Podcasts about Louis Vierne

The Battenkill Chorale, founded in 1995, is a dedicated group of amateur singers that has become a cultural jewel of the North Country and the Capital Region. On January 18 and 19, The Battenkill Chorale will perform Louis Vierne's “Solemn Mass” and works by Maurice Duruflé, Jean Langlais, Olivier Messiaen, and Pierre Villette at the historic Immaculate Conception Church in Hoosick Falls, New York.

This service of Choral Eucharist, sung by the Cathedral Schola, observes the Feast of St. Philip. The celebrant and preacher is the Very Rev. Sam Candler. Choral repertoire includes:Louis Vierne (1870-1937), Messe SolennelleDavid Briggs (b. 1962), Ubi caritas et amor

I vilken av Bartóks kvartetter spelar stråkarna utan vibrato och varför? Och hur kunde en helt vanlig pianokvintett nästan krossa César Francks äktenskap? Lyssna på alla avsnitt i Sveriges Radio Play. Vi tittar också närmare på ett stycke av Louis Vierne, och hur det kommer sig att det är så likt musiken ur rymdfilmen ”Närkontakt av tredje graden”.Har du själv en fråga om musik? Skicka den till fragamusikprofessorn@sverigesradio.se. Till sommaren är vi tillbaka med tio helt nya avsnitt, så passa på att höra av dig redan nu!Programledare: Josefin Johansson och Mattias Lundberg Producent: Elina PerdahlSlutmix: Daniel HögbergFråga musikprofessorn görs av Munck Studios för Sveriges Radio.

DOMRADIO.DE übertrug am vierten Sonntag im Jahreskreis das Kapitelsamt aus dem Kölner Dom mit Dompropst Guido Assmann. Zu Beginn der Liturgie wurden 13 Jungen und 21 Mädchen in die Chöre der Dommusik sowie neun Jungen und junge Männer in die Gemeinschaft der Domministranten aufgenommen. Es sangen der Kölner Domchor und der Mädchenchor am Kölner Dom unter der Leitung von Eberhard Metternich, Simon Schuttemeier und Cécilia Bazile die "Messe solennelle in cis" von Louis Vierne. Die Domorgeln spielten Winfried Bönig und Matthias Wand.

SynopsisOn today's date in 1935, at the Church of St. François-Xavier in Paris, organist Geneviève de la Salle gave the first complete performance of the three-movement Organ Suite, by French composer and virtuoso organist Maurice Duruflé.If you sing in a choir or are a fan of choral classics, you probably know Duruflé's serene and tranquil Requiem, which premiered about 12 years later.Now, if Duruflé's Organ Suite, Op. 5, premiered in 1935 and his Requiem, Op. 9, in 1947, you might reasonably conclude the composer was a slow, meticulous worker, which he was. In all, Duruflé's output comprises less than 15 published works, of which seven are for organ. His Organ Suite consists of a brooding “Prélude,” a “Sicilienne” — which evokes the harmonies and inflections of Ravel — and a brilliant, concluding “Toccata.”Duruflé's music is firmly embedded in the French tradition of organ composers such as César Franck and Louis Vierne, and Duruflé's composition teacher, Paul Dukas. The great French organist Marie-Claire Alain described Duruflé's music as “perfectly honest art.”“He was not an innovator but a traditionalist,” she said “… Duruflé evolved and amplified the old traditions, making them his own."Music Played in Today's ProgramMaurice Durufle (1902-1986) Organ Suite; Todd Wilson (Schudi organ at St. Thomas Aquinas Church in Dallas, Texas) Delos 3047

Trinity College hosted its 64th annual Christmas Festival of Lessons and Carols in the Chapel on Sunday, December 10, marking the beginning of the holiday season for the Greater Hartford community. Lessons and Carols is offered to all as a moment of comfort and hope. In its recounting of the Christmas story, the service involves the reading of nine lessons, each followed by the singing of a carol. Contributions to a freewill offering supported students in need, as well as international humanitarian relief efforts. This year's special Bicentennial event featured a newly commissioned work by David Hurd, a setting of a portion of Psalm 96, “Sing to the Lord a New Song,” dedicated to Trinity College Board of Trustees Chair Lisa Bisaccia '78 and Robert Naparstek, whose generosity has supported the Chapel Music Program. The program also featured music by alumni and community composers Paul Lindsley Thomas '50; Dudley Buck, Class of 1859; Robert Edward Smith, Chapel composer-in-residence since 1979; and Douglas Bruce Johnson, professor of music, emeritus. To see this year's full program, visit www.trincoll.edu/LessonsAndCarols

