Podcast appearances and mentions of Thomas Hampson

Les mots offrent à la musique vocale un pouvoir unique au sein du répertoire. Nous explorons à titre d'exemple la proposition artistique du baryton Thomas Hampson, pour découvrir comment les auteurs et les compositeurs de différentes époques peuvent être ainsi unifiés autour d'un concept, ici celui de la liberté.

Love to hear from you; “Send us a Text Message”President Trump and the notable reactions from Democrats reveals deeper truths about America's evolving landscape. This is not about a 2-party system: It is about the Right of the People to take back their Government from the Tyrants and Ideologues who no longer listen or care about them. (The Video-Podcast of this Episode will be made available on Rumble. For past episodes on Video visit our Rumble Channel and don't forget to subscribe!)Follow us and watch on X: John Paul II Renewal @JP2RenewalOn Rumble: JohnPaulIIRCCatch up with the latest on our website: jp2renew.org and Sign up for our Newsletter!!  Contact Jack: info@jp2renew.orgRead Jack's Blog: https://jp2renew.org/Support the show

Interpreten: Thomas Hampson, Würth Philharmoniker, Claudio VandelliLabel: hänssler ClassicEAN: 881488240214Dass es auch in unserer Zeit und unseren Breiten noch wirkliches, gelebtes Kultur- und Musikmäzenatentum gibt, beweist nicht nur HP Haselsteiner mit seinem Engagement u.a. in Erl, sondern auch die Würth-Gruppe mit eigenem Konzertsaal und Museum im kleinen deutschen Städtchen Künzelsau. Und wenn schon eiin Konzertsaal gebaut wurde, hat die Reinhold Würth Musikstiftung 2017 auch gleich ein dazu passendes Orchester ins Leben gerufen. Auf der bereits dritten CD haben sich die Würth Philharmoniker mit Thomas Hampson einen besonderen Gast eingeladen. Michael Gmasz berichtet. Für ihr drittes Album sind die Würth Philharmoniker unter Chefdirigent Claudio Vandelli ihrer schon bisherigen Leidenschaft treu geblieben, nämlich Altbekanntem in neuer Fassung auf den Grund zu gehen. Thema des Albums mit Werken von Schubert, Brahms und Mendelssohn-Bartholdy ist die Orchestrierung, also die Kunst, Musik auf eine neue Orchesterbesetzung zu übertragen. Schuberts Lieder für mittlere Singstimme und Orchester erklingen in der Fassung von Brahms, aus seiner Feder gibt es auch die Variationen über ein Thema von Joseph Haydn. Zu original Brahms wiederum hat Detlev Glanert vier Präludien und ernste Gesänge für Bassbariton und Orchester geschrieben. Und zu guter Letzt ist das einzige Werk in „Originalbesetzung“ die Hebriden Konzertouvertüre von Felix Mendelssohn-Bartholdy.Thomas Hampson verleiht den Liedern von Schubert eine Dringlichkeit und Dramatik, bringt aber auch verliebten Schmelz zutage. Absoluter Höhepunkt auf dieser CD sind für mich aber vor allem die Vier Präludien und Ernsten Gesänge von Brahms und Detlev Glanert. Verwendet Glanert bei seinen Brahms-Bearbeitungen ausschließlich originales Musikmaterial, so schafft er mit seinen eigenen instrumentalen Zwischenspielen einen zeitgenössischen und zeitgemäßen Blick auf die 150 Jahre alten Lieder. Als durchkomponierte Suite angelegt, gelingen hier, inklusive Postludium, gute 22 Minuten spannungsreiche Musikdramatik. Die Würth Philharmoniker selbst präsentieren sich mit Brahms‘ Variationen über Haydns St-Antoni Choral und Mendelssohn Hebriden-Ouvertüre als ganz ausgezeichneter Klangkörper! Und lassen Sie mich noch einen Satz zur Reinhold Würth Musikstiftung sagen: man kann Geld auch auf viel schlechtere Weise anlegen, als in Kunst und Kultur. Also danke! (mg)

Love to hear from you; “Send us a Text Message”How do we combat the deep-seated issues of injustice and exploitation that plague our society? Join us as we uncover the harsh realities of sex trafficking and its entrenchment in our communities with Thomas Hampson, an investigative journalist renowned for his work on crime and sexual exploitation. Through heartfelt personal narratives, including the story of my nephew, we explore the shifting dynamics of college relationships, underscoring how family backgrounds shape young adults. Are educational policies overstepping parental rights and community values? The contentious debate over school content, particularly LGBTQ literature, is brought to the forefront as we examine the tug-of-war between federal mandates and local autonomy. Drawing historical parallels to freedom struggles, we consider the potential overreach of the Biden administration and the implications for parental influence in education. The incident in Forsyth County, Georgia, serves as a poignant example of federal intervention sparking community conflict, pushing us to question the appropriate role of government in shaping young minds.Unregulated borders and illegal migration continue to stir controversy, sparking discussions about the exploitation of migrants and the strain on citizens. We delve into the murky ethics of religious organizations profiting from immigration, dissecting the so-called new form of slavery in modern society. Highlighting the need for compassion balanced with controlled borders, our conversation challenges listeners to recognize and resist manipulations within the immigration debate. It's a call to action for men and women alike to unite against exploitation, striving for systemic change that protects all members of our communities.Read Tom's Blog at Illinois Family Institute (The Video-Podcast of this Episode will be made available on Rumble and X. For past episodes on Video visit our Rumble Channel and don't forget to subscribe!)Follow us and watch on X: John Paul II Renewal @JP2RenewalOn Rumble: JohnPaulIIRCCatch up with the latest on our website: jp2renew.org and Sign up for our Newsletter!!  Contact Jack: info@jp2renew.orgRead Jack's Blog: https://jp2renew.org/Support the show

In this edition of Spotlight, Monte Larrick discuss how IL Gov JB Pritzker is “Trump Proofing” Illinois by doubling down on gender affirming care in the state.… Continue Reading

Das Borusan Istanbul Philharmonic Orchestra gründete sich vor 25 Jahren aus dem fünf Jahre zuvor entstandenen Kammerorchester. Es ist ein vergleichsweise junges Orchester, das es dennoch schafft, große Künstlerinnen und Künstler wie Lang Lang, Nicola Benedetti, Thomas Hampson, Fazil Say, oder Daniel Hope anzuziehen. Sophie Schulze hat der Faszination des Orchesters für unsere Themenreihe „Orchester der Welt“ nachgespürt.

