Podcasts about Coast Salish

Prepositions matter in this episode, specifically that three-letter word ‘for.' What is outdoor learning ‘for' assessment? How can we facilitate outdoor learning ‘for' social-emotional learning (SEL)? Teacher, writer, podcaster, and regular sit-spot practitioner Lauren MacLean of Teach Outdoors joined us to talk assessment and SEL in the context of learning outdoors. We also got into the weeds regarding British Columbia's competency-based assessment framework as well as documenting learners' progress on a continuum.   Guest: Lauren MacLean From the Teach Outdoors website “I was born and raised in Richmond, British Columbia, Canada by my two amazing parents. My brother, sister, and I grew up playing in the ditches and wetlands in the summer and exploring the snowy mountains in the winter.   I now live in Port Moody, BC. It's still on the West Coast of Canada, just a bit further up the Burrard Inlet. My family lives at the top of Heritage Mountain where we enjoy taking our two young toddlers and energetic dog on forest hikes.   I am very grateful to be living and learning on these lands which lie on the traditional, unceded territory of the Coast Salish people since time immemorial.”   Mentioned in episode: Teach Outdoors Teach Outdoors Podcast CASEL Wild Learning (Rachel Tidd) Related resources: Sitting with Nature: An Educator's Guide to Sit Spots Me and My Sit Spot Me and My Sit Spot for Early Learners Embracing Risky Play at School

This episode was originally a TNTC+ bonus episode.In April 2006, a 20-year-old man drove from Nova Scotia to Maine with a chilling plan. Armed with names and addresses from the state's sex offender registry, he hunted down two men, Joseph Gray and William Elliott, in a series of calculated attacks. What compelled this seemingly ordinary young man to cross borders and commit such violent crimes? In this episode, we explore the events leading up to the murders, the controversy surrounding public registries, and the unsettling questions left in the wake of his actions.--This podcast is recorded on the territories of the Coast Salish people.Music Composed by: Sayer Roberts - https://soundcloud.com/user-135673977 // shorturl.at/mFPZ0Subscribe to TNTC+ on Apple Podcasts: https://apple.co/TNTCJoin our Patreon: www.patreon.com/tntcpodMerch: https://www.teepublic.com/stores/true-north-true-crime?ref_id=24376Follow us on Instagram: https://www.instagram.com/tntcpod/Follow us on Twitter: https://twitter.com/tntcpodFollow us on Facebook: https://www.facebook.com/truenorthtruecrime Hosted on Acast. See acast.com/privacy for more information.

In this previously TNTC+ bonus episode, we're taking you inside a world few people truly understand — the work of cadaver search dogs and their handlers.We're joined by Jason McMillan, Vice President and K9 Handler with Canadian Cadaver Canines — a volunteer-based team that assists in searches for missing persons across Canada. Jason and his cadaver dog, Osiris, bring compassion, skill, and unwavering dedication to every case they work on, from wilderness recoveries to historic investigations.This is part of our ongoing conversation series exploring the many roles involved in the search for the missing. In this thoughtful and eye-opening interview, we learn about the science, training, and emotional weight of this work — and the powerful bond between handler and dog.To learn more or support the organization, visit canadiancadavercanines.ca--This podcast is recorded on the territories of the Coast Salish people.Music Composed by: Sayer Roberts - https://soundcloud.com/user-135673977 // shorturl.at/mFPZ0Subscribe to TNTC+ on Apple Podcasts: https://apple.co/TNTCJoin our Patreon: www.patreon.com/tntcpodMerch: https://www.teepublic.com/stores/true-north-true-crime?ref_id=24376Follow us on Instagram: https://www.instagram.com/tntcpod/Follow us on Facebook: https://www.facebook.com/truenorthtruecrime Hosted on Acast. See acast.com/privacy for more information.

