedelic_podcasts/Please feel free to donate or Tip Jar the show at my Venmo account@jessie-DelgadoII

An illuminating deep-dive into everything Fleetwood Mac-the songs, the rivalries, the successes, and the failures-Dreams evokes the band's entire musical catalog as well as the complex human drama at the heart of the Fleetwood Mac story. Fleetwood Mac has had a ground-breaking career spanning over fifty years and includes some of the best-selling albums and greatest hits of the twentieth and twenty-first centuries. But the band's unique story is one of enormous triumph and also deep tragedy. There has never been a band in the history of music riven with as much romantic drama, sexual tension, and incredible highs and lows as Fleetwood Mac. Dreams is a must-read for casual Fleetwood Mac fans and die-hard devotees alike. Presenting mini-biographies, observations, and essays, Mark Blake explores all eras of the Fleetwood Mac story to explore what it is that has made them one of the most successful bands in history. Blake draws on his own exclusive interviews with Mick Fleetwood, Stevie Nicks, Lindsey Buckingham, and the late Peter Green and Christine McVie, and addresses the complex human drama at the heart of the Fleetwood Mac story, including the complicated relationships between the band's main members, but he also dives deep into the towering discography that the band has built over the past half-century.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

Those who say “if you remember the 60s, you didn't live them” clearly don't account for Uschi Obermaier. From finding fame as a model to being the last person seen with Peter Green before his mysterious weekend at the High-Fish commune, wild nights with Jimi Hendrix and The Rolling Stones, and traveling the world by van, Uschi truly lived life to the fullest. Just as mysterious as she is controversial, there was no such thing as an obstacle for Uschi! Catch “Uschi Obermaier: Globetrotter and Groupie” on the Dolls Podcast, wherever you listen to your podcasts

In this episode, we tackle Juvenal, whose sixteen satires influenced libertines, neoclassicists and early Christian moralists alike. Conservative to a fault, Juvenal's Satires rails against the rapid expansion and transformation of Roman society in the early principate – immigration, sexual mores and eating habits all come under fire. But where his contemporary Tacitus handled the same material with restraint, Juvenal's work explodes with vivid and vicious depictions of urban life, including immigration, sexual mores and eating habits. Emily and Tom explore the idiosyncrasies of Juvenal's verse and its handling in Peter Green's translation, and how best to parse his over-the-top hostility to everyone and everything.Non-subscribers will only hear an extract from this episode. To listen in full and to our other Close Readings series, sign up:Directly in Apple Podcasts: https://apple.co/3pJoFPqIn other podcast apps: lrb.me/closereadingsFurther reading in the LRB:Remembering Peter Greenhttps://www.lrb.co.uk/blog/2024/september/peter-green-1924-2024Claude Rawson: Blistering Attackshttps://www.lrb.co.uk/the-paper/v02/n21/claude-rawson/blistering-attacksClare Bucknell & Colin Burrow: What is satire?https://www.lrb.co.uk/podcasts-and-videos/podcasts/close-readings/on-satire-what-is-satire Hosted on Acast. See acast.com/privacy for more information.

Blueboys Café Face Radio show this week comes to you from the magical White Isle of Ibiza! Ride the waves with Balearic bliss, starting with a bit of heaven followed by an unforgettable journey through the best of Balearic beats with some 'unfinished symphony', Peter Green's Albatross, Madame Butterfly and some other Ace toons. Enjoy the waves.For more info and tracklisting, visit: https://thefaceradio.com/blueboys-cafe-balearic-beats/Tune into new broadcasts of Blueboy's Cafe Balearic Beats, Wednesdays from 4 - 6 PM EST / 9 - 11 PM GMT//Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

Coco Montoya is a celebrated American blues guitarist and vocalist, recognized for his passionate performances and mastery of the blues genre. Born in Santa Monica, California, Montoya began his musical journey as a drummer, and his career took a pivotal turn when he met the legendary Albert Collins in the 1970s. Albert Collins became his mentor, teaching him the fundamentals of the blues and urging him to transition to guitar. Coco Montoya's left-handed, upside-down playing style and emotional phrasing became his signature, blending fiery intensity with heartfelt soul. In the 1980s, Montoya joined John Mayall's Bluesbreakers, a band that had launched the careers of iconic guitarists like Eric Clapton, Peter Green, and Mick Taylor. During his decade with John Mayall, Coco Montoya refined his craft, gaining widespread recognition as a formidable blues guitarist. His work with the Bluesbreakers helped solidify his reputation and set the stage for his solo career. Coco Montoya's solo debut, Gotta Mind to Travel (1995), marked the beginning of a string of successful albums that showcased his gritty, emotive guitar playing and powerful vocals. Notable releases include Ya Think I'd Know Better (1996), Suspicion (2000), and Hard Truth (2017). His music, rooted in traditional blues but with a contemporary edge, earned critical acclaim and a loyal fanbase. Touring extensively, CocoMontoya is known for his dynamic live performances, where his combination of technical prowess and raw emotion leave audiences spellbound. His contributions to the blues genre have earned him awards and accolades, including the Blues Music Award for Best New Blues Artist in 1996. Montoya remains a vital force in the modern blues scene, with his playing often compared to legends like Albert Collins and B.B. King, ensuring his enduring influence on future generations of blues musicians. Coco Montoya joins us this week to share his story. For more information about him, check out his website https://www.cocomontoyaband.com/ and don't forget, if you'd like to request a guest, send me a message through my website https://www.abreathoffreshair.com.au

Claire Tole-Moir is Head of Popular Culture at Bonhams, the world-famous auction house in London. On a daily basis, she is in direct contact with some of the most iconic and culturally impactful works of modern art, sculpture, photography, film and artist memorabilia of the last century.  So if you fancy a Man Ray photograph; a golden ticket from the original Charlie and The Chocolate Factory film; if you've got your eye on John Lennon's mosaic swimming pool; or maybe Roger Moore's silver Dupont cigar lighter, Claire and her team can make that happen for you. All you have to do is submit the winning bid.  And then, there are the guitars… Let me tell you about the guitars! We're talking serious instruments owned by iconic musicians: The Beatles, Jimi Hendrix, Eric Clapton, Joy Division, Radiohead, Judas Priest, Jeff Beck, Slash, Peter Green...the list is ever-growing.  Which to my mind begs the question: What's it like, being responsible for the sale of guitars that have changed the history of modern music and impacted our global culture on a seismic level?  Well, there's only one way to find out!  I met up with Claire Tole-Moir at Bonhams in Knightsbridge London. There was a palpable sense of excitement as it had recently been made public that Bonhams is about to handle the sale of one of the most immediately recognizable guitars on earth, Rory Gallagher's extraordinary Fender Stratocaster! Yes, THAT STRAT! I think you'll agree that's pretty awesome. So join us now at Bonhams in the heart of London to find out more.  This episode is sponsored by Guitar Tech Courses - an online treasure trove of information created by British luthier James Collins which will guide you through the set up and maintenance of your beautiful instruments. Follow the affiliate link here and you can also support the podcast. https://www.guitartechcourses-academy.com/p/guitar-pro-setup/?affcode=1348382_dohdjpdf Speaking of which - thank you to everyone who has used the Tip-Jar link to make a donation. Life On The Fretboard is a one-man show: I do literally everything and your support is as encouraging as it is appreciated. If, and only if, you have enjoyed this episode then please do consider making a donation via this link https://michaelwattsguitar.com/tip-jars/4745 You can see more about this and future auctions at Bonhams right here:  Bonhams Popular Culture https://www.bonhams.com/department/COL-ENT/popular-culture/ Bonhams Popular Culture Instagram https://www.instagram.com/bonhamspopularculture/ Claire Tole-More Instagram https://www.instagram.com/claire.tole.moir/ Michael Watts:  YouTube https://www.youtube.com/user/michaelwattsguitar Instagram https://www.instagram.com/michael.watts.guitar/ Website https://michaelwattsguitar.com  

Riotboy Productions presents Phonogenics 101 - the podcast where people who love music discuss albums track by track.In the era of the digital single it's important to remember the artistry of the LP.  During our Phonogenics 101 discussions we take an album we love and discuss it in detail, track by track.  Phonogenics is hosted by Tampa performer/songwriter Jeremy Gloff. Thank you to my Patreon subscribers for making this possible.  Please consider supporting this project at www.patreon.com/jeremygloff - even a couple bucks a month is awesome!Support the show

An illuminating deep-dive into everything Fleetwood Mac--the songs, the rivalries, the successes, and the failures—Dreams: The Many Lives of Fleetwood Mac (Pegasus Books, 2024) evokes the band's entire musical catalog as well as the complex human drama at the heart of the Fleetwood Mac story. Fleetwood Mac has had a ground-breaking career spanning over fifty years and includes some of the best-selling albums and greatest hits of the twentieth and twenty-first centuries. But the band's unique story is one of enormous triumph and also deep tragedy. There has never been a band in the history of music riven with as much romantic drama, sexual tension, and incredible highs and lows as Fleetwood Mac. Dreams is a must-read for casual Fleetwood Mac fans and die-hard devotees alike. Presenting mini-biographies, observations, and essays, Mark Blake explores all eras of the Fleetwood Mac story to explore what it is that has made them one of the most successful bands in history. Blake draws on his own exclusive interviews with Mick Fleetwood, Stevie Nicks, Lindsey Buckingham, and the late Peter Green and Christine McVie, and addresses the complex human drama at the heart of the Fleetwood Mac story, including the complicated relationships between the band's main members, but he also dives deep into the towering discography that the band has built over the past half-century. Among Mark Blake's previous books are Magnifico!: The A to Z of Queen; the bestselling Comfortably Numb: The Inside Story of Pink Floyd; and Bring It On Home: Peter Grant, Led Zeppelin and Beyond, which was listed as a "Music Book of the Year" by the London Times, the Sunday Times, the Daily Mail, and the Daily Telegraph. Mark lives in England. Mark on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America (LSU Press, Spring 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025). Bradley on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

