Podcasts about Faur

durée : 00:03:55 - Jeux d'Eau : Ravel dans le grand bain - par : Max Dozolme - Hier je vous parlais des reflets magiques du Clair de Lune de Gabriel Fauré, une pièce qu'admirait beaucoup un élève de Fauré. C'est Maurice Ravel, un compositeur qui a dédié à son professeur sa première grande pièce pour piano. Une pièce aquatique là encore…

durée : 00:04:12 - Les reflets du "Clair de lune" de Fauré - par : Max Dozolme - Ce matin et pour prolonger un peu la nuit et nos rêves, Max Dozome nous parle du "Clair de lune" (1887) de Gabriel Fauré, une mise en musique très originale d'un poème de Paul Verlaine...

durée : 01:27:56 - Le Quatuor Ébène, l'alchimie du quatuor - par : Aurélie Moreau - Le Quatuor Ebène impressionne par la richesse et la profondeur de ses interprétations, tout comme son approche libre des différents styles musicaux. Au programme aujourd'hui : Beethoven, Mozart, Ravel, Mendelssohn, Fauré, Dvořák, Schoenberg…

durée : 01:58:02 - Facettes françaises I - par : Christian Merlin - Notre série sur la symphonie française a négligé quantité d'œuvres orchestrales qui échappent au moule de la symphonie : revoici donc Saint-Saëns, Franck, Chausson, Roussel, rejoints par Fauré, Chabrier, Florent Schmitt, Paul Ladmirault, sans oublier Augusta Holmès, Rita Strohl ou Lili Boulanger. - réalisé par : Adrien Roch

durée : 00:28:15 - Facettes françaises I (4/4) : Dukas, Boulanger, Sohy, Roussel - par : Christian Merlin - Notre série sur la symphonie française a négligé quantité d'œuvres orchestrales qui échappent au moule de la symphonie : revoici donc Saint-Saëns, Franck, Chausson, Roussel, rejoints par Fauré, Chabrier, Florent Schmitt, Paul Ladmirault, sans oublier Augusta Holmès, Rita Strohl ou Lili Boulanger. - réalisé par : Adrien Roch

durée : 00:28:18 - Facettes françaises I (3/4) - par : Christian Merlin - Notre série sur la symphonie française a négligé quantité d'œuvres orchestrales qui échappent au moule de la symphonie : revoici donc Saint-Saëns, Franck, Chausson, Roussel, rejoints par Fauré, Chabrier, Florent Schmitt, Paul Ladmirault, sans oublier Augusta Holmès, Rita Strohl ou Lili Boulanger. - réalisé par : Adrien Roch

durée : 00:27:59 - Facettes françaises I (2/4) - par : Christian Merlin - Notre série sur la symphonie française a négligé quantité d'œuvres orchestrales qui échappent au moule de la symphonie : revoici donc Saint-Saëns, Franck, Chausson, Roussel, rejoints par Fauré, Chabrier, Florent Schmitt, Paul Ladmirault, sans oublier Augusta Holmès, Rita Strohl ou Lili Boulanger. - réalisé par : Adrien Roch

Acclaimed worldwide for his profound musicianship and technical mastery, British cellist Steven Isserlis enjoys a unique and distinguished career as a soloist, chamber musician, educator, author and broadcaster.As a concerto soloist he appears regularly with the world's leading orchestras and conductors, including the Berlin Philharmonic, National Symphony Orchestra Washington, London Philharmonic and Zurich Tonhalle orchestras. He gives recitals every season in major musical centres, and plays with many of the world's foremost chamber orchestras, including the Australian, Mahler, Norwegian, Scottish, Zurich and St Paul Chamber Orchestras, as well as period-instrument ensembles such as the Orchestra of the Age of Enlightenment and Philharmonia Baroque Orchestra. Unusually, he also directs chamber orchestras from the cello in classical programmes.Recent and upcoming highlights include performances with the Gewandhausorchester Leipzig, Vienna Philharmonic Orchestra at the Salzburg Mozartwoche; the US premiere of Thomas Adès's Lieux retrouvés with the Los Angeles Philharmonic, following world and UK premieres in Lucerne and at the BBC Proms, and a further performance of the work in Amsterdam with the Britten Sinfonia, conducted by the composer; Prokofiev's Concerto Op. 58 with the London Philharmonic Orchestra under Vladimir Jurowski, in London and at the Dresden Music Festival; and Haydn's C major Concerto with the Orchestra of the Age of Enlightenment under Adam Fischer.As a chamber musician, he has curated series for many of the world's most famous festivals and venues, including the Wigmore Hall, the 92nd St Y in New York, and the Salzburg Festival. These specially devised programmes have included ‘In the Shadow of War', a major four-part series for the Wigmore Hall to mark the centenary of the First World War and the 75th anniversary of the Second World War; explorations of Czech music; the teacher-pupil line of Saint-Saëns, Fauré and Ravel; the affinity of the cello and the human voice; varied aspects of Robert Schumann's life and music; and the music of Sergei Taneyev (teacher of Steven's grandfather, Julius Isserlis) and his students. For these concerts Steven is joined by a regular group of friends which includes the violinists Joshua Bell, Isabelle Faust, Pamela Frank, and Janine Jansen, violist Tabea Zimmermann, and pianists Jeremy Denk, Stephen Hough, Alexander Melnikov, Olli Mustonen, Connie Shih, and Dénes Várjon.He also takes a strong interest in authentic performance. This season's projects include a recording of the Chopin Cello Sonata and other works with Dénes Várjon for Hyperion, using ones of Chopin's own piano; and a recital of Russian sonatas with Olli Mustonen. In recital, he gives frequent concerts with harpsichord and fortepiano. Recent seasons have featured a special performance with Sir Andras Schiff at the Beethovenhaus in Bonn, using Beethoven's own cello; and performances and recordings (selected for the Deutsche SchallplattenPreis) of Beethoven's complete music for cello and piano with Robert Levin, using original or replica fortepianos from the early nineteenth century. With harpsichordist Richard Egarr, he has performed and recorded the viola da gamba sonatas of J.S. Bach as well as sonatas by Handel and Scarlatti. This season, they tour together in the US.He is also a keen exponent of contemporary music and has premiered many new works including John Tavener's The Protecting Veil (as well as several other pieces by Tavener), Thomas Adès's Lieux retrouvés, Stephen Hough's Sonata for Cello and Piano, Left Hand (Les Adieux), Wolfgang Rihm's Concerto in One Movement, David Matthews' Concerto in Azzurro, and For Steven and Hilary's Jig by György Kurtág. In 2016, he gave the UK premiere of Olli Mustonen's of Frei, aber einsam for solo cello at the Wigmore Hall.