Mary Lovell is a queer grassroots organizer, visual artist, and activist who has been fighting oil and gas infrastructure and for social justice for their adult life - living up in the Kitsap Penninsula they are working on their first book  and love working with people to build power in their communitiesWelcome to the Arise podcast. This is episode 12, conversations on Reality. And today we're touching on organizing and what does it mean to organize? How do we organize? And we talk to a seasoned organizer, Mary Lavelle. And so Mary is a queer, grassroots organizer, visual artist and activist who has been fighting oil and gas infrastructure and fighting for social justice in their adult life. Living in the Kitsap Peninsula. They're working on their first book and love working with people to build power in their communities. Join us. I hope you stay curious and we continue the dialogue.Danielle (00:02):Okay, Mary, it's so great to have you today. Just want to hear a little bit about who you are, where you come from, how did you land? I know I met you in Kitsap County. Are you originally from here? Yeah. Just take itMary (00:15):Away. Yeah. So my name is Mary Lovel. I use she or they pronouns and I live in Washington State in Kitsap County. And then I have been organizing, I met Danielle through organizing, but I've spent most of my life organizing against oil and gas pipelines. I grew up in Washington state and then I moved up to Canada where there was a major oil pipeline crossing through where I was living. And so that got me engaged in social justice movements. That's the Transmountain pipeline, which it was eventually built, but we delayed it by a decade through a ton of different organizing, combination of lawsuits and direct action and all sorts of different tactics. And so I got to try and learn a lot of different things through that. And then now I'm living in Washington state and do a lot of different social justice bits and bobs of organizing, but mostly I'm focused on stopping. There's a major gas build out in Texas and Louisiana, and so I've been working with communities down there on pressuring financiers behind those oil and gas pipelines and major gas export. But all that to say, it's also like everyone is getting attacked on all sides. So I see it as a very intersectional fight of so many communities are being impacted by ice and the rise of the police state becoming even more prolific and surveillance becoming more prolific and all the things. So I see it as one little niche in a much larger fight. Yeah,Yeah, totally. I think when I moved up to Canada, I was just finished high school, was moving up for college, had been going to some of the anti-war marches that were happening at the time, but was very much along for the ride, was like, oh, I'll go to big stuff. But it was more like if there was a student walkout or someone else was organizing people. And then when I moved up to Canada, I just saw the history of the nation state there in a totally different way. I started learning about colonialism and understanding that the land that I had moved to was unseated Tu Squamish and Musqueam land, and started learning also about how resource extraction and indigenous rights went hand in hand. I think in general, in the Pacific Northwest and Coast Salish territories, the presence of indigenous communities is really a lot more visible than other parts of North America because of the timelines of colonization.(03:29):But basically when I moved and had a fresh set of eyes, I was seeing the major marginalization of indigenous communities in Canada and the way that racism was showing up against indigenous communities there and just the racial demographics are really different in Canada. And so then I was just seeing the impacts of that in just a new way, and it was just frankly really startling. It's the sheer number of people that are forced to be houseless and the disproportionate impacts on especially indigenous communities in Canada, where in the US it's just different demographics of folks that are facing houselessness. And it made me realize that the racial context is so different place to place. But anyways, so all that to say is that I started learning about the combination there was the rise of the idle, no more movement was happening. And so people were doing a lot of really large marches and public demonstrations and hunger strikes and all these different things around it, indigenous rights in Canada and in bc there was a major pipeline that people were fighting too.(04:48):And that was the first time that I understood that my general concerns about climate and air and water were one in the same with racial justice. And I think that that really motivated me, but I also think I started learning about it from an academic standpoint and then I was like, this is incredibly dumb. It's like all these people are just writing about this. Why is not anyone doing anything about it? I was going to Simon Fraser University and there was all these people writing whole entire books, and I was like, that's amazing that there's this writing and study and knowledge, but also people are prioritizing this academic lens when it's so disconnected from people's lived realities. I was just like, what the fuck is going on? So then I got involved in organizing and there was already a really robust organizing community that I plugged into there, but I just helped with a lot of different art stuff or a lot of different mass mobilizations and trainings and stuff like that. But yeah, then I just stuck with it. I kept learning so many cool things and meeting so many interesting people that, yeah, it's just inspiring.Jenny (06:14):No, that's okay. I obviously feel free to get into as much or as little of your own personal story as you want to, but I was thinking we talk a lot about reality on here, and I'm hearing that there was introduction to your reality based on your education and your experience. And for me, I grew up in a very evangelical world where the rapture was going to happen anytime and I wasn't supposed to be concerned with ecological things because this world was going to end and a new one was going to come. And I'm just curious, and you can speak again as broadly or specifically if the things you were learning were a reality shift for you or if it just felt like it was more in alignment with how you'd experienced being in a body on a planet already.Mary (07:08):Yeah, yeah, that's an interesting question. I think. So I grew up between Renton and Issaquah, which is not, it was rural when I was growing up. Now it's become suburban sprawl, but I spent almost all of my summers just playing outside and very hermit ish in a very kind of farm valley vibe. But then I would go into the city for cool punk art shows or whatever. When you're a teenager and you're like, this is the hippest thing ever. I would be like, wow, Seattle. And so when I moved up to Vancouver, it was a very big culture shock for me because of it just being an urban environment too, even though I think I was seeing a lot of the racial impacts and all of the, but also a lot of just that class division that's visible in a different way in an urban environment because you just have more folks living on the streets rather than living in precarious places, more dispersed the way that you see in rural environments.(08:21):And so I think that that was a real physical shift for me where it was walking around and seeing the realities people were living in and the environment that I was living in. It's like many, many different people were living in trailers or buses or a lot of different, it wasn't like a wealthy suburban environment, it was a more just sprawling farm environment. But I do think that that moving in my body from being so much of my time outside and so much of my time in really all of the stimulation coming from the natural world to then going to an urban environment and seeing that the crowding of people and pushing people into these weird living situations I felt like was a big wake up call for me. But yeah, I mean my parents are sort of a mixed bag. I feel like my mom is very lefty, she is very spiritual, and so I was exposed to a lot of different face growing up.(09:33):She is been deep in studying Buddhism for most of her life, but then also was raised Catholic. So it was one of those things where my parents were like, you have to go to Catholic school because that's how you get morals, even though both of them rejected Catholicism in different ways and had a lot of different forms of abuse through those systems, but then they're like, you have to do this because we had to do it anyways. So all that to say is that I feel like I got exposed to a lot of different religious forms of thought and spirituality, but I didn't really take that too far into organizing world. But I wasn't really forced into a box the same way. It wasn't like I was fighting against the idea of rapture or something like that. I was more, I think my mom especially is very open-minded about religion.(10:30):And then my dad, I had a really hard time with me getting involved in activism because he just sees it as really high risk talk to me for after I did a blockade for a couple months or different things like that. Over the course of our relationship, he's now understands why I'm doing what I'm doing. He's learned a lot about climate and I think the way that this social movements can create change, he's been able to see that because of learning through the news and being more curious about it over time. But definitely that was more of the dynamic is a lot of you shouldn't do that because you should keep yourself safe and that won't create change. It's a lot of the, anyways,I imagine too getting involved, even how Jenny named, oh, I came from this space, and Mary, you came from this space. I came from a different space as well, just thinking. So you meet all these different kinds of people with all these different kinds of ideas about how things might work. And obviously there's just three of us here, and if we were to try to organize something, we would have three distinct perspectives with three distinct family origins and three distinct ways of coming at it. But when you talk about a grander scale, can you give any examples or what you've seen works and doesn't work in your own experience, and how do you personally navigate different personalities, maybe even different motivations for getting something done? Yeah,Mary (12:30):Yeah. I think that's one of the things that's constantly intention, I feel like in all social movements is some people believe, oh, you should run for mayor in order to create the city environment that you want. Or some people are like, oh, if only we did lawsuits. Why don't we just sue the bastards? We can win that way. And then the other people are like, why spend the money and the time running for these institutions that are set up to create harm? And we should just blockade them and shift them through enough pressure, which is sort of where I fall in the political scheme I guess. But to me, it's really valuable to have a mix where I'm like, okay, when you have both inside and outside negotiation and pressure, I feel like that's what can create the most change because basically whoever your target is then understands your demands.(13:35):And so if you aren't actually clearly making your demands seen and heard and understood, then all the outside pressure in the world, they'll just dismiss you as being weird wing nuts. So I think that's where I fall is that you have to have both and that those will always be in disagreement because anyone doing inside negotiation with any kind of company or government is always going to be awkwardly in the middle between your outside pressure and what the target demand is. And so they'll always be trying to be wishy-washy and water down your demands or water down the, yeah. So anyways, all that to say is so I feel like there's a real range there, and I find myself in the most disagreements with the folks that are doing inside negotiations unless they're actually accountable to the communities. I think that my main thing that I've seen over the years as people that are doing negotiations with either corporations or with the government often wind up not including the most directly impacted voices and shooing them out of the room or not actually being willing to cede power, agreeing to terms that are just not actually what the folks on the ground want and celebrating really small victories.(15:06):So yeah, I don't know. That's where a lot of the tension is, I think. But I really just believe in the power of direct action and arts and shifting culture. I feel like the most effective things that I've seen is honestly spaghetti on the wall strategy where you just try everything. You don't actually know what's going to move these billionaires.(15:32):They have huge budgets and huge strategies, but it's also if you can create, bring enough people with enough diverse skill sets into the room and then empower them to use their skillsets and cause chaos for whoever the target is, where it's like they are stressed out by your existence, then they wind up seeding to your demands because they're just like, we need this problem to go away. So I'm like, how do we become a problem that's really hard to ignore? It's basically my main strategy, which sounds silly. A lot of people hate it when I answer this way too. So at work or in other places, people think that I should have a sharper strategy and I'm like, okay, but actually does anyone know the answer to this question? No, let's just keep rolling anyways. But I do really going after the financiers or SubT targets too.(16:34):That's one of the things that just because sometimes it's like, okay, if you're going to go after Geo Corp or Geo Group, I mean, or one of the other major freaking giant weapons manufacturers or whatever, it just fully goes against their business, and so they aren't going to blink even at a lot of the campaigns, they will get startled by it versus the people that are the next layer below them that are pillars of support in the community, they'll waffle like, oh, I don't want to actually be associated with all those war crimes or things like that. So I like sub targets, but those can also be weird distractions too, depending on what it is. So yeah, really long. IDanielle (17:24):Dunno how you felt, Jenny, but I feel all those tensions around organizing that you just said, I felt myself go like this as you went through it because you didn't. Exactly. I mean nothing. I agree it takes a broad strategy. I think I agree with you on that, but sitting in the room with people with broad perspectives and that disagree is so freaking uncomfortable. It's so much just to soothe myself in that environment and then how to know to balance that conversation when those people don't even really like each other maybe.Mary (17:57):Oh yeah. And you're just trying to avoid having people get in an actual fight. Some of the organizing against the banger base, for instance, I find really inspiring because of them having ex submarine captains and I'm like, okay, I'm afraid of talking to folks that have this intense military perspective, but then when they walk away from their jobs and actually want to help a movement, then you're like, okay, we have to organize across difference. But it's also to what end, it's like are you going to pull the folks that are coming from really diverse perspectives further left through your organizing or are you just trying to accomplish a goal with them to shift one major entity or I dunno. But yeah, it's very stressful. I feel like trying to avoid getting people in a fight is also a role myself or trying to avoid getting invites myself.Jenny (19:09):That was part of what I was wondering is if you've over time found that there are certain practices or I hate this word protocols or ways of engaging folks, that feels like intentional chaos and how do you kind of steward that chaos rather than it just erupting in a million different places or maybe that is part of the process even. But just curious how you've found that kind ofMary (19:39):Yeah, I love doing calendaring with people so that people can see one another's work and see the value of both inside and outside pressure and actually map it out together so that they aren't feeling overwhelmed by the prospect of one sort of train of thought leading. Do you know what I mean? Where it's like if people see all of this DC based blobbing happening, that's very much less so during the current administration, but for example, then they might be frustrated and feel like, where is our pressure campaign or where is our movement building work versus if you actually just map out those moments together and then see how they can be in concert. I feel like that's my real, and it's a bit harder to do with lawsuit stuff because it's just so much not up to social movements about when that happens because the courts are just long ass processes that are just five years later they announced something and you're like, what?(20:53):But for the things that you can pace internally, I feel like that is a big part of it. And I find that when people are working together in coalition, there's a lot of communities that I work with that don't get along, but they navigate even actively disliking each other in order to share space, in order to build a stronger coalition. And so that's to me is really inspiring. And sometimes that will blow up and become a frustrating source of drama where it's like you have two frontline leaders that are coming from a very different social movement analysis if one is coming from economic justice and is coming from the working class white former oil worker line of thinking. And then you have a community organizer that's been grown up in the civil rights movement and is coming from a black feminism and is a black organizer with a big family. Some of those tensions will brew up where it's like, well, I've organized 200 oil workers and then you've organized a whole big family, and at the end of the day, a lot of the former oil workers are Trumpers and then a lot of the black fam is we have generations of beef with y'all.(22:25):We have real lived history of you actually sorting our social progress. So then you wind up in this coalition dynamic where you're like, oh fuck. But it's also if they both give each other space to organize and see when you're organizing a march or something like that, even having contingent of people coming or things like that, that can be really powerful. And I feel like that's the challenge and the beauty of the moment that we're in where you're like you have extreme social chaos in so many different levels and even people on the right are feeling it.Danielle (23:12):Yeah, I agree. I kind of wonder what you would say to this current moment and the coalition, well, the people affected is broadening, and so I think the opportunity for the Coalition for Change is broadening and how do we do that? How do we work? Exactly. I think you pinned it. You have the oil person versus this other kind of family, but I feel that, and I see that especially around snap benefits or food, it's really hard when you're at the government level, it's easy to say, well, those people don't deserve that dah, dah, dah, right? But then you're in your own community and you ask anybody, Hey, let's get some food for a kid. They're like, yeah, almost no one wants to say no to that. So I don't know, what are you kind of hearing? What are you feeling as I say that?Mary (24:11):Yeah, I definitely feel like we're in a moment of great social upheaval where I feel like the class analysis that people have is really growing when have people actually outright called the government fascist and an oligarchy for years that was just a very niche group of lefties saying that. And then now we have a broad swath of people actually explicitly calling out the classism and the fascism that we're seeing rising. And you're seeing a lot of people that are really just wanting to support their communities because they're feeling the impacts of cost of living and feeling the impacts of all these social programs being cut. And also I think having a lot more visibility into the violence of the police state too. And I think, but yeah, it's hard to know exactly what to do with all that momentum. It feels like there's a huge amount of momentum that's possible right now.(25:24):And there's also not a lot of really solid places for people to pour their energy into of multiracial coalitions with a specific demand set that can shift something, whether it be at the state level or city level or federal level. It feels like there's a lot of dispersed energy and you have these mass mobilizations, but then that I feel excited about the prospect of actually bringing people together across difference. I feel like it really is. A lot of people are really demystified so many people going out to protests. My stepmom started going out to a lot of the no kings protests when she hasn't been to any protest over the whole course of her life. And so it's like people being newly activated and feeling a sense of community in the resistance to the state, and that's just really inspiring. You can't take that moment back away from people when they've actually gone out to a protest.(26:36):Then when they see protests, they know what it feels like to be there. But yeah, I feel like I'm not really sure honestly what to do with all of the energy. And I think I also have been, and I know a lot of other organizers are in this space of grieving and reflecting and trying to get by and they aren't necessarily stepping up into a, I have a strategy, please follow me role that could be really helpful for mentorship for people. And instead it feels like there's a bit of a vacuum, but that's also me calling from my living room in Kitsap County. I don't have a sense of what's going on in urban environments really or other places. There are some really cool things going on in Seattle for people that are organizing around the city's funding of Tesla or building coalitions that are both around defunding the police and also implementing climate demands or things like that. And then I also feel like I'm like, people are celebrating that Dick Cheney died. Fuck yes. I'm like, people are a lot more just out there with being honest about how they feel about war criminals and then you have that major win in New York and yeah, there's some little beacons of hope. Yeah. What do you all think?Jenny (28:16):I just find myself really appreciating the word coalition. I think a lot of times I use the word collective, and I think it was our dear friend Rebecca a couple of weeks ago was like, what do you mean by collective? What are you saying by that? And I was struggling to figure that out, and I think coalition feels a lot more honest. It feels like it has space for the diversity and the tensions and the conflicts within trying to perhaps pursue a similar goal. And so I just find myself really appreciating that language. And I was thinking about several years ago I did an embodied social justice certificate and one of the teachers was talking about white supremacy and is a professor in a university. I was like, I'm aware of representing white supremacy in a university and speaking against it, and I'm a really big believer in termites, and I just loved that idea of I myself, I think it's perhaps because I think I am neurodivergent and I don't do well in any type of system, and so I consider myself as one of those that will be on the outside doing things and I've grown my appreciation for those that have the brains or stamina or whatever is required to be one of those people that works on it from the inside.(29:53):So those are some of my thoughts. What about you, Danielle?Danielle (30:03):I think a lot about how we move where it feels like this, Mary, you're talking about people are just quiet and I know I spent weeks just basically being with my family at home and the food thing came up and I've been motivated for that again, and I also just find myself wanting to be at home like cocoon. I've been out to some of the marches and stuff, said hi to people or did different things when I have energy, but they're like short bursts and I don't feel like I have a very clear direction myself on what is the long-term action, except I was telling friends recently art and food, if I can help people make art and we can eat together, that feels good to me right now. And those are the only two things that have really resonated enough for me to have creative energy, and maybe that's something to the exhaustion you're speaking about and I don't know, I mean Mary A. Little bit, and I know Jenny knows, I spent a group of us spent years trying to advocate for English language learners here at North and in a nanosecond, Trump comes along and just Fs it all, Fs up the law, violates the law, violates funding all of this stuff in a nanosecond, and you're like, well, what do you do about that?(31:41):It doesn't mean you stop organizing at the local level, but there is something of a punch to the gut about it.Mary (31:48):Oh yeah, no, people are just getting punched in the gut all over the place and then you're expected to just keep on rolling and moving and you're like, alright, well I need time to process. But then it feels like you can just be stuck in this pattern of just processing because they just keep throwing more and more shit at you and you're like, ah, let us hide and heal for a little bit, and then you're like, wait, that's not what I'm supposed to be doing right now. Yeah. Yeah. It's intense. And yeah, I feel that the sense of need for art and food is a great call. Those things are restorative too, where you're like, okay, how can I actually create a space that feels healthy and generative when so much of that's getting taken away? I also speaking to your somatic stuff, Jenny, I recently started doing yoga and stretching stuff again after just years of not because I was like, oh, I have all this shit all locked up in my body and I'm not even able to process when I'm all locked up. Wild. Yeah.Danielle (33:04):Yeah. I fell in a hole almost two weeks ago, a literal concrete hole, and I think the hole was meant for my husband Luis. He actually has the worst luck than me. I don't usually do that shit meant I was walking beside him, I was walking beside of him. He is like, you disappeared. I was like, it's because I stepped in and I was in the moment. My body was like, oh, just roll. And then I went to roll and I was like, well, I should put my hand out. I think it's concrete. So I sprained my right ankle, I sprained my right hand, I smashed my knees on the concrete. They're finally feeling better, but that's how I feel when you talk about all of this. I felt like the literal both sides of my body and I told a friend at the gym is like, I don't think I can be mortal combat because when my knees hurt, it's really hard for me to do anything. So if I go into any, I'm conscripted or anything happens to me, I need to wear knee pads.Jenny (34:48):Yeah. I literally Googled today what does it mean if you just keep craving cinnamon? And Google was like, you probably need sweets, which means you're probably very stressed. I was like, oh, yeah. It's just interesting to me all the ways that our bodies speak to us, whether it's through that tension or our cravings, it's like how do we hold that tension of the fact that we are animal bodies that have very real needs and the needs of our communities, of our coalitions are exceeding what it feels like we have individual capacity for, which I think is part of the point. It's like let's make everything so unbelievably shitty that people have a hard time just even keeping up. And so it feels at times difficult to tend to my body, and I'm trying to remember, I have to tend to my body in order to keep the longevity that is necessary for this fight, this reconstruction that's going to take probably longer than my life will be around, and so how do I keep just playing my part in it while I'm here?Mary (36:10):Yeah. That's very wise, Jenny. I feel like the thing that I've been thinking about a lot as winter settles in is that I've been like, right, okay, trees lose their leaves and just go dormant. It's okay for me to just go dormant and that doesn't mean that I'm dead. I think that's been something that I've been thinking about too, where it's like, yeah, it's frustrating to see the urgency of this time and know that you're supposed to be rising to the occasion and then also be in your dormancy or winter, but I do feel like there is something to that, the nurturing of the roots that happens when plants aren't focused on growing upwards. I think that that's also one of the things that I've been thinking a lot about in organizing, especially for some of the folks that are wanting to organize but aren't sure a lot of the blockade tactics that they were interested in pursuing now feel just off the table for the amount of criminalization or problems that they would face for it. So then it's like, okay, but how do we go back and nurture our roots to be stronger in the long run and not just disappear into the ether too?Danielle (37:31):I do feel that, especially being in Washington, I feel like this is the hibernation zone. It's when my body feels cozy at night and I don't want to be out, and it means I want to just be with my family more for me, and I've just given myself permission for that for weeks now because it's really what I wanted to do and I could tell my kids craved it too, and my husband and I just could tell they needed it, and so I was surprised I needed it too. I like to be out and I like to be with people, but I agree, Mary, I think we get caught up in trying to grow out that we forget that we do need to really take care of our bodies. And I know you were saying that too, Jenny. I mean, Jenny Jenny's the one that got me into somatic therapy pretty much, so if I roll out of this telephone booth, you can blame Jenny. That's great.Mary (38:39):That's perfect. Yeah, somatics are real. Oh, the cinnamon thing, because cinnamon is used to regulate your blood sugar. I don't know if you realize that a lot of people that have diabetes or insulin resistant stuff, it's like cinnamon helps see your body with sugar regulation, so that's probably why Google was telling you that too.Jenny (39:04):That is really interesting. I do have to say it was one of those things, I got to Vermont and got maple syrup and I was like, I don't think I've ever actually tasted maple syrup before, so now I feel like I've just been drinking it all day. So good. Wait,Mary (39:29):That's amazing. Also, it's no coincidence that those are the fall flavors, right? Like maple and cinnamon and all the Totally, yeah. Cool.Danielle (39:42):So Mary, what wisdom would you give to folks at whatever stage they're in organizing right now? If you could say, Hey, this is something I didn't know even last week, but I know now. Is there something you'd want to impart or give away?Mary (39:59):I think the main thing is really just to use your own skills. Don't feel like you have to follow along with whatever structure someone is giving you for organizing. It's like if you're an artist, use that. If you're a writer, use that. If you make film, use that, don't pigeonhole yourself into that. You have to be a letter writer because that's the only organized thing around you. I think that's the main thing that I always feel like is really exciting to me is people, if you're a coder, there's definitely activists that need help with websites or if you're an accountant, there are so many organizations that are ready to just get audited and then get erased from this world and they desperately need you. I feel like there's a lot of the things that I feel like when you're getting involved in social movements. The other thing that I want to say right now is that people have power.(40:55):It's like, yes, we're talking about falling in holes and being fucking exhausted, but also even in the midst of this, a community down in Corpus Christi just won a major fight against a desalination plant where they were planning on taking a bunch of water out of their local bay and then removing the salt from it in order to then use the water for the oil and gas industry. And that community won a campaign through city level organizing, which is just major because basically they have been in a multi-year intense drought, and so their water supply is really, really critical for the whole community around them. And so the fact that they won against this desal plant is just going to be really important for decades to come, and that was one under the Trump administration. They were able to win it because it was a city level fight.(42:05):Also, the De Express pipeline got canceled down in Texas and Louisiana, which is a major pipeline expansion that was going to feed basically be a feeder pipeline to a whole pipeline system in Mexico and LNG export there. There's like, and that was just two weeks ago maybe, but it feels like there's hardly any news about it because people are so focused on fighting a lot of these larger fights, but I just feel like it's possible to win still, and people are very much feeling, obviously we aren't going to win a lot of major things under fascism, but it's also still possible to create change at a local level and not the state can't take everything from us. They're trying to, and also it's a fucking gigantic country, so thinking about them trying to manage all of us is just actually impossible for them to do it. They're having to offer, yes, the sheer number of people that are working for ICE is horrific, and also they're offering $50,000 signing bonuses because no one actually wants to work for ice.(43:26):They're desperately recruiting, and it's like they're causing all of this economic imbalance and uncertainty and chaos in order to create a military state. They're taking away the SNAP benefits so that people are hungry enough and desperate enough to need to steal food so that they can criminalize people, so that they can build more jails so that they can hire more police. They're doing all of these things strategically, but also they can't actually stop all of the different social movement organizers or all of the communities that are coming together because it's just too big of a region that they're trying to govern. So I feel like that's important to recognize all of the ways that we can win little bits and bobs, and it doesn't feel like, it's not like this moment feels good, but it also doesn't, people I think, are letting themselves believe what the government is telling them that they can't resist and that they can't win. And so it's just to me important to add a little bit more nuance of that. What the government's doing is strategic and also we can also still win things and that, I don't know, it's like we outnumber them, but yeah, that's my pep talk, pep Ted talk.Mary (45:18):And just the number of Canadians that texted me being like, mom, Donny, they're just like, everyone is seeing that it's, having the first Muslim be in a major political leadership role in New York is just fucking awesome, wild, and I'm also skeptical of all levels of government, but I do feel like that's just an amazing win for the people. Also, Trump trying to get in with an endorsement as if that would help. It's hilarious. Honestly,Mary (46:41):Yeah. I also feel like the snap benefits thing is really going to be, it reminds me of that quote, they tried to bury us, but we were seeds quote where I'm just like, oh, this is going to actually bite you so hard. You're now creating an entire generation of people that's discontent with the government, which I'm like, okay, maybe this is going to have a real negative impact on children that are going hungry. And also it's like to remember that they're spending billions on weapons instead of feeding people. That is so radicalizing for so many people that I just am like, man, I hope this bites them in the long term. I just am like, it's strategic for them for trying to get people into prisons and terrible things like that, but it's also just woefully unstrategic when you think about it long term where you're like, okay, have whole families just hating you.Jenny (47:57):It makes me think of James Baldwin saying not everything that's faced can be changed, but nothing can be changed until it's faced. And I feel like so many of these things are forcing folks who have had privilege to deny the class wars and the oligarchy and all of these things that have been here forever, but now that it's primarily affecting white bodies, it's actually forcing some of those white bodies to confront how we've gotten here in the first place. And that gives me a sense of hope.Mary (48:48):Oh, great. Thank you so much for having me. It was so nice to talk to y'all. I hope that you have a really good rest of your day, and yeah, really appreciate you hosting these important convos. Well, first I guess I would have to believe that there was or is an actual political dialogue taking place that I could potentially be a part of. And honestly, I'm not sure that I believe that.

Show notes below: Talking Shit With Tara Cheyenne is a Tara Cheyenne Performance Production www.taracheyenne.com Instagram: @TaraCheyenneTCP  /  FB: https://www.facebook.com/taracheyenneperformance Podcast produced, edited and music by Marc Stewart Music: marc@marcstewartmusic.com   © 2025 Tara Cheyenne Performance   Subscribe/follow share through Podbean and Google Podcasts and Apple Podcasts and Spotify.   Donate! To keep this podcast ad-free please go to:  https://www.canadahelps.org/en/dn/13386     About Christina:   Christina Cook (she/they) is an interdisciplinary theatre artist, arts-based scholar, and therapist. When Christina was a kid, she wanted to be a counsellor like her favourite character, Deanna Troi, on Star Trek, OR she wanted to act alongside Deanna Troi, starring in her favourite TV show, Star Trek. She feels lucky that, as an adult, she gets to do different versions of both. Christina's playwriting focuses on trans, nonbinary, and gender non-conforming narratives, and her work advocates gender liberation for all. She is writing and performing in one of her newest pieces, Postcards to My Younger Transexual Self (or YTS), Ages 0-119. Christina's previous writing credits include the play Quick Bright Things, which was nominated for a Governor General's award, and ‘A practical (if dated) treatise on the art of genderqueer dancing' in Evan Tsitsias and Bilal Baig's This is Beyond: A Time Capsule of Queer Experience. She is currently an Associate at Playwrights Theatre Centre, where she is developing her play Proof Enough. In addition to her artistic work, Christina is a counselling psychologist, and she strives to foster interdisciplinary work born from passionate commitments to mental wellness and theatre.   About Tara: Tara Cheyenne Friedenberg, is an award winning creator, performer, choreographer, director, writer, and artistic director of Tara Cheyenne Performance, working across disciplines in film, dance, theatre, and experimental performance. She is renowned as a trailblazer in interdisciplinary performance and as a mighty performer "who defies categorization on any level". Along with her own creations Tara has collaborated with many theatre companies and artists including; Zee Zee Theatre, Bard on the Beach, ItsaZoo Theatre, The Arts Club, Boca De Lupo, Ruby Slippers, The Firehall Arts Centre, Vertigo Theatre (Calgary).  With a string of celebrated solo shows to her credit (including bANGER, Goggles, Porno Death Cult, I can't remember the word for I can't remember, Body Parts, Pants), multidisciplinary collaborations, commissions and boundary bending ensemble creations Tara's work is celebrated both nationally and internationally.  Tara is known for her unique and dynamic hybrid of dance, comedy and theatre. She is sought after for creating innovative movement for theatre and has performed her full length solos and ensemble works around the world (highlights: DanceBase/Edinburgh, South Bank Centre/London, On the Boards/Seattle USA, High Performance Rodeo/Calgary etc.). Recent works include a collaboration with Italian dance/performance artist Silvia Gribaudi, empty.swimming.pool, (Castiglioncello, Bassano, Victoria and Vancouver), ensemble creation, how to be,  which premiered at The Cultch, and her solo I can't remember the word for I can't remember, toured widely, and her newest solo Body Parts has been made into a stunning film which is currently touring virtually. Tara lives on the unceded Coast Salish territories with her partner composer Marc Stewart and their child.

On a cold December night in 1962, two men were led through the echoing halls of Toronto's Don Jail. Beneath their feet, a trapdoor waited. Minutes later, Arthur Lucas and Ronald Turpin became the last people ever executed in Canadian history.In this special Halloween episode, we step back into that chilling night — and the crimes that brought both men to the gallows.Through archival records, press accounts, and historical context, we explore how Lucas and Turpin's deaths marked not only the end of two lives, but the end of capital punishment in Canada.This is the story of justice, mercy, and the night the noose fell for the last time.--This podcast is recorded on the territories of the Coast Salish people.Music Composed by: Sayer Roberts - https://soundcloud.com/user-135673977 // shorturl.at/mFPZ0Subscribe to TNTC+ on Apple Podcasts: https://apple.co/TNTCJoin our Patreon: www.patreon.com/tntcpodMerch: https://www.teepublic.com/stores/true-north-true-crime?ref_id=24376Follow us on Instagram: https://www.instagram.com/tntcpod/Follow us on Facebook: https://www.facebook.com/truenorthtruecrime Hosted on Acast. See acast.com/privacy for more information.

On this episode of the Below the Radar B-Sides, we're joined by Rosemary Georgeson and Jessica Hallenbeck, two artists whose ongoing community engaged collaborative work have produced multiple acclaimed film and research projects. Full episode details: https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/episodes/btr-bsides-rosemary-georgeson-jessica-hallenbeck Read the transcript: https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/transcripts/btr-bsides-rosemary-georgeson-jessica-hallenbeck Resources: Lantern Films: https://www.lanternfilms.ca/ Rosemary Georgeson: https://rosemarygeorgeson.wordpress.com/ Jessica and Rosemary's Research: https://geog.ubc.ca/news/written-out-of-history-restorying-the-archive/ We Have Stories: Women in Fish: https://www.facebook.com/WeHaveStories The Saltlicks: https://thesaltlicks.bandcamp.com/album/diaries Bio: Rosemary Georgeson is a Coast Salish and Sahtu Dene filmmaker and multi-media artist. She was born and raised in the commercial fishing industry, spending the first half of her life fishing around Galiano Island and the Salish Sea, sometimes as far as Prince Rupert. Since leaving the industry, she's worked in the arts community as a writer, storyteller and researcher. Recognized in 2009 by the Vancouver Mayor's award for emerging artist and in 2014 as the Vancouver Public Library's Storyteller in Residence, her work is deeply rooted in her family history on Galiano Island. Jessica Hallenbeck is a documentary filmmaker, independent scholar and community planner. With an undergraduate degree in media and film from Queen's University, she has worked in documentary for 20 years. Jessica holds a PhD in Geography from the University of British Columbia and her multimodal research cuts across filmmaking, writing, and exhibitions. Jessica is a Sundance Institute and Chicken and Egg Alumni. Her dissertation (2020) won The Starkey-Robinson Award for graduate research on Canada and is currently under contract with UBC Press. She has been the recipient of multiple Social Sciences and Humanities Research Council Grants (SSHRC), including the prestigious Banting Postdoctoral Fellowship. Cite this episode: Chicago Style Johal, Am. “We Have Stories — with Rosemary Georgeson and Jessica Hallenbeck — with Rosemary Georgeson and Jessica Hallenbeck” Below the Radar, SFU's Vancity Office of Community Engagement. Podcast audio, October 14, 2025. https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/episodes/btr-bsides-rosemary-georgeson-jessica-hallenbeck.html.