An illuminating deep-dive into everything Fleetwood Mac--the songs, the rivalries, the successes, and the failures—Dreams: The Many Lives of Fleetwood Mac (Pegasus Books, 2024) evokes the band's entire musical catalog as well as the complex human drama at the heart of the Fleetwood Mac story. Fleetwood Mac has had a ground-breaking career spanning over fifty years and includes some of the best-selling albums and greatest hits of the twentieth and twenty-first centuries. But the band's unique story is one of enormous triumph and also deep tragedy. There has never been a band in the history of music riven with as much romantic drama, sexual tension, and incredible highs and lows as Fleetwood Mac. Dreams is a must-read for casual Fleetwood Mac fans and die-hard devotees alike. Presenting mini-biographies, observations, and essays, Mark Blake explores all eras of the Fleetwood Mac story to explore what it is that has made them one of the most successful bands in history. Blake draws on his own exclusive interviews with Mick Fleetwood, Stevie Nicks, Lindsey Buckingham, and the late Peter Green and Christine McVie, and addresses the complex human drama at the heart of the Fleetwood Mac story, including the complicated relationships between the band's main members, but he also dives deep into the towering discography that the band has built over the past half-century. Among Mark Blake's previous books are Magnifico!: The A to Z of Queen; the bestselling Comfortably Numb: The Inside Story of Pink Floyd; and Bring It On Home: Peter Grant, Led Zeppelin and Beyond, which was listed as a "Music Book of the Year" by the London Times, the Sunday Times, the Daily Mail, and the Daily Telegraph. Mark lives in England. Mark on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America (LSU Press, Spring 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025). Bradley on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

An illuminating deep-dive into everything Fleetwood Mac--the songs, the rivalries, the successes, and the failures—Dreams: The Many Lives of Fleetwood Mac (Pegasus Books, 2024) evokes the band's entire musical catalog as well as the complex human drama at the heart of the Fleetwood Mac story. Fleetwood Mac has had a ground-breaking career spanning over fifty years and includes some of the best-selling albums and greatest hits of the twentieth and twenty-first centuries. But the band's unique story is one of enormous triumph and also deep tragedy. There has never been a band in the history of music riven with as much romantic drama, sexual tension, and incredible highs and lows as Fleetwood Mac. Dreams is a must-read for casual Fleetwood Mac fans and die-hard devotees alike. Presenting mini-biographies, observations, and essays, Mark Blake explores all eras of the Fleetwood Mac story to explore what it is that has made them one of the most successful bands in history. Blake draws on his own exclusive interviews with Mick Fleetwood, Stevie Nicks, Lindsey Buckingham, and the late Peter Green and Christine McVie, and addresses the complex human drama at the heart of the Fleetwood Mac story, including the complicated relationships between the band's main members, but he also dives deep into the towering discography that the band has built over the past half-century. Among Mark Blake's previous books are Magnifico!: The A to Z of Queen; the bestselling Comfortably Numb: The Inside Story of Pink Floyd; and Bring It On Home: Peter Grant, Led Zeppelin and Beyond, which was listed as a "Music Book of the Year" by the London Times, the Sunday Times, the Daily Mail, and the Daily Telegraph. Mark lives in England. Mark on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America (LSU Press, Spring 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025). Bradley on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

An illuminating deep-dive into everything Fleetwood Mac--the songs, the rivalries, the successes, and the failures—Dreams: The Many Lives of Fleetwood Mac (Pegasus Books, 2024) evokes the band's entire musical catalog as well as the complex human drama at the heart of the Fleetwood Mac story. Fleetwood Mac has had a ground-breaking career spanning over fifty years and includes some of the best-selling albums and greatest hits of the twentieth and twenty-first centuries. But the band's unique story is one of enormous triumph and also deep tragedy. There has never been a band in the history of music riven with as much romantic drama, sexual tension, and incredible highs and lows as Fleetwood Mac. Dreams is a must-read for casual Fleetwood Mac fans and die-hard devotees alike. Presenting mini-biographies, observations, and essays, Mark Blake explores all eras of the Fleetwood Mac story to explore what it is that has made them one of the most successful bands in history. Blake draws on his own exclusive interviews with Mick Fleetwood, Stevie Nicks, Lindsey Buckingham, and the late Peter Green and Christine McVie, and addresses the complex human drama at the heart of the Fleetwood Mac story, including the complicated relationships between the band's main members, but he also dives deep into the towering discography that the band has built over the past half-century. Among Mark Blake's previous books are Magnifico!: The A to Z of Queen; the bestselling Comfortably Numb: The Inside Story of Pink Floyd; and Bring It On Home: Peter Grant, Led Zeppelin and Beyond, which was listed as a "Music Book of the Year" by the London Times, the Sunday Times, the Daily Mail, and the Daily Telegraph. Mark lives in England. Mark on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America (LSU Press, Spring 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025). Bradley on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

An illuminating deep-dive into everything Fleetwood Mac--the songs, the rivalries, the successes, and the failures—Dreams: The Many Lives of Fleetwood Mac (Pegasus Books, 2024) evokes the band's entire musical catalog as well as the complex human drama at the heart of the Fleetwood Mac story. Fleetwood Mac has had a ground-breaking career spanning over fifty years and includes some of the best-selling albums and greatest hits of the twentieth and twenty-first centuries. But the band's unique story is one of enormous triumph and also deep tragedy. There has never been a band in the history of music riven with as much romantic drama, sexual tension, and incredible highs and lows as Fleetwood Mac. Dreams is a must-read for casual Fleetwood Mac fans and die-hard devotees alike. Presenting mini-biographies, observations, and essays, Mark Blake explores all eras of the Fleetwood Mac story to explore what it is that has made them one of the most successful bands in history. Blake draws on his own exclusive interviews with Mick Fleetwood, Stevie Nicks, Lindsey Buckingham, and the late Peter Green and Christine McVie, and addresses the complex human drama at the heart of the Fleetwood Mac story, including the complicated relationships between the band's main members, but he also dives deep into the towering discography that the band has built over the past half-century. Among Mark Blake's previous books are Magnifico!: The A to Z of Queen; the bestselling Comfortably Numb: The Inside Story of Pink Floyd; and Bring It On Home: Peter Grant, Led Zeppelin and Beyond, which was listed as a "Music Book of the Year" by the London Times, the Sunday Times, the Daily Mail, and the Daily Telegraph. Mark lives in England. Mark on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America (LSU Press, Spring 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025). Bradley on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

An illuminating deep-dive into everything Fleetwood Mac--the songs, the rivalries, the successes, and the failures—Dreams: The Many Lives of Fleetwood Mac (Pegasus Books, 2024) evokes the band's entire musical catalog as well as the complex human drama at the heart of the Fleetwood Mac story. Fleetwood Mac has had a ground-breaking career spanning over fifty years and includes some of the best-selling albums and greatest hits of the twentieth and twenty-first centuries. But the band's unique story is one of enormous triumph and also deep tragedy. There has never been a band in the history of music riven with as much romantic drama, sexual tension, and incredible highs and lows as Fleetwood Mac. Dreams is a must-read for casual Fleetwood Mac fans and die-hard devotees alike. Presenting mini-biographies, observations, and essays, Mark Blake explores all eras of the Fleetwood Mac story to explore what it is that has made them one of the most successful bands in history. Blake draws on his own exclusive interviews with Mick Fleetwood, Stevie Nicks, Lindsey Buckingham, and the late Peter Green and Christine McVie, and addresses the complex human drama at the heart of the Fleetwood Mac story, including the complicated relationships between the band's main members, but he also dives deep into the towering discography that the band has built over the past half-century. Among Mark Blake's previous books are Magnifico!: The A to Z of Queen; the bestselling Comfortably Numb: The Inside Story of Pink Floyd; and Bring It On Home: Peter Grant, Led Zeppelin and Beyond, which was listed as a "Music Book of the Year" by the London Times, the Sunday Times, the Daily Mail, and the Daily Telegraph. Mark lives in England. Mark on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America (LSU Press, Spring 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025). Bradley on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Tech billionaire Mike Lynch, who recently died in a yacht accident off the coast of Sicily, had reportedly been considering funding an "Innocence Project" to investigate the conviction of Lucy Letby, a former nurse found guilty of murdering seven babies and attempting to kill six others at the Countess of Chester Hospital. This revelation comes as medical and legal experts continue to question the evidence used to convict Letby, describing it as "unsafe." Lynch, known for his expertise in probability theory and his involvement in high-profile legal battles, was one of seven people who lost their lives when his yacht, the Bayesian, sank during a storm. The incident claimed the lives of Lynch, his 18-year-old daughter Hannah, and five others, including Morgan Stanley International bank chairman Jonathan Bloomer and his wife Judith, as well as Clifford Chance lawyer Christopher Morvillo and his wife Neda. Lynch's wife, Angela Bacares, was among the 15 survivors who managed to escape on a lifeboat. Former Brexit secretary David Davis revealed Lynch's interest in Letby's case, noting that Lynch had questioned the statistical evidence that played a crucial role in her conviction. “Mike was a world-class expert on probability theory and saw straight through the statistical weaknesses that underpinned the Letby prosecution,” Davis wrote. Lynch's experience with the justice system, particularly his own decade-long battle against fraud charges in the US, may have influenced his interest in investigating possible miscarriages of justice like Letby's. Letby was sentenced to 15 whole-life orders, making her only the fourth woman in UK history to be told she will never be released from prison. The trial, which lasted 10 months, was marked by complex medical evidence and statistical arguments that took time to explain to the jury. Some of the evidence included notes written by Letby that read, "I AM EVIL I DID THIS" and "I killed them on purpose because I am not good enough," which the prosecution presented as confessions. However, other notes suggested a different state of mind, with Letby writing, "Kill myself right now … hate my life, fear, panic, despair, WHY ME? I haven't done anything wrong." Several experts have criticized the conviction, arguing that the reliance on statistical evidence and expert opinion on complex medical issues created an "unsafe" basis for the guilty verdicts. Peter Green, a mathematics professor at Bristol University, told The Economist that the conviction is "unsafe," while Philip Dawid, a statistics professor at Cambridge University, said it "leaves a bad taste in the mouth." Green and other experts argued in their booklet, "Healthcare Serial Killer or Coincidence?" that using statistical correlations to establish guilt was flawed, comparing it to "painting the target around the arrow." Further complicating matters, the Crown Prosecution Service (CPS) admitted errors in the evidence initially presented about staff entries and exits at the neonatal unit, although they claimed these mistakes were corrected during the retrial. This has not quelled concerns among some experts who believe the conviction should be re-examined. Channel 4 is set to produce a two-part documentary, "The Trial of Lucy Letby," directed by Emmy award-winning filmmaker Daniel Bogado. The series aims to explore the details of Letby's trial and the ongoing debates about her conviction. Meanwhile, a public inquiry into how Letby was able to commit her crimes on the neonatal unit will begin at Liverpool Town Hall. As the public and legal community await the inquiry and documentary, Lynch's interest in Letby's case adds a poignant layer to his legacy. Known for challenging injustices, Lynch's tragic death has reignited discussions about fairness in high-profile cases. The Lynch family, grieving the loss of both Mike and Hannah, expressed their gratitude to those involved in the rescue efforts. "The Lynch family is devastated, in shock, and is being comforted and supported by family and friends. Their thoughts are with everyone affected by the tragedy," a family spokesperson stated, asking for privacy during this time of grief. Hannah Lynch, who had just completed her A-levels and was preparing to study English at Oxford University, was remembered for her kindness and academic excellence. “She was endlessly caring, passionately mad, unintentionally hilarious, and the most amazing, supportive, and joyful sister and best friend to me,” her sister Esme said. Her teachers also praised her as “one of the best English students in the country.” As the investigation into Letby's case continues and the public inquiry looms, Lynch's untimely death serves as a stark reminder of the complexities surrounding justice and the importance of thorough examination in high-profile cases. Want to listen to ALL of our podcasts AD-FREE? Subscribe through APPLE PODCASTS, and try it for three days free: https://tinyurl.com/ycw626tj Follow Our Other Cases: https://www.truecrimetodaypod.com The latest on The Downfall of Diddy, The Trial of Karen Read, The Murder Of Maddie Soto, Catching the Long Island Serial Killer, Awaiting Admission: BTK's Unconfessed Crimes, Delphi Murders: Inside the Crime, Chad & Lori Daybell, The Murder of Ana Walshe, Alex Murdaugh, Bryan Kohberger, Lucy Letby, Kouri Richins, Malevolent Mormon Mommys, Justice for Harmony Montgomery, The Murder of Stephen Smith, The Murder of Madeline Kingsbury, and much more! Listen at https://www.truecrimetodaypod.com