Love to hear from you; “Send us a Text Message”Can the turbulence of 2024 be seen as an era-defining moment in American and world history? Join us as Jack unpacks the re-election of Donald Trump with Tom Hampson—seasoned crime fighter, investigator, and journalist. We navigate the maze of multiple indictments, attempts to keep Trump off the ballot, and the influential figures who played a part in his re-election like Elon Musk, Vivek Ramaswamy, and Tulsi Gabbard, Tucker Carlson and Joe Rogan.The conversation offers a fresh perspective on how divine intervention may have played a role, providing Trump and the American people with an opportunity to challenge the evil of the deep state spreading the culture of death and corruption in this ongoing moral battle between good and evil playing out in today's society.(The Video-Podcast of this Episode will be made available on Rumble and X. For past episodes on Video visit our Rumble Channel and don't forget to subscribe!)Visit Tom's SubStack hereFollow us and watch on X: John Paul II Renewal @JP2RenewalOn Rumble: JohnPaulIIRCCatch up with the latest on our website: jp2renew.org and Sign up for our Newsletter!!  Contact Jack: info@jp2renew.orgSupport the show

Love to hear from you; “Send us a Text Message”Joining Jack is investigative reporter Tom Hampson to discuss his most recent article: Rolling Back the Gender Insanity. Visit Tom's Substack herehttps://thomasrhampson.substack.com/p/parents-rights-toolkitTom highlights the policies of the Biden administration, including the executive order allowing transgender individuals in the military and the appointment of Rachel Levine. Hampson draws provocative parallels to historical events, questioning the narratives being shaped by media and political entities to influence public perception.(The Video-Podcast of this Episode is available on Rumble. For past episodes on Video visit our Rumble Channel and don't forget to subscribe!)Follow us and watch on X: John Paul II Renewal @JP2RenewalOn Rumble: JohnPaulIIRCCatch up with the latest on our website: jp2renew.org and Sign up for our Newsletter!!  Contact Jack: info@jp2renew.orgRead Jack's Blog substack.com/@jackrigert  Support the show

The week of September 22nd was announced as banned book week as proclaimed by the American Library Association. Thomas Hampson wrote an article for IFI about it. The concerns that parents have about inappropriate books being placed in the children’s section of the library is not void. To read more from Thomas Hampson, click here.… Continue Reading

Love to hear from you; “Send us a Text Message”Is the current educational system betraying our children by promoting an alternative reality? Join Jack and Thomas Hampson as they critically assess the cultural and political dynamics shaping our society, with a sharp focus on the implications for truth and the young generation. In a search for TRUTH we cannot shy away from the big questions, including the contentious participation of transgender athletes in sports and the policies that seemingly challenge scientific facts about gender differences. As we approach the upcoming national elections, we underscore the urgent need for a return to truth-based education to protect the integrity of our children's future.Social media is supposed to connect us, but is it actually driving our youth to despair? We unravel the complex relationship between platforms like Facebook, Instagram, and TikTok and the surge in depression and anxiety among young people. The conversation goes beyond the screens to examine the controversial teaching of gender identity in schools and the broader societal shift towards moral relativism. Moreover, we question the legal and educational changes that redefine norms, such as the redefinition of Title IX, and their role in the psychological distress observed among the younger generation.Read Tom's Important Article and Share it! "Our Legacy" (The Video-Podcast of this Episode is available on Rumble. For past episodes on Video visit our Rumble Channel and don't forget to subscribe!)Follow us and watch on X: John Paul II Renewal @JP2RenewalOn Rumble: JohnPaulIIRCCatch up with the latest on our website: jp2renew.org and Sign up for our Newsletter!!  Contact Jack: info@jp2renew.orgRead Jack's Blog substack.com/@jackrigert  Support the show

In this episode, Monte Larrick discusses with Thomas Hampson where the children who come to America’s borders are now, the illegal alien predicament in our country, and more. Hamosn is the founder of the Freedom Alliance Foundation, and is a journalist for the Illinois Family Institute. To read his documentation about the missing children,  click here.… Continue Reading

**Anzeige** Ein umfassendes Bild von Anton Bruckner möchte das Internationale Brucknerfest Linz vermitteln: Ein Gespräch über Bruckner als Komponist von Lied, Kammermusik und als Lehrer sowie über den Originalklang-Sinfonienzyklus bei diesem Festival.

Was denkt der US-amerikanische Bariton Thomas Hampson über Kunst und Politik? Mehr dazu in dieser Folge von „Erstklassisch mit Mischke“

We were so honored to welcome actor and legendary opera singer, Thomas Hampson, onto the latest Whisper in the Wings from Stage Whisper. He stopped by to talk about his one night only production of, Address Unknown. Make sure you tune in to learn more about this timely and impactful show, as well as hear one of the most epic theatre memories yet to be shared on our show! So hit play, and get your tickets while you still can!The Cherry Orchard Festival presents Address UnknownApril 17th @ The Town HallTickets and more information are available at cherryorchardfestival.orgAnd be sure to follow Thomas and his organizations to stay up to date on all his upcoming projects and productions:thomashampson.comhampsonfoundation.orgsongofamereica.net

Join Jack and Thomas Hampson as they discuss Tom's latest article, "It's Nose In The Tent", the bullying law in Illinois, dissecting its implications for parental rights and traditional values. As we explore this landscape, Tom's compelling stories remind us of the stakes involved – it's a conversation that cuts to the core of what it means to safeguard our children's future in an ever-changing world."The future of humanity passes by way of the family"--John Paul II.Please send donations to support our work to:John Paul II Renewal Center902 S Randall RoadSTE C #296St. Charles, IL. 60174Support the show     Don't forget to sign up for our Newsletter!!  JPll Renewal Center email listSupport the show

On today's episode we welcome the brilliant, Swiss pianist, Sebastian Issler.  Sebastian was in London during the beginning of the pandemic. He was in need of lessons online and remembered watching 'The Choreography of the Hands' a few years before. He then sought out Robert Durso. Since then, he has been having lessons with Robert Durso online and has travelled to Philadelphia several times for in person lessons. His story demonstrates  the possibility of excelling in the Taubman Approach through a combination of online and in person lessons. Sebastian is an inspiring pianist! Please visit Sebastian's website at: www.sebastianissler.com Swiss Pianist Sebastian Issler received the Jean Meikle Prize for best Duo at the 2022 Wigmore Hall/Bollinger International Song Competition, together with British-Hungarian soprano Anna Cavaliero. He is the winner of the 2022 Paul Hamburger Prize for Lieder, finalist of several international competitions, including the International Schubert Competition Dortmund, and multiple prize winner of the Swiss Youth Music Competition.​Sebastian is the first pianist-in-residence at the City Music Foundation in London, which also acts as his management.​With his duo partners, Sebastian has performed at Milton Court Concert Hall, International Lied Festival Zeist, LIEDBasel Festival, Origen Festival Cultural, Liedrezital Zurich, Abbey Library of Saint Gall, Tonhalle Zurich, Barts Heritage Great Hall, St. Martin-in-the-Fields, and Wigmore Hall, among others. He also appears regularly as an accompanist in masterclasses with luminaries such as Brigitte Fassbaender and Thomas Hampson, and recently as a soloist with the Collegium Vocale Lenzburg in Switzerland.​In 2021, he recorded his unique programme ‘The World of Song' for the Montreux Jazz Festival China at the Schubertiade Hall. ‘The World of Song' was first broadcast in an immersive cinema in 360 Reality Audio at the festival in Hangzhou, China.​He is a graduate of the Guildhall School of Music & Drama in London, where he completed his Artist Diploma as a Guildhall Scholar working with Julius Drake and was a member of Graham Johnson's Song Guild. Prior to his studies in London, Sebastian completed two master's degrees, both with distinction, at the Zurich University of the Arts. He is a scholarship holder of Arosa Kultur and LIEDBasel.​Sebastian is influenced greatly by working with Robert Durso at the Golandsky Institute in New York which significantly changed his own playing and teaching style. He is based in Zurich and enjoys teaching, specializing in the Taubman Approach.​He is currently a fellow at the Guildhall School of Music & Drama, where he gives his lecture ‘Choreography of the Hands' to piano master students in the piano accompaniment programme. Sebastian is a teacher for piano accompaniment at the Zurich University of Teacher Education and is a guest lecturer at the Zurich University of the Arts.The Golandsky Institute's mission is to provide cutting-edge instruction to pianists based on the groundbreaking work of Dorothy Taubman. This knowledge can help them overcome technical and musical challenges, cure and prevent playing-related injuries, and lead them to achieve their highest level of artistic excellence.Please visit our website at: www.golandskyinstitute.org.

