Podcast appearances and mentions of Katherine Paul

À mâmawi musique, Moe Clark nous présente le rock alternatif indépendant de Black Belt Eagle Scout, le nom de scène de Katherine Paul, une autrice-compositrice-interprète swinomish et iñupiaq originaire de l'État de Washington, dans le Nord-Ouest Pacifique. Avec Danika St-Laurent Maheux, assistante à la recherche.

Black Belt Eagle Scout is the work of the singer and guitarist Katherine Paul, KP for short, whose music is deeply rooted in the culture of the Swinomish community on the coast of Washington. Black Belt Eagle Scout's latest album is called The Land, The Water, The Sky, and it often pairs Katherine Paul's quiet musings on land, love, and community with roaring guitars and pounding drums. Black Belt Eagle Scout plays some of these new songs, in-studio.  Set list: 1. Nobody 2. Don't Give Up 3. My Blood Runs Through This Land Watch "Nobody": Watch "Don't Give Up": Watch "My Blood Runs Through This Land": The Land, The Water, The Sky by Black Belt Eagle Scout

Black Belt Eagle Scout - Don't Give Up from the 2023 album The Land, The Water, The Sky on Saddle Creek. Three years after the release of her sophomore record At the Party Wtih My Brown Friends, Katherine Paul unveiled the new Black Belt Eagle Scout single "Don't Give Up." The song is a dreamy, emotive gift to her Indigenous Swinomish, WA community, where over a melancholic guitar melody she hushedly touches on mental health awareness and the importance of connection to the land in the healing process. Paul wrote the song over the course of two years, starting in 2020 at a songwriting residency in Coast Salish territory before the pandemic and finishing in November 2021 while attending the same residency again. She had this to say about the song: “'Don't Give Up' is a song about mental health awareness and the importance that my connection to the land plays within my own mental health journey. Spending time with the land and on the water are ways that strengthen my connection to my ancestors and to my culture. It helps heal my spirit and is the form of self-care that helps me the most. The lyrics “I don't give up” mean staying alive. I wrote this song for me but also for my community and anyone who deals with challenging mental health issues to remind us just how much of a role our connection to the environment plays within our healing process. At the end of the song when I sing, “The land, the water, the sky,” I wanted to sing it like my late grandfather Alexander Paul Sr. sang in our family's big drum group—from the heart." Black Belt Eagle Scout is embarking on a tour in February, with a date in Seattle on Wednesday, February 15th at Neumos. Watch Black Belt Eagle Scout's KEXP in-studio performance from 2018 and read the full post at KEXP.org.Support the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

This land runs through Katherine Paul's blood. And it called to her. In dreams she saw the river, her ancestors, and her home. When the land calls, you listen. And KP found herself far from her ancestral lands during a time of collective trauma, when the world was wounded and in need of healing. In 2020 she made the journey from Portland back to the Skagit River, back to the cedar trees that stand tall and shrouded in fog, back to the tide flats and the mountains, back to Swinomish.It is a powerful thing to return to our ancestral lands and often times the journey is not easy. Like the salmon through the currents, like the tide as it crawls to shore this is a story of return. It is the call and response. It is the outstretched arms of the people who came before, welcoming her home. The Land, The Water, The Sky is a celebration of lineage and strength. Even in its deepest moments of loneliness and grief, of frustration over a world wrought with colonial violence and pain, the songs remind us that if we slow down, if we listen to the waves and the wind through the trees, we will remember to breathe.There is a throughline of story in every song, a remembrance of knowledge and teachings, a gratitude of wisdom passed down and carried. There is a reimagining of Sedna who was offered to the sea, and a beautiful rumination on sacrifice and humanity, and what it means to hold the stories that work to teach us something. . .https://www.blackbelteaglescout.com/