Tech billionaire Mike Lynch, who recently died in a yacht accident off the coast of Sicily, had reportedly been considering funding an "Innocence Project" to investigate the conviction of Lucy Letby, a former nurse found guilty of murdering seven babies and attempting to kill six others at the Countess of Chester Hospital. This revelation comes as medical and legal experts continue to question the evidence used to convict Letby, describing it as "unsafe." Lynch, known for his expertise in probability theory and his involvement in high-profile legal battles, was one of seven people who lost their lives when his yacht, the Bayesian, sank during a storm. The incident claimed the lives of Lynch, his 18-year-old daughter Hannah, and five others, including Morgan Stanley International bank chairman Jonathan Bloomer and his wife Judith, as well as Clifford Chance lawyer Christopher Morvillo and his wife Neda. Lynch's wife, Angela Bacares, was among the 15 survivors who managed to escape on a lifeboat. Former Brexit secretary David Davis revealed Lynch's interest in Letby's case, noting that Lynch had questioned the statistical evidence that played a crucial role in her conviction. “Mike was a world-class expert on probability theory and saw straight through the statistical weaknesses that underpinned the Letby prosecution,” Davis wrote. Lynch's experience with the justice system, particularly his own decade-long battle against fraud charges in the US, may have influenced his interest in investigating possible miscarriages of justice like Letby's. Letby was sentenced to 15 whole-life orders, making her only the fourth woman in UK history to be told she will never be released from prison. The trial, which lasted 10 months, was marked by complex medical evidence and statistical arguments that took time to explain to the jury. Some of the evidence included notes written by Letby that read, "I AM EVIL I DID THIS" and "I killed them on purpose because I am not good enough," which the prosecution presented as confessions. However, other notes suggested a different state of mind, with Letby writing, "Kill myself right now … hate my life, fear, panic, despair, WHY ME? I haven't done anything wrong." Several experts have criticized the conviction, arguing that the reliance on statistical evidence and expert opinion on complex medical issues created an "unsafe" basis for the guilty verdicts. Peter Green, a mathematics professor at Bristol University, told The Economist that the conviction is "unsafe," while Philip Dawid, a statistics professor at Cambridge University, said it "leaves a bad taste in the mouth." Green and other experts argued in their booklet, "Healthcare Serial Killer or Coincidence?" that using statistical correlations to establish guilt was flawed, comparing it to "painting the target around the arrow." Further complicating matters, the Crown Prosecution Service (CPS) admitted errors in the evidence initially presented about staff entries and exits at the neonatal unit, although they claimed these mistakes were corrected during the retrial. This has not quelled concerns among some experts who believe the conviction should be re-examined. Channel 4 is set to produce a two-part documentary, "The Trial of Lucy Letby," directed by Emmy award-winning filmmaker Daniel Bogado. The series aims to explore the details of Letby's trial and the ongoing debates about her conviction. Meanwhile, a public inquiry into how Letby was able to commit her crimes on the neonatal unit will begin at Liverpool Town Hall. As the public and legal community await the inquiry and documentary, Lynch's interest in Letby's case adds a poignant layer to his legacy. Known for challenging injustices, Lynch's tragic death has reignited discussions about fairness in high-profile cases. The Lynch family, grieving the loss of both Mike and Hannah, expressed their gratitude to those involved in the rescue efforts. "The Lynch family is devastated, in shock, and is being comforted and supported by family and friends. Their thoughts are with everyone affected by the tragedy," a family spokesperson stated, asking for privacy during this time of grief. Hannah Lynch, who had just completed her A-levels and was preparing to study English at Oxford University, was remembered for her kindness and academic excellence. “She was endlessly caring, passionately mad, unintentionally hilarious, and the most amazing, supportive, and joyful sister and best friend to me,” her sister Esme said. Her teachers also praised her as “one of the best English students in the country.” As the investigation into Letby's case continues and the public inquiry looms, Lynch's untimely death serves as a stark reminder of the complexities surrounding justice and the importance of thorough examination in high-profile cases. Want to listen to ALL of our podcasts AD-FREE? Subscribe through APPLE PODCASTS, and try it for three days free: https://tinyurl.com/ycw626tj Follow Our Other Cases: https://www.truecrimetodaypod.com The latest on The Downfall of Diddy, The Trial of Karen Read, The Murder Of Maddie Soto, Catching the Long Island Serial Killer, Awaiting Admission: BTK's Unconfessed Crimes, Delphi Murders: Inside the Crime, Chad & Lori Daybell, The Murder of Ana Walshe, Alex Murdaugh, Bryan Kohberger, Lucy Letby, Kouri Richins, Malevolent Mormon Mommys, Justice for Harmony Montgomery, The Murder of Stephen Smith, The Murder of Madeline Kingsbury, and much more! Listen at https://www.truecrimetodaypod.com

Tech billionaire Mike Lynch, who recently died in a yacht accident off the coast of Sicily, had reportedly been considering funding an "Innocence Project" to investigate the conviction of Lucy Letby, a former nurse found guilty of murdering seven babies and attempting to kill six others at the Countess of Chester Hospital. This revelation comes as medical and legal experts continue to question the evidence used to convict Letby, describing it as "unsafe." Lynch, known for his expertise in probability theory and his involvement in high-profile legal battles, was one of seven people who lost their lives when his yacht, the Bayesian, sank during a storm. The incident claimed the lives of Lynch, his 18-year-old daughter Hannah, and five others, including Morgan Stanley International bank chairman Jonathan Bloomer and his wife Judith, as well as Clifford Chance lawyer Christopher Morvillo and his wife Neda. Lynch's wife, Angela Bacares, was among the 15 survivors who managed to escape on a lifeboat. Former Brexit secretary David Davis revealed Lynch's interest in Letby's case, noting that Lynch had questioned the statistical evidence that played a crucial role in her conviction. “Mike was a world-class expert on probability theory and saw straight through the statistical weaknesses that underpinned the Letby prosecution,” Davis wrote. Lynch's experience with the justice system, particularly his own decade-long battle against fraud charges in the US, may have influenced his interest in investigating possible miscarriages of justice like Letby's. Letby was sentenced to 15 whole-life orders, making her only the fourth woman in UK history to be told she will never be released from prison. The trial, which lasted 10 months, was marked by complex medical evidence and statistical arguments that took time to explain to the jury. Some of the evidence included notes written by Letby that read, "I AM EVIL I DID THIS" and "I killed them on purpose because I am not good enough," which the prosecution presented as confessions. However, other notes suggested a different state of mind, with Letby writing, "Kill myself right now … hate my life, fear, panic, despair, WHY ME? I haven't done anything wrong." Several experts have criticized the conviction, arguing that the reliance on statistical evidence and expert opinion on complex medical issues created an "unsafe" basis for the guilty verdicts. Peter Green, a mathematics professor at Bristol University, told The Economist that the conviction is "unsafe," while Philip Dawid, a statistics professor at Cambridge University, said it "leaves a bad taste in the mouth." Green and other experts argued in their booklet, "Healthcare Serial Killer or Coincidence?" that using statistical correlations to establish guilt was flawed, comparing it to "painting the target around the arrow." Further complicating matters, the Crown Prosecution Service (CPS) admitted errors in the evidence initially presented about staff entries and exits at the neonatal unit, although they claimed these mistakes were corrected during the retrial. This has not quelled concerns among some experts who believe the conviction should be re-examined. Channel 4 is set to produce a two-part documentary, "The Trial of Lucy Letby," directed by Emmy award-winning filmmaker Daniel Bogado. The series aims to explore the details of Letby's trial and the ongoing debates about her conviction. Meanwhile, a public inquiry into how Letby was able to commit her crimes on the neonatal unit will begin at Liverpool Town Hall. As the public and legal community await the inquiry and documentary, Lynch's interest in Letby's case adds a poignant layer to his legacy. Known for challenging injustices, Lynch's tragic death has reignited discussions about fairness in high-profile cases. The Lynch family, grieving the loss of both Mike and Hannah, expressed their gratitude to those involved in the rescue efforts. "The Lynch family is devastated, in shock, and is being comforted and supported by family and friends. Their thoughts are with everyone affected by the tragedy," a family spokesperson stated, asking for privacy during this time of grief. Hannah Lynch, who had just completed her A-levels and was preparing to study English at Oxford University, was remembered for her kindness and academic excellence. “She was endlessly caring, passionately mad, unintentionally hilarious, and the most amazing, supportive, and joyful sister and best friend to me,” her sister Esme said. Her teachers also praised her as “one of the best English students in the country.” As the investigation into Letby's case continues and the public inquiry looms, Lynch's untimely death serves as a stark reminder of the complexities surrounding justice and the importance of thorough examination in high-profile cases. Want to listen to ALL of our podcasts AD-FREE? Subscribe through APPLE PODCASTS, and try it for three days free: https://tinyurl.com/ycw626tj Follow Our Other Cases: https://www.truecrimetodaypod.com The latest on The Downfall of Diddy, The Trial of Karen Read, The Murder Of Maddie Soto, Catching the Long Island Serial Killer, Awaiting Admission: BTK's Unconfessed Crimes, Delphi Murders: Inside the Crime, Chad & Lori Daybell, The Murder of Ana Walshe, Alex Murdaugh, Bryan Kohberger, Lucy Letby, Kouri Richins, Malevolent Mormon Mommys, Justice for Harmony Montgomery, The Murder of Stephen Smith, The Murder of Madeline Kingsbury, and much more! Listen at https://www.truecrimetodaypod.com 