I speak about Charles Ives with the great Ives connoisseur Thomas Brodhead, whom I got to know when we worked on Ives' Fourth Symphony with the Concertgebouw Orchestra back in 2012. Ives is such a fascinating composer and has been a constant inspiration in my life as a musician. At the moment, I'm preparing his piece Three Places in New England, which I get to conduct for the first time.    Links to the pieces:    Charles Ives: Country Band March  President's Own United States Marine Band https://www.youtube.com/watch?v=avowzDI8uR0   Charles Ives (orch. T. Grahl, 2021): Walt Whitman - (1921) from 114 Songs Klangforum Wien, Thomas Hampson, Bas Wiegers  https://www.youtube.com/watch?v=IqnO8dJJPYs   Charles Ives: Fourth Symphony  Royal Concertgebouw Orchestra, Peter Eötvös, Bas Wiegers, Ralph van Raat Private recording    Charles Ives: March No. 6 for Piano, with Here's to Good Old Yale Charles Ives, piano  https://www.youtube.com/watch?v=DMW0r_ZxFm8&list=OLAK5uy_lE6Eb6U39_HOe_juxz9dJukRFRewUz3xs&index=41   Charles Ives: Three Places In New England - 1. The "St. Gaudens" In Boston Common Boston Symphony Orchestra, Michael Tilson Thomas  https://www.youtube.com/watch?v=AhbutHpwEh8   Charles Ives: They Are There!, second take Charles Ives, piano  https://www.youtube.com/watch?v=Az0iNeRvNts&list=OLAK5uy_lE6Eb6U39_HOe_juxz9dJukRFRewUz3xs&index=39   Charles Ives: Four Transcriptions from Emerson: No. 1 (beg.) Charles Ives, piano https://www.youtube.com/watch?v=3c8lNFR5xWw&list=OLAK5uy_lE6Eb6U39_HOe_juxz9dJukRFRewUz3xs&index=1   Charles Ives: Three Places In New England - 2. Putnam's Camp, Redding, Connecticut Boston Symphony Orchestra, Michael Tilson Thomas  https://www.youtube.com/watch?v=H-Ytm0l0FTU   Charles Ives: The Unanswered Question  Ricciotti Ensemble, Leonard van Goudoever Private Recording    

Ever wonder about the ethical challenges of undercover investigations and how they parallel the world of politics? Do the powerful always fall prey to corruption? My good friend and undercover investigator, Thomas Hampson joins me to navigate these murky waters and also shed light on the new House Speaker, Mike Johnson. Tom and I explore how power, pride, and money can blur moral lines, often leading to a decay that mirrors some of the political landscapes we see today.We then shift our focus to examine society's growing desensitization towards pornography and its shocking marketing towards children. It's an uncomfortable truth many would rather ignore. As we dissect the proposed bill against book banning, we question whether the so-called "Experts" with advanced degrees in education qualify them to deem what's appropriate for children's reading. Join us as we offer practical wisdom, cultural insights, and some eye-opening revelations about our society today.Please consider being a Sponsor! "The future of humanity passes by way of the family"--John Paul II.Please send donations to support our work to:John Paul II Renewal Center902 S Randall RoadSTE C #296St. Charles, IL. 60174Support the show     Don't forget to sign up for our Newsletter!!  JPll Renewal Center email listFor more information please go to our website: jp2renew.orgSupport the show

Described by The New York Times as “one of America's finest artists and singers,” Frederica von Stade continues to be extolled as one of the music world's most beloved figures. She has enriched the world of classical music for three decades.  Her career has taken her to the stages of the world's great opera houses and concert halls. She began at the top, when she received a contract from Rudolf Bing during the Metropolitan Opera auditions, and since her debut in 1970 she has sung nearly all of her great roles with the Met.  We talked about her signature role, Mozart's Cherubino, her love of Broadway, her respect for Placido Domingo and their Merry Widow performances, and her recent recording, with Thomas Hampson, Richard Danielpour's Elegies, a tribute to her father whom she never met.

“Otello” debuted in Milan in 1887, just two years after European nations gathered in Berlin to agree on a campaign to carve up and colonize the African continent for their own profit. Giuseppe Verdi's opera, based on the play Shakespeare wrote in the very early 1600s, centers on the Moor, Otello — an African who becomes a much celebrated Venetian general for leading a successful war against his fellow Africans.As a Black man in a position of power, Otello's status inspires praise and worship by some and searing loathing from others. How do stereotypes of Black manhood, an all-too-familiar danger to Black men navigating life in America today, show up in Otello's story? With the help of the Every Voice team and special guests – Maribeth Diggle, Thomas Hampson, Peter Sellars, Limmie Pulliam, Kevin Maynor, Dr Uzee Brown Jr. and Sylvia McNair – host Terrance Mcnight examines how this centuries-old story still shapes today's narratives around Black success and how the work of Toni Morrison might lead us to a deeper understanding of these characters. “Every Voice” is hosted by Terrance McKnight. The Executive Producer is Tony Phillips. The Executive Producer for WQXR Podcasts is Elizabeth Nonemaker.  Our research team includes Ariel Elizabeth Davis, Pranathi Diwakar, Ian George, and Jasmine Ogiste. Sound design and engineering by Sapir Rosenblatt. Original music composed by Jeromy Thomas and Ashley Jackson. Special thanks to The Met archives.This project is supported in part by the National Endowment for the Arts. To find out more about how National Endowment for the Arts grants impact individuals and communities, visit www.arts.gov.

