Podcast appearances and mentions of malcolm martineau

2003 begeisterte Elīna Garanča bei den Salzburger Festspielen das Publikum und die Kritiker in Mozarts "La Clemenza di Tito". Ihre Karriere ging daraufhin steil nach oben. Am 20. August präsentierte sie in Salzburg zusammen mit Malcolm Martineau am Klavier ein spätromantisches Programm mit Liedern lettischer Komponisten neben Werken von Richard Strauss, Henri Duparc und Sergej Rachmaninow.

Jess Gillam and baritone James Newby swap some of their favourite tracks and chat about their lives in music. James - who was one of Radio 3's New Generation Artists - is one of the country's most exciting young baritones and performs all around Europe in everything from contemporary opera to intimate song recitals. His music picks include a choral piece by Howells that changed the direction of his life and catapulted him into a music career and the stunning voices of Celeste and Bryn Terfel. Meanwhile, Jess picks a stunner of a voice of her own in Sarah Vaughan, alongside the energy of John Adams and a tender ballad for violin and piano by Donald Grant. Playlist: MOZART: Marriage of Figaro – Overture [Chamber Orchestra of Europe, Yannick Nezet Seguin (conductor)] DONALD GRANT: Bha lá eile ann [Elena Urioste (violin), Tom Poster (piano)] HERBERT HOWELLS: Nunc Dimittis (from Collegium Regale) [Choir of King's College, Cambridge, Stephen Cleobury] CELESTE: Strange JOHN ADAMS: Short Ride in a Fast Machine [City of Birmingham Symphony Orchestra, Simon Rattle (conductor)] DILYS ELWYN EDWARDS: The Cloths of Heaven (Gwiseg Nefoedd) [Bryn Terfel (baritone), Malcolm Martineau (piano)] CORELLI: Follia [Hesperion XXI, Jordi Savall] SARAH VAUGHAN: Be My Love

Madison Nonoa is an opera singer. She was born and bred in New Zealand and made the big move to the UK in 2017 to complete a degree in opera at the Guildhall School of Music and Drama in London. She is based in the UK and performs around the world. Madison will sing in a concert of songs by Brahms with Edinburgh pianists Malcolm Martineau & Steven Osborne on August 13th. We talked about how opera must always strive to be relevant, the all-too common immigrant story of visa woes and the antipodean obsession with good coffee. Book your ticket to the show HEREhttps://www.eif.co.uk/events/malcom-martineau-steven-osborne#about-the-showFollow Madison herehttps://twitter.com/madison_nonoa*I am an Immigrant is an ice&fire theatre production hosted by Christine Bacon, edited by Helen Clapp. Cover art by Ada Jusic.This season is a special commission for the Edinburgh International Festival https://www.eif.co.ukWe love hearing from you – email actors@iceandfire.co.ukWe are particularly keen to hear your suggestions for future guests*Social Media:ice&fire - @iceandfireuk Hosted on Acast. See acast.com/privacy for more information.

Synopsis One of the last chamber works of the American composer Aaron Copland received its first performance on today's date in 1971 in Philadelphia as a benefit for that city's Settlement Music School.  Copland himself was present for the premiere of his “Duo” for flute and piano. The work was commissioned by friends and students of the late William Kincaid, for many years the principal flutist of the Philadelphia Orchestra. By 1971, thorny, complex, and atonal music was the fashion in both Europe and America. Copland, for his part, had composed some challenging orchestral works along these lines as well. His “Duo,” however was unashamedly lyrical. As Copland put it: “What can you do with a flute in an extended form that would NOT emphasize its songful nature? Lyricism seems to be built into the flute. Some expressed surprise at the tonal nature of my Duo, considering that my recent works had been in a more severe idiom.” Copland needn't have worried. As music critic Michael Steinberg put it, reviewing its first performance in Boston: “Copland's Duo is a lightweight work of a masterful craftsman. It is going to give pleasure to flutists and their audiences for a long time.” Music Played in Today's Program Aaron Copland (1900 – 1990) — Duo (Jennifer Stinton, flute; Malcolm Martineau, piano) Collins 1385

durée : 00:13:53 - The Dark Night Has Vanished - Catriona Morison, Malcolm Martineau - Ce récital envoûtant marque les débuts chez Linn de la mezzo-soprano écossaise Catriona Morison, lauréate du concours BBC Cardiff Singer of the World en 2017 et co-lauréate du Song Prize.

Irish soprano Ailish Tynan talks to BBC Music Magazine's editor Oliver Condy about her musical experiences in lockdown, recent streamed performances at the Royal Opera house and at Wigmore Hall and at home with her family, as well as the music that has inspired her throughout the year.Recordings featured:Wolf: GanymedJohn McCormack (tenor), Edwin Schneider (piano)Symposium SYMPCD1164 Schubert: Die ForelleAilish Tynan (soprano), Iain Burnside (piano)Delphian DCD34165 Mahler: Des Knaben Wunderhorn: Ablösung im SommerChristiane Karg (soprano), Malcolm Martineau (piano)Harmonia Mundi HMM905338 See acast.com/privacy for privacy and opt-out information.