durée : 00:28:04 - Facettes françaises I (1/4) - par : Christian Merlin - Notre série sur la symphonie française a négligé quantité d'œuvres orchestrales qui échappent au moule de la symphonie : revoici donc Saint-Saëns, Franck, Chausson, Roussel, rejoints par Fauré, Chabrier, Florent Schmitt, Paul Ladmirault, sans oublier Augusta Holmès, Rita Strohl ou Lili Boulanger. - réalisé par : Adrien Roch

-00.55 Siobhan Donnellan talks about Sliabh Aughty qualifying for the  All Ireland Finals in confined section in the Drama in  Claremorris On Monday 28th April and two performances in Scariff prior to the event.  https://www.facebook.com/profile.php?id=100064773126876 -19.30 Carmel Cronin founder and manager talks about the Clare Garden Festival, taking place in the Showgrounds next week.  https://claregardenfestival.com -28.35 Arlene White introduces the new season of Killaloe Ballina history talks,  that starts on Wednesday 23rd April 2025  https://www.facebook.com/killaloeballinalhs -35.45 Mountshannon Arts are very busy - Shulagh Colleran tells us bout upcoming programme of events for this years festival on the June bank holiday weekend.  https://www.mountshannonarts.ie -46.15 Carmel Honan talks about a concert taking place in Ennis Cathedral on Friday 25th April 2025 Fauré's Requiem in Ennis Cathedral on April 25th at 8pm - tickets still available at glor.ie https://glor.ticketsolve.com/ticketbooth/shows/1173663039 or from Glór box office at 065 6843103 -  Originally broadcast  20th April 2025

durée : 01:27:36 - En pistes ! du mardi 15 avril 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Le ténor Nicky Spence s'empare des mélodies de Fauré, la Weimar Staatskapelle part à la découverte de la musique orchestrale de Paul Ben-Haim, les Contes de fée de Schumann et les trois quatuors opus 59 de Beethoven...

durée : 01:27:36 - En pistes ! du mardi 15 avril 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Le ténor Nicky Spence s'empare des mélodies de Fauré, la Weimar Staatskapelle part à la découverte de la musique orchestrale de Paul Ben-Haim, les Contes de fée de Schumann et les trois quatuors opus 59 de Beethoven...

durée : 00:12:17 - Le Disque classique du jour du vendredi 11 avril 2025 - Kate Lindsey a choisi de graver ces deux cycles ; l'un, "Frauenliebe und Leben" de Schumann assez connu, l'autre, "La Chanson d'Ève" de Fauré, beaucoup moins enregistré.

durée : 00:12:17 - Le Disque classique du jour du vendredi 11 avril 2025 - Kate Lindsey a choisi de graver ces deux cycles ; l'un, "Frauenliebe und Leben" de Schumann assez connu, l'autre, "La Chanson d'Ève" de Fauré, beaucoup moins enregistré.

Este sábado, y tras 15 años, la Orquesta Infantil de la Sinfónica de Galicia se presenta en el Auditorio de Ferrol. Con más de 100 músicos sobre el escenario, acompañados por los Coros Infantil y Joven, el evento promete ser único. Dirigidos por Jorge Montes, los jóvenes intérpretes ofrecerán un programa con piezas de Mozart, Lennon y McCartney, y Fauré, entre otras. El concierto, con entrada libre, resalta tanto por su nivel artístico como por la oportunidad de los músicos locales de actuar ante sus familias.

durée : 01:27:59 - Laurent Korcia, fougue et sensibilité - par : Aurélie Moreau - 1er Prix du Concours Francescatti, Grands Prix des concours Paganini et Jacques Thibaud, Laurent Korcia est un violoniste célébré pour son jeu plein d'imagination et son tempérament audacieux. Aujourd'hui : Korngold, Bartók, Fauré, Kreisler, Ysaÿe…