Artistic Director Louise Bezinna gives an extensive overview of this year's Brisbane Festival program; Priya Namana, CEO of the Centre of Projection Art on the upcoming innovative projection-art displays at the 2023 Gertrude Street Projection Festival; Acclaimed organist, Joseph Nolan, on the free Melbourne Town Hall Grand Organ Event, paying homage to the music of Louis Vierne over five nights in his performance of the ‘Vierne Project'; Director Cassandra Fumi and actor Alison Whyte explore the work of feminist playwright, Caryl Churchill, in the Petagog Theatre's production of ‘Far Away'

durée : 01:59:02 - Générations France Musique, le live du samedi 24 juin 2023 - par : Clément Rochefort - Raquel Camarinha, soprano, et Yoan Héreau, piano : "Life Story" ; l'Ensemble Le Déluge, autour de Louis Vierne ; Brenda Poupard, mezzo-soprano, et Anne-Louise Bourion, piano ; le Quatuor de saxophones Zahir avec Marie Brunet, clarinette ; Emmanuelle Stéphan, piano, pour un hommage à Gabriel Tacchino - réalisé par : Sophie Pichon

Un día como hoy, 2 de junio: Nace: 1565: Francisco Ribalta, pintor español (f. 1628). 1621: Isaak van Ostade, pintor neerlandés (f. 1649). 1740: Marqués de Sade (Donatien Alphonse François), escritor francés (f. 1814). 1743: Cagliostro, médico, alquimista y ocultista italiano (f. 1795). 1840: Thomas Hardy, poeta y novelista británico (f. 1928). 1857: Sir Edward Elgar, compositor británico (f. 1934). Fallece: 1701: Madeleine de Scudéry, escritora francesa (n. 1607). 1937: Louis Vierne, organista y compositor francés (n. 1870). Conducido por Joel Almaguer Una producción de Sala Prisma Podcast. 2023

durée : 01:28:54 - Cloches de tous les pays, unissez-vous ! - par : François-Xavier Szymczak - Ce tour d'horizon de quelques cloches musicales se termine avec Big Ben qui retentit dans le Carillon de Westminster de Louis Vierne, ou les cloches du matin qui concluent L'Amour sorcier de Manuel de Falla.

Organist Christopher Houlihan, described as “the next big organ talent” by the Los Angeles Times, releases his next solo album, First and Last, on Azica Records. The album features César Franck's “Grande Pièce Symphonique,” Op. 17, from Six pièces d'orgue (1860–62) and Louis Vierne's Symphonie No. 6, op. 39 (1930).Sharing his inspiration behind the album, Houlihan says, “Within this genre, there are no two pieces that better represent the trajectory of this style than Franck's Grande pièce symphoniqueand Vierne's Symphony No. 6— essentially the first and the last French Romantic organ symphonies.” First and Last Track ListCésar Franck (1822 -1890) – Grande Pièce Symphonique, Op. 17 from Six pièces d'orgue (1860-1862)   1. Andantino serioso [4:03]  2. Allegro non troppo e maestoso [7:00]  3. Andante - Allegro - Andante [8:16]  4. Allegro non troppo c maestoso [2:49]  5. Beaucoup plus largement [4:10]Louis Vierne (1870–1937) – 24 Pièces en style libre, Op. 31  6. Berceuse, no. 19 [4:13]Louis Vierne – Symphonic No. 6, Op. 59 (1930)  7. I. Introduction et Allegro [10:13]  8. II. Aria [7:27]  9. III. Scherzo [4:26]  10. IV. Adagio [9:51]  11. V. Final [7:31]Total Time: 69:59Help support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Katy Salomon representing Primo Artists.

Louis Vierne - Nocturne No. 1 Sergio Monteiro, piano More info about today's track: Naxos 8.574296 Courtesy of Naxos of America, Inc. Subscribe You can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed. Purchase this recording Amazon