We hear ad nauseam about the need for Diversity, Equity and Inclusion.  What's really behind this constant barrage of propaganda? Joining me today is former undercover crime investigator and author Thomas Hampson to unpack his recent article Pride Month . Tom writes:In his proclamation creating what has become known simply as Pride Month, President Clinton made this comment:“America's diversity is our greatest strength. But, while we have come a long way on our journey toward tolerance, understanding, and mutual respect, we still have a long way to go in our efforts to end discrimination.”What's interesting is the use of the phrase “diversity is our greatest strength.” It is a concept that has been around for many years but became popularized during the nineties, especially in business publications.Several books and articles focused on what made for success and failure in the business world. Researchers determined that diverse teams were better at innovation, creativity, problem-solving, decision-making, and meeting the challenges of a global marketplace. This is true, depending on what you mean by diversity.This is not true if you mean diversity alone.Diversity of height on an NBA team, for example, would ensure the team's defeat. Diversity of skill, regardless of certification, for welders used to build our submarines would guarantee no sailor would volunteer to become a submariner. Diversity of character in our elected officials would assure out-of-control corruption in our government—which we have.Diversity, alone, is not a strength. Calling diversity a strength is an empty phrase that sounds good but is meaningless in real-world application except when combined with other qualities.What is most important is unity of purpose.Coming soon: Tom and Jack's weekly show "Stolen Innocence" on Rumble: How many children must be sacrificed at the altar of "Woke" before we "Awaken"? Sex trafficking, hook-ups, rape, pornography, abortion,  gender ideologies...millions  upon millions of victims.  If you saw these children of God as He sees them you would weep. Weep upon a Cross.Don't forget to sign up for our Newsletter!!  JPll Renewal Center email listPlease consider being a Sponsor! "The future of humanity passes by way of the family"--John Paul II.Please send donations to support our work to:John Paul II Renewal Center902 S Randall RoadSTE C #296St. Charles, IL. 60174Support the show     Email me with questions! Contact Jack: BWYR Podcast is a production of the John Paul ll Renewal Center or email him at info@jp2renew.orgSupport the show

In this episode we explore the intersection of identity and opera with University of Florida musicologist Leo Walker. Opera, with its grandeur, emotion, and powerful storytelling, has been a stage for human experiences throughout history. Amidst the vast repertoire of operatic works, there are narratives that explore the diverse spectrum of queer identities. These stories, often overlooked or overshadowed, have found their place within the canon, enriching the operatic landscape. Unveiling the queer threads in the operatic fabric allows us to appreciate the richness and diversity of human experiences. Composers like Benjamin Britten, Leonard Bernstein, and many others, have contributed to this exploration, often drawing inspiration from their own lives and relationships. By examining their music, letters, and historical context, scholars like Leo Walker have shed light on the queerness within the works of these composers, deepening our understanding and appreciation of their contributions to the art form. These narratives illuminate the beauty and struggles of love, desire, and self-discovery. They transcend boundaries and foster belonging for audiences of all backgrounds and identities. Episode Credits: Host - Ashley Daniel FootGuest - Leo WalkerEditor - Mack McGillivray Music Credits: “Adziu! Adziu!” from Act I of Benjamin Britten's Death in Venice. Performed by the English National Opera with John Graham Hall as Aschenbach. Conducted by Edward Gardner. “To Know” from Laura Kaminsky's As One. Performed by Sasha Cooke, Kelly Markgraf, and The Fry Street Quartet. Produced by American Opera Projects in association with BAM (Brooklyn Academy of Music). “Without You What Am I” from Act III of Rufus Wainright's Hadrian. Performed by the Canadian Opera Company with Thomas Hampson as Hadrian and Isaiah Bell as Antinous.

RESOUND bedeutet vieles: Suche nach dem ursprünglichen Klang eines jeden Werks. Aufführung auf den Instrumenten, in den Orchesterbesetzungen, auch in den Konzerträumen der Entstehungszeit, aber natürlich Interpretation durch uns heutige Menschen in all unserer subjektiv persönlichen Deutung. Musik im Klang ihrer Zeit, gespielt auf den Instrumenten der Epoche in den Räumen ihrer Ur- und Erstaufführungen. In der aktuellen Ausgabe widmet sich Martin Haselböck den Orchesterliedern von Franz Liszt, die teilweise als Weltpremiere vom Orchester Wiener Akademie aufgeführt und aufgenommen wurden. Mit dabei sind vier herausragende Stimmen: Sunhae Im, Stephanie Houtzeel, Thomas Hampson und Tomasz Konieczny! Hier geht's zur CD "Orchesterlieder"!

"The controversy over transgenderism arose a few years ago seemingly out of nowhere. But when it did arise, it erupted like a cultural Mount St. Helens."--Thomas HampsonRead the entire article Here:  "The Trans Quagmire--How We Got Here" Tom Hampson has been an investigator for over 50 years. As Chief investigator for the Illinois Crime Investigating Commission he directed an eight-year investigation into the sexual exploitation of children, including the commercial sex trade. Please consider financially supporting the Truth Alliance Foundation and the John Paul II Renewal Center!Follow Tom Hampson and support his work to protect our children!truthalliancefoundation.orgDon't forget to sign up for our Newsletter!!  JPll Renewal Center email listEmail me with questions!Contact Jack: BWYR Podcast is a production of the John Paul ll Renewal Center or email him at info@jp2renew.orgAlso listen to podcast #310: "Mind Pollutors" with Monica Cline and #308 "Stolen Innocence" The National Sex Ed Standards with Tom HampsonSupport the show

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The CDC, Center for Disease Control, is sending out an LGBTQ inclusive self-assessment guide to all schools in the country. The agency wants to find out how committed schools are to providing a safe and inclusive environment for these students.  I thought the CDC's mission was the control and prevention of disease?Link to Tom's Recent Article, Division 44 Join Jack and Tom Hampson from the Truth Alliance Foundation as they discuss Division 44 of the American Psychological Association, also known as the Society for the study of Lesbian and Gay issues. Tom Hampson has been an investigator for over 50 years. As Chief investigator for the Illinois Crime Investigating Commission he directed an eight-year investigation into the sexual exploitation of children, including the commercial sex trade.  Please consider financially supporting the Truth Alliance Foundation and the John Paul II Renewal Center!Follow Tom Hampson and support his work to protect our children! truthalliancefoundation.orgDon't forget to sign up for our Newsletter!!  JPll Renewal Center email listEmail me with questions!Contact Jack: BWYR Podcast is a production of the John Paul ll Renewal Center or email him at info@jp2renew.orgAlso listen to podcast #310: "Mind Pollutors" with Monica Cline and #308 "Stolen Innocence" The National Sex Ed Standards with Tom HampsonSupport the show

This week on Every Voice with Terrance McKnight, we go deeper into Giuseppe Verdi's character of the “Moor of Venice." Otello is a celebrated general in the Venetian army, and as a Black man in a position of power, his status inspires praise and worship by some and searing loathing from others. Otello's subordinate, Iago, thinks his boss woefully undeserving of his success and his white Venetian wife. Driven mad by entitlement, racism, and jealousy, he schemes to “right” this wrong by any means necessary. Joined by baritone Thomas Hampson, tenor Limmie Pulliam, and director Peter Sellars, Every Voice unravels the myth that entangles Otello: that Black manhood is something to be feared and controlled, and how the same stereotypes and undertones of superiority remain an alltoo-familiar danger to Black men navigating life in America today. This episode is hosted by Terrance McKnight and produced by David Norville. The  Executive Producer is Tony Phillips. The Executive Producer for WQXR Podcasts is  Elizabeth Nonemaker. Our research team includes Ariel Elizabeth Davis, Pranathi Diwakar, Ian George, and Jasmine Ogiste. Sound design and engineering by Alan Goffinski. Original music composed by Jeromy Thomas and Ashley Jackson. Special thanks to The Met archives.This project is supported in part by the National Endowment for the Arts. To find out more about how National Endowment for the Arts grants impact individuals and communities, visit www.arts.gov.