On this episode Pat sits down with Mihai Faur, CIO of UiPath to discuss his 10 year journey with the company from a small startup in Romania to the global automations company it is today. We dive into the IPO readiness piece, how as a Chief Accounting Officer he set the company on the path for IPO following Daniel Dines' vision in 2019 to bring the company public in 2 years. You will learn aboutWhat does it take to get a company from startup mode to IPO ready How to get to operational predictability The role AI will play in UiPath's 2nd act merging AI and Automations You can find Mihai on LinkedIn here. Want to stay up-to-date on latest episodes?Follow The Enthusiast wherever you are getting your podcasts and make sure to check out our newsletter on LinkedIn⁠here⁠ to stay up to date on our latest episodes with founders and investors beyond the Valley.Follow Pat on LinkedIn ⁠here⁠.

¿Sabías que los compositores franceses han jugado con la acentuación del latín durante siglos? En este episodio #169 exploramos cómo Poulenc llevó esta tradición al extremo, provocando críticas por su "irreverencia" en su *Gloria*. Desde el Renacimiento hasta el siglo XX, analizamos cómo músicos como Josquin, Fauré y Poulenc transformaron el latín en un idioma vivo, adaptado a su estética. ¿Poulenc no sabía latín? Descubrilo aquí.a lo mejor te interesa suscribirte a mi newsletter gratuitahttps://www.dopplerpages.com/gusespada-D9EA4/Form6-62234anotarse es gratis, darse de baja también

Short message today before we listened to a sneak peek of Fauré's Requiem directed by David Kozisek, performed by the Hamline Church Festival Chorus, orchestra and organ.

Nocturne No. 4 in E-Flat Major, Op. 36 (c. 1884), Brad Mehldau Après Fauré NonesuchY el tiempo, Dorantes Y el tiempo Flamenco SculturaSin muros ni candados - Nueva versión, Dorantes Sin muros ni candados (Nueva versión) Flamenco SculturaLuz de Vida, Chano Domínguez, Rubem Dantas, Hamilton De Holanda Chabem AltafonteDedicatoria, Gregori Hollis, Chano Domínguez Dedicatoria MicroscopiCarinhoso, Chano Domínguez, Rubem Dantas, Hamilton De Holanda, Sílvia Pérez CruzChabem AltafonteAgave, Niklas Paschburg Agave Nettwerk Music GroupDuvet, Niklas Paschburg, Andy Barlow Svalbard 7K!Schöne Stille María Coma Schöne Stille (Live) Foehn RecordsEscuchar audio

durée : 00:06:35 - Quand la correspondance de compositeurs inspire des spectacles - par : Sofia Anastasio - Les correspondances des compositeurs et compositrices ne cessent d'inspirer metteurs en scène et musiciens. Pourquoi et comment mettre en scène et en notes les échanges de Fauré, Ravel ou encore Mozart ? Rencontre avec des artistes qui ont décidé de mettre en lumière les lettres de ces derniers.

durée : 00:29:41 - Thierry Frémaux, délégué général du Festival de Cannes, directeur du Festival Lumière à Lyon et réalisateur - Il y a 130 ans, les frères Lumière inventaient le cinématographe. Pour rendre hommage à ces deux pionniers, Thierry Frémaux, délégué général du Festival de Cannes, signe un documentaire qui réunit 120 films Lumière restaurés, sublimés par les notes de Fauré. Rencontre avec un cinéphile mélomane.

durée : 00:18:35 - Disques de légende du jeudi 06 mars 2025 - Depuis quelques années, Cyrille Dubois et Tristan Raës travaillaient ensemble autour de la mélodie française, de Nadia Boulanger aux musiciens de la Grande guerre. L'intégrale des mélodie de Fauré, sortie en 2022, est donc le fruit d'un long et beau compagnonnage.

durée : 00:19:23 - Disques de légende du mardi 25 février 2025 - En 1998, le quatuor Ysaye n'a pas encore 15 ans mais s'affirme déjà comme l'un des plus grands quatuors français.

durée : 01:28:33 - En pistes ! du vendredi 07 février 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Ce matin, place à de nouvelles versions de grands classiques : des airs de Mozart par Reinoud Van Mechelen, Vivaldi par Hanna Salzenstein, Le Clavier bien tempéré de Bach par Vincent Bernhardt ou encore Brahms avec le pianiste Paolo Rinadi - réalisé par : Antoine Courtin

durée : 01:28:33 - En pistes ! du vendredi 07 février 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Ce matin, place à de nouvelles versions de grands classiques : des airs de Mozart par Reinoud Van Mechelen, Vivaldi par Hanna Salzenstein, Le Clavier bien tempéré de Bach par Vincent Bernhardt ou encore Brahms avec le pianiste Paolo Rinadi - réalisé par : Antoine Courtin

durée : 01:28:50 - En pistes ! du mercredi 05 février 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Une nouvelle version des 7 péchés capitaux de Kurt Weill avec Simon Rattle et Magdalena Kožená ce matin ! Mais aussi Fauré, Vivaldi, Chopin ou Albert Lortzing

durée : 01:28:50 - En pistes ! du mercredi 05 février 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Une nouvelle version des 7 péchés capitaux de Kurt Weill avec Simon Rattle et Magdalena Kožená ce matin ! Mais aussi Fauré, Vivaldi, Chopin ou Albert Lortzing

durée : 00:16:25 - Le Disque classique du jour du mardi 04 février 2025 - Jean-Luc Tingaud et l'Orchestre national d'Irlande mettent à l'honneur Fauré avec la Suite de "Pelléas et Mélisande", mais aussi des pages moins connues extraites de "Prométhée" ou de "Shylock". Avec les voix de Tara Erraught, Ruth Rosique et Julien Dran.