Synopsis 1991 was a big year for American composer John Corigliano. The Metropolitan Opera premiered his opera “The Ghosts of Versailles” and the 53-year old composer won two Grammys and the Grawemeyer Award for his Symphony No. 1. Corigliano was increasingly recognized as one of the leading American composers of his generation, and was deluged with commissions for new works. But about 10 years before all that, guitarist Sharon Isbin had asked Corigliano to write a concerto for her, and kept on asking him. On today's date in 1993, her persistence paid off when, with the St. Paul Chamber Orchestra and conductor Hugh Wolff, she gave the premiere performance of Corigliano's “Troubadours — Variations for Guitar and Orchestra.” This piece was inspired by the courtly love tradition of the medieval troubadours, whose songs combined sophisticated word play with simple but elegantly communicative melodies. “For composers the idea of true simplicity — in contrast to chic simple-mindedness — is mistrusted and scorned,” wrote Corigliano. “But the guitar has a natural innocence about it… So the idea of a guitar concerto was, for me, like a nostalgic return to all the feelings I had when I started composing — before the commissions and deadlines and reviews. A time when discovery and optimistic enthusiasm ruled my senses… Troubadours is a lyrical concerto.” Music Played in Today's Program John Corigliano (b. 1938) Troubadours Sharon Isbin, guitar; Saint Paul Chamber Orchestra; Hugh Wolff, cond. Virgin 55083 On This Day Births 1870 - French composer and organist Louis Vierne, in Poitiers; 1930 - Japanese composer Toru Takemitsu, in Tokyo; 1953 - English composer Robert Saxon, in London; Deaths 1834 - French composer François Boieldieu, age 58, in Jarcy; Premieres 1903 - Nielsen: "Helios" Overture, in Copenhagen; 1943 - Stravinsky: "Ode" (in memory of Natalie Koussevitzky), by the Boston Symphony conducted by Serge Koussevitzky; 1960 - Prokofiev: opera "The Story of a Real Man" (posthumously) at the Bolshoi in Moscow; A semi-public performance of this opera was given in Leningrad on Dec. 3, 1948, but the opera was rejected by Soviet authorities for subsequent performances during the composer's lifetime; 1966 - Stravinsky: "Requiem Canticles," in Princeton, with Robert Craft conducting; 1992 - Ligeti: Violin Concerto, in Cologne, by the Ensemble Moderne conducted by Peter Eötvös, and Saschko Gawriloff the soloist; 1993 - Corigliano: "Troubadours (Variations for Guitar and Orchestra)," at the Ordway Music Theater in St. Paul, with the St. Paul Chamber Orchestra conducted by Hugh Wolff, and guitar soloist Sharon Isbin; 1999 - Kernis: "Garden of Light" and Torke: "Four Seasons" (both commissioned by the Disney Company at the urging of its Chief Executive, Michael Eisner), for the Millennium season of the New York Philharmonic, with Kurt Masur conducting the orchestra, vocal soloists, and choirs in both pieces; Others 1739 - Handel completes in London his Concerto Grosso in a, Op. 6, no. 4 (Gregorian date: Oct. 19); 1898 - The first issue of the magazine "Musical America" is published. Links and Resources On John Corigliano On Sharon Isbin

"Communion" was written by Louis Vierne (1870-1937). Vierne was greatly influenced by the music of J.S. Bach.

Concert organist Christopher Houlihan is coming to Detroit and he will be playing a solo recital at Old St Mary's Church in Greektown May 24th at 7pm. He speaks with Dave Wagner about the program which will include Mendelssohn's first Organ Sonata, Bach's Prelude and Fugue, selections from Florence Price's Suite for Organ and some pieces by Louis Vierne which Christopher has previous experience with.

On this special edition of classical pairings, host Nicholas Johnson is joined by Chris Caruso-Lynch, music director of Christ Church Cathedral, Indianapolis. On this episode, they embark on a  journey to find the perfect beer to pair with two iconic pieces of classical music: Giuseppe Verdi's, Requiem and Louis Vierne's Messe Solennelle, Op. 16.  To find these pairings they travel to the 13th annual Winterfest beer festival organized by the Brewers of Indiana Guild. Nicholas and Chris must choose between hundreds of different beers to find the perfect matches for their selections.Support the show (https://classicalmusicindy.org/support-classical-music-indy/)

Synopsis On today's date in 1935, at the Church of Saint François-Xavier in Paris, organist Geneviève de la Salle gave the first complete performance of the three-movement Suite, Op. 5, by the French composer, teacher, and virtuoso organist Maurice Duruflé. If you sing in a choir or are a fan of choral music, you're probably familiar with Duruflé's serene and tranquil “Requiem,” Op. 9, which premiered some 12 years later. Duruflé's Op. 5 premiered in 1935, his Op. 9 in 1947, so you might reasonably conclude the composer was a slow worker – which he was.  He was also a very self-critical perfectionist whose catalog of works is rather small, but exquisitely crafted.  In all, Duruflé's output comprises less than 15 published works, of which seven are for organ. Duruflé's music is firmly embedded in the French tradition of organ composers like César Franck and Louis Vierne, and orchestral composers like Debussy, Ravel, and Duruflé's own composition teacher, Paul Dukas.  The great French organist Marie-Claire Alain, when asked to describe Duruflé's music, replied "it is a perfectly honest art… He was not an innovator but a traditionalist… Duruflé evolved and amplified the old traditions, making them his own."  Music Played in Today's Program Maurice Durufle (1902-1986) — Organ Suite, Op. 5 (Todd Wilson, o (Schudi organ at St. Thomas Aquinas Church in Dallas, Texas)) Delos 3047 On This Day Births 1752 - Italian composer Muzio Clementi, in Rome; 1878 - English composer Rutland Boughton, in Aylesbury; Deaths 1837 - Irish composer John Field, age 54, in Moscow (Julian date: Jan.11); 1908 - American composer and pianist Edward MacDowell, age 47, in New York; 1981 - American composer Samuel Barber, age 70, in New York; Premieres 1724 - Bach: Sacred Cantata No. 73 ("Herr, wie du willst, so schicks mit mir") performed on the 3rd Sunday after Epiphany as part of Bach's first annual Sacred Cantata cycle in Leipzig (1723/24); 1729 - Bach: Sacred Cantata No. 156 ("Ich steh mit einem Fuss im Grabe") probably performed in Leipzig on the 3rd Sunday after Epiphany as part of Bach's fourth annual Sacred Cantata cycle (to texts by Christian Friedrich Henrici, a.k.a. "Picander") during 1728/29; 1895 - MacDowell: Suite No. 2 (":Indian"), at the old Metropolitan Opera House in New York City, by the Boston Symphony, with Emil Paur conducting; On the same program, MacDowell appeared as the soloist in his own Piano Concerto No. 1; 1933 - Bartók: Piano Concerto No. 2, in Frankfurt, with Hans Robaud conducting and the composer as soloist; 1936 - Chavez: "Sinfonia India," on a radio broadcast by the Columbia Symphony, conducted by the composer; 1948 - Diamond: Symphony No. 4, by the Boston Symphony, Leonard Bernstein conducting; 1963 - Peter Mennin: Symphony No. 7, by the Cleveland Orchestra, George Szell conducting; 1973 - Elliott Carter: String Quartet No. 3, in New York City, by the Juilliard String Quartet; This work won the Pulitzer Prize for music in that year (This was Carter's second Pulitzer Prize); 1999 - Thea Musgrave: "Three Women," in San Francisco, by the Women's Philharmonic, A. Hsu conducting; Others 1894 - Czech composer Antonin Dvorák presents a concert of African-American choral music at Madison Square Concert Hall in New York, using an all-black choir, comprised chiefly of members of the St. Philip's Colored Choir; On the program was the premiere performance of Dvorák's own arrangement of Stephen Foster's "Old Folks at Home," which featured vocal soloists Sissierette Jones and Harry T. Burleigh; 1943 - Duke Ellington and his orchestra present their first concert at Carngie Hall in New York, presenting the "official" premiere of Ellington's "Black, Brown and Beige" Suite (This work had received its world premiere at a trial performance the preceding day at Rye High School in Rye, New York). Links and Resources On Dvořák On Ellington