Jack is joined by author and founder of the Truth Alliance Foundation, Thomas Hampson. Link to Settled Science by Tom HampsonWhat we are doing to our children is anything but settled science. Tom Hampson has been an investigator for over 50 years. As Chief investigator for the Illinois Crime Investigating Commission he directed an eight-year investigation into the sexual exploitation of children, including the commercial sex trade.  Today Tom and Jack work together to create help community awareness on what is happening to our children!Please consider financially supporting the Truth Alliance Foundation and the John Paul II Renewal Center!Follow Tom Hampson and support his work to protect our children! truthalliancefoundation.orgDon't forget to sign up for our Newsletter!!  JPll Renewal Center email listEmail me with questions!Contact Jack: BWYR Podcast is a production of the John Paul ll Renewal Center or email him at info@jp2renew.orgAlso listen to podcast #310: "Mind Pollutors" with Monica Cline and #308 "Stolen Innocence" The National Sex Ed Standards with Tom HampsonSupport the show

LE NOZZE DI FIGARO (selezione)OvertureOrchestra of The Royal Opera House, Antonio Pappano dir._______________________Recitativo “Or bene, ascolta, e taci” (Susanna, Figaro)Recitativo “Bravo, signore padrone!” (Figaro)Cavatina “Se vuol ballare, signor Contino” (Figaro)Hermann Prey (Figaro), Mirella Freni (Susanna), Wiener Philharmonic Orchestra, Karl Bohm dir.________________________Recitativo “Susannetta, sei tu?” (Cherubino, Susanna)Aria “Non so più cosa son, cosa faccio” (Cherubino)Marina Comparato (Cherubino), Patrizia Ciofi (Susanna) Orchestra del Maggio Musicale, Zubin Metha dir.________________________Recitativo “Ah, son perduto” (Cherubino, Susanna, il Conte, Basilio) Terzetto “Cosa sento. Tosto andante” (Il Conte, Basilio, Susanna)Mirella Freni (Susanna), Maria Ewing (Cherubino), Dietrich Fischer-Dieskau (Il Conte), John van Kesteren (Basilio), Wiener Philharmonic Orchestra, Karl Bohm dir.________________________Aria “Non più andrai, farfallone amoroso” (Figaro)Erwin Schrott (Figaro), Orchestra of The Royal Opera House, Antonio Pappano dir.________________________Aria “Porgi amor qualche ristoro” (Contessa)Nadine Sierra (Contessa), San Francisco Opera Orchestra, Patrick Summers dir.________________________Aria “Voi che sapete” (Cherubino)Teresa Berganza (Cherubino), Orquesta de Aix en Provence, Michael Gielen dir.________________________Sestetto “Riconosci in questo amplesso” (Marcellina, Figaro, Bartolo, Don Curzio, Conte e Susanna)Anne Sofie von Otter, Luca Pisaroni, Maurizio Muraro, Jean-Paul Fouchécourt, Thomas Hampson, Christiane Karg • Jory Vinikour, Chamber Orchestra of Europe, Yannick Nézet-Séguin dir.________________________Aria "Dove sono i bei momenti" (Contessa)Diana Damrau (Contessa), Orchestra del Teatro alla Scala Milano, Franz Welser-Möst dir.________________________Duettino “Sull'aria… Che soave zeffiretto” (Contessa e Susanna)Nadine Sierra (Contessa), Lisette Oropesa (Susanna), San Francisco Orchestra, Patrick Summers dir.________________________Recitativo “Tutto è disposto”Aria “Aprite un po' quegli occhi” (Figaro)Luca Pisaroni (Figaro), Madrid Teatro Real Orchestra, Jesús López Cobos dir.________________________Aria "Deh vieni non tardar" (Susanna)Anna Netrebko (Susanna), Wiener Philharmoniker, Nikolaus Harnoncourt dir.________________________Finale “Gente, gente! All'armi, all'armi!”Christian Gerhaher (Graf Almaviva), Alex Esposito (Figaro), Olga Kulchynska (Susanna), Federica Lombardi (Gräfin Almaviva), Anne Sofie von Otter (Marcellina), Solenn' Lavanant-Linke (Cherubino), BayerischeStaatsoper, Constantinos Carydis dir.

„hiddenCLSX“ ist eine Konzertreihe, die auf die Weiterentwicklung des Repertoires und auf die Aufführung vernachlässigter Meisterwerke, vor allem der Musik unserer Zeit setzt. Neugier und Offenheit für neue Veranstaltungsformen ist gefragt. Der US-Bariton Thomas Hampson war gerade zu Gast bei zwei Konzerten in Berlin und Hamburg - groß und prominent besetzt mit ihm und dem MDR-Sinfonieorchester, insgesamt fast 200 Mitwirkende auf der Bühne unter der Leitung von Dennis Russel Davies. Auf dem Programm Werke, die die US-amerikanische Geschichte des 20. Jahrhunderts geprägt haben, von Charles Ives, John Adams und Leonard Bernstein. Offen für die Entdeckung von neuem Repertoire ist Thomas Hampson schon immer gewesen. Er genießt seit Jahrzehnten eine internationale und einzigartige Karriere in allen Fächern des Gesangs – Oper, Konzert und Lied. Dass ihm das Kunstlied besonders am Herzen liegt, zeigt seine jahrelange Auseinandersetzung und Beschäftigung mit dieser Gattung. So hat er zur Förderung des Liedgesangs eine Stiftung gegründet, die „Hampsong Foundation“ – eine Stiftung, die sich durch die Liedkunst für interkulturellen Dialog und Verständigung einsetzt. Thomas Hampson – Sänger, Kurator, Lehrer und als Lebensaufgabe Botschafter für das Lied – ist zu Gast in der Sendung NDR Kultur à la carte.

We head to Rome for the inaugural academy of Opera for Peace, the emerging artist programme which aims to level the playing field for emerging opera singers from all countries, backgrounds and circumstances. We meet four of their emerging singers and learn how they are applying what they learned, approaching auditions, and dealing with comparison with competing artists. We hear insights from experts Thomas Hampson, Jenna Wolf and Kamal Khan on the challenges of the programme and how they are supporting and nurturing the next generation of operatic talent. View the OperaVision website here Watch now on OperaVision: Lawrence Brownlee & Thomas Hampson's Masterclasses with Opera for Peace (until 26.02.23) Nombulelo Yende's winning performance at the Moniuszko Vocal Competition (until 11.12.22) Il Viaggio a Reims with the Accademia Rossiniana at the Rossini Opera Festival (until 13.02.23) An evening of Operetta & Zarzeuela from the Centre de Perfeccionament del Palau de les Arts (until 16.03.23)   Music extracts: Introduction & closing: Die Entführung aus dem Serail (Mozart): Overture Ukranian folk song, arranged by L. Yashchenko, Soprano: Violeta Samon (In Masterclass) Manon (Massenet) aria Manon: Adieu, notre petite table, Violeta Samon (In Masterclass) Tannhaüser (Wagner) aria Oh du mein holder Abendstern, Samson Setu Werther (Massenet) aria Charlotte Je vous écrit de ma petite chambre, Rachel Barg Tosca (Puccini) Te Deum with Samson Setu and full Opera for Peace Academy Chorus Così fan Tutte (Mozart) trio Soave sia il vento, Amanda Osorio, Fatima Alhashmi, Geng Lee All piano accompaniment Kamal Khan

The Biden Administration is changing the definition of male and female in Title IX. We must act to oppose this now.https://youtu.be/GzvNaQiUOQQThe Transgender Trend. A complex cultural phenomenon is sweeping through schools throughout the country. Children are declaring that they no longer identify as their own sex, but as the opposite sex, a new made-up “gender,” or no sex at all, creating serious challenges for K-12 schools. https://childparentrights.org/title-ix/Follow Tom Hampson and support his work to protect our children!https://truthalliancefoundation.orgTom has been an investigator for 50 years and directed an eight-year investigation into the commercial sexual exploitation of children.Today our school systems have institutionalized grooming and the only solution is for parents to be educated and stand up against those who would strip the innocence of our children as a foundational step aimed at destabilizing the family structure.Please consider being a Sponsor of the show!  Support the showBuckle up! Here is your Hero (Become a Saint) Homework!     1. Go to Mass, the most important prayer! Try to make an extra Mass during the week.     2. Take the wedding bath...the Sacrament of Reconciliation at least once per month     3. Read Scripture daily     4. Pray the Rosary Every Day! See Podcast #'s 118, 119, 120, 121 to pray along as a family! See Podcast #'s 108, 110, 111, 112 to to pray the Rosary with the Gospel Story!     5. Spend 10 minutes a day in Silence.Please share this with your friends and family!Don't forget to sign up for our Newsletter!!  JPll Renewal Center email listEmail me with questions!Contact Jack: BWYR Podcast is a production of the John Paul ll Renewal Center or email him at info@jp2renew.orgSupport the show

I Peenemünde vid Östersjöns kust tillverkade Hitlerregimen ohyggliga raketer. I dag är fabriken museum över ondskan. I maj 2022 gästades platsen av New York Philharmonic med världsartister. Peenemünde ligger på ön Usedom i norra Tyskland, 16 mil rakt söder om Simrishamn. I maj hölls en unik festival, en manifestation för fred, i öns gamla vapenfabrik, som efter järnridåns fall gjordes om till ett museum.En av de drivande var världsdirigenten Kurt Masur, som själv spelade en avgörande roll när Tyskland återförenades utan våld. Kurt Masur blev en hjälte, en institution, och många ville se honom som politiker men han valde musiken. Han ledde sedan en av världens mest ansedda orkestrar, New York Philharmonic i många år, men glömde aldrig Usedom.Kurt Masurs dröm var att orkestern någon gång skulle spela i Peenemünde. I maj 2022, sju år efter hans död, blev drömmen verklighet. Idel världsartister som Anne Sophie Mutter, Thomas Hampson och Jan Lisiecki spelade en noga vald repertoar tillsammans med den 106 personer starka orkestern.Platsen bär en förskräcklig historia, men musik har kraft att förändra också en fasornas fabrik som orkesterns första violinist Yulia Ziskel, själv med judiskt påbrå, uttrycker det: We really have to change the energy in this place and I think we did.En dokumentär från 2022 av Eva Sjöstrand.

„Europa als Aufgabe“: Tschechien stellt Konzept zur EU-Ratspräsidentschaft vor, Extremismus: Corona-Politik war 2021 zentrales Thema, US-amerikanischer Opernsänger Thomas Hampson in Prag

„Europa als Aufgabe“: Tschechien stellt Konzept zur EU-Ratspräsidentschaft vor, Extremismus: Corona-Politik war 2021 zentrales Thema, US-amerikanischer Opernsänger Thomas Hampson in Prag

Pianist Lara Downes talks about her intimate tribute to Leonard Bernstein and his American legacy in her new album from Sony Classical, entitled For Lenny. This 28-track recording features world premieres, new arrangements, and inspired collaborations between Lara and artists such as Rhiannon Giddens, Thomas Hampson, and Kevin Olusola.

The bass baritone Luca Pisaroni is on the top of an international career which started 2001 in the austrian city of Klagenfurt singing one of his now most famous roles - Mozart's Figaro. He has now sung more than 150 performances of that very role and is still not afraid of more to come. Although he was born in the hometown of maestro Giuseppe Verdi himself one will hardly find any Verdi in his otherwise big repertoire. He prefers to present his abilities in Mozart, Händel and even german songs, what really makes him an italian singer being totally non-italian. How the environment you grew up in shapes you, why Mozart is a phenomenal voice teacher and how realizing not being a tenor was one of the biggest disappointments in the life of Luca Pisaroni you will hear in the newest episode of "Parlando - opera talk"

Das Opernhaus Zürich hat ein Musiktheater zum berühmten Roman „Das Mädchen mit dem Perlenohrring“ von Tracey Chevalier in Auftrag gegeben. Das Buch und die Oper erzählen eine fiktive Enstehungsgeschichte des berühmten Vermeer-Bildes. Mit Thomas Hampson als Vermeer feierte die Oper von Stefan Wirth am 3. April Premiere. SWR2 Opernredakteur Bernd Künzig überzeugte die schnörkellose Personenführung des Regisseurs Ted Huffman, der musikalische Sog-Effekt und die Stimme der weiblichen Hauptrolle, Lauren Snouffer.

In der zweiten Ausgabe stehen "alte" Mozart-Aufnahmen mit der Wiener Akademie unter Martin Haselböck im Mittelpunkt. Darunter (heute seltene) Aufnahmen mit Bernarda Fink und dem jungen Thomas Hampson. Ein Teil davon ist für das Mozartjahr 1991 entstanden.

Der Sänger Thomas Hampson ist in diesen Tagen zu Gast bei den Bamberger Symphonikern. Auf dem Programm: Alban Bergs Sieben frühe Lieder. Konzerte finden in Erlangen, Fürth und Bamberg statt.

- Staję przed publicznością, żeby przywołać pewien świat, który jest mi bardzo bliski, świat, który dokładnie i gruntownie zgłębiałem. Chciałbym tylko, żeby do głosu doszli prawdziwi geniusze: Goethe, Heine, Schubert, Mader, Strauss i wielu, wielu innych. Jestem wyłącznie ich przedstawicielem - mówił w Dwójce Thomas Hampson, jeden z najwybitniejszych współczesnych śpiewaków.

All uploads on this channel are for promotional purposes only! The music has been converted before uploading to prevent ripping and to protect the artist(s) and label(s). If you don't want your content here (that goes for audio or images) please contact me immediately via email: unpluggedtube@outlook.it and I WILL REMOVE THE EPISODE OR ARTWORK IMMEDIATELY! ---------------------------------------------------------------------------------------------------- Dans son salon devenu célèbre durant le confinement, Daniel Hope convie à présent de grands noms de la musique pour un concert de Noël exceptionnel. En cette période où le besoin de réconfort, de confiance et peut-être même d'insouciance se fait plus que sentir, le violoniste et ses amis font briller la flamme de l'espoir. Ses invités : Lang Lang, piano Gina Alice Redlinger, piano Lucienne Renaudin Vary, trompette Fatma Said, soprano Rea Garvey, chant et guitare acoustique Camille Thomas, violoncelle Thomas Hampson, baryton Michael Metzler, percussion Aliya Vodovozova, flûte Jacques Ammon, piano ____________ 00:00 Daniel Hope/Jacques Ammon/Fatma Said/Lucienne Renaudin Vary: Carl Maria v. Weber/Fritz Kreisler: „Larghetto" Franz-Xaver Gruber: “Stille Nacht“ (Texte en Allemand, Français, Arabe), arr. Paul Bateman Trad.: „Engel auf den Feldern singen“ („Gloria in excelsis deo“) Mel Tormé/Bob Wells: “The Christmas Song” Astor Piazzolla: "Ave Maria”/”Tanti anni prima" 25:51 Daniel Hope, Rea Garvey: “Black is the Colour” “Oh my love” Trad.: “Danny Boy” 40:49 Daniel Hope, Camille Thomas, Jacques Ammon, Thomas Hampson: Felix Mendelssohn Bartholdy: "Lieder ohne Worte“, op. 109 Trad.: “Adeste fideles”, arr. Paul Bateman Hugh Martin/Ralph Blane: "Have yourself a merry little Christmas“, arr. Paul Bateman Walter Kent (Musik), Buck Ram/Kim Gannon (Text): “I'll be home for Christmas”, arr. Paul Bateman Stephen Foster: "Beautiful Dreamer“, arr. Paul Bateman Irving Berlin: "White Christmas“, arr. Paul Bateman 01:10:05 Aliya Vodovozova, Jacques Ammon: Pyotr Ilyich Tchaikovsky: „Dezember“ 01:15:44 Daniel Hope, Michael Metzler: Trad.: „Maria durch ein Dornwald ging“ 01:18:00 Lang Lang, Gina Alice Redlinger: Johann Sebastian Bach: Extraits des Variations Goldberg Johannes Brahms: Valse. op. 39, n°15 en la bémol majeur Sergei Rachmaninoff: Prélude, op. 32, n°5 en sol majeur Johann Sebastian Bach: Sonate en ut mineur, BWV 1017 - 1. Siciliano. Largo 01:43:12 Daniel Hope, Aliya Vodovozova, Jacques Ammon, Michael Metzler, Thomas Hampson: Joseph Haydn/Leopold Mozart/Edmund Angerer: „Spielzeugsinfonie“ („Berchtoldsgadenmusik“), 1er mouvement „Marche" Photo : © Daniel Waldhecker Reshared by Team UNPLUGGED.

It was an honor to host Dr. Jennifer Higdon earlier this year. Since her episode, she's continued composing, and presenting. In this show she discusses life as a composer, music she finds inspiration from, and what it was like to win one of the biggest awards for musicians.Jennifer Higdon, a Pulitzer Prize and three-time Grammy winner, is one of the most performed living American composers working today. She is the recent recipient of Northwestern University's Nemmers Prize and the UT Austin EM King Award. Previous honors include the Guggenheim, Koussevitzky, and Pew Fellowships, as well as two awards from the American Academy of Arts & Letters. Commissions have come from a wide range of performers: from the Philadelphia Orchestra and the Chicago Symphony, to The President's Own Marine Band; from the Tokyo String Quartet to Eighth Blackbird, as well as individual artists such as singer Thomas Hampson, violinist Hilary Hahn and pianist, Yuja Wang.  Her first opera on Charles Frazier's book, “Cold Mountain”, was commissioned by Santa Fe Opera, Opera Philadelphia, NC Opera, and Minnesota Opera, selling out all of its runs and winning the International Opera Award. She makes her living from commissions. Her works are recorded on over 70 CDs. The recording of her “Percussion Concerto” with Colin Currie and the London Philharmonic was recently inducted into The Library of Congress' National Recording Registry. Jennifer holds the Rock Chair in Composition at The Curtis Institute of Music in Philadelphia.For more information about Dr. Jennifer Higdon, visit her official website here.Visit Creative Peacemeal Podcast on social media, browse podcast swag, and continue the creative conversations via the blog!Website https://tstakaishi.wixsite.com/musicInstagram @creative_peacemeal_podcastFacebook https://www.facebook.com/creativepeacemealpod/***To make a donation to Dachshund Rescue of Houston click here!As always, THANK YOU for listening and if you have a moment, share an episode with a friend, or leave a review on Apple by clicking here and scrolling to "Ratings and Reviews" Support the show (https://www.patreon.com/creativepeacemeal)

Sie standen sich sehr nahe: der Bariton Thomas Hampson und der Dirigent Mariss Jansons. Bis zu Jansons' Tod vor zwei Jahren arbeiteten die beiden Weltklassemusiker regelmäßig zusammen und tauschten sich auch freundschaftlich aus. Im Gespräch mit BR-KLASSIK-Moderatorin Antonia Goldhammer erinnert sich Thomas Hampson an seinen Freund und sein großes Vorbild, Maestro Jansons.

Synopsis Let's face it. Brevity and wit are not always qualities one associates with new music. But today we offer a sample: this comic overture is less than 5 minutes long, and opens, as you just heard, with a Fellini-esque duet for piccolo and contrabassoon. The overture is entitled “Quantum Quirks of a Quick Quaint Quark,” and is a rather burlesque celebration of modern theoretical physics. Its alliterative title evokes those subatomic particles known as “quarks” that, we're told, make up our universe. And, since this music changes time signature so often, perhaps Heisenberg's “uncertainty principle” is thrown in for good measure. The music is by Marga Richter, who was born on this date in 1926 in Reedsburg, Wisconsin. Richter received her early music training in Minneapolis, and then moved to New York's Juilliard School. By the time of her death in 2020, she had composed over 75 works including an opera and two ballets, as well as two piano concertos and a variety of solo, chamber and symphonic works. "Composing,” said Richter,” is my response to a constant desire to transform my perceptions and emotions into music … Music is the way I speak to the silence of the universe." Music Played in Today's Program Marga Richter (b. 1926) — Quantum Quirks of a Quick Quaint Quark (Czech Radio Orchestra; Gerard Schwarz) MMC 2006 On This Day Births 1879 - French composer, pianist, and writer Joseph Canteloube, in Annonay (near Tournon); 1885 - Austrian composer and musicologist Egon Wellesz, in Vienna; 1921 - English composer (Sir) Malcolm Arnold, in Northampton; 1926 - American composer Marga Richter, in Reedsburg, Wisconsin; 1949 - Israeli composer Shulamit Ran, in Tel Aviv; Deaths 1662 - English composer Henry Lawes, age 66, in London; Premieres 1784 - Gretry: opera, "Richard Coeur de Lion" (Richard the Lionhearted), in Paris; 1858 - Offenbach: comic opera, "Orphée aux enfers" (Orpheus in the Underworld), in Paris; 1900 - Rimsky-Korsakov: opera "The Tale of Tsar Saltan," at the Solodovnikov Theatre in Moscow, with Mikhail Ippolitov-Ivanov conducting (Gregorian date: Nov. 3); 1921 - Third (and final) version of Sibelius: Symphony No. 5, in Helsinki under the composer's direction; Sibelius conducted the first performances of two earlier versions of this symphony in Helsinki on Dec. 8, 1915 and Dec. 14, 1916; 1926 - Nielsen: Flute Concerto (first version), in Paris, conducted by Emil Telmányi (the composer's son-in-law), with Holger Gilbert-Jespersen the soloist; Nielsen revised this score and premiered the final version in Oslo on November 9, 1926, again with Gilbert-Jespersen as the soloist; 1933 - Gershwin: musical "Let 'Em Eat Cake," at the Imperial Theater in New York City; 1941 - Copland: Piano Sonata, in Buenos Aires, by the composer; 1956 - Menotti: madrigal-fable "The Unicorn, the Gordon and the Manticore," at the Library of Congress in Washington, D.C.; 1984 - Ellen Taaffe Zwilich: Double Quartet for strings, at a concert of the Chamber Music Society of Lincoln Center, by the Emerson Quartet and friends. 2004 - Danielpour: "Songs of Solitude" (to texts of W.B. Yeats), at the Kimmel Center's Verizon Hall in Philadelphia, by baritone Thomas Hampson and the Philadelphia Orchestra, with Daniel Robertson conducting; Others 1739 - Handel completes in London his Concerto Grosso in D, Op. 6, no. 5 and possibly his Concerto Grosso in F, Op. 6, no. 9 as well (see Julian date: Oct. 10). Links and Resources On Marga Richter An interview with Richter

Australian tenor and composer David Hobson is one of Australia's best-known operatic, concert and stage performers, with a repertoire that spans the gamut of musical styles from Baroque through to Pop.Beginning his career in rock and jazz bands, David's potential as a ‘classical' singer was discovered by the Victoria State Opera in the 1980s. He subsequently made his name with Opera Australia in his award winning performance of Rodolfo in La Boheme directed by Baz Luhrmann. Since then he has gone on to become a well regarded classical performer, major recording artist, most recently a music theatre leading man and a frequent television performer on shows like Carols By Candlelight, Carols in The Domain, Spicks and Specks, Dancing With the Stars, It Takes Two, and as a presenter on Foxtel's Studio. He has performed for Her Majesty Queen Elizabeth in the Great Hall in Canberra and sung at the AFL Grand Final.His many operatic roles include Don Ottavio (Don Giovanni), Ferrando (Cosi Fan Tutte), Tamino (The Magic Flute), Don Ramiro (La Cenerentola), Count Almaviva (The Barber of Saville), Nadir (Pearl Fishers), Lindoro (L'Italiana in Algeri), Belmonte (Die Entführung aus dem Serail), Nemorino (l'elisir d'amore), Eisentein (Die Fledermaus), Danilo (The Merry Widow), Frederic (The Pirates of Penzance) Nanki-Poo (The Mikado), Marco (The Gondoliers), Ralph Rackstraw (H.M.S. Pinafore), the Defendant (Trial By Jury), the title roles in Orphee and Candide, The Architect in the world premiere of The Eighth Wonder and, most recently, Caractacus Potts in the Australian premiere of Chitty Chitty Bang Bang. His international roles include Chevalier Danceny in Dangerous Liaisons with Renée Fleming and Thomas Hampson for San Francisco Opera.Recordings include The Promise, A Little Closer, Presenting David Hobson, The Exquisite Hour, Cinema Paradiso, French and Italian Arias, Handel Arias, Inside This Room, Tenor and Baritone (with Anthony Warlow), You'll Never Walk Alone (with Teddy Tahu-Rhodes) and Singing for Love (with Yvonne Kenny).He is Musica Viva's In Schools Ambassador, an Ambassador for Heart Kids and Patron of the Ballarat Arts Foundation.The STAGES podcast is available from Apple podcasts, Spotify and Whooshkaa. Also where you find your favourite podcasts. www.stagespodcast.com.au

Nach dem großen Erfolg der Sendereihe RESOUND Beethoven im letzten Jahr widmet sich Dirigent Martin Haselböck im heurigen Jahr der Person Franz Liszt. Mit seinem Orchester Wiener Akademie hat Haselböck in den vergangenen Jahren beim Liszt Festival Raiding nicht nur das (bis dahin bekannte) Orchesterwerk von Franz Liszt auf zeitgenössischen Instrumenten aufgeführt und eingespielt, sondern hat auch die eine oder andere Uraufführung (!) eines Liszt'schen Werkes leiten können. 2021 stellt er auf radio klassik Stephansdom immer am vierten Samstag im Monat die Kompositionen Liszt einem breiteren Publikum vor. In der September-Ausgabe bringt Martin Haselböck eine Vorschau auf spannende Konzerte in Wien, Raiding und Budapest im Oktober, bei denen insgesamt drei Uraufführungen (sic!) von Werken von Franz Liszt erklingen werden! In der Sendung gibt es Raritäten von uns mit Bernd Weikl, Thomas Hampson und Tomasz Konieczny zu hören.

Join us as we head to Zurich, Switzerland to talk with the famously acclaimed Baritone, Thomas Hampson, about teaching, his foundation, and social media with laughs and stories along the way. https://thomashampson.com https://hampsongfoundation.org https://songofamerica.net

"In song, you have one of the most amazing diaries of any generation's culture at a given time," states Thomas Hampson. The esteemed baritone joins Bramwell Tovey for a concert of American music and songs, followed by Elgar's portraits of his own circle of friends in the Enigma Variations.

Opera is one of the least watched art forms in the world, and possibly the most expensive. Hardtalk speaks to opera superstar Thomas Hampson. He says the way to get people to love opera is to get them to understand it, and then it has the power to transform. If he is right, could one of the most elite and expensive art forms have worldwide appeal?