durée : 01:28:37 - En pistes ! du mardi 04 février 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Un voyage de Moscou à Venise en passant par Paris avec au programme : Victor Julien-Laferrière qui enregistre un Tchaïkovski méconnu, une intégrale des sonates de Scriabine, la musique de Fauré, ou le dernier disque consacré à Venise du violoncelliste Giovanni Sollima

durée : 00:16:25 - Le Disque classique du jour du mardi 04 février 2025 - Jean-Luc Tingaud et l'Orchestre national d'Irlande mettent à l'honneur Fauré avec la Suite de "Pelléas et Mélisande", mais aussi des pages moins connues extraites de "Prométhée" ou de "Shylock". Avec les voix de Tara Erraught, Ruth Rosique et Julien Dran.

durée : 01:28:37 - En pistes ! du mardi 04 février 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Un voyage de Moscou à Venise en passant par Paris avec au programme : Victor Julien-Laferrière qui enregistre un Tchaïkovski méconnu, une intégrale des sonates de Scriabine, la musique de Fauré, ou le dernier disque consacré à Venise du violoncelliste Giovanni Sollima

More musical gems from the masters   Including works by Beethoven, Schubert, Handel, Fauré, Weber and Strauss

Today I present to you the extraordinarily versatile, even chameleon-like singer and actor Marni Nixon (22 February 1930 – 24 July 2016), who is no doubt best-known today as the so-called “Ghostess with the Mostest.” Born into a musical family in California, she became involved from an early age with the movies, and by a marvelous set of circumstances became The Voice for a number of Hollywood actresses not known for their singing voices. Her skill in matching the vocal and speech characteristics of each of these performers is exceptional, but she was so much more than that. She pioneered the work of many 20th century giants, including Igor Stravinsky, Arnold Schoenberg, Charles Ives, and Anton Webern. She hosted a local Seattle children's television program called Boomerang that netted her four Emmy Awards. She performed on opera stages and concert platforms around the world. She recorded widely, everything from Mary Poppins to Pierrot Lunaire, and in the mid-1970s was the first singer to perform and record Schoenberg's cabaret songs, his so-called Brettl-Lieder, works that are now standard repertoire. Reminiscences of Marni are provided by my good friend Thomas Bagwell, currently a coach and conductor at The Royal Danish Opera in Copenhagen, who was a colleague and good friend of Marni Nixon's for the last 25 years of her life. This episode features a cross-section of this stunning artist's extensive recorded output, recorded over six decades, including repertoire from Webern to Rodgers and Hammerstein. In between we have examples of Nixon's performances of songs by Schoenberg, Stravinsky, Debussy, Ives, Fauré and her former husband Ernest Gold; concert and song repertoire by Villa-Lobos, Boulez, Castelnuovo-Tedesco, Copland, and Gershwin; plus a few outliers, from a live performance of Korngold's Mariettas Lied to the jazzed-up exotica of Buddy Collette's Polynesia to Mr. Magoo's Mother Goose Suite, not to mention a spoonful of Mary Poppins. Overall, “It's a Jolly ‘Oliday with Marni!” Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.  

Sharing her own musical career with her internationally known musician-husband, Robert, Gaby excelled in her roles as a concert pianist, piano teacher, interpreter of modern French composers, intrepid world traveler, mother to three children, wife, and champion of her husband's composing career as well as his extraordinary performance career as a pianist.  Gaby and Robert certainly could be said to have had a “piano love affair.”  The Casadesus family had been musicians for generations but Robert and Gaby's family went on to be especially known as the “The First Family of the Piano.  Their son, Jean, sometimes performed with them on pieces featuring three pianos, one even captured on CBS TV! Gaby's delightful memoir, My Musical Notes, is now available in English for the first time and is being published in October by Hamilton Books, an imprint of Bloomsbury Publishing.  It was first published in French in 1989 and describes: *Gaby's love of teaching the French piano tradition, giving lessons at well-known schools such as the American Conservatory at Fontainebleau, Julliard and Curtis Institute of Music.  Due to her close association with many of the modern-day French composers, especially Ravel, she was known for her insights in helping students learn and interpret their works. *Her collegiate relationships and friendship with many leading musical figures of the 20th century including Ravel, Poulenc, Fauré, Toscanini, Bernstein, Szell, Ormandy, and many others.  In fact, she was friendly with Albert Einstein as well during her stay in Princeton from 1940 - 1945 and performed Mozart with him in a local concert! Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