17th-20th Centuries We hear works by Bonifazio Graziani, Attilio Ariosti, Armand-Louis Couperin, Niccolò Paganini, Joseph Joachim Raff, Louis Vierne, and Christian Wolff. 148 Minutes – Weeks of July 05 and July 12, 2021

Un día como hoy, 2 de junio: Nace: 1565: Francisco Ribalta, pintor español (f. 1628). 1621: Isaak van Ostade, pintor neerlandés (f. 1649). 1740: Marqués de Sade (Donatien Alphonse François), escritor francés (f. 1814). 1743: Cagliostro, médico, alquimista y ocultista italiano (f. 1795). 1840: Thomas Hardy, poeta y novelista británico (f. 1928). 1857: Sir Edward Elgar, compositor británico (f. 1934). Fallece: 1701: Madeleine de Scudéry, escritora francesa (n. 1607). 1937: Louis Vierne, organista y compositor francés (n. 1870). Una producción de Sala Prisma Podcast. 2021

Synopsis Today we remember two famous French composers, both organists, who came to dramatic ends in the month of June. On June 2nd, 1937, while playing his 1,750th recital at the Cathedral of Notre-Dame in Paris, Louis Vierne suffered a sudden and fatal stroke, dying in the organ loft in the presence of one of his most promising pupils, Maurice Duruflé. Vierne was born nearly blind, but his exceptional musical ability eventually led to studies with the two greatest French organ composers of the 19th century, César Franck and Charles-Marie Widor. The piece that the 66-year-old Vierne was playing when he collapsed at Notre-Dame had the morbidly apt title “Memorial for a Dead Child.” Three years later, on June 20, 1940, another talented French organist and composer, Jehan Alain, was killed in action during the Second World War. Alain's compositions were considered experimental in both rhythm and modes. Even so, he had just won the French Premier Prix for organ in 1939 when the War broke out, and he was called up for active service. Following the Battle of Saumur, Jehan Alain's body was found by the roadside, with some of his music manuscripts scattered in the wind. Music Played in Today's Program Louis Vierne (1870 - 1937) — Carillon de Longpont (Richard Proulx, organ) Sacred Heart 101 Jehan Alain (1911 - 1940) — Litanies (Carlo Curley, organ) Argo 430 200

Synopsis Today we remember two famous French composers, both organists, who came to dramatic ends in the month of June. On June 2nd, 1937, while playing his 1,750th recital at the Cathedral of Notre-Dame in Paris, Louis Vierne suffered a sudden and fatal stroke, dying in the organ loft in the presence of one of his most promising pupils, Maurice Duruflé. Vierne was born nearly blind, but his exceptional musical ability eventually led to studies with the two greatest French organ composers of the 19th century, César Franck and Charles-Marie Widor. The piece that the 66-year-old Vierne was playing when he collapsed at Notre-Dame had the morbidly apt title “Memorial for a Dead Child.” Three years later, on June 20, 1940, another talented French organist and composer, Jehan Alain, was killed in action during the Second World War. Alain's compositions were considered experimental in both rhythm and modes. Even so, he had just won the French Premier Prix for organ in 1939 when the War broke out, and he was called up for active service. Following the Battle of Saumur, Jehan Alain's body was found by the roadside, with some of his music manuscripts scattered in the wind. Music Played in Today's Program Louis Vierne (1870 - 1937) — Carillon de Longpont (Richard Proulx, organ) Sacred Heart 101 Jehan Alain (1911 - 1940) — Litanies (Carlo Curley, organ) Argo 430 200

On today’s date in 1935, at the Church of Saint François-Xavier in Paris, organist Geneviève de la Salle gave the first complete performance of the three-movement Suite, Op. 5, by the French composer and virtuoso organist Maurice Duruflé. If you sing in a choir or are a fan of choral classics, you probably know Duruflé’s serene and tranquil “Requiem,” Op. 9, which premiered some 12 years later. Now, if Duruflé’s Op. 5 premiered in 1935, and his Op. 9 in 1947, you might reasonably conclude the composer was a slow, meticulous worker, which he was. In all, Duruflé’s output comprises less than 15 published works, of which seven are for organ. His Organ Suite, Op. 5 consist of a brooding Prélude, a Sicilienne that evokes the harmonies and inflections of Ravel, and a brilliant, concluding Toccata. Duruflé’s music is firmly embedded in the French tradition of organ composers like César Franck and Louis Vierne, and Duruflé’s own composition teacher, Paul Dukas. The great French organist Marie-Claire Alain described Duruflé’s music as “… perfectly honest art. . . He was not an innovator but a traditionalist … Duruflé evolved and amplified the old traditions, making them his own."

On today’s date in 1935, at the Church of Saint François-Xavier in Paris, organist Geneviève de la Salle gave the first complete performance of the three-movement Suite, Op. 5, by the French composer and virtuoso organist Maurice Duruflé. If you sing in a choir or are a fan of choral classics, you probably know Duruflé’s serene and tranquil “Requiem,” Op. 9, which premiered some 12 years later. Now, if Duruflé’s Op. 5 premiered in 1935, and his Op. 9 in 1947, you might reasonably conclude the composer was a slow, meticulous worker, which he was. In all, Duruflé’s output comprises less than 15 published works, of which seven are for organ. His Organ Suite, Op. 5 consist of a brooding Prélude, a Sicilienne that evokes the harmonies and inflections of Ravel, and a brilliant, concluding Toccata. Duruflé’s music is firmly embedded in the French tradition of organ composers like César Franck and Louis Vierne, and Duruflé’s own composition teacher, Paul Dukas. The great French organist Marie-Claire Alain described Duruflé’s music as “… perfectly honest art. . . He was not an innovator but a traditionalist … Duruflé evolved and amplified the old traditions, making them his own."

Louis Vierne (1870-1937) en Gustave Samazeuilh (1877-1967) zijn ook voor muziekkenners geen huishoudnamen. De eerste heeft vooral bekendheid verworven met zijn prachtige symfonische orgelwerken. De tweede was behalve componist een bekend criticus, die onder andere een monografie over zijn leraar Ernest Chausson heeft geschreven. In zijn eindexamenjaar bij Widor aan het conservatorium voltooide Vierne zijn […]

Kjetil Ertresvåg feirer den franske orgelmesteren Louis Vierne på det fransk inspirerte orgelet i Moss kirke

durée : 01:28:36 - Louis Vierne - par : François-Xavier Szymczak - A l’heure où l’on reconstruit le toit de Notre-Dame de Paris et que son orgue est en attente de restauration, nous rendons hommage pour une émission à Louis Vierne, qui fut pendant près de quarante années le titulaire de ce prestigieux instrument. - réalisé par : Céline Parfenoff

2020 marks the sesquicentennial of the birth of Louis Vierne (October 8, 1870), organist of Notre Dame de Paris. As such, renowned organist Eric Plutz performs the Great 5th Symphony of Louis Vierne (1870-1937). Mr. Plutz, Princeton University organist, played this recital on our 1999 Létourneau organ on Friday, September 25 at 7:30pm. This event is free, but donations will be gratefully accepted to benefit our continuing Music Program here at St. Ann DC! UPDATE: In light of recent events, while tonight’s performance was initially intended to benefit our Music Program here at St. Ann, it now seems much more appropriate to extend a helping hand to our brothers and sisters in California fighting devastating wildfires. All donations will go directly toward California wildfire relief and recovery. Read Eric Plutz's biography here: https://www.ericplutz.com/biography For health reasons, this event is closed to the public and only viewable online. Want to make a gift now? You have 3 options: 1) If you are a St. Ann parishioner and would like your gift to be recorded in your yearly total, make a donation through FaithDirect by visiting stanndc.org/give, and write in the "Notes" section "California." 2) Visit stanndc.org/music to make a one-time or recurring donation directly on our website. 3) You can also Venmo @nataliejplumb and write "California" in the "for" section. Your contribution is fully tax deductible. View this event on Facebook: https://www.facebook.com/events/239978724033648/