Seven-year-old Wayne Mallette vanished on the deserted grounds of Toronto's Canadian National Exhibition on September 15, 1956. Within days, police zeroed in on 14-year-old Ron Moffatt, extracting a confession during a parent- and lawyer-free interrogation and securing a juvenile conviction—while the real predator, Peter Woodcock, remained free to kill again. In this episode, we trace the investigation, the tunnel vision that led to a wrongful conviction, and the 1957 courtroom turn that cleared Moffatt. We're joined by journalist and author Nate Hendley, whose book The Boy on the Bicycle documents the case and its legacy in Canadian justice: https://www.indigo.ca/en-ca/the-boy-on-the-bicycle-a-forgotten-case-of-wrongful-conviction-in-toronto/9781988274515.html--This podcast is recorded on the territories of the Coast Salish people.Music Composed by: Sayer Roberts - https://soundcloud.com/user-135673977 // shorturl.at/mFPZ0Subscribe to TNTC+ on Apple Podcasts: https://apple.co/TNTCJoin our Patreon: www.patreon.com/tntcpodMerch: https://www.teepublic.com/stores/true-north-true-crime?ref_id=24376Follow us on Instagram: https://www.instagram.com/tntcpod/Follow us on Facebook: https://www.facebook.com/truenorthtruecrime Hosted on Acast. See acast.com/privacy for more information.

Feliks Banel's guests on this BONUS EPISODE of CASCADE OF HISTORY are Liz Hammond-Kaarremaa, Chief Janice George, and Dr. Susan Pavel, co-authors of “The Teachings of Mutton: A Coast Salish Woolly Dog.” The book was released in May 2025 by Harbour Publishing in Madeira Park, British Columbia. “Mutton” is the name of a dog from the 19th century whose pelt was tucked away in a drawer at the Smithsonian Institution for 150 years until it was re-discovered by amateur archivist Candace Wellman. “The Teachings of Mutton: A Coast Salish Woolly Dog” tells Mutton's story and what Mutton can teach us about Coast Salish Woolly Dogs and their significance. For more information on the book “The Teachings of Mutton: A Coast Salish Woolly Dog": https://harbourpublishing.com/products/9781998526024?srsltid=AfmBOopvZRBO5EOCay19pLgNP8T10sCzRtCYKLJqLoIBvH_UvWlUtmum For more information on the book launch event at the Burke Museum in Seattle on Oct. 23, 2025: https://www.burkemuseum.org/calendar/teachings-mutton-coast-salish-woolly-dog For more information on the exhibit "Woven in Wool: Resilience in Coast Salish Weaving" at the Burke Museum through August 2026: https://www.burkemuseum.org/exhibits/woven-wool-resilience-coast-salish-weaving CASCADE OF HISTORY is broadcast LIVE most Sunday nights at 8pm Pacific Time via SPACE 101.1 FM in Seattle and gallantly streams everywhere via www.space101fm.org. The radio station broadcasts from studios at historic Magnuson Park – located in the former Master-at-Arms' quarters in the old Sand Point Naval Air Station - on the shores of Lake Washington in Seattle. Subscribe to the CASCADE OF HISTORY podcast via most podcast platforms and never miss regular weekly episodes of Sunday night broadcasts as well as frequent bonus episodes.

WCLS Nooksack Cultural Liaison Marty Jimmy and Coast Salish artist/muralist Jason LaClair sit down for a conversation about indigenous art, friendship and growing up, traditions and cultural legacies, and much more at the Deming Library where Jason created and installed a mural of Salmon Woman and a Spindle Whorl on the library wall.

On the night of October 12, 1983, 17-year-old Donna Jean Awcock was babysitting for a neighbour in London, Ontario. When her shift ended, she set out for a short walk — but she never made it home.The next morning, October 13, Donna's body was found near the Thames River by the Fanshawe Dam. She had been sexually assaulted and strangled. For forty years, her case has remained unsolved.In this episode, we explore Donna's life, the night she disappeared, and the investigation that followed. We also place her case within the pattern of unsolved murders that haunted London, Ontario, during the 1970s and 80s — a city some criminologists later called the “serial killer capital of Canada.”If you have any information about the murder of Donna Jean Awcock, please contact the Ontario Provincial Police or Crime Stoppers.--This podcast is recorded on the territories of the Coast Salish people.Music Composed by: Sayer Roberts - https://soundcloud.com/user-135673977 // shorturl.at/mFPZ0Subscribe to TNTC+ on Apple Podcasts: https://apple.co/TNTCJoin our Patreon: www.patreon.com/tntcpodMerch: https://www.teepublic.com/stores/true-north-true-crime?ref_id=24376Follow us on Instagram: https://www.instagram.com/tntcpod/Follow us on Facebook: https://www.facebook.com/truenorthtruecrime Hosted on Acast. See acast.com/privacy for more information.

Today on Making Contact we present “Saltwater Soundwalk,” an Indigenous audio tour of Seattle featuring a watery audio experience, with streams of stories that ebb and flow that intermixes English and Coast Salish languages. Indigenous Coast Salish peoples continue to steward this land and preserve its language, despite settler colonialism, industrialization and gentrification. Part story, part sound collage, this piece is scored entirely with the sounds of the waters and animals who live in and around the Salish Sea. This episode first aired in April 2023. Saltwater Soundwalk Credits Rachel Lam (Anigiduwagi enrolled Cherokee Nation) and Jenny Asarnow produced this work as part of FLOW: Art Along the Ship Canal, a commission from Seattle Public Utilities in partnership with the Office of Arts & Culture Special Thanks Commissioned with SPU 1% for Art Funds. Administered by the Seattle Office of Arts and Culture. City of Seattle, Bruce Harrell, Mayor. This episode of Making Contact was supported in part by a Moral Courage grant from the Satterberg Foundation. Making Contact Team Episode host: Anita Johnson Segment Editor: Jessica Partnow Staff Producers: Anita Johnson, Salima Hamirani, Lucy Kang, Amy Gastelum Executive Director: Jina Chung Audio Engineering: Jeff Emtman Digital Media Marketing: Lissa Deonarain  Music Credits Last Kiss – Magnus Moone | Audiobinger – Enchanted Forest Learn More Saltwater Soundwalk | Seattle Times | Art Beat Blog Making Contact is an award-winning, nationally syndicated radio show and podcast featuring narrative storytelling and thought-provoking interviews. We cover the most urgent issues of our time and the people on the ground building a more just world.

Rena Priest is best known for her poetry. As Washington’s poet laureate between 2021 and 2023, she traveled around the state doing readings and spreading awareness of poetry. She was the first Indigenous poet to hold that role and is a member of the Lummi Nation. Now, she’s bringing her keen observations and sharp wit to non-fiction. She’s the author of a new collection of essays, titled Positively Uncivilized. In the book Priest explores the history of broken treaties, battles over fishing rights, and struggles with cultural erasure that compose the bedrock of the modern Coast Salish native experience. She also challenges the non-Native reader to experiment with perspective: for example, what if we maintained the kind of spiritual relationship with the natural world that put us in community with salmon, instead of above them? The title of the book itself speaks to the types of stories Priest tells. “Uncivilized” is a term that was, for generations, used to denigrate native people. But also one that had been reclaimed by Priest’s family and used in a playful way. Priest is reading at Third Place Books Ravenna on Monday September 29 at 7:00 pm. Guest: Rena Priest, author of Positively Uncivilized Thank you to the supporters of KUOW, you help make this show possible! If you want to help out, go to kuow.org/donate/soundsidenotes Soundside is a production of KUOW in Seattle, a proud member of the NPR Network.See omnystudio.com/listener for privacy information.

In January 2024, 52-year-old Mathew McGrath went missing from Carleton Place, Ontario. For four months his family searched desperately, until his body was discovered in the Mississippi River that May. The coroner ruled his cause of death as drowning, but the manner was left undetermined. Police stated no foul play was suspected and considered the case closed.For Mathew's sister Melissa, the search for answers has never ended. In this episode, she shares memories of her brother's life and her ongoing concerns about the contradictions and unresolved questions that surround his disappearance and death.If you have any information about Mathew's case, please contact the Ontario Provincial Police at 1-888-310-1122 or share what you know anonymously through Crime Stoppers at 1-800-222-8477 (TIPS).

Show notes below: Talking Shit With Tara Cheyenne is a Tara Cheyenne Performance Production www.taracheyenne.com Instagram: @TaraCheyenneTCP  /  FB: https://www.facebook.com/taracheyenneperformance Podcast produced, edited and music by Marc Stewart Music: marc@marcstewartmusic.com   © 2025 Tara Cheyenne Performance   Subscribe/follow share through Podbean and Google Podcasts and Apple Podcasts and Spotify.   Donate! To keep this podcast ad-free please go to:  https://www.canadahelps.org/en/dn/13386   About Tara: Tara Cheyenne Friedenberg, is an award winning creator, performer, choreographer, director, writer, and artistic director of Tara Cheyenne Performance, working across disciplines in film, dance, theatre, and experimental performance. She is renowned as a trailblazer in interdisciplinary performance and as a mighty performer "who defies categorization on any level". Along with her own creations Tara has collaborated with many theatre companies and artists including; Zee Zee Theatre, Bard on the Beach, ItsaZoo Theatre, The Arts Club, Boca De Lupo, Ruby Slippers, The Firehall Arts Centre, Vertigo Theatre (Calgary).  With a string of celebrated solo shows to her credit (including bANGER, Goggles, Porno Death Cult, I can't remember the word for I can't remember, Body Parts, Pants), multidisciplinary collaborations, commissions and boundary bending ensemble creations Tara's work is celebrated both nationally and internationally.  Tara is known for her unique and dynamic hybrid of dance, comedy and theatre. She is sought after for creating innovative movement for theatre and has performed her full length solos and ensemble works around the world (highlights: DanceBase/Edinburgh, South Bank Centre/London, On the Boards/Seattle USA, High Performance Rodeo/Calgary etc.). Recent works include a collaboration with Italian dance/performance artist Silvia Gribaudi, empty.swimming.pool, (Castiglioncello, Bassano, Victoria and Vancouver), ensemble creation, how to be,  which premiered at The Cultch, and her solo I can't remember the word for I can't remember, toured widely, and her newest solo Body Parts has been made into a stunning film which is currently touring virtually. Tara lives on the unceded Coast Salish territories with her partner composer Marc Stewart and their child.  

KGMI's Dianna Hawryluk and Adam Smith chat about Oktoberfest kicking off at Kulshan's Trackside, the 2025 Whatcom County Farm Tours, Deming Library's Coast Salish Mural unveiling, Kim Richey at the Mount Baker Theatre, and Haunt performing at the Shakedown.

On this episode of Below the Radar, our host Am Johal is joined by Dorothy Christian, the Associate Director of Indigenous Policy & Pedagogy in the Faculty of Graduate Studies at Simon Fraser University. Dorothy talks about her work as a storyteller and academic, as well as her activism with the Oka crisis and the Gustafsen Lake standoff. Resources: Dorothy Christian: https://www.sfu.ca/gradstudies/about/contact/dorothy-christian.html Gathering knowledge : Indigenous methodologies of land/place-based visual storytelling/filmmaking and visual sovereignty: https://open.library.ubc.ca/soa/cIRcle/collections/ubctheses/24/items/1.0343529 Bio: Dorothy Cucw-la7 Christian is Secwepemc and Syilx from the interior plateau regions of what is known as British Columbia. She is happy to be a good relative to her Coast Salish cousins while she lives, works, and plays on their lands. Her research centralizes land, story, cultural protocols and how Indigenous Knowledge informs film production practices. She is the the Associate Director of Indigenous Policy & Pedagogy in the Faculty of Graduate Studies at Simon Fraser University. Cite this episode: Chicago Style Johal, Am. “Story Sovereignty — with Dorothy Christian” Below the Radar, SFU's Vancity Office of Community Engagement. Podcast audio, August 12, 2025. https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/episodes/btr-bsides-dorothy-christian.html.

It was the early hours of August 3rd, 2001, in Edmonton, Alberta, when fire crews responded to a dumpster blaze behind a central apartment building. Once the flames were out, they made a horrifying discovery — the burned remains of a young woman.For nearly two weeks, investigators worked to find out who she was. They canvassed hundreds of apartments and narrowed their search to a short list of missing women. Dental records would confirm the victim was 18-year-old Patricia Calahasen.What police uncovered next was a story of trust betrayed, a violent assault, and a desperate attempt to destroy the evidence. The person responsible was just 17 years old. But for Patricia's family, the fight for justice has lasted decades.--This podcast is recorded on the territories of the Coast Salish people.Music Composed by: Sayer Roberts - https://soundcloud.com/user-135673977 // shorturl.at/mFPZ0Subscribe to TNTC+ on Apple Podcasts: https://apple.co/TNTCJoin our Patreon: www.patreon.com/tntcpodMerch: https://www.teepublic.com/stores/true-north-true-crime?ref_id=24376Follow us on Instagram: https://www.instagram.com/tntcpod/Follow us on Facebook: https://www.facebook.com/truenorthtruecrime Hosted on Acast. See acast.com/privacy for more information.

In October 2008, 21-year-old Dylan Koshman disappeared from south Edmonton after a late-night argument with his cousins. He left the house wearing only jeans and a t-shirt—and without his phone, wallet, or jacket—never to be seen again. Initially treated as a missing-person case, the investigation was later reclassified as a homicide. Dylan's wallet was recovered from a neighboring yard, but no other trace of him has been found. Years later, the case remains unresolved, classified by police as suspended, with no charges laid.--This podcast is recorded on the territories of the Coast Salish people.Music Composed by: Sayer Roberts - https://soundcloud.com/user-135673977 // shorturl.at/mFPZ0Subscribe to TNTC+ on Apple Podcasts: https://apple.co/TNTCJoin our Patreon: www.patreon.com/tntcpodMerch: https://www.teepublic.com/stores/true-north-true-crime?ref_id=24376Follow us on Instagram: https://www.instagram.com/tntcpod/Follow us on Facebook: https://www.facebook.com/truenorthtruecrime Hosted on Acast. See acast.com/privacy for more information.

Send us a textEver wondered what it feels like to communicate with those who've passed on? In this captivating conversation, we're joined by Nikki Blair, a gifted Coast Salish medium who's amassed nearly 20,000 followers on TikTok through her authentic and powerful readings.Nikki shares her extraordinary journey, beginning with her first spirit encounter at age five. Born into three indigenous tribes—Lummi, Nooksack, and LaCamel—she was raised in a culture where spiritual connections were embraced rather than feared. This cultural foundation allowed her natural abilities to flourish, though her gifts didn't fully emerge professionally until 2020.What makes Nikki's approach refreshingly different is her emphasis on boundaries and control in mediumship. "You are in control of your gift," she reassures listeners who might be discovering their own intuitive abilities. She walks us through how she protects her energy, works with her spirit guides (including her main guide Jonathan), and uses meditation to strengthen her connection to the spirit world.The conversation takes a fascinating turn when Nikki demonstrates a real-time clairvoyance exercise, offering a glimpse into how she trains aspiring mediums in her mentorship program. As both a professional medium and spiritual mentor, she tailors her teaching approach to each student's natural abilities, whether they're complete beginners or practicing intuitives looking to refine specific skills.Nikki's authenticity shines through as she candidly discusses the challenges of professional readings, from skeptical clients to the occasional difficult session. Her approach combines clairvoyance, clairaudience, clairsentience, and claircognizance, creating a multi-dimensional channel for spirits to communicate through signs, symbols, and direct messages.Whether you're curious about connecting with loved ones who've passed, exploring your own intuitive gifts, or simply fascinated by the mysterious world of mediumship, this episode offers illuminating insights from someone walking the path with grace, power, and indigenous wisdom. Follow Nikki on TikTok https://www.tiktok.com/@nickoleblair32?is_from_webapp=1&sender_device=pc or Instagram as https://www.instagram.com/thecoastsalishmedium/ to witness her remarkable abilities firsthand.Website for readings, mentorships and more! https://www.thecoastsalishmedium.com/Love what you hear? Wanna be featured on Updated AF? Shoot me a DM!IG: Tx_Realestatedoll OrIG: UpdatedAFCollective_PodcastPlease don't forget to subscribe and leave me a review! Email: UPDATEDAF@GMAIL.COMXOXO,MegCheck out the new site! UPDATEDAF.COM

After close to 500,000 votes and stiff competition from 63 other provincial symbols, the CBC audience has voted in the orca as B.C.'s Best Symbol.CBC's Justin McElroy and On The Island host Gregor Craigie join the show live from the Centre for the Coast Salish in Sidney, B.C., to talk all things orca — from its connection to Indigenous communities, to conservation efforts, to the lore surrounding it in B.C.They speak to WSÁNEĆ Nation community engagement coordinator Eric Pelkey, Lindsay Kolb of the CETUS Research and Conservation Society and author Mark Leiren-Young about the symbolism of the orca.

This morning I set out on P'Kols before the heat arrived and had a fantastic 70-minute adventure on the Saddle Loop. I started near the Sea View Inn and Suites at Cordova Bay, crossing the three “Fake Bridges” — my nickname for the short boardwalks over damp, mossy ground. Whittaker Trail took me into the cool cedar shade, winding upward toward the saddle with its mix of roots, dirt, and rocky steps. I passed places rich with Coast Salish history and ongoing restoration work, then descended toward Douglas Creek before looping back to my starting point. By the time I finished, I had covered 6.67 km, climbed 153 m, and enjoyed every minute of my 1h 1m run, legs light and lungs filled with sea breeze. #PKOLS #TrailRunning #SaddleLoop #WhittakerTrail #SeaViewInn #CordovaBay #CoastSalishTerritory #NatureRun #RunHappy #DouglasCreek #ForestRunning #TrailLife

In June 1959, 12-year-old Lynne Harper disappeared from the small community of Clinton, Ontario. Two days later, her body was found in a wooded area near a rural concession road. What followed was one of the most infamous wrongful convictions in Canadian history.Steven Truscott, a 14-year-old classmate, was arrested, charged with Lynne's murder, and sentenced to death — all within weeks. For decades, Steven fought to clear his name, facing a justice system that refused to admit its mistakes. His case became a landmark example of wrongful conviction, influencing public opinion, legal reform, and how Canada handles cases involving young offenders.In this episode, we revisit the murder of Lynne Harper and the conviction that changed the life of Steven Truscott. We'll explore the flawed investigation, the trial's key evidence, and how Steven's fight for justice unfolded over nearly half a century.For a deeper look into this case, we recommend the book Until You Are Dead by Julian Sher: https://www.amazon.ca/Until-You-Are-Dead-Truscotts/dp/0676973817--This podcast is recorded on the territories of the Coast Salish people.Music Composed by: Sayer Roberts - https://soundcloud.com/user-135673977 // shorturl.at/mFPZ0Subscribe to TNTC+ on Apple Podcasts: https://apple.co/TNTCJoin our Patreon: www.patreon.com/tntcpodMerch: https://www.teepublic.com/stores/true-north-true-crime?ref_id=24376Follow us on Instagram: https://www.instagram.com/tntcpod/Follow us on Facebook: https://www.facebook.com/truenorthtruecrime Hosted on Acast. See acast.com/privacy for more information.

Show notes below: Talking Shit With Tara Cheyenne is a Tara Cheyenne Performance Production www.taracheyenne.com Instagram: @TaraCheyenneTCP  /  FB: https://www.facebook.com/taracheyenneperformance Podcast produced, edited and music by Marc Stewart Music: marc@marcstewartmusic.com   © 2025 Tara Cheyenne Performance   Subscribe/follow share through Podbean and Google Podcasts and Apple Podcasts and Spotify.   Donate! To keep this podcast ad-free please go to:  https://www.canadahelps.org/en/dn/13386   Links: Sara Jones Comedy: https://www.instagram.com/sarajonescomedy/ "The Sound Of The North" podcast https://www.studio2880.com/about/our-members/member?q=The%20Sound%20of%20the%20North%20podcast%20   About Tara: Tara Cheyenne Friedenberg, is an award winning creator, performer, choreographer, director, writer, and artistic director of Tara Cheyenne Performance, working across disciplines in film, dance, theatre, and experimental performance. She is renowned as a trailblazer in interdisciplinary performance and as a mighty performer "who defies categorization on any level". Along with her own creations Tara has collaborated with many theatre companies and artists including; Zee Zee Theatre, Bard on the Beach, ItsaZoo Theatre, The Arts Club, Boca De Lupo, Ruby Slippers, The Firehall Arts Centre, Vertigo Theatre (Calgary).  With a string of celebrated solo shows to her credit (including bANGER, Goggles, Porno Death Cult, I can't remember the word for I can't remember, Body Parts, Pants), multidisciplinary collaborations, commissions and boundary bending ensemble creations Tara's work is celebrated both nationally and internationally.  Tara is known for her unique and dynamic hybrid of dance, comedy and theatre. She is sought after for creating innovative movement for theatre and has performed her full length solos and ensemble works around the world (highlights: DanceBase/Edinburgh, South Bank Centre/London, On the Boards/Seattle USA, High Performance Rodeo/Calgary etc.). Recent works include a collaboration with Italian dance/performance artist Silvia Gribaudi, empty.swimming.pool, (Castiglioncello, Bassano, Victoria and Vancouver), ensemble creation, how to be,  which premiered at The Cultch, and her solo I can't remember the word for I can't remember, toured widely, and her newest solo Body Parts has been made into a stunning film which is currently touring virtually. Tara lives on the unceded Coast Salish territories with her partner composer Marc Stewart and their child.  

On a spontaneous whim one rainy Saturday morning, Tom began to read a storybook to me through whatsapp voice notes. A storybook that he had not quite got round to reading before. You know the type - you skim the illustrations, grab it on impulse, then on returning home it sits patiently in the ‘waiting pile', sighing to itself at the wonder the book knows it contains within its interior. And oh my, what a storybook it was! I argued with it, questioned it, took offence to it and peered dubiously at it. I also marvelled at it, gasped with awe at it, surrendered with delight to it and ultimately fell into a spellbound swoon. How could I not want to share such a tale and such a teller with you! So, here for your listening pleasure is the story of Eemook as read by Tom… Eemook's story is from The Sea Lion written by master storyteller Ken Kesey and illustrated by Neal Waldman, published in 1991. It is described by the publishers as an original tale that takes its inspiration from the Indigenous Peoples of the Pacific Northwest. The Peoples include the Chinook, Salish, Coast Salish, Kwakwaka'wakw and the Tlingit. More information can be found at https://www.nativehistory.info/pacific-northwest-native-tribes-culture/ And as an extra bonus I wanted to share a stunning short film by Jules Guerin entitle A Shaman's Tale - https://julesguerin.tv/a-shamans-tale Tom lives in a small cottage in the Bay Area of California where he designs and maintains gnome friendly gardens that incorporate native plants, which are also friendly toward birds and bees. He is a part time astrologer who loves viewing the night sky from the desert. His recent interest in giving voice to story has emerged along with a rekindled interest in song. It has been helped along from having had the events of his life lovingly mirrored back to him as story, and the gentle encouragement of his uncensored voice. Find out more about his interactions with the plant people at tegardendesign.com With love Elizabeth of the Faerytale Apothecary

After Malcolm Madsen vanished in Puerto Vallarta, his daughter Brooke began a relentless effort to uncover the truth. In Part 2 of our coverage, we trace how the case progressed within Mexico's legal system. With key evidence—including GPS data and surveillance footage—Brooke pushes forward despite systemic obstacles. We are once again joined by journalist and filmmaker Robert Osborne, author and director of Malcom Is Missing, as we examine the investigation, multiple arrests, and the difficult pursuit of justice.Watch the documentary on YouTube: https://www.youtube.com/watch?v=Lsc8oln3yYMGet the book on Indigo: https://www.indigo.ca/en-ca/malcom-is-missing-a-true-story-of-murder-and-a-daughters-quest-for-justice-in-mexico/9781771607377.html--This podcast is recorded on the territories of the Coast Salish people.Music Composed by: Sayer Roberts - https://soundcloud.com/user-135673977 // shorturl.at/mFPZ0Subscribe to TNTC+ on Apple Podcasts: https://apple.co/TNTCJoin our Patreon: www.patreon.com/tntcpodMerch: https://www.teepublic.com/stores/true-north-true-crime?ref_id=24376Follow us on Instagram: https://www.instagram.com/tntcpod/Follow us on Facebook: https://www.facebook.com/truenorthtruecrime Hosted on Acast. See acast.com/privacy for more information.

In a time when Jewish trauma is being weaponized and used to justify the Israeli genocide against Palestinians, the book An Anti-Zionist Path to Embodied Jewish Healing: Somatic Practices to Heal Historical Wounds, Unlearn Oppression, and Create a Liberated World to Come presents a liberatory model for Jewish healing firmly rooted in Jewish spiritual values. In this book based conversation the panel  discusses the intersection of healing and activism that can make our organizing movements more healing and our healing more political to strengthen our collective work for a free Palestine and a Jewishness beyond Zionism. Over the last year and a half, many of us activists and organizers have felt hopeless, despairing, and angry that we have not been able to stop this genocidal violence being carried out in our names. Sometimes we take these feelings out on each other by being overly critical and unkind, which leads to fractures inside our movements. At this time of rising fascism when the Trump administration is exploiting the fractures on the Left to create division, we can incorporate body-based healing to strengthen our collective power that moves us closer to a liberated world and a free Palestine. Wendy Elisheva Somerson (Wes) is a queer non-binary, disabled, cat- loving Ashkenazi Jewish somatic healer, writer, activist, and visual artist residing on Duwamish and Coast Salish land. One of the founders of the Seattle chapter of Jewish Voice for Peace, they have been active in Palestinian solidarity work for more than two decades. As a politicized healer, Wes works at the intersection of personal and collective healing with individuals, groups, and organizations. They are the creator and facilitator of Ruach, an ongoing anti-Zionist, body-based Jewish healing group. Cecilie Surasky is the Director of Communications and Narrative at the Othering & Belonging Institute (OBI) at UC Berkeley, a global research and advocacy organization focused on understanding the structures of exclusion and building a world where all people belong. Cecilie's career spans decades of mobilizing politically marginalized communities, and she's proud of her role in building a co-liberation movement as the founding communications and later deputy director of Jewish Voice for Peace (JVP). She draws from her own family's journey with traumatic grief, belonging and resilience. Penny Rosenwasser, Ph.D., is a lifelong heartfelt rabble-rouser for justice. A queer/lesbian white Jewish intersectional feminist, Penny is author of the award-winning Hope into Practice, Jewish women choosing justice despite our fears. She was a founding Board member and early leader of Jewish Voice for Peace, co-teaches an Antisemitism/Anti-Arabism class with a Palestinian colleague at City College of San Francisco, and serves on the Advisory Council of the Center for Jewish Nonviolence. An educator, public speaker, fundraiser and  facilitator, Penny organized events for the Middle East Children's Alliance for 32 years and is a racial justice leader at Kehilla synagogue.           The post An Anti-Zionist Path to Embodied Jewish Healing: A conversation about the intersection of healing and activism with Wendy Elisheva Somerson (Wes), Cecilie Surasky, and Penny Rosenwaswer appeared first on KPFA.

This is part one of a two-part series on the disappearance of Malcom Madsen. Malcom was a 68-year-old Canadian man who went missing in Puerto Vallarta, Mexico, in October 2018. In this episode, we look at who Malcom was, his life in Mexico, and the night he was last seen. We're joined by journalist and filmmaker Robert Osborne, who has investigated the case for both a book and the 2022 CBC documentary Malcom Is Missing. Malcom's daughter, Brooke Mullins, has spent years investigating her father's disappearance and fighting for justice in a system known for corruption and inaction.You can purchase Robert Osborne's book Malcom Is Missing on Indigo - https://www.indigo.ca/en-ca/malcom-is-missing-a-true-story-of-murder-and-a-daughters-quest-for-justice-in-mexico/9781771607377.htmlYou can also watch the full documentary on YouTube: CBC Docs – Malcom Is Missing (2022).--This podcast is recorded on the territories of the Coast Salish people.Music Composed by: Sayer Roberts - https://soundcloud.com/user-135673977 // shorturl.at/mFPZ0Subscribe to TNTC+ on Apple Podcasts: https://apple.co/TNTCJoin our Patreon: www.patreon.com/tntcpodMerch: https://www.teepublic.com/stores/true-north-true-crime?ref_id=24376Follow us on Instagram: https://www.instagram.com/tntcpod/Follow us on Facebook: https://www.facebook.com/truenorthtruecrime Hosted on Acast. See acast.com/privacy for more information.

The role of artists is the role of dreaming. I've worked as a poet, as a multimedia artist, sound artist, storyteller. I think we hold the capacity to shape the narratives that build our present, our future, reshape the narratives that inform our past. I still believe in that role. I do believe that we have a call to work on the episteme, this epistemological call, this call to investigate the ideas, the words and the shapes that build our relationships. I think if we can do that alone, dreaming of a new reality, dreaming of futurities, dreaming of dialogue… I think that's a good path for us artists.Rafael Zen is a queer Latinx video and sound artist and performer, currently living in the land of the Coast Salish peoples, otherwise known as Vancouver. We were both part of an event at Emily Carr University of Art and Design called Listening in Relationthat expanded upon listening practices and ecological art by exploring decolonization through thought and practices of IBPoC artists. I asked Rafael about their work in new media, performance art, and in particular their understanding of decolonization and decolonial resistance. Show notes generated by Whisper Transcribe AIAction pointsEmbrace the role of an artist as a dreamer, shaping and reshaping narratives of the past, present, and future.Investigate the impact of colonial capitalism and its effect on our ability to envision solutions and equitable futures.Utilize sound and immersive installations to raise awareness of presence and challenge dominant structures.Trust your artistic vision and use storytelling to foster dialogue and connection within local communities.Identify your non-negotiables to guide your art and activism toward decolonization and meaningful change.Story PreviewWhat if art could awaken us from our colonial capitalist slumber? Rafael Zen, a visionary artist, invites us to dream of radical futures through sound, performance, and unwavering conviction. This episode explores how art can provoke dialogue, challenge ideologies, and pave the way for meaningful change, one non-negotiable at a time.Chapter Summary00:00 The Dreaming Role of Artists01:10 Exploring Decolonization in Art03:01 Hauntology and Futurity05:06 The Malfunctioning Cyborg06:44 Listening as a Tool for Awareness08:52 Art as a Catalyst for ChangeFeatured QuotesThe role of artists is the role of dreaming.How can we, as a community, dream of…queer futurities, but it can be radical equality, radical futures, equitable futures.Don't negotiate the non-negotiable. (quoting Lélia Gonzalez)Behind the StoryRafael Zen's work is deeply rooted in cyborg theory, speculative environmental utopias, and Brazilian indigenous theory. Zen draws inspiration from thinkers like Ailton Krenak and Mark Fisher, crafting art that challenges audiences to confront the devastation caused by colonial capitalism. By creating immersive installations and using sound as a democratic medium, Zen aims to provoke dialogue and foster a sense of presence, ultimately inviting listeners to reimagine a world free from oppression and violence. *END NOTES FOR ALL EPISODESHey conscient listeners, I've been producing the conscient podcast as a learning and unlearning journey since May 2020 on un-ceded Anishinaabe Algonquin territory (Ottawa). It's my way to give back.In parallel with the production of the conscient podcast and its francophone counterpart, balado conscient, I I publish fee ‘a calm presence' Substack see https://acalmpresence.substack.com.Your feedback is always welcome at claude@conscient.ca and/or on social media: Facebook, Instagram, Linkedin, Threads, BlueSky, Mastodon, Tik Tok, YouTube and Substack.I am grateful and accountable to the earth and the human labour that provided me with the privilege of producing this podcast, including the toxic materials and extractive processes behind the computers, recorders, transportation systems and infrastructure that made this production possible. Claude SchryerLatest update on July 8, 2025

On November 26, 2023, 23-year-old Byron Watson left his auntie's home on Lonsdale Street in Maple Creek, Saskatchewan. He told his family he'd be back later that day — but he never returned.Byron, a member of the Nekaneet Cree Nation, was a well-known presence in the small community of Maple Creek. He worked at the local livestock auction barn, supported his brother at hockey games, and was planning to return to work in the oil fields that January. There was nothing unusual about the day he vanished — no signs of distress, no clear destination. He simply disappeared.In the weeks and months that followed, Byron's family and community launched extensive searches across Maple Creek and nearby Nekaneet territory. The RCMP conducted aerial searches and used drone technology, but Byron has still not been found.If you have any information about Byron Watson's disappearance, please contact Maple Creek RCMP or submit an anonymous tip through Crime Stoppers.--This podcast is recorded on the territories of the Coast Salish people.Music Composed by: Sayer Roberts - https://soundcloud.com/user-135673977 // shorturl.at/mFPZ0Subscribe to TNTC+ on Apple Podcasts: https://apple.co/TNTCJoin our Patreon: www.patreon.com/tntcpodMerch: https://www.teepublic.com/stores/true-north-true-crime?ref_id=24376Follow us on Instagram: https://www.instagram.com/tntcpod/Follow us on Facebook: https://www.facebook.com/truenorthtruecrime Hosted on Acast. See acast.com/privacy for more information.

Tucked between the rugged North Cascades and the sparkling Salish Sea, Bellingham, Washington is a must-visit Pacific Northwest destination that offers a stunning mix of mountains, forests, and coastal beauty. Just 90 miles north of Seattle and 20 miles south of the Canadian border, Bellingham is ideally located in Whatcom County with easy access to the San Juan Islands, Mount Baker, and the scenic Chuckanut Mountains. Outdoor enthusiasts will find a paradise of glacial lakes, temperate rainforests, dramatic coastal bluffs, and endless hiking and biking trails. Overlooking Bellingham Bay with views of the San Juan Islands and Olympic Mountains, the city blends natural splendor with deep cultural roots. Originally home to the Coast Salish peoples, including the Lummi and Nooksack tribes, Bellingham's history spans coal mining, timber, and maritime trade. The city was officially formed in 1903 when the towns of Whatcom, Sehome, Bellingham, and Fairhaven merged. Today, historic Fairhaven, with its red-brick architecture, lively waterfront, and artsy vibe, anchors a city that's grown into a vibrant college town and cultural hub. In this podcast episode, we explore why Bellingham is the perfect RV road trip stop, packed with natural beauty, rich history, and unforgettable experiences.Send us a textPlease follow the show so you never miss an episode. We ask that you also kindly give the show a rating and a review as well. Learn more about RV Out West over on our website at www.rvoutwest.com Join in on the conversation via social media:InstagramFacebook

Show notes below: Talking Shit With Tara Cheyenne is a Tara Cheyenne Performance Production www.taracheyenne.com Instagram: @TaraCheyenneTCP  /  FB: https://www.facebook.com/taracheyenneperformance Podcast produced, edited and music by Marc Stewart Music: marc@marcstewartmusic.com   © 2025 Tara Cheyenne Performance   Subscribe/follow share through Podbean and Google Podcasts and Apple Podcasts and Spotify.   Donate! To keep this podcast ad-free please go to:  https://www.canadahelps.org/en/dn/13386   Links: www.actionatadistance.ca Dancing On The Edge Festival 2025: https://www.dancingontheedge.org/ Company 605:  https://company605.ca/ Morrow: https://oddmeridian.ca/morrow.html About Vanessa: Vanessa Goodman acknowledges that she lives, works, and creates on the ancestral and unceded territories of the Coast Salish peoples, including the Sḵwx̱wú7mesh (Squamish), Stó:lō, Səl̓ílwətaʔ/Selilwitulh (Tsleil-Waututh), and xʷməθkʷəy̓əm (Musqueam) Nations. She holds a Bachelor of Fine Arts from Simon Fraser University and is the artistic director of Action at a Distance Dance Society. She is drawn to art that carries meaning beyond aesthetics, using choreography as a means to explore liminal expressions within the human condition. Her choreographic practice weaves together generative movement and sonic embodiment to create immersive performative environments. Through her work, she seeks to cultivate intimacy between the body and its surroundings, challenging conventional forms of performative hierarchy through collaborative approaches. She has received several awards and honours, including The Iris Garland Emerging Choreographer Award (2013), The Yulanda M. Faris Scholarship (2017/18), The Chrystal Dance Prize (2019 & 2024), the Schultz Endowment from the Banff Centre for Arts and Creativity (2019), The Isadora Award (2025) and participation in the "Space to Fail" program (2019/20) through Hyde Productions (NZ), Critical Path (AU), and The Dance Centre (CA). Longstanding collaborations include "Graveyards and Gardens" with Caroline Shaw, "BLOT" with Simona Deaconsecu, and multiple works with Loscil (Scott Morgan), Brady Marks, and James Proudfoot. Her work has toured Canada, the United States, Europe, and South America. www.actionatadistance.ca About Tara: Tara Cheyenne Friedenberg, is an award winning creator, performer, choreographer, director, writer, and artistic director of Tara Cheyenne Performance, working across disciplines in film, dance, theatre, and experimental performance. She is renowned as a trailblazer in interdisciplinary performance and as a mighty performer "who defies categorization on any level". Along with her own creations Tara has collaborated with many theatre companies and artists including; Zee Zee Theatre, Bard on the Beach, ItsaZoo Theatre, The Arts Club, Boca De Lupo, Ruby Slippers, The Firehall Arts Centre, Vertigo Theatre (Calgary).  With a string of celebrated solo shows to her credit (including bANGER, Goggles, Porno Death Cult, I can't remember the word for I can't remember, Body Parts, Pants), multidisciplinary collaborations, commissions and boundary bending ensemble creations Tara's work is celebrated both nationally and internationally.  Tara is known for her unique and dynamic hybrid of dance, comedy and theatre. She is sought after for creating innovative movement for theatre and has performed her full length solos and ensemble works around the world (highlights: DanceBase/Edinburgh, South Bank Centre/London, On the Boards/Seattle USA, High Performance Rodeo/Calgary etc.). Recent works include a collaboration with Italian dance/performance artist Silvia Gribaudi, empty.swimming.pool, (Castiglioncello, Bassano, Victoria and Vancouver), ensemble creation, how to be,  which premiered at The Cultch, and her solo I can't remember the word for I can't remember, toured widely, and her newest solo Body Parts has been made into a stunning film which is currently touring virtually. Tara lives on the unceded Coast Salish territories with her partner composer Marc Stewart and their child.  

In March 2006, 21-year-old Jessie Foster who was from Kamloops BC, vanished from North Las Vegas under circumstances that point to a disturbing pattern of trafficking and violence against women. Nearly two decades later, her case remains unsolved—but her story is far from forgotten.In this episode, we partnered with Jessie's mother, Glendene Grant, whose tireless advocacy has kept Jessie's name alive in the public eye. Glendene shares insight into Jessie's life, the red flags that surfaced before her disappearance, and the unrelenting fight to bring her daughter home. We also explore the broader issues of exploitation and the systemic failures that allow victims to fall through the cracks. Glendene has become a powerful advocate for victims and families through her organization, Mothers Against Trafficked Humans—a group she founded in Jessie's name: https://www.facebook.com/MothersAgainstTraffickingHumans/If you have any information about Jessie Foster's disappearance, please contact the North Las Vegas Police Department at (702) 633-9111 or Crime Stoppers at (702) 385-5555.--This podcast is recorded on the territories of the Coast Salish people.Music Composed by: Sayer Roberts - https://soundcloud.com/user-135673977 // shorturl.at/mFPZ0Subscribe to TNTC+ on Apple Podcasts: https://apple.co/TNTCJoin our Patreon: www.patreon.com/tntcpodMerch: https://www.teepublic.com/stores/true-north-true-crime?ref_id=24376Follow us on Instagram: https://www.instagram.com/tntcpod/Follow us on Facebook: https://www.facebook.com/truenorthtruecrime Hosted on Acast. See acast.com/privacy for more information.

This week on True North True Crime, we're stepping outside our usual format to offer a rare look behind the badge. Sergeant Chris Voller of the National Police Federation joins us for a candid conversation about the realities of frontline policing in 2025. Representing over 20,000 RCMP members across Canada, Chris sheds light on the challenges officers face—from under-resourcing and public perception to mental health and media narratives.We explore the evolving demands of the job, the strain of working short-staffed, and the importance of context and balance in how cases—and officers—are portrayed in the media. Chris also shares his personal journey in policing, what led him to advocacy, and the work the NPF is doing to support those who protect Canadians.It's a nuanced, eye-opening discussion designed to help listeners understand the human side of policing.Chris Voller social links:https://www.instagram.com/chris_voller_npf/https://www.facebook.com/chris.voller.npfThe National Police Federation:https://npf-fpn.com/--This podcast is recorded on the territories of the Coast Salish people.Music Composed by: Sayer Roberts - https://soundcloud.com/user-135673977 // shorturl.at/mFPZ0Subscribe to TNTC+ on Apple Podcasts: https://apple.co/TNTCJoin our Patreon: www.patreon.com/tntcpodMerch: https://www.teepublic.com/stores/true-north-true-crime?ref_id=24376Follow us on Instagram: https://www.instagram.com/tntcpod/Follow us on Twitter: https://twitter.com/tntcpodFollow us on Facebook: https://www.facebook.com/truenorthtruecrime Hosted on Acast. See acast.com/privacy for more information.

In Part One, we shared Aspen Pallot's vibrant life and the devastating impact of intimate partner violence.Now, in Part Two, we follow her family's painful journey through the Canadian justice system—a process that felt cold, slow, and disconnected. The trial hinged on intent: was Solaris Dey guilty of second-degree murder or manslaughter?In the end, he was convicted of manslaughter and sentenced to just two years in custody.Then, in March 2024, Aspen's family was retraumatized when Solaris was linked to another violent crime.This episode examines the court's decision, the system's failures, and the ongoing toll on those left behind.--This podcast is recorded on the territories of the Coast Salish people.Music Composed by: Sayer Roberts - https://soundcloud.com/user-135673977 // shorturl.at/mFPZ0Subscribe to TNTC+ on Apple Podcasts: https://apple.co/TNTCJoin our Patreon: www.patreon.com/tntcpodMerch: https://www.teepublic.com/stores/true-north-true-crime?ref_id=24376Follow us on Instagram: https://www.instagram.com/tntcpod/Follow us on Twitter: https://twitter.com/tntcpodFollow us on Facebook: https://www.facebook.com/truenorthtruecrime Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

This week on True North True Crime, we're joined by Jordan from The Nighttime Podcast to examine the troubling and still-unfolding case of Lily and Jack Sullivan, two young siblings who vanished from their rural property in Lansdowne Station, Nova Scotia, on the morning of May 2, 2025.According to their parents, six-year-old Lily and four-year-old Jack may have wandered off while the couple was napping with their 16-month-old child inside the home. A massive search was launched, involving helicopters, drones, police dogs, and over 160 trained volunteers covering more than five square kilometers of dense terrain. Despite extensive efforts, no trace of the children has been found.While the RCMP have been issuing frequent and detailed updates, public interest has fueled intense speculation and online misinformation. In this episode, we team up with Jordan to walk through the confirmed timeline, clear up what's true and what's not, and explore how digital discourse can complicate already delicate investigations.--This podcast is recorded on the territories of the Coast Salish people.Music Composed by: Sayer Roberts - https://soundcloud.com/user-135673977 // shorturl.at/mFPZ0Subscribe to TNTC+ on Apple Podcasts: https://apple.co/TNTCJoin our Patreon: www.patreon.com/tntcpodMerch: https://www.teepublic.com/stores/true-north-true-crime?ref_id=24376Follow us on Instagram: https://www.instagram.com/tntcpod/Follow us on Twitter: https://twitter.com/tntcpodFollow us on Facebook: https://www.facebook.com/truenorthtruecrime Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Aspen Pallot was 19 years old when she was murdered by her boyfriend, 22-year-old Solaris Day, on October 3, 2018, in Richmond, British Columbia. In this first episode of a two-part series, we focus on Aspen's life—who she was, how she loved, and the deep bond she shared with her family.Aspen's loved ones stood by her as she navigated a relationship that had become increasingly heavy. They extended care and compassion not just to Aspen, but also to Solaris—a young man who would ultimately cause unimaginable harm.Through interviews with Aspen's grandmother Roxanne and her uncle Randy, we hear about the vibrant, loving person she was—and how her loss continues to shape their lives.--This podcast is recorded on the territories of the Coast Salish people.Music Composed by: Sayer Roberts - https://soundcloud.com/user-135673977 // shorturl.at/mFPZ0Subscribe to TNTC+ on Apple Podcasts: https://apple.co/TNTCJoin our Patreon: www.patreon.com/tntcpodMerch: https://www.teepublic.com/stores/true-north-true-crime?ref_id=24376Follow us on Instagram: https://www.instagram.com/tntcpod/Follow us on Twitter: https://twitter.com/tntcpodFollow us on Facebook: https://www.facebook.com/truenorthtruecrime Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

On October 28, 2023, beloved actor Matthew Perry was found dead in his Los Angeles home. Initially reported as an accidental drowning, new evidence has emerged that suggests something far more sinister. In this episode, we examine the circumstances surrounding Perry's final days, the details from multiple indictments, and the people now facing criminal charges in connection with his death.Perry was open about his struggles with addiction and spent much of his later life trying to help others find recovery. Yet in his final days, he was taken advantage of by those who should have helped him. This episode also stands as a tribute to one of Canada's most famous actors, a man who brought joy to millions through his work and whose legacy extends far beyond the screen.--This podcast is recorded on the territories of the Coast Salish people.Music Composed by: Sayer Roberts - https://soundcloud.com/user-135673977 // shorturl.at/mFPZ0Subscribe to TNTC+ on Apple Podcasts: https://apple.co/TNTCJoin our Patreon: www.patreon.com/tntcpodMerch: https://www.teepublic.com/stores/true-north-true-crime?ref_id=24376Follow us on Instagram: https://www.instagram.com/tntcpod/Follow us on Twitter: https://twitter.com/tntcpodFollow us on Facebook: https://www.facebook.com/truenorthtruecrime Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

New Name, Same Podcast ! Well...Daniel and Will got a bit too busy, but we're back for our third season. Thank you for downloading the Outdoor Therapy Centre Podcast with the super fun Becky Robbins!About BeckyBecky Robbins lives in Western Washington, a fourth generation resident and descendant of settlers who came to this land, land that belongs to and has been tended by the Coast Salish, Duwamish, Suquamish, and Tulalip tribal people. Becky is both a steward and lover of this land. She loves her work as an ecotherapist, naturalist, outdoor adventurer and educator. Becky spends equal time in the mystical and practical worlds, with earth-based spirituality and shamanism to scientific research-based practices in her work and personal life. Becky has a passion for people and learning, as well as collaborating with colleagues!You can find Becky on Instagram @beautyeverywherepnw and her website https://innerphoenix.netBecky owns a private therapy practice where she sees individual adult clients of all ages. She offers both continuing education classes for therapists and education for the general public on nature and spiritual topics applied to our steps and growth along life's journey. And she volunteers as a steward for local parks and through the Mountaineers (http://www.mountaineers.org) by leading hikes, nature and mindfulness walks, backpacking trips, and other fun adventures.

Juanita “Winnie” Migwans, a 31-year-old Indigenous woman from M'Chigeeng First Nation on Manitoulin Island, has been missing since October 4, 2024. She was last seen walking along Riverside Drive in M'Chigeeng. She disappeated without her phone, identification, or personal belongings . Her sudden disappearance has left her family and community deeply concerned.Migwans is described as 5'6" tall, weighing approximately 100 pounds, with brown hair and brown eyes . She was last seen wearing a light-colored jacket and dark pants.​In an effort to find her, a $100,000 reward is being offered for information leading to her whereabouts or the arrest and conviction of those responsible for her disappearance . Billboards have been placed across Manitoulin Island and along major highways to raise awareness, and a crowdfunding campaign is underway to fund additional signage.If you have any information about Juanita Migwans' disappearance, please contact the Ontario Provincial Police at 1-888-310-1122 or Crime Stoppers at 1-800-222-TIPS (8477). Your assistance could be crucial in bringing Juanita home.--This podcast is recorded on the territories of the Coast Salish people.Music Composed by: Sayer Roberts - https://soundcloud.com/user-135673977 // shorturl.at/mFPZ0Subscribe to TNTC+ on Apple Podcasts: https://apple.co/TNTCJoin our Patreon: www.patreon.com/tntcpodMerch: https://www.teepublic.com/stores/true-north-true-crime?ref_id=24376Follow us on Instagram: https://www.instagram.com/tntcpod/Follow us on Twitter: https://twitter.com/tntcpodFollow us on Facebook: https://www.facebook.com/truenorthtruecrime Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

On October 3, 1996, 42-year-old Audrey Desjardins finished her night shift at a fruit packing plant in St. Davids, Ontario. After dropping off a friend in Welland, she vanished without a trace—along with her red Ford Crown Victoria. Despite extensive searches, including multiple dives in regional waterways, neither Audrey nor her vehicle has ever been found. Nearly three decades later, her case remains one of Niagara's most haunting mysteries. In this episode, we explore the details of her disappearance, the unanswered questions, and the ongoing efforts to find out what happened to Audrey Desjardins.--This podcast is recorded on the territories of the Coast Salish people.Music Composed by: Sayer Roberts - https://soundcloud.com/user-135673977 // shorturl.at/mFPZ0Subscribe to TNTC+ on Apple Podcasts: https://apple.co/TNTCJoin our Patreon: www.patreon.com/tntcpodMerch: https://www.teepublic.com/stores/true-north-true-crime?ref_id=24376Follow us on Instagram: https://www.instagram.com/tntcpod/Follow us on Twitter: https://twitter.com/tntcpodFollow us on Facebook: https://www.facebook.com/truenorthtruecrime Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

In this episode, we dive deep into the rich and often overlooked indigenous history of what we now call Sasquatch or Bigfoot. Drawing from centuries of oral traditions and documented encounters, we explore how Native American and First Nations peoples across North America have long maintained detailed knowledge of these forest beings. Brian shares personal experiences with these creatures while acknowledging the importance of maintaining healthy skepticism about evidence. The episode highlights the remarkable consistency in descriptions from tribes that had no contact with one another – from physical characteristics like height and hair covering to behaviors such as wood knocking and whistling communications.We journey across the continent, examining traditions from the Pacific Northwest's Coast Salish peoples (who gave us the term "Sasquatch"), the California tribes' accounts of Oh-mah, the Lakota's sacred Chiye-tanka, and many others. The narrative explores how these weren't simply folk tales but sophisticated ecological knowledge embedded with practical information about forest stewardship and proper protocols for respecting all beings.The episode also addresses the impact of colonization on these traditions, including missionary suppression and boarding schools that disrupted knowledge transmission. Despite these challenges, we learn how many tribes are now revitalizing these traditions through cultural preservation programs, educational initiatives, and even formal research partnerships that blend traditional knowledge with contemporary scientific methods.Listeners will gain insight into the diverse perspectives within indigenous communities today – from those who maintain literal belief in these beings to those who interpret the traditions metaphorically as embodiments of ecological relationships. Throughout the episode, we examine how these ancient traditions align with modern encounters, suggesting continuity of experience across cultures and time periods.Whether you're a dedicated Sasquatch researcher, interested in indigenous knowledge systems, or simply curious about one of North America's most enduring mysteries, this episode offers a respectful and comprehensive look at a subject that bridges the ancient and contemporary, the spiritual and the scientific.Get Our FREE NewsletterGet Brian's Books Leave Us A VoicemailVisit Our WebsiteSupport Our SponsorsVisit Untold Radio AMBecome a supporter of this podcast: https://www.spreaker.com/podcast/sasquatch-odyssey--4839697/support.

On March 17, 2022, 29-year-old Nicholas Adamson vanished after a night out at The Moose & Goose nightclub in Thorold, Ontario. After stepping outside to make a phone call around 1 a.m., he was denied re-entry into the club. Surveillance footage later captured him walking away along Sullivan Street toward Pine Street. Despite extensive searches and investigations, Nicholas remains missing, leaving his family and the community desperate for answers.If you have any information about Nicholas Adamson's disappearance, please contact the Niagara Regional Police Service at 905-688-4111. You can also submit an anonymous tip to Crime Stoppers Niagara at 1-800-222-TIPS (8477) or online at niagaratips.ca. Additionally, the volunteer organization Please Bring Me Home is seeking information—visit pleasebringmehome.com to share any leads or use pleasebringmehome@outlook.com.Join us as we delve into the details of Nicholas's mysterious disappearance, exploring the events leading up to that fateful night and the ongoing efforts to uncover the truth.--This podcast is recorded on the territories of the Coast Salish people.Music Composed by: Sayer Roberts - https://soundcloud.com/user-135673977 // shorturl.at/mFPZ0Subscribe to TNTC+ on Apple Podcasts: https://apple.co/TNTCJoin our Patreon: www.patreon.com/tntcpodMerch: https://www.teepublic.com/stores/true-north-true-crime?ref_id=24376Follow us on Instagram: https://www.instagram.com/tntcpod/Follow us on Twitter: https://twitter.com/tntcpodFollow us on Facebook: https://www.facebook.com/truenorthtruecrime Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

In March 2023, 23-year-old Kiara Agnew from Dawson Creek, British Columbia, was found dead at a resort in Playa del Carmen, Mexico. This episode examines the circumstances of her death, the official investigation, and the broader issues of safety while traveling abroad.Gofundme: https://www.gofundme.com/f/help-bring-kiara-agnew-homePetition: https://www.change.org/p/justice-for-kiara-demand-answers-demand-safety-for-canadians-abroadFacebook Page: https://www.facebook.com/share/1A5Fkb2HmT/?mibextid=wwXIfr--This podcast is recorded on the territories of the Coast Salish people.Music Composed by: Sayer Roberts - https://soundcloud.com/user-135673977 // shorturl.at/mFPZ0Subscribe to TNTC+ on Apple Podcasts: https://apple.co/TNTCJoin our Patreon: www.patreon.com/tntcpodMerch: https://www.teepublic.com/stores/true-north-true-crime?ref_id=24376Follow us on Instagram: https://www.instagram.com/tntcpod/Follow us on Twitter: https://twitter.com/tntcpodFollow us on Facebook: https://www.facebook.com/truenorthtruecrime Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

For years, Cody Dempster's case remained unresolved. Then, in 2018, the file was taken over by a cold case unit, and investigators narrowed in on a suspect. But despite significant developments, no arrest was ever made. In this episode, we uncover who police believe is responsible for Cody's death—and why they were never brought to trial. With insight from Cody's best friend Alex, his older brother Ryan, and the officers who worked the case, we piece together the story of a boy who never got justice—and a family who is speaking out.--This podcast is recorded on the territories of the Coast Salish people.Music Composed by: Sayer Roberts - https://soundcloud.com/user-135673977 // shorturl.at/mFPZ0Subscribe to TNTC+ on Apple Podcasts: https://apple.co/TNTCJoin our Patreon: www.patreon.com/tntcpodMerch: https://www.teepublic.com/stores/true-north-true-crime?ref_id=24376Follow us on Instagram: https://www.instagram.com/tntcpod/Follow us on Twitter: https://twitter.com/tntcpodFollow us on Facebook: https://www.facebook.com/truenorthtruecrime Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

In the spring of 2011, the community of Yellowknife, Northwest Territories, was shaken by the suspicious death of 16-year-old Cody Dempster. He was found unresponsive in a downtown alley and later pronounced dead—his passing eventually ruled a homicide. The RCMP initially had suspects, but despite early leads, the case went cold. For over a decade, Cody's family and friends remained silent. Now, for the first time, they're speaking out. In this episode, we revisit Cody's final moments, the early investigation, and the long fight for justice.--This podcast is recorded on the territories of the Coast Salish people.Music Composed by: Sayer Roberts - https://soundcloud.com/user-135673977 // shorturl.at/mFPZ0Subscribe to TNTC+ on Apple Podcasts: https://apple.co/TNTCJoin our Patreon: www.patreon.com/tntcpodMerch: https://www.teepublic.com/stores/true-north-true-crime?ref_id=24376Follow us on Instagram: https://www.instagram.com/tntcpod/Follow us on Twitter: https://twitter.com/tntcpodFollow us on Facebook: https://www.facebook.com/truenorthtruecrime Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

In this episode, we delve into the tragic case of Bradley Steven Kline, a 26-year-old man from Surrey, British Columbia. On December 7, 2018, Bradley was found dead in his Newton coach house under mysterious circumstances. Despite initial challenges, the Integrated Homicide Investigation Team (IHIT) identified several suspects and are actively pursuing individuals in both the Lower Mainland and Edmonton areas who possess crucial information about the case. Join us as we explore the details surrounding Bradley's untimely death, the progress made by law enforcement, and the family's struggle with the justice system.--This podcast is recorded on the territories of the Coast Salish people.Music Composed by: Sayer Roberts - https://soundcloud.com/user-135673977 // shorturl.at/mFPZ0Subscribe to TNTC+ on Apple Podcasts: https://apple.co/TNTCJoin our Patreon: www.patreon.com/tntcpodMerch: https://www.teepublic.com/stores/true-north-true-crime?ref_id=24376Follow us on Instagram: https://www.instagram.com/tntcpod/Follow us on Twitter: https://twitter.com/tntcpodFollow us on Facebook: https://www.facebook.com/truenorthtruecrime Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Welcome to another episode where we dive deep into the mysteries of the legendary Sasquatch. Today, we embark on a journey through time, exploring the origins of this enigmatic creature's name, the pioneers who paved the way for cryptozoological research, and the modern-day encounters cataloged by the Bigfoot Field Researchers Organization (BFRO). Finally, we'll take a closer look at the track evidence that has sparked heated debates in both the scientific and cryptid communities.The Genesis of the Name SasquatchLong before Bigfoot became a household name, indigenous cultures across North America shared stories of large, hairy beings that roamed the forests.The term Sasquatch itself originates from the Coast Salish word Sésquac, meaning “wild man.” It was introduced to popular culture in the 1920s by J.W. Burns, a Canadian teacher who collected and documented First Nations' accounts of the creature. From there, Sasquatch slowly made its way into the cryptid lexicon, preceding the more famous moniker Bigfoot, which wouldn't gain traction until the late 1950s.The pursuit of unknown creatures isn't new. In the mid-20th century, a new branch of study emerged—cryptozoology—dedicated to investigating creatures that exist on the fringes of scientific recognition. Figures like Bernard Heuvelmans, Ivan T. Sanderson, and Grover Krantz were instrumental in developing this field, applying scientific methods to analyze claims of mysterious creatures, including Sasquatch. Krantz, in particular, became one of the foremost defenders of Bigfoot's potential existence, arguing that physical evidence—especially footprints—could not be easily dismissed.The Bigfoot Field Researchers Organization (BFRO) has meticulously cataloged thousands of encounters, compiling witness reports from across North America. From fleeting glimpses to prolonged close encounters, the database serves as one of the largest repositories of Bigfoot-related evidence. Patterns have emerged over time—frequent sightings in the Pacific Northwest, eerie vocalizations heard in dense forests, and even alleged physical interactions with the creature. But with this vast amount of anecdotal evidence, the question remains: Are these reports merely misidentifications, hoaxes, or something more?Tracks and the Debate Over Their AuthenticityFootprints have long been one of the most cited pieces of evidence in the search for Sasquatch. Some tracks, like the famous Cripple Foot print analyzed by Grover Krantz, have been presented as near-definitive proof of the creature's existence. Others, like the tracks discovered by Paul Freeman, have been widely debated, with skeptics arguing they were fabricated. This brings us to an article published in The Skeptical Inquirer by Michael R. Dennett, titled Bigfoot Evidence: Are These Tracks Real? In this piece, Dennett critically examines track evidence, particularly those tied to Freeman and Krantz, raising questions about their authenticity and whether belief has clouded scientific rigor.Final ThoughtsWhether you're a believer, a skeptic, or somewhere in between, the mystery of Sasquatch remains one of the most enduring and fascinating topics in cryptozoology. The stories, the evidence, and the ongoing debates keep us questioning what might be lurking in the remote wilderness. As we sift through history, firsthand encounters, and the physical evidence left behind, one thing is certain—the legend of Sasquatch isn't going anywhere.Tune in and decide for yourself: Are we on the cusp of a major cryptozoological discovery, or is the truth behind Sasquatch forever lost in folklore and fabrication?Get Our FREE NewsletterGet Brian's Books Leave Us A VoicemailVisit Our WebsiteSupport Our SponsorsVisit Untold Radio AMVisit HIMS.COMBecome a supporter of this podcast: https://www.spreaker.com/podcast/sasquatch-odyssey--4839697/support.

In this episode, we delve into the tragic deaths of Lucas Fowler, Chynna Deese, and Leonard Dyck—the victims of a horrifying crime spree that shocked Canada in 2019. Lucas and Chynna, a couple from Australia and the United States, were on a dream road trip in British Columbia when their lives were cut short in a brutal and senseless act of violence. We'll explore their love story, their hopes for the future, and the profound loss felt by their families and communities.We also remember Leonard Dyck, a dedicated and beloved member of his community, whose life was tragically taken during the same violent spree.We'll also detail the timeline and extensive manhunt that followed, showcasing the massive effort by Canadian authorities to locate Bryer Schmegelsky and Kam McLeod. With hundreds of officers, specialized teams, and widespread media coverage, the search underscored the scale of the investigation and the commitment to seeking justice for Lucas, Chynna, and Leonard.Complete RCMP overview: https://bc-cb.rcmp-grc.gc.ca/ViewPage.action?siteNodeId=2100&languageId=1&contentId=61489--This podcast is recorded on the territories of the Coast Salish people.Music Composed by: Sayer Roberts - https://soundcloud.com/user-135673977 // shorturl.at/mFPZ0Subscribe to TNTC+ on Apple Podcasts: https://apple.co/TNTCJoin our Patreon: www.patreon.com/tntcpodMerch: https://www.teepublic.com/stores/true-north-true-crime?ref_id=24376Follow us on Instagram: https://www.instagram.com/tntcpod/Follow us on Twitter: https://twitter.com/tntcpodFollow us on Facebook: https://www.facebook.com/truenorthtruecrime Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

You asked your questions and we did our best to answer them! Join us as we discuss case updates from episodes we did in 2024, and then sit back and relax for a more off the cuff conversational style episode while we ask questions our listeners had for us.--This podcast is recorded on the territories of the Coast Salish people.Music Composed by: Sayer Roberts - https://soundcloud.com/user-135673977 // shorturl.at/mFPZ0Subscribe to TNTC+ on Apple Podcasts: https://apple.co/TNTCJoin our Patreon: www.patreon.com/tntcpodMerch: https://www.teepublic.com/stores/true-north-true-crime?ref_id=24376Follow us on Instagram: https://www.instagram.com/tntcpod/Follow us on Twitter: https://twitter.com/tntcpodFollow us on Facebook: https://www.facebook.com/truenorthtruecrime Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.