This one's a banger, no way around it. This one will give a detailed history of Monsanto's relationship with the FDA -- spoilers, it literally goes ALL the way back -- and how the FDA was complicit in the expediting of Bovine Growth Hormone. We also go on a very long tangent on if the father of food safety was a fellow homosexual (Because it's my podcast! And I get to do whatever I want!) This episode is full of such compelling characters; it's a shattering reminder that there are always people fighting the good fight. Hope you're enjoying the season so far! My description-writing game has dramatically weakened. Need to redirect my brain power into the episodes lol. But if you like this podcast, please keep telling your friends! I can tell a lot of you have been already!! Follow the mysterious and hilarious @BlenderBluid and @HelloAmyDo LIVE SHOW TICKET LINK OCTOBER 1 2022 PATREON LINK SOURCES: The Poison Squad: One Chemist's Single-Minded Crusade for Food Safety at the Turn of the Twentieth Century, Deborah Blum 2018 Harvey W. Wiley: An Autobiography, Dr. Harvey Washington Wiley, New York: Bobs-Merrill Company 1930 The 19th-Century Fight Against Bacteria-Ridden Milk Preserved With Embalming Fluid, Deborah Blum, Undark Magazine 2018 The World According to Monsanto, Marie-Monique Robin 2008 Bovine Somatotropin (bST), FDA.gov April 2022 Pushing RBST: How the Law and the Political Process Were Used to Sell Recombinant Bovine Somatotropin to America, David Aboulafia, PACE Environmental Law Review 1998 Monsanto lobbying: an attack on us, our planet, and democracy, Nina Holland and Benjamin Sourice, Corporate EuropeObservatory 2016 Torturing Animals with Monsanto’s Genetically Engineered Feed, Katherine Paul, Truthout 2013

In this episode, we examine Robin DiAngelo's antiracism efforts and religious scholar Amanda Lucia's studies on outdoor festivals' overwhelming whiteness. Plus, we examine Canada's Indigenous reform school settlement program and rip three men: two Andrews: a Cuomo, a former prince and Kent, WA.'s Nazi assistant police chief Derek Kammerzell. Also, we pay tribute to Sidney Poitier, Bishop Desmond Tutu, Ahmaud Arbery and Black Belt Eagle Scout's Katherine Paul. And, I'm on Facebook. Just go to Facebook.com and look for me there. Also, you can email me at henrygmark@gmail.com. Your comments are welcome!Content Warning (CW): This podcast is intended for listeners 18 or older. It talks about racial violence, civil rights struggles, injustice, antiracism and violence toward women using strong language and is uncensored. If this is upsetting or triggering for you, please stop, scroll ahead in the episode, or avoid listening to the episode entirely. Thank you.

Conversation and live music with Indigenous music artist Black Belt Eagle Scout aka Katherine Paul and BBES live drummer Camas Logue live from KP's ancestral homelands in Swinomish territory. Featured are two live acoustic songs performed for this broadcast by BBES: At The Party from the album At The Party With My Brown Friends Soft Stud for the album Mother of My Children Music featured at the end of the conversation by BBES: My Heart Dreams from the album At The Party of My Brown Friends Katherine Paul or KP is a Swinomish and Iñupiat musician and visual artist creating under the name Black Belt Eagle Scout. KP writes the foundation of her music on guitar, adding other instrumentation such as drums, bass, vocals, keys and percussion when recording and has put out two records thus far under the moniker of Black Belt Eagle Scout. https://www.blackbelteaglescout.com Camas Logue as a Klamath/Modoc/Yahooskin & Irish interdisciplinary artist who plays drums and guitar in Black Belt Eagle Scout's live band. Camas has toured in the band internationally, playing live and in radio performances Camas has collaborated with BBES in the Loss and Relax 7” album, in which his painting, Swinomish Stinta, is the focal piece on the cover. He has also collaborated on various BBES merch designs including an intaglio print turned t-shirt design and line drawn sticker designs. https://www.camaslogue.com This episode first aired May 10, 2021 for Broken Boxes on Radio Coyote, a project initiated by Raven Chacon and CCA Wattis Institute, on the occasion of Chacon's 2020-21 Capp Street Artist-in-Residency. Radio Coyote is currently produced by Atomic Culture and will transition to new programming on July 16, 2021. www.radiocoyote.org