Music included in this recording: "First Symphony Final Moment No. 1" - Louis Vierne "Viri Galilæi" (Mode 7) - Gregorian Chant Entrance Antiphon of Ascension Day Lyrics: Men of Galilee, why look ye up to heaven in astonishment? Alleluia. In like manner as ye have seen him ascending into heaven, so shall he come again. Alleluia. "God is gone up" - Gerald Finzi Lyrics: God is gone up with a triumphant shout: The Lord with sounding Trumpets' melodies: Sing Praise, sing Praise, sing Praise, sing Praises out, Unto our King sing praise seraphicwise! Lift up your Heads, ye lasting Doors, they sing, And let the King of Glory enter in. Methinks I see Heaven's sparkling courtiers fly, In flakes of Glory down him to attend, And hear Heart-cramping notes of Melody Surround his Chariot as it did ascend; Mixing their Music, making ev'ry string More to enravish as they this tune sing.

GLOCKE Orgel digital - der neue Podcast authentisch (live) - persönlich - echt ORGEL - Felix Mende TON - Felix Epp FOTO - Pat Leo SAUER-Orgel (1928) Die Glocke - Das Bremer Konzerthaus

Louis Vierne, Messe SolennelleDavid Conte, “In heaven soaring up” from Three Mystical Hymns

View bulletin: https://drive.google.com/open?id=195VlNuJBjWi8FBwTd3sMi7TLczjEBqDr

This question was sent by Dan, And he writes: "Hi Vidas, I noticed that you’d uploaded to YouTube, a version of Carillon of Westminster by Louis Vierne, where you’re playing it slowly. I know you normally do this, so people can transcribe what you’re doing, and eventually produce a print score with fingering and pedaling. This as well, may help me, as I learn things by ear here, due to being totally blind, and finding Braille music to be tedious, and slow. So along with helping people to transcribe stuff, I’d say what you’re doing with that, is also helpful to me too. Take care." And then I asked Dan this question: What is the easiest way for you to learn music by ear? When you hear entire texture or separate hands and feet? Or even separate voices? And Dan replied, "What I usually like is to have separate hands and feet, and then entire texture to work with. That has worked well over the years for me. I’ll then take that and work on its parts separately to start out, then manuals only, then right hand and pedal, left hand and pedal, and then put things together."

Panelen hyllar hornisten i orkestern Anima Eterna, hör Bayerska radions symfoniorkester ha en bra vecka på jobbet och faller i gråt av John Eliot Gardiners "Odysseus återkomst" av Monteverdi.   Veckans skivor: SCHUBERT, BERWALD ANIMA ETERNA BRUGGE Musik av Franz Schubert och Franz Berwald Anima Eterna Brugge Alpha Classics Alpha 461 Betyg: 5 - totalfemma! BRUCKNER SYMPHONIE NR. 9 Symfoni nr 9 i d-moll av Anton Bruckner Bayerska radions symfoniorkester Mariss Jansons, dirigent BR Klassik 900173  Betyg: 4 VIERNE, FRANCK VIOLIN SONATAS Musik av Eugène Ysaye, César Franck, Louis Vierne och Lili Boulanger Alina Ibragimova, violin Cédric Tiberghien, piano Hyperion CDA68204 Betyg: 4 MONTEVERDI IL RITORNO DULISSE IN PATRIA Opera av Claudio Monteverdi Sångare: Furio Zanasi, Lucile Richardot, Krystian Adam English Baroque Soloists Monteverdi Choir John Eliot Gardiner, dirigent SDG730 Betyg: 5 - totalfemma! Musikrevyn möter: Dirigenten Edward Gardner  Den engelske dirigenten Edward Gardner har gjort en lång rad inspelningar, däribland samtliga orkesterverk av Witold Lutoslawski samt nyckelverk av tonsättare som Szymanowski, Britten, Janacek och Grieg. William Waltons och Elgars symfonier, Schönbergs Gurrelider och Berlioz Reqiuem finns också i hans discografi. Sofia Nyblom mötte Edward Gardner i Konserthuset i Stockholm.

The Rev. Dr. Robert Allan Hill preaches a sermon entitled "The Mysticism of St. John of the Cross". The Marsh Chapel Choir sings “Exsultate Justi" by Ludovico da Viadana and "Kyrie" by Louis Vierne along with service music and hymns.

The Rev. Dr. Robert Allan Hill preaches a sermon entitled "The Mysticism of St. John of the Cross". The Marsh Chapel Choir sings “Exsultate Justi" by Ludovico da Viadana and "Kyrie" by Louis Vierne along with service music and hymns.