This Day in Legal History: Standard Oil RisingOn January 10, 1870, John D. Rockefeller and his partners incorporated the Standard Oil Company, marking a pivotal moment in American industrial and legal history. Standard Oil quickly became a dominant force in the oil industry, employing innovative practices such as vertical integration and aggressive pricing to outcompete rivals. By the late 19th century, the company controlled nearly 90% of the U.S. oil refining market, making Rockefeller the nation's first billionaire and one of the wealthiest individuals in history.However, Standard Oil's dominance also sparked concerns about monopolistic practices and the concentration of economic power. In 1911, following years of legal challenges, the U.S. Supreme Court ruled in Standard Oil Co. of New Jersey v. United States that the company violated the Sherman Antitrust Act of 1890. The Court applied the "rule of reason," determining that the company's practices unreasonably restrained trade and harmed competition. As a result, Standard Oil was ordered to dissolve into 34 separate entities, including Exxon, Mobil, and Chevron, many of which remain influential today.This landmark decision underscored the federal government's authority to regulate monopolies and enforce antitrust laws, shaping the legal landscape for corporate regulation in the 20th century. The case also highlighted tensions between industrial innovation and market fairness, a debate that continues to resonate in discussions of antitrust law and corporate power.The U.S. Supreme Court, in a 5-4 decision, cleared the way for Donald Trump's sentencing in his New York hush money case, rejecting his request to delay proceedings. Trump, now president-elect, argued for immunity from prosecution, claiming the sentencing would distract from his presidential transition and harm his global standing. However, the court stated his claims could be addressed later on appeal and noted the sentencing's impact would be minimal, as no prison time would be imposed.The majority included Chief Justice John Roberts, Justice Amy Coney Barrett, and the court's three liberal justices. Justices Clarence Thomas, Samuel Alito, Neil Gorsuch, and Brett Kavanaugh dissented–which means there is a one-vote majority in the Supreme Court on the issue of Trump not being entirely above the law. Trump emphasized that the decision leaves room for appeals on broader immunity issues. Manhattan District Attorney Alvin Bragg, who prosecuted the case, supported moving forward with sentencing due to its public interest.Justice Juan Merchan ruled that a president-elect doesn't qualify for the same immunity as a sitting president but opted for an "unconditional discharge," sparing Trump any real penalties beyond the conviction. Trump remains focused on overturning the verdict, asserting the trial was flawed under new presidential immunity standards set by a prior Supreme Court ruling. The case could ultimately return to the Supreme Court for a final decision.Supreme Court Allows Trump Sentencing in NY Hush Money Case (2)Trump to be sentenced in hush money case, days before his inauguration | ReutersThe U.S. House of Representatives voted 243-140 to pass the "Illegitimate Court Counteraction Act," sanctioning the International Criminal Court (ICC) in response to its arrest warrants for Israeli Prime Minister Benjamin Netanyahu and former Defense Minister Yoav Gallant. The act targets individuals involved in prosecuting U.S. citizens or allies, including Israel, who are not ICC members. It marks strong Republican support for Israel following their takeover of Congress. The sanctions echo Trump-era measures against the ICC, previously imposed over investigations into U.S. actions in Afghanistan and later lifted under the Biden administration. These new sanctions extend to those aiding ICC operations and could, according to ICC President Judge Tomoko Akane, threaten the court's functionality and existence. The ICC defends its actions, citing sufficient evidence and the need to prevent ongoing crimes in Gaza.Forty-five Democrats joined Republicans in backing the bill, while no Republicans opposed it. The Senate, now Republican-controlled, is expected to prioritize the measure, allowing President-elect Trump to sign it shortly after his inauguration. The ICC has yet to comment on the vote. The legislation comes amid heightened criticism of the ICC's pursuit of war crime charges against Israeli leaders, accusations Israel denies.US House votes to sanction International Criminal Court over Israel | ReutersRudy Giuliani, former lawyer for President-elect Donald Trump, faces a second contempt hearing in Washington on Friday over claims he violated a court agreement in a defamation case brought by Georgia election workers Ruby Freeman and Wandrea “Shaye” Moss. The case stems from Giuliani's false allegations that the workers helped rig the 2020 presidential election. The workers accuse Giuliani of breaching an agreement barring him from making further defamatory statements, citing comments on his podcast suggesting ballot tampering.  Earlier this week, Giuliani was held in civil contempt by a federal judge in New York for failing to comply with information requests related to the $148 million judgment Freeman and Moss won against him in 2023. Giuliani is appealing that decision. If found in contempt again, U.S. District Judge Beryl Howell could impose civil fines or jail time.This adds to Giuliani's growing legal troubles, including disbarment for spreading false election claims and criminal charges in Georgia and Arizona. Giuliani's lawyers argue his podcast remarks did not specifically reference Freeman and Moss and were part of his legal defense on appeal. However, the May 2024 agreement prohibits any public comments implying wrongdoing by the election workers.Giuliani faces second contempt bid over false claims about 2020 election workers | ReutersThis week's closing theme is by Benjamin Godard.Benjamin Godard (1849–1895) was a French composer and violinist whose lyrical and melodic style earned him a place among the late Romantic composers of his time. Despite achieving considerable acclaim during his life, Godard's works have since faded into relative obscurity, overshadowed by contemporaries like Saint-Saëns and Fauré. His compositions, however, reflect a deeply expressive and refined musicality, blending the elegance of French Romanticism with a penchant for memorable themes.One of Godard's notable chamber works is his String Quartet No. 3, Op. 136, a piece that exemplifies his gift for balancing structural clarity with emotional depth. The third movement, "Minuetto molto moderato", is particularly striking. It reinterprets the classical minuet form with a delicately poised, almost dreamlike quality, showcasing Godard's skill in creating nuanced and intimate musical textures. The lilting rhythm and restrained tempo evoke a sense of grace, while the interplay between the strings lends the movement a sophisticated charm.This movement serves as a perfect closing theme for the week, offering a reflective and elegant departure from the bustling rhythms of daily life. The gentle, flowing melodies allow listeners to unwind while appreciating the timeless beauty of chamber music. Godard's Minuetto invites contemplation, serving as both a tribute to his artistic legacy and a serene conclusion to the week.Without further ado, Benjamin Godard's String Quartet No. 3, Op. 136. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