Conversation and live music with Indigenous music artist Black Belt Eagle Scout aka Katherine Paul and BBES live drummer Camas Logue live from KP's ancestral homelands in Swinomish territory. Featured are two live acoustic songs performed for this broadcast by BBES: At The Party from the album At The Party With My Brown Friends Soft Stud for the album Mother of My Children Music featured at the end of the conversation by BBES: My Heart Dreams from the album At The Party of My Brown Friends Katherine Paul or KP is a Swinomish and Iñupiat musician and visual artist creating under the name Black Belt Eagle Scout. KP writes the foundation of her music on guitar, adding other instrumentation such as drums, bass, vocals, keys and percussion when recording and has put out two records thus far under the moniker of Black Belt Eagle Scout. https://www.blackbelteaglescout.com Camas Logue as a Klamath/Modoc/Yahooskin & Irish interdisciplinary artist who plays drums and guitar in Black Belt Eagle Scout's live band. Camas has toured in the band internationally, playing live and in radio performances Camas has collaborated with BBES in the Loss and Relax 7” album, in which his painting, Swinomish Stinta, is the focal piece on the cover. He has also collaborated on various BBES merch designs including an intaglio print turned t-shirt design and line drawn sticker designs. https://www.camaslogue.com This episode first aired May 10, 2021 for Broken Boxes on Radio Coyote, a project initiated by Raven Chacon and CCA Wattis Institute, on the occasion of Chacon's 2020-21 Capp Street Artist-in-Residency. Radio Coyote is currently produced by Atomic Culture and will transition to new programming on July 16, 2021. www.radiocoyote.org

On this week's episode of the Talkhouse Podcast, we share a deep-diving conversation about the idea of space for BIPOC folks in indie rock venues — a discussion with the explicit intent "to talk about brown voices, and to talk about how we can uplift them." Black Belt Eagle Scout — real name Katherine Paul — is a self-described “radical indigenous queer feminist” who grew up on the Swinomish Indian Reservation in Northwest Washington state. KP, as she's known, is Swinomish and Iñupiaq (a Native community in Alaska). Here, she speaks with Sasami Ashworth, aka SASAMI, a Korean-American singer/songwriter and musician based in Los Angeles. Sasami made her name playing synth in Cherry Glazerr before going solo in 2018. Our special guest-host is Vagabon, or Lætitia Tamko, a Cameroonian-born singer/songwriter/producer. This episode was inspired by the Twitter backlash after a conversation Black Belt Eagle Scout had with Ailsa Chang on the NPR show All Things Considered. With Chang, KP discussed feeling uncomfortable with so many white people at her shows, as her music is intended for BIPOC folks, and stated: "It's for people of color, for indigenous people, for queer people, and white men are so fragile when I say stuff like that. It's because of white privilege and they don't often get told that." KP was obviously not advocating for banning white men from her shows, but for there to be more room at each performance for her community. Still, of course, a number of fragile white men took to Twitter calling KP racist, and hating on the show for having her on. I saw Lætitia and Sasami tweeting support for KP, with Sasami doing full on UFC-style e-battle with some trolls! I reached out the next day to offer the platform of the Talkhouse Podcast for an extended convo on the topic, one without journalists or "fragile white men" involved. This talk was recorded back in March, just before Covid-19 slammed the States, and before the Black Lives Matter movement's incredible recent strides. Keep it locked to hear about issues of safety and space in DIY touring, the importance of land acknowledgments, and actionable things that bands and fans can do. Check it out, and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast. —Elia Einhorn, Talkhouse Podcast host and producer     For this week’s episode, Sasami Ashworth was recorded by Eric Rennaker at bedrock.LA; Katherine Paul, Lætitia Tamko and I each recorded ourselves. Our producer extraordinaire is Mark Yoshizumi. The Talkhouse Podcast theme song was composed and performed by The Range. Please direct all podcast-related ideas, vitriol, and compliments to elia@thetalkhouse.com.