Vladimir Stoupel est un musicien pourvu d'un éventail sonore et émotionnel d'une richesse extraordinaire. Il s'aventure jusqu'aux limites extrêmes de l'expression avec une intensité qui emporte inéluctablement ses auditeurs. Sa pensée symphonique confère une dimension orchestrale à son jeu pianistique. Son enregistrement intégral des Sonates de Scriabine a reçu, parmi d'autres récompenses, le prix luxembourgeois « Excellentia ». La presse internationale a qualifié ses concerts comme étant des « feux d'artifice pianistiques » (Washington Post) et une « interprétation hors du commun » (Der Tagesspiegel Berlin). Vladimir Stoupel est souvent reconnu pour être l'instigateur et l'organisateur de programmes qui rompent avec les programmations conventionnelles, où il s'agit pour lui de réattribuer aux chefs-d'œuvre injustement tombés dans l'oubli leur place méritée, ainsi que de remettre en valeur leurs hautes qualités musicales en interaction avec les œuvres connues du répertoire. Il est constamment invité à offrir sa contribution exclusive dans les plus grands festivals internationaux, comme le Schleswig-Holstein Musikfestival, le Festival Piano en Valois (France), les Brandenburgischen Sommerkonzerten, le Printemps des Arts à Monte-Carlo, le Festival d'Helsinki, le Festival La Grange de Meslay à Tours (France) et le Bargemusic Festival à New York. En tant que directeur artistique, il dirige en collaboration avec Judith Ingolfsson son propre festival "Aigues-Vives En Musiques" dans le sud de la France. En tant que concertiste soliste, Vladimir Stoupel est invité par les orchestres de référence, tels l'Orchestre philharmonique de Berlin, l'Orchestre du Konzerthaus de Berlin, l'Orchestre du Gewandhaus de Leipzig, l'Orchestre symphonique de la Radiodiffusion bavaroise, l'Orchestre symphonique allemand de Berlin, l'Orchestre symphonique de la Radiodiffusion berlinoise, l'Orchestre national russe, l'Orchestre national de Weimar, l'Orchestre national de Mayence, l'Orchestre philharmonique national de Cassel et l'Orchestre symphonique de Lancaster. Il travaille régulièrement avec les chefs d'orchestre Christian Thielemann, Michail Jurowski, Leopold Hager, Marek Janowski, Steven Sloane, Stefan Malzew, Patrik Ringborg et Günther Neuhold. Vladimir Stoupel s'est produit dans les salles les plus célèbres, telles la Philharmonie et le Konzerthaus de Berlin, l'Avery Fisher Hall à New York, la National Gallery à Washington DC, la Grosse Musikhalle à Hambourg et le Konzerthaus de Dortmund, pour n'en citer que quelques-unes. Sa vaste discographie dévoile différents styles et époques, tels que, par exemple, des œuvres pour piano de Chostakovitch (RPC, 1988), les œuvres complètes pour piano d'Arnold Schönberg (chez auris subtilis, 2001), de la musique de chambre de Schumann et de Brahms (chez auris subtilis, 2002), l'intégralité des sonates d'Alexandre Scriabine (chez Audite, 2008) et une sélection de musique pour piano du 20ème siècle (EDA 2007). L'enregistrement de l'œuvre complète pour alto et piano d'Henri Vieuxtemps avec l'altiste Thomas Selditz a reçu le fameux « Preis der deutschen Schallplattenkritik » (prix convoité de la critique allemande de l'industrie du disque). Ses trois CD «Concert-Centenaire», enregistrés avec la violoniste Judith Ingolfsson, avec des œuvres de Albéric Magnard, Rudi Stephan, Louis Vierne et Gabriel Fauré sont parus sur le label Accentus Music en 2016. Ils ont été acclamés par la critique internationale et le CD Fauré fut nominé pour les International Classical Music Awards 2017. Citoyen français depuis 1985, Vladimir Stoupel vit actuellement à Berlin.

This question was sent by Denham. And he writes: My dear Vidas, I hope you and Ausra are doing well. My name is Denham and I live in Sri Lanka and I am about to start learning the First Final from Louis Vierne’s No.1 for Christmas this year. I’m hoping to learn one page a week in order to master it well. The question that is in my mind is I am unsure of how to register the organ to play it. Please are you able to provide some insight into this? As in can you please help me with the registration? ​I’d be more than grateful to you. And I am willing to pay you for your trouble! Thank you so much Denham

Tom Klaassen ontdekt de strijkkwartet-bewerking van de Goldberg Variaties die door het Quatuor Ardeo fraai op CD is vastgelegd, en draait verder muziek van Raymond Gagneux, Louis Vierne, Maurice Ravel, en Claude Debussy. En een versie van 'Summertime'!

Welcome to Secrets of Organ Playing Podcast #89! http://www.organduo.lt/podcast Today's guest is Wolff von Roos, a young and talented organist student from Ball State University, Indiana. He took an interest in the organ when he was about three years old. When he was 6 he started piano. Throughout those years he taught himself about the organ and methods. By the time he was 15 he started taking organ instruction. He's 20 years old right now and is currently studying music/organ performance with Raul Prieto Ramirez at Ball State University. He is also taking outside formal instruction from Travis Person who teaches at the University of Indianapolis. Wolff currently serves as Assistant Organist (Organ Scholar) at Broadway United Methodist in Indianapolis, IN. He also works as a solo freelance concert organist and play in an organ duo team called 2Chamades with Jacob Minns. He loves to study works from Josef Rheinberger to Vaughan Williams, from Olivier Messiaen and Louis Vierne to underrated composers like Grégoire Rolland, etc. Wolff also enjoys learning about improvisation in all kinds of styles, his favorite improviser is Pierre Cochereau. He likes to discover orchestra & piano works that have been turned into organ pieces. and enjoys transcribing works himself. He is a huge fan of the Romantic era in the organ world. English, French, German you name it. In this conversation among other things, we talk about starting learning the piece, extremely slow tempos and performances for organ duet. ​​Enjoy and share your comments below. ​ And don't forget to help spread the word about the SOP Podcast by sharing it with your organist friends. Thanks for caring. Relevant links: ​https://www.facebook.com/VonRoos18 ​https://www.facebook.com/2Chamades https://www.facebook.com/OrgansnMusic https://www.youtube.com/channel/UCQ9c-VbiA36n51SXIhnPz1Q​

- direkte fra Sct. Catharinæ Kirke, Hjørring. Stemningsmættet nordisk vokalmusik af bl.a. Grieg og Bo Holten, sommersange af Frederick Delius og Veljo Tormis samt aften- og nattemusik af Brahms og Josef Rheinberger. DR VokalEnsemblet. Dirigent: Olof Boman. Ca. kl. 21.00: Organisten Dmitri Egholm, der er debuteret fra Det Kgl. Danske Musikkonservatroium, spiller César Franck og Louis Vierne. Vært: Klaus-Møller Jørgensen.

Welcome to Secrets of Organ Playing Podcast #48! (hosted by Vidas Pinkevicius, DMA): http://www.organduo.lt Today's guest is Dr. Martin Jean who is Professor of Organ and Director of the Yale Institute of Sacred Music. Professor Jean has performed widely throughout the United States and Europe and is known for his wide repertorial interests. He was awarded first place at the international Grand Prix de Chartres in 1986, and in 1992 at the National Young Artists' Competition in Organ Performance. A student of Robert Glasgow, in the fall of 1999 he spent a sabbatical with Harald Vogel in North Germany. He has performed on four continents and in nearly all fifty states. In 2001 he presented a cycle of the complete organ works of Bach at Yale, and his compact discs of The Seven Last Words of Christ by Charles Tournemire and the complete Six Symphonies of Louis Vierne, both recorded in Woolsey Hall, have been released by Loft Recordings. Recordings of the organ symphonies and Stations of the Cross of Marcel Dupré are forthcoming on the Delos label. Professor Jean is on the board of directors of Lutheran Music Program. He earned the A.Mus.D. from the University of Michigan. In this conversation, Professor Jean shares his insights on what does it take to raise the next generation of leaders of the sacred music field in the 21st century. ​Enjoy and share your comments below. ​ And don't forget to help spread the word about the SOP Podcast by sharing it with your organist friends. Thanks for caring. Related link: Institute of Sacred Music at Yale University: http://ism.yale.edu

Violinsonate g-Moll, op. 23 | Klavierquintett c-Moll, op. 42 | Judith Ingolfsson (Violine) | Vladimir Stoupel (Klavier) | Rebecca Li (Violine) | Stefan Fehlandt (Bratsche) | Stephan Forck (Violoncello)

Den tyske sopran Juliana Banse synger lieder af Duparc, Schönberg og Mahler, akkompagneret af Malcolm Martineau. Desuden uddrag fra en af festivalens talentkoncerter. (Hindsgavl 13. og 14. juli). Ca. kl. 21.15 kan du høre organisten Philip Aggesen, der er debuteret fra Det Kgl. Danske Musikkonservatorium. Han spiller musik af Louis Vierne. Vært: Klaus Mølller-Jørgensen.

Werke für Viola und Klavier von Hans Sitt, Alexander Glasunow, Louis Vierne, Henri Vieuxtemps, Henryk Wieniawski, Franz Liszt, Fritz Kreisler und Zoltán Kodály | Tabea Zimmermann (Viola) | Thomas Hoppe (Klavier)

Orgelsymphonie Nr. 5 a-Moll op. 47 und Orgelsymphonie Nr. 6 h-Moll op. 59 | Hans-Eberhard Roß, Orgel

The Rev. Dr. Robert Cummings Neville preaches a sermon entitled "Deep Thirst, Living Waters". The Marsh Chapel Choir sings "Kyrie from Messe Solennelle, Op. 16" by Louis Vierne and "When David heard" by Thomas Tomkins along with service music and hymns.

The Rev. Dr. Robert Cummings Neville preaches a sermon entitled "Deep Thirst, Living Waters". The Marsh Chapel Choir sings "Kyrie from Messe Solennelle, Op. 16" by Louis Vierne and "When David heard" by Thomas Tomkins along with service music and hymns.