durée : 01:28:46 - Relax ! du lundi 06 janvier 2025 - par : Lionel Esparza - Quelques millésimes de l'année 1925 : "L'enfant et les sortilèges" de Ravel, la Symphonie n°2 de Prokofiev, le quatuor de Fauré, "Wozzeck" de Berg et le Concerto en fa de Gershwin...

Obras de grandes compositores de la música clásica (Bach, Ravel, Fauré, Chopin, Mompou, Rachmaninov) en grabaciones de Trio da Paz ('Arioso'), Baden Powell ('Jesus alegria dos homens'), Bobby McFerrin ('Ave Maria'), Deodato ('Pavane for a dead princess'), Richard Galliano ('Pavane pour une infante défunte'), Airelle Besson, Edouard Ferlet & Stéphane Kerecki ('Pavane opus 50'), Belmondo ('Après un rêve'), Kenny Drew Jr. ('Waltz in A minor', 'Canción y danza VI'), Gilson Peranzzetta & Mauro Senise ('Confesiones íntimas III'), Charlie Haden Quartet West ('Moment musical opus 16 nº3') y Clay Giberson ('Solfeggio'). Escuchar audio

Dr Michael Salla's links: New Book: https://exopolitics.org/galactic-fede... Twitter:   / michaelsalla  Website: https://exopolitics.org/ Salla on YouTube:    / michaelsalla  Bev on YT:    / @beverlirhodes  Watch Beverli part 1 here: https://youtube.com/live/76MUIFty9LI Watch Bev part 2 here: https://youtube.com/live/gWT7Gu9gZ1I Watch Bev part 3 here: https://youtube.com/live/9g06Cj31wCA Beverli's website: https://www.awakeningacademy.co.uk/ Beverli's book: https://www.amazon.co.uk/Beverli-Rhod... Watch more of our P-Diddy videos here:     • P Diddy  Podcast 368 Gérard Fauré    • France's Biggest Coke Dealer & P£d0 H...  #aliens #drones #psychictarot

durée : 00:12:31 - Fauré et Poulenc par Romain Descharmes avec l'Orchestre de l'Opéra de Malmö - Le pianiste Romain Descharmes enregistre un nouvel album avec l'Orchestre de l'Opéra de Malmö (dirigé par Michael Halász), avec à l'affiche de grandes pages de Fauré et de Poulenc. Un dialogue franco-suédois réussi !

durée : 00:12:31 - Fauré et Poulenc par Romain Descharmes avec l'Orchestre de l'Opéra de Malmö - Le pianiste Romain Descharmes enregistre un nouvel album avec l'Orchestre de l'Opéra de Malmö (dirigé par Michael Halász), avec à l'affiche de grandes pages de Fauré et de Poulenc. Un dialogue franco-suédois réussi !

durée : 01:28:21 - En pistes ! du lundi 30 décembre 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Au menu de ce lundi : un quintette de cuivres qui revisite la musique russe, une intégrale Fauré par le pianiste Laurent Wagschal, Bach au luth ou encore les grands moments du pianiste Shura Cherkassky - réalisé par : Philippe Petit

durée : 01:28:21 - En pistes ! du lundi 30 décembre 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Au menu de ce lundi : un quintette de cuivres qui revisite la musique russe, une intégrale Fauré par le pianiste Laurent Wagschal, Bach au luth ou encore les grands moments du pianiste Shura Cherkassky - réalisé par : Philippe Petit