On this week’s episode of the Talkhouse Podcast, we share a deep-diving conversation about the idea of space for BIPOC folks in indie rock venues — a discussion with the explicit intent “to talk about brown voices, and to talk about how we can uplift them.” Black Belt Eagle Scout — real name Katherine Paul — is a self-described “radical indigenous queer feminist” who grew up on the Swinomish Indian Reservation in Northwest Washington state. KP, as she’s known, is Swinomish and Iñupiaq (a Native community in Alaska). Here, she speaks with Sasami Ashworth, aka SASAMI, a Korean-American singer/songwriter and musician based in Los Angeles. Sasami made her name playing synth in Cherry Glazerr before going solo in 2018. Our special guest-host is Vagabon, or Lætitia Tamko, a Cameroonian-born singer/songwriter/producer. This episode was inspired by the Twitter backlash after a conversation Black Belt Eagle Scout had with Ailsa Chang on the NPR show All Things Considered. With Chang, KP discussed feeling uncomfortable with so many white people at her shows, as her music is intended for BIPOC folks, and stated: “It’s for people of color, for indigenous people, for queer people, and white men are so fragile when I say stuff like that. It’s because of white privilege and they don’t often get told that.” KP was obviously not advocating for banning white men from her shows, but for there to be more room at each performance for her community. Still, of course, a number of fragile white men took to Twitter calling KP racist, and hating on the show for having her on. I saw Lætitia and Sasami tweeting support for KP, with Sasami doing full on UFC-style e-battle with some trolls! I reached out the next day to offer the platform of the Talkhouse Podcast for an extended convo on the topic, one without journalists or “fragile white men” involved. This talk was recorded back in March, just before Covid-19 slammed the States, and before the Black Lives Matter movement’s incredible recent strides. Keep it locked to hear about issues of safety and space in DIY touring, the importance of land acknowledgments, and actionable things that bands and fans can do. Check it out, and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast; next week’s is Julien Baker with Katie Harkin. —Elia Einhorn, Talkhouse Podcast host and producer For this week’s episode, Sasami Ashworth was recorded by Eric Rennaker at bedrock.LA; Katherine Paul, Lætitia Tamko and I each recorded ourselves. Our producer extraordinaire is Mark Yoshizumi. The Talkhouse Podcast theme song was composed and performed by The Range. Please direct all podcast-related ideas, vitriol, and compliments to elia@thetalkhouse.com.

As a young indigenous artist growing up in Northwest Washington, Katherine Paul was drawn to the noise of grunge and Bikini Kill's punk. But the rhythms of an idyllic life on her Coast Salish reservation, punctuated by her family's All My Relations gatherings—an annual powwow which coincided with birthday parties celebrated in the local gymnasium—are deeply-rooted in her being. These unique and varied inspirations would later inform the way she would make music under the Black Belt Eagle Scout moniker.I was struck by how incredibly brave KP is. Everywhere on the internet where her work is praised, there are folks waiting to take her down. But she persists. As a radio producer, you are told never to relinquish your mic to the interviewee. But on one of the final questions, KP gently but firmly wrestles the mic out of my hand to answer the question. When I asked her later about it, she had no recollection of doing it—such is the strength of her conviction. See if you can guess at what point this happened?Many thanks for making this episode possible—KP for her grace and time. Her parents: Patricia Paul and Kevin Paul for use of powwow music. Bikini Kill for every Riot Grrrl's anthem, Phil Elverum for the use of music by Geneviève Castrée's as WOELV. Saddle Creek, Pitch Perfect PR and Terrordbird for all the support. See acast.com/privacy for privacy and opt-out information.

Katherine Paul discusses Black Belt Eagle Scout, her youth on the Swinomish reservation, her fondness for her Radical Indigenous Queer Feminist T-shirt, how working as a booker at a club helped her get a deal with Saddle Creek, and more. Visit musicismylifepod.com now.

Black Belt Eagle Scout is the work of Oregon-based singer and multi-instrumentalist Katherine Paul, whose songs often draw on her Native American (specifically Swinomish) heritage. KP identifies as a radical indigenous queer feminist, and some of her lyrics touch on her being a water protector, connected to the land, and a womxn. Her latest record, At the Party With My Brown Friends, explores love, desire and friendship. Black Belt Eagle Scout and her band play some of these songs, in-studio. Watch the session here: 

Hundreds of years ago when colonizers instituted the idea of “blood quantum” as a means of reducing the Native population, our Native ancestors probably did not envision a modern Indigenous world of Tinder, multi-billion dollar tribal enterprises and per cap payments, or a world where who we love might determine if our children are considered Indigenous at all. Last episode we talked about Blood Quantum through history, law, science, and policy. In this episode, we’ll approach the topic on a more personal level--how does it affect our love lives? Join Matika and Adrienne as they talk with our production team members Brooke and Nita about how we’ve navigated finding partners, racist federal/tribal policy, and how we’ve had no choice but to consider how blood quantum affects our children, our families, and our nations.This is an emotional episode, we talk about a lot of really hard and personal things things--from enrollment and belonging, to cancer and to sexual assault. So we want to give you a heads up that this might be an episode you need to be emotionally ready for, and might want to give yourself the space to smudge or decompress after. But it’s also us--so we promise to maintain the chuckle.We’re also at the end of Season One! We’d especially like to thank Brooke and Nita for weighing in on this episode, and for all of their hard work on Season One. This couldn’t and wouldn’t be possible without the help of our good friend Teo Shantz, who does all the production, engineering, and editing for this project. Also Ciara Sana, who creates the most beautiful episode art for us. We also want to thank the amazing Katherine Paul aka Black Belt Eagle Scout for the music on this episode, and we especially want to thank you. Thank you for listening. We love you! We’ll be back soon.Support the show (https://www.paypal.me/amrpodcast)

Portland-based Katherine Paul, also known as Black Belt Eagle Scout, blends the moody atmospheres of post-rock and the power of Riot Grrrl punk with the musical and spiritual influences of her upbringing in the Swinomish Indian Tribal Community. On her latest record At the Party With My Brown Friends, she aims to uplift and inspire other queer and indigenous voices. DJ Morgan hosts this live performance from THING Festival in Port Townsend, Washington. Recorded 08/24/2019. 4 songs - At The Party, My Heart Dreams, Loss & Relax, You're Me and I'm You. Support the show.

Released in September of 2018, Mother of My Children was the debut album from Black Belt Eagle Scout, the recording project of Katherine Paul. Heralded as a favorite new musician of 2018 by the likes of NPR Music, Stereogum, and Paste, the album was also named as a “Best Rock Album of 2018” by Pitchfork, and garnered further end-of-year praise from FADER, Under The Radar and more. Arriving just a year after that debut record, At the Party With My Brown Friends is a brand new full-length recording from Black Belt Eagle Scout. Where that first record was a snapshot of loss and landscape and of KP’s standing as a radical indigenous queer feminist, this new chapter finds its power in love, desire and friendship. At the Party With My Brown Friends is a profound and understated forward step. The squalling guitar anthems that shaped its predecessor are replaced by delicate vocals and soft keys, sentiments spoken and unspoken, presenting something shadowy and unsettling; a stirring of the waters. The end result presents a captivating about-face that redefines KP’s beautifully singular artistic vision. At the Party With My Brown Friends is introduced in greater detail here via a new statement by the artist.

Black Belt Eagle Scout's "Mother of My Children" is the remarkable indie rock debut album from the Portland, Ore., band. At the time of its recording, Black Belt Eagle Scout was just one person: singer-songwriter Katherine Paul, who played every instrument on the album. She originally released it in 2017, and it soon caught the attention of renowned indie label Saddle Creek, who re-released it last year. Since then, the band has expanded to a quartet. Black Belt Eagle Scout visited the CPR Performance Studio before a show at Denver's Larimer Lounge with Julia Jacklin. The band played four songs, including a couple new tracks, and Paul spoke with Bruce Trujillo about why she started the project after playing drums in several Portland bands, the Pacific Northwest music scene and recording the album on the Swinomish Indian Tribal Community reservation in Washington where she grew up.

Anthony sits down with Katherine Paul aka Black Belt Eagle Scout.

This month we welcome Swinomish & Iñupiat musician Katherine Paul into our monthly celebration of music. Her musical venture is called Black Belt Eagle Scout and her newest album is titled “Mother of My Children.” As a teenager she taught herself to play the guitar and things rocketed from there. She says she plays music to process feelings and there are many emotions that ring out in the different tracks on the album including what it means to face loss and what it means to still dream afterwards. We’ll experience her passionate guitar solos and lyrics on our February Music Maker.