Famed Bulldog breeder-owner-handler Cody Sickle joins host Laura Reeves for the first of a two-part series on owner-handlers, dog shows, Bulldogs, breeding and camaraderie. [caption id="attachment_13037" align="alignleft" width="399"] CHEROKEE LEGEND NOR'EASTER DEREKLong Island Bulldog Club Specialty. Winners Dog & Best of Winners. Judge: Phoebe Booth[/caption] Sickle's renowned Cherokee Bulldogs have quite a record. According to his records, he has bred or owned 256 Champions, more than any other Bulldog breeder ever in the USA. His dogs have won 99 All Breed Bests In Show and 591 Bests In Specialty Show, five National Specialty Bests Of Breed and 15 Westminster Kennel Club Bests of Breed. All of which rank as #1 all-time results in the breed. Sickle says he knew he wanted a Bulldog from the time he was 5 years old. His parents said he had to pay for it himself. So he skipped going to the movies, did extra jobs, saved his allowance and finally was able to purchase his first dog for $60. "I find the Bulldog people are terrific," Sickle said. "They are just as you say. We go in the ring, we're competing with each other and we're obviously all trying to win. When it's over, it's over. We are all friends when it's over. We are a good representative of what sportsmanship should be almost all the time. There are exceptions, but not very many. "I've listened to people say, well, you know, the Bulldog people are good, but this breed is not. I'm not intimately familiar with the interactions of people in other breeds. But I am very into the dog people in general and the dog people in general are helpful. [caption id="attachment_13036" align="alignright" width="403"] Cody Sickle with CH. CHEROKEE MORGAN. Best In Show…Penn Ridge Kennel Club. Judge: James Warwick. August 1969[/caption] "I've never once in my life went up to any dog person and said tell me about this or tell me about that and had them say no, not ever. And when I was 13 years old, I used to hang around the handlers. Richard Bauer when Jimmy Mitchell was his assistant. Wendell Sammett when Paul Edwards was his assistant. Peter Green, the Forsyths, they were all terrific. They were all perfectly willing to share their knowledge. They're perfectly willing to answer all my questions, and my questions were incessant. "The Bulldog people were the same way. One of the benefits about the Bulldog people being good people is that, in order to learn I think it's necessary to speak to lots of people. Because people have different views. Some people just can't communicate what you're trying to learn and sometimes whatever they're saying, even though it's just right on, it doesn't register properly. So if you ask everybody and work at weeding out what sounds like nonsense and keeping what sounds like it's valuable, you're going to learn a lot more."

Super-special-secret friend Matt Heller (a.k.a. DJ Snakes) joins Lightnin' Lickers Jay and Deon for an in-depth discussion about what he's been listening to. In true DJ form, Snakes brings four rare/abstract vinyl singles to Electric Kitsch for a conversation about the DIY punk scene of his adolescence, the intersection of skateboarding and hip-hop, dusty independent soul holy grail 45s, proto-drumless rap from Wu's G.O.A.T. (arguably), and an unlikely emcee whose appeal is seemingly without boundaries. As always, an eclectic custom mixtape is curated and included on the back end. Lickers gonna lick. Join the fun! Sonic (non-mix) contributors to the twenty-second bonus episode of Lightnin' Licks Radio podcast include: Townes Van Zandt, Ahmed, Teddy Pendergrass, Thomas Dolby, Prince Paul and De La Soul, Gary Wright, Biggie Smalls, Mtume, Mike Judge's Hank and Bobby Hill, Migos, Zach Braff, Natalie Portman, James Todd Smith, Osonski, Oddisee, Thundercat, Greta Van Fleet, Whitney, Smith Westerns, Fleetwood Mac, Haim, The Rockets, Jimi Hendrix, Tropical Fuck Storm, Bee Gees, Nine Inch Nails, Frankie Goes to Hollywood, LCD Soundsystem, Robert Gordon, Hozier, Mekons, James Brown, Clyde Stubblefield, Mother Love Bone, Pearl Jam, Green River, J.J. Cale, Black Eyed Peas, DJ Snakes, Bob James, Run DMC, Jurassic 5, Ted Nugent, IAM, Black Star, J-Live, Drug Toilet, Take No Prisoners, Slaunchwise, Army of Juan, bev.clone, Mighty Lovers, Eric & the Vikings, Raphael Saadiq, Mayer Hawthorne, Big Tone, Jimmy “Soul” Clark, RZA, True Master, The Delfonics, Madlib, Jay Dilla, Height Keech, Cortex, 3rd Base, Thumbling, Glider, Jesus Jones, Rick Rubin, 2 Much, Rhythm Addicts, Mary Jane Girls, Jennifer Lopez, Boyz II Men, Michael Jackson, Marley Marl, The Emotions, Sean Evans, Stevie Wonder, David Bowie, Shannon Doherty, Luke Perry, Strictly Butters, and Brass Construction. Jay suggested songs from Cullen Omari, Model/Actriz, The Three Johns, and Majesty Crush. Deon brought Peter Green, Link Wray, Stone Gossard, and LL Cool J to the dining room table. Our SSSF Matt brought in bangers from Smatch, New Holidays, Ghostface, and MF Doom. Bonus #22 mixtape: [side one] (1) strictlybutters' Wake Up intro (2) Smatch – i am nowhere (you are nothing) (3) Link Wray – Morning (4) Model/Acrtiz – Mosquito (5) Ghostface – holla (6) Stone Gossard – Fits (7) The Three Johns – Go Ahead Bikini [side two] (1) New Holidays – Maybe So, Maybe No (2) LL Cool J – Pink Cookies in a Plastic Bag Getting Crushed by Buildings (3) Majesty Crush – No. 1 Fan (4) MF Doom – one beer (5) Cullen Omari – Four Years (6) Peter Green – Hidden Depths (remix) Thank you, Matt, for taking the time to dive deep with the geeks. Follow Snakes on Instagram. Check out Sandbox Automatic for all your physical rap music needs. The full conversation with Snakes will be packaged as a stand-alone bonus episode sometime in the near future. We got into some shit, I'll tell you whhhat.

The date August 12th marks two significant and big events in the life of the band Fleetwood Mac. On that date in 1967, the original band, consisting of founder Peter Green, drummer Mick Fleetwood, bassist John McVie and guitarist Jeremy Spencer, made their stage debut at the National Blues & Jazz Festival in London. This heavy blues version of the band was a far cry from the group most fans are familiar with today. Exactly 30 years later, the classic lineup of Fleetwood, McVie, Lindsey Buckingham, Stevie Nicks and Christine McVie reunited on stage for the first time in 15 years on MTV's full concert program, “The Dance.” Fleetwood Mac is a tale of many bands filled with numerous personalities who've all left an indelible mark on their sound. Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

John Wilson onEdna O'Brien, one of Ireland's greatest writers. In a career spanning over 60 years she wrote 17 novels and many short stories, plays and essays.Sir Kenneth Grange, the prolific designer whose works included the Kenwood Chef, the parking meter and the Intercity 125 train. Groundbreaking Swedish rally driver Ewy Rosqvist. The British blues musician John Mayall, the man who nurtured the young talents of Eric Clapton, Peter Green, Mick Fleetwood and many more. Producer: Ed PrendevilleArchive used: Ewy Rosqvist: An Unexpected Champion, uploaded to Youtube/28 04/2019; Sound Effect of Ewy Driving at the 1964 Grand Prix, ” TOUGH MILES TO VICTORY ” 1964 ARGENTINA GRAND PRIX AUTO RACE BUENOS AIRES MERCEDES XD8687; Rhythm and Blues: John Mayall Father of the British Blues, Radio 2, 25/09/1986; John Mayall, Nicky Campbell Show, BBC Radio 1, 10/07/1990; John Mayall: 40 Years of the Blues, BBC Four, 03/09/2009; The Archers Omnibus, BBC Radio 4, 24/09/1955; Woman's Hour, BBC Radio 4, 11/09/2015; Free Thinking, BBC Radio 3; 04/11/2015; Edna O'Brien: Fearful... and Fearless, BBC Two HD, 01/08/2019; Country Girls, BBC Radio 4, 2015; Desert Island Discs, BBC Radio 4, 01/01/2017; Front Row 2011 interview with Kenneth Grange, 18/17/2011; The Age of the Train, BBC Four, 15/09/2012;

Mark Blake calls Dreams: the Many Lives of Fleetwood Mac a “mosaic biography”, their almost six-decade saga presented as a series of enthralling short stories with titles like ‘Mick Fleetwood's Great Epiphany' and ‘Rumours: A Doomed Romance in Six Acts'. It opens in fact with a “cast of characters”, the 18 one-time members, as if dramatis personae in a play, a play that gets more outlandish and dumbfounding with every new discovery and much of it based on his interviews and meetings with most of them (including Peter Green). A few highlights here … … how Stevie Nicks arrived as the spare part of a package deal and rose to become indispensable. … the fake Fleetwood Mac and the Jeremy Spencer and Peter Green impersonators (which involves an egg and potato farmer from Essex). … why you should watch the Tusk video repeatedly (and its ruinous cost).  … Bill Clinton, Daisy Jones & the Six, the dancing pony, Guardians of the Galaxy and other key factors in the return of the Mac.    … from model to muse to psychotherapist, the story of the real life Black Magic Woman. … “Oh Lord, she's writing another song.” … internal romantic tangles that give their music a poignancy. … the horrors of Kiln House. … Lyndsey Buckingham's Armani/Clash episode. … Stevie's love affair with Derek Taylor who then had to promote a slow-selling album containing a secret song about it. … Mick Fleetwood, “old ham”, drag act, compulsive show-off, unsuitable band manager.   Order ‘Dreams: the Many Lives of Fleetwood Mac' here:https://www.amazon.co.uk/Dreams-Many-Lives-Fleetwood-Mac/dp/1639367322Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Mark Blake calls Dreams: the Many Lives of Fleetwood Mac a “mosaic biography”, their almost six-decade saga presented as a series of enthralling short stories with titles like ‘Mick Fleetwood's Great Epiphany' and ‘Rumours: A Doomed Romance in Six Acts'. It opens in fact with a “cast of characters”, the 18 one-time members, as if dramatis personae in a play, a play that gets more outlandish and dumbfounding with every new discovery and much of it based on his interviews and meetings with most of them (including Peter Green). A few highlights here … … how Stevie Nicks arrived as the spare part of a package deal and rose to become indispensable. … the fake Fleetwood Mac and the Jeremy Spencer and Peter Green impersonators (which involves an egg and potato farmer from Essex). … why you should watch the Tusk video repeatedly (and its ruinous cost).  … Bill Clinton, Daisy Jones & the Six, the dancing pony, Guardians of the Galaxy and other key factors in the return of the Mac.    … from model to muse to psychotherapist, the story of the real life Black Magic Woman. … “Oh Lord, she's writing another song.” … internal romantic tangles that give their music a poignancy. … the horrors of Kiln House. … Lyndsey Buckingham's Armani/Clash episode. … Stevie's love affair with Derek Taylor who then had to promote a slow-selling album containing a secret song about it. … Mick Fleetwood, “old ham”, drag act, compulsive show-off, unsuitable band manager.   Order ‘Dreams: the Many Lives of Fleetwood Mac' here:https://www.amazon.co.uk/Dreams-Many-Lives-Fleetwood-Mac/dp/1639367322Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

We lost one of the important English Blues figures this past week. This is a tribute to the late John Mayall. He was influential in bringing three prominent guitarists in the public eye. At different points on his band The Bluesbreakers, he featured Eric Clapton, Peter Green and Mick Taylor. They supported Mayall's musical vision of bringing authentic Blues to England, and in doing so, influenced other bands like The Rolling Stones, Cream, Savoy Brown and others. This is a tribute to his legacy.Alvin Lee and Ten Years After are profiled on the second half of this episode. Please have a look at these special interest sites.If you would, please make a donation of love and hope to St. Jude Children's HospitalMake an impact on the lives of St. Jude kids - St. Jude Children's Research Hospital (stjude.org)Get your Vegan Collagen Gummies from Earth & Elle, available thru Amazon at this link.Amazon.com: Earth & Elle Vegan Collagen Gummies - Non-GMO Biotin Gummies, Vitamin A, E, C - Plant Based Collagen Supplements for Healthier Hair, Skin, Nails - 60 Chews of Orange Flavored Gummies, Made in USA : Health & HouseholdKathy Bushnell Website for Emily Muff bandHome | Kathy Bushnell | Em & MooListen to previous shows at the main webpage at:https://www.buzzsprout.com/1329053Pamela Des Barres Home page for books, autographs, clothing and online writing classes.Pamela Des Barres | The Official Website of the Legendary Groupie and Author (pameladesbarresofficial.com)Listen to more music by Laurie Larson at:Home | Shashké Music and Art (laurielarson.net)View the most amazing paintings by Marijke Koger-Dunham (Formally of the 1960's artists collective, "The Fool").Psychedelic, Visionary and Fantasy Art by Marijke Koger (marijkekogerart.com)For unique Candles have a look at Stardust Lady's Etsy shopWhere art and armor become one where gods are by TwistedByStardust (etsy.com)For your astrological chart reading, contact Astrologer Tisch Aitken at:https://www.facebook.com/AstrologerTisch/Tarot card readings by Kalinda available atThe Mythical Muse | FacebookFor booking Children's parties and character parties in the Los Angeles area contact Kalinda Gray at:https://www.facebook.com/wishingwellparties/I'm listed in Feedspot's "Top 10 Psychedelic Podcasts You Must Follow". https://blog.feedspot.com/psychedelic_podcasts/Please feel free to donate or Tip Jar the show at my Venmo account@jessie-DelgadoII

Jim-ly is finally getting wacky! We are joined by Felicia of the Seeing Faces in Movies podcast to talk about the one, the only, The Mask! To celebrate the first year of her pod Seth graciously and respectfully listens to her and Michelle gush over Jim Carrey, Cuban Pete and Milo the dog. Seth goes on a tirade against the 90s swing revival, Michelle brings the receipts on a minor character and Felicia reveals the character she loved as a kid (the answer may surprise you! or not). Also: bad Jim Carrey impersonations! Loki! Ebert walks out and Seth is humiliated as he tries to rewrite this movie. Check it out!  Follow Felicia on Twitter, Instagram and Letterboxd (or we won't like you) Help us out and VOTE for us HERE Register for our upcoming FREE live show  For all of our bonus episodes check out our Patreon   Patreon supporters help pick episodes, monthly themes and get access to all of our additional shows and our Patron exclusive Discord. It's only the price of a single cup of coffee ($5 a month!) Visit our website and send us an email! Follow Movie Friends on Twitter and Instagram Sound effects for this episode can be found here and here You scrolled this far? That's impressive.

Lisa swimming at the JCC on the Upper West Side, JCC swimming pool as a podcast on its own, Daryl offers to be Lisa's co-host on a podcast concerning the JCC locker room, Call back to Small Paul, Milo's teacher Anita, I thought about whether to engage with Anita, I thought about whether to bring her into our new world, Anita remembered both Max and Milo, I shared the Small Paul episode with Anita, Anita didn't remember the Small Paul story, It was wonderful to see Anita and to share stories with her and wonderful to connect with her again, Beautiful to see Anita again, Bringing new people into our world, People who were part of Milo's world, We constantly must make business decisions about when to see people and how to speak with them, What do people know about us and about Milo?, A piece of Milo's life brought back to us, IBOB, Mitch, Nancy, Ernie, and Felix Kaye, Ernie and Felix and our boys were always like cousins, Scott Bartman, Jared Bartman, Zach Kessler, Noah Kessler, Max and Milo always in touch with Ernie and Felix, New Year's Eve with the Kaye family in Westchester, Call back to the Jadaveon Clowney episode, Tradition started before Max and Ernie turned one year old, Peter Green, Susan Bogatz, Jack Green, Dexter Green, Andy Colman, Ariella Colman, Eli Colman, Zoe Colman were all New Year's Eve regulars, Ernie, Felix, Max, and Milo developed the game called IBOB, Game was throwing a ball wide to generate a great diving catch with feet inbounds, Much argument and dispute about whether someone was inbounds, IBOB in Florida, IBOB to Ample Hills, Touch/Catch, Diving catch, IBOB was the first version of all these games, Milo loved to make a game out of something silly, Thank you Henry Hillman, Idea of Machines, Sweet Lefty

By Kurt Beyers- Edited by L Casserly Boomerang BeatTo introduce his new album, Front Porch Philosopher, Norman Collins offers “I Wanna Rule Somebody,” a pure piece of hard-driving, rock guitar and messaging in which the subject is the betrayal of belief and trust.The album and the single will be released on May 22.Guitar and a steady, hard fast drum begin, but not just to philosophy's beat. In this song, we get rock metaphysics. After the rest of the band crashes in, setting the rhythm and harmony of the argument, Norman introduces the subject:Join my church, I canSave your lifeTake my hand, and I mightWant your wifeThe song, and the album, are full of Norman's brand of progressive Americana. It is a fusion of a lot of different kinds of music —but mainly rock, blues, soul and country — and delivered hot and sweet.“I Wanna to Rule Somebody” is rock with what he describes as something like “Led Zeppelin goes country punk.”Oddly, the only tone that might be called “philosophical” is Norman when he's talking about the album.What does he want to say about “I Wanna to Rule Somebody” or Front Porch Philosopher“Well there's — I hate to brag — but there's some pretty good guitar playing on there. If people like guitar playing, there's good solos and,” he pauses, thinks a second, continues, “oh, nice chord changes. And interesting arrangements.”Which is a sedate, academic way to talk about music that, fast or slow, gets the pulse involved in listening and drives lyrics into heads like nails into walls.Let me prove, that you     Got a soul     Join our faith, underMy controlProposition-conclusion, proposition-conclusion. Drums provide punctuation.I wanna to rule, rule somebodyI don't care about who it isNorman knows his music and, as in “Get Back in the Car,” “What the Cat Dragged In” and “All I Wanted Was Roses,” he also knows how to put a story into lyrics.Norman has been making music, playing, and touring with a wide variety of musicians and bands since the late '60s, mainly out of San Francisco, though he was born and raised in St. Louis. He has also lived and worked in Nashville.Progressive Americana, for him, he says, “has something to do with a little bit of country and blues,” but influenced by much of American music from the last century. That becomes clear as he talks about influences.“Everybody has the Beatles and the Rolling Stones and Chuck Berry as influences,” he said. “But I also like bands like, say, The Lovin' Spoonful. Nobody seems to mention them much. I like them a lot. I bought every album by them.”He includes all the English invasion bands, not only the Beatles and the Stones but bands such as the Zombies and the Kinks. He puts in San Francisco bands like  Jefferson Airplane, Neil Young, Hot Tuna and others. As he goes on, he comes to people as varied in time and place as Howlin' Wolf, Sturgill Simpson, Rodney Crowell, BB King, Hank Williams, Ernest Tubb, John Lee Hooker, early Fleetwood Mac with Peter Green.Progressive Americana indeed. His 2023 EP, Something to Say, has almost come to define the term for much of South America.“Hey Marie,” a single from that album, went close to viral on that continent and in Spain, said Larry Casserly, Norman's artist manager. “Due to my flexibility and experience, I enjoy the opportunity to stay busy here on the West Coast” Collins mentions. The band in Something to Say and Front Porch Philosophers is Norman Collins and the Tumblers.“I've been performing my own songs since I was 28,” he said. “I had a pretty popular band here in San Francisco, The Confessions, back in '81, and since then I've never been out of an original band.Front Porch Philosopher has a mix of old and new material. “I Wanna to Rule Somebody” and others are older tracks redone with a new producer/ arranger, Paul Kraushaar owner of PSR Recording. “Paul did a great job with these songs. The songs are more aggressive,” said Norman. “The guitar playing is more aggressive, the drums are more aggressive.”“We are mostly playing festivals and clubs type venues right now, and I'd like to take a step up in that direction” Norman states. “I know this new release will provide for more recognition and a chance to tour more places, larger venues and hopefully attract attention from an Indie label that believes in this music and might be willing to invest in this project,” said Norman. “This band,” he said, “is ready to go.”Get ready and go with Norman Collins and the Tumblers and connect on all platforms for new music, videos, and social posts.Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

Pacific St Blues & AmericanaSpotlight on Peter Green's Fleetwood Mac Blues BandEXTENDED SHOW - part 2 of 2 June 30, 2024Facebook Contact19. Fleetwood Mac feat Bob Welch / Sentimental Lady20. Best Coast / Rhiannon21. Rhiannon Giddens / You Louisiana Man 22. Tom Petty & the Heartbreakers feat Stevie Nicks / Insider 23. Johnny Cash feat Lindsay Buckingham & Mick Fleetwood / Sea of Heartbreak24. Ronnie Earl / Heart of Glass (a musical tribute to Peter Green) 25. Rory Gallagher / Showbiz Blues26. Joe Bonamassa / Lazy Poker Blues 27. Peter Green & Splinter (solo) / Can You Tell Me Why? 28. Jeremy Spencer (solo) / It Hurts Me too 29. Vince & the Valiant's (Fleetwood Mac feature Danny Kirwin)30. Peter Green's Fleetwood Mac Blues Band / The Green Manalishi 31. Karen Souza / Dreams32. Trixie Whitley / Before the Beginning 33. Gardens & Villa / Gypsy EXTENDED SHOW34. Eric Gales & Derek Trucks / Layla35. Aerosmith / Rats in the Cellar36. Peter Green's Fleetwood Mac Blues Band / Madge Jam 

Proft Streams BookTranscript:Agile FM radio for the agile community. Today I'm thrilled to have Luke Holman with me in the podcast here of Agile FM and I can't believe After all these episodes I had so far I haven't had you on the show, which is a big miss. You are a renowned expert in agile methodologies an author. And I think a lot of people know you from the innovation games which is a framework for collaborative decision making problem solving.You have experience that dates back way, way back into the 1990s, pre Agile, but also I heard recently that you were involved in the 2003 Agile conference. So yeah, a while back. Welcome to the show, Luke. [00:00:46] Luke Hohmann: Joe, I am so happy to be here. I've known you through the community. We've seen each other at conferences.And so it's a, it's quite an honor to be here. Thank you so much for inviting me to participate. Thanks [00:00:58] Joe Krebs: Yeah, no, absolutely. We could talk about the innovation games and fill an entire show, but today we could, but today we want to talk a little bit about value profit stream, the agile community as often. This is the recordings taking place on the 25th of June, 2024 is a little bit in a turmoil. The Agile community as a whole, there seems to be some different kind of directions people are going, looking at the roles. It's maybe a good time to talk about what value is, how we can present value because at the end of the day is, it's like, how do we sell agility within an organization or for organizations?[00:01:44] Luke Hohmann: I think it'd be a good thing to talk about. There, there's so many aspects of this that are interesting, but let's try a few. And I'll also talk about the rule of self interest in the Agile community. When we talk about value we think about it in terms of our Profit Streams book and our Profit Streams work as What are the set of tangible and intangible benefits that a product or service we use solution as the single term for product and service or any blend thereof.So it's just a little easier because we're here to solve problems for our customers. So we think of both the tangible and intangible benefits. And for the tangible benefits, we help companies create mathematical equations that capture the benefits. And we often work with our clients because technical people are good at being efficient in terms of doing things like saving time.But the reality is most companies don't need to save time. They need to have the time converted into a metric that they can understand for their business purposes. One of the examples we use in our book, and it's been proven in many of our client engagements, Is we were working with a trucking company, and they were going to be buying software that saved their drivers time.So drivers in the trucking industry have to keep detailed logs of their hours of service to make sure they're taking breaks, etc. And this solution enabled the data to be acquired automatically by connecting into the engine bus. And they knew if the truck was on and if it was moving and all that kind of technological internet of things capability that we love.And there's so many things that we can do. So the company that we were working for, and this was Qualcomm had the solution. They went to the trucking organizations and said, Hey, we can save you 20 to 30 minutes a day in driver time. And Joe, we were able to prove this. Absolutely through, the data, like the data was very clear.And the trucking company's executive said we don't really care about that. Because our drivers are union and they are paid for eight hours. So saving me 30 minutes of a driver's time doesn't actually save me money. It doesn't do anything for me. So we had to go back to the drawing board with Qualcomm and find out how to reroute drivers using the new systems so the trucking companies could deliver another package or two in a day because that's how they made money through package delivery.Or the other part of this would be the intangible side and intangible benefits can be quantified on the intangible side for challenging deliveries. We were able to allocate more time in the driver's schedule so that customer satisfaction improved. And as customer satisfaction improved, we would see less churn among customers.Oh, my package was delivered well. I want to use this company again. My, my package was delivered without any breakage. I want to use this company again. So the first step of value is to actually take a step back and try to quantify the tangible and intangible aspects of value. And then I'll just real quickly, I'll finish that off.The second of the determination of value is what we call direct and indirect benefits. A direct benefit is something that you will recognize as a benefit and it materially affects your purchase or use decision. An indirect benefit is something that you recognize, you'll say, yes, the benefit exists, but it doesn't influence you.And I'll give you a kind of a standard example. My wife and I were out shopping for a new car. I cared a lot more about the styling and color. She just doesn't care about that. And and she would readily agree yeah, that's a good looking car, but it doesn't affect my purchase decision.Whereas I was, hey, that's a really good looking car. I think I bought it. And so now let's take it into the business context. The solutions that we're creating, which are often very sophisticated, there's a collection of benefit. It's not a single benefit. And collection of benefits, you create a network of how the customer perceives those benefits.So let's go back to a trucking company that is focused on customer satisfaction is not going to really care about the not care as much. I shouldn't say they care. They don't care at all, but they're not going to care as much about like driver satisfaction. But let's say you're a trucking company and a part of.The world where it's hard to attract drivers. Now your network of benefits might emphasize driver satisfaction. So understanding not just what benefits are, but how a given market segment is going to perceive the collection of benefits is really the foundation of our approach, and then from there, what we do is from the benefits, We can derive the customer return on investment model.We can derive your pricing and packaging model. We can help you develop your solution so that you know that you're building a sustainable offering. And I'll close with this Joe. The foundation of profit streams is sustainability. If you're running a business, Or frankly, if you're running a household, you have to have a positive flow of cash coming into your business or your house, right?We can't, other than the government who prints money, right? Like a business has to have a profit to survive, to sustain itself. Now, in some cases, profits can be misused or we can have unsustainable business practices. But if you look at true sustainability involves.Three related areas. One is your solution itself has to be sustainable over time as your customers evolve as their needs evolve Your solution has to evolve to be relevant and to meet their needs So with the first part of this is solution sustainability The second part of this is economic sustainability Are you charging a price that will keep your company in business?But are you also factoring in your customers total cost of ownership? So that your customer perceives what you're selling to them as a good value something they want to keep The relation going right? We want to have economic sustainability and then the third kind of sustainability is relationship sustainability when we Sell software.We're not actually selling software. We're selling a license to use the software So the distinction is that i'm holding in my hand a pen You If I sell you my pen, I've transferred rights to you. You now own the pen. You can do what you want with it. I don't sell you software. I license software for you to use.So there's a license agreement and that license agreement determines our relationship as the provider to the customer. There's other relationships that matter. Every software package that is created has technology and licenses associated with it. So the provider is in licensing work, and there's relationships that they need to maintain.And of course, the kind of the capstone of all of these things is our relationship to society and to other parts of the world. Of the global infrastructure in which we live. And what I mean by that is if you're in Europe, you need to honor GDPR. If you're in the United States, you have to honor California CCPA.If you're selling certain kinds of fintech software, you might have to be PCI or SOX two compliant. If you're in the healthcare industry, you'll have to be HIPAA compliant. If you're in the education industry, you have to be. FERPA and COPA compliant. So the idea of compliance to us is part of that relationship.What is the relationship your company wants to have with various regulatory agencies? Are you going to try and be an organization that honors those relationships and fulfills your compliance requirements? Or are you going to be an organization that's going to try and skirt those requirements? And perhaps engage in questionable or provably unethical behavior, and so all of that is what comprises profit streams.[00:10:42] Joe Krebs: Yeah, this is it's very interesting. And as you were elaborating on this, especially on the economics, sustainability It's interesting, right? Because I think we all have seen situations as a consumer before where we felt like I need a certain service or a product, but I felt like this was too, too expensive.I've felt abused based on a very specific situation I'm in and I'm requiring a service or a product. I feel like everybody can relate to that. So finding that kind of fair spot, yeah. In terms of sustainability, I can totally see that as well as the other ones as well. So I think that's a great example.Now, if somebody hears the word profit stream, at least the first thing that came to mind for me said, what's the difference to value stream, right? [00:11:24] Luke Hohmann: That's a great question. And we should know the distinction between a profit stream and as a value stream. I credit this to my friend Avi Schneider who is well known in the scrum community.Avi, after reading the book, he said, Luke, I've come to learn and realize that all profit streams are value streams, like all squares are rectangles. But not all rectangles are squares. So the distinction that I like to talk about Joe is that typically a profit stream is going to be more aligned to what SAFe calls an operational value stream and the development value stream of SAFe would be a cost center.So now let's look at value streams and let's look at specifically operational value streams. We think of profit streams as those operational value streams that are generating revenue for a company. And so not all value streams generate revenue. For example, there are value streams provided by. Government entities that don't provide revenue, but provide services that maintain our society, which we need, and those are fantastic.But not all not all value streams are profit streams. And that's a good distinction. When the other thing that's interesting, and I give a talk on this. Is when we look at value streams, especially the operational value stream, you start to find that. We have a starting condition and we go through a sequence of steps and we get an ending benefit.Actually map in your operational value stream. When revenue occurs, you'll find that many things are costs until the very end. It's like value streams are rainbows, right? The pot of gold is at the end. And so you really have to make sure that you're understanding the steps in that operational value stream.And what we work on with our clients is that we try to help them understand the economic sustainability of looking at that sequence of flow to make sure that you are generating enough revenue at the end to support the whole flow and looking at ways you might be able to pull revenue sooner so that you can sustain yourself.[00:13:45] Joe Krebs: All right. How do you respond to somebody who is like possibly interested? Here's the word profit stream. Obviously I see dollar signs and signals and cha-ching and all of those kinds of things. For an agile audience out there who might say, Hey, but what about the team spirit? And what about sustainability of a team's, fun and learning environment?Aren't they contradictory to this? I guess the answer to that is no, right? But it's the, [00:14:14] Luke Hohmann: of course, all of those, Joe and for the listeners, Joe and I were chatting before the podcast we often do. And one of the things that I really find disappointing in the agile community is a lot of agile people seem to have this kind of disdain for management or this disdain for leadership.[00:14:32] Joe Krebs: And I think of it exactly the opposite. Business leaders over the last 20, 25 years have shoveled hundreds of millions of dollars into agile practices and transformations between the training and the tooling and the infrastructure. And they've gotten benefit from agile. I'm very proud of all the things that software people do.Earlier today I was getting a blood test. And I walked in and there was a kiosk and you just typed in your phone number scanned your driver's license and you were checked in. Software people did that. And I think what we do as software people is really cool. Yeah. Hardware and software. We designed a solution that was amazing.And of course, Joe, we want to have sustainable practices, not just in our business relationships with our customers, but true sustainability means sustainability with our employees, with our practices. With what Kent Beck wrote about very early in the community with XP, like XP is about sustainability.So to say that profit is antagonistic to sustainability is to have a very flawed understanding of what sustainability is and or what profit is. I've been a serial entrepreneur. I've started and run and sold a couple of companies. And it's really a lot of fun when you're an entrepreneur and you can give out bonus checks because you had a great year Yeah, it's not so fun when you had a bad year and you're cutting salaries or you're doing other You know doing a layoff or whatever.And so for the people in the agile community who talk about humanness of our developers my response is Yes, heck yes, we, those are things that promote sustainability. Those practices, the training the better tooling, the better computers, they require money, they require a profit.And most of us work for a for profit company. It is, I think it's pretty above average that people would be working for profit rather than for the non profit sector. Should we go a little concrete about some data points, metrics, because I don't want to I'm just going to say the word.We really don't have to go down that path at all in this kind of conversation. I think we have debunked the word velocity as a metric or something like that. I don't think we have to talk about that. But what are. Measurements, like if somebody would say, Hey, this sounds very interesting. Definitely trucking sounds good, but I'm in a totally different domain.In terms of this, I would what's a good starting point for people to say, like, how do I measure these profit streams from an IT perspective or, Yeah. [00:17:18] Luke Hohmann: And Joe if I'm not answering the question in the way that you're intending the question that's okay.I started as an engineer and for everyone listening, Joe and I had a really, a geeky out moment when I, when we started, but I started as an engineer. And then I became a manager of engineer and then I became, vice president and all that kind of stuff. And I was always trying to create the best solution for my customers.And along and in that journey, I found product management. I thought, Oh, wait a minute. Product managers are the people who are designing the solution and working with designers on the user experience side. And they're in the center of the world of this thing called creating a great solution for customers.And through that. conversation, I started to realize, Hey, I'm responsible for creating a return on the investment of the company I'm working for. And from there, I started to learn the basics of finance. And I started to, understand how to read a balance sheet, how to read what is EBITDA what's the difference between CapEx and OpEx.What is the terms of the license agreement? What is, what can go wrong in a license agreement? If it's not crafted correctly for a company, how do I know if I'm making enough money, has my economic, let's go back to the engineers has my economic model factored in a pay raise for my team next year, because there's inflation and if there's inflation and I want to pay my developers more money, How do I manage that with my margins?Either my costs are going down, which might happen. And, maybe my software part of the solution is the same price, but my hardware margins are improving because I have cost of scale manufacturing. Maybe I don't, I'm a pure SAAS company and I'm picking up some lower costs because of hosting costs are dropping.How do I economically think about these elements? So the, what I would say is this is one of those areas where Agile has to do nothing more than embrace what has been existing for a long time, which is economic models Don Reinerson's work on flow. Looking at possibly throughput accounting, but educating ourselves, educate product managers, educate themselves on what's in our book, which is not just how do I economically model, but how do I actually. Set the price point. How do I determine the packaging of what features go in? What edition of my offering and do I charge? So those kinds of things are to me they're not taught as much as they should be in the agile community, but that's why we wrote the book. [00:20:10] Joe Krebs: Oh, absolutely. I agree with you.And I think indirectly you are answering the question, at least for me, right? Because I do see certain data points being captured within agile teams that are contradictory to what you're saying right now. These are like the velocity discussions and that are happening within teams. And then all of a sudden they happen on the leadership level, whereas you're saying, actually, some of those conversations are still existent as they were before agile, but they're still applying it.Just they have to be maps. I feel like you're having a much more adult mature kind of conversation about this. And I think we're actually experiencing within teams on the ground. [00:20:48] Luke Hohmann: Yeah I think the Agile community has gotten a little wrapped up around the Axel about, I helped form the first conference in the Agile Alliance series in 2003 with Alistair Coburn and Ken Schwaber and Rebecca Wirfs Brock and a few other people.And Todd Little, and let me tell you, no one at that conference was walking around arguing about the fine distinctions between output and outcome metrics and things like that. We both have a friend, Kenny Rubin, and he's written very beautifully about this. But trust me, in the very early days, we weren't arguing about those.It's like people drink fine wine and argue, Oh, are you getting black current or dark cherry flavors in the wine? No, just have a glass of wine and enjoy it. Um, and what's happening is we're forgetting that sometimes you do need to track certain basic metrics just as a mechanism Of I think consistency and let's say you're an athlete.Let's say you wanted to run a marathon. The number of miles you run in a week or the total miles that you've run in training for American a marathon could be a vanity metric. Oh, but at the end of the day, it's also the truth that you're not going to go run 26 miles if you didn't train And a training program is going to tell you how many miles you need to run Per week and if you're not tracking how many your miles you're running per week You're not going to hit your end goal of running the actual marathon So I think that so many other aspects of what we do, there's a very healthy way to look at velocity and velocity metrics and looking at flow metrics and unhealthy ways of looking at it and rather than throwing everything into a bucket of healthy and unhealthy, we should use the agile principles of retrospection.This metric and the way that we're using us, helping us advance towards our goals. Yeah. And it is, we should probably keep doing it. And if it's not, we should look at what we need to change. [00:22:52] Joe Krebs: Yeah. It's very interesting. I also, while we were talking about the marathon, I was also thinking yes, there's definitely mileage.This is an important piece, if part of your training program, but it's sometimes, and I don't know if that makes sense, I think sometimes we're measuring how many minutes we also have used for stretching, and yes, it is. a great technique to become a marathon runner, but I don't think from purely stretching, you're becoming a good marathon runner.I think it's together. And I think it's also for metrics like these things have to balance each other out. If you're having 90 percent stretching and 10 percent running, maybe that's the wrong [00:23:25] Luke Hohmann: that's where wisdom comes in. And that's where not always trying to invent everything from scratch, right?If you were, if you really were going to go run a marathon, you'd probably go talk with other runners. You'd probably go to some running websites that like runner's world that has reputable training plans. You'd get a sense of the balance of the metrics. So it's. It's very rare that one metric on a development organization is going to be the only metric that you needed.And again, this is where people start to it's good to have these discussions to calibrate. But it's like the definition of done, right? At the definition of done, you might say our definition of done is no stop ship bugs where stop ship is defined as P one and sev zero, like separate priority severity.Then you get into people who are like if I have no stop ship bugs, but I have a bunch of small bugs, can I still ship? And I'm like, I don't know like maybe no, maybe yes. What's the, we should have a conversation about that. And the metrics are designed to use to guide us into the conversations that are most beneficial, just like.So if I looked at a team that had velocity metrics, and they were reasonably consistent. And I saw an anomaly, like a dip. I, as a manager, if I didn't already know, I would go to the team and say, Hey, I noticed that your velocity dip, everything. Okay. And if the team says actually, no Joe went on a ski trip and broke his arm and our velocity dip, cause he was in the hospital.And we're all really worried about Joe. Wow, that stinks. Maybe we should send Joe some flowers or some get well, but now I know why velocity dipped. Yeah, and it was a special cause and it'll resolve itself. Um, now the other element could be our velocity dipped because we completely misunderstood the requirement and I'd be like, okay maybe we should toss that into a retrospective.There's so many good retrospective techniques. Maybe we should toss that into one of our retrospective techniques and see if that's a special cause or if there's some other potential issue that the team might be facing. And then the team goes, Oh yeah, no, we think we're okay. It was just this one time.We didn't really understand the requirements are no, we're actually in a new area of our solution and all of us are experiencing this new thing and we need more training or we need X to really get ahead of the issue. So metrics are important, right? We keep score, right? We keep track of things.[00:26:03] Joe Krebs: Yeah. So it's interesting, right? Because we, you mentioned before that there is this general amount of metrics. Don't want to repeat them necessarily, but these are like the business metrics. And these are the things that our businesses are already using on an enterprise level with or without agile.Why are we having such a hard time in the agile community to translate that? Obviously, your book will help in the translation of all of those things. But what do you think of the pitfalls? [00:26:29] Luke Hohmann: I actually think one of the pitfalls is how some of the agile methods have defined what a product owner is.You'll see agile methods say a product owner is responsible for value. Which is great, but then they don't define it. And so we've got a generation and I spent most of my formative business careers here in silicon valley, not all of it, but a lot of it So i'm used to a silicon valley style of a product manager Knowing how to run a spreadsheet knowing how to do pricing and being trained And what we're finding, I think, Joe, is that there's this tremendously large number of people who are associated with products, but don't have this training and pricing.They don't have this training and licensing. I'll, one of the things I do with my clients is I'll walk into a situation where they're, they need to, make an improvement economically. And I'll just go to the product managers and I'll say, when was the last time you read your own license agreement, your own terms of service on your website?And they'll be like, Oh yeah. never! Like, okay we should read it. And I'll give you an example of kind of the weird things that can happen in license agreements. We were working with a smaller company. And their license agreement with, so they served larger companies and it was a conversion company.I don't want to go much further than that. Yeah. They had a contract with a larger company that said every time the larger company made a request to the smaller company and the smaller company agreed to that request, their maintenance agreement would automatically extend for one more year. So every nine months, the big company would make a request to the small company.On a very small change, the small company would make a very small change. And then now they're saddled with a responsibility for another year of support. And I said, okay this two sentence clause in your license agreement is now costing you almost 300, 000 a year. Now for a big company, you may not notice it, but this was a company with less than 8 million in revenue.That's a noticeable number for a company with eight million right now. It's still a nice company. Don't it's not it's a very good business but i'm like this two line sentence in your license and the product manager was like wow I didn't know how to interpret that. I think we're seeing this challenge in the agile community because too many Organizations have allowed this skills of pricing and economic sustainability modeling to activity.Yeah, let's say you're, let's say you're agile. I don't care what flavor of agile you're using, pick one. I don't, there's so many, it's like going to the ice cream store. So you pick one and you're putting out more value at what point. Should you raise your prices because you've added so much value?At what point should you adjust your packaging? We work with a client who they kept on shoving features into their solution Which sounds great, right? But then their sales started to slow down and that the head of Product contacted me and said it's really weird luke Every time we're adding more features our sales team is telling us it's harder to sell that's a packaging problem because what's happening is people are saying Your solution now includes Features that are not relevant to me Therefore I want a lower price because i'm not using them.That's right And the right solution is to say okay now that our product has grown in sophistication We're gonna go take this market that wasn't segmented And we're going to make it a finer grain segmentation, and we're going to really understand the needs of these customers and take this wonderful platform we've built and offered these solutions or these features to this market segment, these features to this market segment.And after we did that work with that client. Their sales returned to a healthy growing number because people bought what was relevant for them. [00:30:49] Joe Krebs: This is awesome. Luke, we started off with also with a side comment or I might have started with this agile community being in some form of transition.Yes. And I want to end with this for our podcast as well. Now we talked a little bit more from the company's perspective, from the leadership level what I have noticed, and I don't know if you would share that thought is there's a lot of agile coaches in the transformation space and organizations, and they don't really know for sure if their work actually had an economic impact for the organization.Like they say like it feels better or it feels, we feel more profitable, but do we have evidence of what we had before to what we have now? How could profit streams help future coaching and coaches out there on, not from a product perspective, but more from a transformations perspective, how can profit streams help them to make a case for themselves to actually say, Hey, the agile community is alive and kicking.Why? Why? Because we are. Increasing the economic side of organizations by X, Y, Z, what kind of parameters would, what coaches need to tweak to say okay, these are like the parts of our puzzle where we can actually make a case for ourselves and say Hey, agile coaching is important. Agile teams are important.You call them the ice cream flavors. The agile processes out there are important for you to be successful for whatever is hitting your organization in the future. How would they use that kind of profit stream?[00:32:20] Luke Hohmann: I'm inspired by there's a gentleman that if you haven't had him on your podcast, you really need to get him.His name is Peter Green and he runs a company called Humanizing Work. He's a known in the Scrum community and he used to be one of the leaders at Adobe and Adobe's transition to more agile practices. And I remember that one of the metrics that Peter really tracked was just one thing, defects found in production.And remember I said that there was only, development teams need multiple metrics, but in this case, he was using the one metric that really resonated with his leaders and he showed his leaders how when defects in productions were reduced, customer satisfaction increased when customer satisfaction increased, renewals increased.The cost of customer care went down because there's fewer defects. And fewer upset customers, developer satisfaction went up because instead of fixing bugs, you're building new features. And so what he did was. He took the time to translate something that was just a number of defects found in production into how it expressed itself in a relevant profit oriented way.So my advice to the agile coaches out there is if you believe that you're creating a more effective, more efficient, more effective, doing the right things, more efficient, doing them effective, doing them well. If you think you're creating and contributing to this organization and, for example, I'm an agile coach and my team is quote unquote happier.What does that actually mean? What, we know that stable teams, like we have data on stable teams, that stable teams produce fewer bugs. That's an argument for stable teams. So what is the data that shows that coach is creating an economic impact that is relevant to the organization? And I am said this for decades.I am always concerned that people focus on trying to achieve the happiness of developers. When I think that the happiness of developers is an outcome of other elements, meaning if I'm a developer and I have Dan Pink, if I have reasonable autonomy, I have reasonable mastery, I, I have a purpose, right?Then I'm happy. But focusing on happiness doesn't mean I'm getting autonomy. Giving me autonomy, making sure I'm trained, making sure I have a purpose. Those and I definitely think that the many of the coaches I've seen, um, they don't always understand what the deeper opportunities might be.[00:35:08] Joe Krebs: Yeah. This is some awesome advice here. And I did not have Peter on the podcast and Peter, if you're listening to this, expect a call from me. Thank you, Luke. This was really insightful. And obviously I will share the book information for all the material on the show page of Agile FM, I just want to say thank you for sharing a very different view on things from what I had in the past in terms of guests and just chat a little bit about profit streams and make this really tangible for people of what they need to, establish within the organization to be successful and ready for the future.[00:35:42] Luke Hohmann: Yeah. And Joe, thank you. I'm going to leave just two more things for the listeners. I think they're important right now. We do think the agile community, many of us who've been there a while. And many of the leaders, we think the agile community is in some form of transition or some form of change, which means.It's up to you as a listener to decide what you think that future is and then work towards that future. A few years ago, my colleague Jason Tanner and I, we sat down and we were at an offsite and we said to ourselves, where do we really believe a future or part of the future of Agile has to be? And we decided that a part of the future of Agile has to be a return to the economics. of understanding profit and sustainability, and we acted accordingly, right? We wrote a book. We've got a partner program. We're doing consulting work. We're seeing our consulting business and profit streams is skyrocketing in terms of growth because we're finding that companies are going, wait a minute, You guys are right.You're We've invested in agile. How do we measure the return and how do we make sure that we're creating a profit? So and i'm not arguing that people have to buy into our perspective What I am saying is if you assert that the agile community is changing You can't just sit there and complain about it You have to decide what part of that future you want to create And what part of that future you want to be a part of and from there?You Your life will have purpose. Your life will have direction. And I think that's part of what's happening in the agile community right now. We're seeing this kind of Oh, what are what is our future? And where are we going to be? And how is it going to work as people are trying to decide? And I would invite people to reflect on their own and make a decision on their own about what they think that future is going to be, right?[00:37:40] Joe Krebs: Look, there's something very similar to what my kids are hearing in school every day. Make it a great day or not, the choice is yours. [00:37:47] Luke Hohmann: Oh, I love it. That's a great way to close. Luke, thank you so much.

What happens when a passion for blues guitar, a serendipitous encounter, and a love for cold pizza collide? You get the legendary Buddy Whittington! Join us for an unforgettable conversation with the Texas blues guitar powerhouse and former member of John Mayall's Blues Breakers. Buddy shares the incredible story of how he landed a 15-year gig with the Blues Breakers, his unique morning rituals, and his humorous attempts to stay healthy. We also dive into his admiration for guitar legends like Clapton, Peter Green, and Mick Taylor, making this chat a treasure trove for blues enthusiasts.But that's not all. This episode is packed with updates on our musical journey, from our thrilling experience opening for ZZ Top to the bittersweet retirement of our 90-year-old bandmate. Discover the behind-the-scenes stories of our home studio setup during COVID and the amusing family dynamics of music practice. Plus, get an inside look at my daughter Isla's budding music career and our collaboration on her new record, providing a glimpse into our family's musical adventures.For the gearheads, we've got an in-depth chat about vintage guitars and amps, featuring the wisdom of Dr. Z and the importance of guitar maintenance. Hear about our favorite axes, the evolving music industry, and the modern musician's toolkit. We also celebrate the legacy of ZZ Top, delve into memories of legendary Blues Breakers guitarist hangouts, and explore the practicalities of touring with backline equipment. From the camaraderie of iconic musicians to the challenges of balancing family and career, this episode has something for everyone. Don't miss it!FishmanDedicated to helping musicians achieve the truest sound possible whenever they plug-in. Wildwood GuitarsOne of the world's premier retailers of exceptional electric and acoustic guitars.Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.

Lord of the Les Paul and Mariscal of the Marshall Stack, Scott Gorham shot to worldwide prominence with the legendary rock band Thin Lizzy. He created what would become known subsequently as “The Twin Guitar Attack” - a harmonised lead guitar style developed alongside players such as Brian Robertson and Gary Moore, driving home the larger-than-life persona of frontman and bass player Phil Lynott. At the height of their powers, Thin Lizzy were a world-straddling colossus of a band - hard rocking for sure but real songwriters, too. And just incredible live! I caught up with Scott at what used to be Olympic Recording Studios in Barnes (Led Zeppelin, Queen, Lizzy ... they all made records there). It's now a cinema complex and restaurant with a private members club hidden away for those in the know.  We talk about Scott's early exposure to the guitar and live music, his relocation from California to London, and an audition for Thin Lizzy which I suspect would have broken most of us. We discuss the iconography of Gibson's Les Paul model. In particular, the heavily supervised shopping trip for the mini-humbucker Deluxe model with which Scott has become synonymous. We go deep on the semantics of scratch plates, amplifiers the size of a family SUV, and what happens when your guitar gets famous without you.  But it wasn't all gold tops, champagne and caviar, life in Thin Lizzy could be tempestuous and Scott is candid about the darker times including how golf helped with the pain of recovery from addiction. Hey, if it works… right? We talk in depth about Scott's secret double life as a visual artist, discuss two of the rarest materials in the universe and share a fond hope that benevolent extraterrestrial life might just have our backs after all. Now, what no-one knew - because he had kept it a secret from the world - is that Scott Gorham is an extremely skilled artist and some of his extraordinarily detailed pencil drawings from the Thin Lizzy period have been rediscovered and are now available as fine art prints. He's had his first gallery showing and it's all going rather well. You can see more here: https://scottgorhamworld.com Take a look at Pain, Curiosity and Apocalypse, three works that we discuss in detail.  Be advised - the language gets a little fruity as we progress. It doesn't get too awful, but listeners with delicate sensibilities or the under-fives should proceed with caution. This episode was brought to you by the kind sponsorship of Guitar Tech Courses. Founded by British luthier James Collins (himself a graduate of the prestigious Galloup School of Guitar Making in Michigan) and an accredited repair technician for Gibson guitars for several years now, Guitar Tech Academy offers an online archive of instructional videos covering the maintenance and set-up of just about every modern guitar design from the wrap-around bridge of a '54 Goldtop to Bigsbys, Strat and Tele bridges, acoustics and archtops, too. It's all there. James will guide you through the theory and practice of setting up your guitar for your playing - follow this link https://www.guitartechcourses-academy.com and sign up today - you will never have sounded better! Join me next time for a chat with Superstar auctioneer Claire Tole-Moir of Bonhams London, who has been responsible for the sale of iconic instruments used by Eric Clapton, Peter Green, Slash, Ian Curtis and many more! A Fretboard Journal Podcast.  https://www.fretboardjournal.com    

Today's show features music performed by The Coasters and Peter Green

What if you could blend traditional blues with inventive hooks to create a sound that captivates audiences? Join us on "Chewing the Gristle" as we welcome back the legendary slide guitar virtuoso Rick Vito to explore this very question. Rick takes us inside his creative haven in Tennessee, where he crafts his latest masterpiece "Cadillac Man" surrounded by iconic instruments, including Peter Green's Armstrong archtop and a nearly century-old National Triolian. Our conversation with Rick Vito also dives deep into influences that have shaped his illustrious career. Hear about his collaborations with the soulful Ronnie Barron, the intricate techniques of sacred steel and Indian musicians, and the journey of blending diverse sounds to forge a unique musical identity. We'll also talk about encounters and performances that have left an indelible mark on our musical journey. From the electrifying Peter Green tribute concert featuring legends like David Gilmour and Pete Townsend to the enduring influence of Otis Rush, Chuck Berry, and BB King, this episode celebrates the soulful expression that defines great guitar playing. We also discuss the excitement of new guitar models and upcoming tours, all while emphasizing the importance of a family vibe within guitar companies. Don't miss this episode filled with passion, reverence, and the timeless spirit of the blues.FishmanDedicated to helping musicians achieve the truest sound possible whenever they plug-in. Wildwood GuitarsOne of the world's premier retailers of exceptional electric and acoustic guitars.Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.