In his third appearance on the show, Rabbi Abe H. Faur joins us for a thought-provoking conversation about the evolving dynamics of leadership and tradition within the Jewish community. We begin by examining the concepts of "Gedolim" and "Daas Torah," cornerstones of Haredi influence. Rabbi Faur shares his perspective on whether these ideas align with Torah values and how they shape the Haredi community's approach to authority and decision-making. Next, we turn to the groundbreaking work of his father, Hakham Yosef Faur a'h, and his seminal book Horizontal Society. Rabbi Faur explains the essence of the Horizontal Society concept, its roots in our mesorah, and how it contrasts with the hierarchical, dynastic structures that dominate today. He also unpacks the idea of "Alphabetic Judaism," offering a powerful vision for the Jewish nation rooted in Sepharadi tradition and standing in stark contrast to Greek philosophical and societal frameworks. Finally, we address the challenges faced by his father, Hakham Faur, in his mission to revive and preserve the traditions of Old Sepharad, particularly in the face of opposition from the "black hat" community. Rabbi Faur reflects on his father's legacy, his unwavering commitment to authenticity, and the personal struggles he endured. In closing, Rabbi Faur shares his thoughts on the future of Judaism and whether he remains hopeful in light of these challenges. This episode is a heartfelt and inspiring tribute to a towering legacy and a powerful call for introspection as a nation. --- • Bio: Rabbi Abe H. Faur is the rabbi of Congregation Ohel David & Shelomo, in Manhattan Beach, NY. Rabbi Faur was ordained by Rabbi Mordechai Eliyahu and Rabbi Abraham Shapira. He teaches Talmudic and Rabbinic thinking in accordance with the Andalusian sages, and the teachings of his father, the Great Hakham José Faur a"h. His father was a Sepharadi rabbi, teacher and scholar in the Syrian-Jewish community in Brooklyn for many years. He was also a professor at the Jewish Theological Seminary of America, the Spertus Institute for Jewish Learning and Leadership, and Bar Ilan University, and was Professor of Law at Netanya Academic College. Rabbi Mordechai Eliyahu once said "the greatest Sephardic Hakham living in the US today is Rabbi Faur" and his books and articles continue to have a tremendous impact in both religious and academic circles around the world. You can find his shiurim on his YouTube channel, @toratandalus4535 . --- • Yafe Be'ito, meaning "nice in its time" in Hebrew, is a foundation devoted to spreading the profound Torah teachings of Hakham Dr. José Faur: https://yafebeito.com/ --- • Welcome to JUDAISM DEMYSTIFIED: A PODCAST FOR THE PERPLEXED | Co-hosted by Benjy & Benzi | Thank you to...Super Patron: Jordan Karmily, Platinum Patron: Craig Gordon, Gold Patrons: Dovidchai Abramchayev, Lazer Cohen, Travis Krueger, Vasili Volkoff, Rod Ilian, Silver Patrons: Ellen Fleischer, Daniel Maksumov, Rabbi Pinny Rosenthal, Fred & Antonio, Jeffrey Wasserman, and Jacob Winston! Please SUBSCRIBE to this YouTube Channel and hit the BELL so you can get alerted whenever new clips get posted, thank you for your support! --- Support this podcast: https://podcasters.spotify.com/pod/show/judaismdemystified/support

Watch Bev part 3 here: https://youtube.com/live/9g06Cj31wCA Watch Bev part 2 here: https://youtube.com/live/gWT7Gu9gZ1I Watch Bev part 1 here:  https://youtube.com/live/Gc4CIlfPDdA Beverli's website: https://www.awakeningacademy.co.uk Beverli's book: https://www.amazon.co.uk/Beverli-Rhod... Watch more of our P-Diddy videos here:     • P Diddy  Podcast 368 Gérard Fauré    • France's Biggest Coke Dealer & P£d0 H...  #diddy  #news  #pdiddy

“I don't have a sound that I'm trying to make the choir fit into. I'm trying to understand and uncover the palette of sounds that are in front of me and then expand our sense of what we can sound like. This happens through the community building process, because the more we honor each individual and allow them to bring themselves into that rehearsal space, then the fuller and richer we are.”Dr. Joel Tranquilla (he/him/his) is a conductor and music educator noted for his versatile musicianship and creative programming. Originally from Fredericton, Joel is thrilled to have returned home to assume the position of Artistic Director of the Halifax Camerata Singers and Chorus Master of Symphony Nova Scotia. Formative choral experiences include touring with the American Boychoir as a boy soprano and singing as a member of the Nova Scotia and National Youth Choirs. He holds degrees from Mount Allison University, the University of Michigan, and Michigan State University where his doctoral research was in the area of Canadian choral-orchestral works.Joel relocated to Nova Scotia in 2023 after spending nine years as the Director of Choral Activities at Trinity Western University in Langley, BC, where he oversaw a program of six choirs and taught various courses within the School of the Arts, Media and Culture. Joel led the TWU Chamber Choir on tours to Ottawa, New York City, China, Hong Kong, Japan, and Taiwan. In addition to his work at TWU, Joel served as the Artistic Director of the Valley Festival Singers in Abbotsford and was the conductor of the award-winning Coastal Sound Youth Choir in Coquitlam. A singing member of the Canadian Chamber Choir since 2007, he was named the ensemble's Associate Conductor in 2013. As such, he contributes to the programming and long-term artistic visioning of that organization. Prior to his time on the West Coast, Joel lived and worked in Windsor, Ontario, serving as the conductor of several local ensembles including the Windsor Symphony Orchestra Chorus. In high demand as an adjudicator and clinician across the country, Joel is a past Guest Conductor of the New Brunswick Youth Choir and the Manitoba Provincial Honour Choir, and was the Assistant Conductor of the 2012 National Youth Choir.Major works conducted include Poulenc's Gloria, Vaughan Williams' Hodie, Ramirez's Navidad nuestra, Mendelssohn's St. Paul, Handel's Alexander's Feast, Requiems by Fauré and Duruflé, Bach's St. John Passion, and Allan Bevan's oratorio Nou Goth Sonne Under Wode. In spring 2023, Joel conducted the premiere of a new oratorio by David Squires and made his Carnegie Hall debut in a program featuring Vaughan Williams' Five Mystical Songs. Joel believes in the power of choral music to build and strengthen community. His wife, Meghan is an audiologist, and they have three precocious children: Everett, Penelope, and Felix.To get in touch with Joel, you can visit the Halifax Camerata Singers website at halifaxcamerata.org or find them on Facebook (@HalifaxCamerataSingers) or Instagram (@halifaxcameratasingers). You can also find the Canadian Chamber Choir at their website canadianchamberchoir.ca, on Facebook (@CanadianChamberChoir) or Instagram (@canadianchamberchoir).Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