In this episode, David Harris, Holly Hazelwood and Eric Mellor are joined by special guest, musician Katherine Paul from Black Belt Eagle Scout, to discuss women of color musicians who live and rock out in Portland, Oregon.Support the show (https://www.patreon.com/bePatron?u=35658686)

On today's episode I talk to Katherine Paul of Black Belt Eagle Scout. KP grew up in a small Indian reservation, the Swinomish Indian Tribal Community. From an early age, she was singing and dancing at powwows including her family’s own powwow, called the All My Relations Powwow. In 2007, KP moved to Portland, OR, to attend college and get involved with the Rock’n’Roll Camp for Girls. Inspired by the Riot Grrrl movement, KP dove deep into the Portland music scene, playing guitar and drums in a bunch of bands while evolving her artistry into what would later be Black Belt Eagle Scout. She released a self-titled EP in 2014, and her first full-length album Mother of My Children was just released by Saddle Creek earlier this fall. This is the website for Beginnings, subscribe on Apple Podcasts, follow me on Twitter.

If the Democrats retake the House, Rep. Hank Johnson will be the chair of a subcommittee that has subpoena power to continue the investigation of Kavanaugh. He explains his position on Kavanaugh and also Justice Clarence Thomas and his history of alleged sexual harassment of Anita Hill.  Former White House lawyer, Supreme Court clerk and current constitutional law professor Kate Shaw and Democracy Now! host Amy Goodman offer an in-depth analysis of the battle over Kavanaugh.  The Intercept’s Peter Maass got a copy of Kavanaugh friend Mark Judge’s novel about their drunken high school years. We made a radio drama of some of the scenes from the book, including a character named Bart O’Kavanaugh.  We hear brand new music from musician and radical indigenous queer feminist Katherine Paul, aka Black Belt Eagle Scout.  Plus, Donald Trump says he has never had a drink, but how different would he be if he liked beer as much as Brett Kavanaugh?

In this episode BBP sits down with R.I.S.E. founder/director Demian DinéYazhi´ to find out exactly what is was like to launch  R.I.S.E. Fellowship, the first of its kind, which centers Indigenous Queer, Gender Gradient/Non-Conforming, Trans, and/or Two Spirit artists and poets. We talk about the many reasons for creating this fellowship through R.I.S.E. and go into the process of putting out the call, reviewing applicants and long term community relationships with all artists and poets who applied, including but not limited to the recipients. We also get into conversation with R.I.S.E. Fellowship lead recipient artist Katherine Paul / Black Belt Eagle Scout (Swinomish Indian Tribal Community / Iñupiat NANA Shareholder), and additional R.I.S.E. Fellowship recipients Whess Harman (Lake Babine Nation) and fabian romero (Purepecha) who all share about their practices and explain what it means to them to have been selected as a 2018 R.I.S.E. Fellow.

The issues facing us due to the food industry's overwhelming commitment to profit over the health of people has virtually contaminated our food chain.  At every step of the way, from fertilizer in the soil to pesticides added to the food to mono-cropping, the system is designed for one thing:  profit.  The industry also has so much muscle in Washington, DC that it has re-defined the USDA legal definition of organic so that it's not what we would call truly organic:  “Put simply, if you see the “USDA Organic” or “Certified Organic” seal on your food, the item must have an ingredients list and the contents should be 95% or more certified organic, meaning free of synthetic additives like pesticides, chemical fertilizers, and dyes, and must not be processed using industrial solvents, …Sep 10, 2012″ Mitchell's guest this evening is Associate Director of the Organic Consumers Association, Katherine Paul.  Katherine joined the Organic Consumers Association in 2012. As associate director, she oversees communications and fundraising, and is co-editor of the organization's weekly online. Today you will learn about the latest of what's going on in the challenge we have in protecting the health and safety of our food from corporations who seek to control the supply and define for us, with the usually full cooperation of our USDA and FDA. A Better World provides real organic food, superfoods.  Go to: www.mypuriumgift.com and use the discount code: abetterworld for $50 off order (of over $75). --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/abwmitchellrabin/support

This week on Food Talk, Mike speaks with Katherine Paul, spokesperson for the Organic Consumer’s Association, about the new food label laws and GMO’s. Later, we’re joined in the studio by Chef Joey Campanaro and Chef Mike Price, owners of The Little Owl, Market Table, and The Clam. This program has been sponsored by Cento, King Arthur, and Colavita. Thanks to Brothers NYC for today’s music. “What’s great about our business is that we get to learn from other people in our business.” [18:30] –Chef Joey Campanaro on Food Talk with Mike Colameco “I feel like clams have never really had their day.” [49:40] –Chef Mike Price on Food Talk