durée : 00:12:50 - Lieder : Schumann, Brahms - Elina Garanca, Malcolm Martineau

Daniel Weissmann, altiste Directeur de l'Orchestre Philharmonique Royal de Liège, Daniel Weissmann est aussi altiste. Après un premier opus paru chez Fuga Libera (2018) et consacré principalement au répertoire germanique, il poursuit pour le même label son exploration des pièces de chambre pour alto avec un nouvel enregistrement paru le 9 octobre et réalisé avec la complicité du pianiste Peter Petrov. (OPRL) -- Christiane Karg, soprano Avec ce premier récital soliste pour harmonia mundi, Christiane Karg et son fidèle partenaire Malcolm Martineau nous proposent une incursion dans ce que la musique de Mahler a de plus intime : les chants du Knaben Wunderhorn nous plongent au cœur du processus créateur du compositeur, à l'image des lieder de jeunesse ou des plus tardifs Rückert-Lieder. Intime ? Oui, car deux de ces pièces (dont la célèbre Himmlische Leben de la Quatrième Symphonie) sont accompagnées ici par... Mahler lui-même, grâce aux performances des incroyables « rouleaux Welte-Mignon » qui, au tout début du XXe siècle, ont su capter le jeu du compositeur bien mieux que n'importe quel enregistrement de cette période. (HM)

durée : 00:12:17 - Le Disque classique du jour du mardi 06 octobre 2020 - Récital en solo de la soprano Christiane Karg qui plonge dans l'intime du répertoire de Mahler avec les lieder "Le Cor Merveilleux de l'enfant" en compagnie du pianiste Malcolm Martineau... et de Mahler lui même, grâce au rouleau Welte-Mignon qui restitue le jeu du compositeur.

Cet épisode met la table quant au lien étroit entre la musique et la poésie dans la sensibilité allemande et française, pour plonger ensuite au cœur de l’apparition du lied allemand avec les grands maîtres qu’en sont devenus Franz Schubert et Johannes Brahms.

Cet épisode s’attarde à l’émergence de la mélodie française, à la façon dont les grands poètes des 19e et 20e siècles l’ont nourrie, et comment Maurice Ravel et Francis Poulenc y ont laissé leur empreinte.

I programmet diskuteras bl.a. Florian Boeschs tolkning av Schubert-sånger, Brahms Violinkonsert samt musik av Erkki Melartin. Johan möter dirigenten Omer Meir Wellber och sveper över Brahms-3a. I panelen Alexander Freudenthal, Camilla Lundberg och Evert van Berkel som tillsammans med programledaren Johan Korssell betygsätter följande skivor: ERKKI MELARTIN Traumgesicht, Marjatta samt ur baletten The Blue Pearl Soile Isokoski, sopran Finska radions symfoniorkester Hannu Lintu, dirigent Ondine ODE 1283-2 A MOVEABLE FEAST Musik av Vaughan Williams, Ravel och De Falla Stockholm Syndrome Ensemble Channel Classics CCS 36916 FRANZ SCHUBERT Sånger Florian Boesch, baryton Malcolm Martineau, piano Onyx ONYX 4149 JOHANNES BRAHMS Violinkonsert D-dur Nils-Erik Sparf, violin Uppsala kammarsolister Paul Mägi, dirigent Swedish Society SCD 1162 Referensen - Brahms violinkonsert: Johan jämför med och refererar till Anne-Sophie Mutters inspelning av Brahms violinkonsert tillsammans med New Yorks filharmoniker och dirigenten Kurt Masur på skivmärket DG.  Johan möter Omer Meir Wellber Johan Korssell träffade den israeliske dirigenten i Berwaldhallen i Stockholm då Meir Wellber gästade Sveriges Radios Symfoniorkester och serverade musik av Sjostakovitj och Schubert.  Andra i programmet nämnda eller rekommenderade inspelningar: Schuberts sånger med Christian Gerhaher ackompanjerad av Gerold Huber på Sony Classical. Brahms violinkonsert med violinisten Janine Jansen tillsammans med Santa Cecilia-akademins orkester i Rom ledda av Antonio Pappano inspelad på Decca; Anne-Sophie Mutter och Berlins filharmoniker ledda av Herbert von Karajan på DG; David Oistrach och Cleveland-orkestern under George Szell på EMI; Isaac Stern och Philadelphia-orkestern under Eugene Ormandys ledarskap på Columbia samt med Leonidas Kavakos och Gewandhaus-orkestern under Riccardo Chailly på Decca. Nils Erik Sparfs inspelning med Mozarts fem violinkonserter tillsammans med Uppsala kammarorkester på Swedish Society. Svepet Johan sveper över ett album där Thomas Hengelbrock leder Elbphilharmonie, Hamburg i Johannes Brahms fjärde symfoni e-moll. Skivmärke Sony Classical.

James Jolly speaks to pianist Malcolm Martineau about Fauré and 19th-century song

Den tyske sopran Juliana Banse synger lieder af Duparc, Schönberg og Mahler, akkompagneret af Malcolm Martineau. Desuden uddrag fra en af festivalens talentkoncerter. (Hindsgavl 13. og 14. juli). Ca. kl. 21.15 kan du høre organisten Philip Aggesen, der er debuteret fra Det Kgl. Danske Musikkonservatorium. Han spiller musik af Louis Vierne. Vært: Klaus Mølller-Jørgensen.

Learn about the emotional inspiration of Schoenberg's lush 'Op. 2 Lieder', which will be performed by Sarah Connolly and Malcolm Martineau at the Queen's Hall on Monday 17 August.

Legendary Irish mezzo-soprano, Ann Murray, talks to Suzy Klein about her farewell recital album, recorded with pianist Malcolm Martineau and members of their families.

English songs of regret and loss from the likes of Gurney and Vaughan Williams contrast with rich and romantic German Lieder in Simon Keenlyside and Malcolm Martineau's Queen's Hall recital at the 2014 Edinburgh International Festival. Part of Festival SoundBites, by www.sinfinimusic.com. Find out more information and book tickets at www.eif.co.uk/keenlyside-martineau

Tenor Nicky Spence talks to Gramophone's deputy editor Sarah Kirkup about 'As You Like It', his new disc of Shakespeare settings, with pianist Malcolm Martineau on Resonus Classics