Matt Crawford speaks with Therese Casadesus Rawson about her book, My Musical Notes: A Journey in Classical Piano between the World Wars and Beyond. This is actually her mother's book which she has translated and rereleased on the 25th anniversary of her mother Gaby Casadesus' passing.  Chronicling nearly a century of music, Gaby Casadesus' My Musical Notes, recounts the French pianist's remarkable career as half of one of the most extraordinary husband and wife teams in twentieth century classical music, with her husband Robert Casadesus. Told in a lively conversational tone, she evokes the delicate balance between touring and family life, maintaining her own solo career and traveling the world while raising three children. Her decades-long teaching imparted the stylistic legacy of Debussy, Fauré and Ravel, a personal friend to both Robert and Gaby, to generations of young pianists. In this memoir, we experience the bustling Paris of the 1920s and 30s as well as numerous adventures touring North and South America, Europe, the Middle East, and Asia while championing French piano repertoire as the internationally recognized duo Robert and Gaby Casadesus. She also details her encounters and collaborations with the greatest names of 20th century classical music: Fauré, Ravel, Stravinsky, Poulenc, Bruno Walter, Toscanini, Szell, Boulez, Bernstein as well as other celebrities of the era such as Albert Einstein, with whom she played Mozart, Elsa Schiaparelli, Joan Miró and more.

Grief and grieving are universals, and on All Souls' Day we hold before God those we hold dear in death as in life. Requiem settings for the Eucharist, named after the Latin text which begins 'Eternal rest grant them O Lord, and let light perpetual shine upon them', are some of the most powerful music ever written. Using music by Victoria, Mozart, Charpentier, Verdi, Fauré and Duruflé, Andrew Carwood explores how music and religion come together to deal with fear and loss, and provide comfort and hope. For copyright reasons, the tracks played at the event have been edited out of this film. To find them to listen to here is a list of the tracks (details also appear on screen): 1. Hushabye Mountain – Aled Jones 2. Missa pro defunctis Introit: Requiem aeternam – Gregorian chant – Cistercian Monks of Stift Heiligenkreuz 3. Missa pro defunctis Introit: Requiem aeternam – Tomas Luis de Victoria – The Tallis Scholars / Peter Philips 4. Requiem Mass Sequence : Dies irae – Wolfgang Amadeus Mozart – London Symphony Orchestra & Chorus / Colin Davis 5. Messe des Morts: Sequence: Dies irae – Marc-Antoine Charpentier – Orfeo Orchestra & Purcell Choir / Gyorgy Vashegyi 6. Requiem Mass Sequence : Lachrymosa – Wolfgang Amadeus Mozart – Bach Collegium Japan / Masaaki Suzuki 7. Requiem Mass Sequence : Dies irae – Giuseppe Verdi – Orchestra & Coro del Teatro alla Scala, Milano / Ricardo Muti 8. Messe de Requiem: Libera me – Gabriel Fauré – Benjamin Luxon, Choir of St John's College, Cambridge, ASMF / George Guest 9. Antiphon: In paradisum – Gregorian chant – Cantori Gregoriani / Fulvio Rampi 10. Messe de Requiem: In paradisum – Maurice Duruflé – Corydon Singers & ECO / Matthew Best Andrew Carwood MBE is the Director of Music at St Paul's Cathedral, having had an illustrious solo career as a singer before focusing attention on conducting and choral direction. He is also the founder-director of the Gramophone award-winning early music ensemble The Cardinall's Musick which continues to perform throughout the UK and Europe.

As the United States faces its most momentous and contentious election since at least 1968, let's turn for today to our neighbors to the North to become acquainted with one of their cultural icons: the African Canadian contralto Portia White (1911-1968), the first internationally renowned Black Canadian classical singer, named a “person of national historic significance” by the Canadian government in 1995. Her story is taught to Canadian school children, her legacy has yielded operas, musicals, plays, and memorials which celebrate her contribution; she has even appeared on a stamp issued by Canada Post. In Canada she is revered with the same significance as are Marian Anderson, Dorothy Maynor, and Roland Hayes. And yet in the United States she is virtually unknown. Part of this is no doubt because she left no commercial recordings, and because her international career was so brief. This episode seeks in its own humble way to right that wrong, and to place Portia White in the context of other Black singers of her era. At the time of her death of cancer in 1968, a memorial LP was issued containing live recordings from the 1940s, including selections by Schubert, Fauré, Bizet, and Arne; French Canadian folk songs, and spirituals. I have arranged those selections into an “imaginary recital” such as she might have given in one of her concerts during those years. The episode is framed by two different recordings of her “theme song,” the poignant and plangent “Think on Me.” White is the first of two contraltos of international significance I will be presenting this week. I am honored and thrilled to introduce (or re-introduce) her to you today. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford.

We meet a teen cellist from a large musical family who performs a theatrical piece by Cassadó. An 18-year-old saxophone player with a commitment to community engagement delivers a moving Elegy by Fauré.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy