Podcast appearances and mentions of Phil Elverum

David Longstreth is here to discuss David Longstreth's Song of the Earth, Performed by Dirty Projectors and s t a r g a z e, life in Los Angeles in a tumultuous ecological era, working with s t a r g a z e and the influence of Gustav Mahler, the revenge of the Earth, orcas, and using gardens as a metaphor, despair and the Beatles, why Phil Elverum from Mount Eerie might be the poet laureate of nature, working with Steve Lacy, loving Stephen Malkmus and Pavement, production ideas, other future plans, and much more.EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO MONTHLY $6 USD PATREON SUPPORTERS. Enjoy this excerpt and please subscribe now via this link to hear this full episode. Thanks!Thanks to the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online. Support vish on Patreon!Related episodes/links:Ep. #951: Mark Ibold, Scott Kannberg, Jeffrey Lewis Clark, Jed I. Rosenberg & Brian Thalken on ‘Louder Than You Think: A Lo-Fi History of Gary Young and Pavement'Ep. #933: Alex Ross Perry, Scott Kannberg, and Robert Greene on ‘Pavements'Ep. #924: Lance Bangs and Bob Nastanovich on ‘Pavements'Ep. #918: Mount EerieEp. #910: The Hard QuartetEp. #481: David BermanEp. #114: Nat Baldwin of Dirty ProjectorsSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

Esta semana, dedicamos un nevo capítulo de Rebelión Sónica, al nuevo disco de Mount Eerie, "Night Palace" Vehículo creativo del músico estadounidense Phil Elverum, se trata del primer disco del proyecto en cinco años, pues su anterior trabajo es con su banda The Microphones, titulado “The Microphones in 2020”. “Night Palace” fue lanzado el 1 de noviembre en el propio sello del artista P.W. Elverum & Sun y está integrado por 26 canciones. El álbum fue anunciado como “una especie de sucesor espiritual del clásico de 2001 de The Microphones, “The Glow pt. 2”: mucho fuzz analógico, experimentos sonoros de baja fidelidad y baladas pastorales, todo grabado en el estudio de Elverum en el bosque”. Un comunicado de prensa explica: “Estas son canciones de volver a rendirse a un estado de asombro y abandonar el escepticismo reprimido que este mundo duro puede imponer. Y aquí también está el mundo duro, en canciones de descolonización y protestas en los bosques. “Un poco de zen, un poco de Zinn”, ha bromeado Elverum”. En la última parte del programa, viajamos al pasado en la obra de Mount Eerie, para escucharlo con música de su disco de 2017, “A Crow Looked at Me” Durante todo enero, estaremos rematando la temporada 2024 del programa, para luego de un receso en febrero, volver con la temporada 2025 en marzo. Rebelión Sónica sale al aire por radio Rockaxis los jueves a las 10 y 22 horas, con la conducción de Héctor Aravena.

On this episode of Art Affairs, celebrating the show's five year anniversary, i talk with artists and screen printers Dan Black and Jes Seamans of Landland.We discuss how they first met and ultimately joined forces to form Landland, their individual creative processes, from idea all the way to the printing press, the many different types of projects they take on throughout the year (including their own record label?!), and a whole lot more.Also mentioned in this episode: Jay Ryan, Burlesque of North America, Sonnenzimmer, Slow Mass, Michelle Morin, Julie Avisar, Dave Kloc, and Phil Elverum.Follow LandlandWebsite: landlandcolportage.comInstagram: @landlandcolportageBandcamp: @landlandSubstack: @landlandPlaylist: Landland Required Listening Follow the ShowWebsite: artaffairspodcast.comPatreon: artaffairsInstagram: @artaffairspodcastTikTok: @themichaelfaith© 2019-2024 michael faith

The guys address the election results, talk about Grammy nominations, and Jackson gushes about Phil Elverum for the millionth time. Like holy fuck just SHUT UP!!!! Links: https://linktr.ee/thegoodenoughpodcast The guys: Luke: Channel: https://www.youtube.com/channel/UCs5QNDD5u20Q0vifli80UqQ Twitter: https://twitter.com/LukeOnDemandYT Instagram: https://www.instagram.com/lukeondemandyt/ Jackson: Channel: https://www.youtube.com/channel/UCiWMNY8SdFbqtdtn74Mf9iw Twitter: https://twitter.com/jacksonnburns Instagram: https://www.instagram.com/jacksonnburns/ Jake: Channel: https://www.youtube.com/channel/UCzcLnmBnlYwveqeTSKcP6Hg Twitter: https://twitter.com/JakeJosephMusic Instagram: https://www.instagram.com/abucketofjake/?hl=en it's good enough

Mat “Night Palace” huet Mount Eerie, aka Phil Elverum, ee monumentalen Duebelalbum verëffentlecht, dee gläichzäiteg experimentell an zougänglech, homogeen an divers, donkel an hoffnungsvoll ass. De Marc Clement an de Jeff Schinker hu sech d'Plack ugelauschtert.

'Night Palace', el nuevo disco de Phil Elverum como Mount Eerie, es el reflejo de toda una carrera. Aquí confluyen 25 años de reflexiones, emociones y grabaciones. A lo largo de sus 26 tracks aparecen todos los motivos sonoros y líricos que han hecho de Elverum una figura indispensable del folk independiente. Todo ello envuelto en los sonido de una naturaleza, inmensa y amenazada,que siempre ha sido parte de su inspiración.Playlist:Tyler, The Creator - Judge JudyFlying Lotus, Dawn Richard - Let Me CookKAYTRANADA, PinkPantheress - Snap My FingerMaribou State, Holly Walker - OthersideBecky and the Birds - To trust youBaba Stiltz, Okay Kaya - I Believe In LoveJames Blake - Like The EndMount Eerie - I Walk070 Shake - ElephantCarlita - TimePet Shop Boys - New London boyCharli xcx, Bon Iver - I think about it all the time featuring bon iverEspineli, BAZOFIA - almaenpenaMagdalena Bay, Grimes - ImageNilüfer Yanya - Mutations (Empress Of Remix)Escuchar audio

Steven and Ian open today's episode with a quick Sportscast about the World Series and the Yankees fan who almost ripped Mookie Betts' arm off. Bad fans is actually an overarching theme of the show — the guys start with the upcoming election, and whether we're headed for a wave of anti-PC entertainment if Trump wins. Then they address this week's music-critic controversy involving a bad review of the new Halsey album, and the predictable freakout from chronically online fans.After that, they check in on the Fantasy Albums Draft and talk about the latest from Mount Eerie as well as Phil Elverum's career with The Microphones. Then they do a "Scene Report" segment on recent concerts by Knocked Loose and Drive-By Truckers.In the mailbag, the guys are asked about "time and place" bands, i.e. acts that were set up to make one perfect album and nothing else. Finally, in Recommendation Corner, Ian talks about the emo band Ben Quad while Steven endorses Philly power band 2nd Grade.New episodes of Indiecast drop every Friday. Listen to Episode 213 here and subscribe wherever you get your podcasts. You can submit questions for Steve and Ian at indiecastmailbag@gmail.com, and make sure to follow us on Instagram and X (formerly Twitter) for all the latest news. We also recently launched a visualizer for our favorite Indiecast moments. Check those out here.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

EVERY OTHER KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO MONTHLY $6 USD PATREON SUPPORTERS. Enjoy this excerpt and please subscribe now via this link to hear this full episode. Thanks!Phil Elverum is here to discuss the new Mount Eerie album, Night Palace, moving back to Washington State after a period living in New York, immersion in your community with family and friends, home ownership and having a sense of place, wealth accumulation and land back, singing and talking to animals, dating songs like journal entries, elaborate album packaging, parents and Palace Brothers, meditation and loving Eric's Trip and Rick White's artwork, a complementary book, future plans, and much more. Support vish on Patreon! Thanks to Blackbyrd Myoozik, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters to Santa. Follow vish online.Related episodes/links:Ep. #889: Rick White and The SadiesEp. #775: Will Oldham & Lori DamianoEp. #673: Sonic YouthEp. #666: Elevator to HellEp. #651: Julie DoironEp. #500: Rick WhiteEp. #317: Bonnie ‘Prince' BillyEp. #134: Bonnie ‘Prince' BillyEric's Trip - A Love SupremeSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

INTERVIEW: Phil Elverum of The Microphones and Mount Eerie (September 2023) by J.J. Weston on Radio One 91FM Dunedin

Phil Elverum has recorded more than 40 albums and documented decades of his life in song – first as “The Microphones” and then as “Mount Eerie”. In this episode, Phil talks with Guy about his musical beginnings playing the tuba, the 40-minute song that tells his life story, and the album he wrote about his wife's death – a project that resonated strongly with countless people experiencing grief.Check out Phil's latest album, Microphones in 2020, here: https://www.pwelverumandsun.com/products/microphones-in-2020-cdLinks from the Show: Interview with young Phil about NirvanaPhil's WebsiteThe Glow Pt. 2Microphones in 2020Seaweed by Mount EerieA Crow Looked at MeGeneviève Castrée: complete worksConnect with Phil:•

On this week's Talkhouse Podcast we've got a very cool episode that was inspired by a very cool performance coming up in Los Angeles soon. It's David Longstreth in conversation with Phil Elverum. Longstreth is the focal point of the band Dirty Projectors, which formed about 20 years ago in Brooklyn, and was part of a scene that kind of elevated indie-pop into something more serious and timeless. It's been clear throughout the years that Longstreth is a musical searcher, having never been content to repeat himself. That's led to an incredibly varied catalog that can even border on pleasantly confusing, and the huge undertaking that he's in the midst of—and the starting point of this conversation—is no exception. About 10 years ago, Longstreth began working on what I'd guess you'd call a contemporary classical song cycle called Song of the Earth, which he performed with the ensemble stargaze a few years back. He's since been refining and reworking the piece, and along with Dirty Projectors and the world-renowned L.A. Philharmonic, he'll perform it on March 2 at the Walt Disney Concert Hall. That's a huge group of people and a massive undertaking—and not to be missed. At almost the opposite end of the spectrum will be that evening's opening act, Mount Eerie, aka renowned minimalist songwriter Phil Elverum. Elverum is almost a mythical figure in indie-rock, having forged a truly unique path over the past decade, first under the name The Microphones and later Mount Eerie. His music is often deeply personal, and he'll move from simply structured indie-folk into fully immersive lo-fi drones in ways that can confound and disarm. His catalog is wide and deep, though if you're unfamiliar with his music, a good place to start is 2001's The Glow Pt. 2. At this concert, he'll not only open the show for Dirty Projectors but he'll also—as you'll hear—participate a little bit, because Longstreth tapped Elverum to help out on a Song of The Earth piece called “Twin Aspens.” They were nice enough to give us a preview of the piece here, so check out a little bit of a not-quite-final version of “Twin Aspens,” composed by Longstreth and with some help from Elverum. As you'll hear in this conversation, these guys are deeply immersed in music, and certainly not just pop music. From hearing them chat I learned about Japanese Gagaku music, among other things. They also talk at length about Elverum's incredible album-length song “Microphones in 2020,” which is essentially a history of his own evolution, with a fascinating visual to go along with it. They also talk a lot about starting the creative process with a palette in mind, which I found fascinating as well. Enjoy the chat, and if you're in the L.A. area, I think there are a few tickets left for this once-in-a-lifetime performance on March 2. Enjoy.  Thanks for listening to the Talkhouse Podcast and thanks to David Longstreth and Phil Elverum for talking. If you liked what you heard, please follow Talkhouse on your favorite podcasting platform, and check out all the great stuff at Talkhouse.com. This episode was produced by Myron Kaplan and the Talkhouse theme is composed and performed by the Range. Annie Fell has my eternal thanks for stepping in to record it at the last minute, too. See you next time!

Phil Elverum is the primary songwriter, performer, and producer for  Mount Eerie and The Microphones. For around 27 years, Phil has been creating some of the most revered and critically acclaimed indie folk of all time. His music veers between stripped back acoustic guitar recordings, to terrifyingly loud and distorted sonic experiments. Mount Eerie is currently on the verge of a return to Aotearoa, playing  in Tāmaki Makaurau, Pōneke, and Ōtepoti with Black Belt Eagle Scout - another band from Washington State that will bring new and classic Mount Eerie tunes to a new, full band soundscape.  I've been obsessed with the music of The Microphones and Mount Eerie since I was fourteen. I think I had the Glow Part 2 album cover as my profile picture on Google for about four years, so suffice to say it was a real privilege to interview him. We had a yarn about the upcoming shows, his previous tours of Aotearoa, twenty years of the Mount Eerie name, and more.  

E whai ake nei, coming up today on VA! Liam spoke to Phil Elverum from Mount Eerie and The Microphones about their upcoming gig at Whammy Bar. Frances speaks with Gene Rivers, Auckland Council Arts and Culture Programmer who runs the Stand Up Stand Out performing arts and music regional competition for high schoolers. She also speaks with Sally McMath from Artspace Aotearoa about the launch of The Kit, a new subscription-based artist resource.

Devendra Banhart, Phil Elverum, Jenny Hval and Bedouine discuss eating on tour, how art is intimacy exposed, and what can be learned from terrible shows. Devendra Banhart, was born in Texas and raised between Venezuela and California, where he attended the San Francisco Art Institute. After dropping out in 2000, he started moving around different cities, experimenting with songwriting and busking as he went. When he released his second album, Oh Me Oh My, in 2002 ,he signed to XL Recordings, and has since released nine albums and collaborated with artists like Anohni, Beck and The Strokes' Fabrizio Moretti. His new album Flying Wig has just come out and was recorded in a Topanga cabin once owned by Neil Young. He's also a visual artist, and has had pieces featured in galleries including San Francisco's Museum of Modern Art, MOCA and Brussels' Centre for Fine Arts. Phil Elverum is a singer-songwriter, producer and visual artist from Washington state. Best known for his musical projects The Microphones and Mount Eerie, he almost exclusively uses analogue recording equipment to make music and tends to compose as he records. His output spans more than 40 albums. Norwegian singer-songwriter, producer and novelist Jenny Hval's avant-garde music has a heavy focus on sexuality and politics. Her debut EP Cigars was released in 2006 and was nominated for a Spellemannprisen (the Nowegian Grammys). Since then, she has released music under her own name, Rocket to the Sky and collaboratively with Laura Jean as Lost Girls. Bedouine is a Syrian-American folk musician whose sound is beautifully reminiscent of 1960s North America. Born in Aleppo, Syria, she grew up between Saudi Arabia and Texas before settling in Savannah to study sound design. Since then, she's released three studio albums and toured with the likes of Fleet Foxes, Michael Kiwanuka and Jose Gonzalez.

Phil Elverum (The Microphones, Mount Eerie) returns to Low Profile with his audio engineer friend Matt Fenton to discuss the time they gave the Kamloops, British Columbia band Peace a chance. They discuss their behind-the-scenes experience facilitating the 2006 debut by the band Peace, “On Earth.” It was the first project Elverum signed to his own label PW Elverum and Sun, up to which point had only released his own music.  One might argue that the album has not particularly aged well, but regardless, just ahead of the album's deluxe 3xLP+Coffee Table Book expanded reissue, Low Profile is proud to present the sordid tale of this 17-minute cult classic.  You're welcome.This episode contains numerous cuss words.  Click here for a bleeped version.Visit the website for this episodeLow Profile is supported by you on Patreon and also receives in-kind support from these independent Olympia businesses:  Schwart'z Deli, San Francisco Street Bakery, Old School Pizzeria, Rainy Day Records and Scherler Easy Premium Shitty American Lager from Three Magnets Brewing Company.Instagram: @lowpropodcastFacebook Community: Low Profile Listener HubPatreon (donation-based bonus content+goods):  patreon.com/lowprofile

After a sobering, deep discussion about Phil Elverum's heartbreaking music, the gang embarks on a dramatic tonal shift to debate fiction's best dragons. Tim also quizzes Cody and Cozy on their knowledge of the World Cup, and Cody sells Tim on Defunctland! Twitter - @hardsellshow Email - hardsellshow@gmail.com Twitch - @hardsellshow

This week we welcome Phil Elverum and Marianna Ritchey to talk about the life and art of Geneviève Castrée.    Geneviève Castrée was a French Canadian cartoonist, illustrator and musician. She was the author of the books Susceptible, A Bubble, and more. She had art exhibitions around the world and toured musically under the names O Paeon and Woelv.    Geneviève passed away on July 9, 2016, at only 35 years old.    She is one of my favorite artists.     Drawn and Quarterly just released her complete works, a giant beautiful book organized, edited and assembled by her husband, Phil Elverum (Mt. Eerie, Microphones).      Marianna Ritchey is  a professor, a musician, and the author of the book Composing Capital: Classical Music in the Neoliberal Era .    She's an old friend of mine, and a longtime friend of Genevieve's.    Towards the end of her life, Geneviève created an oracle deck from collaged magazines, and Ritchey was listed as one of her collaborators. If you get the book, which I really hope you do, you'll see little bits of Ritchey sprinkled throughout, in a diary comic from Australia with her band Lloyd and Michael, and in lists.    I invited her on to talk about the oracle deck and her late friend.    "She was so great. She was a beautiful, wonderful, totally unique person, and I hope everyone will look through this book, and just think about how special she was, and how much she put into the world in such a short amount of time that she was here."  -Ritchey 

The great Julie Doiron joins Dwyer in an epic conversation about being signed to Sub Pop amidst the Grunge hubbub, why she feels happy songs are bragging, the brilliance of Mount Eerie's Phil Elverum, and the future of house shows. This is part one of an epic two part conversation. Part two lives solely on my patreon page and you an listen to that HERE.Opening Song, You Gave Me The Key from the album I Thought of You by Julie Doiron.Julie's bandcamp HEREJulie's official website The 11th Hour: Songs For Climate Justice Purchase HEREPerpetual Doom Preservation Society SubscriptionMike Bridenstine's Comedy Album HustleGet a website by Kelly R Dwyerthemattdwyer.com Hosted on Acast. See acast.com/privacy for more information.

Tim reviews Scott Pilgrim and sells Cody on Phil Elverum! Tim and Cody also wax poetic about Marvel Snap, while Cozy shares her love of Sofa! Twitter - @hardsellshow Email - hardsellshow@gmail.com Twitch - @hardsellshow

Musician Phil Elverum talks about celebrating his late wife, Geneviève Castrée, with a new art book, Geneviève Castrée: Complete Works 1981-2016. Author Mariko Tamaki tells us how she approached writing a modern update of L. M. Montgomery's classic novel Anne of Green Gables. Josh Nalley reflects on his CSI: Vegas debut as a corpse, and how he landed the role as a restaurant manager from rural Kentucky with no prior acting experience.

Musician Phil Elverum talks about celebrating his late wife, Geneviève Castrée, with a new art book, Geneviève Castrée: Complete Works 1981-2016. Author Mariko Tamaki tells us how she approached writing a modern update of L. M. Montgomery's classic novel Anne of Green Gables. Josh Nalley reflects on his CSI: Vegas debut as a corpse, and how he landed the role as a restaurant manager from rural Kentucky with no prior acting experience.

It feels like only yesterday that we finished all nine episodes of our Björk Retrospective series, yet here we are again with a brand new album from one of music's most idiosyncratic and enigmatic visionaries: FOSSORA! Join Jake, Jakob, and Ryley as they break down everything this bizarre and brilliant new record has to offer, and consider where it fits amongst all its established older siblings. Plus, on the note of returns, we also review the comeback record from screamo legends City of Caterpillar, MYSTIC SISTERS, the band's first new LP in 19 years and an absolute cracker fusion of hardcore, post-rock, and post-punk that left us thoroughly knocked for a loop. Watch the video version of this episode and support the channel on YouTube. TIMESTAMPS 0:00 Intro 2:20 A Tribute to Loretta Lynn 6:45 Phil Elverum's Best Record? 17:03 A Fantastic New Live Album 20:13 The Rebirth of Okkervil River 23:18 The Japanese Art-Rock Queen 25:29 New Albums from Yeah Yeah Yeahs, Ka, & Courting 34:22 Listening to Every Album Released in 1990 45:11 City of Caterpillar - Mystic Sisters 1:06:37 Björk - Fossora 1:56:18 Outro

Mount Eeries "Real Death" er en lavmælt, nøgtern beskrivelse af tomheden og sorgen, der følger oven på en elsket persons død. Den betyder noget helt særligt for musikeren og komponisten Marc Facchini, der blev ramt af sangens intensitet i en kort pause midt under en teateropførsel. Marc bliver mindet om at sætte pris på de mennesker, han har kær, når han hører sangen. Og så er den for ham et eksempel på, hvordan man som sangskriver kan videreformidle en følelse med størst mulig effekt. Marc Facchini er aktuel med singlen "Betaler for at puste" (https://www.youtube.com/watch?v=qOiZPWmcq9U). Hans album Breve fra Babylon udkommer til november 2022. Foto: Mads Ogstrup Varighed: 6:04

The guys talk about Jackson meeting Phil Elverum, our favorite books, and react-gate. Links: https://linktr.ee/thegoodenoughpodcast The guys: Luke: Channel: https://www.youtube.com/channel/UCs5QNDD5u20Q0vifli80UqQ Twitter: https://twitter.com/LukeOnDemandYT Instagram: https://www.instagram.com/lukeondemandyt/ Jackson: Channel: https://www.youtube.com/channel/UCiWMNY8SdFbqtdtn74Mf9iw Twitter: https://twitter.com/jacksonnburns Instagram: https://www.instagram.com/jacksonnburns/ Jake: Channel: https://www.youtube.com/channel/UCzcLnmBnlYwveqeTSKcP6Hg Twitter: https://twitter.com/JakeJosephMusic Instagram: https://www.instagram.com/abucketofjake/?hl=en it's good enough --- Send in a voice message: https://anchor.fm/good-enough-podcast/message

In the season five finale—the 30th episode overall (a landmark?), and the sixth episode this time around, Kevin welcomes illustrious guest Anika Pyle to the virtual building. A member of the beloved but long defunct pop-punk outfit Chumped, and the leader for the equally as poppy and punky group Katie Ellen, Pyle spent 2020 crafting her solo debut, Wild River. The two talk about the album, remaining creative during a fucking pandemic, vegan food, and the gender politics of pop music. For additional information about the verbose and depressive music website Ahendonic Headphones, click here! And more importantly, to learn more about Anika Pyle, click here! Episode Musical Credits: Opening Theme Music- "Flava In Ya Ear" (Instrumental); written by Osten Harvey Jr, Craig Mack, Roger Nichols, and Paul Williams. Bad Boy Records, 1994. Closing Music - "Truth," written and performed by Kamasi Washington. Harmony of Difference, Young Turks, 2017. "The Locomotion," written by Carole King and Gerry Coffin; performed by Little Eva. Dimension, 1962. "Wannabe," written by Geri Halliwell, Melanie Brown, Melanie Chisholm, Emma Bunton, Victoria Beckham, Matt Rowe, and Richard Stannard; performed by Spice Girls. Spice, Virgin Records, 1996. "You Oughta Know," written by Alanis Morissette and Glen Ballard; performed by Alanis Morissette. Jagged Little Pill, Maverick, 1995. "Strange Fruit," written by Abel Meeropol; performed by Billie Holiday. Commodore, 1939. "Chalkline," written by Thomas Barnett, Matt Smith, Garth Petrie, and Matt Sherwood; performed by Strike Anywhere. Change is A Sound, Jade Tree, 2001. "I Felt Your Shape," written by Phil Elverum; performed by The Microphones. The Glow, Pt 2, K Records, 2001. "Hey Allison," written and performed by Jeff Rosenstock. We Cool?, SideOneDummy, 2015. "Mountain Kids," written by Augusta Koch, Allegra Anka, and Kelly Olsen; performed by Cayetana. Nervous Like Me, Tiny Engines, 2014. "I Wanna Dance With Somebody (Who Loves Me)," written by Shannon Rubicam and George Merrill; performed by Whitney Houston. Whitney, Aristia, 1987.  "Govinda Jai Jai," performed by Alice Coltrane. Radha-Krsna Nama Sankirtana, Warner Brothers, 1977. 

Today, we're welcoming Phil Elverum onto the podcast. Phil has been releasing music for over 20 years now. First, through his band The Microphones and then under the name Mount Eerie - a project he started in 2003 and is still running today. Over the course of his career so far, Phil has put out more than 40 albums.  Phil discovered Elliott Smith's music in the mid-'90s and even saw him play live a couple of times. He has lots of interesting perspectives to share - so hopefully you enjoy this interview! Extra things to look at / listen to: I Didn't Understand by Elliott Smith: https://open.spotify.com/track/3IQApXKUun0iHHtpsvI7xL?si=db96c08b1b0b4596 XO by Elliott Smith on Spotify: https://open.spotify.com/album/1zOxlHQGGV6EH7n4OIFTyh?si=ycBNDKIPQseK8I_WFHiKLw&dl_branch=1 Phil Elverum website: https://www.pwelverumandsun.com My Favourite Elliott Smith Song is produced by Rob Comba and Elizabeth Withstandley.  Find us on social media @myfavesmithsong. MyFavouriteElliottSmithSong.com

In this episode, Phil Elverum reflects on the experience of making MOUNT EERIE, the last album made under the Microphones name before adopting Mount Eerie as his project name. Phil gets into the process of taking a different approach from his previous album, THE GLOW PT. 2, and conceiving of a theatrical story about death and transformation. As his final album recorded in Olympia, Phil talks about embracing collaboration and enlisting friends from the Pacific Northwest music scene, including Mirah Zeitlyn, Khaela Maricich, Kyle Field, Karl Blau and Calvin Johnson to take on the roles of different characters. From the initial inspiration of driving around in Florida shortly after September 11th happened, to the difficulties of solo recording a 10-minute samba drum section to tape to taking inspiration from artists like Sade, Bjork and Timbaland to the young person's search for meaning, we'll hear the stories around how the record came together.

Musicians like Kyle Field of Little Wings, and Phil Elverum of The Microphones and Mount Eerie have been singing the praises of Lee Baggett for years. Lee has been legend in certain circles garnering praise for his songwriting and guitar playing. He joins Dwyer in his one of his only interviews to talk about surfing, why he's been such a mysterious figure, his influences, playing guitar like Eddie Van Halen and his new Just A Minute album coming out April 30th on Perpetual Doom.Opening Song, Just A Minute by Lee BaggettBuy the vinyl version Just A Minute HERE Lee's Bandcamp HEREThe video for Just A Minute HEREThe Legend of Lee Baggett video HERE Lee playing Eruption HEREAll Things Dwyer HEREConversations With Dwyer is Produced, Edited and hosted by Matt DwyerConsulting Producer: Dustin Marshall See acast.com/privacy for privacy and opt-out information.

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You could have heard this episode early by supporting us on Patreon for as low as $1/month: https://www.patreon.com/IndieheadsPodcast Alex and Jake are back, this time talking about Mount Eerie’s 2013 foray into electronic music with Pre-Human Ideas, as well as Live in Bloomington, September 30th, 2011. You can listen to the previous episode here: https://youtu.be/dKGmV2gksqY

Jake and Alex are joined by AJ to talk about the dense, textured, and gloomy Mount Eerie albums Clear Moon and Ocean Roar. Listen to the previous episode here: https://youtu.be/I2IVOc1gxZU Support us on our new Patreon, where you could have heard this episode 24 hours early for just $1/month: https://www.patreon.com/IndieheadsPodcast Subscribe to us on iTunes: http://apple.co/1FacExXVisit our […]

This week we're revisiting our 2017 conversation with musician Phil Elverum. Phil is a singer-songwriter best known for the music he records as the bands the Microphones and Mount Eerie. Earlier this year he released a new album titled Microphones in 2020. He joined Jesse to talk about grieving the loss of his first wife, cartoonist Geneviève Castrée, and how a trip British Columbia with his daughter inspired the album A Crow Looked at Me.

In which we talk about the two Mount Eerie related “movies” – Fog Movies and Wise Old Little Boy. You can listen to the previous episode here: https://youtu.be/qtesgNqtyKI Support us on our new Patreon, where you could have heard this episode 24 hours early for just $1/month: https://www.patreon.com/IndieheadsPodcast

Alex and Jake continue this week with a loose discussion on all of the Mount Eerie music videos. You can listen to the previous episode here: https://youtu.be/l98jN497rJ4 Subscribe to us on iTunes: http://apple.co/1FacExX Visit our archives: http://bit.ly/1QhmOID E-mail us: rindieheadspodcast@gmail.com Follow us on Twitter: http://bit.ly/1SsSGKf And follow us on Spotify: https://spoti.fi/2SK69kw

Just a few hours prior to recording, a couple stories grabbed Greg’s attention & inspired our newest named segment, which he’s calling “Tay-Tay Today”. A little over a year ago, former Kanye West manager Scooter Braun purchased Big Machine Label Group which owned the rights to Taylor Swift’s first six albums. In spectacular fashion, the Swifties unleashed on Scootie and drama ensued (interesting to note, Scooter has incredibly thin skin, which is really surprising, given his name, which is Scooter). So this week news dropped that Mr. Braun sold the rights to her catalog & Taylor confirmed that she’s been re-recording her entire catalog to give fans a way to listen to her music without supporting her adversaries. Oh Taylor, we genuinely love you! [Variety & Variety]Song: Here Lies Man - “I Told You (You Shall Die)”In other news, Jason Isbell & Amanda Shires announced that they were leaving the Country Music Association over the CMA’s failure to honor John Prine (as well as Jerry Jeff Walker and Billy Joe Shaver) during the ceremony. So, basically the most perfectly assembled Jay story ever. We get into it and pivot to some overall issues facing Nashville today. [Pitchfork]Song: Barry Gibb - “Word of a Fool”Nick has some bad news, apparently vinyl is on its way out & we have COVID-19 to blame!! Actually, it looks like production is down because of plant shutdowns and sales haven’t been as high (probably because of the aforementioned drop in production, resulting in reduced availability). Nevertheless, Pitchfork is proclaiming the “Vinyl Revival” in jeopardy & we proclaim that assessment “Total BS”. [Pitchfork]Also, he’s really been digging Microphones in 2020 & everything else Phil Elverum has ben making the past few years.Album/Song: The Microphones in 2020

Alex and Jake return to discuss four miscellaneous projects by Mount Eerie: White Stag, Black Wooden, Black Wooden Ceiling Opening, and Song Islands, Vol. 2. You can listen to the previous episode here: https://youtu.be/seAsp9UxWOY Subscribe to us on iTunes: http://apple.co/1FacExX Visit our archives: http://bit.ly/1QhmOID E-mail us: rindieheadspodcast@gmail.com Follow us on Twitter: http://bit.ly/1SsSGKf And follow us […]

Про одного фолк-музыканта. Наш плейлист на Spotify: https://spoti.fi/2G45lpi Patreon: www.patreon.com/blitzandchips Boom Clap: podcasts.apple.com/ru/podcast/boom…ap/id1456280130 Жуть: podcasts.apple.com/ru/podcast/%D0%…8C/id1474237014 Beats and Chords: podcasts.apple.com/ru/podcast/beat…ds/id1326222560 Канал на YouTube: www.youtube.com/c/BlitzandChipsVideo В подкасте участвуют: Гриша Пророков, Артём Макарский, Тарлан Абдуллаев Музыку написал Иван Калашников из Наади (спасибо!) Логотип сделал Даня Удобный (спасибо!) Почта: prorokovgrisha@gmail.com Канал в Telegram: telegram.me/grishaprorokov Вот ссылки: Mount Eerie’s Phil Elverum is Funnier Than You Think: https://bit.ly/2EMcdXv видео Microphones in 2020: https://bit.ly/30niDE3 Мишель Уильямс и Фил Элверум: https://bit.ly/33fJh3s Спасибо всем кто даёт $10 и больше на Patreon: Alexey Kalenchuk Aydar Galimov Alexeenko Angelina Вова Апенов Artem Gordin Ilya Kochetkov Golgothan Sonya Permiakova Lena Khalilova Vadim Patsev Евдокия Антощак Alexey Taktarov Федор Белоусов

My guest today is Phil Elverum. Phil has been making music under the moniker Mount Eerie, named for a mountain in Washington, since 2003. Prior to that, he made music as The Microphones. We’ll get to the origin of that band name later. I first met Phil in the mid-2000s in his hometown of Anacortes, WA, a small town where for years he helped organize What The Heck Fest, a music festival that drew acts and audience members from the world over. In the last 25 years he has been taking his music all over this earth and has released and produced a ton of music and visual art. On his latest album, he goes back to being the Microphones again. Simply titled Microphones in 2020, he delivers a sung memoir on his music career so far, over the course of a single 45 minute song. There’s a really beautiful video of it that you can find online, too. I called my friend Phil to chat about the new record, his winter isolated in a rural cabin in norway, photography, his hilarious cartoons, writing about life, and death, and his artistic development while living in Olympia. If you like this show and want to help it keep growing, you can subscribe to the show wherever you get podcasts. Patreon.com/lowprofile is a place you can throw a few bucks this way. I’ve also been putting more stuff on instagram @lowpropodcast for people who like to look at things. If you want a sticker or a button, just ask. Life hack: the buttons work really well to connect a face mask behind a kid’s head! And the stickers fit right over your eyes if it’s ever all too much for you. And it lets people know you love Low Profile. Here’s my conversation with the original line-up of the Microphones.

Trochu rozmazané, přepálené fotky. Duch minulosti, dvojitá expozice. Pomalu mizící vzpomínky na horké letní dny a dlouhé zimní večery. Přehlížíme poslední roky i desetiletí. Co všechno se stalo, co se v nás změnilo? Phil Elverum po 16 letech oživil svůj původní projekt The Microphones. Pětačtyřicet minut trvající hudební a filmová esej o tom, co bylo a je důležité a co může znamenat touha po tvorbě umění.

Trochu rozmazané, přepálené fotky. Duch minulosti, dvojitá expozice. Pomalu mizící vzpomínky na horké letní dny a dlouhé zimní večery. Přehlížíme poslední roky i desetiletí. Co všechno se stalo, co se v nás změnilo? Phil Elverum po 16 letech oživil svůj původní projekt The Microphones. Pětačtyřicet minut trvající hudební a filmová esej o tom, co bylo a je důležité a co může znamenat touha po tvorbě umění.

We celebrate Phil Elverum's return to The Microphones with a deep dive into Elverum's 2001 masterpiece, The Glow Pt. 2. Email us: PopShieldPod@gmail.com  Follow us on Twitter: @PopShieldPod

Fitzcarraldo 1️⃣5️⃣ resultados sorprendentes en la champions league, 🥅 ⚽️ goles y drama. Nos gusta que caigan los grandes. Damos un tono trágico 💀 ☀️ al verano y revertimos la alegría inherente a estas fechas con una selección de canciones donde la muerte estará muy presente una buena manera de acompañar la película que comentaremos hoy. Comenzamos con Mount Eerie proyecto musical de Phil Elverum, quien también había grabado con anterioridad bajo el nombre The Microphones. Se trata de un músico con un sonido muy personal, se casó en 2004 con Geneviève Castrée, escritora y música canadiense, después de diez años de matrimonio en 2015 tuvieron un hijo, tan sólo un año después ella fallecería. Después de la perdida de su compañera, Phil Everum sacará un disco, hablando de sus sentimientos, el sufrimiento y el dolor. El resultado son temas de letras directas, el disco se titula “A Crow Looked at Me” y nos emociona llegándonos a lo más profundo. La canción que compartimos con vosotros es “Real Death”. Pero la vida continua, el hombre es capaz de sobreponerse a todo, de ahí su grandeza y tal vez alguna de sus miserias. No tuvimos bastante con los doce minutos de “America” el tema de adelanto del próximo álbum de Sufjan Stevens “The Ascension”, que ahora compartirnos el segundo single, “Video Game” que viene acompañado de un videoclip protagonizado por Jalaiah Harmon, que con sólo catorce años es la creadora de la coreografía del Renegade dance, un baile que se ha vuelto viral en Tik,Tok. Definitivamente nos hacemos viejos. A cierta edad hay que abandonar la vanguardia, ya no tenemos energía para aguantar. Un día te acuestas en la vanguardia y al día siguiente te levantas definitivamente en la retaguardia. Seguimos con Félix Blume, es un ingeniero de sonido francés, que en 2018 se trasladó hasta Haití con su equipo de sonido para grabar los funerales típicos de la isla, en los que suele haber una banda tocando y acompañando a la comitiva fúnebre. El resultado fue un disco conceptual, en el que se entremezclan los sonidos de las calles de Puerto Príncipe, la algarabía de celebraciones y los acordes musicales. Oímos en una de esas grabaciones una banda tocando en una procesión “Funeral Procession: Ami fidèle et tendre”. Recordamos la famosa segunda línea de los funerales jazzísticos de Nueva Orleans, que pudimos ver por ejemplo en Treme la gran serie David Simon para HBO. Nos vamos Alemania con Notwist, una banda alemana de indie rock, que después de seis años sin grabar sacan nuevo EP, en el que viene la canción “Ship”, con la colaboración de Saya, la cantante japonesa del grupo Tenniscoats / テニスコーツ. Entre la música electrónica de tradición berlinesa entorno la discográfica Morr Music y el pop luminoso japonés. Continuamos con nuestro periplo de muerte, rescatamos del disco “Murder Ballads” de Nick Cave del año 1996. Un disco temático entorno a crímenes y asesinatos, que enlaza bien con la película que vamos a comentar, la canción que hemos elegido es “The Kindness Of Strangers” . El disco se convirtió en uno de los grandes éxitos de Nick Cave. A raíz de la muerte de uno de sus hijos el artista ha utilizado su arte para intentar exorcizar el dolor por la pérdida. Nos hacemos eco de unas declaraciones recientes del músico australiano sobre la corrección política y la asfixia creativa que puede acabar provocando en el alma creativa de una sociedad. Si tienes alguna pregunta , o algún comentario que hacer llegar a Nick Cave puedes hacerlo a través de la web www.theredhandfiles.com, donde el artista se muestra cercano. Toca escuchar una de las bandas más prominentes del synth pop contemporáneo, Future Islands, suena “Thrill” el segundo adelanto del álbum “As Long As You Are”, ,que saldrá a la luz el próximo 9 de octubre a través de los sellos 4AD y Popstock!. El día 3 de mazo de 2014, fue el día que cambio la historia de esta banda, ese día aparecieron en el programa televisivo de David Letterman, la manera de bailar de su vocalista Sam Herring, convirtió la actuación en viral y llevó al grupo a lo más alto. Una voz importante acompañada por los sintetizadores, una mezcla peculiar que dota al grupo de su personalidad única. El hombre normal. ▶️▶️44:20 La película de esta semana es “La casa de Jack” 2018 de Lars von Trier. Recorremos la trayectoria de Lars Von Trier, uno de los grandes creadores de la Historia del cine. Europa (1991) la película con que lo descubrimos, seguiría una de sus obras maestras “Rompiendo las olas” (1996), después vendría el controvertido movimiento Dogma 95, dentro del cual sacaría su película “Los Idiotas” 1998, “Bailar en la Oscuridad“ 2000, comenzaría la trilogía USA, con” Dogville” 2003, continuada con “Manderlay” 2005, la comedia “El jefe de todo esto” 2006, “Anticristo” 2009 otra de sus grandes películas y que supuso otro escandalo mayúsculo ,”Melancolía “de 2011 una de sus obras mayores, fue le año también del escándalo de sus declaraciones en Cannes, vendrían en 2013 “Nymphomaniac” y la “La casa de Jack” en 2018. Recuerdos de cuando el cine estaba vivo. Un montaje mutilado. Una película gore más compleja de lo en un principio pudiera parecer. Una adaptación espúrea de la divina comedia. Una conversación entre el poeta Virgilio y el ánima de un asesino psicópata, que en su descenso en los infiernos conversan y teorizan sobre el sentido del arte y sus límites, la moral… mientras recorre su trayectoria brutal y violenta en cinco incidentes, se entremezclan imágenes de archivo; del pianista de Glenn Gould, dibujos animados, imágenes de las propias películas del autor ...etc. Un compendio de toda la trayectoria de Von Trier. La ficción donde el creador puede dar rienda suelta a sus fantasías. El arte que deja cicatrices. ¿Es licito utilizar las bajas pulsiones humanas para hacer arte? El autoconocimiento puede herir, la tentación irrefrenable de seguir mirando. Un sentido del humor negro, en muchos momentos la película tiene un cierto tono paródico. Una cámara frigorífica llena de cadáveres como metáfora de la mente creadora. Todo desemboca en un interesante debate sobre los límites de lo políticamente correcto. Para despedir suena Fame de David Bowie.

Anacortes, WA native, Phil Elverum talks about how he tried to break nostalgia by creating a one-track, 45-minute album under his old stage name, The Microphones.   "I wanted to get at what The Microphones was,” Elverum says.   Elverum also talks about maintaining his DIY and indie approach to music-making and defying the streaming era model of money-making by releasing such a long song and avoiding streaming services altogether.  “It’s maybe an act of protest in a way,” Elverum says. “Songs are getting shorter, people’s attention spans are getting whittled away. I don’t feel great about that and I want to maybe push in the other direction.” Support the show: https://www.kexp.org/sound/

To celebrate the 20th anniversary deluxe reissue of Mirah's iconic debut You Think It's Like This But Really It's Like This as well the surprise return of The Microphones with The Microphones in 2020, today's show pairs Phil Elverum (also of Mount Eerie) and Mirah in conversation. The dear old friends and collaborators share memories — and explore the act of remembering — in this touching, often very funny talk. Stay tuned for insights into the incredible Olympia, WA music scene of the late '90s/early '00s; why Phil is recording as The Microphones again; and metaphorically — as well as literally — carrying your trash around with you. Check it out, and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast, including Bob Mould with Bully's Alicia Bognanno, Deerhoof with Wadada Leo Smith, and Mac DeMarco with Dayglow. —Elia Einhorn, Talkhouse Podcast host and producer For this week’s episode, everyone you hear recorded themself at their #stayhome studios. Our producer is Mark Yoshizumi. The Talkhouse Podcast theme song was composed and performed by The Range. Please direct all podcast-related ideas, vitriol, and compliments to elia@thetalkhouse.com.

Since the late '90s, Phil Elverum has remained at work on one of the strangest and most beautiful discographies in independent rock. As The Microphones, he created genre-defining records like 2001's The Glow Pt. 2, which has been hailed by critics like Heather Phares, who praised its "kaleidoscopic sounds...pastoral folky ballads, playful symphonic pop, and gusts of white noise," and Elverum's "strangely hymnal lyrics." In 2003, he abandoned the name The Microphones and embarked upon a series of records under the Mount Eerie moniker. They not only retained that sense of spaciousness, but greatly expanded it, incorporating the influence of black metal and extended song lengths. In 2016, Genevieve Castree, and illustrator, musician, and cartoonist, and also Phil’s wife and the mother of their daughter Agathe, passed away from pancreatic cancer. Phil recorded a set of harrowing, beautiful, and extraordinarily human albums about the experience, including A Crow Looked at Me, Now Only, and Lost Wisdom Pt. 2, recorded with Julie Doiron. Along the way, he married actress Michelle Williams and moved to New York City, though that relationship has ended and he and Agathe are back in the Pacific Northwest these days. It’s hard to sum up Elverum’s story, but in a weird way, that’s kind of what he does on his new record, The Microphones in 2020, which features one, 44-minute long song. It’s his first time using the Microphones name since 2003, and to hear him express it, it’s kind of an album about identity. While it’s no less autobiographical than his recent records, it’s a step in a different direction, temporal poetry about transience and the way a person becomes a different person—but somehow, it's also how they stay the same person. Once again, we’re dabbling in paradox and contradiction. Elverum created a film to go along with it, in which he displays decades worth of personal photographs, occasionally brushing them from the frame, where they are replaced by new images. And that’s where we find Phil: in the midst of trying to figure out how time shapes and creates us, and how we shape and conceive of time. This week on Transmissions, he opens his (virtual) door and invites us in to discuss the new album, personal history, identity, and Weird Al.

Jake and Alex tackle Mount Eerie’s 2009 album Wind’s Poem! The interview we mentioned — https://believermag.com/an-interview-with-phil-elverum/ Live performance we mentioned — https://youtu.be/19JxncDkpas

Alex and Jake return with special guest Dyl to discuss Mount Eerie’s 2008 projects Lost Wisdom and Dawn (also covering Seven New Songs of Mount Eerie, as well as Eleven Old Songs).

Jake and Alex return to briefly talk about the forthcoming Microphones album set to release in August!

Phil Elverum has described Orange as “an actual real-life lounging grass-grove poet who went on to write the best songs in human history.”

As a young indigenous artist growing up in Northwest Washington, Katherine Paul was drawn to the noise of grunge and Bikini Kill's punk. But the rhythms of an idyllic life on her Coast Salish reservation, punctuated by her family's All My Relations gatherings—an annual powwow which coincided with birthday parties celebrated in the local gymnasium—are deeply-rooted in her being. These unique and varied inspirations would later inform the way she would make music under the Black Belt Eagle Scout moniker.I was struck by how incredibly brave KP is. Everywhere on the internet where her work is praised, there are folks waiting to take her down. But she persists. As a radio producer, you are told never to relinquish your mic to the interviewee. But on one of the final questions, KP gently but firmly wrestles the mic out of my hand to answer the question. When I asked her later about it, she had no recollection of doing it—such is the strength of her conviction. See if you can guess at what point this happened?Many thanks for making this episode possible—KP for her grace and time. Her parents: Patricia Paul and Kevin Paul for use of powwow music. Bikini Kill for every Riot Grrrl's anthem, Phil Elverum for the use of music by Geneviève Castrée's as WOELV. Saddle Creek, Pitch Perfect PR and Terrordbird for all the support. See acast.com/privacy for privacy and opt-out information.

Travis and Emmanuel talk to the charming PHIL ELVERUM of THE MICROPHONES and MOUNT EERIE! We cover precisely why The Grateful Dead sucks, scoring free things at the dump, and nerding out over Eric's Trip. Plus we get deep on Phil's highschool road trip across Canada, performing Smashing Pumpkins covers at open mics, and taking baby passport photos. An instant CITY SLANG classic.

On this episode, Shane selects Pinegrove's new album Marigold as his 2020 pick. Shane and Trevor have fun exploring the themes of this album and hear influences that include musicians Deathcab for Cutie and Phil Elverum, as well as literary influences such as George Saunders and William Faulkner. The music itself spans genres from alt country to emo and indie. They appreciate diving into this album both for the musical and lyrical enjoyment as well as the reminders to stand up tall and stay hydrated. Included on this episode are musical contributions by Pinegrove fans Zebeeb Awalom and Paul Yoon. Links to their songs can be found below.Zebeeb Awalom https://www.instagram.com/p/B61jG-Wn8Pb/?igshid=12fl16ge4m85sPaul Yoon https://www.instagram.com/tv/B66-p9PJUtO/?igshid=1mpo1a39as045 

Lee Baggett is a legend among musicians. His brilliance is touted by such notable singer songwriters such as Phil Elverum, Kyle Field and Karl Blau. Lee has played guitar on numerous Little Wings albums but has been somewhat a hidden gem ass a frontman and solo artists. That has changed with Perpetual Doom's release of his new album In a Minute. Lee joins "Conversations With Dwyer" to talk about his mysterious career, his new album, and various tales of growing up on the West Coast. Below in the show notes are all the link to videos and albums we discuss in the episode. Opening song: "In A Minute," by Lee Baggett from his Album In A MinutePreorder/Purchase In A Minute HERELee's Bandcamp HEREAnimated Short, The Legend of Lee Baggett written by Phil Elverum HERELee shredding Eddie Van Halen's Eruption HERELee's Video for In A Minute HERELee's Instagram HEREAll Things Matt Dwyer HEREConversations With Dwyer is Produced, Recorded Edited, and Hosted by Matt DwyerConsulting Producer Dustin Marshall See acast.com/privacy for privacy and opt-out information.

On this episode of the Phil Elverum Discography Breakdown Series, Jake and Alex cover Singers, Mount Eerie, Parts 6 & 7, as well as an exclusive reading from the physical  7” single of “The Moon”

The one about "I Miss You." Featuring Phil Elverum of Mount Eerie. Phil shows up around 2:29:20. Buy Phil Elverum's releases at https://www.pwelverumandsun.com/ Get more episodes of Blink-155 at http://www.patreon.com/blink155  

Phil Elverum shares his open wounds — of death, love and the loss of love — in close harmonies, accompanied only by electric and nylon-string guitars.

Phil Elverum shares his open wounds — of death, love and the loss of love — in close harmonies, accompanied only by electric and nylon-string guitars.

On this episode of the Phil Elverum Discog Breakdown Series, Jake, Alex, and special guest Matty dissect the cryptic Mount Eerie “debut”, No Flashlight.

On this episode of the Phil Elverum Discography Breakdown Series, Alex and Jake cover some B-sides, demos, and other rarities not yet discussed in the series. Pulled from the albums: Window, Blood, Little Bird Flies into a Big Black Cloud, and The Glow, Pt. 2 (Other Songs and Destroyed Versions).

On this episode of the Phil Elverum discography breakdown series, Jake and Alex discuss a couple of miscellaneous Microphones projects in the Song Islands compilation, and Live in Japan: February 19th, 21st, & 22nd, 2003, Kyoto, Nagoya, & Tokyo.

On this episode of our Phil Elverum Discog Breakdown, Jake and Alex talk Elverum’s final studio album as The Microphones, Mount Eerie. 

On this episode of Discog Breakdown, Jake and Alex talk about the legendary third album from The Microphones, The Glow, Pt. 2. 

In the second episode of our new series, Discog Breakdown, where we’ll be breaking down a significant artist’s discography release by release, Jake and Alex talk Phil Elverum’s second album as the Microphones, It Was Hot, We Stayed in the Water.

In the first episode of our new series, Discog Breakdown, we’ll be taking a look at an artist’s discography release by release, and the first artist we’ll be talking about for this series is Phil Elverum, the Washington-based musician behind projects such as The Microphones and Mount Eerie. In this inaugural episode, Jake and Alex […]

As a follow up to last episode, Cass and Alex discuss The End of Evangelion and The Rebuild of Evangelion, directed by Hideaki Anno and produced by Studio Gainax. Next month we are going to be watching and discussing A Place Further Than The Universe, directed by Atsuko Ishizuka and produced by Madhouse. Discussed: Bad synchronization, Hideaki Anno's vendetta against otaku, being put in a lake, Bakelite, genericized trademarks, making out with a 14-year old and then exploding, having mama with you, hoping the entire world will be destroyed so you don't have to make a decision, late 90s alternate universe nicktoon staring Kensuke and Toji, Chekhov's lance, wallowing over men, sucking his hand clean off, the Michelin man, weird Kabbalah shit I don't understand, being chewed out by every woman you've ever met, melting into Tang, the Chamber of Guf, virtue signalling, The End of Evangelion and the Audience-Author Membrane by Dan Olson, Futura Free by Frank Ocean, Friends at the Table, SSSS.Gridman, Giant God Warrior Appears in Tokyo, the live action content we've been craving, The End of The End of Evangelion, why people hate this movie, homeless shinji, 3d animation, gamer catgirl, Animal Collective, Neutral Milk Hotel, Phil Elverum, being mocked for your small areolas, the wisdom of Kaji, watering your crops in the geo-front, going berzerk, plonking on the ivories with your boyfriend, the #resistance, what if the monolith from 2001 was a gaming computer, taking in lore, No More Birthdays by Sound Team Alex's book recommendation: Slow River by Nicola Griffith Cass's book recommendation: Kafka on the Shore by Haruki Murakami Social: Show Twitter: @animeisforjerks Show Mastodon: @animeisforjerks@skeleton.cool Show Email: animeisforjerks@gmail.com Cass's Twitter: @prophet_goddess Cass's Mastodon: @prophet_goddess@skeleton.cool Alex's Twitter: @dunndunndunn Alex's Mastodon: @catalina@selfy.army

Royals: Minutes 2.5 to 11 In this episode of Gossip with Celebitchy, we talk about Duchess Meghan’s impending birth, which hasn’t happened yet as of this morning, 4/29. I mention that Meghan may have had the baby already and not announced it but Chandra said that couldn’t happen or royal reporters would throw a fit! We mention the crazy story that Harry and Meghan would move overseas, which originated in the reputable Sunday Times of London. Sources told The Sunday Times it was William’s idea as Harry and Meghan were getting too much attention. Follow-up stories next claimed it was Harry’s idea! Then Vanity Fair told the Sussex’s side that they were staying in the UK and were not consulting with any family member except The Queen and Prince Charles. We wonder about this notion that William is preparing to king when his father is next in line.  Olivia Munn: Minutes 11 to 18 Olivia Munn posted a bizarre rant against Heather and Jessica of The Fug Girls, using their photos, names, and mischaracterizing their lighthearted fashion commentary. We talk about her hypocrisy and make a decision about our future coverage of her. Game of Thrones spoiler free: Minutes 18 to 20.5 We cover the excitement over Game of Thrones. Chandra says that the fan theories are getting out of control. She explains the way that White Walkers are made as I was unclear about this. Celebrity splits: Minutes 20.5 to 25.5 We discuss three recent celebrity splits: Adele and Simon Konecki, Anna Camp and Skylar Astin and Michelle Williams and the guy we barely heard about, Phil Elverum. Chandra loves Fossey Verdon and mentions that Michelle has crazy chemistry with Sam Rockwell. User questions including blind items: Minutes 25.5 to 31.5 Pamela and Caity asked us on Twitter about whether we get sent tips, particularly by publicists. We talk about a tip we got in 2010 from a woman who claims her friend slept with John Mayer! I read an excerpt from that email at minute 27. Chandra loves promo emails from designers and jewelry companies. Chandra spoke to a 90s icon several years ago from whom she got some blind items about another celebrity that person hates. Comments of the week: Minutes 31.5 to end My comment of the week was from BchyYogi about Jennifer Garner’s shoes. Chandra’s comment of the week was a matter-of-fact one about white privilege from ByTheSea on a Lori Loughlin post. We talk about white privilege and how trolls call us racist against white people. That’s not a thing!

This week we invite you into our kitchen to talk politics. We make breakfast while explaining some big ideas like why leftists shouldn't discount electoral politics, why we still like Bernie, and why we're leftists in the first place. We also discuss poli sci concepts like the social contract, negative & positive freedom, what is the state, and utopias! Finally we round out our discussion by sending out our deepest congratulations to Phil Elverum and Michelle Williams. And in honor of their recent nuptials we ride out to “II. Solar System,” the happiest Microphones song we could think of.

For the monumental 150th episode we premiere a new theme song by friend of the show LAYNE MONTGOMERY from LAYNE MONTGOMERY PAPER COMPANY. He does the rock and roll music real good. Then @Malive from the wonderful podcast @AFewBeersIn joins me to discuss why this podcast is ultimately bad, podcast longevity, Phil Elverum and Michelle Williams, the wonderful Star Wars novel Lost Stars by Claudia Grey, the positive parts of the Star Wars fandom, Clone Wars and Rebels, Ben Affleck's ultimately bad movie career, and much more. We also got a call from previous guest Kevin Stariker where we rank the Mission Impossible movies and talk about how wonderful and horny Mamma Mia: Here We Go Again is. Thanks for listening. 150 more I guess.

It's alright, it's OK: Ashley Tisdale is working on a new album. "It's official," she tweeted. But you know what's not (Instagram) official? Nick Jonas and Priyanka Chopra's rumored engagement! Sources say yes, it's true, but we say... Where are the receipts? We also say AHHHHHHHHH regarding a feud between two teenagers: Bhad Bhabie and JoJo Siwa. And we say AWWWWWW to news of a secret marriage between Michelle Williams (actress) and Phil Elverum (singer). Plus, Carole Radziwill is dropping out of Housewives, and VIcki Gunvalson loves her new face! Come see us in Brooklyn on August 16th at The Bell House!

Host Lior Phillips chats with Phil Elverum of Mount Eerie and The Microphones, from a hotel room studio at the Sled Island Music & Arts Festival in Calgary. Lior and Phil discuss facing death with music, the escape of heavy metal, his upcoming live album, and his family's pet gorilla. This episode was brought to you by our friends at Vivid Seats. For information regarding your data privacy, visit acast.com/privacy

La Mélodie du Bonheur, c'est un podcast hebdomadaire consacré à la musique. Chaque semaine, un album passe dans notre viseur, dans un cycle trois actus, un hors-actu. L'album de la semaine : Cette semaine, Flavien, Léo, Wazoo et Woozz vous parlent de Now Only, album de Mount Eerie sorti le 16 mars 2018. Les recommandations : • Flavien : Minit, jeu vidéo édité par Devolver Digital• Léo : Maintenant, livre du Comité invisible• Wazoo : Killer 7, jeu vidéo développé par Grasshopper Manufacture• Woozz : Le trou, film de Jacques Becker Tracklist : • Générique de début : Michel Polnareff – Une simple mélodie ; Star Academy – La Musique• Album de la semaine : Mount Eerie - Swims ; Mount Eerie - Tintin in Tibet ; Mount Eerie - Now Only• Quizz : Enya - Only Time ; Arcade Fire - Erverything Now ; Sufjan Stevens - The Only Thing ; Portishead - Only You ; The Jam - But I'm Different Now ; Pet Shop Boys - You Only Tell Me You Love Me When You're Drunk ; Kanye West - Only One ; The Psychedelic Furs - Forever Now ; The Magnetic Fields - My Only Friend ; Nine Inch Nails - The Only Time ; David Bowie - Where Are We Now? ; The Beach Boys - God Only Knows ; The Knife - Listen Now ; Pavlov's Dog - Only You ; Queen - Don't Stop Me Now• Morceau de fin : Yasutaka Nakata - Nanimono (feat. Kenshi Yonezu) (Danny L Harle Remix)• Générique de fin : Pet Shop Boys – Hit Music ; ABBA – Thank You for the Music ; Ulver – Like Music ; Kraftwerk – Musique Non Stop ; Serge Gainsbourg – Ballade de Melody Nelson Retrouver le podcast : XSilence | Facebook | Twitter | iTunes | Podcloud

Toronto folk singer-songwriter Luke Kuplowsky, otherwise known as LUKA, conjures the smoky vocals of Bill Callahan and Phil Elverum.   Kuplowsky recorded and mixed his third record, What Kind of Animal, in a live session on a cold afternoon in the dead of winter. The album is a collection of songs that explore themes of self-doubt, integrity, companionship and faith.    We sat down with Luke to talk about his favourite winter albums, being drawn to the music of video games like Final Fantasy as a child, and the improvisational nature of his live shows.

L’Américain Mount Eerie parle d’absence. Écrit deux mois après la mort de sa femme, son album A Crow Looked At Me dépeint le deuil sans fioriture ou figure de style. Recueil crève-coeur de tristesses intenses. Tous les extraits diffusés dans … Lire la suite­­

Don't be a tourist, be a traveller... or, so they say.  But do they also say that to musicians?  If so, then why do most musicians continue to "tour"?  Is it a means of rebooting?  Surviving?  Seeking?  Erasing?  Healing?  Communing?  Curing?  Phil Elverum (Mount Eerie) has utilized movement as a agent for all of the above; as well as a conduit for lessons he continues to pass on.  Lessons co-promised both in art and in love.

It's a doubleheader of singer-songwriters who are separated by several years but tied together by similar tragedies that reshaped their lives and their art. First, Phil Elverum of The Microphones and Mount Eerie tells Marc why he urgently needed to write his new album. Then Marc Mulcahy talks about the stops on his journey, from his work with Miracle Legion to finding mainstream recognition as part of the show The Adventures of Pete and Pete to realigning everything through his solo work. See acast.com/privacy for privacy and opt-out information. Sign up here for WTF+ to get the full show archives and weekly bonus material! https://plus.acast.com/s/wtf-with-marc-maron-podcast.

This week's Bullseye has a lot of heavy stuff. First up: Phil Elverum. Elverum's career dates back over 20 years, first as the Microphones and later Mt. Eerie. He's produced ambitious, beautiful records that mix genres like folk, noise, death metal, shoegaze and more. In 2016, though, his life took a tragic turn: his wife, Genevieve, died of pancreatic cancer, leaving behind a toddler. On his latest record, A Crow Looked At Me, Elverum takes grief and loss head on. Then, Werner Herzog, legendary German film director talks about sitcoms, getting shot, and his newest film: the strange, thrilling Salt & Fire.

This week, one of our favorite podcasts, Song Exploder, takes over Reply All. Host Hrishikesh Hirway interviews the mysterious Breakmaster Cylinder about coming up with our theme song. Then, we air one of our very favorite episodes of Song Exploder, an interview with Phil Elverum of the Microphones about his song "I Want Wind to Blow" You can find our theme song here: https://soundcloud.com/breakmaster-cylinder/reply-all-theme-song You can find Song Exploder here: http://songexploder.net/

Danyl Jesu: They’ve only been around for a year, but Danyl Jesu have already put out an EP, last year’s “Celebration”, and are currently in the USA recording their debut album with Phil Elverum, he of Mount Eerie fame. Recorded & mixed by Branko Cosic Recorded live at The Bearded Lady on the 5th of December, 2014 Cedie Janson: Cedie Janson can be seen donning instruments for acts such as Naked Maja & Workshop, but for this particular show, he’s left to his own devices and paints an intense soundscape with very little tools. Recorded & mixed by Branko Cosic Recorded live at The Waiting Room on 12th of September, 2014 Airing details: Originally via Zed Digital, 8-9pm, Friday 20 February 2015. Show production and engineering: Branko Cosic.

Episode 78- Mirah (Zeitlyn). Before Mirah's show in Cincinnati, Yoni pulls her into his parked car for quick getting-to-know-you chat. They talk about Mirah's idea for a new band she wants to form, how she got started songwriting, Yoni's first experiences with Mirah's music, Mirah now vs. when she started, working with Phil Elverum, self-releasing her new album, and why her new album was hard to make.

In the fall of 2001, Phil Elverum released the album The Glow Pt 2 on K Records. Pitchfork named it the best album of the year. In this episode, Phil recounts how he created the first song on the record at Dub Narcotic Studio. He spoke with me from his home in Anacortes, Washington, about his love of being alone in the studio, evoking nature through music, and where the name The Microphones came from. Plus a few words from Calvin Johnson, the founder of K Records. This episode is presented in conjunction with The Creators Project.   

Episode 32- Phil Elverum (Mount Eerie). Yoni and Phil meet up outside of Neumo's rock club in Seattle for a talk in the WHY? tour van. They talk about Twitter and the Internet in general, shortened attention spans, Phil's history in the northwest, his new auto tuned Garage Band recordings, and canoe-making.

Phil Elverum from the band Mount Eerie joins Jordan and Jesse for a discussion of fights in baseball, dominos, a game Phil made up on tour and Jesse getting banned from a thrift store.

Dwyer has a conversation with lo-fi pioneer and frontman of Mount Eerie and The Microphones, Phil Elverum. Listen in as they discuss, music, taking over the world, reclusive behavior and the vitality of the underground music scene. See acast.com/privacy for privacy and opt-out information.

Well the Funkcast was probably about as gentle a 'tell me about this genre' podcast as you're likely to get.  This, on the other hand, is not gentle.  I suppose it was never likely to be - there's only so gentle an introduction you can give to this kind of music. Basically, I was becoming increasingly curious about the number of alt-folkies I know who come from heavy metal backgrounds.  Loads of my friends here who I know because we all listen to indie rock or alternative folk or all sorts of things inbetween seem to have been really into metal when they were young.  This doesn't entirely make sense to me because I see very little connection between the two kinds of music, and for so many people to have made that transition it must be a strong connection. Then, of course, it turns out that loads of people whose music I listen to - alt-folk, once again - also grew up listening to metal.  The Mountain Goats' John Darnielle, Phil Elverum of Mount Eerie and, more locally, Dan from Withered Hand and Neil from Meursault.  So, having been round at the house doing artwork for their single releases I asked the Neil and Chris from Meursault and Matthew who helps out with the label to put together a metal podcast.  It might not be quite as pleasant to cook your bacon sandwiches to on Sunday afternoon, but erm, well I never made any promises with these bloody podcasts anyway - just deal with it, we'll probably be back to the alt-folk next week. Toadcast #91 - The Metalcast 01. Half Man Half Biscuit - Vatican Broadside (0.00) 02. Withered Hand - Takeaway Food (05.03) 03. AC/DC - Whole Lotta Rosie (13.17) 04. Slayer - Jesus Saves (17.25) 05. Mount Eerie - Wind's Dark Poem (24.21) 06. Nirvana - School (35.13) 07. Dinosaur Jr. - On the Way (37.50) 08. Lightning Bolt - Ride the Sky (42.59) 09. Richard Cheese - Rape Me (47.47) 10. Children of Bodom - The Trooper (53.50) 11. Meshuggah - Autonomy Lost (57.05) 12. The Mountain Goats - No Children (62.01) 13. Anal Cunt - You're Old (Fuck You) (73.27)